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PedalboardThe Warm Audio Warmdrive is a true reproduction of the most sought-after "amp-in-a-box" pedal of all time, delivering the tones of a truly unattainable overdriven amp. Both guitar heroes and modern virtuosos like SRV, Eric Clapton, Robben Ford, John Mayer, Santana, and Cory Wong are known to have used either the original amplifier or the pedal inspired by it. With an artist roster like that, it’s no wonder that original vintage pedals are talked about amongst the most demanding and discerning chasers of tone. Staying true to the legacy, the Warmdrive delivers all the tones of the original pedal and amplifier that inspired it.True To Legacy, True To SoundWhether you’re driving cleans into breakup, thickening up rhythm tones, or saturating solos, the Warmdrive can transform your amp from a polite and clean pedal platform into a fuzzy monster. While the Warmdrive has plenty of dynamic gain on tap, adding the pedal to your rig does not dramatically alter or diminish your tone. Just like the original, the Warmdrive has the unique Voice/Tone control to go from silky-smooth tones reminiscent of that special overdriven amp at the sweet spot all the way to sustain-rich distortion. It’s like having the best of both worlds, from clean to mean.Pedal Settings & ControlsThe voice/tone control combination on the stomp box gives artists extra versatility compared to the typical overdrive pedal, allowing the player to modify the frequency both before (voice control) and after (tone control) the clipping stages. Playing with the knobs can create dynamic sounds that almost seem like two guitar signals going at once. Warmdrive will also push beyond light overdrive, all the way to a saturated cascading gain tone that makes it easy to get lost in a solo jam. Couple these controls with critical volume and gain knobs and the Warmdrive is a venerable addition to any live or studio rig.
The Chandler Limited EMI TG12413 Zener Limiter is the definitive TG limiter, released in honor of Abbey Road Studios' 75th birthday. The brainchild of Chandler Limited designer Wade Goeke, the Zener Limiter is based on the classic EMI circuits used to record The Beatles and Pink Floyd. This latest EMI limiter carries on the tradition of EMI limiters started in 1956 with the RS114 tube limiter, and continued with 1966's RS168 Zener Limiter (a component of the TG12345 console channel in 1968), and the TG12413 in '74. Start with the essence of the classic RS168, add modern functionality, and you have the Chandler Limited EMI TG12413 Zener Limiter.Chandler Limited EMI TG12413 Zener Limiter at a Glance:Classic compression and limiting, with modern flexibilityExercise iron-fisted control over your dynamicsYou get natural compression, scrumptious-sounding limiting - and a blend of the twoClassic compression and limiting, with modern flexibilityThe original TG Limiter was designed to replace both the Fairchild 660 and the EMI-modified Altec 436/RS124 - two certified classics, revered for their dynamics-shaping prowess. The Altec unit was known for its natural, organic compression, while the Fairchild - with its fast, sub-millisecond onset and extremely soft-knee compression curve - is perhaps the most lusted-after (and imitated) limiter ever made. The Chandler Limited EMI TG12413 Zener Limiter gives you the sonic mojo of these two classics - and goes several steps beyond.Exercise iron-fisted control over your dynamicsThe Chandler Limited EMI TG12413 Zener Limiter gives you the power to impose your will on your dynamics. Starting with the powerful vintage TG limiter circuits, Chandler Limited gives you added features and flexibility in the form of controls such as switchable input impedance (for hard or soft driving of the unit), 11-position attack, 21-position release, and side chain filtering, as well as Comp 1, Comp 2, and Limit settings.You get natural compression, scrumptious-sounding limiting - and a blend of the twoCOMP 1 is a 2:1 ratio with slower time constants than originally designed by EMI engineers to emulate the Altec 436/RS124 EMI-modified Altec compressors. Limit mode is much faster and designed to emulate the response curves of the revered classic Fairchild 660. COMP 2 is a new setting that puts you halfway between the two original settings, essentially giving you the compression curve of Comp 1, with the faster release times characteristic of Limit mode. Whether you use it for tracking or mastering, with its sonic pedigree and effective controls, the Chandler Limited EMI TG12413 Zener Limiter is a must-have for huge, punchy mixes.Chandler Limited EMI TG12413 Zener Limiter Features:Gives you the sonic mojo of two classics: the Fairchild 660 and the Altec 436/RS124COMP 1 mode is a 2:1 ratio with slower time constants reminiscent of the Altec 436/RS124Limit mode is faster and designed to emulate the response curves of the revered classic Fairchild 660COMP 2 is a new setting that puts you halfway between the two original settingsChandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD, RS and their associated logos are trademarks of EMI (IP) Limited.
The Chandler Limited EMI TG12345 Curve Bender EQ is the definitive TG equalizer, released in celebration of Abbey Road Studios' 75th birthday. The brainchild of Chandler Limited designer Wade Goeke and Abbey Road senior engineer Peter Cobbin, the Curve Bender is based on the vintage EMI TG12345 console used on Beatles and Pink Floyd recordings. This latest EMI equalizer carries on the tradition of EMI EQs that began in 1951 with the RS56 (cheekily dubbed "the Curve Bender" by EMI designers), and continued with the 1968's TG12345 and TG12412 in '74. A classic design - the gorgeous-sounding TG12345 - juiced with it with modern features. That's the Chandler Limited EMI TG12345 Curve Bender.Chandler Limited EMI TG12345 Curve Bender EQ at a Glance:A fully featured version of a classic EQPowerful functionality gives your serious sound shaping mojoYou get the best of both worlds: vintage warmth, plus modern featuresA fully featured version of a classic EQThe Chandler Limited EMI TG12345 Curve Bender EQ is the embodiment of a dream. It was during his mixing of numerous Beatles-related projects (Anthology, Yellow Submarine, Imagine, etc.), it occurred to Peter Cobbin that having a fully featured and highly flexible version of the original desk EQ units would be invaluable. After Wade Goeke presented him with a working version of the legendary console equalizer, Peter realized he could "have it all," and set Wade to building the perfect beast.Powerful functionality gives your serious sound shaping mojoPeter had requested four bands, and filters based on the slopes of the original console - but with overlapping and expanded options. In the final production unit, the 9 selections of the original TG12345 had become 51 EQ points. Wade also added a multiply switch that increases boost/cut up to 13.5dB (as well as sharpening the Q), in addition to filters and bell/shelf selections on the high and low bands.You get the best of both worlds: vintage warmth, plus modern featuresThe result is the Chandler Limited EMI TG12345 Curve Bender - a classic equalizer from the glorious history of EMI and Abbey Road that's come full circle, morphing into a modern powerhouse EQ perfect for all your recording, mixing, and mastering needs.Chandler Limited EMI TG12345 Curve Bender EQ Features:A fully featured version of a classic EQThe best of both worlds: vintage warmth, plus modern features51 EQ pointsMultiply switch increases boost/cut up to 13.5dBHigh pass and lowpass filters and bell/shelf selections on high and low bandsChandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD, RS and their associated logos are trademarks of EMI (IP) Limited.
Chandler Limited's multi-year design project with Abbey Road Studios has yielded the first EMI-branded mic in over a half century. The REDD Microphone presents a classic aesthetic — but this is no vintage mic clone. It marks a paradigm shift of major proportions, incorporating historic circuits and their legendary sonics in a new and unique way. The all-analog design combines microphone and preamp in an elegant, handcrafted large-diaphragm condenser microphone you can use with or without an external mic pre. Fitted with a custom handmade platinum-membrane capsule and the vintage vacuum tube REDD.47 mic amplifier circuit, the REDD Microphone will output line-level signal and features a Drive setting that introduces tasty, vintage-flavored harmonic color.Abbey Road's holy-grail preamp onboardThe REDD.47 preamp in the REDD Microphone re-creates the original tube line amps developed by EMI's Record Engineering Development Department for deployment in Abbey Road Studios' rare, custom EMI REDD.51 recording consoles. This is the unmistakably punchy, aggressive sound that characterized recordings made in Studio Two between 1964 and 1968 — including legendary tracks by the Beatles. As implemented in the REDD Microphone, modern features have been added to meet contemporary recording studio standards, such as gain control that gives you a range of tonal options, from pristine clean to rich, classic saturation. Features and included accessoriesChandler Limited spec'd the REDD Microphone with a rotary switch on the rear of the microphone body that lets you dial in gain between +4 and +33dB. Continuous output control is accessible from the included external power supply. Around the other side of the mic is a Type switch with Norm and Drive settings — the latter increasing gain to +36dB and introducing distinctive tonal coloration. Also onboard are a 10dB pad and polarity reverse switches. The mic comes with a spider-type shockmount, a 25-foot Mogami mic cable, and a custom-molded flight case.Chandler Limited REDD Microphone Features:The first EMI-branded mic in over a half centuryCombines microphone and preamp in 1 elegant deviceOnboard vacuum tube REDD.47 mic amplifier circuitUse it with or without an external mic preampHandmade platinum-membrane capsuleRotary switch lets you dial in gain between +4 and +33dBDrive setting increased gain to +36dB, introducing tasty tonal coloration10dB pad and polarity reverse switchesIncludes outboard power supply, high-quality spider-type shockmountShips with 25-foot Mogami mic cable and custom-molded flight caseCrafted in Chandler Limited's Shell Rock, Iowa, factoryChandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD, RS and their associated logos are trademarks of EMI (IP) Limited.
The Chandler Limited TG Microphone is a solid-state large-diaphragm condenser microphone that carries forward the rich legacy of EMI Abbey Road Studios innovation. In addition to its cardioid and omni polar patterns, the TG Microphone employs a unique feature set consisting of an onboard Dual Tone System, EMI Tape Equalizer, 50Hz/90Hz highpass filter, 10dB pad, and outboard power supply to deliver unrivaled versatility and sonic character. Much like a classic tube mic, the TG Microphone's use of a dedicated PSU — rather than 48-volt phantom power — is integral to its huge, lifelike sound.A sound that rivals the classicsIf you're coveting the sound of classic vintage microphones like the U47, U87, FET47, and C414 for your recordings, then you'll love the TG Microphone. In close cooperation with Abbey Road Studios, Chandler Limited developed the TG Microphone's unique onboard EMI Tape Equalizer and Dual Tone System that allow you to tailor the mic's tonality for results that favorably compare to the above-mentioned classics.The Tape EqualizerThe Tape Equalizer circuitry is adapted from the NAB/IEC Tape EQ found on vintage EMI TG mastering consoles, and it works wonders in the TG Microphone. Originally used to compensate for tapes played back on machines aligned to the opposing standard, the TG Microphone's repurposed Tape Equalizer lets you shape the sound at the source, eliminating the need for further processing (and the attendant signal degradation) downstream. The sound-shaping possibilities are further extended when the Tape Equalizer is combined with the selectable 50Hz/90Hz highpass filter.The Dual Tone SystemThe Dual Tone System modifies the TG Microphone's input stage and extends the mic's versatility to accommodate a broad array of sources. System A is classic TG mid-forward, while the alternative B voicing accommodates high SPLs and is the preferred setting wherever you would normally reach for a FET47. Combined with the Tape Equalizer, the Dual Tone System yields 10 unique voicings.The TG storyIf you're wondering about the origin of the "TG" product designation, then allow Sweetwater to illuminate. The story begins in 1958. EMI London, as Abbey Road Studios was then known, had a staff of innovative recording and technical engineers and racks of the best gear available at the time; much of it either heavily modified — or designed from scratch — by EMI technicians. The Beatles, of course, were the most famous beneficiaries of EMI's technical prowess. Their early records were recorded on EMI REDD .37 valve consoles built by EMI Central Research Laboratories in the late 1950s, while the updated REDD .51 handled their mid-'60s output — including Sgt. Pepper.The introduction of 8-track recording and the increasing sonic experimentation of a new generation of artists demanded new technology; thus, a new EMI-designed desk made its debut in 1968. With 24 mic inputs, eight buses, four echo sends, two cue sends, and — for the first time ever — a compressor/limiter (in addition to EQ) on every channel, the TG12345 console was substantially larger and more capable than the REDD desks, and driven by transistors rather than tubes, its sound was dramatically richer and more highly detailed. The "TG" prefix was a nod to EMI's corporate predecessor, "The Gramophone" company. The TG12345 was put to the test in Studio Two the following year on the Beatles' Abbey Road album.The groundbreaking sound quality of the solid-state EMI TG12345 recording and mastering consoles left its mark on legendary albums by the rock royalty of the era. Four generations of the TG12345 served Abbey Road clients (the studio had changed its name in honor of the Beatles album) through the 1970s, recording countless hit records and film scores before being retired from service in 1983.Chandler Limited TG Microphone Features:Solid-state large-diaphragm condenser micCardioid and omnidirectional polar patternsOnboard Dual Tone System, EMI TG Tape Equalizer, 50Hz/90Hz highpass filter, 10dB padIncludes a shockmount, a dedicated PSU, a 25' Mogami 4-pin cable, and a wooden storage caseQuality crafted by Chandler Limited in Shell Rock, IA
Chandler Limited's Little Devil Equalizer fits into any 500-series module, putting Chandler's all-discrete circuitry, transformer-balanced designs, and premier hand-made quality into the popular modern format. The Little Devil Equalizer is an English-style console EQ, which uses concepts from famous 1081 and 33115 vintage units. Its features a treble and bass shelf with +/- 18dB, with treble set to 12k and bass selectable between 50 and 110Hz. Hi-mid and lo-mid offer +/-18dB, with 7-selection "Q" switching on each band. There's also a 3-position filter and hardwire bypass onboard the Chandler Limited Little Devil Equalizer.Chandler Limited Little Devil Equalizer Module at a Glance:If you like fat and punchy sounds, you'll love the Little Devil EQYour sonic obsession: Chandler's missionVintage EQ for your 500 Series rackIf you like fat and punchy sounds, you'll love the Little Devil EQChandler Limited's Little Devil 500 Series Equalizer is an ideal go-to EQ for in-your-face snares and fat, punchy kick drums. In fact, it sounds great on everything. It delivers rich-sounding and distinctively vintage-flavored EQ, while giving you the modern control you need to sculpt your sound precisely. Designer Wade Goeke's number one rule is that he would not make anything he wouldn't put in his own rack. We'd add that the Little Devil EQ is definitely a piece you want in your rack.Your sonic obsession: Chandler's missionRecording engineers are always looking for fresh tonal colors and approaches when tracking - it's an obsession. Chandler feeds this addiction with their innovative take on the technologies of the past. They start with painstaking component selection. The Little Devil EQ's parts list reads like a 40-year-old document. Seriously - they just don't build 'em this way anymore. Hand-wired and assembled in the USA, the Little Devil EQ utilizes 100% discrete transistor circuitry and specially wound transformers. Aside from the fact that you'll have this puppy forever, the weapons-grade build quality is a means to an end - the sound. Glorious, fat, supremely musical sound, with amazing headroom. Stock your arsenal with the Chandler Limited Little Devil 500 Series Equalizer.Vintage EQ for your 500 Series rackChandler Limited's collection of EQs, compressors/limiters, and preamplifiers are among the best in the industry. Indeed, Chandler Limited's innovative Germanium Series uses classic, smooth-sounding germanium transistors - like those found on the earliest Neve, EMI, Telefunken, and Fairchild units - to effectively revive that warm vintage sound palette. What's more, in addition to fantastic outboard gear, Chandler offers up classic sounds in plug-in form with their spot-on emulations of the legendary Abbey Road console. When you want a vintage touch brought to your modern recordings, trust Chandler Limited.Chandler Limited Little Devil Equalizer Module Features:English-style console Equalizer moduleTreble and bass shelf +/- 18dBTreble set to 12k, bass selectable between 50Hz and 110HzHi- and Lo-mid +/-18dB, with 7-selection "Q" switchingHi-mid - 8k2, 6k8, 5k6, 5k7, 3k3, 2k7, 1k2Lo-mid - 820, 560, 470, 390, 330, 270, 2203-position filter - 47, 82, and 150HzHardwire bypassRuns on any 500 series rack and Power Supply Unit
Chandler Limited is the only company in the world authorized to develop, manufacture and market the “Official Equipment” of EMI/Abbey Road Studios. So if you want the rich, warm, punchy sound of the "Curve Bender" EQ used on the Beatles' legendary Abbey Road album and Pink Floyd's Dark Side of The Moon in the convenient 500 Series format, the Chandler Limited TG12345 MKIV equalizer is the way to go. This handmade, fully discrete, single-width module draws its heritage from the channel EQs found on historic EMI TG12345 recording consoles of the late 1960s and early ‘70s. Featuring presence and bass bands with continuous boost/cut and true bypass, the Chandler Limited TG12345 MKIV puts the sweet sound of a legend in your 500 Series rack.Sweet broadband sound shapingAs a 2-band equalizer, the Chandler Limited TG12345 MKIV is not designed for surgical sound sculpting. For broadband sound shaping, however, Sweetwater considers it in a class by itself. Its control set may seem minimalist, yet it offers a reasonable amount of flexibility. The presence band is switchable between eight frequencies and an Out position. The first seven frequencies, from 500Hz to 6.5kHz, are bell curves; the eighth is a shelf at 10kHz. The bass band is shelving, with two frequency options: 90 and 150Hz.The sound of a legendThe groundbreaking sound quality of the EMI TG12345 recording console, dramatically richer and more highly detailed than the tube consoles it replaced, left its mark on legendary albums by the rock royalty of the era, including the Beatles and Pink Floyd, as well as solo outings by John Lennon, Paul McCartney, and George Harrison. Never commercially available, the TG12345 desks were retired from service in 1983. But the legend lives on — in the Chandler Limited TG12345 MKIV.Chandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD and RS and their associated logos are trademarks of EMI (IP) Limited.Chandler Limited TG12345 MKIV 500 Series EQ Features:Inspired by the channel EQs from historic EMI TG12345 consoles of the late '60s and early ‘70s2-band equalizer with presence and bass bands with continuous boost/cutPresence band switchable between eight frequencies and OutPresence bands are bell curves, except the highest (10kHz), which is shelvingBass band is shelving, with two frequency options: 90 and 150HzTrue bypass
Chandler Limited is the only company in the world authorized to develop, manufacture and market the “Official Equipment” of EMI/Abbey Road Studios. So if you want the rich, warm, punchy sound of the optical compression used on the Beatles' legendary Abbey Road album and Pink Floyd's Dark Side of The Moon in the convenient 500 Series format, the Chandler Limited TG Opto is the way to go. This handmade, fully discrete, double-wide module draws its heritage from the EMI TG12413 compressor found on historic EMI TG12345 recording consoles of the late 1960s and early ‘70s. Featuring selectable sharp and rounded knees; continuous controls for input, attack, release, and output; and true bypass, the Chandler Limited TG Opto puts the sweet sound of a legend in your 500 Series rack.Aggressive or unobtrusive: the choice is yoursAt Sweetwater, we appreciate the TG Opto's dual personality. A choice of sharp or rounded knees gives you control over how aggressively the Opto compresses your signal. With the Knee control switch set to sharp, the Opto can deliver explosive drum sounds; set to rounded, it's capable of subtle dynamics control. Continuous controls for input, attack, release, and output (makeup gain) let you fine-tune compression for excellent results with a broad variety of sources.The sound of a legendThe groundbreaking sound quality of the EMI TG12345 recording console, dramatically richer and more highly detailed than the tube consoles it replaced, left its mark on legendary albums by the rock royalty of the era, including the Beatles and Pink Floyd, as well as solo outings by John Lennon, Paul McCartney, and George Harrison. Never commercially available, the TG12345 desks were retired from service in 1983. But the legend lives on — in the Chandler Limited TG Opto.Chandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD and RS and their associated logos are trademarks of EMI (IP) Limited.Chandler Limited TG Opto 500 Series Compressor Features:Inspired by the EMI TG12413 compressor in historic EMI TG12345 consoles of the late '60s and early ‘70sSelectable sharp and rounded knees for aggressive or subtle compressionContinuous controls for input, attack, release, and output (makeup gain)Vintage styling and VU meterTrue bypass
Chandler Limited's Little Devil Compressor fits into any 500-series module, putting Chandler's all-discrete circuitry, transformer-balanced designs, and premier hand-made quality into the popular modern format. The Little Devil Compressor is a FET compressor, which uses concepts from Chandler's famous Germanium Compressor and the Neve 2264 compressor. Its input control features a curve selection, with germanium diode knees. There are also a gain makeup control, a 3-position attack control, a flexible sidechain filter, and full hardware bypass on the Chandler Limited Little Devil Compressor.Chandler Limited Little Devil Compressor Module Features:FET compressor moduleInput control and curve selection with zener and germanium diode kneesGain make-up controlAttack control and 3-position ratio controlSidechain filterTHD selectionRelease controlFull hardwire bypassRuns on any 500 series rack and Power Supply UnitBring Chandler Limited's vintage-flavored compression to your 500 series rack, with the Little Devil Compressor!Quality Module from Chandler LimitedChandler Limited's collection of EQs, compressors/limiters, and preamplifiers are among the best in the industry. Indeed, Chandler Limited's innovative Germanium Series uses classic, smooth-sounding germanium transistors - like those found on the earliest Neve, EMI, Telefunken, and Fairchild units - to effectively revive that warm vintage sound palette. What's more, in addition to fantastic outboard gear, Chandler offers up classic sounds in plug-in form with their spot-on emulations of the legendary Abbey Road console. When you want a vintage touch brought to your modern recordings, trust Chandler Limited.
The Chandler Limited Germ 500 MkII 500 series preamp gives you classic Germanium Pre Amp sound in a conveniently modular format. From Neve to Fairchild, it's no wonder that germanium transistors have been used in some of the greatest audio gear of all time. That's why Chandler decided to build their Germanium series around this tried-and true technology. And with the Germ 500 MkII, you can put this same sound right in your 500 series rack. Discover the secret weapon many of today's top engineers swear by, order your Chandler Limited Germ 500 MkII 500 series preamplifier today!Chandler Limited Germ 500 MkII 500 Series Preamplifier at a Glance:Feedback control lets you dial in the perfect toneThick setting lets you add extra dimension to your soundTime-tested Germanium soundFeedback control lets you dial in the perfect toneThe Germ 500 MkII's Feedback control is the key to its incredible tone-shaping ability. Like all amplifiers, the Germ 500 MkII uses feedback (the process of feeding the output signal back into the input of the amplifier) to boost gain. But unlike typical preamplifiers, Chandler Limited's Germ 500 MkII lets you control the amount of signal that's fed back. The Feedback control affects more than just gain, it alters the overall character of the unit, including its total harmonic distortion and frequency response, allowing you to perfectly sculpt the contour of your tone.Thick setting lets you add extra dimension to your soundOne of the features that makes Chandler Limited's full-sized Germanium Pre Amp stand out is its Thick function, which is why they chose to include it when they designed the Germ 500 MkII. This subtle tone-shaping control makes the Germ 500 MkII perfect for adding a gentle low-end swell to sources that sound weak or thin. You'll particularly love the way the Germ 500 MkII's Thick function adds weight to the sound of guitars.Time-tested Germanium soundEquipped with genuine germanium-transistor-based Drive and Feedback circuits, the Germ 500 MkII lets you dial in luscious lows and creamy highs. Germanium transistors have been instrumental in the most revered preamplifiers and signal processors for decades. That's why Chandler Limited uses germanium transistors in many of their most popular models. With a Germ 500 MkII, that same signature sound is more accessible than ever before!Chandler Limited Germ 500 MkII 500 Series Preamplifier Features:The sound and functionality of a Chandler Germanium Pre Amp, in a handy 500 series modular formatClass A, germanium-transistor-based drive and feedback circuits for genuine Germanium toneAn impressive 65dB of total amplification lets you use an kind of microphone, even low-output ribbonsFeedback control allows you to dial in the tonal contour, letting you control the character of your soundThick control introduces a subtle rise to your low end - perfect for adding girth to guitar toneFront-panel instrument input provides easy access for tracking guitar and bass-15dB pad switch provides a total of 70dB of dynamic range
The Chandler Limited TG2-500 500 Series mic/line preamp module is a spot-on re-creation of the rare EMI TG12428, found in the recording and mastering consoles of EMI (and later Abbey Road) studios in the late '60s and early '70s. The TG2-500 is built using the original TG12428 schematics. Put the sound of the preamp used in such iconic recordings as The Beatles' Abbey Road and Pink Floyd's Dark Side of the Moon in your 500 Series rack. Order your TG2-500 from Sweetwater today!Chandler Limited TG2-500 500 Series Mic/Line Preamp at a Glance:There's history behind this amazing-sounding preYou get warmth and punch - plus an open, airy high endPut this in your rack and brace yourself for some serious toneThere's history behind this amazing-sounding preThe Chandler Limited TG2-500 500 Series module is a re-creation of the rare EMI TG12428 preamp fitted in EMI/Abbey Road recording and mastering consoles of the late '60s and early '70s. This instantly identifiable sound was used on many legendary Abbey Road recordings, including The Beatles Abbey Road and Pink Floyd Dark Side of the Moon.You get warmth and punch - plus an open, airy high endThe Chandler Limited TG2-500 500 Series preamp module incorporates the same discrete transformer-balanced amplifiers as the TG Series limiter, giving you a creamy, smooth tone with an open, airy high end. The sound, as described by many users, is imbued with vintage warmth and punch - but with a more open top end. The unit does indeed have a small rise in its high frequency response, along with some warmth-inducing distortion which contribute to its unique, punchy sound.Put this in your rack and brace yourself for some serious toneChandler Limited's TG2-500 500 Series preamp was built from the original EMI TG12428 design notes and circuit board drawings provided by Abbey Road and EMI. With a genealogy like that, this preamp's a no-brainer. When you plug into the Chandler Limited TG2-500 Abbey Road Special Edition preamp, you plug into the sound behind some of the most memorable recordings in classic rock history. Put one (or more) of these preamps in your 500 Series rack and brace yourself for some serious tone.Chandler Limited TG2-500 500 Series Mic/Line Preamp Features:Topology based closely on the original EMI TG12428 at EMI/Abbey Road studioDiscrete transformer-balanced amplifiers produce a warm tone with clear highs and rich lowsInput gain ranges from +20dB to +50dB48V phantom power, phase reverse, and an impedance switchImpedance switch toggles between 300 ohms and 1200 ohms, to match any micChannel output gain control lets you run the input gain hot for extra colorRequires compatible 500 Series chassisChandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD, RS and their associated logos are trademarks of EMI (IP) Limited.
The Chandler Limited Germanium Preamp/DI is a throwback to a time when gear sounded great. Germanium transistors have been used in audio gear including Neve, EMI, Telefunken, and Fairchild for their unique sonic characteristics. It hasn't been used in current gear for a while now, but that all changes with the Germanium Preamp/DI. What make this preamp unique are the gain circuits. The Gain/Germanium Drive control and Feedback control are intricately linked. Gain acts as a standard gain control, but roll up the amount of Feedback and the Germanium Pre realizes its full potential, as well as adding a small bass boost and a tasty high-frequency roll-off. For cleaner tones keep the Feedback on the restrained side, or crank it up for fat guitars and vocals. There aren't any other preamps like the Chandler Limited Germanium Preamp/DI.Chandler Limited Germanium Preamp/DI at a Glance:Outfit your studio with a unique-sounding preampReap the sonic benefits of germanium transistorsYour sonic obsession: Chandler's missionOutfit your studio with a unique-sounding preampThe Germanium Preamp/DI is a cutting-edge design by Chandler Limited designer Wade Goeke that uses classic germanium transistors in all Class A, transformer balanced, circuits. The use of germanium devices opens a whole new sound palate not found in any pro audio equipment currently manufactured. The results are warm and tube-like, with a fat bottom end. Yes, this is the classic vintage coloration we all gush over, and it's yours for the taking - in the Germanium Preamp/DI.Reap the sonic benefits of germanium transistorsSmooth-sounding germanium transistors were the basis of the earliest transistor designs by Neve (1053, 1055, 1057), EMI ( TG12345 MKI), Telefunken, and Fairchild. Those familiar with these units can attest to the special sound of the germanium tranasistor. Chandler Limited's Germanium series runs on +40 volt power, high current, and has a huge +34 output before clipping. The sound is warm and smooth as with many vintage style circuits, but you'll find a whole new world of smooth here as well as a sound that settles in perfectly to your tracks without fighting.Your sonic obsession: Chandler's missionRecording engineers are always looking for fresh tonal colors and approaches when tracking - it's an obsession. Chandler feeds this addiction with their innovative take on the technologies of the past. They start with painstaking component selection. The Germanium Preamp/DI's parts list reads like a 40-year-old document. Seriously - they just don't build 'em this way anymore. Hand-wired and assembled in the USA, the Germanium Preamp/DI utilizes 100% discrete transistor circuitry and specially wound transformers. Aside from the fact that you'll have this puppy forever, the weapons-grade build quality is a means to an end - the sound. Glorious, fat, supremely musical sound. Stock your arsenal with a serious weapon - the Chandler Limited Preamp/DI.Chandler Limited Germanium Preamp/DI Features:I/O: XLRDI - Unbalanced jack with 100k input impedanceGermanium Drive controls the input gain of the Germanium ampPad and Thick SwitchesFeedback Control to adjust the amount of signal fed from the amplifier output back to the input10-segment LED VU meter
The Chandler Limited REDD.47 mic preamp re-creates the original tube line amps used in Abbey Road Studios' rare, custom EMI REDD.51 recording consoles. This is the unmistakably punchy, agressive sound that characterized recordings made in Studio Two between 1964 and 1968 - including legendary tracks by The Beatles. Modern features have been added to meet contemporary recording studio standards, such as increased gain that gives you a range of new tonal options, from pristine cleans to rich, classic saturation. Take it from Sweetwater, with its inimitable sonic moxie, the Chandler Limited REDD.47 will work wonders in your studio.Chandler Limited REDD.47 Mic Preamp at a Glance:The workhorse line amp of the REDD.51Enjoy an expanded range of tonal optionsThe workhorse line amp of the REDD.51A critical component of the EMI REDD.51 console (REDD being an acronym for Abbey Road Studios' in-house Record Engineering Development Department), the REDD.47 line amplifier was used in virtually every stage of the audio path, including the mic and line inputs, the echo sends, and the monitors. With its spunky, in-your-face sonics, the REDD.47 lent its unique character to all the music - including every Beatles track - recorded in Abbey Road Studio Two during its mid-'60s tour of duty.Enjoy an expanded range of tonal optionsChandler Limited's REDD.47 preamp gives you added benefits never offered by the original design, including an increased gain range that greatly expands your tonal options. Imagine being able to dial between immaculate cleans and classic tube saturation with up to 2 percent harmonic distortion before clipping! Think of the gnarly, distorted guitars in The Beatles' "Revolution." They were DI'd straight into the board; all that seething mad-dog bite is the REDD.47. And speaking of direct injection, Chandler Limited has thoughtfully included a DI input on the REDD.47 front panel.Chandler Limited REDD.47 Mic Preamp Features:Delivers the legendary sound of Abbey Road Studios' "holy-grail" preampModern features to meet contemporary recording studio standardsIncreased gain allows tonal options from pristine cleans to classic rich saturationInputs: Mic/Line (Balanced XLR), D/I (1/4")Stepped gain: 6dB increments; fine gain: variable +/-5dB;Total Gain: +57dB; output control: variableRumble filter; 20dB pad; Polarity reverse; +48V Phantom powerTubes: EF86, E88CC (input/output)Transformer balanced I/O (custom wound)Internal power supplyChandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD, RS and their associated logos are trademarks of EMI (IP) Limited.
The Chandler Limited TG2 Abbey Road Special Edition preamp is an spot-on re-creation of the rare EMI TG12428, found in the recording and mastering consoles of EMI (and later Abbey Road) studios in the late '60s and early '70s. The TG2 gives you a pair of top-shelf preamps, built using the original TG12428 schematics provided by Abbey Road and EMI. Get the sound of the preamp used in such recordings as The Beatles' Abbey Road and Pink Floyd's Dark Side of the Moon albums - with Chandler Limited's TG2 Abbey Road Special Edition.Chandler Limited TG2 Abbey Road Special Edition 2-channel Preamp at a Glance:There's history behind this amazing-sounding preYou get warmth and punch - plus an open, airy high endPut this in your rack and brace yourself for some serious toneThere's history behind this amazing-sounding preThe Chandler Limited TG2 Abbey Road Special Edition is a re-creation of the rare EMI TG12428 preamp fitted in EMI/Abbey Road recording and mastering consoles of the late '60s and early '70s. This instantly identifiable sound was used on many legendary Abbey Road recordings, including The Beatles Abbey Road and Pink Floyd Dark Side of the Moon.You get warmth and punch - plus an open, airy high endThe Chandler Limited TG2 Abbey Road Special Edition preamp incorporates the same discrete transformer-balanced amplifiers as the TG Series limiter, giving you a creamy, smooth tone with an open, airy high end. The sound, as described by many users, is imbued with classic Neve warmth and punch - but with a more open top end. The unit does indeed have a small rise in its high frequency response, along with some warmth-inducing distortion which contribute to its unique, punchy sound.Put this in your rack and brace yourself for some serious toneChandler Limited's TG2 Abbey Road Special Edition preamp gives you a pair of top-shelf pres, built using the original EMI TG12428 design notes and circuit board drawings provided by Abbey Road and EMI. With an genealogy like that, this preamp's a no-brainer. When you plug into the Chandler Limited TG2 Abbey Road Special Edition preamp, you plug into the sound behind some of the most memorable recordings in classic rock history. Put the Chandler Limited TG2 Abbey Road Special Edition preamp in your rack and brace yourself for some serious tone.Chandler Limited TG2 Abbey Road Special Edition 2-channel Preamp Features:Topology based closely on the original EMI TG12428 at EMI/Abbey Road studioDiscrete transformer-balanced amplifiers produce a warm tone with clear highs and rich lowsBoth channels have 1 x XLR I/O, plus 1 x TS for high-impedance instrument-level inputInput gain ranges from +5dB to +75dB, in 15 stepsBoth channels have +48V phantom power, a phase reverse, and an impedance switchImpedance switch toggles between 300 ohms and 1200 ohms, to match any micChannel output gain control lets run the input gain hot for extra colorSumming option mixes both preamps using the TG2's discrete circuitry for a minimal signal pathChandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD, RS and their associated logos are trademarks of EMI (IP) Limited.
The Chandler Limited RS124 packs three legendary Abbey Road RS124 compressors into one chassis. Over the decades since the Abbey Road RS124 graced Beatles' recordings, there were attempts to re-create the hardware from sketchy information; none of these efforts fully realized the elusive musical soul of the original EMI unit. Schematics relayed only so much of the design. So Chandler turned to historic units provided by Abbey Road, as well as handwritten modification memos that would prove essential in understanding the essence of the beast. They succeeded! The Chandler Limited RS124 nails the behavior and sonics of the original - which Peter Cobbin, Abbey Road's Director of Engineering, describes as "pure cream being drizzled slowly into and over a mix.”Chandler Limited RS124 Compressor at a Glance:Put a legendary compressor in your rackWhat the RS124 can do for youYour sonic obsession: Chandler's missionPut a legendary compressor in your rackThe Abbey Road RS124 is a holy-grail compressor. It has a lovely, colorful sound, and a colorful back story. In the late 1950s, EMI procured several Altec 436B tube compressors for their London studios. In 1960, EMI engineers modified them so heavily (and as they were never used outside of Abbey Road), they felt comfortable re-naming them, and thus, the RS124 was born. Imagine getting your hands on the compressor that was used on virtually every Beatles recording made at Abbey Road Studios! The RS124 lives on, courtesy of Chandler Limited. The Chandler Limited RS124 sounds incredible - and like no other compressor you've ever used.What the RS124 can do for youThe RS124's smooth, creamy sonic character and transient-taming prowess comes without a hint of muffling during heavy compression. Once you use the Chandler Limited RS124, you'll find out what Abbey Road engineers quickly realized: this is an indispensable tool for tracking, bus compression, mixing, and mastering. Along with original Input, Output, and Recovery (release) controls and the unique Hold setting, the Chandler Limited RS124 ups the ante with modern features like adjustable attack, selectable output impedance, and the cutting-edge SuperFuse. Google up some photos of Abbey Road Studios in the 1960s. You will see an RS124 in just about every control room. Wouldn't it be great to have one (or two) in yours?Your sonic obsession: Chandler's missionRecording engineers are always looking for fresh tonal colors when tracking, mixing, and mastering - it's an obsession. Chandler Limited feeds this addiction with their innovative take on the technologies of the past. They start with painstaking component selection. Every parts list reads like a 50-year-old document. Take it from Sweetwater - they just don't build 'em this way anymore. Hand-wired and assembled in their Shell Rock, Iowa, factory, Chandler Limited hardware utilizes only the highest-quality tubes and components, 100% discrete-transistor circuitry, and specially wound transformers. Aside from the fact that you'll have this gear forever, the weapons-grade build quality is a means to an end - the sound. Glorious, fat, supremely musical sound, with amazing headroom.Chandler Limited RS124 Compressor Features:A spot-on re-creation of the legendary Abbey Road RS124Optimized for use in modern studio environmentsVersatile design with multiple sonic personalitiesVariable Input and Output Attenuation controlsAttack: selectable, stepped (9 settings)Recovery: selectable, stepped (6 settings, plus Hold)2U steel rackmount chassisXLR input and output, transformer-balanced (custom-wound)Output impedance: 200/600 ohms, switchableSuperFuse (switchable mode)Hand-wired and assembled in Chandler's Shell Rock, Iowa, factoryChandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD, RS and their associated logos are trademarks of EMI (IP) Limited.
The Chandler Limited TG1 Abbey Road Special Edition limiter is an authentic re-creation of the classic EMI TG12413 - used on The Beatles' Abbey Road and Pink Floyd's Dark Side of the Moon albums. Although the TG12413 was never offered commercially, Chandler Limited has resurrected the beast from the original design specifications and circuit board drawings as provided by Abbey Road Studios and EMI. This compressor/limiter features an all-discrete circuit with transformer-balanced input and output that produces smooth, pleasing distortion. For a distinctive Abbey Road sonic flavor, put Chandler Limited's TG1 Abbey Road Special Edition limiter in your rack.At a Glance:A re-creation of the amazing-sounding classicYou're in good company: The Beatles, Pink Floyd, The Stones...Pure vintage sound from discrete circuitry and transformer-balanced input and outputA re-creation of the amazing-sounding classicThe Chandler Limited TG1 Abbey Road Special Edition is a re-creation of the classic EMI TG12413 limiter used in custom EMI and Abbey Road recording and mastering consoles from the late 60's. The TG Limiter was originally designed to have the characteristics of the Fairchild 660/670, which was adored by many EMI engineers - including Geoff Emerick - but ended up with a very special sound all its own. These rare pieces were never commercially available and only EMI-owned studios had access to them. The Chandler Limited version has been remade from the original design information and circuit board drawings as provided by Abbey Road and EMI to ensure extreme authenticity.You're in good company: The Beatles, Pink Floyd, The Stones...TG equipment was used on many classic records and this Limiter was featured on every channel of TG consoles used to record The Beatles' Abbey Road, several Pink Floyd records, including Dark Side of the Moon, Paul McCartney, and the Rolling Stones. When you use Chandler Limited's TG1 Abbey Road Special Edition limiter, you'll immediately hear the sonic ancestry. This limiter sounds totally gear.Pure vintage sound from discrete circuitry and transformer-balanced input and outputThe Chandler Limited TG1 Abbey Road Special Edition limiter features an all discrete circuit with transformer-balanced input and output. The limiting element is a rarely seen diode network that produces smooth, pleasing distortion. The warm open sound, often compared to the holy grail Fairchild 670, is very punchy, while maintaining exceptional clarity and high frequency response. You've simply got to hear one in action to fully appreciate a limiter of this magnitude.Selectable Compression/LimitingTHD control lets you bypass Comp/Limiting but still pass audio through the circuitryTransformer balanced inputs and outputsNew input control provides better control at lower amounts of compressionChandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD, RS and their associated logos are trademarks of EMI (IP) Limited.
The Chandler Limited RS660 tube compressor/limiter is Inspired by the classic program levelers used by engineers at EMI Abbey Road Studios in the 1960s. From the Beatles to early Pink Floyd, the historic Fairchild 660 and EMI RS124 compressors shaped the sound of countless iconic recordings that emerged from the legendary London facility. The eminently musical performance of these units stemmed from their “vari-mu” circuits, which generated program-dependent gain reduction by automatically adapting to the dynamics of the incoming signal to efficiently manage levels while allowing vocals and instruments to bloom with vibrancy and punch. Meticulously handcrafted by Chandler Limited, the RS660 builds upon the sonic magic of these rare, prized vintage compressors in an innovative modern design that advances the state of the art in dynamics control.The best of vintage and modernBuilt around the venerable 6386 mil-spec vacuum tube, the RS660 is, not surprisingly, engineered more efficiently than the coveted vintage units that inspired it. After all, today’s cutting-edge technology and advanced materials science enable high-precision design and manufacturing unimaginable back in the 1960s. No mere reproduction, however, the RS660’s elegant and refined compression circuit is painstakingly tuned to deliver a sound that combines the sought-after sonics of its Fairchild namesake along with modern flexibility, vanishingly low noise, and impeccable behavior, no matter how hard you push it. The RS660 is a professional tool that can tame the dynamics of any source, from subtle vocals to hard-hitting drums — and everything in between. The single-channel RS660 is also linkable to a second unit for stereo operation — ideal for pumping up drum buses and complete mixes.Built like a tankBack in the day, pro audio gear was handcrafted using military-grade materials and through-hole components — and that’s how Chandler Limited builds its equipment today in Shell Rock, Iowa. Accordingly, the RS660’s vintage-inspired circuitry is ensconced in a rugged dual-rackspace chassis with a stout faceplate, a beefy internal power supply, transformer-balanced XLR I/O, and selectable output impedance. As did the classic compressors that inspired it, the RS660 provides a tactile sensory user experience. The throw of its pots engenders a confident, spoon-in-honey feel that, at first touch, suggests you’re using a serious piece of high-end kit — and the world-class results confirm it. The Chandler Limited RS660 represents a significant advancement in the art of signal dynamics processing.Features:Designed in cooperation with EMI Abbey Road StudiosSingle-channel, linkableTransformer-balanced I/O, XLROutput impedance: selectable, 200/600 ΩContinuous input and output gain controlTime constant: 7 positions, steppedModes: THD, Comp, LimitStereo Link: switchable, 1/4-inch jackInternal power supply
Featuring advanced ultra-high current single push-pull circuit power, Advanced AL32 Processing, and MM/MC phono equalizer, the Denon PMA-1700NE integrated amplifier delivers extraordinary sound quality with precise detail.Powerful sound from an integrated amplifier Engineered with premium Denon technologies, this amplifier drives two channels at 140W.Faithful audio reproduction Advanced AL32 Processing Plus delivers the richly detailed sound the artist intended.Build integrity with selected components With more than 110 years of audio excellence, Denon products are built to last.High-power 140W integrated amplifierDrive your loudspeakers with 140 Watts of power- per-channel into 4 Ohms. This integrated amplifier offers compatibility with the widest range of 6 speaker types and impedances for operational stability.Advanced AL32 Processing PlusAdvanced AL32 Processing Plus supports high-resolution 384 kHz/32-bit audio sources. The algorithms restore information that was lost during the digital recording to ensure detailed playback.USB-DACTo accurately synchronize digital circuits, the PMA- 1700NE provides USB-DAC functions that support high resolution up to 11.2-MHz DSD and 384- kHz/32-bit PCM input signals. Crafted with exceptional quality, the DAC suppresses jitter and ensures optimal precision in D/A conversion.High-precision electrical controlsThe PMA-1700NE embraces electrical volume, balance, and tone controls while preserving the analog feeling of operation. The unique mechanism offers smooth, linear control.
Enjoy accurate audio reproduction that’s faithful to the original recording. Thanks to technologies like Advanced AL32 Processing Plus and an ultra-precision D/A Converter, you’ll hear your favorite songs like never before. The Denon original drive mechanism with S.V.H lets you play back CDs, SACDs, and your own compilations on DVD R/RW with signal purity.Extended format capability Supports CD, Super Audio CD, and your own high-res compilations on CD or 𠊍VDR/ RWPristine audio Unique Denon technologies come together to deliver outstanding sound clarity.Faithful, detailed playback Advanced AL32 data interpolation algorithms and digital filtering reveal more detail from the original recording.Build integrity Built to last with thoughtfully selected components and rigorous testing.Advanced AL32 Processing PlusExperience audio beautifully faithful to the original sound. Advanced AL32 Processing Plus algorithms restore information that was lost during the digital recording.Extended disc format supportEnjoy extended disc support for your high-resolution audio collection, including CD's, Super Audio CDs,𠊊s well as DSD and high-res files up to 192 kHz/24 bits recorded on DVD-R/RW and DVD+R/RW discs.Proprietary disc driveThe Denon original disc drive is built with a high-class S.V.H (Suppress Vibration Hybrid) mechanism. All elements of the design are focused on delivering optimal accuracy.Sound Master tunedCarefully tuned with selected audio components and evaluated by the Denon Sound Master to meet Denon’s high standards and distinctive sound for an amazing experience.
Enjoy accurate audio reproduction that’s faithful to the original recording. Thanks to technologies like Advanced AL32 Processing Plus and an ultra-precision D/A Converter, you’ll hear your favorite songs like never before. The Denon original drive mechanism with S.V.H lets you play back CDs, SACDs, and your own compilations on DVD R/RW with signal purity.Extended format capability Supports CD, Super Audio CD, and your own high-res compilations on CD or 𠊍VDR/ RWPristine audio Unique Denon technologies come together to deliver outstanding sound clarity.Faithful, detailed playback Advanced AL32 data interpolation algorithms and digital filtering reveal more detail from the original recording.Build integrity Built to last with thoughtfully selected components and rigorous testing.Advanced AL32 Processing PlusExperience audio beautifully faithful to the original sound. Advanced AL32 Processing Plus algorithms restore information that was lost during the digital recording.Extended disc format supportEnjoy extended disc support for your high-resolution audio collection, including CD's, Super Audio CDs,𠊊s well as DSD and high-res files up to 192 kHz/24 bits recorded on DVD-R/RW and DVD+R/RW discs.Proprietary disc driveThe Denon original disc drive is built with a high-class S.V.H (Suppress Vibration Hybrid) mechanism. All elements of the design are focused on delivering optimal accuracy.Sound Master tunedCarefully tuned with selected audio components and evaluated by the Denon Sound Master to meet Denon’s high standards and distinctive sound for an amazing experience.
The WA-MPX is an authentic reproduction of the vintage tape machine tube preamp that started the birth of rock ‘n’ roll known for pure analog warmth, delivering an impressive 300v of raw power & 90dB of tube gain. During the golden era of tape recording, the original 351-style tube preamp became the kings of studio tech and signature sound in the signal chain of hit recordings for artists including Elvis Presley, Bing Crosby, Les Paul, Nat King Cole, and Roy Orbison and producers like Steve Albini- a timeless sound that continues to be pursued by elite audio engineers today. With premium components, true-to-original circuit design, and selectable tape saturation, the WA-MPX authentically reproduces all the analog tone of the original to bring vintage warmth & color to your sound.
The WA-MPX is an authentic reproduction of the vintage tape machine tube preamp that started the birth of rock ‘n’ roll known for pure analog warmth, delivering an impressive 300v of raw power & 90dB of tube gain. During the golden era of tape recording, the original 351-style tube preamp became the kings of studio tech and signature sound in the signal chain of hit recordings for artists including Elvis Presley, Bing Crosby, Les Paul, Nat King Cole, and Roy Orbison and producers like Steve Albini- a timeless sound that continues to be pursued by elite audio engineers today. With premium components, true-to-original circuit design, and selectable tape saturation, the WA-MPX authentically reproduces all the analog tone of the original to bring vintage warmth & color to your sound.
Designed for performance, the EuroDDL features external control of every feature and function. It has also been designed to sound less digital than the average delay. Eventide’s old school design strictly limits the amount of digital circuitry to only what’s required for delay. Soft saturation clipping, low pass filter, feedback, insert loop, and +20 dB boost are all analog. Once you hear it, you’ll know why this is the ultimate, most musical, Eurorack delay. To be a true performance instrument, all the controls of the Eurorack module must be remote-controllable; the EuroDDL does just that with jacks to accept control voltages and triggers. It’s designed to be played like an instrument and to ‘play nice’ in the rack with Return/Send and Clock In/Clock Out.Built on History from the OriginatorsThis Eurorack delay is well-steeped in history. Its ancestry dates back to 1971 when we created the world’s first 1745 Digital Delay Line. Back then, everything in audio was analog except delay, which is why our original delay line was used to sync the audio feeds to the speaker towers at the legendary 1973 Watkins Glen concert. Now, that history has been updated to breathe life into your Eurorack. It’s the perfect companion for synthesis and any other instrument.
Your Secret SauceSavor the secret sauce simmered into countless hit records with the MicroPitch Delay effects pedal. By utilizing subtle pitch shifts to create a rich stereo spread, MicroPitch Delay makes anything you cook up sonically delectable. This pedal is the key ingredient for serving up flavorful tones: Instantly harness soaring leads that jump out of the mix, add distinct lushness to a compelling clean passage and get your fill of vibey modulation that’s sure to sweeten any pot with the push of a button. Sample a bite of our newly baked up Positive and Negative Envelope modulation sources and you’ll be sure to come back for seconds; and major and minor thirds. MicroPitch Delay adds unparalleled dimension to any source; it’s not just a guitar pedal — Use it to thicken vocals, keyboards, drums, strings, brass, winds and more.What’s the Recipe?What’s the Recipe for the MicroPitch Delay pedal? It’s a unique flavor profile of dual pitch-shifters with fine-resolution de-tuning and modulation combined with delay in a delicious red package. The pedal is the latest incarnation of a legendary effect that originated in the H910 and H949 Harmonizers and later popularized with the H3000. It can be utilized for chorusing and savory repeating delays.Creative Sonic Design ToolMicroPitch Delay is effective whether used subtly as a thickening tone-enhancer or dialed to the extremes for special effects. The simplicity of the pedal’s ability to make things sound bigger is what makes it so tasty! With the MicroPitch Delay pedal, you can easily harness the power of this iconic Eventide effect that helped shape musical history.
Massive Otherworldly ReverberatorWhat lies beyond a Blackhole’s Event Horizon? Is it a place where time itself freezes or where gravity folds in upon itself? Is it a portal to another dimension? There’s only one way to find out. Escape Earth and create haunting echoes, ethereal landscapes, and otherworldly ambiences with Blackhole – a reverb pedal as big and mysterious as the cosmos.A Place UnknownDiscover what lies beyond mere halls, rooms, plates, and springs; let Blackhole transport you to an alternate dimension of ambience. Pick and choose from five otherworldly presets – create supermassive atmospheres with the ethereal reverb of Blackhole, soar through nimbus clouds with the airy delay of Dark Matter, achieve sonic supernovas with the resounding swirl of Nebula, experience an uncharted galaxy of sound with the warmth of Singularity, and achieve a stellar rotation of sonority with Pulsar – or get creative and create presets of your own. Blackhole can load as many as 127 presets via MIDI and they are also accessible in the preset list on the Eventide Device Manager (EDM). Unlock a universe of sound-sculpting capability! With this magnitude of flexibility, Blackhole will take you on a journey from cathedral-esque spaces to a new frontier of aural experimentation.Through Infinity...Limitless and boundless, Blackhole features two types of infinite reverb. “Infinite mode” continuously layers new sound on top of a suspended reverb while “Freeze mode” holds the effect in stasis, allowing you to play over the reverb tail. The Freeze Footswitch allows instant access to this feature....and Beyond!Unlike other reverbs which may offer pre or post-modulation, Blackhole features modulation built into the very reverb structure itself: this modulation can be used to smooth out the rough edges of the most extreme settings and offers a unique tone-shaping ability.
Network LAN filter The LAN iSilencer removes the electrical noise that distorts the audio signal from your network.It reduces the noise floor and interference.It is perfect for you if you use a wired connection and want to reduce/minimise network noise.Reduce router "noise"Loving your network streamer but getting interference via your Ethernet cable?The LAN iSilencer’s advanced tech prevents noise from interfering with the digital signal.You can connect it:To your routerTo switchesDirectly to your Ethernet wall socketGigatastic!The LAN iSilencer supports Gigabit Ethernet with no speed restrictionsIt’s shielded case with integral ground wire blocks external interference (RFI), minimises packet loss and ensures stable signal transmission.Transient Voltage Suppressor (TVS) projects your equipment against surges and voltage transients.The LAN iSilencer has a zero-jitter memory buffer and galvanically-isolated inputs to eradicate digital distortion.The LAN iSilencer boasts premium galvanic isolation technology, where electrical circuits are separated to eliminate stray currents. Audio signals can pass between galvanically isolated circuits to block differences in ground potential or currents induced by AC power.
Rich Musicality + Immersive Sound = Stunning RealismThe AV41 is a high-performance, audio/visual processor that delivers stunning realism for the ultimate home cinema experience. With native 16-channel decoding of immersive audio from Dolby Atmos, DTS:X and Auro-3D, the AV41 can deliver incredible theatre experiences in partnership with Arcam power amplifers.The Arcam AV41 is designed with a passion for music and movies, bringing both to life with high fidelity and dynamics. The AV41 boasts XLR balanced outputs for all 16 channels to deliver the highest quality analogue connection to power amplifiers.The performance and musicality can be assured with Dirac Live® room optimisation included, and accessed instantly with integrated streaming using Apple®Airplay2, Google Chromecast®, Bluetooth with aptX®HD, Spotify Connect, Tidal Connect and UPnP with the MusicLife app.Dirac Live® Bass Control aggregates measurement and location data from each subwoofer as well as the main speakers to determine how a system’s bass is distributed throughout the room.
PREMIUM 9.4 CHANNEL | 125-WATTS-PER-CHANNEL AV RECEIVERPremium 9.4 channel 125-watts-per-channel amplification, Dolby Atmos, DTS:X Auro 3D, and 8K Ultra HD plus HEOS® Built-in streaming. CINEMA 40 is a statement piece and reference level A/V Receiver.Peerless Performance Immersive spaciousness, warm and rich tone, extraordinary detail and lifelike dynamics are legendary hallmarks of the Marantz sound.Technology Leader CINEMA 40 comes complete with the latest immersive audio formats, 8K video, room optimization, streaming, and more technology to simplify and elevate your enjoyment.Exquisite Design A modern expression of timeless design principles, CINEMA 40 features the iconic Marantz porthole, premium materials, and subtle sidelights that illuminate the front panel.PerformanceThe Marantz Sound Master meticulously tuned CINEMA 40 for amazing performance with careful parts selection to create the Most Musical Sound in your home.StyleExcellence is heard and seen. CINEMA 40 is meticulously crafted with authentic materials in a modern style befitting its rich heritage and stunning performance.CustomizabilityThoughtfully curated connectivity options and finetuning ability allow you to make CINEMA 40 your own.EffortlessIncluded remote, accessible front-panel controls, and an intuitive on-screen setup process make you feel like an expert user right away.
PREMIUM 9.4 CHANNEL | 125-WATTS-PER-CHANNEL AV RECEIVERPremium 9.4 channel 125-watts-per-channel amplification, Dolby Atmos, DTS:X Auro 3D, and 8K Ultra HD plus HEOS® Built-in streaming. CINEMA 40 is a statement piece and reference level A/V Receiver.Peerless Performance Immersive spaciousness, warm and rich tone, extraordinary detail and lifelike dynamics are legendary hallmarks of the Marantz sound.Technology Leader CINEMA 40 comes complete with the latest immersive audio formats, 8K video, room optimization, streaming, and more technology to simplify and elevate your enjoyment.Exquisite Design A modern expression of timeless design principles, CINEMA 40 features the iconic Marantz porthole, premium materials, and subtle sidelights that illuminate the front panel.PerformanceThe Marantz Sound Master meticulously tuned CINEMA 40 for amazing performance with careful parts selection to create the Most Musical Sound in your home.StyleExcellence is heard and seen. CINEMA 40 is meticulously crafted with authentic materials in a modern style befitting its rich heritage and stunning performance.CustomizabilityThoughtfully curated connectivity options and finetuning ability allow you to make CINEMA 40 your own.EffortlessIncluded remote, accessible front-panel controls, and an intuitive on-screen setup process make you feel like an expert user right away.
Reference 16-channel 200-watt-per-channel amplifier. Pair with AV 10 to create an elite-level home theater. Marantz HDAM, Current Feedback Amplification, and balanced line level input.Excellence Only Begins with PerformanceBuilt upon decades of rich heritage, designed with timeless style, and engineered for utmost performance, Marantz CINEMA Series are the foundation of the world's most demanding home theaters.Peerless Performance Immersive spaciousness, warm and rich tone, extraordinary detail and lifelike dynamics are legendary hallmarks of Marantz sound.Technology Leader AMP 10 is engineered using best-inclass technologies to enable extraordinary power output; high channel count; and the dynamic, rich, warm sound for which Marantz is highly renowned.Exquisite Design A modern expression of timeless design principles, AMP 10 features the iconic Marantz porthole level meter, premium materials, and subtle sidelights that illuminate the front panel.Ultimate PerformanceWe developed custom Class D amplifiers and refined our own HDAM-SA2 technology to create the most incredible theatrical experience possible in your home.StyleExcellence is heard and seen. AMP 10 is meticulously crafted with authentic materials in a modern style befitting its rich heritage and stunning performance.CustomizabilityThoughtfully curated connectivity options and selectable amplifier modes let you make AMP 10 your own.PowerfulAMP 10 gives you 16 channels of commanding power, deftly nuanced.
A new class of audio interfaceSSL 12 is a 12-in/8-out USB bus-powered audio interface that enables you to get studio-quality audio into and out of your computer with minimal fuss and maximum creativity. Building upon the success of SSL 2 and SSL 2+, SSL 12 gives you more. More I/O, more performance and more versatility. SSL 12 is fully integrated with SSL 360° software: Your SSL Control Room. Here you can assign monitor controls, create multiple independent headphone mixes, choose your Loopback source, customise the 3 front panel user-buttons and much more. SSL 12 presents a combination of professional features and workflow never seen before in a portable desktop interface.4 x SSL-Designed Analogue Preamps: Bus-powered pre's with huge gain range and uncompromising sound SSL Production Pack: A unique collection of inspiring softwareLegacy 4K: Add analogue colour enhancement inspired by the 4000-series consoleSSL 360° Enable: Create headphone mixes and much more via the SSL 12 Mixer.ADAT Input: Expand the input channel count with up to 8 channels of digital audioCompatible with Mac/Windows: Plug and play on Mac, ASIO/WDM driver for WindowsClass-Leading Mic Amps 4 beautifully detailed mic preamps to capture every nuance of every performance, with enough gain to cope with whatever microphone you're plugging in. Our two-stage design uses a mixture of specially chosen discrete low-noise transistors in combination with ICs, resulting in exceptionally low-noise performance (-130 dBu EIN) and a superior gain range (62 dB).Full +24 dBu Operating Levels Unlike many USB-powered audio interfaces, the balanced line inputs and outputs on SSL 12 work all the way up to +24 dBu, allowing you to seamlessly integrate with your favourite analogue outboard gear and other line-level devices.No Compromise Conversion and Monitoring With 32-bit converter technology, impeccable left-right stereo tracking and balanced outputs that deliver greater than 120 dB of Dynamic Range, SSL 12 brings the kind of no compromise monitor section performance fit for a high-end studio straight to your desktop.RecordFor tracking, the ADAT connectivity, together with the on-board talkback mic and an incredibly powerful software cue mixer (that allows you to create up to 4 independent near-zero latency performer mixes) will handle the most demanding of recording sessions.MixFor mixing, alternative monitor switching and assignable front panel control room functions puts everything you need at your fingertips.ProduceFor production, USB Loopback, MIDI I/O and DC-coupled outputs for CV control of synths equip you with a serious toolkit to keep the creativity flowing. To top it all off, the ever-expanding SSL Production Pack (packed with a selection of must-have virtual instruments, plug-ins, samples and DAWs) helps to bring your productions to life.Total control from SSL 360° - Your SSL control room SSL 360° hosts the SSL 12 software mixer, where you can set up low-latency headphone mixes, choose your Loopback source and customise the user-assignable front panel buttons on SSL 12 via the powerful but intuitive console-style mixer on-screen.Easily set up multiple near-zero latency headphone mixes SSL 12 provides an intuitive, virtual console-style mixer for dialling in headphone mixes. With independent pan, level and mute controls available for each send, the SSL 12 Mixer puts you fully in charge.Configure HP A and HP B outputs the way you need them Choose from 3 different modes of operation for the headphone outputs that best suit your headphones – Standard, High Sensitivity or High Impedance. Or, you can choose to re-purpose each HP output as a balanced/unbalanced mono output, if you need additional line level outputs from SSL 12.Customise the 3 user-assignable front panel buttons The 3 front panel switches come pre-assigned to CUT for the monitors, ALT speaker switching and TALKBACK mic engage/disengage but you can choose to change these buttons to any of the following functions to suit your needs - DIM, CUT, MONO SUM, ALT, INVERT PHASE LEFT, TALKBACK.SSL Production Pack FREE with SSL 12 Audio InterfaceWe’ve been helping world-class artists, producers and engineers make great music and audio for decades. It's crucial to have the right tools for the job, so we’ve partnered with some of the industry's key brands to offer you the SSL Production Pack, bundled free with your SSL 12 audio interface.Featuring a selection of must-have virtual instruments, plug-ins, samples and DAW, let your creativity shine and bring your productions to life with the SSL Production Pack.Analogue colour, inspired by the SSL 4000 consoleThe Legacy 4K button injects a musical high frequency boost, alongside a controlled amount of finely tuned harmonic distortion. It's perfect for adding character and edge to your vocals and instruments.Ins and OutsFront-access jack sockets provide convenient access to 2 instrument DI inputs and 2 independent headphone outputs. On the rear, SSL 12 provides Neutrik® XLR Combo sockets for Mic/Line inputs, TRS jack outputs for 2 speaker sets, 5 Pin DIN MIDI I/O, 8 channels of digital audio inputs via ADAT, the USB connector and on/off power switch.Key Features:4 x SSL-designed microphone preamps with unrivalled EIN performance and huge gain range for a USB-powered devicePer-Channel Legacy 4K switches - analogue colour enhancement for any input source, inspired by the 4000-series console2 Hi-Z instrument inputs for guitars, bass or vintage instruments2 professional-grade headphone outputs, with switchable modes of operation that cater for high impedance or high sensitivity headphones. Or re-purpose each headphone output as an additional “general purpose” balanced/unbalanced line-level output instead32-bit / 192 kHz AD/DA Converters - capture and hear all the detail of your creationsADAT IN - expand the input channel count with up to 8 channels of digital audioEasy-to-use Headphone routing via SSL 360° for critical low-latency monitoring tasksBuilt In Talkback Mic that can be routed to Headphone A, B and Line 3-4 outputs4 x dedicated balanced outputs and precision Monitor Level, with stunning dynamic rangeUse Outputs 3-4 to connect an alternative monitor set to or as additional line-level outputsUSB Loopback with selectable sourceDC-coupled outputs for controlling CV input instruments & FX3 user-assignable front panel switches - assign various monitoring functions and talkback open/closeMIDI I/OSSL Production Pack Software Bundle; includes 3-months free subscription to SSL Complete, plus an exclusive collection of 3rd party DAWs, virtual instruments and plug-insUSB bus-powered audio interface for Mac/Windows - power is provided by USB 3.0, audio via the USB 2.0 protocolSoftware Included:3-months free access to SSL Complete subscription3-months free access to Auto-Tune Unlimited subscription3-months free access to Arcade by Output subscriptionPerpetual licenses for SSL Vocalstrip 2 and Drumstrip plug-insIK Multimedia Amplitube 5 SECelemony Melodyne EssentialNative Instruments Hybrid Keys & Komplete StartAbleton Live 11 LiteAAS Session Bundle plug-ins1.5 GB Samples from Loopcloud
With 15 channels of amplification, our most powerful transformer, carefully selected parts, and hefty, high-rigidity construction, the AVR-A1H supports up to 9.4.6 configuration and delivers a professional theater experience in your home cinema. Designed and manufactured at Denon facilities in Japan.15.4 channels150 watts per channel8K Ultra HD3D AudioHEOS Built-inDirac Live ReadyThe world's first 15 channel AV receiverFeaturing the largest power transformer we have ever used, the AVR-A1H delivers unparalleled performance.Ultimate 3D audioExperience a new level of 3D audio entertainment with up to a 9.4.6 speaker configuration.8K readySupports 8K video with the latest 1GHz DSP and HDMI technologies.Over 70 pounds of powerWeighing in at more than 70 pounds, the A1H powers 150W per channel.Unleash 15 channels of powerThe world’s first 15-channel AV receiver delivering up to 150W per channel (at 8 ohms, 20-20kHz, THD 0.05%, 2ch driven).Unparalleled quality and performanceThe largest power transformer we have ever used and new, larger capacitors make AVR-A1H respond quickly and dynamically to your music to reproduce audio as the artist intended.Hi-Fi grade componentsAudiophile grade two-channel DAC for all 19 channels, hefty gold-plated speaker terminals, cast iron feet, and rigid construction protects against vibration and interference, greatly reducing noise impacts.per channel.HEOS Built-in technologyStream music wirelessly from a variety of free and premium streaming services. Share content to HEOS-enabled devices, like Denon Home speakers, in other rooms.Dirac Live UpgradeabilityDirac Live Room Correction applies state-of-the-art, patented algorithms to analyze and digitally reduce room impact and enhance speaker performance.
The LCD-XC shares the same drivers and basic construction as the LCD-X, lending it a similar level of detail and transparency. Its closed-back design adds isolation, which lets you to focus as intensely as you need without distraction. When used with Audeze Reveal+ to create an AI-generated map of your own hearing, the LCD-XC puts you inside renowned studios, letting you mix consistently and efficiently from anywhere, regardless of background noise.
The Chandler PSU-1 is designed to run any two Chandler units except the Mini Rack Mixer.
HT/1205 MKII establishes a new performance standard for affordable home theatre subwoofers. Avoiding electronic gimmickry in favor of properly balanced priorities; cabinets that are right-sized, solidly braced and beautifully finished. A sparkling new amp design that effortlessly delivers 500W into an all-new CarbonGlas™ 12” (300mm) driver. The sexy new black lacquer top plate has a subtle REL logo floating on top, while the expensively wrought black line-grained composite for the cabinet looks the business.HT/1205 MKII plays 50% louder than its predecessor, while also delivering more precision and subtlety. It is capable of output levels more commonly found in models well over $1,000/£1,000. Fantastic for music and available HT-Air rounds out a perfect offeringSerie HT is designed specifically to answer the challenge of creating affordably priced, exceptionally dynamic, pure home theater powered subwoofers. The HT/1205 MKII is the ideal combination of a lightweight, modern 12” CarbonGlas™ (300mm) driver coupled to a powerful 500W Class D amplifier that runs cool, producing extraordinary dynamics. Internally, we developed specially adapted home theater input filters that produce extremely flat bass down in the 20’s.We set out to build the loudest, relatively compact 12” unit available for pure home theater use, and at truly attractive pricing. You’ll be the judge of how well we accomplished that goal, but critics are already lining up for reviews. We believe the HT/1205 MKII is destined to become a modern classic with svelte cabinet dimensions finished in an attractive, yet purposeful line grained black aluminum-look and topped by a 12mm thick beautifully polished top that serves to damp vibrations on the critical top surface of the cabinet.For REL owners already enjoying our Reference, Serie S and T/i subwoofers designed for both 2-channel and theater use, the HT/1205 MKII is designed to supplement their system’s .1/LFE output to produce extremely high output for chest rumbling home theater special effects.
DescriptionThe AT-XP5 is specially designed for the needs of DJs. This cartridge features a highly-rigid polyphenylene sulfide (PPS)/glass fiber body and a tracking force of 2 to 4 grams. It also offers a powerful output level of 5.5 mV, and its 0.3 x 0.7 mil elliptical bonded stylus tracks the record groove with high accuracy for outstanding audio reproduction. Plus, the cartridge is specifically designed to provide maximum visibility of the stylus tip.
DescriptionThe AT-XP3 cartridge is specially designed for DJs. It features a highly-rigid polyphenylene sulfide (PPS)/glass fiber body, has a tracking force of 2 to 4 grams, and offers a powerful output level of 5.5 mV. Its 0.6 mil conical bonded stylus tracks the center of the record groove for reliable performance and excellent fidelity. And the cartridge design provides maximum visibility of the stylus tip. The AT-XP3 cartridge is compatible with any XP or VM95 Series replacement stylus, offering a wide choice of options for every budget and application.
DescriptionThe AT-XP7 is specially designed for the needs of DJs. This cartridge features a highly-rigid polyphenylene sulfide (PPS)/glass fiber body and a tracking force of 2 to 4 grams. It also offers a powerful output level of 6.0 mV, and its 0.3 x 0.7 mil elliptical bonded stylus tracks the record groove with high accuracy for outstanding audio reproduction. Plus, the cartridge is specifically designed to provide maximum visibility of the stylus tip.
Description Dent-resistant grille replaces Beta 58A wired and wireless microphone grilles.
New Klipsch RP-600M II has larger 90° x 90° silicone composite hybrid Tractrix® horn provides incredibly efficient transfer of high-frequency waves into the listening area for crisper, clearer sound. The phase plug and compression molded silicone face ensure smooth frequency response. The exclusive 1" LTS minimizes distortion for enhanced, detailed performance. LTS tweeters are a hallmark of previous Reference Premiere Series, making it a core component of some of the best speakers in the world.The vented tweeter housing reduces standing waves that create unwanted harmonics, resulting in enhanced detail and clarity in high-frequency reproduction. A signature feature on the Reference Premiere series speakers, the 6.5" Cerametallic™ woofer has been updated for absolutely flawless sound reproduction, minimum distortion, and maximum efficiency. The redesigned woofer will deliver the power, detail, and emotion you expect from a Klipsch Reference Premiere speaker Utilizing Tractrix geometry, the Reference Premiere port allows for the most efficient, fastest air transfer from the cabinet, which reduces port noise for punchier low frequencies and cleaner, more powerful bass.Dual input terminals for bi-wiring / bi-amping capabilities separate high and low-frequency current into different speaker cables, reducing distortion for clearer midrange. Bi-amping allows for further optimization of performance with separate outboard power amplifiers for the high frequency and low-frequency drivers.
DESCRIPTIONWith its outstanding performance, excellent resolution, superb control and precise musical reproduction, we have made a preamplifier that is true to our slogan, “Closing the gap to the master”. Our new two-channel EC 4.8 MKII preamplifier enhances the predecessor, and is sure to make all good power amplifiers sound even better!BALANCED AUDIOFully balanced discrete analog audio circuitry.SONIC PERFORMANCEThe MKII further enhances the EC 4.8 with new mechanics and sonic enhancements, and an updated design to be in line with the new MKII versions of our products.DUAL MONO DESIGNIt is designed as two separate mono preamplifiers, each with its own independent power supply.
DESCRIPTIONWith the renewed international enthusiasm for the vinyl format, a world-class phono preamplifier or RIAA stage is more important in a reference setup than ever before.The ECP2-MKII has become a new favorite of reviewers and enthusiasts alike. A benchmark product in its price bracket, much like other Electrocompaniet products. It incorporates state-of-the-art instrumentation and operational amplifiers and highest quality discrete components in the signal path. Of course it is all DC coupled. The ECP2-MKII introduces new chassis and front plate design, in line with our other products in the Classic Line. It will make your vinyl records sing like no other phono preamplifier we know of, and it seems the industry agrees with us.ADJUSTABLE GAINThe ECP2-MKII can accommodate any imaginable pickup, MM or MC thanks to its extremely configurable input stage, adjustable gain and the ECP 2 MKII is strictly matched to the RIAA curve.BALANCED AUDIOECP 2 MKII incorporates state-of-the-art instrumentation and operational amplifiers and highest quality discrete components in the signal path. Of course it is all DC coupled.
DescriptionThe AXC35 is a versatile, gapless playback CD player featuring a high quality digital to analogue converter (DAC), to convert the digital information stored on a CD into an analogue sound signal. As well as regular audio CDs, the AXC35 will play MP3 and WMA files from home recorded CD-R, CD-RW and CD-ROM discs. There’s also a dedicated digital output which allows you to record from a CD to a digital format or even connect to a standalone DAC when you’re ready to improve your sound even further.
DescriptionThe AXR100D DAB+/FM Stereo Receiver offers a massive 100 watts per channel, a dedicated subwoofer speaker output for improving bass and two sets of speaker outputs. It also features analogue inputs, digital inputs, a phono stage, a DAB+/FM receiver with RDS and a 3.5mm input. In addition, the built-in Bluetooth receiver allows you stream your favourite music from your smartphone, tablet or PC.
DescriptionThe most powerful amplifier in the AX range offers a massive 100 watts per channel, a dedicated subwoofer speaker output for improving bass and two sets of speaker outputs. It also features analogue inputs, digital inputs, a phono stage, an FM/AM receiver with RDS and a 3.5mm input. In addition, the built-in Bluetooth receiver allows you stream your favourite music from your smartphone, tablet or PC.
