Πετάλια FX

Eventide H9 MAX εφέ κιθάρας σε μορφή πεταλιού, περιλαμβάνει τους 45 αλγόριθμους και περισσότερα από 500 δημοφιλή εφφέ της σειράς Eventide Factor (ModFactor, PitchFactor, TimeFactor και Space) όπως και όλα τα τρέχοντα και μελλοντικά αποκλειστικά εφφέ. Περιλαμβάνει tuner, tape-echo vintage-delay, shimmer hall, σχεδιασμός one-knob για σύνδεση μέσω Bluetooth για iPod, iPhone και iPad με δωρεάν εφαρμογή για iOS, σύνδεση για Mac και PC μέσω USB port, είσοδοι και έξοδοι stereo, MIDI in/out, είσοδοι για ποδοδιακόπτη και expression πετάλι, περιλαμβάνεται τροφοδοτικό ρεύματος.

Multi effect pedal και harmonizer.Διαθέτει πάνω απο 62 αλγόριθμους εφέ delay, reverb, modulation και pitch. SIFT technology, 7 νέοι αλγόριθμοι (Polyphonic Chord Transpose, Prosm Shift, Even Vibe Emulation, Space Vintage delay, Bouquet Delay, Wormhole reverb και Weedwacker Overdrive).Ενσωματώνει διακόπτες Push n turn για εύκολο editing, 3 knobs επιλογής, 4 edit knobs, οθόνη OLED, Bluetooth Led, True Bypass, 2 Inputs MONO/STEREO Jack, USB Type C, MIDI IN/OUT/THRU, 2 Outputs MONO/STEREO, 2 Ext. INSERT/SEND, 2Inputs για AUX και expression pedal.Βάρος 840 gr

Το Micro pitch pedal είναι ένα διπλό delayΤο MicroPitch Delay προσθέτει διάσταση σε κάθε πηγή, δεν είναι μόνο ένα πετάλι για κιθάρα, χρησιμοποιήστε το για να δώσετε όγκο σε φωνητικά, πλήκτρα, ντραμς, έγχορδα, πνευστά κλπ.Με δυνατότητα μικρομετρικής ρύθμισης του τονικού ύψους και της διαμόρφωσης. Δίνει όγκο στον ήχο διακριτικά, με πλούσια στερεοφωνία και έντονα συγχρονισμένα εφέ delay, νέες πηγές modulation με θετικά και αρνητικά envelope. 5 μνήμες διαθέσιμες με την χρήση του ποδοδιακόπτη και μεγάλο πλήθος ήχων μέσω του προγράμματος Eventide Device Manager (EDM). Ενεργός ποδοδιακόπτης με διπλή λειτουργία για μόνιμη ή στιγμιαία λειτουργία. Ρύθμιση έντασης εισόδου (guitar/line level) για να ταιριάζει με διάφορες κιθάρες ή synth, loop in ή DAW interface mapping για ανάθεση λειτουργιών σε πετάλι expression. Διακόπτης tap, για ρύθμιση tempo, διακόπτης τριών λειτουργιών για εύκολη εναλλαγή preset (πάνω/κάτω/φόρτωση), δυνατότητα MIDI με trs jack είσοδο (χρειάζεται καλώδιο adapter ή μετατροπέα) ή με USB. Πολλαπλές επιλογές bypass: buffered, relay, DSP+FX or kill dry. Catch-up mode για ευκολότερη ρύθμιση του ήχου όταν αλλάζετε μνήμες και παραμέτρους. Eventide Device Manager λογισμικό για PC ή MAC, για αναβαθμίσεις, ρυθμίσεις συστήματος, δημιουργία μνημών και αποθήκευση. Tροφοδοσία 5.5 x 2.1 mm, αρνητικός (center), 9 VDC (δεν περιλαμβάνεται)Διαστάσεις (Π x Β x Υ) 102 x 108 x 43 mm Βάρος 480 gr

Πετάλι Chorus για ηλεκτρική κιθάρα & μπάσοΔιαθέτει τρία διαφορετικά voices (left, middle & right), τρείς τύποι effect (Chorus, Vibrato & Chorale)Ποδοδιακόπτης Swirl για δημιουργία ήχων psychedelic flanging, phasing και univibe, πέντε presets τα οποία μπορούν να φορτωθούν μέσω του Eventide Device Manager (EDM) softwareΕνεργός ποδοδιακόπτης δύο λειτουργιώνΠοδοδιακόπτης Guitar/line level στην πίσω πλευρά για ρύθμιση στάθμης της κιθάρας, synthesiser, FX loop ή DAW interfaceΔρομολόγηση των παραμέτρων σε πετάλι expressionΔυνατότητα σύνδεσης MIDI μέσω TRS ή USBΕπιλογή τύπου bypass (Buffered, Relay, DSP+FX ή Kill dry)Eventide Device Manager PC ή Mac application για software updates, system settings και δημιουργία ή αποθήκευση των presetsΛειτουργία μέσω τροφοδοτικού 9V DC (δεν περιλαμβάνεται)Βάρος 480 gr

Πετάλι Reverb με 5 presets και δεκάδες ακόμα εφέ μέσω του Eventide Device Manager. Εφέ στουντιακής ποιότητας με δυνατότητα κατασκευής πολύπλοκων ηχοχρωμάτων. Διακόπτες Mix-Gravity-Feedback, διακόπτης Freeze για στιγμιαία αποθήκευση των εφέ. Διαθέτει 1 in/2 Out, Exp Pedal Out και θύρα USB για σύνδεση με Mac/Pc. Περιλαμβάνει τροφοδοτικό.

Πετάλι Delay για ρυθμικά εφέ. Διαθέτει έλεγχο της στερεοφωνικής εικόνας, 5 Presets με δεκάδες ακόμα εφέ διαθέσιμα μέσω του Eventide Device Manager, Dual action διακόπτες, ενσωματωμένοι αλγόριθμοι LFO και Envelopes, 2 Out, 1 In και θύρα USB για σύνδεση με Mac /Pc. Περιλαμβάνεται το τροφοδοτικό.

Capture the feel of a vacuum tube guitar amp with Nutube!Deliver the responsiveness, the feel, of a vacuum tube guitar ampThe TR-S is an effects unit that features a Nutube, to deliver the responsiveness, the feel, of a vacuum tube guitar amp. With our new technology (patent pending) that makes use of the Nutube, you can achieve unheard-of compression effects, similar to a tube powered amp even when recording or using a transistor amp. Besides great tone, one of the advantages of the Nu:Tekt series is that you assemble them yourself. The TR-S kit doesn’t require soldering, and the necessary tools for assembly are included. This makes the TR-S the easiest and fastest unit to assemble in the entire current Nu:tekt series. With the TR-S, you can enjoy building the kit as a DIY project, and the result is a great sounding compression pedal that gives you the sound and feeling of a vacuum tube amp.Recreate the behavior and sag of a vacuum tube power amp with the NutubeThis unit features a patent-pending circuit design that drives the compression for the vacuum tube itself, only possible with the Nutube. Use the Nutube to recreate sag (the compression feeling), a behavior of vacuum tube power amps that can be used in a variety of situations such as when you’re playing through a transistor amp or recording on a desktop music setup. The TR-S includes three trimmer knobs inside the top cover of the housing, in addition to the four knobs on the panel, which brings you even closer to the sound you want. The TR-S also achieves a natural-sounding compression effect with other instruments besides guitar.Can be assembled easily in the same way as a plastic model kitCan be assembled easily in the same way as a plastic model kit, with no soldering required. All necessary tools are included. A circuit diagram is provided in the included Owner's Manual. The Nutube driven TR-S is ideal for you if you love self-assembled effects units with incredible performance and sound quality and will help you create your own distinct sound.

The next generation effect pedal that surpasses and redefines the distortion pedal.This all new effects unit has been developed by Fumio MiedaThe HD-S effects pedal combines three different distortion circuits to create harmonic modulation that goes beyond the traditional concept of distortion. This all new effects unit has been developed by Fumio Mieda, developer of many famous legendary devices such as the Univibe. This new kind of effects unit differs from the usual “fuzz” or “distortion” pedal in many ways. The HD-S lets you freely combine the three different distortion circuits to produce a wide range of previously undiscovered sounds, from the traditional fuzz to out of this world distorted sounds and more. This wide range of traditional and all new sounds means the HD-S can be used not only with guitars but also with bass guitars, synthesizers and anytime new and unique sounds are required. One of the advantages of the Nu:tekt series is the ability to assemble them yourself. The HD-S kit doesn’t require soldering, and all of the necessary tools for assembly are included in the package. This makes it quick and easy to put the kit together, bringing you the enjoyment and satisfaction of creating your own sound.Create modulation effects by combining the three different distortion circuitsCombine the three different distortion circuits to control filter-like changes, going beyond aggressive distortion effects into a whole new sonic world. The HD-S includes three trimmer knobs inside the top cover of the housing, in addition to the four control knobs on the panel. By using these trimmer knobs to adjust the balance between the three different distortion circuits, you can create a wide range of sounds from orthodox fuzz to a wide variety of distortion all the way to some really wild sounds. Usable with guitar, bass guitar, synths and other instruments, the HD-S is a distortion effects unit that gives you sounds you’ve never heard or used before. When adjusting the distortion trimmer knobs please do it carefully without applying too much strength. The picture on the left shows the center position of these knobs. Trying to forcefully turn the knobs further than their designed range might damage them so please operate them carefully.Can be assembled easily and quickly!One of the many appealing features of the Nu:tekt Series is that these products give you the chance to build the product yourself, and it is easy to do so. The HD-S kit doesn’t require soldering, and all of the necessary tools for assembly are included in the package, for an easily-assembled kit that you can put together quickly and easily. A portrait sticker featuring a caricature motif of Fumio Mieda is also included.

Released 6 years ago, FELiX helped usher in a renaissance of amplified acoustic sound quality and functionality. What once required racks of studio gear and stage techs to achieve, FELiX made available in a single, affordable and rugged /compact floor unit. Since its release, we have worked together with many demanding players to improve and hone its features and functionality, and are now pleased to announce the latest version of this little champ – FELiX2.FELiX2 NEW FEATURES INCLUDE:STEREO OPERATIONNew dual mono or true stereo FX loop allows for independent FX loops on either channel or stereo FX operation with mono or stereo inStereo amp output for connecting to stereo stage amp rigStereo headphone output for stereo headphone personal monitoring blissVARIABLE PHASE CONTROLBuilt in variable phase control on channel 2 allows users to adjust mic / pickup blending systems to be perfectly phase coherentMORE EQ POWERHIGH shelving EQ control updated to include 2 transition frequency settings at 1k and 2k, allowing for more flexible high frequency tone controlNew notch filter uses a much higher Q setting for better surgical control of problem frequenciesNEW POWER SUPPLYClass II power supply eliminates ground loops when connecting to stage amps and other non-isolated stage equipmentNOTE: this is now a 2 prong power inputBETTER STAGE MANNERSNew protective side rails and slightly lower profile knobs to help protect controls from extra left feet and floppy stray instrument cablesCHANNEL 1 BOOST DEFEATAllows the boost circuit to only affect channel 2FELiX2 is a studio quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX2 is built into a roadworthy floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX2 brings open, musical and nuanced preamplification to any performance situation.A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric mid range controls cover from 70Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.Controls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute / tune switch for muting all outputs except the dedicated tuner out, a boost switch which activates a variable boost circuit, and finally, an A/B mode switch for when FELiX2 is in A/B mode (which simply toggles between the two different channels).FELiX2 brings the kitchen sink approach to I/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix or each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1/8” mini jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. Dual TRS jack send and return FX loop signals and can be configured for stereo operation or dual mono with separate FX loops for each channel.Guitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing – FELiX2 is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, FELiX2 is also your new best friend.Designed and built by family and friends in sunny Lyons, CO, USA.FEATURES:Open, musical and detailed instrument and mic preamplification for discerning artists and engineers2 channel audio path with blend output controlm101 style transimpedance microphone preamplifier, no electrolytic capacitors in the signal pathVariable Phase control on channel to for fine tuning phase between a microphone and pickupUltra precision 0.5% thin  film resistors are used in the signal pathCareful power supply design and grounding yield an ultra-quiet signal path and professional level headroom and line driving abilityFully ground isolated DI outputs with high quality, low distortion, fully shielded transformersSuper rugged 1/4” connectors with heavy duty metal bushingsNew side rails to protect control from inadvertent changes via cables or feetPowerful, independent EQ on both channels – hi and low shelving and full parametric midrangeMid frequency control has two ranges 70-880Hz / 670 – 8kHz20Hz-1kHz sweepable HPF on both channels, can also be set as notch filterA / B footswitch for multiple instrument configurations or soloing different pickupsMute/ tune footswitch mutes all outputs except dedicated tuner outBoost footswitch for variable 10dB level boost (global)DI outputs sources are configurable – Ch1 (mix or Ch1) Ch2 (mix or Ch2)Dedicated level controlled stereo stage amp output (configurable as blend or Ch2)Dedicated tuner out, remains hot when unit is mutedSide panel switches for 48V, phase, mid Hz range select, HPF/notch select, 12V and A/B mode select12V mic input power available on Ch2Phase reverse switch for each channel3 input impedance settings on each channel – Ch1 10K, 1MEG, 10MEG / Ch2 332K, 1MEG, 20MEG accommodating a wide range of pickup typesMic stand flange mount screw holes holes for putting FELiX on a mic stand1/8” stereo headphone jack, active when FELiX is mutedStereo FX loop or independent dual mono FX loopsNEW CLASS II Universal 100-240 AC power supply with standard IEC cableFull 5 year transferable warranty / built for long, happy life on the roadDesigned and built by family and friends in Lyons, CO, USA

Released 6 years ago, FELiX helped usher in a renaissance of amplified acoustic sound quality and functionality. What once required racks of studio gear and stage techs to achieve, FELiX made available in a single, affordable and rugged /compact floor unit. Since its release, we have worked together with many demanding players to improve and hone its features and functionality, and are now pleased to announce the latest version of this little champ – FELiX2.FELiX2 NEW FEATURES INCLUDE:STEREO OPERATIONNew dual mono or true stereo FX loop allows for independent FX loops on either channel or stereo FX operation with mono or stereo inStereo amp output for connecting to stereo stage amp rigStereo headphone output for stereo headphone personal monitoring blissVARIABLE PHASE CONTROLBuilt in variable phase control on channel 2 allows users to adjust mic / pickup blending systems to be perfectly phase coherentMORE EQ POWERHIGH shelving EQ control updated to include 2 transition frequency settings at 1k and 2k, allowing for more flexible high frequency tone controlNew notch filter uses a much higher Q setting for better surgical control of problem frequenciesNEW POWER SUPPLYClass II power supply eliminates ground loops when connecting to stage amps and other non-isolated stage equipmentNOTE: this is now a 2 prong power inputBETTER STAGE MANNERSNew protective side rails and slightly lower profile knobs to help protect controls from extra left feet and floppy stray instrument cablesCHANNEL 1 BOOST DEFEATAllows the boost circuit to only affect channel 2FELiX2 is a studio quality, 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX2 is built into a roadworthy floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX2 brings open, musical and nuanced preamplification to any performance situation.A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each channel’s variable high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric mid range controls cover from 70Hz all the way to 8KHz. While fixed low and high controls are carefully voiced for musical shading of bass and treble.Controls are simple and clearly marked on a bright panel, making them easy to read and tweak on a dark stage. Footswitch functions include a mute / tune switch for muting all outputs except the dedicated tuner out, a boost switch which activates a variable boost circuit, and finally, an A/B mode switch for when FELiX2 is in A/B mode (which simply toggles between the two different channels).FELiX2 brings the kitchen sink approach to I/O. Inputs include a 48V XLR mic input and two instrument inputs. Two independent transformer isolated DI outputs can be sourced from either the mix or the individual channel. This allows you to send the front of house a mix or each channel independently. A dedicated, level controlled amplifier output can be sourced from the mix or channel 2. A dedicated tuner output stays active when all the other outputs are muted. A side panel mounted 1/8” mini jack headphone amplifier is there for practicing, private noodling during boring soundchecks, or scrutinizing dubious eq decisions. Dual TRS jack send and return FX loop signals and can be configured for stereo operation or dual mono with separate FX loops for each channel.Guitar, bass, fiddle, mandolin, cello, dare we say banjo, that weird 3 string gourd thing – FELiX2 is your instrument’s new best friend. Flexible, reliable, a good listener and eager to make you sound better, FELiX2 is also your new best friend.Designed and built by family and friends in sunny Lyons, CO, USA.FEATURES:Open, musical and detailed instrument and mic preamplification for discerning artists and engineers2 channel audio path with blend output controlm101 style transimpedance microphone preamplifier, no electrolytic capacitors in the signal pathVariable Phase control on channel to for fine tuning phase between a microphone and pickupUltra precision 0.5% thin  film resistors are used in the signal pathCareful power supply design and grounding yield an ultra-quiet signal path and professional level headroom and line driving abilityFully ground isolated DI outputs with high quality, low distortion, fully shielded transformersSuper rugged 1/4” connectors with heavy duty metal bushingsNew side rails to protect control from inadvertent changes via cables or feetPowerful, independent EQ on both channels – hi and low shelving and full parametric midrangeMid frequency control has two ranges 70-880Hz / 670 – 8kHz20Hz-1kHz sweepable HPF on both channels, can also be set as notch filterA / B footswitch for multiple instrument configurations or soloing different pickupsMute/ tune footswitch mutes all outputs except dedicated tuner outBoost footswitch for variable 10dB level boost (global)DI outputs sources are configurable – Ch1 (mix or Ch1) Ch2 (mix or Ch2)Dedicated level controlled stereo stage amp output (configurable as blend or Ch2)Dedicated tuner out, remains hot when unit is mutedSide panel switches for 48V, phase, mid Hz range select, HPF/notch select, 12V and A/B mode select12V mic input power available on Ch2Phase reverse switch for each channel3 input impedance settings on each channel – Ch1 10K, 1MEG, 10MEG / Ch2 332K, 1MEG, 20MEG accommodating a wide range of pickup typesMic stand flange mount screw holes holes for putting FELiX on a mic stand1/8” stereo headphone jack, active when FELiX is mutedStereo FX loop or independent dual mono FX loopsNEW CLASS II Universal 100-240 AC power supply with standard IEC cableFull 5 year transferable warranty / built for long, happy life on the roadDesigned and built by family and friends in Lyons, CO, USA

The legendary Roland RE-201 Space Echo experience returns in an advanced delay pedal with modern features. Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. Backed by intensive R&D and our latest innovations, the RE-202 faithfully delivers the authentic sound and behavior of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201’s magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colorful preamp circuit. And to take things even further, we’ve expanded the vintage Space Echo experience with lots of new features tuned for today’s music.

The legendary Roland RE-201 Space Echo experience in a pedalboard-friendly BOSS compact pedal. Introduced in 1974 and produced for over 14 years, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units in music history. Known for its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks, this tape-based classic continues to inspire musicians, producers, and audio mixers over four decades on. With the RE-2, the authentic sound and behavior of the Space Echo is now available in the famous BOSS compact series for the first time. Backed by intensive R&D and our latest innovations, the RE-2 delivers the coveted magic of the RE-201 in a pedalboard-friendly footprint—realized in flawless detail by the company that designed the original.

Packed with inspiring tools for on-the-spot music creation, the RC-505mkII brings next-generation power and flexibility to the world’s most popular tabletop looper. Elevate your performances with five stereo tracks and four simultaneous Input FX and Track FX, and soar even further with customizable buttons, expanded I/O, increased mixing control, and other enhancements requested by long-time RC-505 users. Built for free-flowing expression on stage and in the studio, the RC-505mkII is a dream machine for beatboxers, vocalists, multi-instrumentalists, and other fearless looping artists.

Highly-flexible TonePrint pedal board with simple, intuitive controls. Create and customize up to 127 custom boards with any combination of TonePrint pedals. Populate each BOARD with up to 5 pedals including all TonePrint FX. Store up to 75 TonePrints per FX for fast and easy recall. FX include Hall Of Fame 2 Reverb, Flashback 2 Delay, Sub n Up Octaver, Brainwaves Pitch Shifter, Corona Chorus, Hypergravity Compressor, Mimiq Doubler, Vortex Flanger, Pipeline Tap Tremolo, Quintessence Harmony, Sentry Noise Gate, Shaker Vibrato. Customizable FX signal chain on each board. MASH technology turns all 5 footswitches into expression controllers with customizable mapping. Added MASH functionality to all legacy Toneprint Pedals. FX loop insert with customizable routing to integrate external pedals or connect to your amp using 4-cable method. Includes built-in UniTune chromatic tuner. Global speaker cab-sim for direct play with audio interface and PA systems. Bluetooth connection to the free TonePrint App to import tones from our vast library of TonePrints. Use the free TonePrint App editor to access hundreds of effects parameters and design custom TonePrints. Organize boards quickly using the free TonePrint App. EXP input – assign an external expression pedal to control FX parameters or use as a volume pedal anywhere in the signal chain. Optional Tap Tempo for tim1X. Simple 3 knob control over each pedal for fast FX tweaking. ‘Quick Swap’ feature to instantly reorganize your signal chain. Automatically saves your settings as you go.

Η Universal Audio, ένας κορυφαίος κατασκευαστής επαγγελματικού υλικού και λογισμικού ηχογράφησης, είναι υπερήφανη που παρουσιάζει το UAFX, την πρώτη σειρά πεντάλ εφέ της εταιρείας, που διαθέτει ηχητικά αυθεντικές προσομοιώσεις κλασικών κυκλωμάτων αντήχησης, καθυστέρησης και διαμόρφωσης.Τα αποτελέσματα μιας εξαντλητικής πολυετούς προσπάθειας: UAFX Golden Reverberator, Starlight Echo Station και Astra Modulation Machine φέρνουν ισχυρή αρχιτεκτονική διπλού επεξεργαστή στην αγορά πεντάλ εφέ, παρέχοντας τρεις ξεχωριστούς vintage ήχους ανά πεντάλ, με άψογο αναλογικό σχεδιασμό και κατασκευή/ποιότητα Universal Audio.Οι λειτουργίες Hallmark UAFX περιλαμβάνουν διαισθητικές λειτουργίες Preset / Live, αναλογική μετάδοση, στερεοφωνική / διπλή μονοφωνική λειτουργία, πραγματική παράκαμψη (bypass) με αθόρυβη εναλλαγή και δυνατότητα λήψης (download) πρόσθετων εφέ από την αναγνωρισμένη ομάδα αλγορίθμων UAD και πολλά άλλα.Από τον πυκνό ήχο των studio plates της δεκαετίας του 1950, μέχρι την λαμπάτη αντήχηση ελατηρίων των κλασικών ενισχυτών κιθάρας της δεκαετίας του 1960 και το θαύμα των ψηφιακών συσκευών αντήχησης, το Golden Reverberator διαθέτει εικονικούς ήχους αντήχησης δεκαετιών, σε ένα μοναδικό, όμορφα κατασκευασμένο stompbox.Τα εφέ Spring 65, Plate 140 και Hall 224, το καθένα με δυνατότητα διαμόρφωσης, προσφέρουν μια ολοκληρωμένη παλέτα αντήχησης, vintage υφής.

Η Universal Audio, ένας κορυφαίος κατασκευαστής επαγγελματικού υλικού και λογισμικού ηχογράφησης, είναι υπερήφανη που παρουσιάζει το UAFX, την πρώτη σειρά πεντάλ εφέ της εταιρείας, που διαθέτει ηχητικά αυθεντικές προσομοιώσεις κλασικών κυκλωμάτων αντήχησης, καθυστέρησης και διαμόρφωσης.Τα αποτελέσματα μιας εξαντλητικής πολυετούς προσπάθειας: UAFX Golden Reverberator, Starlight Echo Station και Astra Modulation Machine φέρνουν ισχυρή αρχιτεκτονική διπλού επεξεργαστή στην αγορά πεντάλ εφέ, παρέχοντας τρεις ξεχωριστούς vintage ήχους ανά πεντάλ, με άψογο αναλογικό σχεδιασμό και κατασκευή/ποιότητα Universal Audio.Οι λειτουργίες Hallmark UAFX περιλαμβάνουν διαισθητικές λειτουργίες Preset / Live, αναλογική μετάδοση, στερεοφωνική / διπλή μονοφωνική λειτουργία, πραγματική παράκαμψη (bypass) με αθόρυβη εναλλαγή και δυνατότητα λήψης (download) πρόσθετων εφέ από την αναγνωρισμένη ομάδα αλγορίθμων UAD και πολλά άλλα.Δανειζόμενο από τη βαθιά εμπειρία της UA στην αναλογική εξομοίωση, το Starlight Echo Station προσφέρει τα καλύτερα κλασικά εφέ καθυστέρησης (delay effect) που έχουν καταγραφεί ποτέ σε stompbox.Διαθέτει τρεις τύπους καθυστέρησης (Tape EP-III, Analog DMM και Precision) καταγράφοντας εικονικό υλικό των τελευταίων 60 ετών.Το Starlight προσφέρει πρόσθετες ρυθμίσεις για φθορά ταινιών (tape wear), διαμόρφωση και χρώμα προενίσχυσης για ατελείωτους τόνους.Εκπληκτική εξομοίωση σε tape echo εφέ, με νέους και παλιούς τύπους tapeBucket-brigade analog delays εφέ με color, texture και haze από original hardwareΣτούντιο digital stereo delays εφέ

Η Universal Audio, ένας κορυφαίος κατασκευαστής επαγγελματικού υλικού και λογισμικού ηχογράφησης, είναι υπερήφανη που παρουσιάζει το UAFX, την πρώτη σειρά πεντάλ εφέ της εταιρείας, που διαθέτει ηχητικά αυθεντικές προσομοιώσεις κλασικών κυκλωμάτων αντήχησης, καθυστέρησης και διαμόρφωσης.Τα αποτελέσματα μιας εξαντλητικής πολυετούς προσπάθειας: UAFX Golden Reverberator, Starlight Echo Station και Astra Modulation Machine φέρνουν ισχυρή αρχιτεκτονική διπλού επεξεργαστή στην αγορά πεντάλ εφέ, παρέχοντας τρεις ξεχωριστούς vintage ήχους ανά πεντάλ, με άψογο αναλογικό σχεδιασμό και κατασκευή/ποιότητα Universal Audio.Οι λειτουργίες Hallmark UAFX περιλαμβάνουν διαισθητικές λειτουργίες Preset / Live, αναλογική μετάδοση, στερεοφωνική / διπλή μονοφωνική λειτουργία, πραγματική παράκαμψη (bypass) με αθόρυβη εναλλαγή και δυνατότητα λήψης (download) πρόσθετων εφέ από την αναγνωρισμένη ομάδα αλγορίθμων UAD και πολλά άλλα.Το Astra Modulation Machine είναι ένας πλήρης ηχητικός σταθμός εργασίας.Από τους διαστημικούς ήχους του flanger των στούντιο της δεκαετίας του 1970, μέχρι το gritty bucket-brigade chorus και το luscious opto tube tremolo, το Astra βάζει τρείς τέλεια προσομοιωμένα ήχους διαμόρφωσης στα πόδια σας.Οι ρυθμίσεις Chorus Brigade, Flanger DBLR και Trem 65 - με δευτερεύουσες λειτουργίες για Vibrato, Doubling και πολλά άλλα - συνδυάζονται για μια πληθώρα καλαίσθητων τροποποιήσεων.

Διπλή εξομοίωση των πιο πολυπόθητων AC30 της VoxΠεριλαμβάνει μοντέλα Non-Top Boost '61 και Top Boost '63 με κυκλώματα vibrato/trem.Ο Vox AC30* έχει δημιουργήσει μερικούς από τους καλύτερους ζωντανούς και ηχογραφημένους ήχους κιθάρας όλων των εποχών. Το πεντάλ Ruby ‘63 Top Boost της UA αποτυπώνει την πλήρη ουσία αυτού του κλασικού βρετανικού συνδυασμού 30 watt 2x12, μετο χαρακτηριστικό δάγκωμα που αποτελεί την επιτομή της χρυσής εποχής του τόνου της ροκ κιθάρας.Προσομοιώσεις πλήρους διαδρομής ενισχυτή των μοντέλων vintage '61 non-Top Boost και '64 Top Boost, συμπεριλαμβανομένων καναλιών Normal, Brilliant και Vibrato για αυθεντικούς τόνους Vox.Περιλαμβάνει καμπίνα ηχείων παγκόσμιας κλάσης, μικρόφωνο και τεχνολογία Dynamic Room Modeling που προέρχεται από το βραβευμένο OX Amp Top Box.Διαθέτει το διάσημο treble booster, προενισχυτή και λειτουργίες ηχείων, καθώς και επιπλέον καμπίνες ηχείων με δυνατότητα λήψης κατά την εγγραφή του προϊόντος.Αξιοσημείωτοι μουσικοί: Brian May, Rory Gallagher, The Edge, Jonny Greenwood (Radiohead).

Μια αριστοτεχνική εξομοίωση ενός Fender Deluxe Reverb του '65Περιλαμβάνει κυκλώματα αντήχησης ελατηρίου (reverb) και τρέμολο λυχνίας.Το Αμερικάνικο Tube Combo που διαμόρφωσε τη μουσική.Το Fender Deluxe Reverb* στα μέσα της δεκαετίας του '60 χαρακτηρίζεται από τους μεγάλους καθαρούς τόνους, τον γλυκό ήχο και το θεϊκό spring reverb και βιμπράτο. Το Dream '65 Reverb Amplifier της UA είναι μια εξομοίωση από άκρο σε άκρο σε ένα πεντάλ, δίνοντάς σας τον πρωτόγνωρο ήχο και αίσθηση αυτού του θρυλικού ενισχυτή σε ένα stompbox για πρώτη φορά.Πλήρης εξομοίωση διαδρομής του ενισχυτή vintage Fender Deluxe Reverb του 1965, συμπεριλαμβανομένων των εμβληματικών εφέ ελατηρίου (spring reverb) και vibrato.Περιλαμβάνει καμπίνες ηχείων παγκόσμιας κλάσης, μικρόφωνο και τεχνολογία Dynamic Room Modeling που προέρχεται από το βραβευμένο OX Amp Top Box.Διαθέτει εικονικές λειτουργίες προενισχυτή και ηχείων, καθώς και επιπλέον καμπίνες ηχείων με δυνατότητα λήψης κατά την εγγραφή του προϊόντος.Αξιοσημείωτοι μουσικοί: George Harrison, Steve Lukather, James Burton, Johnny Marr, St. Vincent.

Το τέλειο Tweed Deluxe PedalΟ λαμπάτος ενισχυτής Fender 5E3 Tweed Deluxe* με "ευρύ πάνελ" κυκλοφόρησε το 1955 και γρήγορα έγινε αγαπημένος στους μουσικούς της κάντρι, μπλουζ και ροκ. Η ισχυρή μηχανή UAFX της UA προσφέρει τον ηχητικά πιο αυθεντικό αμερικανικό ενισχυτή λυχνίας στα μέσα της δεκαετίας του '50, που έχει τοποθετηθεί ποτέ σε stompbox.Πλήρης εξομοίωση διαδρομής ενισχυτή του vintage Fender 5E3 Deluxe "golden unit" του 1955, συμπεριλαμβανομένης της ανάμειξης καναλιών για γνήσιους τόνους τουίντ.Περιλαμβάνει καμπίνα ηχείων παγκόσμιας κλάσης, μικρόφωνο και τεχνολογία Dynamic Room Modeling που προέρχεται από το βραβευμένο OX Amp Top Box.Διαθέτει ενισχυτή, προενισχυτή και ηχεία "hot rod", καθώς και πρόσθετες καμπίνες ηχείων με δυνατότητα λήψης κατά την εγγραφή του προϊόντος.Αξιοσημείωτοι μουσικοί: Neil Young, The Eagles, Larry Carlton, Mike Campbell, J Mascis.

Organic Tube-Like Distortion with Tight Bottom-End and Natural Sag GRAND MAGUS DISTORTION Overflowing with organic tube amplifier-like distortion, tube compression and tight bottom-end tone, GRAND MAGUS DISTORTION channels the very essence of rock ‘n’ roll. Couple all that tone with the sultry feel of a vintage tube-rectified power supply and endorphin-elevating affordability – and you’ve got a shiny one-way trip to guitar Nirvana! Raw Rock Power Nothing has shaped the musical landscape more than a roaring tube guitar amp set to 11 – that incredible sound remains the heart and soul of rock. GRAND MAGUS DISTORTION distills the heavenly, rich harmonic content and power supply sag that made those early tube amps the “Holy Grail” for scores of guitar-wielding legends. So if your riffs call for tight bottom-end, rich mids and creamy highs, GRAND MAGUS DISTORTION stands ready to deliver. 50+ Shades of Gain GRAND MAGUS DISTORTION isn’t just a one-trick tone pony; its ultra-wide gain range and smooth tonal character, mixed with super-tight low-end response, lets you go from a Hendrix-style crunch to beefy Blackmore distortion – and all the way to super-saturated solo tones in a flash. Whether your gig calls for dark vintage distortion, or an extra-crispy modern high-gain tone, you’ll find it here in the super-versatile GRAND MAGUS DISTORTION. Classic Tone – Modern Features We know that the battle for a place on your pedalboard is fierce, so we equipped  GRAND MAGUS DISTORTION exceptionally well to make the cut. A sturdy metal chassis with dedicated Input, Output and True Bypass means that GRAND MAGUS DISTORTION is equally roadworthy and pedalboard friendly. You can power it with a 9V battery, or use our convenient POWERPLUG 9V adapter. Your pedalboard will welcome GRAND MAGUS DISTORTION with open arms! Backstage Pass – All Access Capable of a tremendous range of classic tube amp tones, GRAND MAGUS DISTORTION sports an easy-to-use control layout including: Gain, which controls the amount of overdrive; Volume, controls the output level; and Tone, for setting the sound for anywhere between dark, old-school dirty to crisp and modern distortion. Nothing is easier! Check out GRAND MAGUS DISTORTION at your local TC ELECTRONIC dealer today, or get yours online – and turn your tone up to eleven!

Pro-Quality Delay In A Compact Pedal This compact pedal provides a digital delay effect with outstanding quality equivalent to that of a dedicated rackmount delay unit, all with simple stompbox-style control. Compact delay pedal with superb BOSS sound quality Provides 3 delay time modes and a Delay Time control for quick adjustment of exact delay time between 12.5ms - 800ms Hold function repeats delay sound indefinitely for interesting effects BOSS five-year warranty

There's a reason BOSS pedals have been around since the beginning of guitar effects. Their ground-breaking technology and bullet-proof design has constantly made many of their designs among the highest-selling pedals in the industry. The PW-3 is no different. Along with BOSS reliability, you get two switchable wah voicings, side-mounted on/off LEDs, and a comfortable compact size. Keep your precious pedalboard real estate open with the BOSS PW-3 Wah. BOSS PW-3 Wah Pedal at a Glance: Two switchable voicings for a modern or vintage sound Compact and pedalboard friendly design Legendary BOSS reliability Two switchable voicings for a modern or vintage sound Wah sounds like wah...right? Wrong! There about as many wah pedal designs and voicings as there are guitars. Generally guitarists fall into one of two camps. You tend to either perfer a new finely-tuned sound with ultimate clarity, or you want that classic sweep of some of the most classic wahs in history. The PW-3 gives you both! Its unique Rich mode retains low-end fullness, eliminating the thiner tone of other wah designs. Flip the rear-panel switch and now you're into Vintage mode for that familiar classic wah sound. Compact and pedalboard friendly design One drawback to wah pedals is that they are almost always pedalbaord hogs. Some companies have fought this with smaller designs. But unlike other pedals that sacrifice feel and functionality when trimmed down, the PW-3's streamlined design strikes the perfect balance between practicality and playability. Its die-cast aluminum chassis is solid and substantial underfoot, and the long, smooth pedal action is highly responsive and feels great. Legendary BOSS reliability What is there left to be said about the reliability of BOSS effects pedals? There are literally players that have had the same BOSS pedal on their board for over twenty years, without any modifications or repairs. The PW-3 wah pedal is absolutely as tough. For products that are intended to be stomped on, they better be built to take it night after night, gig after gig, stomp after stomp. The BOSS PW-3 wah pedal definitely is. BOSS PW-3 Wah Pedal Features: Rugged, multi-voiced wah pedal in a compact design Modern and vintage voicings dial in your tone Streamlined design balances size and functionality Built to last years and years LED lights let you know when the pedal is engaged Low-noise design

Your Essential Creative Companion Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet. Features: Advanced BOSS looping features in a compact footprint Class-leading sound quality with 32-bit AD/DA and 32-bit floating-point processing Stereo looper engine with 13 hours of recording time LCD with multi-color backlight for viewing loop status and editing parameters Reverse function for infusing loops with interesting textures Seven different drum kits and 57 preset rhythms with A/B variations Support for expanded control via external footswitches, an expression pedal, or MIDI Full MIDI I/O provided with space-saving mini TRS jacks (BMIDI-5-35 adaptor cable available separately) Onboard storage for 99 phrase memories Back up and load WAV loops via USB Super Sound Quality Featuring best-in-class 32-bit AD/DA and 32-bit floating-point processing, the RC-5 captures your personal sound with full fidelity and keeps loops crystal clear, even with multiple overdubs. And with 13 hours of stereo recording time, there’s plenty of space for extended creative journeys. Window to Your World The RC-5 features the most advanced interface available in any compact looper pedal. The LCD lets you keep an eye on loop status as you perform, with a backlight that changes color to indicate recording, overdub, and playback states. And coupled with the multi-function parameter knob, it’s quick and easy to navigate rhythms, kits, system settings, and more in the heat of the moment. Deep Control The RC-5’s versatile pedal switch controls all looping functions—record, overdub, play, stop, and undo/redo. But deeper control is also supported if you need it. Connect up to two external footswitches for direct control of many assignable functions, or an expression pedal for continuous adjustments. Players with advanced systems will love the TRS MIDI I/O, which saves space and enables remote operation from MIDI switchers and foot controllers, plus MIDI sync with drum machines and DAWs. Move and Groove, Forward and Back With 57 preset rhythms and seven different drum kits, the RC-5 is ready to elevate loop and practice sessions with inspiring grooves for any style. For each rhythm, A/B variations can be selected from the panel or controlled via MIDI while performing. The RC-5’s looper engine also includes a cool reverse function that’s great for infusing your music with fresh sonic colors. Capture, Practice, and Perform The RC-5 provides 99 phrase memories, letting you store loops as fast as you create them. In addition to audio, a phrase memory includes the selected rhythm and kit, so it’s ready to go when you call it up. Loop audio can be backed up to a computer via USB. And with WAV import via BOSS Tone Studio, the RC-5 becomes a pedalboard playback hub for lesson material, jam tracks, or backing music for your next gig.

Dual-Track Powerhouse The RC-500 is an essential partner for guitarists, singer/songwriters, multi-instrumentalists, and anyone who wants to take their looping to the next level. Craft real-time compositions with two loop tracks, mic and stereo instrument inputs, rhythms, and inspiring Loop FX, all backed by premium 32-bit audio quality. Store loops in onboard memories, and explore expanded operation with external controls and MIDI. Filled with next-generation Loop Station features, the RC-500 gives serious creators the tools they need to develop new ideas and deliver impactful performances that will leave audiences wanting more. Features Advanced two-track looper with onboard mixing and deep control options Class-leading sound quality with 32-bit AD/DA and 32-bit floating-point processing Stereo looper engine with 13 hours of recording time LCD with multi-color backlight for viewing loop status and editing parameters Mono/stereo inputs for easy pedalboard integration, plus independent XLR mic input with phantom power Reverse function and Loop FX (repeat, scatter, shift, and vinyl flick) for dynamic and engaging loop performances 16 different drum kits and 57 preset rhythms with A/B variations Support for expanded control via external footswitches, an expression pedal, or MIDI Full MIDI I/O provided with space-saving mini TRS jacks (BMIDI-5-35 adaptor cable available separately) Onboard storage for 99 phrase memories Back up and load WAV loops via USB Runs on four AA batteries or optional AC adaptor Super Sound Quality Featuring best-in-class 32-bit AD/DA and 32-bit floating-point processing, the RC-500 captures your personal sound with full fidelity and keeps loops crystal clear, even with multiple overdubs. And with 13 hours of stereo recording time, there’s plenty of space for extended creative journeys. Connect, Loop, and Mix With its versatile I/O and free-flowing interface, the RC-500 is ready to support all your musical visions. Connect mono/stereo instruments and pedal effects, plus a mic to the dedicated XLR input—complete with phantom power if needed. Use the two tracks independently for song-style composition, or together for rich multi-track textures. The LCD backlight changes color to clearly show the current operation mode, while hands-on track faders and a mic level knob provide direct access to volume control as you loop. Flexible Creative Control Three onboard footswitches make it simple to control recording and playback, track switching, and more. For expanded operation, you can connect up to two external footswitches for direct control of many assignable functions, or an expression pedal for continuous adjustments. And for advanced rigs, the space-saving TRS MIDI I/O enables remote operation from MIDI switchers and foot controllers, plus MIDI sync with drum machines and DAWs. Personalize Your Setup The RC-500’s I/O and footswitches are configured for basic operations by default, but they can be reassigned in a variety of ways to meet your custom needs. Route left/right input sources to separate tracks, or send guitar and vocals to independent outputs. Use the footswitches to turn effects on/off, start/stop rhythms, and more. Custom assignments are saved along with phrase memories, letting you instantly reconfigure the RC-500 for any application. Energize Performances with Rhythms and Loop FX Loaded with inspiring rhythms and evocative loop processing, the RC-500 is primed to bring groove and color to all your looping adventures. Each of the 57 preset rhythms include A/B variations, while 16 different drum kits provide sounds to match any style. Designed for live performance, Loop FX like repeat, scatter, and more infuse your loops with instant sonic energy. There’s a cool reverse function too, perfect for creating unique sonic flavors on demand. Capture, Practice, and Perform The RC-500’s 99 phrase memories let you store loops as fast as you create them, complete with rhythm and kit selections, audio settings, and control assignments. Loop audio can be backed up to a computer via USB. And with WAV import via BOSS Tone Studio, the RC-500 becomes a central playback hub for lesson material, jam tracks, or backing music for your next gig.

Η αναγέννηση του κλασικού. Η δεκαετία του εβδομήντα ήταν μια καταπληκτική περίοδος στην ιστορία της μουσικής.Κυριαρχούσαν τα παντελόνια καμπάνες, οι αλυσίδες και το Άφρο στοιχείο στη σκηνή της μόδας και της μουσικής.Επίσης τα εφέ στον ήχο ήταν στα πάνω τους.Το phaser ήταν παντού στο ραδιόφωνο. Από το κιθάρα του David Gilmour του Brian May και του Eddie Van Halen, μέχρι και στα πλήκτρα των Steely Dan του Herbie Hancock του Richard Tee και του Paul Simon, φαινόταν ότι όλοι ενσωμάτωσαν τα εφέ στον ήχο τους. Από όλα τα εφέ που έπαιζαν εκείνη την περίοδο, ένα πεντάλι phaser ξεχώρισε από τα άλλα λόγω της ευελιξίας του, της ποιότητας ήχου και της προσθήκης ήχων fuzz.Έτσι χρησιμοποιήθηκε αμέσως από τον πρωτοπόρο μπασίστα της Funk, Larry Graham ως το βασικό εφέ του "πειραγμένου" ήχου του με τους Sly και τους The Family Stone και τον δικό του Graham. Το Warm Audio Jet Phaser είναι μια αυθεντική αναπαράσταση αυτού του διάσημου πεντάλ, με ακρίβεια στο κύκλωμα και τη σχεδίαση καθώς και στην εμφάνιση και την αίσθηση του περιβλήματος, επιπλέον είναι true-bypass και πολύ προσιτή και αξιόπιστη λύση από τα vintage πετάλια! Το Jet ! Το Jet Phaser διαθέτει έξι λειτουργίες, δύο με την ένδειξη "PHASE" και τέσσερις με την ένδειξη "JET". Οι δύο λειτουργίες PHASE παράγουν παραδοσιακά εφέ "φάσης", με το πρώτο να έχει μέτριο βάθος διαμόρφωσης για πιο λεπτούς ήχους και η δεύτερη να έχει αυξημένο βάθος για πιο έντονα αποτελέσματα. Ωστόσο, οι ομοιότητες με τα πεντάλ χωρίς Phase τελειώνουν εκεί. Οι τέσσερις λειτουργίες JET εμπλέκουν το εφέ «jet» (ή fuzz) και εκεί είναι που τα πράγματα γίνονται πολύ σοβαρά και διασκεδαστικά! Υπάρχουν τέσσερις συνδυασμοί fuzz / phase: Bright fuzz / shallow phase Bright fuzz / deep phase Dark fuzz / shallow phase Dark fuzz / deep phase Όταν οι λειτουργίες JET είναι ενεργές, το επίπεδο εξόδου του πεντάλ ελέγχεται από το κουμπί JET LEVEL. Αυτό σας δίνει τη δυνατότητα να ρυθμίσετε τις λειτουργίες JET ως boost, αν θέλετε - κάτι που θα μπορούσε να είναι ιδανικό για σόλο! Δημιουργικός έλεγχος Το Jet Phaser διαθέτει επίσης έναν έλεγχο RESONANCE που είναι διαθέσιμος και στις έξι λειτουργίες, επιτρέποντάς σας να "βρέχετε" το σήμα του οργάνου σας όσο εσείς θέλετε.Επιπλέον, αποκτάτε δημιουργικό έλεγχο του ρυθμού διαμόρφωσης: ο διακόπτης SLOW RATE σας επιτρέπει να ορίσετε την κύρια ταχύτητα διαμόρφωσης, αλλά πατώντας το FAST / SLOW footswitch ξεκινά πάντα ο ρυθμός μέχρι τη μέγιστη δυνατή ταχύτητα. Η πραγματική λειτουργία bypass του Jet Phaser καθιστά εύκολη την ενσωμάτωση σε οποιαδήποτε Live-stage και το γεγονός ότι λειτουργεί στα 18V του δίνει υψηλή ποιότητα στο σήμα και καθαρή ποιότητα ήχου (μπορεί να τροφοδοτηθεί με τον ενσωματωμένο μετασχηματιστή 18VDC ή δύο μπαταρίες 9V). Γνωρίζουμε ήδη ότι ακούγεται υπέροχο στην κιθάρα, στο μπάσο και στα πλήκτρα, αλλά μπορείτε επίσης να το χρησιμοποιήσετε σε φωνητικά ή ακόμα και σε τύμπανα - χρησιμοποιήστε τη φαντασία σας !

200 Watt Power Soak The Reducer reduces the output power of guitar or bass amplifiers. Enjoy the rich tube sound and full power amp distortion of your favorite amp even at room volume. Reduction The reducer is connected between the amplifier (head) and the loudspeaker. Here it converts the electrical energy of the amplifier into heat and transmits a reduced power to the loudspeaker. The art here is that the power reduction does not affect the sound, so play quietly with the original sound. The desired reduction is first switchable, in steps of 3 dB and then 5 dB. In the last switch position “Variable”, a load potentiometer is used to continuously reduce the level reduction from -7 dB to almost complete fade-out. Impedances The reducer can be connected to amplifiers (heads) with all common impedances. Available are 4 Ω, 8 Ω or 16 Ω. Specifications: Inputs & Outputs; 1/4" (6,35mm) TS-Jack (unbalanced) Load impedances, selectable: 4 Ω, 8 Ω, 16 Ω Maximum input power (4 Ω, RMS): 90 W Maximum input power (4 Ω, Peak): 120 W Maximum input power (8 Ω, RMS):200 W Maximum input power (8 Ω, Peak): 260 W Maximum input power (16 Ω, RMS): 160 W Maximum input power (16 Ω, Peak): 180 W Dimensions & Weight W x H x D (Width x Height w/ feet x Depth): 179 x 85 x 190 mm Unit weight: 1.85 kg Shipping weight (incl. packaging): 2.65 kg

For more than 30 years, the DD-3 has been a staple on pedalboards all over the world. From the crystal-clear rippled repeats of Lincoln Brewster to the glitchy, stuttery latch effects (ab)used by Thom Yorke, the classic DD-3 holds a special place in the hearts of players across the map. Today, a new contender enters the ring. Introducing the BOSS DD-3T Digital Delay Pedal — with onboard tap tempo, streamlined loop access, an improved-flow dry output, and up to 800ms of the same mirror-image repeats players have come to rely on. This pedal has everything you loved about the original, and then some. Onboard tap tempo with subdivisions One of the key additions to the DD-3T is tap tempo. Now you can tap into the exact tempo of your song, dynamically, using the onboard switch or an optional external tap switch. Scrubbing through the Mode knob gives you several subdivision options — quarter note triplets, dotted eighths, or straight quarters — to find the right vibe for your material. Up to 800ms of picture-perfect repeats The immersion, vibe, and tone of the classic DD-3 are in full effect in the BOSS DD-3T. Using three ranges and a comprehensive D.Time (delay time) control, players can quickly access rockabilly slapback repeats and chased-delay ambient worship textures in no time at all. Like the DD-3, the sound of the DD-3T is par excellence — clean, bright, shimmery, but never sterile. This pedal is the definition of a great bread-and-butter pedalboard delay. BOSS DD-3T Digital Delay Pedal Features: An industry classic, now updated 12.5ms–800ms of crystal-clean digital repeats Bright, percussive, and immersive Suits a wide range of players and styles Onboard tap tempo and tap switch input, with 3 subdivisions Hold function now renamed Short Loop — continuously loops up to 800ms of sound while you play over it Relocated Direct Out offers improved workflow

Ever since they released the DM-1 Delay Machine in 1978, the BOSS name has been synonymous with great-sounding delay pedals. The BOSS DD-8 Digital Delay is their most powerful one yet. This compact delay stompbox boasts up to 10 seconds of delay, along with 11 versatile delay modes that range from crystal-clear repeats to glitchy and modulated echoes. The BOSS DD-8 is ideal for practice, soundchecks, and on-the-fly backing tracks, courtesy of its 40-second looper. BOSS DD-8 Digital Delay Pedal:An Ultra-powerful, Compact Digital Delay And synchronizing your repeats to a song is a breeze, thanks to tap tempo. You also get a carryover switch, which enables delay trails to continue after the effect is bypassed. The BOSS DD-8 is teeming with flexible stereo I/O, while three selectable output modes achieve a wide range of effects. The BOSS DD-8 Digital Delay includes external footswitch jacks for on-demand tap tempo, extended looper control, and a captivating Twist effect. Modes: Analog — Classic analog BBD delay. Standard — Crystal-clear digital delay. Tape — Vintage tape-based delay. Warm — Digital delay with a softer sound. Reverse —Backwards delay. +RV — Digital delay with reverb. Shimmer — Lush, pitch-shifted delay. Mod — Digital delay with modulation on repeats. Warp — Delay with expressive pedal control. GLT — Creates rhythmic, glitchy machine-gun effects. Loop —Loop recorder with overdub capability and 40 seconds of recording time (in mono). Everything sounds bigger in stereo Thanks to its full stereo I/O and three output modes, the BOSS DD-8 Digital Delay sounds HUGE! Use the independent setting to route a short delay to Output A, while sending a long delay (double that of Output A) to Output B, for an instant Steve Vai vibe. Dial in ping-pong delay effects with the panning mode. Give your performance enhanced spatial depth with the wide stereo mode. Smart I/O functionality enables you to use the BOSS DD-8 for an endless array of applications. It supports a wide range of mono and stereo connections, including discrete dry and effect outputs — a must-have for wet/dry setups. You can even defeat the dry signal entirely, which is great for delay-only blending in your amp’s parallel effects loop.

Η Επιστροφή ενός θρύλου ! Το νέο Foxy Tone Box από την Warm Audio είναι μια άριστη επανακυκλοφορία ενός από τα πιο περιζήτητα και αγαπημένα fuzz πεντάλ όλων των εποχών - χρησιμοποιήθηκε στις αρχές της δεκαετίας του εβδομήντα από τους θρυλικούς κιθαρίστες Billy Gibbons και Peter Frampton, και σήμερα από τον Adrian Belew, Nine Inch Nails και Beck. Εξωτερικά είναι καλυμμένο με παχύ βελούδο, όπως και το vintage πετάλι, το Warm Audio Foxy Tone Box ζωντανεύει πιστά το vintage κύκλωμα και σας προσφέρει απίστευτο τone, και octaver με την εμφάνιση του πρωτότυπου χωρίς να χρειάζεται να πληρώσετε τρελές τιμές! Με προσοχή στην εμφάνιση και τη λεπτομέρεια. Τα εξαρτήματα που χρησιμοποιούνται στο συγκεκριμένο κύκλωμα πεντάλ είναι κρίσιμα για τον πως που ακούγεται και επιδρά στο παίξιμό σας! Κάθε Foxy Tone Box κατασκευάζεται στο χέρι χρησιμοποιώντας premium ηλεκτρονικά μέρη. Ψάξαμε πολύ για κάθε ένα από τα τρανζίστορ NOS ("New Old Stock") Fairchild που χρησιμοποιήθηκε στο πρωτότυπο - και στη συνέχεια τα συνδυάσαμε με διόδους γερμανίου, αντιστάσεις άνθρακα υψηλών watt και πυκνωτές φιλμ για να καταφέρουμε τον ήχο του vintage πεταλιού στο σήμερα. Είναι true-bypass και ακούγεται όπως κανένα άλλο στη γη! Εμφάνιση Όπως και το πρωτότυπο, το Foxy Tone Box διαθέτει χειριστήρια για Volume, Sustain και Fuzz (από "Mellow" σε "Brite"), μαζί με ένα διακόπτη για να ενεργοποιήσει το Octaver. Aυτό το πεντάλ είναι ένα ιδανικό distortion που περικλείεται σε πορτοκαλί βελούδο! Για να ξεκινήσετε, κρατήστε απενεργοποιημένο το Octave και περιστρέψτε το Fuzz στην πλευρά "Mellow" για ζεστή παραμόρφωση. Στη συνέχεια, ενεργοποιήστε το εφέ Octave, στρέψτε το Fuzz στο "Brite" και αυξήστε το Sustain για extra Gain, υπερ-συμπιεσμένους tone που θα σας ξετρελάνει! Η ηλεκτρική κιθάρα σας είναι η προφανής επιλογή , αλλά δοκιμάστε το και σε συνθεσάιζερ, μπάσο ακουστικό / ηλεκτρικό και πολλά άλλα. Εάν μπορείτε να συνδέσετε ένα καλώδιο σε αυτό, το Foxy Tone Box μπορεί να προσθέσει χαρακτήρα που απλά δεν μπορείτε να πάρετε από πουθενά αλλού. Τεχνικές προδιαγραφές Πιστή αναδημιουργία του πρωτότυπου κυκλώματος "foxy" με 100% αναλογική, πλήρως διακριτή διαδρομή σήματος Εξαιρετικά εξαρτήματα που χρησιμοποιούνται σε ολόκληρο το κύκλωμα, συμπεριλαμβανομένων των τρανζίστορ NOS 2N3565 Fairchild που βρίσκονται στο αρχικό κύκλωμα Χρησιμοποιεί αντιστάσεις άνθρακα, δίοδοι γερμανίου 1N34A και premium πυκνωτές μεμβράνης True Bypass λειτουργία. Επιχρυσωμένα τακάκια PCB Κουμπιά VOLUME, SUSTAIN και FUZZ Διακόπτης OCTAVE SUSTAIN για ενεργοποίηση του εφέ οκτάβας Υποδοχές εισόδου (INST) και εξόδου (AMP) 1/4 "

A NEW ERA OF SOUND, POWER, & PERFORMANCE The Roland GR-55 is a revolution in guitar synthesis, with features never before available in any guitar processor. In terms of speed, it’s the fastest ever. It’s also the most accurate, thanks to newly developed pitch-detection technology. As for sound, the triple-core generator houses a world-class array of virtual guitars, basses, amps, and synth voices, enabling tones and textures that have never been heard before. Onstage or in the studio, you can instantly access the GR-55’s huge library of ready-to-use sounds, from pop to rock and beyond, with quick-access category buttons. Welcome to a groundbreaking new era in guitar synthesis! A revolutionary fusion of guitar synthesis and powerful COSM guitar modeling Up to four sound sources at a time: two PCM synth tones, plus COSM guitar modeling and normal guitar input Easy to use and easy to play with hundreds of great, ready-to-use sounds for rock or pop guitarists Advanced Roland technology provides superb sound quality and lightning-fast processing Over 900 of Roland’s latest fully editable PCM sounds, including pianos, organs, strings, vintage synths, and much more COSM guitar and amp modeling Two types of multi-effects engines, plus global reverb, chorus, and delay effects, and an onboard looper Built-in USB audio player with foot control Available with or without GK-3 Divided Pickup New Sound Possibilities The GR-55’s powerful triple-core engine comprises two PCM synthesizers (with over 900 tones powered by the latest Roland synthesis technology) and COSM guitar modeling, featuring a virtual treasure trove of guitar, bass, amp, and synth models. Together, these combined technologies allow you to create unique, revolutionary sounds. The “Metal Synth Lead” preset, for example, combines two types of thick, brilliant synth textures with an overdriven solid-body/humbucking tone for incredible punch and power. Lightning-Fast Tracking Thanks to Roland’s decades of research and dedication to guitar synthesizers and powerful new pitch detection technology, the GR-55 is far and away the fastest guitar synth ever. Furthermore, the COSM guitar-modeling engine needs zero detection time, allowing the GR-55 to respond instantly and exactly as you play. The GR-55 detects pitch, velocity, and behavior for unprecedented response to your performance. Instant Gratification Get ready to rock…and fast! The GR-55 puts you instantly in touch with a huge library of amazing sounds, no editing required. The onboard lineup of ready-to-use presets (270, plus 297 user) takes the pain out of the process, with simple category buttons for finding the perfect sound fast. Choose from hundreds of great presets for pop, rock, and beyond, and kick-start your song or jam with unique, powerful sounds that will turn heads and raise fists. Easy to Use If you’re new to the world of technology, fear not. The GR-55 is powerful yet extremely friendly. For customizing sounds, the EZ Edit feature (made famous in the GT-10) and large LCD takes the guesswork out of the process. And for those who want to go deep, the GR-55 offers huge array of controllable parameters. Pros will appreciate the power of the GR-55 while beginners will love how quick and easy the unit is to operate. USB Connectivity The GR-55 conveniently bridges the guitarist to the desktop music production world with its two USB ports. The rear-panel port can be used one for MIDI/Audio data communication; the side-panel port is dedicated to real-time playback of audio files from a USB memory device (sold separately). The GR-55 provides foot control of USB audio playback so your hands never need to leave the guitar. Technical Specifications: Sound Generator:  PCM: 2 tones Modeling: 1 tone Tones:  PCM: 910 types Modeling: 23 types (guitar mode) 17 types (bass mode) Effects:  MFX (Multi-Effects): 20 types AMP (Preamp): 42 types MOD (Modulation): 14 types DELAY: 7 types REVERB: 5 types CHORUS: 4 types EQ: 1 type Patch Memory:  Guitar mode Preset: 270 + User: 297 Bass mode Preset: 90 + User: 297 AD Conversion:  24-bit (GK Pickup) 24-bit + AF method ** (Normal Pickup) DA Conversion:  24-bit Sampling Frequency:  44.1 kHz Nominal Output Level:  OUTPUT jacks: -10 dBu GUITAR OUT jack: -10 dBu Output Impedance:  OUTPUT jacks: 2 k ohms GUITAR OUT jack: 2 k ohms USB Memory Audio Player:  File Format: WAV, AIFF Display:  Graphic LCD 240 x 64 dots Connectors:  GK IN connector (13 pins DIN type) GUITAR OUT jack (1/4-inch phone type) OUTPUT L/MONO, R jacks (1/4-inch phone type) PHONES jack (Stereo 1/4-inch phone type) MIDI connectors (IN, OUT) (5-pin DIN type) USB COMPUTER connector (supports Hi-Speed USB, USB MIDI and USB Audio) USB MEMORY connector (supports Hi-Speed USB Flash Memory) DC IN jack Power Supply:  DC 9 V Current Draw:  700 mA Accessories:  AC adaptor (PSB-1U + AC Cord Set) Owner's manual Divided pickup (GK-3) (only for GK included model) GK cable (5 m) (only for GK included model) Options (sold separately):  Divided pickup: GK-3 (for guitar), GK-3B (for bass guitar) GK cable: GKC-5 (5 m), GKC-10 (10 m) MIDI foot controller: FC-300 Unit selector: US-20 AC adaptor (PSB-1U) * When purchasing an AC adaptor, be sure to specify the adaptor (from the list that follows) that is designed for the region in which it will be used, and the voltage supplied there. (PSB-120/PSB-120TW/PSB-230EU/PSB-230UK/PSB-240A) Width:  405 mm 16 inches Depth:  244 mm 9-5/8 inches Height:  78 mm 3-1/8 inches Weight:  3.3 kg 7 lbs. 5 oz. Not Including GK-3 pickup and 5m GK cable

A NEW ERA OF SOUND, POWER, & PERFORMANCE The Roland GR-55 is a revolution in guitar synthesis, with features never before available in any guitar processor. In terms of speed, it’s the fastest ever. It’s also the most accurate, thanks to newly developed pitch-detection technology. As for sound, the triple-core generator houses a world-class array of virtual guitars, basses, amps, and synth voices, enabling tones and textures that have never been heard before. Onstage or in the studio, you can instantly access the GR-55’s huge library of ready-to-use sounds, from pop to rock and beyond, with quick-access category buttons. Welcome to a groundbreaking new era in guitar synthesis! A revolutionary fusion of guitar synthesis and powerful COSM guitar modeling Up to four sound sources at a time: two PCM synth tones, plus COSM guitar modeling and normal guitar input Easy to use and easy to play with hundreds of great, ready-to-use sounds for rock or pop guitarists Advanced Roland technology provides superb sound quality and lightning-fast processing Over 900 of Roland’s latest fully editable PCM sounds, including pianos, organs, strings, vintage synths, and much more COSM guitar and amp modeling Two types of multi-effects engines, plus global reverb, chorus, and delay effects, and an onboard looper Built-in USB audio player with foot control Available with or without GK-3 Divided Pickup New Sound Possibilities The GR-55’s powerful triple-core engine comprises two PCM synthesizers (with over 900 tones powered by the latest Roland synthesis technology) and COSM guitar modeling, featuring a virtual treasure trove of guitar, bass, amp, and synth models. Together, these combined technologies allow you to create unique, revolutionary sounds. The “Metal Synth Lead” preset, for example, combines two types of thick, brilliant synth textures with an overdriven solid-body/humbucking tone for incredible punch and power. Lightning-Fast Tracking Thanks to Roland’s decades of research and dedication to guitar synthesizers and powerful new pitch detection technology, the GR-55 is far and away the fastest guitar synth ever. Furthermore, the COSM guitar-modeling engine needs zero detection time, allowing the GR-55 to respond instantly and exactly as you play. The GR-55 detects pitch, velocity, and behavior for unprecedented response to your performance. Instant Gratification Get ready to rock…and fast! The GR-55 puts you instantly in touch with a huge library of amazing sounds, no editing required. The onboard lineup of ready-to-use presets (270, plus 297 user) takes the pain out of the process, with simple category buttons for finding the perfect sound fast. Choose from hundreds of great presets for pop, rock, and beyond, and kick-start your song or jam with unique, powerful sounds that will turn heads and raise fists. Easy to Use If you’re new to the world of technology, fear not. The GR-55 is powerful yet extremely friendly. For customizing sounds, the EZ Edit feature (made famous in the GT-10) and large LCD takes the guesswork out of the process. And for those who want to go deep, the GR-55 offers huge array of controllable parameters. Pros will appreciate the power of the GR-55 while beginners will love how quick and easy the unit is to operate. USB Connectivity The GR-55 conveniently bridges the guitarist to the desktop music production world with its two USB ports. The rear-panel port can be used one for MIDI/Audio data communication; the side-panel port is dedicated to real-time playback of audio files from a USB memory device (sold separately). The GR-55 provides foot control of USB audio playback so your hands never need to leave the guitar. Technical Specifications: Sound Generator:  PCM: 2 tones Modeling: 1 tone Tones:  PCM: 910 types Modeling: 23 types (guitar mode) 17 types (bass mode) Effects:  MFX (Multi-Effects): 20 types AMP (Preamp): 42 types MOD (Modulation): 14 types DELAY: 7 types REVERB: 5 types CHORUS: 4 types EQ: 1 type Patch Memory:  Guitar mode Preset: 270 + User: 297 Bass mode Preset: 90 + User: 297 AD Conversion:  24-bit (GK Pickup) 24-bit + AF method ** (Normal Pickup) DA Conversion:  24-bit Sampling Frequency:  44.1 kHz Nominal Output Level:  OUTPUT jacks: -10 dBu GUITAR OUT jack: -10 dBu Output Impedance:  OUTPUT jacks: 2 k ohms GUITAR OUT jack: 2 k ohms USB Memory Audio Player:  File Format: WAV, AIFF Display:  Graphic LCD 240 x 64 dots Connectors:  GK IN connector (13 pins DIN type) GUITAR OUT jack (1/4-inch phone type) OUTPUT L/MONO, R jacks (1/4-inch phone type) PHONES jack (Stereo 1/4-inch phone type) MIDI connectors (IN, OUT) (5-pin DIN type) USB COMPUTER connector (supports Hi-Speed USB, USB MIDI and USB Audio) USB MEMORY connector (supports Hi-Speed USB Flash Memory) DC IN jack Power Supply:  DC 9 V Current Draw:  700 mA Accessories:  AC adaptor (PSB-1U + AC Cord Set) Owner's manual Divided pickup (GK-3) (only for GK included model) GK cable (5 m) (only for GK included model) Options (sold separately):  Divided pickup: GK-3 (for guitar), GK-3B (for bass guitar) GK cable: GKC-5 (5 m), GKC-10 (10 m) MIDI foot controller: FC-300 Unit selector: US-20 AC adaptor (PSB-1U) * When purchasing an AC adaptor, be sure to specify the adaptor (from the list that follows) that is designed for the region in which it will be used, and the voltage supplied there. (PSB-120/PSB-120TW/PSB-230EU/PSB-230UK/PSB-240A) Width:  405 mm 16 inches Depth:  244 mm 9-5/8 inches Height:  78 mm 3-1/8 inches Weight:  3.3 kg 7 lbs. 5 oz. Including power adapter, GK-3 pickup and 5m GK cable

Kemper Profiling Amplifier BK Rack, 19" version, the Kemper profiling technology allows you to take a precise sound snapshot of an existing amplifier setup including speaker cabinet & microphone(s). This snapshot can then be modified even far beyond the amps original possibilities by the internal processors such as multiple stomp effect emulations (up to 4 simultaneously), master effects, equalizer, gain, amp definition, power sagging etc. The Kemper Profiling Amplifier is already delivered with several painstaking amp profiles on board so you don't necessarily have to make your own profiles. It is now possible for the first time to take a precise snapshot of your own amplifier sound, modify it (if desired) and use it for practice, in the studio or on stage without carrying heavy equipment. Connections: Mic input, line In, alternative input, direct out, monitor out, master out (jack & XLR), S/PDIF digital input and output, midi in/out/thru, 2 x footswitch (jack), network & USB, dimensions whd: 48x20x14,5 cm, weight: 5,4 kg, colour: black

Kemper Profiling Amplifier BK Rack, 19" version, the Kemper profiling technology allows you to take a precise sound snapshot of an existing amplifier setup including speaker cabinet & microphone(s). This snapshot can then be modified even far beyond the amps original possibilities by the internal processors such as multiple stomp effect emulations (up to 4 simultaneously), master effects, equalizer, gain, amp definition, power sagging etc. The Kemper Profiling Amplifier is already delivered with several painstaking amp profiles on board so you don't necessarily have to make your own profiles. It is now possible for the first time to take a precise snapshot of your own amplifier sound, modify it (if desired) and use it for practice, in the studio or on stage without carrying heavy equipment. Connections: Mic input, line In, alternative input, direct out, monitor out, master out (jack & XLR), S/PDIF digital input and output, midi in/out/thru, 2 x footswitch (jack), network & USB, dimensions whd: 48x20x14,5 cm, weight: 5,4 kg, colour: black

Πεταλιέρα με 3 πεντάλ για το Yamaha P-125. Χαρακτηριστικά:  Piano-style Sustain  Sostenuto Damper Χρώμα: Λευκό Διακόπτης Πολικότητας: Όχι   

Πεταλιέρα με 3 πεντάλ για το Yamaha P-125. Χαρακτηριστικά:  Piano-style Sustain  Sostenuto Damper Χρώμα: Μαύρο Διακόπτης Πολικότητας: Όχι 

Μulti-effect επεξεργαστής και looper για φωνή BOSS VE-5 RD. Χαρακτηριστικά: 50 προεπιλεγμένοι ήχοι Εφέ: Reverb, Delay, Double/Harmony, Dynamics, Pitch Correct και Tone/SFX και δυνατότητα ταυτόχρονης λειτουργίας.  Οθόνη backlit LCD  Μονοφωνικό Looper διάρκειας 38 Sec Συνδεσιμότητες: Είσοδος XLR / jack με Phantom power), Aux IN 3.5 mm jack, έξοδος XLR, έξοδος ακουστικών (PHONES/LINE -stereo jack), είσοδος για controller  Τροφοδοσία: Με επαναφορτιζόμενη μπαταρία Ni-MH (AA, HR6) ή αλκαλικές (AA, LR6) x 4, η με τροφοδοτικό AC (Boss PSA-230:- δεν περιλαμβάνεται) Χρώμα : Kόκκινο Διαστάσεις (Π x Υ x Β): 178 mm x 55 mm x 159 mm Βάρος: 700 g Περιλαμβάνεται: Σύνδεσμος για στήριξη σε βάση μικροφώνου  

Πετάλι Rhythm Loop Station της Boss Χαρακτηριστικά: 208 ενσωματωμένοι ρυθμοί Αριθμός μνημών: 99 Μέγιστη πολυφωνία: 24 Μέγιστος χρόνος εγγραφής: Περίπου 6 ώρες (stereo) Οι Rhythm και Loop μηχανές μπορούν να συνδυαστούν ή να χρησιμοποιηθούν ανεξάρτητα Ρυθμιστικά: Value, Rhythm Level, Loop Level Input A / Mono & B: 2x 6.3 mm jack Output A / Mono & B: 2x 6.3 mm jack Midi In & Out: 2x 3.5 mm stereo pawl USB Micro B περιλαμβάνεται τροφοδοτικό 9 V DC Διαστάσεις (Π x Β x Υ): 101 x 138 x 63 mm Βάρος: 620 g  

Πετάλι για χρήση ρύθμισης έντασης από χυτό αλουμίνιο το οποίο λειτουργεί και σαν expression. Διαθέτει 2 input, 2 output και ξεχωριστή υποδοχή για τη λειτουργία expression. Χρώμα μαύρο. Βάρος 1,3 kg.

Πετάλι delay με 11 διαφορετικούς τύπους εφφέ (2290, analog, tape, lo-fi, dynamic, modulation, , ping-pong, slap, reverse & looper). Audio Tapping. 7 δεπτερόλεπτα delay. Stereo in & out. True Bypass. Analog-Dry-Through. Ρύθμιση Time, Feedback και Repeat. Δυνατότητα συνδεσης με υπολογιστή μέσω USB για τον προγραμματισμό του pedal με το πρόγραμμα ΤONEPRINT. 

Γνωρίστε τη νέο BOSS harmonist, με τέσσερα έξυπνα pitch-shift εφέ και three-voice harmony σε μία βολική μονάδα. Μεταξύ των λειτουργιών εφέ είναι οι Harmony, Pitch Shifter και Detune, καθώς και το ολοκαίνουργιο Super Bend για αυθεντικά πετάλ εφέ και wild three- και four-octave pitch sweeps. Μπορείτε ακόμη να ελέγξετε το pitch με ένα προαιρετικό πετάλ expression. Η λειτουργία αρμονίας είναι γρήγορη και απλή στη χρήση και υποστηρίζει ποικίλα μοτίβα διαστημάτων. Είναι εύκολο να δημιουργήσετε πλούσια αρμονία τριών φωνών: επιλέξτε ένα μείζων ή ελλάσων κλειδί και ορίστε το SHIFT σε 3-VOICE - αυτό ήταν! Το Harmonist PS-6 είναι ένας ασυναγώνιστος συνδυασμός εξαιρετικής ποιότητας ήχου, ευκολίας χρήσης και ισχυρών pitch εφέ, όλα σε μία συσκευή. Χαρακτηριστικά: Τέσσερις λειτουργίες εφέ σε ένα stompbox: Harmony, Pitch Shifter, Detune και S-BEND (Super Bend) Δημιουργήστε εύκολα δύο ή τρεις φωνητικές αρμονιές με επιλέξιμο μουσικό κλειδί Υψηλής ποιότητας pitch shifting Δυνατότητα Three-voice Detune Το Super Bend παρέχει έως και τέσσερις οκτάβες ακραίου pitch bending Έλεγχος του Pitch μέσω πετάλ expression (ενδεικτικά BOSS FV-500L/H ή  Roland EV-5)  

Kemper Profiler Stage; the Profiler Stage is a combination of the Kemper Profile digital guitar amplifier and the Profiler Remote foot controller in a single Pedalboard housing; a complete Profiler offering same features and the legendary sound as the well-known Profiler Head and Rack, and even a bit more; This combination allows you to control, administer and program Performances, as well as manage Rig switches and complex parameter morphs; illuminated sunlight-proof display designed to be viewed from any distance and under any lighting conditions; Specifications : Connections: Input (1/4" Jack) Return 1-4 (4 x 1/4" TRS-Jack), Main Out L & R (2 x XLR/1/4" Jack), Monitor Out L & R (2 x 1/4" Jack), Send 1 & 2 (2 x 1/4" Jack), Footswitch/Exp Pedal 1-4 (4 x 1/4" TRS-Jack), Headphone Out (1/8" TRS-Jack), MIDI In/Out/Thru, S/PDIF In/Out, USB; Dimensions: (W x D x H): 42 x 18 x 7,5 cm, (16,54" x 7,09" x 2,95"); Weight: 4,6 kg (10,1 lbs)

Το κλασικό Wah-Wah πετάλι της VOX με παραδοσιακό ήχο & εμφάνιση της δεκαετίας του '60. ​

Φορητό κι εύχρηστο, το GT-1 προσφέρει επαγγελματικού βεληνεκούς ήχους όπου και αν τους χρειαστείτε. Ενσωματώνει την μηχανή ήχων της σειράς BOSS GT, δίνοντάς σας πρόσβαση σε μια τεράστια γκάμα ενισχυτών παγκόσμιας κλάσης, που ταιριάζουν σε κάθε μουσικό στυλ. Το βελτιωμένο του interface σας παρέχει γρήγορη δημιουργία και εναλλαγή ήχων, καθώς προσφέρει άμεσο έλεγχο για τα εφέ του. Συνδέεται με την πρωτοποριακή πλατφόρμα Tone Central της BOSS, όπου μπορεί ο μουσικός να κατεβάσει της ρυθμίσεις των αγαπημένων του κιθαριστών ή ακόμα και να φτιάξει δικές του. Φτιαγμένος με φιλοσοφία να ταιριάζει το ίδιο καλά στους αρχάριους κιθαρίστες, στους μουσικούς που ταξιδεύουν, όσο και στους κιθαρίστες που παίζουν περιοδικά.  Η εμβληματική μηχανή GT της BOSS, προσαρμοσμένη σε ένα ελαφρύ και μικρό μηχάνημα Μοντέρνο Design χωρίς μυτερές άκρες, που επιτρέπει την απροβλημάτιστη μεταφορά του μέσα σε θήκη κιθάρας Εύκολη επιλογή και μεταβολή των παραμέτρων για άμεσο αποτέλεσμα στον επιθυμητό ήχο 4 μπαταρίες μεγέθους ΑΑ μπορούν να προσφέρουν έως 7 ώρες συνεχόμενης λειτουργίας Κουμπιά και expression pedal για χρήση χωρίς επιπλέον εξωτερικά πετάλια Θύρα USB Άμεσο κατέβασμα ήχων από το BOSS Tone Central

If you know how to use an AD9, you know how to use an ADMINI. It’s pretty much that same style of dark analog tone we all know and love in an adorable pink package. The ADMINI reprises the AD9’s knob functions (while losing the AD9’s dry out), so the benefit of choosing this over its predecessor (should you own an AD9 already) is more-or-less the benefit of more room and an updated chip.However, if you don’t own an AD9 or ADMINI, the tone is impeccable despite the loss of the AD9’s stereo functionality. The proportionally massive Delay Time knob in the center implies where the money is and pitch shifts the delay creamily if you turn it while the pedal is generating repeats. The smaller Blend and Repeat knobs are impossible to kick accidentally, which is a huge boon for anyone who packs their ‘board tightly. At its extremes the ADMINI will self-oscillate into chaotic, pitch-shiftable banshee wails; at its most gentle, you’re rewarded with a gritty ambient delay that dies out warm and dark like a freshly extinguished log of Χαρακτηριστικά:Repeat, Delay time and Blend controlsTrue BypassDelay Time: 20ms - 600msPower Supply: External AC adapter (Use only DC 9V (Negative center pin)​