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The 1073DPX has two channels of 1073® Class A design microphone preamplifiers, each with 3-band EQ (fixed HF plus two switchable bands with cut/boost capability) and a high pass filter.With two 1073® pre-amps packed into a modern, 2u 19″ rack format, the 1073DPX features everything you need to record a variety of performance setups. For example, stereo micing setups such as piano or drums work perfectly through the dual-channel DPX. Alternatively, singer-songwriters can use each channel strip independently for an acoustic guitar and a vocal simultaneously.

3.333 €
36 Instalments 115,07€ / month
Upon Order

The Neve preamp for the modern ageThe elegantly crafted 1073SPX adopts the 1073® Class A design, exquisite 3-bandEQ (fixed HF plus two switchable bands with cut/boost capability) and high pass filter – making the 1073SPX the obvious choice for modern studios.

1.945 €
36 Instalments 67,15€ / month
In Stock

The PRE-73 Jr PREMIER is a one-channel vintage style microphone- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The in- and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available. Integrated circuits are small and cheap and widely used in most modern designs. It is clear though that audio components built with modern technology doesn´t always provide the best perceived sound quality or the type of character that the modern user desires. On the contrary, the subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment. This is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market. The circuit used in the PRE-73 Jr PREMIER is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.

398 €
12 Interest Free Instalments 33,17€ / month
Upon Order

The API Select T12 is a classic 2-channel, all-tube, Class-A microphone preamplifier designed with API's proprietary AP2516 transformer in the input stage and a custom API transformer on the output stage. Built with 12AT7WC and 12BH7 dual-triode vacuum tubes, the T12 represents a new and exciting variation in API's preamplifier technology and provides the user with unique tonal options. The T12 can handle a wide range of production applications including stereo operation. Carefully engineered to deliver classic tube performance and sound, the T12 delivers API's famous warmth, punch and clarity in an all-new way and features our industry-exclusive Five Year Warranty.

2.595 €
36 Instalments 89,59€ / month
Upon Order

50 Years Of Analog Design In One Rack Space. Introducing the Heritage Audio BritStrip — the culmination of 50 years of analog design in a single rack unit. Britstrip nails the sound of yesterday’s iconic recordings for today’s demanding engineers. The BritStrip combines a real-deal 73 mic preamplifier, an expanded 73 equalizer, a discrete Class-A DI, and the infamous diode bridge compressor from the Heritage Audio Successor. The closest equivalent of the BritStrip would be chaining together a 73JR, 73EQJR and mono Successor — a $3000 value pack in itself, with added routing flexibility. The Mic Preamp That Meets All The Demands. The BritStrip starts with the same preamp as our 73JR, with a new custom input transformer co-designed with Carnhill and exclusively made for HA in the St Ives factory.. The preamp also features a custom Carnhill St Ives output transformer, which completes it’s all discrete, Class-A, 3-gain stage design. The preamp features 80 dB of gain, 20dB pad, phase reversal and an impedance switch for 1200 or 300 ohm input. The Discrete Class-a Di The DI is also taken from the highly acclaimed design found in the Heritage Audio 73JR, an all-discrete Class-A JFET circuit in front of the microphone transformer, giving you all of the color and weight you could ask for. The DI also includes a passive thru output to feed a separate amplifier. An Expanded 73 Equalizer. The BritStrip eq features 3 Vinkor pot core inductors in the mid band and high pass filter sections. The impact is hard to believe with extreme boosts being exceptionally musical. The mid band is great for sculpting fat and punchy snare, kick, guitars, vocals — you name it! No need to be subtle like you would with most eqs — BritStrip doesn’t sound phasey or loses headroom in extreme settings. The inductor-based low-pass filter, directly taken from the 73 design, lets you control out of range low end — without affecting the quality of your desired frequencies. The high and low shelves have been extended to include a bell mode — making them more versatile than ever before. A Successor-Like Compressor The diode bridge bus compressor needs little introduction, as it’s the same compressor found in the multi award-nominated Heritage Audio Successor. Diode bridge compression, a 60 year old patent, took on a whole new life with the expanded features and incredible fast attack/release times of the Successor. With BritStrip, this powerful compressor design is perfect to use for tracking, thanks to it’s blend control and elaborate sidechain filter. This gives you plenty of tracking potential, as you can give instruments that “record-ready” dynamics as performers monitor — giving them a finished “real-time feel” as they perform. The compressor section provides plenty of sidechain flexibility, with 5 frequency options, and an external sidechain input. And if that weren’t enough flexibility, 2 BritStrips can have their compressors linked for the ultimate stereo tracking solution. Routing Flexibility The BritStrip allows for compression and equalizer routing. Eq’ing pre-compression makes the compression detector more sensitive to the boosted frequencies and less sensitive to those cut. Inversely, eqing post compression makes the detector insensitive to the eq settings.

2.498 €
36 Instalments 86,24€ / month
Available in warehouse

The best of both worlds. Introducing Heritage Audio’s HA-81A: a new mix of 2 classic console´s circuits. The HA-81A Elite is a channel strip that combines an all discrete, Class-A 73-style mic preamp with an extremely versatile and musical console style equalizer — arguably the trick for obtaining instant classic sound for all recording engineers. The mic preamp that meets the demands. The HA-81A’s preamp section is an 80 dB, all discrete Class-A design with Carnhill/St. Ives input and output transformers, exactly the same one found in the other Elite Series modules. The preamp features gain, output trim, -20db pad, polarity reverse, and +48v phantom power. The best console´s style equalizer ever made. The HA-81’s equalizer section is an exceptionally musical 4 band, inductor-based equalizer with high and low pass filters. Where 3 band equalizers such as the typical 73-style exceed at musicality but may get short of features, the HA-81A EQ equally excels on both. Extreme control over Shelf or Bell response curves on the high and lows, dual Q on both mid bands, with dedicated high and low mid ones, and a range of 40 frequency selections to choose from. Hybrid design. Heritage quality. The Heritage HA-81A utilizes only rotary switches and precision, concentric potentiometers. And like all of the products in our Elite range, the HA-81A is built with the most cutting edge methods in manufacturing and design, without ever compromising audio quality or cutting corners — all at the Heritage headquarters in Spain.

1.221 €
36 Instalments 42,15€ / month
Available in warehouse

A superb addition to the Neve® outboard range, providing two of our world-famous Class A 1073® microphone preamplifiers in a single rackspace.The big, punchy sound of the 1073® compliments any musical genre, from rock to pop, hip-hop to rap, thrash to classical. Its lush sound with classic Neve® signature makes it the consummate mic pre for recording vocals, guitars, and acoustic instruments of all descriptions. With the 1073®DPA, the highly sought-after 1073® mic amp sound is now available in a cost-effective 1U stereo rackmount solution, without the additional EQ found on the classic 1073 unit.The 1073®DPA provides the legendary sound of Neve in a remarkably simple format. Two rear-panel Mic inputs and Line inputs feed dual Class A gain stages, with adjustable Gain control and selectable 48V available on the Mic inputs. Class A analogue outputs in XLR format are also found on the rear panel, controlled via adjustable front-panel ±10dB Trim controls. This stereo unit is the perfect solution for studios looking to bring in the very essence of the legendary 1073® sound.Fearures:Two legendary 1073®  microphone preamps in a convenient 1U rackmount designHand-crafted and hand-wired by Neve in Burnley, UKExclusive Neve®  Marinair™ transformers used on input and output stagesDedicated input Gain controls and output Trim controls on both channels+48V Phantom Power and Phase Reverse switchHigh quality Input Selector switch

2.325 €
36 Instalments 80,27€ / month
Upon Order

Possibly the best value in the business! The Vintech Audio X73i is a class A, all discrete, transformer balanced microphone preamplifier with equalizer both based on the classic Neve 1073 module. It is constructed utilizing modern manufacturing techniques which allow us to offer this product at an incredible value. Now practically anyone can record with the classic sound of vintage modules without having to deal with inflated vintage prices.  The X73i features the same class A mic pre as the X73 with all of the same eq parameters plus additional mid-range frequencies, selectable input impedance, 1/4 inch D.I. on front panel, transformer balanced mic and line inputs, phase reverse, phantom power switch, eq switch, 70db of gain, quality Grayhill rotary switches, custom machined aluminum knobs, plus many other features.  FEATURES: Class-A output amplifier that uses a 2N3055 NPN power transistor  One rack space 16-gauge, all-steel Chassis  St. Ives output transformer  Hand wired Elma rotary input gain switch  Circuit board mounted rotary switches  Gold contacts  1,200 OR 300 ohm input impedance  Rear Neutrik XLR in/out, TRS out  Rear 1/4" TRS balanced line input  1/4" direct instrument input on the front panel  TUBE OR SOLID STATE: Solid State CHANNELS: Single-Channel CHASSIS: 19-inch Rack-mount RACK SPACES: 1u DIRECT INPUT: Yes DIGITAL I/O: No EACH UNIT INCLUDES: Low shelving  Fixed Hi EQ  Variable Low EQ  Variable Mid EQ frequencies  Input gain control  Output level control  Phase reverse switch  +48-Volt phantom power switch  EQ in/out switch  Power indicator LED  Note: This unit requires the Vintech Power Supply.

2.150 €
36 Instalments 74,23€ / month
Upon Order

A lot of preamps on the market do a good job of raising the volume of mics and instruments. Unfortunately, many pres are doing only that, raising volume.  The “Super clean” designs of today often leave the signal exiting the preamp sounding much the same as it did entering it.The WA12 MKII is a completely discrete, high voltage, dual-transformer microphone preamplifier designed for high gain (+71dB), high headroom, low noise, and an exciting sonic performance – great for all types of recording applications.  A high quality mic preamp is one of the most critical pieces needed to achieve the elusive ‘larger than life’ sound, and the WA12 MKII is more than capable of delivering. ​The WA12 MKII is based around a discrete op-amp, the X731, which is our own reproduction of the vintage classic Melcor 1731, considered by some to be the warmer predecessor to the modern 2520-style op-amp.  The X731 can achieve vibrant, clean and lifelike tones; but can also be driven into mild saturation at much higher gain levels.  The effects can be subtle, but very pleasing to the ear.  The WA12 MKII can also accept any discrete op-amp on the market which conforms to the +/-16v, 2520 pinout standard.   In this example, the WA12 MKII is being routed as an insert into a recording device. This is useful for using the WA12 as an “analog plug-in” or insert for mix-down. The recording device is feeding the WA12 with a balanced 1/4” cable via a line output. Then, the recording device is capturing the WA12 MKII via a LINE LEVEL input. Note: It is important to use a line level input on your recording device as opposed to a microphone or instrument level input.If you are looking for a preamp to improve and shape your signal you will most definitely love the WA12 MKII. The WA12 MKII is designed to transform plain instruments and vocals into exciting tone.  If your mixes lack depth, struggle to sound alive, or are just missing that professional touch you’ve always wanted, there is a good chance you will love the WA12 MKII. Specifications: Utilizes premium grade input and output USA CineMag transformers. 71db of Gain, fully discrete signal path. Utilizes a discrete 6-pin socketed 1731 style opamp.  Can be replaced with other 6-pin "2520 foot-print" opamps for varying tone/flavor. TONE button – Switches the input impedance from 600 ohms to 150 ohms.  Changes the tone of both the mic and HI-Z inputs. 2 Meg Ohm True HI-Z input on front panel. Sends instrument signal through entire circuit including both Cinemag Transformers and the discrete opamp. Great for guitars, bass, keyboards and other instruments that have a 1/4″ output jack. Mic level balanced input: XLR. Balanced outputs: XLR and 1/4″/TRS. 48 volt Phantom Power. Output attenuation control (after the CineMag output transformer) allows for driving the preamp and transformers into saturation. LED Meter gain indication. 20db pad. External power plug. ​​

419 €
12 Interest Free Instalments 34,92€ / month
Upon Order

8-IN, 8-OUT. OVER ADAT Clarett OctoPre gives you eight Clarett mic pres renowned for their transparency, and eight outputs too. You can use these to extend the capabilities of your Clarett audio interface or any other interface fitted with ADAT optical inputs and outputs. EIGHT CLARETT MIC PRES WITH EXTRA AIR The eight mic pres have been designed specifically for the Clarett range, with plenty of gain, yet low noise and distortion – and great sound quality. They are Air-enabled, so can reproduce the input impedance, clarity and frequency response curve of our original ISA mic preamp. MIC, LINE AND INSTRUMENT INPUTS The front panel includes dual instrument inputs featuring extra headroom to handle the loudest pickup, while the rear panel includes universal XLR/jack connectors for the remaining auto-switching mic/line inputs. INSERT POINTS Each input has its own switched insert point for single-cable connection of compression, equalisation and other outboard analogue processing – with hardwired relay bypass so you can leave outboard gear or a patchbay connected ready to access at the press of a button. EIGHT OUTPUTS The Clarett OctoPre offers up to eight ADAT digital channels feeding 25-pin DSUB rear-panel analogue outputs, making it useful for mixing as well as tracking. The line outputs can optionally provide feeds from the mic pres – useful for feeding a live console while recording the digital outputs. PRECISION DIGITAL CONVERSION The Clarett OctoPre's precision 24-bit converters operate at standard sample rates all the way up to 192kHz – ideal for hi-res audio – with up to 118dB (A-D)/119dB (D-A) dynamic range. Hear your recordings sound better than you've ever heard them sound before. OUR COMMITMENT TO OUR CUSTOMERS Wherever you happen to be in the world, you can rely on our three-year warranty if any Focusrite hardware needs repairing or replacing due to a manufacturing fault. WHAT'S IN THE BOX Clarett OctoPre Power Supply Focusrite – Red Plug-in Suite: accurately models our classic Red 2 equaliser and Red 3 compressor Softube – Time and Tone Bundle: four of Softube's world-class reverb, delay, mastering and distortion plug-ins Focusrite – Plug-in Collective: exclusive offers, tutorial content and more, from some of the most innovative and prestigious plug-in companies ADAT cable sol SUPPORTED SAMPLE RATES 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz MICROPHONE INPUTS Frequency Response: 20 Hz - 35 kHz ±0.1 dB Dynamic Range (Without Insert): 118 dB (A-weighted) Dynamic Range (With Insert): 115 dB (A-Weighted) THD+N: 0.001% Noise EIN: –128 dBu (A-Weighted) Maximum input level: +18 dBu ±0.5 dB Gain Range: 57dB LINE INPUTS Frequency Response: 20 Hz - 35 kHz ±0.1 dB Dynamic Range (Without Insert): 117 dB (A-weighted) Dynamic Range (With Insert): 115 dB (A-Weighted) THD+N: 0.001% Maximum input level: +26 dBU ±0.5 dB Gain Range: 57dB INSTRUMENT INPUTS Frequency Response: 20 Hz – 35 kHz ± 0.1 dB Dynamic Range (Without Insert): 116 dB (A-weighted) Dynamic Range (With Insert): 114 dB (A-Weighted) THD+N: 0.001% Maximum input level: +14dBu ±0.5 dB Gain Range: 57dB LINE OUTPUTS Dynamic Range (Line Outputs): 118 dB (A-Weighted) Maximum Output Level (0 dBFS): +16 dBu, balanced THD+N: 0.0007%

728 ,99 €
36 Instalments 25,17€ / month
Available in warehouse

High Fidelity Microphone Preamplifier Like the updated m801mk2, our freshly redesigned m201mk2 provides a full serving of our unique brand of audio performance. It delivers massive headroom, ultra-wide bandwidth and a very open, musical character. The fully balanced signal path has been refined, resulting in incredible dynamic range. A new power supply design provides the lowest noise performance we have ever achieved. This all means the new m201mk2 will translate a sonic picture of astonishing clarity and detail, which captures the essential character of the music being recorded. Changes over the previous design find the m201mk2 more essential and a bit more paired down. We have eliminated the A/D option as this is functionality is now best served buy our current m108 8 channel mic preamp A/D. We have eliminated the M+S matrix and a few other functions to really focused on making the finest, purist style 2 channel mic preamp we can. These refinements also serve to bring the price down to where even more recording engineers can now afford Grace Design flagship mic preamp performance. The m201mk2 will bring out the very best in your entire microphone collection. Your favorite large diaphragm mics will sound like they were intended, with detail and texture in extra measure. Your humble dynamics mics will come alive with newfound dynamics and clarity. Ribbons mics will perform their best with our exclusive ribbon mic mode, which shifts the gain range up 10dB while deactivating 48V phantom power, bypassing the decoupling capacitors and optimizing the input impedance. FREQUENCY RESPONSE: @ 20dB gain ± 3dB 150Ω source: 3.2Hz-530kHz @ 20dB gain ± 0.2dB 150Ω source: 14.8Hz-109kHz @ 40dB gain ± 3dB 150Ω source: 3.2Hz-500kHz @ 40dB gain ± 0.2dB 150Ω source: 15.4Hz-103kHz THD+N: @ 20dB gain +20dBu out, 1kHz:

1.990 €
12 Interest Free Instalments 165,83€ / month
Upon Order

Features API's Classic 312 Microphone Preamp in a 500 Series module Vintage Style Analog VU Meter Maximum 69dB of gain Traditional API fully discrete circuit design with 2520 Op Amp Proprietary AP2516 Input Transformer 20 dB pad switch 3:1 Output Transformer Tap Selection Switchable 48V phantom power Peak LED API's Five Year Warranty The 312 is one of API's most sought after and famous mic preamps. First introduced in the 1970s, it is well known and respected throughout the recording industry, and is the building block of the modern 3124 rack unit. Based on API co-founder Saul Walker's original designs, the API 312 Mic Pre combines our 2520 op-amps and proprietary transformers. It delivers the analog warmth, massive headroom and unmistakable sound for which API is known, in a convenient 500 Series format. Following the success of the hand wired 312 50th Anniversary Edition, this standard production version offers the classic API sound at an affordable price. Like all API products, the 312 is backed by API's unique Five Year Warranty.

1.095 €
12 Interest Free Instalments 91,25€ / month
Upon Order

The PRE-73 DLX PREMIER is a one-channel vintage style microphone-, line- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The line and microphone input and the line output are transformer balanced, using three different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available. The subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern products, a situation that is even more obvious now when music is recorded with clean sounding digital audio equipment.The circuit used in the PRE-73 DLX PREMIER is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.

610 €
12 Interest Free Instalments 50,83€ / month
Upon Order

Definitive British Preamp/EQ, Enhanced Neve 80 series consoles defined the sound of 1970s rock 'n' roll; their original 1073 preamp and EQ modules wrote the book on characterful mic preamplification and punchy equalization. Introduced later in the decade, the 1084 included several enhancements under the bonnet, most notably selectable HF frequency centers and a lowpass filter. Done up in classic RAF blue-gray livery, the BAE 1084 Rackmount nails the authentic sound of the vintage modules, using the same hand-wired, transformer-coupled Class A design and original-spec components like Carnhill St. Ives transformers, Elma switches, and Canford wire. With 80dB of gain on tap, the 1084 lets you capture subdued sources with your favorite ribbon mic. Cranking preamp gain enhances your tracks with tasty vintage-style coloration. The 1084 is fitted with concentric highpass and lowpass filters to curtail undesirable frequency extremes that could mar an otherwise perfect performance. And the 1084's renowned 3-band EQ section can enhance anything. The BAE 1084. Take it from Sweetwater: this is the stuff of legend. BAE 1084 Rackmount Features: All Class A, hand-wired transformer-coupled design 80dB of gain on tap handles low-out ribbon mics Highpass filter: Off, 50Hz, 80Hz, 160Hz, and 300Hz Lowpass filter: Off, 6kHz, 8kHz, 10kHz, 14kHz, and 18kHz 3-band EQ section HF: +/-16dB shelving, selectable center frequencies at 10kHz, 12kHz, and 16kHz MF: +/-18dB peaking, fixed Q, selectable center frequencies at 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, and 7.2kHz LF: +/-16dB shelving, selectable center frequencies at 35Hz, 60Hz, 110Hz, and 220Hz Handles line-level inputs for added versatility High-impedance DI for guitar, bass, synth, and other sources Polarity reverse switch Original-spec components include Carnhill St. Ives transformers, Elma switches, and Canford wire Frequency response: 10Hz-55kHz (-3dB) Mic input impedance selector switches between 1200 and 300 ohms Line input impedance: 10k ohms; DI Input Impedance 150k ohms Output impedance: 65 ohms Common mode rejection ratio: 100dB min at 60Hz Maximum output level: +27.4 dBu at 600ohms Regulated linear power supply runs up to two channels

7.595 €
24 Interest Free Instalments 316,46€ / month
Upon Order

Definitive British Preamp/EQ, Enhanced Neve 80 series consoles defined the sound of 1970s rock 'n' roll; their original 1073 preamp and EQ modules wrote the book on characterful mic preamplification and punchy equalization. Introduced later in the decade, the 1084 included several enhancements under the bonnet, most notably selectable HF frequency centers and a lowpass filter. Done up in classic RAF blue-gray livery, the BAE 1084 Rackmount nails the authentic sound of the vintage modules, using the same hand-wired, transformer-coupled Class A design and original-spec components like Carnhill St. Ives transformers, Elma switches, and Canford wire. With 80dB of gain on tap, the 1084 lets you capture subdued sources with your favorite ribbon mic. Cranking preamp gain enhances your tracks with tasty vintage-style coloration. The 1084 is fitted with concentric highpass and lowpass filters to curtail undesirable frequency extremes that could mar an otherwise perfect performance. And the 1084's renowned 3-band EQ section can enhance anything. The BAE 1084. Take it from Sweetwater: this is the stuff of legend. BAE 1084 Rackmount Features: All Class A, hand-wired transformer-coupled design 80dB of gain on tap handles low-out ribbon mics Highpass filter: Off, 50Hz, 80Hz, 160Hz, and 300Hz Lowpass filter: Off, 6kHz, 8kHz, 10kHz, 14kHz, and 18kHz 3-band EQ section HF: +/-16dB shelving, selectable center frequencies at 10kHz, 12kHz, and 16kHz MF: +/-18dB peaking, fixed Q, selectable center frequencies at 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, and 7.2kHz LF: +/-16dB shelving, selectable center frequencies at 35Hz, 60Hz, 110Hz, and 220Hz Handles line-level inputs for added versatility High-impedance DI for guitar, bass, synth, and other sources Polarity reverse switch Original-spec components include Carnhill St. Ives transformers, Elma switches, and Canford wire Frequency response: 10Hz-55kHz (-3dB) Mic input impedance selector switches between 1200 and 300 ohms Line input impedance: 10k ohms; DI Input Impedance 150k ohms Output impedance: 65 ohms Common mode rejection ratio: 100dB min at 60Hz Maximum output level: +27.4 dBu at 600ohms Regulated linear power supply runs up to two channels

3.895 €
24 Interest Free Instalments 162,29€ / month
Upon Order

Definitive British Preamp/EQ, Enhanced Neve 80 series consoles defined the sound of 1970s rock 'n' roll; their original 1073 preamp and EQ modules wrote the book on characterful mic preamplification and punchy equalization. Introduced later in the decade, the 1084 included several enhancements under the bonnet, most notably selectable HF frequency centers and a lowpass filter. Done up in classic RAF blue-gray livery, the BAE 1084 Rackmount nails the authentic sound of the vintage modules, using the same hand-wired, transformer-coupled Class A design and original-spec components like Carnhill St. Ives transformers, Elma switches, and Canford wire. With 80dB of gain on tap, the 1084 lets you capture subdued sources with your favorite ribbon mic. Cranking preamp gain enhances your tracks with tasty vintage-style coloration. The 1084 is fitted with concentric highpass and lowpass filters to curtail undesirable frequency extremes that could mar an otherwise perfect performance. And the 1084's renowned 3-band EQ section can enhance anything. The BAE 1084. Take it from Sweetwater: this is the stuff of legend. BAE 1084 Rackmount Features: All Class A, hand-wired transformer-coupled design 80dB of gain on tap handles low-out ribbon mics Highpass filter: Off, 50Hz, 80Hz, 160Hz, and 300Hz Lowpass filter: Off, 6kHz, 8kHz, 10kHz, 14kHz, and 18kHz 3-band EQ section HF: +/-16dB shelving, selectable center frequencies at 10kHz, 12kHz, and 16kHz MF: +/-18dB peaking, fixed Q, selectable center frequencies at 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, and 7.2kHz LF: +/-16dB shelving, selectable center frequencies at 35Hz, 60Hz, 110Hz, and 220Hz Handles line-level inputs for added versatility High-impedance DI for guitar, bass, synth, and other sources Polarity reverse switch Original-spec components include Carnhill St. Ives transformers, Elma switches, and Canford wire Frequency response: 10Hz-55kHz (-3dB) Mic input impedance selector switches between 1200 and 300 ohms Line input impedance: 10k ohms; DI Input Impedance 150k ohms Output impedance: 65 ohms Common mode rejection ratio: 100dB min at 60Hz Maximum output level: +27.4 dBu at 600ohms Regulated linear power supply runs up to two channels

3.695 €
24 Interest Free Instalments 153,96€ / month
Upon Order

The Tone Beast now is BLACK !  This great mic pre with loads of gain that can effortlessly capture an array of sources very well. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat its big, bold, fully-professional sound at its price. The Tone Beast is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. Additionally the Tone Beast is customizable and allows for other opamps to be sourced and easily swapped into the unit. I've pulled my best tones from this pre right at the saturation point (as loud as I can push the gain before clipping). The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control. The goal was to make a microphone preamplifier affordable for the first time, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable.   Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear. The TB12 "Tone Beast" is a high-voltage microphone preamplifier, utilizing CineMag USA Transformers. Have no fear of hurting the Beast, you can push it very hard into full-on distortions if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some nice grit. When hand building mic pres I learned a bit about the "subtle" differences component choices can make. A little change here, and another there often times became a huge deal in a finished mix, but often times is not very noticeable at first take. The different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound. Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear. Specifications: Utilizes premium grade CineMag USA Transformers. 71db of gain. Transformer selection provides both Steel and 50% Nickel CineMag output transformers for varying character. Transformer bypass switch allows for removal of the output transformer from the circuit. Discrete Opamp selection allows for choosing between a 1731(vintage) and 918(cleaner) style .opamp.  These are socketed/swappable with your choice of 2520 6 pin footprint opamps. Impedance switch labeled TONE to switch between 150 and 600 ohms input impedance.  Changes the Tone of all inputs (Mic, Line and Hi-Z.). 2 Meg Ohm True HI-Z input on front panel sends instrument signal through entire circuit including both Cinemag Transformers and the discrete operational amplifier. Great for guitars, bass, keyboards and other instruments that have a 1/4″ output jack. Capacitor selection between Tantalum and Electrolytic for different characters. 80hz hipass filter. Polarity Reverse. +48V phantom power. Output attenuation allowing for saturation flexibility of both the opamps and transformers. ¼" insert for the use of inline compressors, eq's etc. Balanced XLR mic, balanced TRS line, and ¼" instrument inputs. -20db Pad. LED VU Meter. Compatible with standard 500 series racks.

544 €
12 Interest Free Instalments 45,33€ / month
Upon Order

HIGH FIDELITY 8 CHANNEL MIC PREAMPLIFIER In 1994 we released the Model 801 microphone preamplifier, which was the first production model for Grace Design. It set a new standard of sonic quality and reliability for microphone preamplifiers, providing much better performance than the built-in circuits in the recording consoles of the day. It featured independent circuit boards for each channel, gold contact rotary gain controls wired with precision metal film resistors, a musical sounding transimpedance (current feedback) gain stage, gold contact sealed relay signal switching, and there were NO electrolytic capacitors in the signal path. 12 years later, we released the next generation of this preamplifier, renamed the m801, which refined the design features of the previous version, and added a fully differential signal path and Ribbon Mic mode, which optimized the signal path for low output ribbon microphones. Now 20 years later, the next generation is here, now named the m801mk2. Newly designed amplifier circuitry adds to the features of the previous versions while significantly improving noise performance at low gains, increasing low frequency bandwidth for improved phase response, improving RFI/EMI immunity for today’s ever noisier world, and eliminating the external DC power supply for a cleaner, simpler design. Today’s modern recording studio is invariably loaded with incredible sonic processing capability, making the opportunity to add great sounding color routine. But capturing the magic at the front end is still the job of skillfully designed analog hardware, for which there is no substitute. This makes our preamps more relevant than ever. If your source sounds great and your mic is plugged into the m801mk2, you’ll be rewarded with a recording of breathtaking depth and realism. If you choose to color it up from there, you’ll be starting with the best possible raw material you can get. THE GRACE DESIGN EON AND STANDARD WARRANTIES We back up everything we make with either our unrivaled 20 year EON limited warranty, or the 5 year standard limited warranty. These represent the best coverage in the business and prove our commitment to the quality, serviceability and long term value of Grace Design products.

3.999 €
12 Interest Free Instalments 333,25€ / month
Upon Order

The dBooster has two gain settings, 12 dB and 20 dB, allowing you to dial in just the right amount of in-line gain for your different singers and instruments. The 20 dB setting gives loads of clean boost for recording soft instruments and singers, but when your singer is wailing or you use the dBooster on high volume instruments like electric guitar, switch it down to 12 dB to keep from overloading your preamp or digital interface.  The dBooster’s Class A input stage delivers crystal clean gain with virtually no noise or self-distortion. The dBooster’s low-impedance output keeps things clean in the studio and also shines on live stages, driving long cable lengths and difficult loads like mic splitters and vintage-style preamps with no loss of gain, no increased distortion, and excellent headroom. The dBooster gives excellent results with Royer R-121s, R-10s and stereo SF-12s. It also smokes on SM7s and other dynamic mics! The dBooster is built in the USA and ships from our Burbank headquarters. Features: Switchable 12dB/20dB gain Ultra-low noise, ultra-low distortion Class A input stage Safe for use on all ribbon mics Wide frequency bandwidth Retains sound quality on long cable runs Maintains headroom and gain regardless of load ​

320 €
12 Interest Free Instalments 26,67€ / month
Upon Order

First Eight-Channel Microphone Preamplifier featuring 120V TechnologyThe Crescendo is the first microphone preamplifier which operates with an internal operating voltage of 120V. Making it absolutely unique, because with the 120V Technology it is nearly impossible to overdrive this preamplifier. The Crescendo excels with absolute signal fidelity and clarity. Rediscover your microphones, they have never been amplified like this.SUPRA op-amp Thanks to the discrete buildup with our proprietary high-voltage amplifiers, the SPL SUPRA op-amps, and thus a possible internal operating voltage of +/- 60V (120V Technology), the Crescendo provides unprecedented technical performance data. Crescendo is capable to amplify even the fastest transients, the finest details and the complete frequency range, clean and almost without any distortion.Use the Mic Gain for the setting of the pre-amplification. You can control a range from 18dB to 70dB. For high-level signals, which do not need to be amplified that much, you can use a PAD with -20dB. Thus the control range of the amplification is shifted to -2dB to 50dB.In and Output StagesThe differential amplifiers in the input stage are built-up with transistor pairs, consolidated in in a special housing. A precise matching of the transistors as well as thermal coupling guarantee a high common mode rejection and extremely low THD values. The choice of transistors and electrical resistors has a massive impact on the sound. Within countless listening sessions, the perfect components for the Crescendo were chosen – It was well worth the effort!ServoThe discrete op-amps of the output stage are able to drive long cable paths without any problems. The output stages operate as current amplification, which, with 6mA quiescent current, also provide mere Class A operation. We almost completely renounced to use coupling capacitors, to avoid their sonic disadvantages (diffuse, blurring, loss of dynamics ). However, to eliminate DC voltage, active servo circuits are used.

3.880 €
36 Instalments 133,95€ / month
Upon Order

Borrowing the same award-winning microphone preamplifiers found on their 744T digital portable interface, the Sound Devices USBPre 2 provides one of the highest quality portable interfaces available for both Mac and Windows computers. The USBPre 2 is equipped with a pair of fully discrete, transistor-based XLR inputs and impressively lucid 24-bit converters that are capable of up to 192kHz sample rates.Additional inputs for line-level sources and consumer audio electronics, as well as S/PDIF optical Toslink digital devices are also available. A 23-segment, multicolor LED meter provides you with the essential feedback you need to keep an eye on your levels, and are an invaluable asset when using the USBPre 2 as a standalone preamp and A-to-D converter.The MM-1 is at home in high-definition television production, corporate/industrial environments, radio/television announce booths, and music production.Its headphone monitor is an advantage in applications where communications channels or mix-minus feeds need to be monitored in headphones. The user can monitor both microphone audio and external audio sources in headphones with level control. The MM-1 is designed to be durable. Its aluminum chassis, oversized end panels, machined knobs, and panel mounted connectors assure reliable mechanical operation.Sound Devices’ MM-1 is a single-channel, portable microphone preamplifier with a powerful headphone monitoring function. Proven in mission-critical applications, the high-performance microphone preamplifier uses a transformer-balanced input and output with a bipolar ±15 volt power supply to produce low-noise, low-distortion gain at all switch positions. It features an “unclippable” dual-stage limiter and two-position high-pass filter. Flexible microphone powering provides phantom power at 48 volts or 12 volts and 12-volt T-power. It is powered from two-AA batteries or external 5-17 VDC, such as via the PIX-E PSU.Features:Maximum of 66 dB of gain, in eleven discrete stepsDynamic range exceeding 120 dB10 Hz to 50 kHz audio bandwidthHigh immunity to RF interferenceHigh current line output driverTransformer-balanced input and outputExtended range peak limiter via dual opto-isolators makes preamplifier virtually “unclippable”Selectable 48-volt / 12-volt phantom power or 12-volt “T” powerHigh-pass filter @ 80 or 160 Hz, 6 dB per octaveHeadphone monitoring of microphone audio, monitor audio, or a mix of bothMonitor input accepts mono, balanced or unbalanced line-level inputs on 1/4-inch tip-ring-sleeve connectorSeparate level control of Monitor gain and overall headphone gainSplit ear function via DIP switchesInternal battery power (two-AA)Excellent battery life with alkaline and NiMH rechargeable batteriesExternal 5-17 VDC poweringHigh-strength aluminum chassis with durable belt clip   

693 €
36 Instalments 23,92€ / month
Upon Order

The 1073 Legend Lives in Warm Audio's Splendid WA73-EQThe legendary 1073 wrote the book on characterful mic preamplification and EQ. These venerable circuits helped define the punchy sound of '70s rock — and countless recordings and live concerts ever since. Today, this coveted tone can be yours for a song, with the Warm Audio WA73-EQ mic/line/instrument preamp. In both design and performance, the WA73-EQ pays homage to the revered British console lineage that started it all. Throughout the audio industry, the 1073 is considered the holy grail of preamps and EQs, with a rich, sweet, and bold tonality that's ideal for making audacious statements with your music. After years of R&D, painstaking reverse-engineering, and countless hours of listening, Warm Audio captured the sonic essence of this classic perfectly in their boutique WA73-EQ. With 80dB of gain and a fully discrete transformer-balanced signal path, the sound is a revelation: harmonically rich bottom end, focused midrange, and slightly resonant highs.Handcrafted with top-quality parts Boasting weapons-grade build quality with discrete, handwired Class A circuits and top-drawer parts such as UK-made Carnhill transformers and Blore Edwards mil-spec, dual-concentric switch pots, the WA73-EQ has 80dB of gain on tap so you can capture subdued sources with your favorite ribbon mic. Your ribbons and condensers will sound heavenly; you'll even be gobsmacked when you hear how authoritative your dynamic mics sound. Cranking the input stage and backing off the output gain enhances your tracks with tasty vintage-style coloration. Topping off the feature set is an instrument jack, polarity reverse, 48V phantom power, and switchable impedance for tonal variation and to optimally match a variety of microphones.Optimize every source — and microphone There is no source that doesn't sound amazing through the Warm Audio WA73-EQ. With judicious mic selection and placement, drums are larger-than-life; DI bass and keyboards sound massive and synths become trance-inducing; electric guitars soar; vocals rule. Pianos and acoustic guitars are resplendent. Orchestral instruments — strings, woodwinds, brass, and percussion — achieve ineffable lushness and dimension. You can even use the WA73-EQ as a tone-shaping tool to run stems or complete mixes through. Hear what the WA73-EQ can do for your own recordings. It's transformative.Definitive British EQ The EQ section of the WA73-EQ adheres to the classic 1073 circuit topology. The vintage 1073 is the holy grail of EQ, and the WA73-EQ nails its sonics and behavior (complete with its fabled harmonic distortion). It's a three-band affair, with HF shelving at 10, 12, and 16kHz; midband peaking with selectable center frequencies at 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, and 7.2kHz; and LF shelving, selectable at 35Hz, 60Hz, 110Hz, and 220Hz. A highpass filter, selectable at 50Hz, 80Hz, 160Hz, and 300Hz, lets you trim your signals of unwanted low end. If you've never worked with a 1073-style EQ before, all we can say is: you're in for a serious treat. It's worth noting that the original 1073 offered only a fixed 10kHz shelf, and the additional high-frequency flexibility afforded by the WA73-EQ is most welcome.UK Custom Carnhill transformers 1073-loving engineers at Sweetwater perk up when the conversation turns to the component history of these classic circuits, and signal transformers are a frequent topic of discussion. Vintage 1073s used different transformer variants throughout their production run; but the most coveted were the very first ones made by Marinair Radar, due to their fluid and forgiving nature that saturates sweetly when pushed. They have been known to bring engineers to tears when they hear how gorgeous their mixes sound through them! Warm Audio turned to Carnhill Transformers of Cambridgeshire, UK, to design meticulous replicas of these most desirable early 1073 transformers. The results are stunning, and — to our ears — tantalizingly close to early vintage 1073s.Warm left no stone unturned A vital yet not-often-discussed component of these classic British circuits is the different types of capacitors and output transistors used. To maintain the integrity of the original circuits, Warm decided to use high-quality tantalum and polystyrene capacitors in the signal path and an output transistor choice that delivers smoother results at higher gain settings than what is commonly found in today's 1073-style preamps. All considered, Warm Audio's monumental effort to design a no-compromise product has paid off handsomely. You'll appreciate this every time you plug into the WA73-EQ and hit record.Warm Audio WA73-EQ Mic/Line/Instrument Preamp and EQ Features: Handwired and hand-assembled, single-channel 1073-style preamp/EQFully discrete, Class A, transformer-balanced circuitryUK-made Carnhill Transformers80dB of gain handles any type of microphone, including low-output ribbonsResistor-stepped rotary gain switch for easy recallTone button changes input transformer impedance for mic optimization and tonal shapingPolarity switch48V phantom power4-position inductor-based highpass filter, selectable for Off, 50, 80, 160, or 300HzInductor-based 3-band equalizationLow-band boost/cut at 35, 60, 110, or 220HzMid-band boost/cut at 360, 700, 1600, 3200, 4800, or 7200HzHigh-band boost/cut at 10, 12, or 16kHzAdditional high-band frequency EQ points added (compared to vintage 1073)XLR mic inputLine-level TRS inputTS Send/Receive insert jacksXLR and TRS line-level outputsDI instrument inputOutput level controlLED level indication meterRugged 19" rackmount chassisGround lift switchInternal IEC 115V/230V power inlet

599 €
12 Interest Free Instalments 49,92€ / month
Upon Order

Digital perfection and analog detail in the most elegant portable clock on the market. For over a decade now Antelope Audio has been setting new standards in the studio master clocks market.Our portable audio master clock, the LiveClock, is unique in terms of size, sound quality and price. Packed in a robust aluminum case with a lockable touch screen, it fits perfectly into a FOH console dog house. With the additional rack ears is taking up just 1U space it’s a breeze to set it in the rig.Designed to perfectly suit any live sound set up, this portable clock carries the signature Antelope sound.The competitive price and elegantly small footprint make LiveClock the perfect choice for all location recordists, home studio producers or traveling artists.The LiveClock utilizes the same clocking technology, therefore sounds as amazing as Antelope’s legendary Trinity or latest OCX HD master clock. LiveClock supports up to 192 kHz sample rate, distributed via four Word Clock outputs on BNC and two pairs of AES/EBU and S/PDIF outputs.The unit allows simultaneous clocking of multiple devices, providing the perfect synchronization of either a large live rig or a contemporary studio set up. A 10 MHz input for connection with Antelope’s 10MX or 10M offers even greater stability and sound quality. LiveClock is extremely easy to configure via the sleek front panel touch buttons. The convenient ‘Panel Lock’ function prevents sampling rate changes during a session or live show. All aspects of the device are easily operated via the OS X and Windows compatible Software Control Panel.Features:Includes Antelope Audio’s legendary jitter management algorithm192 kHz sample rate, 4 WC outs on BNC and 2 pairs on AES/EBU & S/PDIFA breeze to fit in your FOH console dog house or rackSpecifications:Sample Rate: Up to 192kHzClock Inputs: 1 x wordclock (BNC), 1 x 10M atomic clock (BNC)Clock Outputs: 4 x wordclock out (BNC)Other I/O: 2 x XLR (AES/EBU), 2 x Coax (S/PDIF), 1 x USB Type BRack Spaces: 0.5U 

935 ,8 €
36 Instalments 32,31€ / month
Upon Order

Manley designed the Core reference channel strip so that you can hit record and focus on your performance, not your signal chain. It sports the quality, performance, and flexibility their VOXBOX is known for, at a price that makes it accessible to any serious artist or engineer. You get a world-class Manley mic pre, followed by a 3:1 ELOP style compressor for effortless dynamic control. Engineers at Athens Mastering are ecstatic over the active Baxandall EQ, and a fast attack FET brickwall limiter at the end of the chain protects your converters from accidental clipping. Even if you plug right in without tweaking a single knob, you're sure to get an amazing sound.Manley Core Reference Channel Strip Features:Easy to use and awesome-sounding channel strip based on the award-winning VOXBOXClass A tube mic preamplifier with Manley's hand-wound transformersDirect input uses the same circuit as the Manley SLAM! for fantastic direct-instrument recordingsELOP compressor with 3:1 ratio tames any signal transparentlyBaxandall EQ with low/high shelving and sweepable mid for flexible sonic sculptingFast attack FET brickwall limiter ensures you don't clip your converters during recordingFlexible metering can display input, output, and compressor gain reduction levels 

2.790 €
36 Interest Free Instalments 77,50€ / month
Upon Order

In any audio device, the power supply is a significant contributor to sonic success or failure. In tube microphones this is even more so than anywhere else. The MP1 allows you to realise the full potential of your treasured vintage or contemporary tube mic. Hear your mike as never before.“The MP1 allows you to realise the full potential of your treasured vintage or contemporary tube mic”The 'MP1 | Grimm' re-writes the book on tube mic supplies. Drawing from the extensive expertise gained designing the supplies used in the AD1 and CC1 products, the MP1 uses discrete voltage regulators, a shunt regulator for the anode supply and a high precision series one for the filament supply. The anode supply offers noise as low as-100 dBV (in average 20 dB beter than existing supplies) and the 'shunt' design turns the regulator into an active decoupling device, eliminating electrolytics. Voltages are factory pre-set to match the customer's microphone specs.Stylish, compact and practical, the MP1 fits well on any recording stage.Features:ultra-low noise high voltage supplylarge isolation from mains disturbanceshunt anode voltage regulatorhigh precision filament supplytwo MP1's combine to a 1U 19" unitwith or without polar pattern controlpresets for every type of tube microphone* 

1.560 €
24 Interest Free Instalments 65,00€ / month
Upon Order

The PRE-73 DLX is a one-channel vintage style microphone-, line- and instrument preamplifier.The signal path uses only discrete components like resistors, capacitors and transistors. The line and microphone input and the line output are transformer balanced, using three different transformers, each one optimized for its purpose.This is the way audio components were built before integrated circuits became available. The subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment.The circuit used in the PRE-73 DLX is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres.The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.The PRE-73 DLX has a number of improvement and new features compared to the PRE-73 MKII:- Tantalum capacitors in the signal path.- Selectable 1073-style high pass filter, 50Hz, 80Hz, 160Hz and 300Hz.- Output Attenuator -7, -14, -21 and -28 dB (located after the output transformer) allows overdriving the output stage and the output transformer for added character by lowering the output signal to a suitable level.- The circuit board is prepared for Carnhill Mic and Line transformer and high pass inductor.- The Insert jack can be switched in/out from the front panel. An internal jumper can select that the Insert jack always has an output signal.- Switchable 600 ohm Output Termination and Ground Lift on the back panel.- Selectable Active or Passive DI input and selectable input impedance in active mode, Hi Z or 100 kohm, by internal jumpers.- The DI can signal can be selected to pass or bypass the mic input transformer by internal jumpers.- Relays are used to control internal switching for DI input, Phantom power, Mic Low Z, Insert and Phase for shorter circuit board signal paths. The relays are controlled by front panel switches.- Revised gain switch for added headroom.- Circuit board star grounding scheme.- Revised power supply with separate regulators for the audio circuits and relay and LED circuits.

397 €
12 Interest Free Instalments 33,08€ / month
Upon Order

High fidelity 500 series microphone preamplifier module Presenting the m501, our 500 series module version of the venerable m101 mic preamplifier. Now the signature transparency and detail of our circuit designs is available for your 500 series frame. While the 500 series market has plenty of colored mic preamplifier options, the natural, musical clarity of the m501 makes it a welcome addition to the field. This circuit is for engineers confident with the quality of the source, mic section and placement, and wish to capture it with as little coloration or distortion as possible.The m501 module is a balanced, transformerles preamplifier, with 48V phantom, a 75Hz HPF and a 1/4” HI-Z instrument input.Also standard is our exclusive ribbon mic mode, which raises the mic input impedance, bypasses the input decoupling capacitors and deactivates 48V phantom to protect delicate ribbon mics from damage.Large diaphragm, vintage ribbon or trusty dynamic - the m501 brings out the very best in any microphone and takes the guesswork out of your input chain. Stay tuned for complete details.

830 €
12 Interest Free Instalments 69,17€ / month
Upon Order

The A2D represents a landmark achievement for API; it is the first product ever produced by the company with an integrated digital output. Recognizing the desire for a high quality solution to raise microphone signals to a workable line level, we engineered one of our most popular mic preamp designs into an enclosure with our new proprietary analog to digital conversion. The result is a complete package - a pair of superb mic preamps feeding an A/D section with a set of standard digital interface outputs, multiple sample-rate choices, and internal or external clock options. Precise control of both the analog gain as well as the level feeding the digital section means that the mic signal can be maintained super-clean if desired, or driven harder on the analog side for that whallop and impact that can only be achieved by driving the transformer into saturation for that historic API sound! The A2D analog section consists of the circuitry contained in two API 312 mic preamps, or one half of the popular 3124 quad mic preamp rack product. A level control pot with an expanded 20-segment metering system shows precise mic gain levels. Control switches include polarity, 48v phantom power, input pad, 2:1 transformer routing, and Mic/Line select. Each analog input contains a balanced low-level XLR connector and a high-level line input on a 1/4 inch jack.      FEATURES A pair of signature 312 mic preamps API 2520 op amps 20 Segment LED metering on both Analog and Digital sections Mic and Line inputs Polarity, Phantom power, Input pad, 2:1, and Mic/Line switches 6 sample rate choices External Super Clock Input Multiple A2D units can be slaved together Insert point provided between Analog and Digital sections

2.495 €
12 Interest Free Instalments 207,92€ / month
Upon Order

The m802 is not just in a class of its own, it is an entirely different species. Arguably the worlds most evolved mic preamplifier, the m802 delivers functionality and performance which simply does not exist in any other mic amp design. The core is a high fidelity 8 channel microphone preamplifier designed to be extremely transparent and musical. Then the fun begins. The m802 is fully remote controllable. With our full featured stand alone hardware RCU, up to 64 channels (a system of 8 m802s) can be addressed and controlled seamlessly from up to 1000 away. All preamplifier functions, including gain, phase, 48V phantom are instantly accessible and adjustable. These settings can then all be stored into preset locations and instantly recalled.        FEATURES fast, musical transimpedance amplifier architecture fully balanced, transformeless design flexible digital metering with peak hold and reset controllable from Digidesign ProTools|HD systems and compatible control surfaces (and many other MIDI devices) 130V phantom power available, per channel pair, for DPA microphones dual high-current outputs (XLR+D-Sub) drive long cable runs and loads down to 50 Ohms fast, efficient Philips I2C serial protocol to control preamplifiers from up to 1000 feet away gain range of -7dB to +63dB in 1.5 dB steps new selectable ribbon mic mode channel group mode (perfect for stereo pairs, subgroups) RCU able to address up to 8 units (64 channels) from up to 1000 feet away front panel lockout mode large white backlit LCD display 15 User preset memory locations, for saving preamplifier settings (gain, phantom power, phase) A/D outputs include 2x8ch AES3 on DB25, 1x8ch AES3-id on 4 BNC connectors (supports double wire mode) optional ADAT Lightpipe output with SMUX for 96kHz s-LockTM dual stage PLL for extremely low jitter without sample rate conversion wordclock in and out

6.250 €
12 Interest Free Instalments 520,83€ / month
Upon Order

The Scarlett OctoPre Dynamic comprises eight natural sounding, low noise preamps with plenty of gain; eight line inputs and two high headroom instrument inputs, coupled with high quality digital  conversion to ADAT format. You can now expand your studio set-up or live rig by adding Focusrite quality mic preamps and conversion to any interface with ADAT I/O.The Scarlett OctoPre Dynamic has both digital and analogue outputs: in addition to dual ADAT optical ports it also provides a balanced line output from each channel, enabling you to connect it directly to any analogue device.Features:8-channel mic/line preamp expansion with ADAT I/O8 x 2nd-generation Scarlett mic/line presPer-channel soft-knee VCA compression8 line outputs: fed directly from the mic inputs or sourced from ADAT inputUp to 24-bit/192kHz AD/DA for high-resolution audioADAT I/O to expand any ADAT-equipped interfaceMic pres and rear-panel instrument inputs engineered with generous headroom5-segment LED metering and channel clip indicators48-volt phantom power available across all inputs (switchable: 1-4, 5-8) 

649 €
36 Instalments 22,41€ / month
Available in warehouse

The DN-312X is a 1U rack-mounted 12-channel mixer that can solve countless audio challenges. It features 6 mic/line combination inputs (HDHQ™ Denon-Marantz proprietary mic pre’s) each with switchable phantom power and 6 additional line-level inputs. It has balanced XLR outputs, a 1/4-inch (6.3mm) mono output that can be used to connect the DN-312X to a remote mixer, a pair of RCA stereo outputs to connect to a remote recording device, and 1/4-inch (6.3mm) mic monitoring port that can be used to monitor the mics’ signals. The DN-312X provides individual level control for all inputs in addition to level control for the mono output port and a master level control. Rounding off the feature set, It has a 3-level equalizer and a controlled priority for Mic/Line 1. It can be powered from standard AC or a 24V DC power source, inviting it to be used in a variey of applications; everything from a classtroom to a tour bus.Features:6 HDHQ™ Combination inputs with MIC, Phantom and Line selector switches6 mono (3 stereo) RCA InputsMic monitor 1/4” output for private listening of all mic inputsBalanced XLR line outputsMono 1/4” line output can be used to feed audio to external recording deviceAC or 24V DC power inputsMic 1 Priority ControlMaster and Individual level controls1U rack mountable

186 €
36 Instalments 6,42€ / month
Available in warehouse

Audiophile Vacuum Tube Preamplifier with Preamp Modeling Technology and USB/Audio Interface. Tubes can really warm up a signal fast, giving it depth and character. Though transistors have succeeded the technology, many musicians agree that tubes deliver a far superior sound. The TUBE ULTRAGAIN MIC500USB’s handselected 12AX7 vacuum tube gives everything from microphones to acoustic or bass guitars that vintage tube vibe – in a dependable and ultra-affordable package.  The MIC500USB is perfect for studio and live applications. The balanced XLR and ¼ " TRS inputs give you maximum flexibility in either scenario. It derives its personality from a hand-selected 12AX7 tube with UTC technology for superior tube character and low-noise operation. The MIC500USB is ideally suited for use with standard digital recorders and sound cards, imbuing signals with the warmth, presence and classic tubecompression that will bring your digital tracks to life.The incredible MIC500USB’s controls consist of: switches for +48 V phantom power, 20 dB pad, Phase Reverse and Limiter; plus vintage-style Gain and Output knobs. An 8-segment LED meter provides accurate monitoring of output levels. And when used as a high-end DI (Direct Injection) box in the studio or on the stage, the MIC500USB delivers flawless performance and outstanding signal integrity.Features:Ultra-flexible Preamp Modeling allows you to optimize your recordingsChoose between 16 preamp voicings designed for electric and acoustic guitars, keyboards, bass guitars, drums, vocals and moreBuilt-in USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.comPowerful Phones output with Level control and Direct Monitor selectHand-selected 12AX7 vacuum tube with UTC technology for exceptional warmth and lowest noiseEnsures outstanding signal transparency when used as a high-end DI-boxSophisticated output limiter prevents the output signal from clippingDedicated low cut filter eliminates unwanted noise, e.g. floor rumble+48 V phantom power, Phase Reverse switch and 20 dB Pad for utmost flexibilityHighly accurate 8-segment LED level meterBalanced inputs and outputs on ¼" TRS and XLR connectors3-Year Warranty Program*Designed and engineered in Germany​ 

100 €
36 Instalments 3,45€ / month
Upon Order

Scarlett OctoPre gives you eight additional inputs. It's the ideal way to expand your Scarlett - or any other interface with an ADAT input.Scarlett OctoPre features eight 2nd Generation Scarlett mic inputs - balanced line inputs too - all running through Focusrite precision 24-bit conversion at up to 192 kHz resolution with 109dB dynamic range.Two high-headroom instrument inputs will handle high output guitar pickups and are right there on the front panel for easy access. With high-headroom inputs and a pad on every channel, Scarlett OctoPre is ideal for tracking drums as well guitars, keyboards, vocals - and more.Eight balanced line outputs, sourced directly from the inputs allow Scarlett OctoPre to be used in a live situation whilst capturing the recording via the digital ADAT output. ADAT is a simple and easy way of expanding your analogue inputs. ADAT uses inexpensive "light-pipe" optical cables to carry up to eight channels of audio. Just connect the ADAT output on the OctoPre to the ADAT input on your interface, set your sample rate and clock source and you're ready to go. ADAT input is available on many Focusrite and third-party interfaces.If you need more inputs as well as more outputs check out the Scarlett OctoPre Dynamic - everything you see here, plus eight channels of pristine D-A conversion and analogue compression on every input. It might be just what you're looking for.​

424 ,9 €
36 Instalments 14,67€ / month
Available in warehouse

MP32 is a 32-channel console-grade microphone preamp with integrated software remote control and Antelope Audio's exciting new approach to analog circuit design. The rave reviews shared by several top audio engineers regarding the quality of the 12 mic preamps in our portable audio interface Zen Studio urged us to expand further and create a 32-channel mic preamp housed in only two rack spaces. We designed MP32 to be a perfect match for our top-selling audio interface Orion32, this way ensuring a full transparency of the sound and complete integrity of the signal via the whole chain, from the mic pres through the conversion, recording and playback, all of them characterized by the signature Antelope sound. The combination of the Orion32 and MP32 — totaling just 3U in rack space — make it a perfectly suited solution for studios and live recording where rack space can be a precious commodity.        Exceptional clarity, transparency and dynamics    MP32 features 32 class-A mic pres with phantom power, 32 line inputs, of which 4 can operate as Hi-Z instrument inputs. All inputs are XLR combos on the front panel of the MP32.MP32's mic preamps are open and transparent, yet designed to maintain both signal clarity and sonic realism consistently throughout the recording process. The MP32 offers excellent headroom and up to 68 dB of gain in 1 dB steps, more than enough to power even the most demanding ribbon mics, while maintaining ultra-low THD+N (-110.5 dB). A user-friendly control panel for Mac or Windows allows for easy remote management of the device’s input types and mic gain levels. The intuitive software control panel provides fast set up and easy fine-tuning of individual mic preamp gain, as well as the independent assignment of phantom power and mic/line/hi-z switching. Complex gain structure and preamp settings are made incredibly simple by the user-defined presets, just a mouse click away. In addition, individual V/U style metering allows for instant signal confirmation at a glance of the software. 

3.295 €
Interest Free Instalments 549,17€ / month
Upon Order

Excellent signal/noise ratio, lowest harmonic distortions and wide gain range make the QuadMic II a first choice for superior studio recordings. QuadMic II is battery powerable and thus excellent for remote applications. Each of the 4 channels features balanced microphone and line inputs with Neutrik XLR/TRS combo jacks, switchable 48V phantom power, phase reversal and a low cut filter.All channels are also equipped with LEDs for signal presence, clip state, and activated phantom power. The input amplification can be set from 6 to 60 dB. The balanced line level output signals are provided on the rear of the unit as four 6.3 mm (1/4') TRS jacks. A maximum balanced and unbalanced output level of +21 dBu makes the QuadMic II fully compatible to RME's converters and interface series having analog inputs.The QuadMic II complements any RME system with line inputs by adding external microphone inputs. Since the unit runs on supply voltages from 9 to 18V DC, it can operate on virtually any power source available, including batteries and rechargeable batteries.

555 €
36 Instalments 19,16€ / month
Upon Order

FLAMINGO, is a high quality two channel discrete class A microphone pre-amp. It can be operated as a musically transparent pre-amplifier, but is capable of emulating vintage sounds as well as creating distinctive new ones.The input gain is selected by a stepped switch for gain matching and repeatability. This is followed by a continuously variable attenuator to provide gain trim. Gain is adjustable in 6 db steps to 66 db gain and down to off by the attenuator. Each channel has independently switchable phase and phantom power switches. FLAMINGO also contains a two channel 22 element VU meter with an over load indicator to allow accurate monitoring and ease of level adjustment.Unique to FLAMINGO are three switches that allow the user to select different sounds; these are the IRON, SOUND and TONE switches. The SOUND switch changes the type of amplifier and the IRON switch puts iron in the audio path. The TONE switch, a 3 position switch, allows for standard - (the original Flamingo sound) when the switch is in the center position, when moved to the right, Flamingo operates as a transparent preamp, and when the switch is in the left most position, it has more color. Needless to say, by using these switches FLAMINGO can produce many different combinations of sounds.Also added to Flamingo is an input impedance switch. Providing 2 choices, the first is the original Flamingo; the second is to match large diaphragm condenser mics as recommended by David Bock, of Bock Audio. It also has transformer-less balanced inputs and outputs. FLAMINGO is designed to be flexible and give the user a tool to solve real world recording, broadcast, and sound reinforcement problems. It can provide an artistic choice of sounds at the flip of a switch.

2.999 €
36 Instalments 103,54€ / month
Upon Order

SYREN is a classic sounding tube preamp in a 500 series package, using a dual triode circuit with a 12AX7 tube SYREN features a dual gain stage circuit and allows overdrive effects.A switch selectable HI-z input is included.  The low cut filter is at 90 Hz and is 24 db/ octave.  The pad has -15 db and -25 db settings to allow a wide input range of signals.The audio path color is changed by modifying the second stage tube circuit so it has negative feedback or does not have negative feedback.  This changes the interaction between the tube stages and thus the sound of the pre-amp.  With negative feedback it is a more accurate audio path with wider frequency response and without negative feedback it has a more open warmer sound.

1.375 €
36 Instalments 47,47€ / month
Upon Order

The new BEHRINGER ULTRAGAIN DIGITAL ADA8200 is sublimely easy to operate, fits neatly into a single rack space, and thanks to its MIDAS-designed Mic Preamps and integrated A/D and D/A converters you’ll get optimal signal conversion—without the slightest hint of distortion or signal deterioration! The ULTRAGAIN ADA8200 is the professional’s edge.The ADA8200 builds on the proud legacy of our ADA8000, which is one of our all-time, best-selling products. Now, you’re probably thinking, “If they sell so many ADA8000s, then why are they changing them?” The short answer – we improved it, by upgrading to reference-class Cirrus Logic converters and MIDAS-designed Mic Preamps, making the ADA8200 the natural choice for musicians and audio engineers alike.Signal conversion in the ADA8200 takes place at either 44.1 or 48 kHz with 24-bit resolution. The ADAT inputs and outputs can be operated independently, as long as there is an identical wordclock signal. Frequency range is an ultra-wide 10 Hz - 24 kHz at a 48 kHz sampling rate. Connections are provided for balanced XLR and ¼" TRS, as well as unbalanced ¼" TS inputs. XLR line out connectors located on the rear panel provide either balanced or unbalanced connectivity. Digital I/O is handled via ADAT format TOSLINK optical sockets, which support up to 8 channels of data.

248 €
36 Instalments 8,56€ / month
Upon Order

The MIC2200 is perfect for studio and live applications. The balanced 1/4" TRS and XLR inputs and outputs give you maximum flexibility in either scenario. It derives its personality from a hand-selected 12AX7 for superior sonic character and low noise operation. The MIC2200 is great for adding a bit of “spice” to the sound of standard digital recorders and computer soundcards. And thanks to onboard +48 V phantom power, it can also add warmth to condenser mics.For further tone conditioning, the MIC2200 features a fully parametric EQ with adjustable center frequency, bandwidth and level per channel. Channels also feature a phase reverse switch. Tubes can really warm up a signal fast, giving it depth and character. The two-channel BEHRINGER PRO MIC2200 injects your sound with this timeless tone in preamp, line driver and DI box applications.

166 €
36 Instalments 5,73€ / month
Upon Order

Tubes can really warm up a signal fast, giving it depth and character. Though transistors have succeeded the technology, many musicians agree that tubes deliver superior sound. BEHRINGER's TUBE ULTRAGAIN MIC100 gives anything from microphones to acoustic or bass guitars that vintage tube vibe in a dependable, affordable package.The MIC100 is perfect for studio and live applications. The balanced 1/4" TRS and gold-plated XLR inputs and outputs give you maximum flexibility in either scenario. It derives its personality from a hand-selected 12AX7 tube with UTC technology for superior tube character and low-noise operation. The MIC100 is great for eliminating the "dull" sound of standard digital recorders and sound cards. And thanks to onboard +48 V phantom power and 20dB pad, it can also add warmth to condenser microphones. When used as a high-end DI box, you get outstanding signal integrity.Two cool vintage-style knobs control gain and output. There's also a switch for phase reverse and a limiter to prevent overloading the MIC100. An 8-segment LED meter provides accurate monitoring of output levels.  Specifications:XLR input Connector: Balanced/unbalancedType: Transformerless, DC-decoupled inputImpedance: Approx. 2 kOhmsMaximum input level: +7 dBu / 20 dB with pad1/4 in. TRS input Connector: Balanced/unbalancedType: Transformerless, DC-decoupled inputImpedance: Approx. 1 MOhmsMaximum input level: +16 dBu / 20 dB with padAudio outputs Connectors: XLR and 1/4 in. TRS connector balanced/unbalancedType: Transformerless, DC-decoupled outputImpedance:Approx. 700 Ohms balancedApprox. 350 Ohms unbalancedMaximum output level: Approx. +26 dBu  100 k§System Frequency Response Mic input:

45 €
36 Instalments 1,55€ / month
Upon Order

Avalon V5 Silver, 1 channel pre-amp, high-voltage design, Pure Class A, multi-purpose instrument, line and microphone pre-re-amplifier, low noise, high-gain, Pure Class A, microphone preamplifier with dual impedance ideal for ribbon-dynamic and high level condenser microphones, 10 meg.Ohms instrument DI input with zero impedance loading. Ideal for sensistive acoustic pickups together with a +36dB maximum input capability, transformer isolated REAMPING  output offers multiple input-output configuarations with ALL inputs available, including polarity reverse, PASSIVE TONE selector allows ten contours (six from the U5 tone bank) including two passive high pass filters and two vocal-instrument enhanced passive AIR-LIFT low frequency curves.  Additional features include  a passive low pass hiss & buzz filter, a wide range, professional analog VU meter with expanded scale -30dB to +18dB with twin peak LED’s for fast signal capture, Color: Silver.

1.575 €
12 Interest Free Instalments 131,25€ / month
Upon Order

The PRE26 is a two zone stereo preamplifier with 2 microphone inputs, 4 stereo line inputs, and all necessary control and connection possibility’s. The control functions are located at the front. Every channel has a volume control, clip LED indicator and two push buttons and indication LED’s to control the routing of the signal. The output section of every zone is fitted with a 6 segment led bar, master volume control and two band tone control.All necessary connections can be made at the back, featuring 2 XLR microphone inputs with a gain control, a 3 band tone control, a phantom power switch and a talkover switch. Channel 1 is constructed as a stereo line input channel, fitted with 2 balanced XLR connectors, a mono/stereo switch and a gain control. Channel 2, 3 and 4 are stereo line input signals fitted with two RCA connectors and a gain control. Each output zone features two balanced XLR connectors with a mono/stereo switch.Features:Two stereo balanced output zones6 input channelsTwo microphone channels15V Phantom power, Tone control & Talkover1 Balanced stereo line input3 Unbalanced stereo line inputsEasy to useExcellent sound qualityModern and advanced designSpecifications:Dimensions (W x H x D): 483x44x310 mmFrequency Response: 20 Hz-20 kHzSignal / Noise: >93 dBTHD + N:

427 €
36 Instalments 14,74€ / month
Upon Order

The MANLEY TNT is a remarkable and desirable tube preamp on one side and its equivalent in solid-state on the other side. These are not simulations, not samples, nor are they a clone or a toy. It is really good ol' analog done right.The first request for this preamp and what started the project, was two-part: 1) Provide the SLAM! Mic Pre, by itself at a great price and 2) don't abandon the concept of a basic preamp where "one just plugs in a mic and it sounds great" (without needing to adjust 6 controls). The solid-state side helps keep the price reasonable while providing a much bigger range of colors and options and while there a few more knobs and switches, their action tends to be subtle and intuitive while difficult to dial in a bad setting. You don't have to tweak, but if you want to, it's there without much possibility of going wrong. Now there is a challenge: Give me a really useful range of colors because I don't want to buy 6 preamps, yet it's gotta be fast and safe to operate, and not too expensive, please, but you had better give me Manley quality.Of course, all the usual front panel features: phantom power, phase switch, HP filters, LED overload and level indicators, and instrument inputs are there. Phantom is soft-switched and shunt regulated for lowest noise. (There are 6 low noise shunt regulators, and 5 standard regulators in the solid-state side). The High Pass Filter is a new approach, but suffice it to say that with it bypassed, the preamp is designed to have almost DC response (.01Hz) at all gain settings. The LED meter is set up to indicate first and second stage clipping, even though the output is capable of greater than +30 dBu (70 volts peak to peak into 50 Ohms from the solid-state side actually!). While we are tossing out numbers, both the current mode and voltage mode preamps sport EIN numbers of 130dB, very close to the theoretical minimum noise possible. So this thing is gravely quiet!And for the true connoisseurs, the preamps don't suffer at the highest (80 dB) or lowest (10 dB) gain settings, however you connoisseurs might be disappointed that this level of performance won't be exclusive and only available for the elite or very wealthy. We will announce the final price soon, but we're for now just going to hint that it will not break the bank or drain yer wallet...Specifications:TUBE CHANNEL (Left Channel)Tube Channel Vacuum Tubes: 1 x 12AT7EH + 1 x NOS 6414 or 6414WGain Range: +10 dB to +80 dB (20 to 70dB in 5 dB steps)Mic Input Impedance: 600, 2400, 10,000 OhmsInstrument Input Impedance: 300K,1Meg, 3 Meg OhmsFrequency Response: (-1 dB) 10 Hz to 30 kHz; (-3dB) 5 Hz to 45 kHzTHD & NOISE (1 kHz @ 20 dB gain): 0.035% typical (-68 dB)Noise Floor: -60 dB typical referenced to +4dBmEIN: -120 dBSignal to Noise @ 70 dB Gain: 95dB (TRIM has major effect)Maximum Output for 1% THD via BALANCED +4 XLR: 31 dBuCOOL CHANNEL (Right or Solid State Channel)Gain Range: +10 dB to +80 dB (20 to 70dB in 5 dB steps)Mic Input Impedance: 300, 600, 2000, 2 Meg OhmsInstrument Input Impedance: 100K, 300K,1Meg, 3 Meg, 10 Meg OhmsFrequency Response: (-1 dB) 15 Hz to 30 kHz; (-3dB) 5 Hz to 50 kHzTHD & NOISE (1 kHz @ 20 dB gain): 0.01% typical (-80 dB) (no distortion products measurable, noise dominates measurement)Noise Floor: -66 dB typical referenced to +4dBmEIN: -126 dBSignal to Noise @ 70 dB Gain: 85dB (TRIM has little effect)Maximum Output for 1% THD:via BALANCED +4 XLR: 30 dBuvia UNBALANCED +4 output: 24 dBuvia UNBALANCED -10 output: 16 dBuDistortion @ 1K using 60' / 70's switch:1.5% typical with LED onset (+4 dBu out)3% typical with LED fully lit (+7 dBu out)GENERALPower consumption: 30 wattsOperating mains voltage: Units' power transformers are wired for original destination country's mains voltage: 100V, 120V, or 220-240VAC as indicated on the serial number badge. Power transformer must be rewired on the pcb in order to change mains operating voltage. Fuse must be changed to appropriate value.Mains Voltage Frequency: 50~ 60HzFuse Values S/N up to MTNT142: @ 100 - 120V operation: 1A; @ 220 - 240V operation: 500mAFuse Values S/N after MTNT142: @ 100 - 120V operation: 500mA; @ 220 - 240V operation: 250mAFuse Size: 1/4" x 1 1/4" MDL or MDA SLO-BLO (time delay) typeDimensions: 19" x 1 3/4" x 10" (occupies 1u)Unit Weight: 11 lbs. Shipping Weight: 16 lbs. in a 22.5" x 14.5" x 8" BOX

2.440 €
36 Interest Free Instalments 67,78€ / month
Upon Order

Focusrite A/D Card ISA 428 / 828 - 8-channel 24bit/192kHz A/D converter for 2 ISA 428 or one ISA 828 preamps. The eight channel 192kHz A/D converter utilises Burr-Brown pro audio amplifiers and flagship PCM4220 A-D converter chips. Dynamic range of 122dB and jitter less than 250 pico-seconds.  The card can be retrofitted at any time and thanks to its convenient 25-pin D-type connector, integrates seamlessly with ProTools HD as well as other popular hard disk recorders and mixing desks. Digital formats include an 8-channel single/dual cable AES/EBU and SPDIF output, as well as an 8-channel ADAT lightpipe (SMUX/SMUX2) output. Wordclock I/O is provided via  dedicated BNC connectors.

482 ,19 €
36 Instalments 16,65€ / month
Available in warehouse

Focusrite ISA Two - 2-channel preamp, Lundahl LL1538 mic input transformer, Variable input impedance, Up to 80 dB of gain, Variable cut-off high-pass filter, 2x Mic In XLR, 2x Line-In 1/4" TR, 2x Instrument In 1/4" TR, Insert, Line output XLR, switchable impedance, LED meter, 48V phantom power, 19" 1HE

1.197 €
36 Instalments 41,32€ / month
Available in warehouse