Προενισχυτές Μικροφώνων

Εάν υπάρχει ένας προενισχυτής - equalizer που οι επαγγελματίες μηχανικοί ήχου θα συμφωνούσαν ομόφωνα ότι έχει ορίσει τον ήχο των δίσκων pop / rock για τα τελευταία 50+ χρόνια, θα ήταν αναμφισβήτητα ο 1073. Ο 1073 έχει χρησιμοποιηθεί μαζικά στις ηχογραφήσεις και στις ζωντανές εφαρμογές για δεκαετίες και εξακολουθεί να θεωρείται ότι είναι το "Άγιο Δισκοπότηρο" των προενισχυτών (eq's) σήμερα. Η Warm Audio με την οικογένεια “WA73" παρέχει ακριβά αντίγραφα υλοποιήσεων μονών και διπλών καναλιών του κλασσικού βρετανικού προενισχυτή (με ή χωρίς EQ) που ο καθένας, αποτίει ταπεινό φόρο τιμής στο αρχικό κύκλωμα. Μετά από χρόνια έρευνας και ανάπτυξης, προσεκτική σύγκριση με αυθεντικά δείγματα και αμέτρητες ώρες ακροάσεων, γεννήθηκε η οικογένεια WA73! Η οικογένεια WA73 είναι εξαιρετική σε όλους τους τύπους μικροφώνων και διαφορετικών πηγών, συμπεριλαμβανομένων των φωνητικών, ακουστικές & ηλεκτρικές κιθάρες, μπάσο, τύμπανα, κρουστά, ορχήστρες, πληκτροφόρων, ακόμη και ως εργαλείο διαμόρφωσης τόνου για την εκτέλεση μερικών ή πλήρων μίξεων. Με 80dB gain, καθώς και διαδρομή σήματος από κύκλωμα discrete Carnhill Transformer και ευέλικτο παραμετρικό EQ τριών ζωνών (στα προϊόντα WA73-EQ και WA273-EQ), δεν υπάρχουν ηχογραφήσεις και μίξεις όπου τα WA73, WA73-EQ, WA273 και το WA273-EQ δεν θα μπορέσουν να διαχειριστούν..ΜΙΑ ΜΑΤΙΑ ΣΤΟ ΕΣΩΤΕΡΙΚΟΧειροποίητη καλωδίωση και συναρμολόγηση Το κλασικό 1073 ήταν χειροποίητα καλωδιωμένο και έτσι είναι και η οικογένεια  των WA73! Ο ισχυρισμος των γκουρού ότι ένα μέρος του κλασσικού ήχου του 1073 μπορεί να αποδοθεί στη χειροποίητη φύση της κατασκευής. Το σύνολο των προενισχυτών (eq’s) της οικογένειας WA73 συναρμολογούνται και καλωδιώνονται στο  χέρι, συμπεριλαμβανομένων των πλακετών PCB που είναι όλες κατασκευασμένες με το χέρι. ΜΕΤΑΣΧΗΜΑΤΙΣΤΕΣ CARNHILL ΚΑΤΑΣΚΕΥΑΣΜΕΝΟΙ  ΣΤΗ ΒΡΕΤΑΝΙΑ Οι φανατικοί χρήστες του 1073 ενθουσιάζονται αδιαμφισβήτητα για την ιστορία των υλικών σε αυτά τα κλασικά κυκλώματα. Οι μετασχηματιστές σήματος είναι ένα κοινό θέμα συζήτησης. Οι κλασσικές vintage μονάδες χρησιμοποίησαν διάφορες εκδόσεις μετασχηματιστών καθ'όλη τη διάρκεια των ετών και οι πιο πολυπόθητες ήταν οι πρώτες εκδόσεις του Marinair Radar. Οι μετασχηματιστές Marinain  Radar θεωρούνται ως η πλέον επιθυμητή επιλογή 1073 λόγω της ρευστότητας και της φύσης τους να συγχωρούν. Το “saturation” είναι γλυκό όταν ωθείται, και ήταν γνωστό ότι κάνουν τους μηχανικούς να κλαίνε όταν ακούνε τις μίξεις πόσο όμορφα αναπαράγονται μέσα από αυτά! Η Warm Audio συνεργάστηκε στενά με την Carnhill Transformers της Cambridgeshire, στο Ηνωμένο Βασίλειο, για να σχεδιάσει πιστά αντίγραφα αυτών των πιο πολυπόθητων, πρώιμων έκδοσης μετασχηματιστών. Ολόκληρη η οικογένεια WA73 χρησιμοποιεί με υπερηφάνεια αυτούς τους φανταστικούς μετασχηματιστές Carnhill. Εμείς στην Warm Audio δεν έχουμε ακούσει ακόμα έναν μοντέρνο σχεδίασης προενίσχυσης (eq) 1073, όσο πιο κοντά στον αρχικό σχεδιασμό 1073 όπως ακούγονται τα δικά μας της οικογένειας WA73 με αυτούς τους custom μετασχηματιστές UK Blore Edwards Switch-Pots (WA73-EQ & WA273-EQ):Ένα εξαιρετικό ηχητικό κύκλωμα στυλ 1073 θα πρέπει να είναι εξίσου αξιόπιστο καθώς και να είναι σωστό ηχητικά. Τα ποτενσιόμετρα και οι διακόπτες στα τμήματα EQ των WA73-EQ και WA273-EQ κατασκευάζονται στο Ηνωμένο Βασίλειο από την Blore Edwards που κατασκευάζει στρατιωτικούς διακόπτες και ποτενσιόμετρα. Η χρήση των υλικών των ποτενσιομέτρων της Blore-Edwards αποτελεί μια ακόμα ένδειξη για την ποιότητα των προενισχυτών και των eq της Warm Audio ειδικά σε αυτό το εύρος τιμής. ΤΕΧΝΙΚΑ ΧΑΡΑΚΤΗΡΙΣΤΙΚΑ:* Δυκάναλοι. Τάξεως Α, Βρετανικού προενισχυτή και Eq τύπου 1073*  Βρετανικοί μετασχηματιστές Carnhill* Βρετανικά ποτενσιόμετρα EQ Blore Edwards* Χειροποίητη καλωδίωση και κατασκευή* 80 dB ενίσχυσης με ποτενσιόμετρο* Πλήρως discrete κύκλωμα* Κουμπί “Tone” όπου αλλάζει την αντίσταση του μετασχηματιστή εισόδου για διάφορους τόνους* Διακόπτης πολικότητας* 48V phantom power* Eq με τρεις μπάντες συχνοτήτων βασισμένα στον επαγωγέα* Ενίσχυση/Απόσβεση Χαμηλής μπάντας συχνοτήτων (35, 60, 110, 220 Hz)* Ενίσχυση/Απόσβεση Μεσαίας μπάντας συχνοτήτων (360, 700, 1600, 3200, 4800. 7200 Hz)* Ενίσχυση/Απόσβεση Υψηλής μπάντας συχνοτήτων (10, 12,  16 k Hz)* Πρόσθετες μπάντες υψηλών συχνοτήτων προστέθηκαν στο Eq (σε σύγκριση με τον vintage 1073)* 4 θέσεις φίλτρων υψηλής διέλευσης (50, 80, 160, 300  Hz)* Είσοδοι μικροφώνων XLR (μπρος και πίσω)* Είσοδοι Line TRS* Ts Send/Receive είσοδοι με Jack* XRL & TRS line έξοδοι* Direct είσοδος & είσοδος οργάνων* Συχνοτική απόκριση από 20Hz-20kHz +/-5 dB* 19” υποδοχές για ρακ* Εσωτερική  IEC 115v/230v 

Το WA-MPX είναι μία αυθεντική αναπαραγωγή του βίντατζ tape προ-ενισχυτή λυχνίας που ξεκίνησε την γέννηση του rock ‘n’ roll, φημισμένο για αγνή αναλογική ζεστασιά, αποδίδοντας εντυπωσιακά 300v ισχύος & 90dB tube gain. Κατά την διάρκεια της χρυσής εποχής ηχογράφησης σε μπομπινόφωνο, ο πρωτότυπος ενισχυτής λυχνίας σε στυλ 351 έγινε βασιλιάς της στούντιο τεχνολογίας και χαρακτηριστικός ήχος σε αλυσίδες σήματος πετυχημένων ηχογραφήσεων για καλλιτέχνες όπως Elvis Presley, Bing Crosby, Les Paul, Nat King Cole, Roy Orbison και παραγωγούς όπως Steve Albini – ένας διαχρονικός ήχος που συνεχίζουν να τον αναζητούν κορυφαίοι ηχολήπτες μέχρι και σήμερα. Με premium εξαρτήματα, πιστό στο πρωτότυπο σχεδιασμό κυκλώματος και ρυθμιζόμενο tape saturation, το WA-MPX αναπαράγει αυθεντικά όλη την αναλογική χροιά του αρχικού για να φέρει βίντατζ ζεστασιά και χρώμα στην μουσική σας.

Η μικρή έκδοση του PRE-73 προσφέρει τον ίδιο ήχο με τον μεγάλο "αδερφό" του σε εξαιρετικά συμπαγές σασί 4.75" και σε ασυναγώνιστη τιμή. Χάρη στην υποδοχή insert στο πίσω μέρος, οι EQ μονάδες του κατασκευαστή μπορούν να συνδυαστούν εύκολα με τον προενισχυτή. Επιπλέον, μια είσοδος DI βρίσκεται στο μπροστινό μέρος, επιτρέποντας την προενίσχυση οργάνων πέρα από όλους τους κοινούς τύπους μικροφώνων.Το Mk II προσφέρει επίσης στον χρήστη φίλτρο υψηλών συχνοτήτων 2 σταδίων και το δημοφιλές Air EQ σε 2 επίπεδα. Με μια διακριτική ενίσχυση στις 30kHz, το ηχητικό υλικό αναβαθμίζεται σημαντικά, αποκτώντας πιο εκλεπτυσμένο, HiFi χαρακτήρα και ευχάριστη παρουσία στη μίξη.Λόγω του υψηλού επιπέδου προενίσχυσης με χαμηλό θόρυβο, το PRE-73 είναι επίσης κατάλληλο για δυναμικά μικρόφωνα χαμηλής εξόδου, όπως τα Shure SM7B, Electro Voice RE20 ή ribbon μικρόφωνα.

Προενισχυτής μικροφώνου - DI  πολύ υψηλής ποιότητας , o m101 είναι το άκρως επιθυμητό και ταυτόχρονα οικονομικό μοντέλο από την σειρά  της Grace Design.Χρησιμοποιεί την ίδια γρήγορη μουσική, διάφανη, σχεδιαστική αρχιτεκτονική όπως τα μοντέλα 801 και 201, αλλά είναι φτιαγμένο και τιμολογημένο έτσι ώστε να βρίσκεται κοντά στην οικονομική δυνατότητα οποιουδήποτε ηχολήπτη, μουσικού και studio.Με τα εντυπωσιακά καινούργια χαρακτηριστικά του, το m101 μπορεί να θεωρηθεί ένας απο τούς καλύτερους προενισχυτές μικροφώνου ανεξαρτήτου τιμής. Με χαρακτηρηστικά που βρίσκει κάποιος μόνο σε εξωτικούς και πανάκριβους προενισχυτές όπως  χρήση μεταλλικών πυκνωτών ακρίβειας  0.5% , τον 12 θέσεων επίχρυσο περιστρεφόμενο διακόπτη έντασης, ενσωματωμένο universal AC input, αποκλειστική ρύθμιση για μικρόφωνα RIBBON, 10-75 db gain  και η εικόνα γίνεται σαφής: Είναι ένας απολύτως επαγγελματικός, ακριβής προενισχυτής μικροφώνου τελευταίας τεχνολογίας.Όλα αυτά στην ίδια προσιτή τιμή του αρχικού model 101.Ένας πραγματικά κορυφαίος προενισχυτής / DI  με εξαιρετικές κριτικές διεθνώς.> Με  ρύθμιση για μικρόφωνα Ribbon 12 θέσεων επίχρυσο περιστρεφόμενο διακόπτη έντασης Με μικρομετρική ρύθμιση στάθμης 10-75 db gain 

H Manley σχεδίασε το Core  ένα  channel strip που αλλάζει τα δεδομένα σε τιμή πρός απόδοση , ώστε να μπορείτε να πατάτε το Rec και να επικεντρώνεστε στην ερμηνεία σας , και όχι στο signal chain . Έχει, την ποιότητα , την απόδοση και την ευελιξία για την οποία το VoxBox είναι γνωστό, σε τιμή που το καθιστά προσιτό σε κάθε σοβαρό καλλιτέχνη ή μηχανικό ήχου . Πέρνετε έναν παγκόσμιας κλάσης Manley προενισχυτή μικροφώνου , που ακολουθείται από έναν  3:1 Elop στυλ κομπρέσορα για εύκολο κοντρολάρισμα των δυναμικών . Οι ηχολήπτες στο Athens Mastering είναι ενθουσιασμένοι από το ενεργό Baxandall EQ  και το FET brickwall limiter, το οποίο με γρήγορο attack στο τέλος της αλυσίδας προστατεύει τους μετατροπείς σας από τα οverloads . Ακόμα κι αν περάσετε απο 'κει το σήμα, χωρίς να πειράξετε ούτε ένα κουμπί ,να είστε βέβαιοι ότι θα πάρετε ένα εκπληκτικό ήχο .Χαρακτηριστικά Manley Core Reference Channel Strip:Εύκολο στη χρήση και φοβερό ηχητικά channel stripΒάσισμένο στο βραβευμένο VoxBox Class A λαμπάτο προενισχυτή μικροφώνου με τους περίφημους μετασχηματιστές της  Manley τυλιγμένους στο χέριDirect input χρησιμοποιεί το ίδιο κύκλωμα με του Manley SLAM! για φανταστικές direct-instrument ηχογραφήσειςElop κομπρέσορας με αναλογία 3:1 τιθασεύει οποιοδήποτε σήμα με απόλυτη διαφάνεια.Baxandall EQ με  low/high shelving και sweepable mid για ευέλικτη ηχητική διαμόρφωση.Fast attack FET brickwall limiter εξασφαλίζει  το να μην κλιπάρουν οι μετατροπείς σας κατά την εγγραφή.Ευέλικτο metering που μπορεί να μετρήσει στάθμες εισόδου, εξόδου και compressor gain reduction levels 

High Fidelity Microphone Preamplifier Like the updated m801mk2, our freshly redesigned m201mk2 provides a full serving of our unique brand of audio performance. It delivers massive headroom, ultra-wide bandwidth and a very open, musical character. The fully balanced signal path has been refined, resulting in incredible dynamic range. A new power supply design provides the lowest noise performance we have ever achieved. This all means the new m201mk2 will translate a sonic picture of astonishing clarity and detail, which captures the essential character of the music being recorded. Changes over the previous design find the m201mk2 more essential and a bit more paired down. We have eliminated the A/D option as this is functionality is now best served buy our current m108 8 channel mic preamp A/D. We have eliminated the M+S matrix and a few other functions to really focused on making the finest, purist style 2 channel mic preamp we can. These refinements also serve to bring the price down to where even more recording engineers can now afford Grace Design flagship mic preamp performance. The m201mk2 will bring out the very best in your entire microphone collection. Your favorite large diaphragm mics will sound like they were intended, with detail and texture in extra measure. Your humble dynamics mics will come alive with newfound dynamics and clarity. Ribbons mics will perform their best with our exclusive ribbon mic mode, which shifts the gain range up 10dB while deactivating 48V phantom power, bypassing the decoupling capacitors and optimizing the input impedance. FREQUENCY RESPONSE: @ 20dB gain ± 3dB 150Ω source: 3.2Hz-530kHz @ 20dB gain ± 0.2dB 150Ω source: 14.8Hz-109kHz @ 40dB gain ± 3dB 150Ω source: 3.2Hz-500kHz @ 40dB gain ± 0.2dB 150Ω source: 15.4Hz-103kHz THD+N: @ 20dB gain +20dBu out, 1kHz:

A superb addition to the Neve® outboard range, providing two of our world-famous Class A 1073® microphone preamplifiers in a single rackspace.The big, punchy sound of the 1073® compliments any musical genre, from rock to pop, hip-hop to rap, thrash to classical. Its lush sound with classic Neve® signature makes it the consummate mic pre for recording vocals, guitars, and acoustic instruments of all descriptions. With the 1073®DPA, the highly sought-after 1073® mic amp sound is now available in a cost-effective 1U stereo rackmount solution, without the additional EQ found on the classic 1073 unit.The 1073®DPA provides the legendary sound of Neve in a remarkably simple format. Two rear-panel Mic inputs and Line inputs feed dual Class A gain stages, with adjustable Gain control and selectable 48V available on the Mic inputs. Class A analogue outputs in XLR format are also found on the rear panel, controlled via adjustable front-panel ±10dB Trim controls. This stereo unit is the perfect solution for studios looking to bring in the very essence of the legendary 1073® sound.Fearures:Two legendary 1073®  microphone preamps in a convenient 1U rackmount designHand-crafted and hand-wired by Neve in Burnley, UKExclusive Neve®  Marinair™ transformers used on input and output stagesDedicated input Gain controls and output Trim controls on both channels+48V Phantom Power and Phase Reverse switchHigh quality Input Selector switch

Channel One Mk3The perfect front-end for the modern producer.For over 20 years, Channel One has been a synonym for a high-quality and extremely musical recording and mixing channel strip.In the newest Mk3 version, this classic has been thoroughly revised and, in addition to a higher internal audio voltage (now +/-18 V) for even better, more detailed sound, a further improved preamplifier section, an integrated Transient Designer, a Tube Saturation stage and a Mic A/B comparison option for two microphones and other great features that raise the modern recording and mixing studio to a new level of quality. With de-esser, compressor and equalizer, all the important tools of a real channel strip are still on board. Whether it’s a microphone, line, or instrument signal, the Channel One Mk3 makes any source sound like a professionally recorded signal.The new design of the SPL Studio Series perfectly highlights the sonic qualities of this 3rd generation Channel One.Packed with must-have toolsThe SPL Channel One MK3 Premium channel strip packs a wealth of features, including a discrete preamp, 3-band EQ, compressor/limiter, noise gate, and de-esser, making it the ideal front end for your DAW. Plug into this stellar-sounding channel strip and enjoy the world-class sounds that you've heard in your head but have been unable to achieve in your studio. Whether you want to record vocals, instruments, or any other audio source, the SPL Channel One MK3 Premium channel strip will imbue your recordings with the lustrous, expensive sound you've been craving.

8πλος Scarlett 2ND GEN προενισχυτής μικροφώνου με ADAT I/O, νέας γενιάς converting 192 kHz στα 24 bit με 107dB δυναμική περιοχή. Περιλαμβάνει 2 INSTR Hi - Z εισόδους, high headroom και Compression σε κάθε κανάλι, 8 combo IN, 8 analog out TRS , ADAT I/O (AD/DA), WORD CLOCK I/O, Phantom Power ανά 4 κανάλια, επιλογή sample rate: 44,1 - 48 - 88,2 - 96 - 176,4 - 192 kHz, επιλογή sync: internal - wordclock - ADAT. Freq. Resp: 20 Hz - 20 kHz. Ιδανικό για τύμπανα, κιθάρες, φωνές, κατάλληλο για κάθε live αλλά και studio εφαρμογή. Περιέχει το Hitmaker Expansion με προγράμματα όπως XLN Audio, Softube, Red Plug-in Suite, Auto-Tune by Antares, Brainworx, Relab κτλ

Classic British Console Sound on a BudgetThe Pre 73 MKIV is Golden Age Audio’s latest and greatest update to their best-selling ‘73-style preamp series. The spirit of classic British consoles lives on in the Pre-73 MKIV, and it sounds warm, punchy, sweet, and musical. Use it to add tone and color to your favorite mics, or keep things clean; it also doubles as a line-level preamp and DI box for electric guitar and bass. Get classic console tone—and get the most out of your mic locker.Classic console color—if you want itGet vintage color and punch by cranking up the Gain knob without fear—a dedicated Output control lets you attenuate the signal so you can drive the preamp without overloading your interface inputs. Engage the -14dB pad for even more control of hot signals, or keep things clean and transparent by backing off on the Gain and turning up the Output. Further sculpt your tone via the selectable low-pass filter to eliminate unwanted low-end rumble at the source, and use the selectable top-end Air EQ to add some shimmer and presence to your top-end. Use the Low-Z switch to toggle between 1200 or 300 Ω resistance and hear how your mics react!Connect to anythingThe Pre-73 MKIV’s switchable +48v mic input lets you use both condenser and dynamic microphones, while its 80 dB of Gain make it ideal for use with sensitive ribbon microphones on delicate sound sources. Line- and instrument-level inputs allow further connection to nearly any audio source, and you get an Insert jack for using external processors like EQs and compressors. You have your choice of TRS or XLR out.Quality firstTrue to classic preamps of yesterday, the Pre 73 MKIV was designed with a focused attention to component choices and build quality not found in other preamps near the same price. No surface-mount components or integrated circuits are used, and all inputs and outputs are transformer-balanced, using two different purpose-optimized transformers. Its external power supply eliminates the risk of self-noise, and its metal half-rack chassis is both sturdy and portable.

Εάν υπάρχει ένας προενισχυτής - equalizer που οι επαγγελματίες μηχανικοί ήχου θα συμφωνούσαν ομόφωνα ότι έχει ορίσει τον ήχο των δίσκων pop / rock για τα τελευταία 50+ χρόνια, θα ήταν αναμφισβήτητα ο 1073. Ο 1073 έχει χρησιμοποιηθεί μαζικά στις ηχογραφήσεις και στις ζωντανές εφαρμογές για δεκαετίες και εξακολουθεί να θεωρείται ότι είναι το "Άγιο Δισκοπότηρο" των προενισχυτών (eq's) σήμερα. Η Warm Audio με την οικογένεια “WA73" παρέχει ακριβά αντίγραφα υλοποιήσεων μονών και διπλών καναλιών του κλασσικού βρετανικού προενισχυτή (με ή χωρίς EQ) που ο καθένας, αποτίει ταπεινό φόρο τιμής στο αρχικό κύκλωμα. Μετά από χρόνια έρευνας και ανάπτυξης, προσεκτική σύγκριση με αυθεντικά δείγματα και αμέτρητες ώρες ακροάσεων, γεννήθηκε η οικογένεια WA73! Η οικογένεια WA73 είναι εξαιρετική σε όλους τους τύπους μικροφώνων και διαφορετικών πηγών, συμπεριλαμβανομένων των φωνητικών, ακουστικές & ηλεκτρικές κιθάρες, μπάσο, τύμπανα, κρουστά, ορχήστρες, πληκτροφόρων, ακόμη και ως εργαλείο διαμόρφωσης τόνου για την εκτέλεση μερικών ή πλήρων μίξεων. Με 80dB gain, καθώς και διαδρομή σήματος από κύκλωμα discrete Carnhill Transformer και ευέλικτο παραμετρικό EQ τριών ζωνών (στα προϊόντα WA73-EQ και WA273-EQ), δεν υπάρχουν ηχογραφήσεις και μίξεις όπου τα WA73, WA73-EQ, WA273 και το WA273-EQ δεν θα μπορέσουν να διαχειριστούν..ΜΙΑ ΜΑΤΙΑ ΣΤΟ ΕΣΩΤΕΡΙΚΟΧειροποίητη καλωδίωση και συναρμολόγηση Το κλασικό 1073 ήταν χειροποίητα καλωδιωμένο και έτσι είναι και η οικογένεια  των WA73! Ο ισχυρισμος των γκουρού ότι ένα μέρος του κλασσικού ήχου του 1073 μπορεί να αποδοθεί στη χειροποίητη φύση της κατασκευής. Το σύνολο των προενισχυτών (eq’s) της οικογένειας WA73 συναρμολογούνται και καλωδιώνονται στο  χέρι, συμπεριλαμβανομένων των πλακετών PCB που είναι όλες κατασκευασμένες με το χέρι. ΜΕΤΑΣΧΗΜΑΤΙΣΤΕΣ CARNHILL ΚΑΤΑΣΚΕΥΑΣΜΕΝΟΙ  ΣΤΗ ΒΡΕΤΑΝΙΑ Οι φανατικοί χρήστες του 1073 ενθουσιάζονται αδιαμφισβήτητα για την ιστορία των υλικών σε αυτά τα κλασικά κυκλώματα. Οι μετασχηματιστές σήματος είναι ένα κοινό θέμα συζήτησης. Οι κλασσικές vintage μονάδες χρησιμοποίησαν διάφορες εκδόσεις μετασχηματιστών καθ'όλη τη διάρκεια των ετών και οι πιο πολυπόθητες ήταν οι πρώτες εκδόσεις του Marinair Radar. Οι μετασχηματιστές Marinain  Radar θεωρούνται ως η πλέον επιθυμητή επιλογή 1073 λόγω της ρευστότητας και της φύσης τους να συγχωρούν. Το “saturation” είναι γλυκό όταν ωθείται, και ήταν γνωστό ότι κάνουν τους μηχανικούς να κλαίνε όταν ακούνε τις μίξεις πόσο όμορφα αναπαράγονται μέσα από αυτά! Η Warm Audio συνεργάστηκε στενά με την Carnhill Transformers της Cambridgeshire, στο Ηνωμένο Βασίλειο, για να σχεδιάσει πιστά αντίγραφα αυτών των πιο πολυπόθητων, πρώιμων έκδοσης μετασχηματιστών. Ολόκληρη η οικογένεια WA73 χρησιμοποιεί με υπερηφάνεια αυτούς τους φανταστικούς μετασχηματιστές Carnhill. Εμείς στην Warm Audio δεν έχουμε ακούσει ακόμα έναν μοντέρνο σχεδίασης προενίσχυσης (eq) 1073, όσο πιο κοντά στον αρχικό σχεδιασμό 1073 όπως ακούγονται τα δικά μας της οικογένειας WA73 με αυτούς τους custom μετασχηματιστές UK Blore Edwards Switch-Pots (WA73-EQ & WA273-EQ):Ένα εξαιρετικό ηχητικό κύκλωμα στυλ 1073 θα πρέπει να είναι εξίσου αξιόπιστο καθώς και να είναι σωστό ηχητικά. Τα ποτενσιόμετρα και οι διακόπτες στα τμήματα EQ των WA73-EQ και WA273-EQ κατασκευάζονται στο Ηνωμένο Βασίλειο από την Blore Edwards που κατασκευάζει στρατιωτικούς διακόπτες και ποτενσιόμετρα. Η χρήση των υλικών των ποτενσιομέτρων της Blore-Edwards αποτελεί μια ακόμα ένδειξη για την ποιότητα των προενισχυτών και των eq της Warm Audio ειδικά σε αυτό το εύρος τιμής. ΤΕΧΝΙΚΑ ΧΑΡΑΚΤΗΡΙΣΤΙΚΑ:* Δυκάναλοι. Τάξεως Α, Βρετανικού προενισχυτή και Eq τύπου 1073*  Βρετανικοί μετασχηματιστές Carnhill* Βρετανικά ποτενσιόμετρα EQ Blore Edwards* Χειροποίητη καλωδίωση και κατασκευή* 80 dB ενίσχυσης με ποτενσιόμετρο* Πλήρως discrete κύκλωμα* Κουμπί “Tone” όπου αλλάζει την αντίσταση του μετασχηματιστή εισόδου για διάφορους τόνους* Διακόπτης πολικότητας* 48V phantom power* Eq με τρεις μπάντες συχνοτήτων βασισμένα στον επαγωγέα* Ενίσχυση/Απόσβεση Χαμηλής μπάντας συχνοτήτων (35, 60, 110, 220 Hz)* Ενίσχυση/Απόσβεση Μεσαίας μπάντας συχνοτήτων (360, 700, 1600, 3200, 4800. 7200 Hz)* Ενίσχυση/Απόσβεση Υψηλής μπάντας συχνοτήτων (10, 12,  16 k Hz)* Πρόσθετες μπάντες υψηλών συχνοτήτων προστέθηκαν στο Eq (σε σύγκριση με τον vintage 1073)* 4 θέσεις φίλτρων υψηλής διέλευσης (50, 80, 160, 300  Hz)* Είσοδοι μικροφώνων XLR (μπρος και πίσω)* Είσοδοι Line TRS* Ts Send/Receive είσοδοι με Jack* XRL & TRS line έξοδοι* Direct είσοδος & είσοδος οργάνων* Συχνοτική απόκριση από 20Hz-20kHz +/-5 dB* 19” υποδοχές για ρακ* Εσωτερική  IEC 115v/230v 

Κορυφαίος προενισχυτής μικροφώνου με υψηλή απόδοση και κατασκευή από επιλεγμένα υλικά o WA 12 MKII αποτελεί ένα διακεκριμένο προϊόν με εξαιρετικής ποιότητας μετατροπείς εισόδου / εξόδου USA Cine Mag, υψηλό gain 71 db, δυνατότητα αλλαγής ποσοστού αντίστασης από τα 600 ohms στα 150 ohms. Ξεχωριστό 6-pin 1731 style ενισχυτή ο οποίος μπορεί να αλλαχθεί με 6-pin "2520 foot-print'' ενισχυτή για αλλαγή χροιάς και ύφους, TONE button, 48V Phantom power, LED Meter gain ένδειξη, 20db PAD, 2 Meg Ohm True Hi-Z είσοδοι στο μπροστινό panel, Mic level balanced είσοδος XLR, Balanced έξοδοι XLR και 1/4 TRS. Χαρακτηριστικά: Utilizes premium grade input and output USA CineMag transformers. 71db of Gain, fully discrete signal path. Utilizes a discrete 6-pin socketed 1731 style opamp.  Can be replaced with other 6-pin "2520 foot-print" opamps for varying tone/flavor. TONE button – Switches the input impedance from 600 ohms to 150 ohms.  Changes the tone of both the mic and HI-Z inputs. 2 Meg Ohm True HI-Z input on front panel. Sends instrument signal through entire circuit including both Cinemag Transformers and the discrete opamp. Great for guitars, bass, keyboards and other instruments that have a 1/4″ output jack. Mic level balanced input: XLR. Balanced outputs: XLR and 1/4″/TRS. 48 volt Phantom Power. Output attenuation control (after the CineMag output transformer) allows for driving the preamp and transformers into saturation. LED Meter gain indication. 20db pad. External power plug. ​​

Dual-Channel Microphone Preamplifier with 120V technologyCrescendo duo combines the precise sound that German Rundfunk-Technik is famous for with the innovative SPL 120V technology. The internal operating voltage of 120 volts allows Crescendo microphone preamplifiers to break completely new ground. This results in microphone preamps that sound detail-rich, vivid and equally honest.Crescendo duo lets microphones shine in a whole new light – because they have never been amplified like this before.The UndistortableThanks to the SPL 120V technology, it is almost impossible to overdrive this microphone preamplifier.Crescendo duo is a dual-channel microphone preamplifier with 120V technology. Both channels feature the same range of functions. Besides phantom power (48 V) for condenser microphones, polarity reversal, a high-pass filter and a PAD switch, they provide the possibility to adjust the VU meter to display very high levels – so they leave nothing to be desired. The gain can be adjusted comfortably and precisely via a 12-step switch. With the switchable output control, the output level of the Crescendo duo can be perfectly adapted to following AD converters. Two outputs per channel allow the signal to be sent to two different devices in parallel. In addition to the extensive feature set and the outstanding technical characteristics, Crescendo duo convinces with a sonic authenticity that is second to none.The 120V technologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps.Sounds goodWith all SPL devices we develop not only according to plan, but also by ear. Many important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.

The Perfect Partner For Low-Output Mics In Studio & On StageThe Warm Lifter is an inline active microphone preamp designed to provide powerful gain to low output dynamic and ribbon mics and comes with premium features for live & studio use. The sweet sounds of classic low-output mics that you’ve heard on countless records and live recordings have benefited from the sufficient power provided by high-quality, high-gain preamps, bringing out the full frequency spectrum of tone and sonic characteristics of the mic. Warm Lifter puts a high-impedance mic pre with pure analog gain, tone filtering, and balanced JFET input at your fingertips at an incredible size and price.Using a low power interface in-studio or dealing with extra long cable runs in a live setting can starve the mic of adequate amplification. Warm Lifter boasts 26dB of analog gain with true impedance matching, so any low output mic you plug in will be professionally powered for connecting to audio interfaces or mixers. Adding the Warm Lifter ensures you have extra headroom necessary to bring out the rich lower-midrange detail and presence that passive ribbons and many dynamic mics are known for, without adding digital gain artifacts or losing tone from aggressively long cable runs. Beyond gain, Warm Lifter also has a 100Hz high-pass filter and a 3kHz high-shelf boost to sculpt tones.26dB Of Clean Analog GainWarm Lifter’s signal path begins with a balanced, 2.4k Ohm (impedance) JFET input that delivers 26dB of pure, clean analog gain. Having 26dB on tap before hitting digital is incredibly helpful, as this should prevent any mixer or digital interface from having to go much beyond 40dB of onboard digital gain. As digital gain increases, the likelihood of artifacts and thinning of sound increases. The JFET input provides enough analog tone to keep the mic sounding “open” without adding any noise or too much color. The 2.4k Ohm impedance will deliver excellent frequency response for low-output mics that fall into typical impedance ranges.Critical Frequency FilteringWarm Lifter has a selectable 12dB high-pass filter and 2.5dB high-shelf boost. The 12dB high-pass filter’s corner frequency is located at 100 Hz, right in the middle of the true bass frequency range. Engaging the filter will cut all frequencies under 100 Hz, which will be perceived as removing “boominess” from the sound. The 2.5dB high-shelf boost corner frequency is located at 3 kHz, which lies squarely in the middle of the upper-midrange. This is a shelf-style boost, meaning, all frequencies above 3 kHz will be boosted at a more gentle 2.5dB in comparison to the high-pass filter. Since this is a shelf and will boost everything above 3k, the perceived change will add upper-mids, presence, as well as true high-end, otherwise known as “air” or “brilliance.” Engaging this boost will instantly add clarity to your sound.

FetHead Broadcast was developed in conjunction with Dutch Broadcasting and facility service company United4all. it is Based on technology used in our product FetHead. General layout consists of a high quality jfet gain stage, followed by a low impedance output buffer to enable output drive to long cables (up to 3kM).FetHead Broadcast offers 23dB's of low noise, high quality amplification which can be applied to either dynamic or condenser microphones as phantom power is transferred to the microphone.During live performances micophone signals often travel through long cables. If they travel adjacent to power lines or dimmed light cables, audible signal interference into the microphone cable often occurs usually resulting in a polluted signal. The FetHead Broadcast prevents this from happening by amplifying the signal before the cable. It improves the signal to noise ratio and offers a high quality signal to the mixer. Another advantage is that the FetHead Broadcast does not need main supplies or batteries.

Microphone PreamplifierXLR 3-pin female to XLR 3-pin maleExtremely low-noise hybrid JFet germanium amplifier9 dB gain (@ 3 KOhm load)Frequency: 40 - 100,000 Hz48 V phantom power requiredFor dynamic and ribbon microphones**Note: Does not allow phantom power to pass through to the microphone**Protects the microphoneSome older ribbon microphones do not tolerate phantom power. Fethead uses phantom power to power its circuitry, but doesn’t pass phantom power to the microphone, so rest assured your ribbon mics are safe.

A piezo transducer typically has an impedance of several Mega Ohms, which is much higher compared to the high-Z input of instrument preamps or mixing consoles. This prevents the transducer to deliver its potential output signal to the preamp and restricts transient response. Additionally, the high impedance combined with the capacity of the cable to the preamp forms a low pass filter, making a piezo transducer often sound uninspiring. BigAmp Piezo is a BigAmp version specially designed to overcome above issues. It has a 7.5 Mega Ohms input Impedance, which enables the piezo transducer to deliver its full potential. Signal amplification is low (3dB) to allow for the highest possible headroom. Because of its small size BigAmp piezo can be connected as close to the transducer as possible which keeps cable capacitance to a minimum.

BigAmp is a small sized, high quality jfet instrument preamp which performs equally well on stage as it does in a studio environment. It has a 1/4" female trs input which accepts signals ranging from the pickup of an electric bass or (acoustic) guitar to the line level output of a synthesizer. BigAmp's low noise class A amplifier provides high end amplification and converts the instrument output signal from unbalanced to balancedThe BigAmp boasts a comparatively compact construction, and its 1/4" female TRS input works equally well for unbalanced pickups as it does for line-level synthesizers. It facilitates both 24 and 48V phantom power, and converts unbalanced signal to balanced audio.

FetHead Filter is a Fethead version with a built-in 6dB/octave high pass filter with a corner frequency of 220Hz (other cutoff frequencies available on request). It is specially designed for microphones which exhibit an excessive proximity effect / low frequency response, like long motor ribbon microphones. The components which make up the filter are not directly in the signal path but are applied to the components which set the gain of FetHead Filters amplifier, thus making it frequency dependant. This way the sonic character which makes a FetHead attractive to the ear is preserved. Some ribbon microphones do not tolerate phantom power, FetHead Filter's circuit uses Phantom power, it shields it from the microphone and offers effective protection.

FetHead is a low-noise, high quality, in-line microphone preamplifier. It provides improved sound for Ribbon and Dynamic microphones. The electronics are housed in a robust metal chassis with a balanced 3-pole female XLR input and a balanced 3-pole male XLR output, rugged enough for use at home, in the studio or on tour.In short, we noticed an improvement on all tested microphones. A Shure SM57 for instance, sounds more responsive over a broader frequency range. When mated with a high-end dynamic microphone like a Sennheiser MD441, or Shure SM7 FetHead really shines. Ribbon microphones benefit greatly too because of a much better impedance match, which lessens the load on the microphone, giving it better transient response characteristics. FetHeads high quality, low noise signal amplification also extends the usable range of a ribbon microphone, making it more suitable for recording softer passages.

Phantom blocker blocks Phantom power while leaving the audio signal intact. Phantom power can be applied to either the male or the female side of Phantom Blocker's XLR connector and will not reach the opposing xlr connector, the audio signal travels without restriction in both directions.Some (older) preamps are sensitive for Phantom power at the input. The preamp's input transformer cannot handle Phantom power from another source. The transformer's thin silk isolations can burn out because a burst of Phantom power switching on creates a high voltage in the input transformer ,to prevent this a complete blocking is needed.

Put Unison preamps on stage or in your studio with Dante.Expand any Dante® network with remote-controlled mic/line preamps using Power over Ethernet (PoE)Combine with Apollo x16D interface to get the authentic Unison™ mic preamp sounds of API, Avalon, Manley, Neve, SSL, and moreLink multiple Apollo e1x units with included coupling bracket and integrated mic-stand mountPair with Apollo e2m stereo headphone amplifier/line interface and Apollo x16D for a complete I/O solutionAdd the Iconic Sound of Preamps from Neve, API, and MoreApollo e1x lets you add remote-controllable Unison mic/line preamps to your Apollo x16D interface, putting legendary preamp sounds from API, Neve, Manley, SSL, and more on stage, at front-of-house, or in your multi-room studio using Dante networked audio.Use with Any Dante Audio NetworkApollo e1x can be used as a remote-controllable mic/line preamp over any Dante network without an Apollo x16D interface, ideal for expanding your inputs — from additional stage rack connections to front-of-house measurement mics to a tamper-proof lectern preamp — no matter what Dante-enabled device you use.Link Multiple Apollo e1x PreampsNeed more mic pres? No problem. Use the included coupling bracket and threaded mic stand mount to connect multiple Apollo e1x preamps securely, giving you a clean, organized setup anywhere.Pair with Apollo x16D and e2m Personal MonitoringUnlock a complete I/O solution for your Dante network by pairing with Apollo e2m personal monitoring and Apollo x16D audio interfaces. This system gives you UAD realtime low-latency audio processing with personal cue monitoring and the iconic tone of classic mic preamps.

Show SPA-12, επαγγελματικός προ-ενισχυτής με 6 Line/MIC εισόδους combo, 3 στερεοφωνικές εισόδους RCA και phantom power για κάθε μικροφωνικό κανάλι. Είναι εύκολος στη χρήση και ιδανικός για σκηνές, ηχογραφήσεις και PA εγκαταστάσεις.

The Avalon VT-737SP is a channel strip featuring a combination of tube preamplifiers, opto compressor, sweep equalizer, output level and VU metering in a 2U space.PREAMPLIFIERThe VT-737SP has three input selections:The VT-737SP features a higher-performance microphone input transformer with +48V phantom selectionInstrument DI high source input with jack located on front panelBalanced line input, discrete high-level Class AThe Class A preamplifier utilizes two cascaded, dual vacuum tube triodes configured with minimum negative feedback. A high gain switch boosts the overall gain of the preamplifier. The four high quality tubes are configured as singled ended anode coupled followers. A passive-variable high pass filter and hard-wire relay bypass completes the input signal conditioning. The phase reverse relay is available on all three inputs.OPTO COMPRESSORThe opto compressor features a minimum signal path design with twin Class A vacuum tube triodes for gain matching. The optical attenuator acts as a simple passive level controller. Full dynamic control from soft compression to hard- knee limiting can be achieved with threshold, ratio-compression, attack and release controls plus gain reduction selection on the large VU meter. Special spectral control including de-ess is available with the dual sweep mid EQ to side-chain switch. The EQ section can be flipped pre or post the opto compressor via a front panel switch for alternate effects and tone shaping. Two VT-737SPs can be linked via a rear panel link cable for stereo tracking. The compressor bypass is a sealed silver relay for the most direct signal path.SWEEP-EQUALIZER AND OUTPUT LEVELThe VT-737SP equalizer utilizes 100% discrete, Class A high-voltage transistors for optimum sonic performance. The high and low frequency bands provide the smooth characteristics of an all passive design, while the dual mid bands include variable frequency and switched Q-width selection. The enhanced range of the mid bands is extended into the high and low bands by the use of X10 frequency multipliers. The bypass switch incorporates a sealed silver relay for the most direct signal path. When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for "tone enhancement." The output level control provides a variable control of the overall signal path. The output amplifier utilizes another dual triode vacuum tube driving a 100% discrete, Class A, high-current, balanced and DC coupled low noise output amplifier.FEATURES:Vacuum tube triode signal pathTransformer balanced microphone inputHigh-voltage circuits for maximum headroom to +30 dBLow noise -92 dBInternal discrete power supply with toroidal transformerSoft-start tube life extenderStereo link for compressorsAll discrete Class A equalizer with musical passive filter designSealed silver relays for signal routingLarge control knobs with professional conductive plastic potentiometersVU meter for output level monitoring and compressor gain reduction

Eight-channel mic preamp with discrete transistors, analog gain, 48V phantom power, PAD, phase inversion, high-pass filter, ADAT optional, 192kHz, robust and sleek designThe SPL P8 is a high-end, eight-channel microphone preamplifier designed to offer pristine audio quality for multi-channel recording. Each of the eight preamps is built with discrete technology, ensuring a signal path free from integrated circuits (ICs). This design, utilizing individual transistors, is tailored for audiophiles and professionals who prioritize sound purity, contributing to the unit's open and transparent sonic characteristics. The preamplifiers provide a flexible gain range from +8 dB to +62 dB, making the P8 suitable for a wide range of microphones, including those requiring higher gain.Key features include individual controls for each preamp, such as a 48V phantom power switch for condenser microphones, a 20 dB PAD for handling loud sources, a high-pass filter to eliminate subsonic noise, and a phase inversion function. For digital workflows, the P8 can be equipped with an optional eight-channel ADAT converter, allowing seamless connection to digital audio interfaces. This versatility makes the P8 ideal for both analog and digital recording environments, delivering unparalleled audio performance while maintaining ease of integration into various studio setups.FeaturesEight Preamplifiers: Equipped with eight discrete microphone preamps for high-end sound quality.Gain Control: Adjustable gain from +8 dB to +62 dB for handling various microphone types.Phantom Power: Each channel has switchable 48V phantom power for condenser microphones.Signal Processing: Includes PAD switch (20 dB reduction), high-pass filter, and phase reverse for each preamp.Analog & Digital Outputs: Offers both analog outputs and an optional ADAT digital output for direct digital connectivity.Durable Build: Features a robust aluminum and steel construction for long-lasting use.

SPL Pre One OverviewEnjoy the open and transparent sound of the SPL Channel One Mk3 in a compact, dual-channel preamp with the Pre One, a desktop unit with two discrete preamps. With a wide gain range of 8 to 62 dB and optional Hi-Z instrument input, you can draw out the full glory of nearly any input source, from condenser mics to passive instruments.Each preamp features an independent 6 dB per octave high-pass filter for subsonic rumbles, switchable 48V phantom power, and a 180° polarity reversal switch. Each preamp features a selector, so you can choose Flair or Contour, analog EQ presets, and on the rear panel, you have a channel-selectable -20 dB input pad for overly hot signals. Each preamp features a balanced XLR 3-pin mic input and its own dedicated 1/4" TRS balanced output. Preamp 2 also includes a 1/4" TS instrument input (which automatically deactivates the mic input on preamp 2). This design allows the Pre One to process stereo signals if desired. Like all SPL products, the Pre One is manufactured in Germany.Gain ControlThe gain control can be used to adjust the preamplification. The control range ranges between +8 and +62 dB, so even truly demanding microphones can unfold their full potential. Each preamp gets its own large gain control knob. A green signal LED is provided for both preamps to indicate that a signal is present.Switchable FunctionsA high-pass filter with 6 dB per octave is available in both preamp sections and reduces subsonic noise below 80 Hz when activated. This low-cut filter can be used for the microphone inputs as well as for the instrument input on the second amplifier.Both preamplifiers have a 48V switch. This switch activates the required phantom power of 48 volts for the use of condenser and active dynamic microphones. The phase reverse function reverses the polarity of the signal. After pressing the switch, the phase is reversed by 180°.Perfect Sound with Flair and ContourFor each of the two preamps, Flair and Contour provide an analog EQ preset to perfect the sound. When Flair is activated, it gives the signal a beautiful range of high frequencies; silky highs is the key word here. When Contour is activated, the signal perfectly blends into a compact mix while retaining its natural presence and strength.Input PadThe pad switches for each preamp section are located as DIP switches on the rear of the Pre One. These switches attenuate the signal of the microphone input by 20 dB, so that even very high levels can be processed with the Pre One. This is the case, for example, with loud percussion or brass recordings.Power SupplyGood sound always starts with the power supply. This is where you lay the foundation for the performance of the entire device. Although SPL supplies a 12V plug-in power supply unit, the secondary power supply inside generates a voltage level of +/-17V for the analog audio sections with which professional levels of up to 22.5 dB can be achieved. Elaborate low-drop operating-voltage regulation provides more juice and regulates cleanly even when the maximum operation voltage is reached.In the BoxSPL Pre One Dual-Channel Microphone Preamplifier (Black)12V Power SupplyLimited 2-Year Manufacturer WarrantyKey FeaturesFor Studios and AudiophilesTwo Discrete, Transparent PreampsMic and Hi-Z Input on Preamp 2Dual 8 to 62 dB Gain Controls6 dB per Octave HPF per Channel48V Phantom Power and Phase ReversalSwitchable Flair and Contour EQ Presets-20 dB Pad per Mic InputSeparate 1/4" TRS Line Out per PreampMade in Germany

BAE 1028 Mic Pre and EQ Pair with PSUThe BAE 1028 is a mic preamp with 3-band EQ inspired by the legendary 1073 with extensive additional frequencies.The BAE 1028 Mic Pre and EQ (Pair) uses the exact same mic and line preamp as the 1073 with Carnhill (St Ives) Transformers to give the true vintage tone associated with this legendary preamp.In addition the 1028 features no less than 28 frequencies including the same Low pass filter found on the 1084 module. The additional frequencies are located in the mid-bell and high shelf bands with frequencies selected to allow for greater flexibility with the mid bell able to play against the low and high shelves for rich, flexible and musical tonal shaping capabilities.FeaturesInspired by the legendary 1073Class A transformer-coupledHand-wired, all-discrete using modular cardsThree-band with HPF28 total frequency points with mid band overlappingExtended selection for high frequency shelvingHigh quality Swiss-made Elma® rotary switches

BAE 1073 Single Channel Mic Pre / EQ W/power supplyThe BAE 1073 is as authentic as you can get to the original, featuring the same St Ives (Carnhill) transformers as the vintage modules, Elma switches and Canford wire.The BAE 1073 looks identical to the original vintage module and will happily retrofit in vintage Neve 80 Series consoles because the entire product is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.Features of the BAE 1073 Single Channel Mic Pre / EQHigh Frequency: +/-16dB fixed frequency shelving at 12kHzLow Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz & 220HzMid Range: +/-18dB peaking, fixed ‘Q’ with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz & 7.2kHzHigh Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz & 300HzIncludes BAE 24V PSU to operate.The power supply can run 2 units simultaneously thats why units are sold separately.

BAE 1073 Mic Pre / EQ Pair with PSUThe BAE 1073 is as authentic as you can get to the original, featuring the same St Ives (Carnhill) transformers as the vintage modules, Elma switches and Canford wire.The BAE 1073 looks identical to the original vintage module and will happily retrofit in vintage Neve 80 Series consoles because the entire product is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.Features of the BAE 1073 Mic Pre / EQ Pair with PSUHigh Frequency: +/-16dB fixed frequency shelving at 12kHzLow Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz & 220HzMid Range: +/-18dB peaking, fixed ‘Q’ with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz & 7.2kHzHigh Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz & 300Hz

The TK Audio DP3 is a versatile, hybrid-design stereo mic preamp that includes vintage and modern circuits to deliver a broad range of creative tonal options. With the DP3, you’ll get the mid-range germanium crunch of the mid 60s; the low-mid punch and thick sound associated with British Class A preamps from the early 70s; and the more modern tones of the 80s and 90s. Get vintage color, modern transparency, or even something in between — all in one rack space.TONS OF TONESWhile the DP3 includes TK’s proven input stage and germanium circuit from the DP2, we’ve also incorporated a new saturation circuit that — together with the vintage Class A stage — gives you a broad palette of character choices. The input stage is designed around a high quality Swedish Lundahl transformer and high gain stage, followed by selectable saturation and germanium circuits for even more color and harmonics. Instead of switching output stages, as was done in previous models, the Class A stage is now inserted in front of the Output level control, letting you drive the transformer harder without overloading your A/D converters while making the output less sensitive to different impedances. The Class A stage uses a heavy, custom-made Carnhill transformer that produces a fat, punchy sound with mid-range character and a warm top end.IDEAL FOR COLORFUL DI RECORDINGThe Hi-Z direct mode function bypasses the input transformer and input stage, and sends the instrument signal directly to the high-pass filter and the selectable saturation and germanium circuits. The dedicated Hi-Z instrument input has a separate activation switch, so you can leave your instrument connected all the time! Direct mode gain is +14 dB, which is perfect for bass recording together with the Class A stage. The sweepable high-pass filter goes from 30 Hz to 400 Hz for precision crafting of the low end.FEATURES:Stereo microphone preamp with vintage and modern circuitsHi-gain input stage with up to 80 dB of gainSelectable vintage Class A stageLundahl and Carnhill transformersSelectable germanium and saturation circuits for more color and harmonicsSweepable high-pass filter, 30-400 Hz, 12 dB/octaveInstrument input with 2 Mohm impedanceOutput level placed after Class A stageHeadroom meter with eight LEDs

The PURE DRIVE QUAD harnesses Solid State Logic's renowned SuperAnalogue PureDrive™ microphone preamp technology, originally featured in the ORIGIN console. This advanced unit introduces a new DRIVE mode, comprehensive connectivity, and state-of-the-art digital conversion, all within a compact 4-channel 2U rackmount format. The ORIGIN recording console, a contemporary-classic from SSL, first introduced the groundbreaking PureDrive™ microphone preamplifier. This innovative preamp maintains the clarity and punch of SSL's previous designs while also offering the flexibility to switch its character to a warm, harmonically rich, and driven tone that varies with gain.

The PURE DRIVE OCTO harnesses Solid State Logic's renowned SuperAnalogue PureDrive™ microphone preamp technology, originally featured in the ORIGIN console. This advanced unit introduces a new DRIVE mode, comprehensive connectivity, and state-of-the-art digital conversion, all within a compact 8-channel 2U rackmount format. The ORIGIN recording console, a contemporary-classic from SSL, first introduced the groundbreaking PureDrive™ microphone preamplifier. This innovative preamp maintains the clarity and punch of SSL's previous designs while also offering the flexibility to switch its character to a warm, harmonically rich, and driven tone that varies with gain.

Both the 3124V and the 3124MV are designed with the professional engineer in mind. Both units give four channels of the highest possible quality mic preamp. However, the 3124MV provides an additional audio mixer with a transformer balanced output, keeping the unit size and price reasonable. Both models are equally at home in the control room, studio, and recording truck or on stage. The 3124MV utilizes the same microphone preamp circuit that is used in all API consoles. It is equipped with the AP2516 input transformer and the proprietary output transformer found in all API mic pres and throughout the API product line. The unit offers Variable Output Level Control, switchable 3:1 output transformer selection, and an internal 48-volt phantom power supply, which is front panel switchable for each channel. Also provided is a front panel -20 dB pad switch that affects both the mic and line in. A 1/4" phone jack is available on the rear panel for each channel as an insert tip-send/ ring-return placed between the mic pre amp output and the mixer input. Like the 3124V, the 3124MV provides up to 65 dB of gain. The Hi-Z front panel input goes directly to the op-amp, allowing a low level input such as a guitar or bass to be amplified without a matching transformer or direct box. This Hi-Z input can accept input levels as high as +20 dBu, making it perfect for keyboards and other high level devices. The rear output is an XLR connector. Additionally, the 3124MV adds a stereo panner with a level control, and a post "fader" aux send. The stereo panners and the aux sends are bussed to master output controls and then to the rear panel jacks. A stereo AUX return is provided to return effects or cascade additional mixers for more inputs. The unique stereo aux return control acts to balance the left/right signal, yet staying stereo. It can also be used as a mono return.

Μονοφωνικός προενισχυτής μικροφώνων και ηλεκτρικών μουσικών οργάνων. Μοναδικά σχεδιασμένος, συνδυάζει το ζεστό ήχο της λάμπας με τη γρήγορη απόκριση των τρανζίστορ. Η ύπαρξη επιλογέα συνεχόμενης ρύθμισης ανάμεσα σε λάμπα και τρανζίστορ, καθώς και η διπλή ρύθμιση στάθμης (Gain, Output), δίνουν στο 710 Twin-Finity, σχεδόν άπειρους συνδυασμούς ηχοχρωμάτων.

The Royer model R-DB22 dBooster2 features two channels of dBooster ribbon & dynamic micro-phone signal boosting and impedance buffering technology. Each channel also doubles as a high-impedance DI.When used as a signal booster, both channels of the dBooster2 increase the level of passive low-output ribbon and dynamic microphones with a minimum of distortion or coloration. Designed for professional applications, each dBooster2 channel offers two levels of clean gain boost: 12dB or 20dB, selectable by a front panel switch.The dBooster2’s Class A input presents a high source impedance to microphones, minimizing loading (damping) and improving headroom. By utilizing the 12/20dB gain switch, optimum balance between gain and headroom can be achieved for a variety of uses.The dBooster2’s low-impedance output is an increased microphone-level signal that can drive a digital interface directly or a standard microphone preamplifier. It also minimizes signal loss on long cable runs.When used as a DI for unbalanced guitar level sources, the dBooster2 provides either 0dB or 8dB of gain, selectable from the front panel switch. The single ended high-impedance (230K-Ohm) DI input maintains headroom and gain regardless of load, with minimal distortion or coloration.RECOMMENDED APPLICATIONSMiking any low-volume sound source (acoustic instruments, vocals, etc.)Recording direct to a DAW interfaceUse on long cable runs to retain sound qualityDI for direct electric guitar, electric bass, and other instruments

Eight-Channel Microphone Preamplifier with 120V technologyCrescendo 8 combines the precise sound that German Rundfunk-Technik is famous for with the innovative SPL 120V technology. The internal operating voltage of 120 volts allows Crescendo microphone preamplifiers to break completely new ground. This results in microphone preamps that sound detail-rich, vivid and equally honest.Crescendo 8 lets microphones shine in a whole new light – because they have never been amplified like this before.The UndistortableThanks to the SPL 120V technology, it is almost impossible to overdrive this microphone preamplifier.Crescendo 8 is an eight-channel microphone preamplifier with 120V technology. All eight channels feature the same range of functions. Besides phantom power (48 V) for condenser microphones, polarity reversal and a PAD switch, they provide the possibility to adjust the VU meter to display very high levels. The gain can be adjusted comfortably and precisely via a high-quality potentiometer. Two outputs per channel allow the signal to be sent to two different devices in parallel. In addition to the extensive feature set and the outstanding technical characteristics, Crescendo 8 convinces with a sonic authenticity that is second to none.Built-in Output SplitterAll eight microphone preamps have two parallel outputs each. This allows the signal to be sent to two different devices in parallel. One output each is available as XLR line output. The respective second outputs are available as a DB25 jack. These can for example be ideally connected to a multi-channel AD converter, with the for this kind of device type typical DB25 input. An additional external signal splitter for back-up systems during a recording session is therefore no longer necessary.Perfection in detailThe input differential amplifiers are constructed with pairs of transistors, each of which is combined in a housing. Precise matching of the transistors and thermal coupling ensure high common-mode rejection and extremely low THD values. The choice of transistors and resistors has a decisive influence on the sound. In countless listening sessions the optimal components for Crescendo were selected – the effort paid off!More sound through innovationOur 120V SUPRA operational amplifiers work as current amplifiers, which also offer pure class A operation with over 6 mA quiescent current. We largely dispense with coupling capacitors in order to avoid their sonic disadvantages (diffuse, sloping, loss of dynamics). In order to eliminate DC voltage components active servo circuits are used.

This one is bigger and more kitchen sink-y. This starts with a precision rotary switch gain control, which levels up the audio performance, especially in higher gain ranges (ribbon mics welcome). A 2 position high pass filter gives excellent control of problem bass / rumble areas at 75Hz or 150Hz. A 3-band EQ with sweepable mids rounds out the tone shaping. The FX loop can be defeated by a footswitch and has an onboard blend control to run your effects at 100% and adjust wet / dry amount on the preamp. The input is a combi XLR / 1/4″ jack, so it can run as an instrument preamp like its buddy ALiX .We could keep going, but you get the idea: REX and ROXi are wicked mashups of a mic pre, channel strip and stage preamp. Plop one on your your studio desktop and boom, you have an genuine Grace Design recording channel. Tack one to your pedalboard and you have a Swiss Army knife style stompbox with astonishing audio performance and massive flexibility. Do the Swiss actually give those little red knives to their army? Let us know.SingersA singer can plug their favorite microphone into a Grace Design mic preamp with their own effect pedals in the FX loop and control their reverb, old-timey AM radio or distorted vocal effects however they want. Singers with pedal boards? Your time has come.

This is the little nipper, but don’t judge – we piled up everything we know from 30 years of designing mic preamps, zapped it with our shrink ray and crammed it all into a minty-fresh green BIX style chassis.With bonafide Grace Design mic preamp pedigree, it will give any studio rack preamp a run for its money. But REX is really designed to be velcroed to a pedal board and hit the stage. Simple high and low tone controls, a 10dB boost circuit (sorry FOH), a mute switch, and an FX loop will all help you get your sound dialed. Are you a singer with your own vocal mic and wish you could have that extra studio clarity and presence on stage? REX to the REXcue (ugh). You get the idea.Horn PlayersHorn players looking to expand their sonic palette. Flugelhorn into a wha-wha pedal with distortion and delay? All day. Baritone sax through an octave pedal? Dude.

The Chandler Limited TG Channel MKII is a re-creation of several classic circuits and combines a TG2 preamp section with an equalizer that was redesigned from an equalization circuit used in EMI's TG12410 Transfer console - the mastering counterpart to the original "Beatles desks." The Chandler Limited version has been remade using original design information and circuit board drawings as provided by Abbey Road to ensure extreme authenticity. Chandler Limited even remolded the old TG-style pointer knobs. Inject authentic Abbey Road vibe in your recordings with the Chandler Limited TG Channel MKII.Chandler Limited TG Channel MkII at a Glance:Juice your productions with bone fide Abbey Road vibeSo awesome-sounding, your sound is sweetened just by passing through itSounds like a fine musical instrument - not a modern surgical toolJuice your productions with bone fide Abbey Road vibeCapturing the magic of the original equipment found in Abbey Road Studios - the very same used for Beatles' albums, not to mention Pink Floyd's Dark Side of the Moon, Chandler has brought the sound of the most famous studio in the world to engineers the world over.So awesome-sounding, your sound is sweetened just by passing through itThe preamp section of the TG Channel MKII beautifully replicates the sound of the original, and, to many ears, possibly improves the high-end response. The EQ section provides Pultec-style control over the sound, and, like a vintage unit, the sound is sweetened just by passing through it. The recordings done with the original gear are still reference points for both musicians and engineers. Now you can own the same gear!Sounds like a fine musical instrument - not a modern surgical toolThe active portions of the unit use the same discrete amplifiers and transformers as in the TG1 Limiter and TG2 pre amp. The passive equalizer portion of the EQ is an all inductor design and offers sweet high frequencies with large inductor based lows, and a very high "Q" mid cut section. Designed to sound like a fine musical instrument instead of a modern surgical tool, it's sound is very comparable to Pultec and Lang program EQs but made from TG circuits. A simple description would be a TG Pultec with a TG pre amp thrown in. Gear.Chandler Limited TG Channel MkII Features:Mic Pre and DIControls over input and output levels allows running input hot without overloading the recorderFlexible EQ sectionChandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD, RS and their associated logos are trademarks of EMI (IP) Limited.

The Chandler Limited Germanium Preamp/DI is a throwback to a time when gear sounded great. Germanium transistors have been used in audio gear including Neve, EMI, Telefunken, and Fairchild for their unique sonic characteristics. It hasn't been used in current gear for a while now, but that all changes with the Germanium Preamp/DI. What make this preamp unique are the gain circuits. The Gain/Germanium Drive control and Feedback control are intricately linked. Gain acts as a standard gain control, but roll up the amount of Feedback and the Germanium Pre realizes its full potential, as well as adding a small bass boost and a tasty high-frequency roll-off. For cleaner tones keep the Feedback on the restrained side, or crank it up for fat guitars and vocals. There aren't any other preamps like the Chandler Limited Germanium Preamp/DI.Chandler Limited Germanium Preamp/DI at a Glance:Outfit your studio with a unique-sounding preampReap the sonic benefits of germanium transistorsYour sonic obsession: Chandler's missionOutfit your studio with a unique-sounding preampThe Germanium Preamp/DI is a cutting-edge design by Chandler Limited designer Wade Goeke that uses classic germanium transistors in all Class A, transformer balanced, circuits. The use of germanium devices opens a whole new sound palate not found in any pro audio equipment currently manufactured. The results are warm and tube-like, with a fat bottom end. Yes, this is the classic vintage coloration we all gush over, and it's yours for the taking - in the Germanium Preamp/DI.Reap the sonic benefits of germanium transistorsSmooth-sounding germanium transistors were the basis of the earliest transistor designs by Neve (1053, 1055, 1057), EMI ( TG12345 MKI), Telefunken, and Fairchild. Those familiar with these units can attest to the special sound of the germanium tranasistor. Chandler Limited's Germanium series runs on +40 volt power, high current, and has a huge +34 output before clipping. The sound is warm and smooth as with many vintage style circuits, but you'll find a whole new world of smooth here as well as a sound that settles in perfectly to your tracks without fighting.Your sonic obsession: Chandler's missionRecording engineers are always looking for fresh tonal colors and approaches when tracking - it's an obsession. Chandler feeds this addiction with their innovative take on the technologies of the past. They start with painstaking component selection. The Germanium Preamp/DI's parts list reads like a 40-year-old document. Seriously - they just don't build 'em this way anymore. Hand-wired and assembled in the USA, the Germanium Preamp/DI utilizes 100% discrete transistor circuitry and specially wound transformers. Aside from the fact that you'll have this puppy forever, the weapons-grade build quality is a means to an end - the sound. Glorious, fat, supremely musical sound. Stock your arsenal with a serious weapon - the Chandler Limited Preamp/DI.Chandler Limited Germanium Preamp/DI Features:I/O: XLRDI - Unbalanced jack with 100k input impedanceGermanium Drive controls the input gain of the Germanium ampPad and Thick SwitchesFeedback Control to adjust the amount of signal fed from the amplifier output back to the input10-segment LED VU meter

The Chandler Limited REDD.47 mic preamp re-creates the original tube line amps used in Abbey Road Studios' rare, custom EMI REDD.51 recording consoles. This is the unmistakably punchy, agressive sound that characterized recordings made in Studio Two between 1964 and 1968 - including legendary tracks by The Beatles. Modern features have been added to meet contemporary recording studio standards, such as increased gain that gives you a range of new tonal options, from pristine cleans to rich, classic saturation. Take it from Sweetwater, with its inimitable sonic moxie, the Chandler Limited REDD.47 will work wonders in your studio.Chandler Limited REDD.47 Mic Preamp at a Glance:The workhorse line amp of the REDD.51Enjoy an expanded range of tonal optionsThe workhorse line amp of the REDD.51A critical component of the EMI REDD.51 console (REDD being an acronym for Abbey Road Studios' in-house Record Engineering Development Department), the REDD.47 line amplifier was used in virtually every stage of the audio path, including the mic and line inputs, the echo sends, and the monitors. With its spunky, in-your-face sonics, the REDD.47 lent its unique character to all the music - including every Beatles track - recorded in Abbey Road Studio Two during its mid-'60s tour of duty.Enjoy an expanded range of tonal optionsChandler Limited's REDD.47 preamp gives you added benefits never offered by the original design, including an increased gain range that greatly expands your tonal options. Imagine being able to dial between immaculate cleans and classic tube saturation with up to 2 percent harmonic distortion before clipping! Think of the gnarly, distorted guitars in The Beatles' "Revolution." They were DI'd straight into the board; all that seething mad-dog bite is the REDD.47. And speaking of direct injection, Chandler Limited has thoughtfully included a DI input on the REDD.47 front panel.Chandler Limited REDD.47 Mic Preamp Features:Delivers the legendary sound of Abbey Road Studios' "holy-grail" preampModern features to meet contemporary recording studio standardsIncreased gain allows tonal options from pristine cleans to classic rich saturationInputs: Mic/Line (Balanced XLR), D/I (1/4")Stepped gain: 6dB increments; fine gain: variable +/-5dB;Total Gain: +57dB; output control: variableRumble filter; 20dB pad; Polarity reverse; +48V Phantom powerTubes: EF86, E88CC (input/output)Transformer balanced I/O (custom wound)Internal power supplyChandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD, RS and their associated logos are trademarks of EMI (IP) Limited.

The Chandler Limited TG2 Abbey Road Special Edition preamp is an spot-on re-creation of the rare EMI TG12428, found in the recording and mastering consoles of EMI (and later Abbey Road) studios in the late '60s and early '70s. The TG2 gives you a pair of top-shelf preamps, built using the original TG12428 schematics provided by Abbey Road and EMI. Get the sound of the preamp used in such recordings as The Beatles' Abbey Road and Pink Floyd's Dark Side of the Moon albums - with Chandler Limited's TG2 Abbey Road Special Edition.Chandler Limited TG2 Abbey Road Special Edition 2-channel Preamp at a Glance:There's history behind this amazing-sounding preYou get warmth and punch - plus an open, airy high endPut this in your rack and brace yourself for some serious toneThere's history behind this amazing-sounding preThe Chandler Limited TG2 Abbey Road Special Edition is a re-creation of the rare EMI TG12428 preamp fitted in EMI/Abbey Road recording and mastering consoles of the late '60s and early '70s. This instantly identifiable sound was used on many legendary Abbey Road recordings, including The Beatles Abbey Road and Pink Floyd Dark Side of the Moon.You get warmth and punch - plus an open, airy high endThe Chandler Limited TG2 Abbey Road Special Edition preamp incorporates the same discrete transformer-balanced amplifiers as the TG Series limiter, giving you a creamy, smooth tone with an open, airy high end. The sound, as described by many users, is imbued with classic Neve warmth and punch - but with a more open top end. The unit does indeed have a small rise in its high frequency response, along with some warmth-inducing distortion which contribute to its unique, punchy sound.Put this in your rack and brace yourself for some serious toneChandler Limited's TG2 Abbey Road Special Edition preamp gives you a pair of top-shelf pres, built using the original EMI TG12428 design notes and circuit board drawings provided by Abbey Road and EMI. With an genealogy like that, this preamp's a no-brainer. When you plug into the Chandler Limited TG2 Abbey Road Special Edition preamp, you plug into the sound behind some of the most memorable recordings in classic rock history. Put the Chandler Limited TG2 Abbey Road Special Edition preamp in your rack and brace yourself for some serious tone.Chandler Limited TG2 Abbey Road Special Edition 2-channel Preamp Features:Topology based closely on the original EMI TG12428 at EMI/Abbey Road studioDiscrete transformer-balanced amplifiers produce a warm tone with clear highs and rich lowsBoth channels have 1 x XLR I/O, plus 1 x TS for high-impedance instrument-level inputInput gain ranges from +5dB to +75dB, in 15 stepsBoth channels have +48V phantom power, a phase reverse, and an impedance switchImpedance switch toggles between 300 ohms and 1200 ohms, to match any micChannel output gain control lets run the input gain hot for extra colorSumming option mixes both preamps using the TG2's discrete circuitry for a minimal signal pathChandler Limited and their associated logos are registered trademarks of Chandler Limited, Inc. Abbey Road Studios, EMI, TG, REDD, RS and their associated logos are trademarks of EMI (IP) Limited.

The WA-MPX is an authentic reproduction of the vintage tape machine tube preamp that started the birth of rock ‘n’ roll known for pure analog warmth, delivering an impressive 300v of raw power & 90dB of tube gain. During the golden era of tape recording, the original 351-style tube preamp became the kings of studio tech and signature sound in the signal chain of hit recordings for artists including Elvis Presley, Bing Crosby, Les Paul, Nat King Cole, and Roy Orbison and producers like Steve Albini- a timeless sound that continues to be pursued by elite audio engineers today. With premium components, true-to-original circuit design, and selectable tape saturation, the WA-MPX authentically reproduces all the analog tone of the original to bring vintage warmth & color to your sound.

Προενισχυτής μικροφώνου υψηλής ποιότητας με signal to noise ratio πάνω από 120db και FX loop σε μία συσκευή. Τα send και return της λούπας των εφφέ χειρίζονται σήματα balanced και unbalanced σε σύνδεση με κονσόλες ή πετάλια κιθάρας. Δουλεύει με μεγάλη γκάμα μικροφώνων περιλαμβάνοντας πυκνωτικά και ribbon, με ύψος gain στα 65dB. Είσοδος-έξοδος Aux που υποστηρίζει stereo input και ρύθμιση εξόδου φορητών συσκευών. Εξοδος για ενισχυτή κιθάρας και ακουστικά με ξεχωριστή ρύθμιση έντασης. Περιλαμβάνεται τροφοδοτικό 9VDC, λειτουργεί και με μπαταρίες. Διαθέτει 48V phantom power για πυκνωτικά μικρόφωνα, Balanced XLR output για DI και Line levels (-10dB to +18dBu), εισόδους Instrument και balanced line level (-10dB to +18dBu). Το mix control υποστηρίζει τρείς λειτουργίες ( 100% μικρόφωνο με effects blended ή balance control μεταξύ μικροφώνου και εφφέ ή 100% εφφέ χωρίς μικρόφωνο). 

The Chandler PSU-1 is designed to run any two Chandler units except the Mini Rack Mixer.