Misc.

Universal Audio, a leading manufacturer of professional recording hardware and software, is proud to introduce UAFX, the company's first line of effects pedals, featuring sonically authentic simulations of classic reverb, delay and modulation circuits.The results of an exhaustive multi-year effort: UAFX Golden Reverberator, Starlight Echo Station and Astra Modulation Machine bring powerful dual-processor architecture to the effects pedal market, delivering three distinct vintage sounds per pedal, with flawless analog design and Universal Audio build/quality.Hallmark UAFX features include intuitive Preset / Live functions, analog transmission, stereo / dual mono, true bypass with silent switching and downloadable additional effects from the acclaimed UAD algorithm group and more.The Astra Modulation Machine is a complete audio workstation.From spacey 1970s studio flanger sounds, to gritty bucket-brigade chorus and luscious opto tube tremolo, Astra puts three perfectly simulated modulation sounds at your feet.Chorus Brigade, Flanger DBLR and Trem 65 settings - with secondary functions for Vibrato, Doubling and more - combine for a wealth of tasteful tweaks.

Released 6 years ago, FELiX helped usher in a renaissance of amplified acoustic sound quality and functionality. What once required racks of studio gear and stage techs to achieve, FELiX made available in a single, affordable and rugged /compact floor unit. Since its release, we have worked together with many demanding players to improve and hone its features and functionality, and are now pleased to announce the latest version of this little champ – FELiX2.FELiX2 NEW FEATURES INCLUDE:STEREO OPERATIONNew dual mono or true stereo FX loop allows for independent FX loops on either channel or stereo FX operation with mono or stereo inStereo amp output for connecting to stereo stage amp rigStereo headphone output for stereo headphone personal monitoring blissVARIABLE PHASE CONTROLBuilt in variable phase control on channel 2 allows users to adjust mic / pickup blending systems to be perfectly phase coherentMORE EQ POWERHIGH shelving EQ control updated to include 2 transition frequency settings at 1k and 2k, allowing for more flexible high frequency tone controlNew notch filter uses a much higher Q setting for better surgical control of problem frequenciesNEW POWER SUPPLYClass II power supply eliminates ground loops when connecting to stage amps and other non-isolated stage equipmentNOTE: this is now a 2 prong power inputBETTER STAGE MANNERSNew protective side rails and slightly lower profile knobs to help protect controls from extra left feet and floppy stray instrument cablesCHANNEL 1 BOOST DEFEATAllows the boost circuit to only affect channel 2FELiX2 is a studio quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX2 is built into a roadworthy floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX2 brings open, musical and nuanced preamplification to any performance situation.A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric mid range controls cover from 70Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.Controls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute / tune switch for muting all outputs except the dedicated tuner out, a boost switch which activates a variable boost circuit, and finally, an A/B mode switch for when FELiX2 is in A/B mode (which simply toggles between the two different channels).FELiX2 brings the kitchen sink approach to I/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix or each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1/8” mini jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. Dual TRS jack send and return FX loop signals and can be configured for stereo operation or dual mono with separate FX loops for each channel.Guitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing – FELiX2 is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, FELiX2 is also your new best friend.Designed and built by family and friends in sunny Lyons, CO, USA.FEATURES:Open, musical and detailed instrument and mic preamplification for discerning artists and engineers2 channel audio path with blend output controlm101 style transimpedance microphone preamplifier, no electrolytic capacitors in the signal pathVariable Phase control on channel to for fine tuning phase between a microphone and pickupUltra precision 0.5% thin  film resistors are used in the signal pathCareful power supply design and grounding yield an ultra-quiet signal path and professional level headroom and line driving abilityFully ground isolated DI outputs with high quality, low distortion, fully shielded transformersSuper rugged 1/4” connectors with heavy duty metal bushingsNew side rails to protect control from inadvertent changes via cables or feetPowerful, independent EQ on both channels – hi and low shelving and full parametric midrangeMid frequency control has two ranges 70-880Hz / 670 – 8kHz20Hz-1kHz sweepable HPF on both channels, can also be set as notch filterA / B footswitch for multiple instrument configurations or soloing different pickupsMute/ tune footswitch mutes all outputs except dedicated tuner outBoost footswitch for variable 10dB level boost (global)DI outputs sources are configurable – Ch1 (mix or Ch1) Ch2 (mix or Ch2)Dedicated level controlled stereo stage amp output (configurable as blend or Ch2)Dedicated tuner out, remains hot when unit is mutedSide panel switches for 48V, phase, mid Hz range select, HPF/notch select, 12V and A/B mode select12V mic input power available on Ch2Phase reverse switch for each channel3 input impedance settings on each channel – Ch1 10K, 1MEG, 10MEG / Ch2 332K, 1MEG, 20MEG accommodating a wide range of pickup typesMic stand flange mount screw holes holes for putting FELiX on a mic stand1/8” stereo headphone jack, active when FELiX is mutedStereo FX loop or independent dual mono FX loopsNEW CLASS II Universal 100-240 AC power supply with standard IEC cableFull 5 year transferable warranty / built for long, happy life on the roadDesigned and built by family and friends in Lyons, CO, USA

Released 6 years ago, FELiX helped usher in a renaissance of amplified acoustic sound quality and functionality. What once required racks of studio gear and stage techs to achieve, FELiX made available in a single, affordable and rugged /compact floor unit. Since its release, we have worked together with many demanding players to improve and hone its features and functionality, and are now pleased to announce the latest version of this little champ – FELiX2.FELiX2 NEW FEATURES INCLUDE:STEREO OPERATIONNew dual mono or true stereo FX loop allows for independent FX loops on either channel or stereo FX operation with mono or stereo inStereo amp output for connecting to stereo stage amp rigStereo headphone output for stereo headphone personal monitoring blissVARIABLE PHASE CONTROLBuilt in variable phase control on channel 2 allows users to adjust mic / pickup blending systems to be perfectly phase coherentMORE EQ POWERHIGH shelving EQ control updated to include 2 transition frequency settings at 1k and 2k, allowing for more flexible high frequency tone controlNew notch filter uses a much higher Q setting for better surgical control of problem frequenciesNEW POWER SUPPLYClass II power supply eliminates ground loops when connecting to stage amps and other non-isolated stage equipmentNOTE: this is now a 2 prong power inputBETTER STAGE MANNERSNew protective side rails and slightly lower profile knobs to help protect controls from extra left feet and floppy stray instrument cablesCHANNEL 1 BOOST DEFEATAllows the boost circuit to only affect channel 2FELiX2 is a studio quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX2 is built into a roadworthy floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX2 brings open, musical and nuanced preamplification to any performance situation.A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric mid range controls cover from 70Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.Controls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute / tune switch for muting all outputs except the dedicated tuner out, a boost switch which activates a variable boost circuit, and finally, an A/B mode switch for when FELiX2 is in A/B mode (which simply toggles between the two different channels).FELiX2 brings the kitchen sink approach to I/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix or each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1/8” mini jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. Dual TRS jack send and return FX loop signals and can be configured for stereo operation or dual mono with separate FX loops for each channel.Guitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing – FELiX2 is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, FELiX2 is also your new best friend.Designed and built by family and friends in sunny Lyons, CO, USA.FEATURES:Open, musical and detailed instrument and mic preamplification for discerning artists and engineers2 channel audio path with blend output controlm101 style transimpedance microphone preamplifier, no electrolytic capacitors in the signal pathVariable Phase control on channel to for fine tuning phase between a microphone and pickupUltra precision 0.5% thin  film resistors are used in the signal pathCareful power supply design and grounding yield an ultra-quiet signal path and professional level headroom and line driving abilityFully ground isolated DI outputs with high quality, low distortion, fully shielded transformersSuper rugged 1/4” connectors with heavy duty metal bushingsNew side rails to protect control from inadvertent changes via cables or feetPowerful, independent EQ on both channels – hi and low shelving and full parametric midrangeMid frequency control has two ranges 70-880Hz / 670 – 8kHz20Hz-1kHz sweepable HPF on both channels, can also be set as notch filterA / B footswitch for multiple instrument configurations or soloing different pickupsMute/ tune footswitch mutes all outputs except dedicated tuner outBoost footswitch for variable 10dB level boost (global)DI outputs sources are configurable – Ch1 (mix or Ch1) Ch2 (mix or Ch2)Dedicated level controlled stereo stage amp output (configurable as blend or Ch2)Dedicated tuner out, remains hot when unit is mutedSide panel switches for 48V, phase, mid Hz range select, HPF/notch select, 12V and A/B mode select12V mic input power available on Ch2Phase reverse switch for each channel3 input impedance settings on each channel – Ch1 10K, 1MEG, 10MEG / Ch2 332K, 1MEG, 20MEG accommodating a wide range of pickup typesMic stand flange mount screw holes holes for putting FELiX on a mic stand1/8” stereo headphone jack, active when FELiX is mutedStereo FX loop or independent dual mono FX loopsNEW CLASS II Universal 100-240 AC power supply with standard IEC cableFull 5 year transferable warranty / built for long, happy life on the roadDesigned and built by family and friends in Lyons, CO, USA

Highly-flexible TonePrint pedal board with simple, intuitive controls. Create and customize up to 127 custom boards with any combination of TonePrint pedals. Populate each BOARD with up to 5 pedals including all TonePrint FX. Store up to 75 TonePrints per FX for fast and easy recall. FX include Hall Of Fame 2 Reverb, Flashback 2 Delay, Sub n Up Octaver, Brainwaves Pitch Shifter, Corona Chorus, Hypergravity Compressor, Mimiq Doubler, Vortex Flanger, Pipeline Tap Tremolo, Quintessence Harmony, Sentry Noise Gate, Shaker Vibrato. Customizable FX signal chain on each board. MASH technology turns all 5 footswitches into expression controllers with customizable mapping. Added MASH functionality to all legacy Toneprint Pedals. FX loop insert with customizable routing to integrate external pedals or connect to your amp using 4-cable method. Includes built-in UniTune chromatic tuner. Global speaker cab-sim for direct play with audio interface and PA systems. Bluetooth connection to the free TonePrint App to import tones from our vast library of TonePrints. Use the free TonePrint App editor to access hundreds of effects parameters and design custom TonePrints. Organize boards quickly using the free TonePrint App. EXP input – assign an external expression pedal to control FX parameters or use as a volume pedal anywhere in the signal chain. Optional Tap Tempo for tim1X. Simple 3 knob control over each pedal for fast FX tweaking. ‘Quick Swap’ feature to instantly reorganize your signal chain. Automatically saves your settings as you go.

Vintage Reverb Effects Beyond Any Other Stompbox.Harnessing more than 20 years of reverb modeling expertise, UAFX Golden Reverberator puts a trio of iconic reverbs right at your feet. The tube-driven spring reverb of classic ’60s guitar amps. The dense and haunting sound of ’50s studio plate reverbs. The endless algorithmic wonder of early digital reverb hardware.Built upon powerful UAFX dual‑engine processing and unprecedented levels of sonic authenticity, Golden Reverberator is a flagship, no‑compromise reverb unit, built to inspire you for decades.Get the unmistakable drip of three "golden unit" spring reverb tanks, pulled from classic '60's American guitar ampsExplore the dense, haunting sound of three German studio plate reverbs sourced from The Plant studioSculpt huge, three-dimensional tones with exact, bit‑for‑bit vintage digital reverb algorithmsQuickly access sounds with Live/Preset modes, and play with silent switching, and true or trails bypass with spillover*Download additional vintage digital Chamber & Plate effect at product registrationBuild your pedalboard around timeless UA design and robust craftsmanship, built to last decadesSpring 65: A Trio of Authentic Vintage Amp ReverbsThe tube-driven spring reverb from classic '60s American guitar amps is a heavenly sound like no other. But no two spring reverb tanks sound alike. So we auditioned over two dozen tanks, ultimately handpicking and modeling three tanks from a trio of vintage amps. Unlike other spring reverb emulations, UA's "whole amp" approach faithfully captures each reverb circuit's unique tube clipping character. The end result is all the drip, clang, whistles, and overtones of real tube‑driven spring reverb.Plate 140: A Classic Palette of Rich Studio PlatesThe dense, haunting sound of late-1950s studio plate reverb is integral to more than 60 years of classic recorded guitar tones. Golden Reverberator's three uniquely voiced plates — sourced from The Plant recording studio in Sausalito, California — frame your tones in hazy ambience as warm as the midday sun. Plus, you can easily add ripples of rich analog modulation to add texture.Hall 224: A World of Late-'70s Vintage Digital AmbienceIntroduced in the late 1970s, digital studio reverb allowed progressive guitarists to venture further into atmospheric exploration — fueling the platinum pop and alt‑rock guitar tones of the ‘80s, ‘90s, and beyond. Golden Reverberator's Hall 224 effect gives you the exact, bit-for-bit algorithms of a studio staple, with all of their lush, grainy trails and mesmerizing modulation textures.Dual Stereo Reverb Engines for Endless CreativityBuilt from the ground up for UAFX, Golden Reverberator's powerful engine runs separate stereo instances of each reverb effect, thanks to its unique dual‑engine processing — giving you uncanny three‑dimensional, immersive soundscapes. This results in a stereo spread of complex, awe‑inspiring spatial textures, and seamless effect transitions with trails.A State-of-the-Art StompboxWith modern, high-powered features like studio‑grade conversion, dual‑processing engines, additional downloadable effects, Live/Preset modes, true/buffered bypass with silent switching, effect trails, and analog dry through, Golden Reverberator radiates pure reverb perfection — in a beautiful stompbox that's built to last decades.

Unmatched Authentic Vintage and Modern Delay Effects.Fasten your seatbelts for sonic time travel with UAFX Starlight Echo Station, featuring jaw‑dropping emulations of classic tape echo, bucket-brigade, and digital delay units in a single, uber‑powerful stompbox.Built upon futuristic UAFX dual‑engine processing and unflinching sonic accuracy, Starlight sets a new benchmark in delay effects, beautifully crafted to travel the farthest reaches of your imagination for decades to come.Create with stunning emulations of iconic tape echo hardware, with selectable New, Used, and Worn tape machines Craft legendary bucket-brigade analog delay effects with the color, texture, modulation, and haze of the original hardware Play pristine, studio-grade digital delays with dynamic and inspiring modulation textures Quickly access sounds with Live/Preset modes, and play with silent switching, spillover, optional preamp coloration, tap tempo, and true or buffered/trails bypass*Download additional vintage Cooper Time Cube delay effect at product registrationBuild your pedalboard around timeless UA design and robust craftsmanship, built to last decadesTape EP-III: Perfectly Captured Tape Delay and PreampA glorious system of motors and tape, vintage early‑'70s tape echo units are beyond legend — and Starlight Echo Station's Tape EP‑III is, soup‑to‑nuts, the most complete circuit emulation of the classic hardware. From its wow/flutter randomness to the sound of the tape splice, every eccentric trait of the hardware is here, including its incredibly musical preamp circuit. Plus, you can tweak your repeats with New, Used, and Worn tape machines for tons of color and texture.Analog DMM: Iconic Bucket‑Brigade EffectsSyrupy repeats, thick modulation, and mind-bending sci‑fi effects are calling cards of this vintage American bucket‑brigade delay. Starlight Echo Station captures the best characteristics of multiple handpicked units from the late‑'70s/early‑’80s, modeling the entire circuit — right down to the colorful preamp and unpredictable clock rate dumping — giving you startling "whoosh" effects, astonishing vibrato and chorus textures, and all the hazy zaniness of the original.Precision: Hi-Fi Delays, Inspired ModulationFeaturing pristine, mirror‑image repeats with dynamic, shimmering modulation effects, the Precision effect is a goldmine of modern delays. Easily craft with hi‑fi studio‑grade flange and chorusing textures and pepper your creations with ping‑ponging repeats, adding movement and interest to your parts.Dual Stereo Delay Engines for Endless CreativityStarlight's UAFX engine powers separate stereo instances of each delay effect, thanks to its unique dual‑engine processing. It's like having two tape or bucket-brigade hardware units running simultaneously, giving you a full stereo spread of complex, awe‑inspiring spatial textures, and seamless delay effect transitions with trails.A State-of-the-Art StompboxWith modern, high‑powered features like studio-grade conversion, dual‑processing engines, additional downloadable effects at registration, Live/Preset modes, true/buffered bypass* with silent switching, effect trails/spillover, tap tempo, and analog dry through, Starlight Echo Station is your interstellar delay navigator — from here to the never‑ending beyond.

The UAFX Woodrow '55 Instrument Amplifier pedal gives you the legendary American tweed tube amp sounds used by artists and producers for decades, from The Eagles to Chuck Berry to Neil Young.Built on powerful dual-engine processing and UAD modeling expertise, the Woodrow '55 effects pedal packs sweet cleans, rich overdrive, and grungy distortion.Get the best emulation of a mid-'50s American tweed amp ever packed into a pedal Go from dapper to dangerous with classic tube tones Take world-class studio amp sound anywhere, complete with mic/speaker pairings and preamp boostsDownload artist tones, customize features, explore presets, and more with UAFX mobile appExperience Perfect Tube Amp Growl, Stage and StudioWhether it's replacing your amp rig and going direct to front‑of‑house on stage, or recording tracks into your DAW — Woodrow '55 gives you the inspiring, album‑ready tones of an expertly miked "golden unit" vintage tweed amp, within seconds.Get Hot-Rodded SoundsTake your rowdy tweed tones further using tried-and-true British speaker swaps and boosts — including preamps from the iconic KORG SDD-3000 rack unit and Maestro EP-3 tape delay — at the flip of a switch.* Only Woodrow '55 puts authentic tube growl and hot‑rod mods under your chucks, docs, or crocs.Customize your Sound with the UAFX AppWoodrow '55 gets even better with the UAFX Control mobile app. Download custom artist tones, recall and archive your presets, and delve into the tweed amp that started it all.

Your Essential Creative Companion Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet. Features: Advanced BOSS looping features in a compact footprint Class-leading sound quality with 32-bit AD/DA and 32-bit floating-point processing Stereo looper engine with 13 hours of recording time LCD with multi-color backlight for viewing loop status and editing parameters Reverse function for infusing loops with interesting textures Seven different drum kits and 57 preset rhythms with A/B variations Support for expanded control via external footswitches, an expression pedal, or MIDI Full MIDI I/O provided with space-saving mini TRS jacks (BMIDI-5-35 adaptor cable available separately) Onboard storage for 99 phrase memories Back up and load WAV loops via USB Super Sound Quality Featuring best-in-class 32-bit AD/DA and 32-bit floating-point processing, the RC-5 captures your personal sound with full fidelity and keeps loops crystal clear, even with multiple overdubs. And with 13 hours of stereo recording time, there’s plenty of space for extended creative journeys. Window to Your World The RC-5 features the most advanced interface available in any compact looper pedal. The LCD lets you keep an eye on loop status as you perform, with a backlight that changes color to indicate recording, overdub, and playback states. And coupled with the multi-function parameter knob, it’s quick and easy to navigate rhythms, kits, system settings, and more in the heat of the moment. Deep Control The RC-5’s versatile pedal switch controls all looping functions—record, overdub, play, stop, and undo/redo. But deeper control is also supported if you need it. Connect up to two external footswitches for direct control of many assignable functions, or an expression pedal for continuous adjustments. Players with advanced systems will love the TRS MIDI I/O, which saves space and enables remote operation from MIDI switchers and foot controllers, plus MIDI sync with drum machines and DAWs. Move and Groove, Forward and Back With 57 preset rhythms and seven different drum kits, the RC-5 is ready to elevate loop and practice sessions with inspiring grooves for any style. For each rhythm, A/B variations can be selected from the panel or controlled via MIDI while performing. The RC-5’s looper engine also includes a cool reverse function that’s great for infusing your music with fresh sonic colors. Capture, Practice, and Perform The RC-5 provides 99 phrase memories, letting you store loops as fast as you create them. In addition to audio, a phrase memory includes the selected rhythm and kit, so it’s ready to go when you call it up. Loop audio can be backed up to a computer via USB. And with WAV import via BOSS Tone Studio, the RC-5 becomes a pedalboard playback hub for lesson material, jam tracks, or backing music for your next gig.

Dual-Track Powerhouse The RC-500 is an essential partner for guitarists, singer/songwriters, multi-instrumentalists, and anyone who wants to take their looping to the next level. Craft real-time compositions with two loop tracks, mic and stereo instrument inputs, rhythms, and inspiring Loop FX, all backed by premium 32-bit audio quality. Store loops in onboard memories, and explore expanded operation with external controls and MIDI. Filled with next-generation Loop Station features, the RC-500 gives serious creators the tools they need to develop new ideas and deliver impactful performances that will leave audiences wanting more. Features Advanced two-track looper with onboard mixing and deep control options Class-leading sound quality with 32-bit AD/DA and 32-bit floating-point processing Stereo looper engine with 13 hours of recording time LCD with multi-color backlight for viewing loop status and editing parameters Mono/stereo inputs for easy pedalboard integration, plus independent XLR mic input with phantom power Reverse function and Loop FX (repeat, scatter, shift, and vinyl flick) for dynamic and engaging loop performances 16 different drum kits and 57 preset rhythms with A/B variations Support for expanded control via external footswitches, an expression pedal, or MIDI Full MIDI I/O provided with space-saving mini TRS jacks (BMIDI-5-35 adaptor cable available separately) Onboard storage for 99 phrase memories Back up and load WAV loops via USB Runs on four AA batteries or optional AC adaptor Super Sound Quality Featuring best-in-class 32-bit AD/DA and 32-bit floating-point processing, the RC-500 captures your personal sound with full fidelity and keeps loops crystal clear, even with multiple overdubs. And with 13 hours of stereo recording time, there’s plenty of space for extended creative journeys. Connect, Loop, and Mix With its versatile I/O and free-flowing interface, the RC-500 is ready to support all your musical visions. Connect mono/stereo instruments and pedal effects, plus a mic to the dedicated XLR input—complete with phantom power if needed. Use the two tracks independently for song-style composition, or together for rich multi-track textures. The LCD backlight changes color to clearly show the current operation mode, while hands-on track faders and a mic level knob provide direct access to volume control as you loop. Flexible Creative Control Three onboard footswitches make it simple to control recording and playback, track switching, and more. For expanded operation, you can connect up to two external footswitches for direct control of many assignable functions, or an expression pedal for continuous adjustments. And for advanced rigs, the space-saving TRS MIDI I/O enables remote operation from MIDI switchers and foot controllers, plus MIDI sync with drum machines and DAWs. Personalize Your Setup The RC-500’s I/O and footswitches are configured for basic operations by default, but they can be reassigned in a variety of ways to meet your custom needs. Route left/right input sources to separate tracks, or send guitar and vocals to independent outputs. Use the footswitches to turn effects on/off, start/stop rhythms, and more. Custom assignments are saved along with phrase memories, letting you instantly reconfigure the RC-500 for any application. Energize Performances with Rhythms and Loop FX Loaded with inspiring rhythms and evocative loop processing, the RC-500 is primed to bring groove and color to all your looping adventures. Each of the 57 preset rhythms include A/B variations, while 16 different drum kits provide sounds to match any style. Designed for live performance, Loop FX like repeat, scatter, and more infuse your loops with instant sonic energy. There’s a cool reverse function too, perfect for creating unique sonic flavors on demand. Capture, Practice, and Perform The RC-500’s 99 phrase memories let you store loops as fast as you create them, complete with rhythm and kit selections, audio settings, and control assignments. Loop audio can be backed up to a computer via USB. And with WAV import via BOSS Tone Studio, the RC-500 becomes a central playback hub for lesson material, jam tracks, or backing music for your next gig.

A NEW ERA OF SOUND, POWER, & PERFORMANCE The Roland GR-55 is a revolution in guitar synthesis, with features never before available in any guitar processor. In terms of speed, it’s the fastest ever. It’s also the most accurate, thanks to newly developed pitch-detection technology. As for sound, the triple-core generator houses a world-class array of virtual guitars, basses, amps, and synth voices, enabling tones and textures that have never been heard before. Onstage or in the studio, you can instantly access the GR-55’s huge library of ready-to-use sounds, from pop to rock and beyond, with quick-access category buttons. Welcome to a groundbreaking new era in guitar synthesis! A revolutionary fusion of guitar synthesis and powerful COSM guitar modeling Up to four sound sources at a time: two PCM synth tones, plus COSM guitar modeling and normal guitar input Easy to use and easy to play with hundreds of great, ready-to-use sounds for rock or pop guitarists Advanced Roland technology provides superb sound quality and lightning-fast processing Over 900 of Roland’s latest fully editable PCM sounds, including pianos, organs, strings, vintage synths, and much more COSM guitar and amp modeling Two types of multi-effects engines, plus global reverb, chorus, and delay effects, and an onboard looper Built-in USB audio player with foot control Available with or without GK-3 Divided Pickup New Sound Possibilities The GR-55’s powerful triple-core engine comprises two PCM synthesizers (with over 900 tones powered by the latest Roland synthesis technology) and COSM guitar modeling, featuring a virtual treasure trove of guitar, bass, amp, and synth models. Together, these combined technologies allow you to create unique, revolutionary sounds. The “Metal Synth Lead” preset, for example, combines two types of thick, brilliant synth textures with an overdriven solid-body/humbucking tone for incredible punch and power. Lightning-Fast Tracking Thanks to Roland’s decades of research and dedication to guitar synthesizers and powerful new pitch detection technology, the GR-55 is far and away the fastest guitar synth ever. Furthermore, the COSM guitar-modeling engine needs zero detection time, allowing the GR-55 to respond instantly and exactly as you play. The GR-55 detects pitch, velocity, and behavior for unprecedented response to your performance. Instant Gratification Get ready to rock…and fast! The GR-55 puts you instantly in touch with a huge library of amazing sounds, no editing required. The onboard lineup of ready-to-use presets (270, plus 297 user) takes the pain out of the process, with simple category buttons for finding the perfect sound fast. Choose from hundreds of great presets for pop, rock, and beyond, and kick-start your song or jam with unique, powerful sounds that will turn heads and raise fists. Easy to Use If you’re new to the world of technology, fear not. The GR-55 is powerful yet extremely friendly. For customizing sounds, the EZ Edit feature (made famous in the GT-10) and large LCD takes the guesswork out of the process. And for those who want to go deep, the GR-55 offers huge array of controllable parameters. Pros will appreciate the power of the GR-55 while beginners will love how quick and easy the unit is to operate. USB Connectivity The GR-55 conveniently bridges the guitarist to the desktop music production world with its two USB ports. The rear-panel port can be used one for MIDI/Audio data communication; the side-panel port is dedicated to real-time playback of audio files from a USB memory device (sold separately). The GR-55 provides foot control of USB audio playback so your hands never need to leave the guitar. Technical Specifications: Sound Generator:  PCM: 2 tones Modeling: 1 tone Tones:  PCM: 910 types Modeling: 23 types (guitar mode) 17 types (bass mode) Effects:  MFX (Multi-Effects): 20 types AMP (Preamp): 42 types MOD (Modulation): 14 types DELAY: 7 types REVERB: 5 types CHORUS: 4 types EQ: 1 type Patch Memory:  Guitar mode Preset: 270 + User: 297 Bass mode Preset: 90 + User: 297 AD Conversion:  24-bit (GK Pickup) 24-bit + AF method ** (Normal Pickup) DA Conversion:  24-bit Sampling Frequency:  44.1 kHz Nominal Output Level:  OUTPUT jacks: -10 dBu GUITAR OUT jack: -10 dBu Output Impedance:  OUTPUT jacks: 2 k ohms GUITAR OUT jack: 2 k ohms USB Memory Audio Player:  File Format: WAV, AIFF Display:  Graphic LCD 240 x 64 dots Connectors:  GK IN connector (13 pins DIN type) GUITAR OUT jack (1/4-inch phone type) OUTPUT L/MONO, R jacks (1/4-inch phone type) PHONES jack (Stereo 1/4-inch phone type) MIDI connectors (IN, OUT) (5-pin DIN type) USB COMPUTER connector (supports Hi-Speed USB, USB MIDI and USB Audio) USB MEMORY connector (supports Hi-Speed USB Flash Memory) DC IN jack Power Supply:  DC 9 V Current Draw:  700 mA Accessories:  AC adaptor (PSB-1U + AC Cord Set) Owner's manual Divided pickup (GK-3) (only for GK included model) GK cable (5 m) (only for GK included model) Options (sold separately):  Divided pickup: GK-3 (for guitar), GK-3B (for bass guitar) GK cable: GKC-5 (5 m), GKC-10 (10 m) MIDI foot controller: FC-300 Unit selector: US-20 AC adaptor (PSB-1U) * When purchasing an AC adaptor, be sure to specify the adaptor (from the list that follows) that is designed for the region in which it will be used, and the voltage supplied there. (PSB-120/PSB-120TW/PSB-230EU/PSB-230UK/PSB-240A) Width:  405 mm 16 inches Depth:  244 mm 9-5/8 inches Height:  78 mm 3-1/8 inches Weight:  3.3 kg 7 lbs. 5 oz. Not Including GK-3 pickup and 5m GK cable

A NEW ERA OF SOUND, POWER, & PERFORMANCE The Roland GR-55 is a revolution in guitar synthesis, with features never before available in any guitar processor. In terms of speed, it’s the fastest ever. It’s also the most accurate, thanks to newly developed pitch-detection technology. As for sound, the triple-core generator houses a world-class array of virtual guitars, basses, amps, and synth voices, enabling tones and textures that have never been heard before. Onstage or in the studio, you can instantly access the GR-55’s huge library of ready-to-use sounds, from pop to rock and beyond, with quick-access category buttons. Welcome to a groundbreaking new era in guitar synthesis! A revolutionary fusion of guitar synthesis and powerful COSM guitar modeling Up to four sound sources at a time: two PCM synth tones, plus COSM guitar modeling and normal guitar input Easy to use and easy to play with hundreds of great, ready-to-use sounds for rock or pop guitarists Advanced Roland technology provides superb sound quality and lightning-fast processing Over 900 of Roland’s latest fully editable PCM sounds, including pianos, organs, strings, vintage synths, and much more COSM guitar and amp modeling Two types of multi-effects engines, plus global reverb, chorus, and delay effects, and an onboard looper Built-in USB audio player with foot control Available with or without GK-3 Divided Pickup New Sound Possibilities The GR-55’s powerful triple-core engine comprises two PCM synthesizers (with over 900 tones powered by the latest Roland synthesis technology) and COSM guitar modeling, featuring a virtual treasure trove of guitar, bass, amp, and synth models. Together, these combined technologies allow you to create unique, revolutionary sounds. The “Metal Synth Lead” preset, for example, combines two types of thick, brilliant synth textures with an overdriven solid-body/humbucking tone for incredible punch and power. Lightning-Fast Tracking Thanks to Roland’s decades of research and dedication to guitar synthesizers and powerful new pitch detection technology, the GR-55 is far and away the fastest guitar synth ever. Furthermore, the COSM guitar-modeling engine needs zero detection time, allowing the GR-55 to respond instantly and exactly as you play. The GR-55 detects pitch, velocity, and behavior for unprecedented response to your performance. Instant Gratification Get ready to rock…and fast! The GR-55 puts you instantly in touch with a huge library of amazing sounds, no editing required. The onboard lineup of ready-to-use presets (270, plus 297 user) takes the pain out of the process, with simple category buttons for finding the perfect sound fast. Choose from hundreds of great presets for pop, rock, and beyond, and kick-start your song or jam with unique, powerful sounds that will turn heads and raise fists. Easy to Use If you’re new to the world of technology, fear not. The GR-55 is powerful yet extremely friendly. For customizing sounds, the EZ Edit feature (made famous in the GT-10) and large LCD takes the guesswork out of the process. And for those who want to go deep, the GR-55 offers huge array of controllable parameters. Pros will appreciate the power of the GR-55 while beginners will love how quick and easy the unit is to operate. USB Connectivity The GR-55 conveniently bridges the guitarist to the desktop music production world with its two USB ports. The rear-panel port can be used one for MIDI/Audio data communication; the side-panel port is dedicated to real-time playback of audio files from a USB memory device (sold separately). The GR-55 provides foot control of USB audio playback so your hands never need to leave the guitar. Technical Specifications: Sound Generator:  PCM: 2 tones Modeling: 1 tone Tones:  PCM: 910 types Modeling: 23 types (guitar mode) 17 types (bass mode) Effects:  MFX (Multi-Effects): 20 types AMP (Preamp): 42 types MOD (Modulation): 14 types DELAY: 7 types REVERB: 5 types CHORUS: 4 types EQ: 1 type Patch Memory:  Guitar mode Preset: 270 + User: 297 Bass mode Preset: 90 + User: 297 AD Conversion:  24-bit (GK Pickup) 24-bit + AF method ** (Normal Pickup) DA Conversion:  24-bit Sampling Frequency:  44.1 kHz Nominal Output Level:  OUTPUT jacks: -10 dBu GUITAR OUT jack: -10 dBu Output Impedance:  OUTPUT jacks: 2 k ohms GUITAR OUT jack: 2 k ohms USB Memory Audio Player:  File Format: WAV, AIFF Display:  Graphic LCD 240 x 64 dots Connectors:  GK IN connector (13 pins DIN type) GUITAR OUT jack (1/4-inch phone type) OUTPUT L/MONO, R jacks (1/4-inch phone type) PHONES jack (Stereo 1/4-inch phone type) MIDI connectors (IN, OUT) (5-pin DIN type) USB COMPUTER connector (supports Hi-Speed USB, USB MIDI and USB Audio) USB MEMORY connector (supports Hi-Speed USB Flash Memory) DC IN jack Power Supply:  DC 9 V Current Draw:  700 mA Accessories:  AC adaptor (PSB-1U + AC Cord Set) Owner's manual Divided pickup (GK-3) (only for GK included model) GK cable (5 m) (only for GK included model) Options (sold separately):  Divided pickup: GK-3 (for guitar), GK-3B (for bass guitar) GK cable: GKC-5 (5 m), GKC-10 (10 m) MIDI foot controller: FC-300 Unit selector: US-20 AC adaptor (PSB-1U) * When purchasing an AC adaptor, be sure to specify the adaptor (from the list that follows) that is designed for the region in which it will be used, and the voltage supplied there. (PSB-120/PSB-120TW/PSB-230EU/PSB-230UK/PSB-240A) Width:  405 mm 16 inches Depth:  244 mm 9-5/8 inches Height:  78 mm 3-1/8 inches Weight:  3.3 kg 7 lbs. 5 oz. Including power adapter, GK-3 pickup and 5m GK cable

Three piano-style pedals for the same kind of functional sustain, sostenuto and soft control found on grand pianos with half-damper effect. Specifications: For Yamaha P-125  Damper pedal Sostenuto and soft pedal  

Three piano-style pedals for the same kind of functional sustain, sostenuto and soft control found on grand pianos with half-damper effect. Pedal Unit for P-125/515

The VE-5 Vocal Performer is a compact and mobile personal effects processor and looper for vocalists. Featuring a simple-to-use tabletop design that can be easily attached to a mic stand for performing, the VE-5 is perfect for singers, rappers, beatboxers, webcasters, and anyone that wants to have fun with processing vocal sounds. Its physical design is small and light, yet its effects are heavyweight class, derived from the popular VE-20 Vocal Performer. With battery operation and built-in phrase looping, the VE-5 is also an ideal tool for street performers who want to bring a new dimension of creativity to their act. Features: Easy one-touch operation Six types of high-quality vocal effects inherited from the VE-20 – Reverb, Delay, Double/Harmony, Dynamics, Pitch Correct, and Tone/SFX Phrase Looper adds impact to real-time vocal performances, including harmonizing and layered beatboxing Favorite Sound function provides immediate access to preferred sounds Ideal for live performance, as well as tabletop setups; mic-stand mount included Internal microphone for instant gratification Aux input for blending external music Battery operation for street performance (AC adapter sold separately) Specifications: Nominal Input Level: MIC IN: -40 dBu (MicSens = 40),AUX IN: -20 d BuInput Impedance: MIC IN: 4 k ohms,AUX IN: 22 k ohms Nominal Output Level: XLR OUT: -40 dBu,PHONES/LINE: TBD Output Impedance: XLR OUT: 600 ohms,PHONES/LINE: 66 ohms MemorySound: 50 Effect Types: DYNAMICS, PITCH CORRECT, TONE/SFX, DOUBLE/HARMONY, DELAY, REVERB Phrase Loop:38 sec. (Mono only) Display: 16 characters, 2 lines (backlit LCD) Connectors: MIC IN jack/XLR type (balanced, phantom power: DC 48 V, 10 mA Max), 1/4 inch TRS phone type (balanced),AUX IN jack (Stereo miniature phone type),XLR OUT jack (XLR type),PHONES/LINE jack (Stereo miniature phone type),CTL 1, 2 Jack (1/4" TRS phone type),DC IN Jack (DC 9 V) Power Supply: Rechargeable Ni-MH Battery (AA, HR6) or Alkaline (AA, LR6) x 4, AC Adaptor (PSA series: sold separately) Current Draw: 190 mA (9 V max.) Expected battery life under continuous use: Rechargeable Ni-MH Battery (AA, HR6): Approx. 20 hours (phantom power: OFF)/Approx. 9 hours (phantom power: ON),Alkaline (AA, LR6) : Approx. 13 hours (phantom power: OFF)/Approx. 6 hours (phantom power: ON),* These figures will vary depending on the specifications of the batteries and the actual conditions of use. Accessories: Owner’s Manual,Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information),Mic Stand Holder (Screw x 2, Washer x 2, Spring Washer x 2),Audio Cable (Stereo Miniature Phone Type, Cable Tie Attached),Alkaline Battery (AA, LR6) x 4 Options (sold separately): AC Adaptor (PSA series),Footswitch (FS-5U, FS-6, FS-7) Size and weight (including batteries and mic stand holder) Width: 178 mm,7-1/16 inches Depth: 159 mm,6-5/16 inches Height: 55 mm,2-3/16 inches Weight: 700 g,1 lbs. 9 oz.

Combining song-based looping and organic rhythms in a compact package, the RC-10R brings fresh inspiration to live performances, songwriting sessions, and daily practice. This next-generation Loop Station is a real-time creation machine, enabling you to develop spontaneous music that moves and grooves with two unique song sections, intros/endings, and rhythm fills. Onboard controls and visual loop indicators provide easy, self-contained operation, while expanded control is possible with external switches and MIDI. A vast rhythm library is on hand to cover nearly any music genre, and you can even import your own rhythms to personalize the RC-10R for specific songs and styles. Features: Next-generation performance tool combining song-based looping and dynamic rhythms in a small footprint Cover nearly any genre with over 280 preset rhythm styles that include two unique sections, intro/ending fills, and two transition fills Sixteen versatile drum kits with high-quality sounds from the BOSS and Roland rhythm libraries Stereo looper engine with six hours of recording time and class-leading 32-bit AD/DA and 32-bit floating-point processing Serial two-track operation for building loop performances with two independent song parts Two circular indicators display loop and rhythm playback status Simple operation with informative LCD and intuitive interface Onboard storage for 99 phrase memories and 50 user rhythms Selectable output filter to optimize guitar and rhythm sounds for a guitar amp or full-range sound system Support for expanded control via external footswitches, an expression pedal, or MIDI Full MIDI I/O provided with space-saving mini TRS jacks (BMIDI-5-35 adaptor cable available separately) Mac/Windows software for importing WAV loops and user rhythms in SMF format Additional content available for download at BOSS Tone Central Specifications (Looper): Sampling Frequency: 44.1 kHz AD/DA Conversion: 32 bits Processing: 32-bit floating point Recording/Playback: Maximum Recording Time: Approx. 6 hours (stereo),Maximum Phrase Memory: 99,Number of Tracks: 2,Data Format: WAV (44.1 kHz, 32-bit float, stereo) Specifications (Rhythm): Rhythm Type: 280 types or greater Rhythm Control: Intro, Pattern 1, Pattern 1 Fill, Pattern 2, Pattern 2 Fill, Ending Rhythm Kit: 16 types Maximum Polyphony: 24 voices Effect: Reverb (only for rhythm part) Specifications(Common): Memory: 99 Nominal Input Level: INPUT A/MONO, B: -10 dBu Maximum Input Level: INPUT A/MONO, B: +8 dBu Input Impedance: INPUT A/MONO, B: 1 M ohm Nominal Output Level: OUTPUT A/MONO, B: -10 dBu Maximum Output Level: OUTPUT A/MONO, B: +8 dBu Output Impedance: OUTPUT A/MONO, B: 1 k ohms Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater Bypass: Buffered bypass Controls: RHYTHM switch, LOOP switch, VALUE knob, RHYTHM LEVEL knob, LOOP LEVEL knob, MENU button, EXIT button Display: 16 characters x 2 lines LCD (with backlit) Indicator: RHYTHM indicator, LOOP indicator Connectors: INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type,CTL 1, 2/EXP jack: 1/4-inch TRS phone type,MIDI (IN, OUT) jacks: stereo miniature type,DC IN jack,USB COMPUTER port: USB micro B type Power Supply: AC adaptor Current Draw: 250 mA Accessories: Owner's Manual Leaflet "USING THE UNIT SAFELY",AC adaptor,Rubber foot x 4 Options (sold separately)Footswitch: FS-5U,Dual footswitch: FS-6, FS-7,Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5,TRS/MIDI connecting cable: BMIDI-5-35 Size and weight: Width: 101 mm, 4 inchesDepth138 mm,5-7/16 inches Height (excluding rubber foot): 63 mm, 2-1/2 inches Height (including rubber foot): 65 mm, 2-9/16 inches Weight (excluding AC adaptor): 620 g, 1 lbs 6 oz

XVP-20 keyboard volume pedal provides players with an indispensable tool for wide ranging control of their routing, levels, and feel. Stereo inputs and outputs allow you to rout your signal how you chose. And the minimum volume control adjusts the signal you hear when the pedal is pulled all the way back.

The V860 represents a new standard in guitar volume pedals. It's a reimaging of the classic VOX pedal design exemplified by its well-known wah pedals. The stylish aluminum body features a blasted and anodized finish that is both tough and classy. The pedal mechanism uses gears with a high tooth count, ensuring durability and smooth operation. The components are completely hand-wired, minimizing any change in the tonal character. 

Ultra-portable and easy to use, the GT-1 delivers pro-level tones everywhere you play. Driven by the powerful BOSS GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. A streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. And by connecting to BOSS TONE CENTRAL, you can download free pro patches, editing software, and more. Equally suited for beginners, weekend warriors, and traveling players, the GT-1 packs premium sound in a compact and rugged package. Features: Premium BOSS sound engine squeezed into a light and compact floor unit Modern design with no hard edges enables safe transport in a guitar bag Easy Select and Easy Edit functions for quickly choosing and tweaking patches Four AA batteries provide up to seven hours of playing time for busking and mobile gigs Onboard control switch and expression pedal; footswitch/expression pedal jack and USB Download ready-to-play pro patches for free at BOSS Tone Central

SDRUM is the world’s first intelligent drum machine for guitarists and bassists. By simply scratching across your guitar strings, you teach the SDRUM a kick and snare pattern that forms the foundation of the beat you want to hear. Based on this pattern, the SDRUM supplies a professional sounding drum beat with different embellishments and variations to perfectly complement your beat. Gone are the days of having your creative flow disrupted by searching through lists in a frustrating attempt to find the beat you want.The SDRUM stores up to 36 different songs. Beats are played from a choice of 5 different kits covering a wide range of genres. The pedal also supports three different parts (e.g. verse/chorus/bridge) for each song that can be switched on the fly for enhancing live performances and exploring song ideas.Features:BeatScratch™ Technology creates drum patterns by strumming your strings5 kits and studio quality samples for professional sounding drums36 song memoriesVerse/Chorus/Bridge parts12 different hats/rides stylesAlternate instruments/voicingsDedicated Amp and stereo Mixer outputsKick/Snare pads for tapping in a beatExternal FS3X supportJamSync™ connectivity for interfacing with JamMan loopers​​

The DOD Carcosa Fuzz is a doorway into an alternate fuzz universe, where classic tones of legend coexist with splattered and shattered Pollock abstractions. Combining the Carcosa's wide-ranging AFTER bias control with two toggle positions creates tones that range from porcine fatness to dessicated shards. This versatility makes the Carcosa Fuzz a good companion for dirty or clean amps. True bypass, tons of output, and the visage of the King in Yellow sets the stage for fuzzy madness.The DOD Carcosa Fuzz has an exaggerated mid-range and treble character that help it stand out in a mix. It has been designed to cut through a dense and heavy band but still have great note articulation with chords. However, when extreme bias (AFTER) ranges are selected many wild and over-the-top sounds are possible.  

The MXR Uni-Vibe Chorus/Vibrato delivers the same lush, chewy textures that players have used since the late '60s. Updated with modern gigging players in mind, this effect now it comes in a standard MXR housing-a fraction of the size and weight of the original-with true bypass switching.With its simple three-knob interface, you can dial in the effect to your taste in short order. First, use the VIBE switch to select either Chorus Mode-dry signal mixed with pitch-shifted signal-or Vibrato Mode-only pitch-shifted signal. Then, use the LEVEL control to set the effect volume, the SPEED control to set the sweep rate, and the DEPTH control to set overall intensity. 

The '75 Vintage Phase 45 reissue from the MXR Custom Shop reproduces the rare little brother of the Phase 90 to exacting specifications. With two stages of phasing, the Phase 45 offers up its subtle and musical voice via hand-matched FETs and hand-wired circuit board. Authentic tried and true components and hardware such as a Carling switch, CTS pot and Switchcraft jacks. Texture your tone without over powering your sound with the limited-edition '75 Vintage Phase 45. 

The new passive DOD Mini Volume Pedal is just the right size for your pedal board, and your wallet. Rugged all-steel construction and gear drive means that there are no strings to break. Despite its compact form factor it is designed to have the same feel and throw as pedals that are twice its size (and price).The Mini Volume features a high-quality 500kΩ potentiometer making it perfect for any volume pedal application. The non-slip rubber pads and a peerless industrial design by DB Instrument Amp ensure a high quality volume pedal that will last the test of time.

Explore New Dimensions of Sound with Any Guitar Grab your favorite axe and dive into an extraordinary world of sound creation with the SY-300 Guitar Synthesizer. The SY-300 can be used with all your guitars right away, with no special pickup required—just plug into the standard 1/4-inch jack and play! Thanks to revolutionary new BOSS technology, you’re able to explore fat, analog-style polyphonic synth sounds with zero latency, seamlessly extending the natural expressiveness and familiar feel of your own instrument. In addition, you can shape your normal guitar with the synth’s filters, amps, and LFOs to create all sorts of cool sounds never heard before. From unique lead textures to rich, evocative soundscapes, the SY-300 brings untapped dimensions of inspiration and creativity to your music.Specifications:Effects Effect (FX) x 4 Type: Touch Wah, Compressor, Limiter, Od/Ds, Eq, Slow Gear, Delay, Chorus, Reverb, Phaser, Flanger, Tremolo, Rotary, Uni-V, Pan, Slicer, Isolator, Lo-Fi, Delay+Reverb, Chorus+Delay, Chorus+ReverbPatch Memories User: 99 Preset: 70AD Conversion 24 bits + AF method * AF method (Adaptive Focus method): This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.DA Conversion 24 bitsSampling Rate 44.1 kHzNominal Input Level INPUT: -10 dBu Return: -10 dBuInput Impedance INPUT: 2.2 M ohms Return: 220 k ohmsNominal Output: -10 dBu Sub Output: -10 dBuOutput Impedance: 2 k ohms Sub Output: 2 k ohmsRecommended Load Impedance: L/R: 20 k ohms or greater Sub Output L/R: 20 k ohms or greaterPhones: 16 ohms or greater LCD Graphic LCD (132 x 64 dots, backlit LCD )Connectors INPUT jack: 1/4-inch phone type THRU jack: 1/4-inch phone type RETURN jack: 1/4-inch phone type MAIN OUTPUT R (MONO) jack: 1/4-inch phone type MAIN OUTPUT L (PHONES) jack: 1/4-inch phone type Sub Output R (MONO) jack: 1/4-inch phone type Sub Output L jack: 1/4-inch phone type MIDI (IN, OUT/THRU) connectors EXP/CTL4, 5 jack: 1/4-inch TRS phone type USB port: USB type B DC IN jackPower Supply AC adaptorCurrent Draw 400 mASize and Weight Width 255 mm 10-1/16 inches Depth 191 mm 7-9/16 inches Height 70 mm 2-13/16 inches Weight(excluding AC Adaptor) 1.75 g​​

The V860 represents a new standard in guitar volume pedals. It's a reimaging of the classic VOX pedal design exemplified by its well-known wah pedals. The stylish aluminum body features a blasted and anodized finish that is both tough and classy. The pedal mechanism uses gears with a high tooth count, ensuring durability and smooth operation. The components are completely hand-wired, minimizing any change in the tonal character. 

AEON is an infinite sustain device that produces powerful, prolonged notes, and swells of spaced-out sounds. Instead of being mounted at your feet like an effects pedal, AEON puts the effect where it matters most – right in the palm of your hand! Providing instant access to an entirely new world of amazingly-expressive guitar tones, AEON lets you tap into soaring bowed arpeggios, vibrantly-bouncing spiccato, volume swells, endless sustain, and sweeping legatos that can easily be mastered using a variety of simple techniques.Features:Handheld infinite sustainer made from high-quality materialsPowerful custom-made transducers for fast string excitementCool and compact build for ease of useCreate inspiring new sounds including drones, fade-ins, bowing and moreIncreased string clearance allows for incredibly expressive and dynamic playing9 V battery is conveniently included with purchaseWorks with guitar, bass and other stringed instrumentsBrushed aluminum enclosure design for style and life on the road3-Year Warranty Program*Designed and engineered in Denmark​​

The Grace Design ALiX instrument preamplifier gives you studio-quality sound at your next gig. The powerful EQ controls on the ALiX allow you to sculpt the sound of any stringed instrument to perfection. Other useful features include a dedicated tuner out, a variable and footswitchable boost function, a ground-isolated DI output, and more. If you want an instrument preamp with Grace Design's stunning audio performance and legendary reliability, then you need the Grace Design ALiX instrument preamplifier.Grace Design ALiX Instrument Preamp at a Glance:Powerful EQ sectionVariable input impedance for optimized toneRugged Grace construction Powerful EQ sectionThe versatile ALiX preamp pedal will carve your signature sound via a powerful equalizer that delivers a natural and musical tone at all frequencies. You'll be able to manipulate the fixed low and high controls, a parametric midrange that covers everything from 65Hz to 6kHz, and a highpass filter that cuts 12dB per octave from 20Hz to 1kHz. The layout is simple and intuitive to use. It doesn't matter if you play guitar, bass, mandolin, fiddle, banjo, or anything else, the Grace Design ALiX instrument preamp will dial in the perfect sound. Variable input impedance for optimized toneThe Grace Design ALiX flawlessly preserves the sound of your stringed instrument with its high impedance input, making it an excellent choice as a DI box. Your live sound will revel in the same resolution and detail as Grace preamplifiers available for DI recording situations. And you'll be able to precisely match your instrument's pickup for the best sound possible by choosing from three input impedance settings. Rugged Grace constructionThe rugged construction allows discerning live performers to achieve studio-quality sound in their live situations with ALiX. The Grace Design ALiX delivers big studio sound, while the anodized aluminum and steel body withstands the rigors of the road. Take it from the Sweetwater crew - the Grace Design ALiX instrument preamp will give you years of great performance and amazing sound. Grace Design ALiX Instrument Preamp Features:Single-channel studio-grade instrument preamp with a detailed and open soundPowerful EQ controls to sculpt your sonic signaturePremium components used throughout for uncompromising soundVariable and footswitchable boost functionDI output with selectable source and output levelUltra-quiet signal path thanks to studio-quality power supply designDedicated tuner output3 input impedance settings for matching your pickup outputFully grounded DI output with high-quality transformers Get detailed and articulate studio sounds live with the single-channel Grace Design ALiX Instrument Preamp.Tech SpecsTypePreampForm FactorPedalInputs1 x 1/4" (instrument), 1 x 1/4" TRS (insert)Outputs1 x XLR (DI out), 1 x 1/4" (amp out), 1 x 1/4" (tuner)Power SourceIEC AC cable jack, additional 9V 500mA outputManufacturer Part NumberALiX 

FELiX is a studio quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX is built into a roadworthy (beer-resistant) floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX brings open, musical and nuanced preamplification to any performance situation.A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric mid range controls cover from 70Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.Controls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute / tune switch for muting all outputs except the dedicated tuner out, a boost switch which activates a variable boost circuit, and finally, an A/B mode switch for when FELiX is in A/B mode (which simply toggles between the two different channels).FELiX brings the kitchen sink approach to I/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix or each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1/8” mini jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. A TRS insert is included for adding effects, and finally, a remote footswitch jack is included if FELiX is going to spend his life in a rack or up off the floor.Guitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing - FELiX is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, he is also your new best friend.Designed and built by family and friends in sunny Lyons, CO, USA.

In a few short years, FELiX and AliX have become the preamps of choice for discerning touring and recording musicians. From Banjo to bass players, they enable performers to perfect their stage and studio sound beyond what was previously possible.And now directly from this lineage comes BiX, which shares the exact same DNA of its bigger siblings, but with an intelligently streamlined feature set and a price that puts it in reach of any performer, whether on their way to the local coffee shop or the megadome.Controls are dead simple – input gain, high and low shelving EQ, and a 10dB variable boost circuit, with footswitches for mute and boost. I/O includes the instrument input, separate send and return insert jacks, an unbalanced line output, and a balanced ISO DI output on XLR. For enhanced EQ control, rear panel DIP switches select between two different transition frequencies for both High and Low controls. And BiX is pedalboard friendly, with a 9VDC power input and a compact, rugged low-profile chassis.Sonically, BiX is a carbon copy of its bigger siblings, with crystal clear, ultra-quiet audio performance. A better than 30VDC internal operating voltage provides for incredible headroom. The highs are smooth and open, and the lows are deep and rock solid. The dynamics and tone of the instrument come alive with clarity and realism, which translates to creating a deeper bond between you and your instrument.1/4" high impedance inputSeparate FX send and return1/4" unbalanced line outputBalanced XLR DI transformer iso output10dB variable boostMute and Boost footswitchesHigh and Low shelving EQSelectable EQ transition frequencies9VDC operationOver 30V internal operating voltagePedalboard friendly design5 year transferable warrantyMade in the USA

The Grace Design ALiX instrument preamplifier gives you studio-quality sound at your next gig. The powerful EQ controls on the ALiX allow you to sculpt the sound of any stringed instrument to perfection. Other useful features include a dedicated tuner out, a variable and footswitchable boost function, a ground-isolated DI output, and more. If you want an instrument preamp with Grace Design's stunning audio performance and legendary reliability, then you need the Grace Design ALiX instrument preamplifier.Grace Design ALiX Instrument Preamp at a Glance:Powerful EQ sectionVariable input impedance for optimized toneRugged Grace construction Powerful EQ sectionThe versatile ALiX preamp pedal will carve your signature sound via a powerful equalizer that delivers a natural and musical tone at all frequencies. You'll be able to manipulate the fixed low and high controls, a parametric midrange that covers everything from 65Hz to 6kHz, and a highpass filter that cuts 12dB per octave from 20Hz to 1kHz. The layout is simple and intuitive to use. It doesn't matter if you play guitar, bass, mandolin, fiddle, banjo, or anything else, the Grace Design ALiX instrument preamp will dial in the perfect sound. Variable input impedance for optimized toneThe Grace Design ALiX flawlessly preserves the sound of your stringed instrument with its high impedance input, making it an excellent choice as a DI box. Your live sound will revel in the same resolution and detail as Grace preamplifiers available for DI recording situations. And you'll be able to precisely match your instrument's pickup for the best sound possible by choosing from three input impedance settings. Rugged Grace constructionThe rugged construction allows discerning live performers to achieve studio-quality sound in their live situations with ALiX. The Grace Design ALiX delivers big studio sound, while the anodized aluminum and steel body withstands the rigors of the road. Take it from the Sweetwater crew - the Grace Design ALiX instrument preamp will give you years of great performance and amazing sound. Grace Design ALiX Instrument Preamp Features:Single-channel studio-grade instrument preamp with a detailed and open soundPowerful EQ controls to sculpt your sonic signaturePremium components used throughout for uncompromising soundVariable and footswitchable boost functionDI output with selectable source and output levelUltra-quiet signal path thanks to studio-quality power supply designDedicated tuner output3 input impedance settings for matching your pickup outputFully grounded DI output with high-quality transformers Get detailed and articulate studio sounds live with the single-channel Grace Design ALiX Instrument Preamp. 

For singer/songwriters who play acoustic guitar, it’s a competitive, crowded world out there. The VE-8 Acoustic Singer delivers that extra edge you need to stand out and shine, supporting you with professional BOSS sound every time you perform. Simple to use, the VE-8 provides studio-quality voice and guitar processing plus impressive real-time harmonies and looping in one compact, go-everywhere package. With such great sound and powerful creative features at your command, you’re destined to bring down the house everywhere you play. Features:Compact, all-in-one preamp and effects solution for singers who play acoustic guitarDial in rich, sophisticated BOSS sound processing with simple, intuitive controlsStudio-quality vocal processing includes four types of ambience effects plus Enhance, chromatic pitch correction for live vocal tuning, and moreCreate natural vocal harmonies in real time based on guitar input or manual key settingsAlso includes a vocal doubling effect, plus more dramatic processing like hard-tuned electronic voices, distortion, and a radio voice effectDedicated guitar channel includes Acoustic Resonance, reverb, chorus, tuner, and various effects, plus phase invert and notch filter for feedback controlLooper function with 80 seconds of recording time and the ability to loop guitar and vocals independentlyMemory mode for storing and recalling 50 favorite settingsFlexible connections for integrating with a main PA and stage monitors, plus USB for computer recordingRuns on six AA batteries or included AC adapter​​

Anyone who plays an amplified acoustic guitar on stage knows what a challenge it is to get a sound that’s as inspiring as playing the instrument acoustically. The AD-10 is your solution to this age-old problem, offering advanced sound tools that enable you to achieve rich, natural acoustic tones every time you perform. At its core, the AD-10 is a fully featured, dual-channel acoustic preamp/DI pedal with premium audio quality, deep sound-shaping options, and flexible connectivity. On top of that, ambience, chorus, and delay effects are built in, eliminating the need to carry external sound processing.But the AD-10 takes acoustic preamp design to an all-new level with its standout feature—BOSS’s groundbreaking Acoustic Resonance processing. This advanced tech restores the complex body and string resonances that are lost with most pickup systems, bringing back the expressive, organic vibe that’s so vital to the acoustic experience. And the features keep on coming, with transparent anti-feedback controls, memories for sound setups, an 80-second looper, USB audio, and much more. Hugely powerful yet simple to use, the compact AD-10 is your all-in-one companion for realizing impressive acoustic tones in every performing environment. Specifications:Professional preamp/DI for performing and recording with acoustic-electric guitarAcoustic Resonance restores the warm and rich resonance lost with most pickup systemsFour-band EQ and variable low-cut filter tuned to deliver optimized tone shaping for acoustic guitarMulti-band compressor with MDP technology provides transparent dynamics controlNewly developed anti-feedback functions control feedback while maintaining balanced toneTwo channels with independent EQ for connecting two instruments or blending multiple pickup sourcesOnboard ambience, delay, and chorus effects with multiple sound types and adjustable parametersBoost function with adjustable tone settingMemory function for storing 10 sound setupsOnboard looper with 80 seconds of recording timeXLR and Ό-inch connectivity for interfacing with PA systems, stage monitors, amps, and external effectsUSB audio interface functionality for computer recording and playbackFast and accurate built-in tunerCompact and portable design; runs on AC adapter or six AA-size batteries 

The Ultimate Expression Tool for Today's Electronic Keyboard

The Radial Tonebone Mix-Blender™ is a multi-function pedal that lets you mix two instruments or effects together and then send the combined signal through a mixer-style effects loop for processing. Designed to work with guitar, bass and keyboards, the Mix-Blender begins with two high-performance Class-A buffers for maximum fidelity.  These lower the impedance to drive the signal further without noise. Individual volume controls on each channel let you mix the two inputs to suit and can be used to blend two pickups on an acoustic guitar, combine two pedals in parallel such as a chorus and a distortion, or to have two different instruments 'live' on stage – each set with the same output for quick changeovers. The signal can then be routed to a true 'mixer-style' effects loop and activated using the on-board footswitch. This features a wet-dry blend control that lets you mix-in effects pedals with precise control to add slight enhancements or extreme coloration to the signal chain. In other words, the Mix-Blender lets you retain the original sound of the instrument and add in as much of the effect as you like.  Think of adding a touch of overdrive to a bass guitar without losing the bottom end. How about mixing in some distortion to your acoustic guitar to give it more shimmer? How about adding a chorus or phase shifter to your Hammond synth patch? The Mix-Blender is a unique tool that is designed to bring new tonal textures to your world and enhance your creative inner spark. Features:Mix two instruments or effects together at same timeBlend in effects while retaining the tone of your instrumentClass-A buffered inputs with individual level controlsOpens door to creating subtle or unique effects 

Custom pedal unit for FP-30 Digital Piano

FELiX is a studio quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX is built into a roadworthy (beer-resistant) floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX brings open, musical and nuanced preamplification to any performance situation.A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric mid range controls cover from 70Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.Controls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute / tune switch for muting all outputs except the dedicated tuner out, a boost switch which activates a variable boost circuit, and finally, an A/B mode switch for when FELiX is in A/B mode (which simply toggles between the two different channels).FELiX brings the kitchen sink approach to I/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix or each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1/8” mini jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. A TRS insert is included for adding effects, and finally, a remote footswitch jack is included if FELiX is going to spend his life in a rack or up off the floor.Guitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing - FELiX is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, he is also your new best friend.Designed and built by family and friends in sunny Lyons, CO, USA.

The VE-5 Vocal Performer is a compact and mobile personal effects processor and looper for vocalists. Featuring a simple-to-use tabletop design that can be easily attached to a mic stand for performing, the VE-5 is perfect for singers, rappers, beatboxers, webcasters, and anyone that wants to have fun with processing vocal sounds.Its physical design is small and light, yet its effects are heavyweight class, derived from the popular VE-20 Vocal Performer.With battery operation and built-in phrase looping, the VE-5 is also an ideal tool for street performers who want to bring a new dimension of creativity to their act.Features:Easy one-touch operationSix types of high-quality vocal effects inherited from the VE-20 – Reverb, Delay, Double/Harmony, Dynamics, Pitch Correct, and Tone/SFXPhrase Looper adds impact to real-time vocal performances, including harmonizing and layered beatboxingFavorite Sound function provides immediate access to preferred soundsIdeal for live performance, as well as tabletop setups; mic-stand mount includedInternal microphone for instant gratificationAux input for blending external musicBattery operation for street performance (AC adapter sold separatelySpecifications:Effects Type: VocalChannels: SingleEffect Variations: Dynamics, Pitch Correct, Tone/SFX, Double/Harmony, Delay, Reverb Presets: 50Inputs: 1 x TRS/XLR combo Microphone/Line, 1 x 1/8" TRS stereo mini Auxiliary, 2 x 1/4" TRS phone PedalInput Impedance: Mic: 4kΩ Aux: 22kΩNominal Input Level: Mic: -40 dBu (MicSens = 40) Aux: -20 dBuOutput: 1 x XLR, 1 x 1/8" TRS stereo mini HeadphonesOutput Impedance: XLR: 600ΩPhones/Line: 66ΩNominal Output Level: XLR: -40 dBuPhones/Line: -20 dBuMIDI: NoExternal Storage: NoDisplay: 16 characters, 2 lines (backlit LCD) 

Keyboard stereo volume pedal, with two independent inputs and outputs. The VM14L is used to regulate the output signal of a keyboard or any other instrument with line output. Furthermore, it is equipped with a side positioned potentiometer, which allows the minimum volume adjustment when the pedal is lifted (closed). The VM14L can be used also as a mono pedal with low volume regulation on one channel.

The Radial Bassbone is a power-packed bass preamp that combines on-stage efficiency, amazing tonal control and superb audio performance making it the ideal front end for both live and studio recording.Designed as a bass command center, the Bassbone lets you connect two basses and seamlessly toggle between them using a footswitch. Each channel is equipped with a separate level control to balance the two instruments. This is augmented with a unique EQ that enables you to adjust the tone for each instrument to match with your bass amp. In fact, the EQ is so powerful that you can toggle between channels to emulate switching from a P-Bass to a Rickey using the same bass! For added stage control, a second footswitch engages a power booster for soloing. This works double duty to turn on an effects loop.The Bassbone's highly acclaimed audio circuit features full sized discrete electronics for optimal signal flow to deliver the sound of your bass to your amp with minimal distortion or artefact. Outputs include a ¼" instrument output for the stage amp, separate always-on tuner out, and a built-in Radial direct box to feed the PA or recording system. The Bassbone ... finally a pedal that gives you control and great tone in one.Features:Two-channel bass preamp for 1 or 2 bassesBuilt-in Radial direct box with low-Z balanced outCombination power boost and effects loopPowerful EQ and contour control for each bass

The Radial BigShot PB1 is a combination signal buffer and power booster designed to provide exceptional sonic performance in a compact yet easy to use pedal.Unlike most buffers that employ integrated circuit chips (ICs) that color the tone and give buffers a bad name, the BigShot PB1 employs the same 100% discrete class-A circuitry that is used in the award winning Radial JD7 Injector and employed by many of the world's most discerning guitarists including Carlos Santana, John Petrucci, Steve Vai, Neil Schon and John Mayer. The JD7's discrete class-A circuit is preferred over off-the-shelf class-B chips due to reduced zero-cross distortion, improved phase response and the resulting smooth Bessel curve that delivers beautifully cascading even-order harmonics and natural warmth. This is augmented with Drag™ Control load correction that lets you adjust the impedance on your pickups and dial-in the tone and feel as if connected directly to your amp. Upon first view, you will notice that the PB1's top panel is clear of all controls. These have been moved out of the way and recessed on the rear panel so that they can be set and then forgotten. This 'smart solution' makes it impossible to accidentally kick the controls when on a dark stage. You merely use a guitar pick to adjust the Drag™ and then set the boost level for up to +15dB of pure joy. The PB1 is equally effective as a buffer for your effects or for pounding your 20 watt Super Champ into sublime overload. Once in your pedal chain, the PB1 will enable long cable runs of up to 15 meters (50') while reducing susceptibility to noise and interference. The PB1 may only have a footswitch and status LED on the top – but it delivers more feel and soul than any other power booster in its class. The BigShot PB1 is likely the finest power booster ever made.Features:Fully variable class-A power booster for solosBuffer drives multiple pedals and long cablesDrag™ control load correction for natural toneUltra linear performance for natural boost

The Bones Vienna Chorus is a dual-mode chorus pedal that mimics the effect of a Leslie rotating speaker by allowing the guitarist to instantly transition between a moderate choral to an intense vibrato with the stomp of a footswitch. This can be particularly useful when switching the chorus between a verse and a bridge to create lush and exciting effects.Unlike today's common digital chorus pedals, the Vienna is 'old school'. The distinctive warm tone is captured by way of a new-old-stock (NOS) Panasonic MN3007 - circa 1976 bucket brigade chip from the early days of analog delay & chorus pedal development. What makes the Vienna particularly impressive is that unlike older analog chorus pedals that were plagued with noise and hiss, the Vienna is quiet. In fact so quiet it rivals today's digital alternatives. This means that tone aficionados can finally rejoice with the character and feel of a vintage chorus pedal without the noise. Both chorus channels are equipped with individual rate and depth controls for full 2-channel performance. The effect is augmented with 'turbo mode' which introduces a proprietary oscillator waveform frequency while increasing the range. This lets you transition from a slight choral to extreme warble, tremolo or vibrato - opening the door to explore new sonic landscapes.Optimized for pedalboards, the Vienna is super compact and employs 9V powering to suit the various DC power bricks that are now common with multi-pedal systems. (Power supply is not included). To keep mayhem under control, full size LEDs provide high-visibility status indicators for dark stages. And like all Radial products, the Vienna is built 'tough' with 14 gauge steel and baked enamel finish to handle the rigors of professional touring. The Vienna Chorus… warm sounding old-school analog chorus in a compact, two channel pedal.Features:Old school analog bucket brigade chipTwo programs for quick choral changesTurbo mode for extra intense effectsStandard 9 volt power supply operation

Universal phantom power supply for any condenser microphone. Selectable +12 / +48 V power supply. Ultra-low noise audio performance. DC 12 V adapter included.

This low-cost pedal can be used for sustain when connected to the damper input of Korg keyboards. It can also be used for the assignable footswitch jack on Korg products, where it will provide various functions depending on the product's settings. The PS3 features a tough, molded plastic body with a non-slip rubber base.

Sustain pedal .

Transformer Ac Boss (-) 9 Volt / 300mA .