Monitor Controllers

The puristic summing mixer with Class A technology.As an analog 16-in-2 Class A summing device, MixDream XP Mk2 offers impressive sound quality and brings together single tracks in a musical way. The spatial depth of the stereo stage and the harmonic coherency of the summed signals make mixing through an analog summing device a very special experience. The Mk2 generation of the MixDream XP offers the same outstanding audio quality as its predecessor thanks to the internal audio operating voltage of +/-30 V. In addition to the new design and an even better feel, the MixDream XP Mk2 offers another new feature: the individually switchable -18 dB level attenuation for the last four stereo channels. This is how the analog summing gets the best out of every mix!Analog SummingAnalog summing with the MixDream XP Mk2 brings intense depth, precise localisation and impressive spatiality. Individual instruments mix with smooth transitions. For the analog summing, individual tracks from the computer are sent via D/A converters into the MixDream XP Mk2. These are summed in the MixDream XP Mk2 and then recorded again as a stereo signal via an A/D converter in the DAW software. The MixDream XP Mk2 is designed for stereo summing of up to 16 audio tracks in the analog domain. In combination with digital production systems, the advantages of analog and digital techniques can thus be ideally combined: digital convenience is complemented by the sound quality that until now only the best analog consoles have been able to deliver. Conceptually, the reduction to high-quality analog summing without panorama controls and faders offers the great advantage of being able to retain the entire scope of computer automation. So when using the MixDream XP Mk2, the usual workflow with the DAW does not have to be changed, all techniques and options of a DAW can still be used without any restrictions.MonoThe first four channel pairs of the MixDream XP Mk2 (1/2 to 7/8) can be switched from stereo to mono via the Mono switch (red status LED lights up). This is important for mono signals that should be positioned exactly in the center of the mix (kick, snare, lead vocal, bass, …). In stereo mode, the two channels are generally panned hard left/ right. This basic setting is useful for all stereo signals. Panorama settings and automation of the DAW remain perfectly unchanged.-18 dBThe level of the last four channel pairs of the MixDream XP Mk2 (9/10 to 15/16) can be attenuated by 18 dB via the -18 dB switch (blue status LED lights up). Low level signals in the mix can thus be played back and get converted with a higher level, therefore with a higher digital resolution, from the DAW. This preserves more details and sonic characteristics. Tip: This can work wonders for digital reverbs (especially plug-ins)!OutputThe Output control adjusts the output level of the MixDream XP Mk2. The control range can be set from -10 dB to +5 dB. With the output control a perfect control for following AD-converters can be performed. Since the main and monitor outputs are configured in parallel, the output control always affects both output pairs.Variable OutputThe output control is switched on or off with the Variable Output switch. When the Variable Output switch is deactivated, the input level is maintained at 1:1 (Unity Gain).

The MTC Mk2 gives you full control over your monitoring chain. A solid-feeling aluminum knob provides easy, intuitive volume adjustment. Three monitoring modes ensure maximum flexibility. Stereo monitoring — complete with a mono compatibility check — is the standard. You can monitor a reverse-phase version of your mix via the Ø switch. You can also audition a reverse stereo version of your mix via the LR Swap switch — a must-have for film work. What's more, by using the Mono and Ø switches in concert you can monitor the mid and side portions of your mix individually. The MTC Mk2 also includes a Dim switch, plus separate Mute switches for your speakers and headphones.

Engineers searching for a full-featured monitor controller for their DAW-based studio will find much to love about the API MC531. Inspired by the center section of API's acclaimed analog consoles, the MC531 includes a 41-detent control room knob for effortless volume control, along with a generous compliment of I/O. Programmable subwoofer integration makes incorporating your sub a piece of cake. The feature-packed desktop monitor controller also includes dual headphone outputs and a built-in talkback mic. Beyond that, the MC531 is built using the exact same circuitry you'd find in a full-blown API console, yielding you low noise and crystal-clear sound. Whether you work in a large commercial space or an intimate project studio, the API MC531 provides computer-based workflows with large console-style monitor control.

Bluetooth Module for Your Studio Monitors The Kali Audio MV-BT transforms your studio monitors into Bluetooth speakers, and makes streaming reference tracks from your smart device a breeze. This Bluetooth input module includes balanced XLR and TRS outputs for connecting to your studio rig. A large, weighted knob controls the volume of your playback device, while the aptX codec ensures high-quality Bluetooth transmission. The MV-BT is an elegant solution for piping audio from a Bluetooth-capable device to your monitors — no wires necessary. Use your favorite streaming service for reference Getting audio from your Bluetooth-capable smart device to your studio monitors has always been a hassle. But, thanks to the Kali Audio MV-BT that’s no longer the case. Just connect the MV-BT to your studio rig via its XLR outputs, then pair your device by pressing the Kali logo on its top panel. At Sweetwater, we appreciate the convenience of being able to fire up our favorite streaming service and use it for a mix reference. Kali Audio MV-BT Features: Bluetooth input module with balanced output Transforms your studio monitors into Bluetooth speakers Balanced XLR and TRS outputs for connecting to your studio rig Large, weighted knob controls the volume of your playback device aptX codec ensures high-quality Bluetooth transmission

There are many USB audio interfaces on the market but few of them are designed with both the sound quality and the specific use case in mind.The Grimm Audio UC1 is a mid price USB interface and monitor controller that has a different approach. It is an ideal match with the Grimm Audio LS1 or PMC monitoring systems, and works great with other active loudspeakers too. “The ‘Universal Converter’ UC1 solves all your monitoring needs. It has outputs for analog and digital destinations and offers analog and digital loops with LS1 quality converters.” Present day use cases have been the premier focus from the first UC1 sketches onwards. This led to an unusual design with remarkable flexibility.When mixing and mastering, not all inputs and outputs are equal. The UC1 offers 18 channels of USB I/O of which some are dedicated to monitoring and others to re-recording. With the second USB ‘i-put’ on the front there is no sample rate and word length restriction when using your iPad or iPhone. The i-put also serves as a convenient stereo USB input for laptops.

MicroStation BT is the ultimate solution for anyone who wants to add Bluetooth connectivity to their favorite pair of studio or media reference monitors. Compact, convenient, and stylish, MicroStation BT also makes it easy to add a subwoofer to create a 2.1 listening environment while putting the overall system level control right under your fingertips.

Pro-level projects demand a flexible monitoring chain, and the SPL Marc One delivers the goods. This excellent-sounding monitor and recording controller features switchable outputs for two pairs of speakers, plus a subwoofer output — everything you need to ensure that your mixes translate. It accommodates two analog stereo input sources, plus one digital source via USB, all of which are directly routed to a line-level output when selected. The Marc One includes three monitoring modes, enabling you to meticulously audition your mixes and masters, plus a top-grade headphone amplifier with SPL’s acclaimed Phonitor Matrix. The SPL Marc One belongs at the center of your studio. Your projects will thank you for it.

If you want to produce pro-level projects, you need a flexible monitoring chain with a high-quality monitor controller like the SPL Control One. This excellent-sounding piece of studio gear includes switchable outputs for two pairs of speakers, plus a subwoofer output — everything you need to ensure that your mixes translate. It accommodates two analog stereo input sources, which are directly routed to a line-level output when selected. The Control One includes three monitoring modes, enabling you to meticulously audition your mixes and masters, plus a top-grade headphone amplifier with SPL’s acclaimed Phonitor Matrix. The SPL Control One belongs at the center of your studio — your projects will thank you for it!

16-Channel Mastering Monitor Controller The MC16 is designed to monitor surround and immersive audio projects (Dolby Atmos®, Auro 3D®, etc…) in the analog domain, offering the same unrivalled quality as 120V stereo monitoring. 16 Speakers Sixteen buttons are used to activate the corresponding loudspeakers. The 16 inputs of Input 1 and Input 2 are routed directly to the outputs to ensures that an output routing of a DAW session always matches the routing in the MC16. The buttons allow you to insert a label with the exact name of the loudspeaker. 2 x 16 MC16 offers two 16-channel inputs to quickly compare a current project with a reference production. Monitor Level This analog potentiometer is used to adjust the monitor level. We developed a 16-level potentiometer, with which we could realize the volume control in the analog domain, because we did not want to accept a digital control, which is afflicted with resolution deficits and limited dynamic range. Presets You can save speaker setups to three memory locations. So you can quickly call up a 5.1 or an 11.1 or a 9.1.6 configuration. In solo mode, three more memory locations are available with the same keys. For example, you can create solo groups for all front speakers and all ceiling speakers and all rear speakers. Specifications: Analog inputs & output: XLR & DB25 (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -100 dBu THD + N (+24 dBu): > 112 dB Noise (A-weighted): -102.4 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 1 A Fuse for 115 V: T 2 A Power consumption: max. 70 VA Dimensions & Weight W x H x D (width x height x depth): 482 x 88 x 300 mm Unit weight: 8.4 kg Shipping weight (incl. packaging): 12 kg

16-Channel Mastering Monitor Controller The MC16 is designed to monitor surround and immersive audio projects (Dolby Atmos®, Auro 3D®, etc…) in the analog domain, offering the same unrivalled quality as 120V stereo monitoring. 16 Speakers Sixteen buttons are used to activate the corresponding loudspeakers. The 16 inputs of Input 1 and Input 2 are routed directly to the outputs to ensures that an output routing of a DAW session always matches the routing in the MC16. The buttons allow you to insert a label with the exact name of the loudspeaker. 2 x 16 MC16 offers two 16-channel inputs to quickly compare a current project with a reference production. Monitor Level This analog potentiometer is used to adjust the monitor level. We developed a 16-level potentiometer, with which we could realize the volume control in the analog domain, because we did not want to accept a digital control, which is afflicted with resolution deficits and limited dynamic range. Presets You can save speaker setups to three memory locations. So you can quickly call up a 5.1 or an 11.1 or a 9.1.6 configuration. In solo mode, three more memory locations are available with the same keys. For example, you can create solo groups for all front speakers and all ceiling speakers and all rear speakers. Specifications: Analog inputs & output: XLR & DB25 (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -100 dBu THD + N (+24 dBu): > 112 dB Noise (A-weighted): -102.4 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 1 A Fuse for 115 V: T 2 A Power consumption: max. 70 VA Dimensions & Weight W x H x D (width x height x depth): 482 x 88 x 300 mm Unit weight: 8.4 kg Shipping weight (incl. packaging): 12 kg

Surround Monitor Controller The SMC 7.1 expands analog surround monitoring to 8 channels and offers Solo, Solo-In-Place and Solo-To-Center as well as a headphone jack. Inputs & Speaker Management Two 7.1 and two stereo input sources can be connected to the SMC 7.1. This is important because in monitoring, two productions are always compared with each other. A subwoofer can be added to a stereo input by activating the LFE button. Each loudspeaker can be switched on and off individually, and the SMC 7.1 remembers the last speakers used for each source. The Solo-In-Place function now turns the loudspeaker on/off switches into solo buttons. This allows each loudspeaker to be heard alone at its position. Solo-To-Center places the selected loudspeaker on the center speaker, so that it can be listened to exactly from the front in case critical listening is required. An alternative output is available for connecting a pair of stereo loudspeakers.  The 45mm all-aluminium rotary knob moves an 8-level potentiometer.  Mute is especially important when the DAW is sending full-range audio garbage due to a problem. Mute can be used quickly to protect speakers and hearing. As an alternative to the speakers, headphones can be used for monitoring. The headphones can be switched on and have their own volume control. The SMC 7.1 can be installed in the Expansion Rack to be screwed into a 19-inch rack. The Expansion Rack is equipped with a switch that can passively route the stereo output signal of the SMC 7.1 to four stereo outputs. In this combination, the SMC 7.1 is expanded by three additional stereo outputs. This allows a 7.1 loudspeaker array and full-range, mid and nearfield stereo speakers to be controlled and monitored. Specifications: Analog inputs & outputs; XLR & DB25 (balanced) Maximum input: 22 dBu Input impedance: 20 kΩ Output impedance: 100 Ω Frequency range (-3 dB): 10 Hz – 150 kHz THD +N (10 Hz – 22 kHz, 0 dBu): 0.001 % Noise (A-weighted): -93 dBu Crosstalk (1 kHz): -92 dB Common mode rejection (1 kHz): 82 dB Dynamic range: 115 dB Standard Headphones Output, 6.35 mm (1/4") TRS Jack Wiring: Tip = Left, Ring = Right, Sleeve = GND Frequency range (-3dB): 10 Hz – 80 kHz Crosstalk (1 kHz): -70 dBu Total harmonic distortion (0 dBu, 1 kHz, 40 kΩ load): 0.001 % Noise (A-weighted): -93 dBu Dynamic range: 115 dB Internal Linear Power Supply with Toroidal Transformer Operating voltage for analog audio: +/- 18 V Operating voltage for relays and LEDs: +12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Sicherung für 230 V: T 500 mA Sicherung für 115 V: T 1 A Power consumption: max. 30 W Dimensions & Weight W x H x D (width x height x depth): 278 x 100 x 330 mm Unit weight: 4.1 kg Shipping weight (incl. packaging): 5 kg

Surround Monitor Controller The SMC 7.1 expands analog surround monitoring to 8 channels and offers Solo, Solo-In-Place and Solo-To-Center as well as a headphone jack. Inputs & Speaker Management Two 7.1 and two stereo input sources can be connected to the SMC 7.1. This is important because in monitoring, two productions are always compared with each other. A subwoofer can be added to a stereo input by activating the LFE button. Each loudspeaker can be switched on and off individually, and the SMC 7.1 remembers the last speakers used for each source. The Solo-In-Place function now turns the loudspeaker on/off switches into solo buttons. This allows each loudspeaker to be heard alone at its position. Solo-To-Center places the selected loudspeaker on the center speaker, so that it can be listened to exactly from the front in case critical listening is required. An alternative output is available for connecting a pair of stereo loudspeakers.  The 45mm all-aluminium rotary knob moves an 8-level potentiometer.  Mute is especially important when the DAW is sending full-range audio garbage due to a problem. Mute can be used quickly to protect speakers and hearing. As an alternative to the speakers, headphones can be used for monitoring. The headphones can be switched on and have their own volume control. The SMC 7.1 can be installed in the Expansion Rack to be screwed into a 19-inch rack. The Expansion Rack is equipped with a switch that can passively route the stereo output signal of the SMC 7.1 to four stereo outputs. In this combination, the SMC 7.1 is expanded by three additional stereo outputs. This allows a 7.1 loudspeaker array and full-range, mid and nearfield stereo speakers to be controlled and monitored. Specifications: Analog inputs & outputs; XLR & DB25 (balanced) Maximum input: 22 dBu Input impedance: 20 kΩ Output impedance: 100 Ω Frequency range (-3 dB): 10 Hz – 150 kHz THD +N (10 Hz – 22 kHz, 0 dBu): 0.001 % Noise (A-weighted): -93 dBu Crosstalk (1 kHz): -92 dB Common mode rejection (1 kHz): 82 dB Dynamic range: 115 dB Standard Headphones Output, 6.35 mm (1/4") TRS Jack Wiring: Tip = Left, Ring = Right, Sleeve = GND Frequency range (-3dB): 10 Hz – 80 kHz Crosstalk (1 kHz): -70 dBu Total harmonic distortion (0 dBu, 1 kHz, 40 kΩ load): 0.001 % Noise (A-weighted): -93 dBu Dynamic range: 115 dB Internal Linear Power Supply with Toroidal Transformer Operating voltage for analog audio: +/- 18 V Operating voltage for relays and LEDs: +12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Sicherung für 230 V: T 500 mA Sicherung für 115 V: T 1 A Power consumption: max. 30 W Dimensions & Weight W x H x D (width x height x depth): 278 x 100 x 330 mm Unit weight: 4.1 kg Shipping weight (incl. packaging): 5 kg

Monitor & Talkback Controller The MTC is the complete monitoring solution. Source and loudspeaker selection, mono, dim and mute switching functions, talkback with built-in talkback microphone up to the creation of a headphone mix for the artist. Inputs The MTC offers six stereo inputs. The Musician input should preferably contain the musician’s signal, so that this signal is also available at the Musician control in the Cue Mix section. The Mix input is then intended for the DAW’s master output. Musician and Mix and 2TrA and 2TrB are balanced input stages. A mono signal should always be fed into the left channel to be heard on both channels in the phantom center. 2Tr C and 2Tr D are unbalanced and have RCA connectors. HiFi equipment can also be connected here. All inputs are additive! The MTC mixes all input signals together. The slave out stereo output always carries out the selected input signal(s) (except Musician) unprocessed. Among other things, metering can be connected here. Cue Mix As an individual mix of Musician signal and Mix signal, an analog, latency-free Cue Mix can be created for the musician. For each of the three artist statements: “I can’t hear myself”, “The mix is too loud” and “I can’t hear anything”, there is a dedicated control as an answer. At the back, the Cue Mix can be sent to a headphone amplifier in the vocal booth. Talkback A built-in electret microphone is available for talkback communication, which can either be activated with the Talk button or remotely controlled via a foot switch. The level control sets the correct level for the microphone signal. At the Talk Out output only the talkback microphone signal is send out via a balanced jack socket. The sound engineer can thus speak directly to the speakers or musicians via an active loudspeaker placed in the recording room. Control Room Three pairs of loudspeakers can also be operated in parallel on the MTC. The volume is controlled by an analog potentiometer and a 45mm full aluminium knob. With the Source Blend control an optimal monitor mix can be created quickly. The headphone output can be used to listen in parallel to the selected speaker pair.  The headphones are switched on or off with the HP On switch, so that they can remain plugged in even if they are to be muted. Specifications Analog inputs & outputs: XLR & TRS Jack (balanced), RCA: Maximum input gain (XLR, Jack): 21 dBu Maximum input gain (RCA): 19 dBu Input impedance (Jack): 50 kΩ Input impedance (RCA): 10 kΩ Output impedance (XLR): 100 Ω Common mode rejection (1 kHz): 70 dB Frequency range (-3 dB): 10 Hz – 100 kHz THD +N (10 Hz – 22 kHz, 0 dBu): 0.005 % Noise (A-weighted): -89.4 dBu Dynamic range (XLR, Jack): 110.4 dB Dynamic range (RCA): 108.4 dB Internal Linear Power Supply with Toroidal Transformer: Operating voltage for analog audio: +/- 15 V Operating voltage for relays and LEDs: +12 V Mains Power Supply: Mains voltage (selectable): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 315 mA Fuse for 115 V: T 630 mA Power consumption: max. 10 W Dimensions & Weight: W x H x D (width x height x depth): 272 x 91 x 220 mm Unit weight: 2.3 kg Shipping weight (incl. packaging): 4.4 kg

Stereo Monitor Controller The 2Control is an excellent sounding compact monitor controller that perfectly controls your near-field and full-range monitors. It is equipped with our crossfeed control for headphone monitoring to create mixes on phones that translate on speakers. Inputs & Speakers The 2Control, which is analog throughout, allows the connection and selection of two stereo sources. These can be monitored via two stereo speaker sets and two headphones. A third mono output is used to connect a subwoofer or mono loudspeaker. The inputs are additive! The 2Control mixes the input signals together. The volume is controlled by a high quality potentiometer (ALPS RK27 “Big Blue”) with active control and a 45mm full aluminium rotary knob. The inputs are designed for balanced analog line-level signals. The input IN1 is calibrated to a nominal level of +4dBu. The sensitivity of input IN2 can also be adjusted to a nominal level of -10dBV – ideal for connecting consumer level CD/DVD players. Headphone outputs with Crossfeed The 2 Control is equipped with two active output stages for headphones, whose level can be individually adjusted. To be able to judge a mix via headphones, the super stereo effect, which affects the placement of voices and instruments in the stereo image and also reverb rooms and the generally exaggerated effects, must be corrected. This is done by the crossfeed control, thanks to which mixes created on headphones work just as well on speakers. Crossfeed is a part of our Phonitor Matrix. In its largest expansion stage it has three adjustment parameters: Crossfeed, Speaker Angle and Center Level. In the 2Control the Center Level is preset to -1 dB and the Speaker Angle to 30°. These are the most commonly used values. The crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. The intensity of the crossfeed is infinitely variable. SPECIFICATIONS :   Inputs & Outputs Electronically balanced instrumentation amplifiers Input sockets: XLR  Output sockets: XLR, Stereo TRS Nominal input level: IN 1: +4dBu, IN 2: +4dBu/-10dBV Input impedance: 22kOhm Output impedance: 75Ohm/Headphones: 22Ohm Max. input level: 21,3dBu Max. output level: 21,3dBu Volume control range: -80dB to +6,6dB Headphones: -65dB to +14,9dB    Measurements Frequency range: 10Hz to 100kHz (-3dB) CMRR: ›60dB (@1kHz, 0dBu input level, unity gain) THD&N: 0,002% (@1kHz, 0dBu input level, unity gain) Signal to noise ratio: -96dB/Headphones: -85dB (A-weighted) Crosstalk L/R: ›70dB (@1kHz) Dynamic range: 116dB Power consumption: ca. 25W    Power Supply Features: Toroidal transformer with voltage selector Fuses (slow blow): 230V/50Hz: 315mA, 120V/60Hz: 630mA    Dimensions and Weight Housing (BxHxT): 215x80x220mm Depth w. controls & sockets: 245mm Height with feet: 95mm Front height w. opened feet: 126mm Weight: 2,1kg   Note: 0dBu = 0,775V. Specifications are subject to change without notice.  

SURROUND / MULTI-CHANNEL MONITOR CONTROLLER (2.1 THROUGH 22.2) The new m908 Monitor Controller is designed for speaker systems up to 24 channels, from stereo to Dolby Atmos™ 22.2 and all formats in between. Built on our legacy of reference audio design, the m908’s audio performance delivers impeccable clarity and detail. Our latest generation AD / DA converters provide incredible dynamic range and resolution, while all new analog circuitry is designed to be effortlessly transparent and musical. The m908 system consists of a mainframe audio control unit, remote control unit, and a power supply with dual-redundant universal input power modules. The remote control is based on our m905 stereo monitor controller, but scaled up to accommodate added features and playback channel count. Standard features include a total of 68 digital input channels via AES3, TOSLINK, S/PDIF, ADAT Lightpipe, and USB2. Outputs include 16 balanced analog output channels and 24 digital output channels. Up to 16 channels of analog inputs are available with the addition of our optional 8 channel ADC modules, and an additional option module slot provides up to 32 additional digital I/O channels via Dante™ or DigiLink™. Up to 24 input channels can be received simultaneously and routed to the 24 channel processor, and sample rates of up to 192kHz / 24bit are supported. A powerful DSP section allows for room correction EQ on every channel, comprehensive bass management features, and individual channel delay. The m908 is a fully self contained plug and play monitor controller, with a full complement of monitoring features including cue channels, built in talkback mic, mono, mute and dim controls, and an exhaustive list of functions relating to surround and immersive playback systems. It is designed to enable professionals and facilities to update their workflows for immersive audio playback with a minimum of effort and cost.   features 24 channel AES3 digital I/O / 16 channel analog outputs 16 channel ADAT Lightpipe in / USB 24 channel inputs AES3, S/PDIF, and TOSLINK stereo inputs Optional Dante™ or DigiLink™ module for an additional 32 channels of I/O Optional 8 channel ADC module for 8 or 16 channel analog inputs Our latest generation of AD and DA converters 4th generation s-Lock pll clocking system for vanishingly low jitter High resolution volume control Powerful room correction EQ Complete bass management capability Channel level and delay calibration Comprehensive downmix control Built in SPL meter and pink noise source Powerful and intuitive remote control unit for access to all system controls and calibration Dual redundant external power supply Reference quality headphone amplifier with cross-feed Flexible talkback system with built-in mic on remote control and mic input for external talkback mics Up to 8 stereo CUE paths 4 General Purpose Input and Output pins for interfacing to external systems

The Dangerous D-BOX+ is a ground-up dramatic redesign of the award-winning controller and summing mixer that provided countless studios the superior sound and versatile control of an analog mixer, all in just one rack space. The newly designed 8-channel summing mixer and D-A stereo converter provide Dangerous Music’s bold and clear sound, while newly added features like Bluetooth connectivity and an app for remote control of all major functions unleash a cutting edge feature set that puts the D-BOX+ far ahead of the competition. As with all Dangerous Music products, the D-BOX+ is proudly made to exacting audiophile standards in the USA. TOTAL CONTROL Like a large console’s center section, the D-BOX+ provides elaborate routing and switching of your studio’s inputs and outputs, both analog and digital. At the push of a button, you can select from five input sources: analog stereo, the onboard analog summing mixer, USB, AES/SPDIF and—brand new for the D-BOX+—a wireless Bluetooth stream from any Bluetooth-enabled device. Outputs include three stereo speaker ports, and these can be programmed to be mono and/or to include a subwoofer. Further, you can use output 3 as source for an independent sub with individual level and mute control. VERSATILE MONITORING OF MULTIPLE SOURCES Any studio situation, but especially tracking sessions, call for independent monitor routing for artist and engineer. With the D-BOX+ you have two totally independent monitoring sections: Control Room and Headphones. With the simple push of a button, you can assign any of the five input sources to either of these monitoring paths, making what would otherwise be elaborate patches into instant choices. Want to check on your monitors what your artist is hearing in their headphones? Seamless source switching is simple. REMOTE CONTROL VIA BLUETOOTH AND THE D-BOX+ APP Using the new D-BOX+ Bluetooth app, on any current phone, tablet, or computer, you are no longer bound to your chair when you need control your studio. All major functions of the D-BOX+ show up in the highly intuitive and rock solid program, providing limitless new solutions to age-old studio problems. Want to listen to an artist’s instrument in the live room while switching monitoring sources in their headphones? No problem. Want to give a couch-bound producer control over the talkback mic through their phone? Simple. Want to listen to your mixes from the hallway while still swapping monitors or switching a sub in and out? You got it. If you can dream it up, the D-BOX+ app will deliver. THREE MASTERING GRADE DIGITAL-TO-ANALOG STEREO CONVERTERS Our D-A converters have been at the heart of award winning tracking, mixing, and mastering studios for decades. Advanced clock stabilization, top-of-class chip sets, and our uncompromising analog signal path add up to a D-A that’s as powerful as it is nuanced. Clarity and musicality of your digital sources are no longer trade-offs, but will come together for the best possible monitoring available in any price category and the D-BOX+ is loaded with three: USB, AES/SPDIF and Bluetooth. TWO POTENT HEADPHONE AMPS A great session requires a great headphone mix, and a great headphone mix requires a great headphone amp. With the D-BOX+ you get two of them. These potent amps are so clean, powerful, and accurate that many engineers use them exclusively for fine-grained quality control listening right before delivering a record to market. With the easy yet elaborate routing capabilities of the D-BOX+, you’ll be able to send any source to either headphone amp from either the front panel or remotely from within the D-BOX+ app. TALKBACK FROM ANYWHERE DAWs are incredible tools, but they don’t offer all the tools you need to make your studio sessions run like clockwork. The onboard talkback mic of the D-BOX+ offers a simple, time-honored solution to one of a studio’s most basic needs. Now that you can control that talkback mic from anywhere via the D-BOX+ app, you’ll find yourself waving your arms far less and communicating more effectively with your collaborators. ROCK SOLID USB CONNECTIVITY FOR WINDOWS AND MAC USB audio connectivity has come a long way over the past decade, and Dangerous has been at the forefront of its development the entire time. With the D-BOX+ you not only get an ultra-fast, low-latency USB port, you also get the latest driverless connectivity on macOS and flawless driver support on current Windows computers. Say goodbye to fussing around with software just to get up and running, and say hello to plug-and-play connectivity. AN UPGRADED EIGHT-CHANNEL SUMMING MIXER Anyone who has heard what a Dangerous summing mixer can do to improve the sonic impact, panning, depth, and width of a mix knows that there’s no substitute for analog summing when its done right. We’ve heard stellar results from traditional routing of subgroups to separate analog channels all the way to routing multiple effects returns to their own analog paths for unrivaled dimensionality. Mixing is an art form, and our analog summing mixer will help you create masterpieces. FEATURES Newly upgraded 8-channel analog summing mixer delivers enormous soundstage and superior sonic impact Five analog and digital inputs at your fingertips (analog stereo, analog sum, USB, AES/SPDIF, Bluetooth) Bluetooth wireless audio streaming Free D-BOX+ app offers remote control of all major functions (volume, dim, talkback, I/O select, and more) Dedicated app runs on current macOS, Windows, IOS and Android devices and computers Driverless USB connectivity for macOS; simple USB driver installation for Windows On-board talkback mic with push-button activation (on front panel or remotely from app) Dual best-in-class headphone amplifiers with independent source selection and level control (front panel or app) Three independent speaker outputs (selected from front panel or from app) Programmable speaker selector allows for dedicated mono and/or sub inclusion on all outputs

The Slate Control is a state of the art analog monitoring device built with the modern studio in mind. Designed by Paul Wolff (formerly of API and Tonelux), it is the official monitor section of the new RAVEN MTX mk2, and the RAVEN MTi2. The Slate Control is also the ideal monitoring solution for any professional production studio which demands massive amounts of features, the most pristine sound quality, and convenient desktop workflow.It can even be retrofitted in an analog console or sidecar (including easy access to the solo system) to improve the monitoring in older technology. It includes all the standard features commonly found on large frame consoles, including multiple inputs, multiple speakers and LFE Control, headphones, studio speakers, cue, talkback, reverse talkback and external solo interfacing.The Slate Control can be used as a portable, stand-alone unit, or flush mounted into an existing surface. The front panel is 7” tall, allowing it to fit into the standard fader slots of most consoles. The signal path from the input to the speakers never sees a DAC, FET switch, VCA or optical device. All switching is done with relays, including the main control room level, which is a relay array that insures exact left/right imaging and precise switching in 1dB steps.Features:8 Stereo inputs3 Speaker Sources with LFE Enable per speaker pair.2 Stereo Cue Outputs to feed Headphone Amps.Talk Back system with built in mic and “Talkback Presets” to independently send talkback to specified outputs.CAL Mode to pre-set a reference monitoring level.LFE Output with LPF & Crossover Point, Phase and Level.DB25 Connections for Inputs and OutputsDB9 Connections for VU Aux and Talkback AuxPowered USB 2.0 inputs x2​​

The Slate Control is a state of the art analog monitoring device built with the modern studio in mind. Designed by Paul Wolff (formerly of API and Tonelux), it is the official monitor section of the new RAVEN MTX mk2, and the RAVEN MTi2. The Slate Control is also the ideal monitoring solution for any professional production studio which demands massive amounts of features, the most pristine sound quality, and convenient desktop workflow.It can even be retrofitted in an analog console or sidecar (including easy access to the solo system) to improve the monitoring in older technology. It includes all the standard features commonly found on large frame consoles, including multiple inputs, multiple speakers and LFE Control, headphones, studio speakers, cue, talkback, reverse talkback and external solo interfacing.The Slate Control can be used as a portable, stand-alone unit, or flush mounted into an existing surface. The front panel is 7” tall, allowing it to fit into the standard fader slots of most consoles. The signal path from the input to the speakers never sees a DAC, FET switch, VCA or optical device. All switching is done with relays, including the main control room level, which is a relay array that insures exact left/right imaging and precise switching in 1dB steps.Features:8 Stereo inputs3 Speaker Sources with LFE Enable per speaker pair.2 Stereo Cue Outputs to feed Headphone Amps.Talk Back system with built in mic and “Talkback Presets” to independently send talkback to specified outputs.CAL Mode to pre-set a reference monitoring level.LFE Output with LPF & Crossover Point, Phase and Level.DB25 Connections for Inputs and OutputsDB9 Connections for VU Aux and Talkback AuxPowered USB 2.0 inputs x2​​

The m905 is our second generation stereo monitor controller, engineered from the ground up to provide unrivaled audio playback performance with a comprehensive and intuitive feature set.Included are all requisite professional audio inputs and outputs, both analog and digital, with an asynchronous USB input for jitter free 24/192 computer playback. Outputs include 3 stereo speaker sets, two subwoofer, and our reference headphone amplifier.The remote is powerful, clean and ergonomic. It includes a headphone output, talkback microphone, and dedicated real time SPL meter. Controls are designed so that anyone unfamiliar with the system can operate it immediately and intuitively, then with a minimal time investment advanced setup and calibration features are accessed and programmed with ease.The m905 offers more monitoring management features than any current monitor controller. But its true essence is as the most sonically reliable and innate centerpiece available for your studio – homebase for your ears, eyes and hands.Specifications:Analog inputs - unbalanced, balanced, CUE, talkback mic (additional balanced input available on the m905 Analog)Digital inputs - 2x AES3 (Single or dual-wire), 1 S/PDIF, 1 TOSLINK, ADAT (selectable in 4 pairs, or 2 pairs in S/MUX), USB, DSD128 (5.6448MHz)Audio circuitry designed for completely transparent and musical playback performanceAsynchronous Class 2 USB playback supports up to 24 bit/192kHzMastering quality DAC circuitry with configurable de-emphasis filteringHybrid RCU with hardware switches, large level encoder and graphical LCDLCD display shows input, level, output, SPL and DAC status plus a full calibration menuRCU includes built in microphone for talkback and onboard SPL meterSPL meter features include level, peak, fast and slow modes, A & C weightingPrecision .5 dB step level control for speakers and headphonesReference headphone amplifier circuitry, with outputs on both the RCU and ACUDedicated mono, dim, mute and sub mute switchesMono mode can be set to L+R summed, L only in both channels, or R only in both channels L solo, R solo, L-R and sub solo modes are available3 available stereo speaker outputs, with two assignable mono sub outputs (or single stereo sub output)Multi-mode SUB/ DAC/ METER outSUB out mode for stereo or multiple mono subwoofer outputsDAC out mode for a fixed DAC output fed by the selected digital inputMETER out mode fed by selected input signal (digital or analog), configurable with a fixed level or to follow the monitor levelDetachable RCU tilt base

Analog only version of the famous m905 Monitor ControllerThe m905 is our second generation stereo monitor controller, engineered from the ground up to provide unrivaled audio playback performance with a comprehensive and intuitive feature set.Included are all requisite professional audio inputs and outputs, both analog and digital, with an asynchronous USB input for jitter free 24/192 computer playback. Outputs include 3 stereo speaker sets, two subwoofer, and our reference headphone amplifier.The remote is powerful, clean and ergonomic. It includes a headphone output, talkback microphone, and dedicated real time SPL meter. Controls are designed so that anyone unfamiliar with the system can operate it immediately and intuitively, then with a minimal time investment advanced setup and calibration features are accessed and programmed with ease.The m905 offers more monitoring management features than any current monitor controller. But its true essence is as the most sonically reliable and innate centerpiece available for your studio – homebase for your ears, eyes and hands.

The m905 is our second generation stereo monitor controller, engineered from the ground up to provide unrivaled audio playback performance with a comprehensive and intuitive feature set.Included are all requisite professional audio inputs and outputs, both analog and digital, with an asynchronous USB input for jitter free 24/192 computer playback. Outputs include 3 stereo speaker sets, two subwoofer, and our reference headphone amplifier.The remote is powerful, clean and ergonomic. It includes a headphone output, talkback microphone, and dedicated real time SPL meter. Controls are designed so that anyone unfamiliar with the system can operate it immediately and intuitively, then with a minimal time investment advanced setup and calibration features are accessed and programmed with ease.The m905 offers more monitoring management features than any current monitor controller. But its true essence is as the most sonically reliable and innate centerpiece available for your studio – homebase for your ears, eyes and hands.

Dangerous Music's Source is the all-in-one portable monitoring system project studio engineers have been waiting for! The Dangerous Source gives you access to a complete set of audio sources, including USB and AES digital audio, as well as a balanced XLR and an 1/8" stereo input (perfect for your iPod!).Separate source selections for your headphones and monitors will certainly also come in handy when collaborating with artists. If the complexity of your monitoring setup has you tied in knots, check out the Dangerous Source.Portable, studio-grade monitor controllerThe Dangerous Source pops into your backpack and fits right under your laptop. If you're a producer, engineer, DJ, or video editor who's always on-the-go, it's great to have access to studio-quality monitoring on the road. Dangerous Music's studio monitoring products are well regarded amongst audio pros, and you know when they set out to design a portable monitor controller, it's going to have the right stuff.Flexibility - it's a beautiful thingThe Dangerous Source lets you listen to any combination of four input sources; you get two speaker outputs and two headphone outputs. You can let the singer hear her own personal headphone mix, for instance, from the Analog 2 input - while you monitor the real mix, coming in from your computer via the USB input (which can run up to 24-bit/192kHz). The Dangerous Source gives you the monitoring flexibility to handle virtually any monitoring situation that might crop up.Dangerous qualityDangerous Music is renowned for their no-compromise designs and build-quality, and the Dangerous Source lives up to this reputation. The company's products have earned the fierce loyalty of legions of audio pros the world over. When you add the Dangerous Source to your audio rig, you know that you're making an investment in great sound that will give you many years of use.Dangerous Music Source monitoring system Features:Hear everything, anywhere, so you can mix it right the first time.Portable monitor control for both speakers and headphones.Monitor Digital, (2) Analog and USB sources separately or simultaneouslyFits beneath a 13" laptop or rack installable (kit optional)Two speaker outputs can be engaged simultaneously, or use one as a dedicated subwoofer out.Headphones and speakers can monitor single or multiple sources - different choices for the producer and artist.Two analog inputs: 1/8" mini stereo & XLR/TRS combo jack.Two digital inputs: AES/SPDIF and USBUSB IN, up to 24-bit/192kHz for Windows and Mac (plug and play in OX X 10.7)Third stereo output to send to Front of House or final mixdown

The SR is a companion expansion module, providing full 5.1 capability. You can start in stereo with the ST and expand to surround later simply by adding the SR. No redundancy or obsolescence!Configure and control your entire system from the comfort of your sweet spot.

The Dangerous Monitor ST is a remote-control accessed input source switcher/speaker switcher/cue system/talkback system /headphone amplifier all in a one rack space package.        FEATURESAnalog stepped-attenuator volume control 4 input sources3 speaker outputsProgrammable input gain offsetsInput level compensation for –10dBV and +4dBu sourcesInput 4 has continuously variable level offsetProgrammable output level offsets Assignable subwoofer outputProgrammable subwoofer level offsetSelectable subwoofer filteringComprehensive speaker Mute and SoloFlexible stereo cue system with main and auxiliary inputsOnboard cue power ampTalkback system with dual control and dedicated slate output SR unit has selected source output 

As the computer increasingly becomes the de-facto tool for audio production, the need for the traditional large format console becomes muted, while the need for a high quality studio monitor controller becomes more and more vital. Enter our new m906 high fidelity 5.1 monitor controller. The original concept for building the m906 was simply to provide a high fidelity level control for engineers working with 5.1 surround playback systems. From there, however, we became blissfully carried away and ultimately obsessed with creating the most full featured and highest quality monitor controller available. So at its core, the m906 is a purist level control for monitoring surround audio sources. But a closer look reveals a totally comprehensive feature set that makes this system the essential nerve center for any large recording facility centered around a high-definition digital audio workstation.        FEATURES multiple 5.1 and stereo analog inputs 24bit/192kHz digital 5.1 and stereo inputs- AES3, S/PDIF, ADAT and TOSLINK s-LockTM phase lock loop sample clock regeneration for ultra-low jitter and rock solid digital stability precision speaker and headphone level controls with a 100dB range in 0.5dB steps New optional Downmix module and AES loopthrough feature every electrical and mechanical design element  maximized for absolute purist audiophile performance all controls are built into an elegant, convenient desktop remote control unit all I/O and audio are routed in a 2U rack mount mainframe powered by an external 1U 1/2 rack power supply control up to three speaker systems - two 5.1 and one stereo m902 style high-current audiophile headphone amplifier built in with one output on remote control unit and one on the mainframe unit complete system level calibration (inputs, outputs, inter-channel balance, dim) and individual channel solo/mute balanced talkback microphone input and activation switch with additional external foot switch control jack fixed level 5.1 DAC output for direct audio transfers

Listening from multiple sources through multiple sets of monitors is the norm in professional studio. Managing all this can be a time-consuming and often a noise-ridden, confusing mess. With the Big Knob, you have complete control of all your sources and monitors without the annoying problems. Easily select from various sources and sets of monitors at the push of a button and control your level from one (big) knob.Both the Big Knob Studio and Big Knob Studio+ offer high-resolution USB interfacing (with resolutions up to 192 kHz), featuring dual Onyx mic preamps, delivering an ultra-wide 60 dB of gain range and award-winning sound quality. Features:Studio monitor controller and USB audio interfaceDual Onyx preamps for recording high-fidelity, low-noise audioEasily switch between three input sources and two monitor pairsTrim controls allow you to balance the volume of different pairs of monitorsTalkback for communicating with artistsHeadphone outputs for artist monitoringStereo aux input for connecting music player for reference tracksLarge volume knob for easy level adjustmentsHandy buttons for Mono, Mute, and Dim 

Listening from multiple sources through multiple sets of monitors is the norm in professional studio. Managing all this can be a time-consuming and often a noise-ridden, confusing mess. With the Big Knob, you have complete control of all your sources and monitors without the annoying problems. Easily select from various sources and sets of monitors at the push of a button and control your level from one (big) knob.Big Knob Studio+ adds even more features, offering the right I/O for flexible integration into professional studios. The 4x3 routing delivers choice, including a USB playback from a DAW with 192kHz / 24-bit audio conversion. Other tools like a dedicated, amp-driven studio out for a headphone distribution system are ideal for project and professional studios.“With the expanded lineup and comprehensive feature set, Big Knob offers flexible solutions for any type of studio,” concludes Rundle. “Looking for a streamlined monitor switcher? Looking for a high-resolution interface? The Big Knob Series offers all this and more. Big Knob will truly be the nerve center of your studio.”Features:Studio monitor controller and USB audio interfaceDual Onyx preamps for recording high-fidelity, low-noise audioEasily switch between four input sources and three monitor pairsTrim controls allow you to balance the volume of different pairs of monitorsTalkback for communicating with artistsHeadphone outputs for artist monitoringStereo aux input for connecting music player for reference tracksLarge volume knob for easy level adjustmentsHandy buttons for Mono, Mute, and DimDedicated amp-driven Studio Out for headphone distribution systems

When it’s time to get down to the business of recording or mixing, you want the ultimate sound quality from your monitoring system – and the last thing you’ll want is to crawl around under your desk running cables. The MONITOR2USB gets you off your knees and puts VCA-controlled Volume, Source selection, Phones and Monitor control right at your fingertips. With the incredible MONITOR2USB you can select from 3 sets of active studio monitors, 2 different stereo sources, plus a USB input for your DAW – to create powerful, custom monitor mixes – all in pristine, audiophile-grade sound quality. While MONITOR2USB’s Volume control is mechanically similar to an analog control, its use of Voltage Controlled Amplifiers (VCA) provides several major benefits. First, since a DC current flows through the volume control (instead of the audio signal) there is no degradation in sound quality, and none of the pops and crackles typically produced by an audio-taper volume control.That current is what actually controls the levels of the separate left and right amplifiers. Second, both the left and right channels remain proportionately accurate to their input levels. Third, better left/right channel separation is maintained, because there are no audio signals present at the volume control. And finally, you get amazingly precise and repeatable level settings you can count on.Small knobs make for low precision. Conversely, the bigger the knob is, the higher the precision. Think of a control knob as a circle. On a small circle/knob the distance from one degree to the next is very small, making it difficult to dial-in perfection. On our really big knob, the distance between degrees of the circle is much larger, allowing you to make high-precision adjustments with ease. The MONITOR2USB lets you set levels fast and accurately, which is of utmost importance when it comes to your mastering projects.In the golden age of recording, engineers had to make the mix sound great in just two places, the studio and the car. When you consider the acoustic environments and the equipment used in each, it’s not as easy as it sounds. Today’s computer-based recordings have to sound great in even more situations, such as MP3 players, podcasts and other bass-challenged systems – so experiencing your mix through as many speaker systems as possible is more essential than ever. MONITOR2USB lets you switch between up 2 pairs of studio monitors, listen through vintage-style small monitors (such as our C5A or C50A), add a subwoofer – or any combination at the mere press of a button.Features:Premium speaker and headphones monitoring centerLarge Volume knob with true VCA control for extremely precise level adjustmentsBuilt-in stereo USB Audio Interface, perfect for computer-based studios2 high-quality stereo inputs connect perfectly to your DAW3 independent Monitor outputs to connect up to 3 sets of studio monitors2 high-grade headphone amplifiers with separate volume controlsCrossfeed control emulates the stereo speaker panorama when listening through your headphonesConvenient Mono and Dim functions right at your fingertips"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy savings3-Year Warranty Program*Designed and engineered in Germany 

Listening from multiple sources through multiple sets of monitors is the norm in professional studio. Managing all this can be a time-consuming and often a noise-ridden, confusing mess. With the Big Knob, you have complete control of all your sources and monitors without the annoying problems. Easily select from various sources and sets of monitors at the push of a button and control your level from one (big) knob.Mackie Big Knob Passive; Monitor Controller for up to two Monitor Pairs and two Stereo-Sources; passive +4dB Signal path ; big Volume Knob; Switch for Mute, Dim, Mono, Monitor and Signal Source; Connections: 2x Stereo Line-Input 1/4" Jack balanced, 2x Stereo Monitor-Out 1/4" Jack balanced; Housing: sturdy steel; Dimensions: 142 x 137 x 79 mm, Weight: 1 kg 

8-channel Volume Controller Volume 8 is an active DAW monitoring controller and a puristic surround preamplifier. Features High-end volume potentiometer and illuminated mute switch from ALPS; the potentiometer controls directly (no VCA or DAC circuits) The mute switch allows a quick reaction when speakers or ears need to be protected (e.g. in case of a computer crash) In contrast to digital volume control, where the bit resolution is continuously reduced as the volume decreases, the signal does not deteriorate with analog volume control. In contrast to passive volume control, active volume control does not affect the phase and frequency response. The monitoring signal sounds reliably the same at any monitoring volume. Balanced DB25 (TASCAM standard) connectors High-quality balancing stages with very high common-mode rejection (minimizing interference/interference in the signal paths) High-quality power supply unit with toroidal transformer Solid aluminium knob with 45mm diameter for smooth, sensitive operation Elegantly designed and compact housing for flexible desk positioning close to the screen. Analog Volume Control The monitoring volume is controlled analogously with an 8-gang potentiometer. If the volume is controlled digitally, for example in the DA-converter, the bit resolution decreases with decreasing volume with one bit per -6dB. Usually we listen with about -30 dB at full volume, which decreases the bit resolution by 5 dB. Active or Passive? It is claimed that passive circuits are less signal influencing and more puristic and therefore better. Well, that is not so. A passive control element such as a potentiometer in the signal path, which is not electronically buffered, influences the frequency response and phase position. Both change continuously as you change the volume. This is exactly what does not happen with an active control. Don't Panic The Mute switch has two rights of existence. On the one hand, it allows the speakers to be muted without having to touch the volume control and thus leaving the set volume.  Secondly, the Mute switch is a panic switch. Whenever the computer hangs or crashes, there is a risk that a full level signal will reach the speakers. This can be extremely loud and may damage the speakers. The mute switch can be used to quickly turn off the signal and protect the speakers and your hearing. Specifications: Analog inputs & outputs; DB25 (TASCAM standard, balanced) Maximum input & output gain: 21 dBu Input impedance: 22 kΩ Output impedance: 100 Ω Frequency range (-3 dB): 10 Hz – 100 kHz THD + N (10 Hz – 22 kHz, 15 dBu): -100 dBu Noise (A-weighted): -102 dBu Crosstalk (1 kHz): 80 dB Common mode rejection (1 kHz): 60 dB Dynamic range: 123 dB Internal Linear Power Supply with Toroidal Transformer Operating voltage for analog audio: +/- 15 V Operating voltage for relays and LEDs: +12 V Mains Power Supply Mains voltage (selectable): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 250 mA Fuse for 115 V: T 500 mA Power consumption: max. 15 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 215 x 100 x 220 mm Unit weight: 1.9 kg Shipping weight (incl. packaging): 4 kg

Stereo Volume Controller Volume 2 is an active DAW monitoring controller and a puristic high-end preamplifier. Features: High-end volume potentiometer and illuminated mute switch from ALPS; the potentiometer controls directly (no VCA or DAC circuits) The mute switch allows a quick reaction when speakers or ears need to be protected (e.g. in case of a computer crash) In contrast to digital volume control, where the bit resolution is continuously reduced as the volume decreases, the signal does not deteriorate with analog volume control. In contrast to passive volume control, active volume control does not affect the phase and frequency response. The monitoring signal sounds reliably the same at any monitoring volume. Balanced XLR input and output connectors High-quality balancing stages with very high common-mode rejection (minimizing interference/interference in the signal paths) High-quality power supply unit with toroidal transformer Solid aluminium knob with 45mm diameter for smooth, sensitive operation Elegantly designed and compact housing for flexible desk positioning close to the screen. Analog Volume Control The monitoring volume is controlled analogously with an Alps-RK 27 potentiometer. If the volume is controlled digitally, for example in the DA-converter, the bit resolution decreases with decreasing volume with one bit per -6dB. Usually we listen with about -30 dB at full volume, which decreases the bit resolution by 5 dB. Active or Passive? It is claimed that passive circuits are less signal influencing and more puristic and therefore better. Well, that is not so. A passive control element such as a potentiometer in the signal path, which is not electronically buffered, influences the frequency response and phase position. Both change continuously as you change the volume. This is exactly what does not happen with an active control. Don't Panic The Mute switch has two rights of existence. On the one hand, it allows the speakers to be muted without having to touch the volume control and thus leaving the set volume.  Secondly, the Mute switch is a panic switch. Whenever the computer hangs or crashes, there is a risk that a full level signal will reach the speakers. This can be extremely loud and may damage the speakers. The mute switch can be used to quickly turn off the signal and protect the speakers and your hearing. Specifications: Analog inputs & outputs:XLR (balanced) Maximum input & output gain: 21 dBu Input impedance: 22 kΩ Output impedance: 100 Ω Frequency range (-3 dB): 10 Hz – 100 kHz THD + N (10 Hz – 22 kHz, 15 dBu): -100 dBu Noise (A-weighted): -102 dBu Crosstalk (1 kHz): 80 dB Common mode rejection (1 kHz): 60 dB Dynamic range: 123 dB Internal Linear Power Supply with Toroidal Transformer Operating voltage for analog audio: +/- 15 V Operating voltage for relays and LEDs: +12 V Mains Power Supply Mains voltage (selectable): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 250 mA Fuse for 115 V: T 500 mA Power consumption: max. 15 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 215 x 100 x 220 mm Unit weight: 1.6 kg Shipping weight (incl. packaging): 3.7 kg

Surround Monitor Controller The SMC is the industry standard for 5.1 surround monitoring. It combines analog 6-channel volume control with speaker management for 5.1 surround and stereo sources. Source Selection & Speaker Management Two 5.1 and two stereo input sources can be connected to the SMC. This is important because in monitoring, two productions are always compared with each other. The DB25 input is used to connect the DAW balanced. In output routing, channels 1-6 should be selected for 5.1 mixing and 7/8 for stereo mixing. DVDs are often played back on standard DVD or Blu-Ray players for comparison purposes. Their consumer nominal level of -10dBV, which corresponds to a level difference of 7.8dB to the 0dBu studio level, is compensated in the SMC to make loudness comparable.  The front and rear stereo pair can each be switched to mono.  Mute All is important when the DAW is sending full-scale audio garbage due to a problem. To protect the speakers and your hearing you can quickly mute here. Each loudspeaker can also be switched on/off individually. The balanced inputs are passively looped through to the Slave Out DB25 socket. Here, for example, a multi-channel metering can be connected. The speaker outputs are balanced with TRS jacks. If mono jack plugs (TS) are used, the signal is automatically unbalanced. Specifications: Analog inputs & outputs; DB25 & TRS Jack (balanced), RCA Maximum input gain: 21 dBu Input impedance (DB25 & Jack): 50 kΩ Input impedance (RCA): 10 kΩ Output impedance (Jack): 100 kΩ Frequency range (-3 dB): 10 Hz – 100 kHz THD +N (10 Hz – 22 kHz, 18 dBu): 0.002 % Noise (A-weighted): -98 dBu Common mode rejection (1 kHz): 70 dBu Dynamic range:119 dB Internal Linear Power Supply with Toroidal Transformer Operating voltage for analog audio: +/- 15 V Operating voltage for relays and LEDs: +12 V Mains Power Supply Mains voltage (factory set): 230 V AC / 50 or 115 V AC / 60 Hz Fuse for 230 V: T 315 mA Mains voltage (selectable): 115 V AC / 60 Hz Fuse for 115 V: T 630 mA Power consumption: max. 10 W Dimensions & Weight W x H x D (width x height x depth): 272 x 91 x 220 mm Unit weight: 2,3 kg Shipping weight (incl. packaging): 4,4 kg

Satori is a digitally-controlled true analog monitoring and summing system designed for today’s studios. Antelope’s Orion32 and Zen Studio interfaces have both been praised for their digital clarity, while maintaining the realism of analog sound. Satori features the same high level of uncompromising sound quality thanks to advanced analog circuit design.Mastering-grade transparencySatori provides a monitoring solution that maintains sonic accuracy while routing and switching between source material, especially when the D/A is handled by the clear and natural-sounding Antelope family of converters. Antelope Audio’s extensive background in designing pristine analog circuitry, highly optimized PCB layout and power supply technology result in mastering-grade transparency at a proje ct studio price.Analog summing functionalityIn addition to providing outstanding monitoring capabilities, Satori includes a fully analog 8-channel summing mixer. Analog summing allows engineers who work completely “in-the-box” to mix signals in the analog domain for a more natural blending of instruments. The summing mixer inside Satori maintains punch, headroom and excellent dynamics, while offering the analog sound usually found only from legendary analog consoles. 

Manage multiple audio sources and sets of monitor speakers, track using illegally loud headphone amplifiers, and talk back to your drummer—all from your desktop. Switch quickly and easily between up to four audio sources with a selection of input types. Audition your music with your choice of three stereo pairs of speaker outputs, each with separate level control—and four screaming-loud headphone outs. With Monitor Station V2, you can evict the drummer from the main room, banish the guitarist to the bathroom, shove the singer into a closet, and make them like it.