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Warm Audio WA-412

The WA-412 provides 4 channels of classic American console preamps in a sleek 1RU design. This style of preamp is often referred to as "the sound of Rock n' Roll" for its BIG punchy low end and smooth open top end. The price/performance ratio of the WA-412 is almost unfathomable to the experienced studio engineer who has possibly paid much more for preamps of this style during their career. Featuring fully discrete socketed 6-pin opamps and custom wound Altran USA input and output transformers, the WA-412 leaves nothing to be desired. If you are looking for multiple channels of world class tone in an affordable package, the WA-412 is the right choice for you.Inspiration behind the WA-412.When I first started holding regular studio sessions years ago I always desired to have more channels of high-end mic pre's. I could only afford to have one or two in my studio at a time, which was never enough to record a full band or drummer. I knew very well that if signals were not recorded well "on the way in" they wouldn't be salvageable later, but my budget constrained me.  Because of this so many of the sources were recorded through poor-quality mic preamps.  If the WA-412 was available back then I likely wouldn't have had to settle for poor, low-quality tone. The WA-412 was designed "for the people" (if you will) and we believe it will become a serious work-horse in many professional and home studios. - Bryce Young (founder)More features.The WA-412 has all of the features one would expect from this style of preamp... and more. Output Trim is available on every channel for precise control and creative gain structuring. A Tone switch (transformer input impedance) is also available on each channel, which allows you to choose between a warm and punchy classic console tone, or go for a more open & neutral sound.Better components.Each channel utilizes a fully discrete socketed 6-pin opamp that can be swapped with other opamps. Discrete opamp circuitry is known for its high headroom and low distortion characteristics and has much to do with the coveted sound of these classic console preamps.  All input and output transformers that are made in the USA by high-end transformer manufacturer, Altran. We worked closely with Altran to create unique transformers that extend the low frequency response of these classic preamps. The transformers also use a vintage winding technique that produces a very distinct smooth BIG character. Carefully choosing the WA-412 components has resulted in an amazing four channel ‘workhorse’ preamp/DI that performs at the highest levels, while still adding vintage console magic to your signal.Specificaions:4 Channel Microphone Preamplifier + Instrument DIFully discrete, transformer coupled, through-hole component topologyAltran USA custom wound, premium input and output transformersX520 discrete op-amp in every channel, socketed for convenience. Can be user-replaced with most 6 pin, discrete op-amps for varying flavor & tone65db of gainInputs - Microphone XLR & Active Instrument 2Meg ohm HI-ZOutputs - Transformer balanced XLR & TRSTONE button input impedance - Switches from 600 ohms to 150 ohms (affects the tone of both the mic and HI-Z inputs)-20db pad - pads both mic and instrument DI inputsSelf noise:

1.220 €

Warm Audio WA-MPX

The WA-MPX is an authentic reproduction of the vintage tape machine tube preamp that started the birth of rock ‘n’ roll known for pure analog warmth, delivering an impressive 300v of raw power & 90dB of tube gain. During the golden era of tape recording, the original 351-style tube preamp became the kings of studio tech and signature sound in the signal chain of hit recordings for artists including Elvis Presley, Bing Crosby, Les Paul, Nat King Cole, and Roy Orbison and producers like Steve Albini- a timeless sound that continues to be pursued by elite audio engineers today. With premium components, true-to-original circuit design, and selectable tape saturation, the WA-MPX authentically reproduces all the analog tone of the original to bring vintage warmth & color to your sound.

678 €

Warm Audio WA-73 EQ

The 1073 Legend Lives in Warm Audio's Splendid WA73-EQThe legendary 1073 wrote the book on characterful mic preamplification and EQ. These venerable circuits helped define the punchy sound of '70s rock — and countless recordings and live concerts ever since. Today, this coveted tone can be yours for a song, with the Warm Audio WA73-EQ mic/line/instrument preamp. In both design and performance, the WA73-EQ pays homage to the revered British console lineage that started it all. Throughout the audio industry, the 1073 is considered the holy grail of preamps and EQs, with a rich, sweet, and bold tonality that's ideal for making audacious statements with your music. After years of R&D, painstaking reverse-engineering, and countless hours of listening, Warm Audio captured the sonic essence of this classic perfectly in their boutique WA73-EQ. With 80dB of gain and a fully discrete transformer-balanced signal path, the sound is a revelation: harmonically rich bottom end, focused midrange, and slightly resonant highs.Handcrafted with top-quality parts Boasting weapons-grade build quality with discrete, handwired Class A circuits and top-drawer parts such as UK-made Carnhill transformers and Blore Edwards mil-spec, dual-concentric switch pots, the WA73-EQ has 80dB of gain on tap so you can capture subdued sources with your favorite ribbon mic. Your ribbons and condensers will sound heavenly; you'll even be gobsmacked when you hear how authoritative your dynamic mics sound. Cranking the input stage and backing off the output gain enhances your tracks with tasty vintage-style coloration. Topping off the feature set is an instrument jack, polarity reverse, 48V phantom power, and switchable impedance for tonal variation and to optimally match a variety of microphones.Optimize every source — and microphone There is no source that doesn't sound amazing through the Warm Audio WA73-EQ. With judicious mic selection and placement, drums are larger-than-life; DI bass and keyboards sound massive and synths become trance-inducing; electric guitars soar; vocals rule. Pianos and acoustic guitars are resplendent. Orchestral instruments — strings, woodwinds, brass, and percussion — achieve ineffable lushness and dimension. You can even use the WA73-EQ as a tone-shaping tool to run stems or complete mixes through. Hear what the WA73-EQ can do for your own recordings. It's transformative.Definitive British EQ The EQ section of the WA73-EQ adheres to the classic 1073 circuit topology. The vintage 1073 is the holy grail of EQ, and the WA73-EQ nails its sonics and behavior (complete with its fabled harmonic distortion). It's a three-band affair, with HF shelving at 10, 12, and 16kHz; midband peaking with selectable center frequencies at 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, and 7.2kHz; and LF shelving, selectable at 35Hz, 60Hz, 110Hz, and 220Hz. A highpass filter, selectable at 50Hz, 80Hz, 160Hz, and 300Hz, lets you trim your signals of unwanted low end. If you've never worked with a 1073-style EQ before, all we can say is: you're in for a serious treat. It's worth noting that the original 1073 offered only a fixed 10kHz shelf, and the additional high-frequency flexibility afforded by the WA73-EQ is most welcome.UK Custom Carnhill transformers 1073-loving engineers at Sweetwater perk up when the conversation turns to the component history of these classic circuits, and signal transformers are a frequent topic of discussion. Vintage 1073s used different transformer variants throughout their production run; but the most coveted were the very first ones made by Marinair Radar, due to their fluid and forgiving nature that saturates sweetly when pushed. They have been known to bring engineers to tears when they hear how gorgeous their mixes sound through them! Warm Audio turned to Carnhill Transformers of Cambridgeshire, UK, to design meticulous replicas of these most desirable early 1073 transformers. The results are stunning, and — to our ears — tantalizingly close to early vintage 1073s.Warm left no stone unturned A vital yet not-often-discussed component of these classic British circuits is the different types of capacitors and output transistors used. To maintain the integrity of the original circuits, Warm decided to use high-quality tantalum and polystyrene capacitors in the signal path and an output transistor choice that delivers smoother results at higher gain settings than what is commonly found in today's 1073-style preamps. All considered, Warm Audio's monumental effort to design a no-compromise product has paid off handsomely. You'll appreciate this every time you plug into the WA73-EQ and hit record.Warm Audio WA73-EQ Mic/Line/Instrument Preamp and EQ Features: Handwired and hand-assembled, single-channel 1073-style preamp/EQFully discrete, Class A, transformer-balanced circuitryUK-made Carnhill Transformers80dB of gain handles any type of microphone, including low-output ribbonsResistor-stepped rotary gain switch for easy recallTone button changes input transformer impedance for mic optimization and tonal shapingPolarity switch48V phantom power4-position inductor-based highpass filter, selectable for Off, 50, 80, 160, or 300HzInductor-based 3-band equalizationLow-band boost/cut at 35, 60, 110, or 220HzMid-band boost/cut at 360, 700, 1600, 3200, 4800, or 7200HzHigh-band boost/cut at 10, 12, or 16kHzAdditional high-band frequency EQ points added (compared to vintage 1073)XLR mic inputLine-level TRS inputTS Send/Receive insert jacksXLR and TRS line-level outputsDI instrument inputOutput level controlLED level indication meterRugged 19" rackmount chassisGround lift switchInternal IEC 115V/230V power inlet

875 €

Golden Age Project PRE-73 MKIV

Classic British Console Sound on a BudgetThe Pre 73 MKIV is Golden Age Audio’s latest and greatest update to their best-selling ‘73-style preamp series. The spirit of classic British consoles lives on in the Pre-73 MKIV, and it sounds warm, punchy, sweet, and musical. Use it to add tone and color to your favorite mics, or keep things clean; it also doubles as a line-level preamp and DI box for electric guitar and bass. Get classic console tone—and get the most out of your mic locker.Classic console color—if you want itGet vintage color and punch by cranking up the Gain knob without fear—a dedicated Output control lets you attenuate the signal so you can drive the preamp without overloading your interface inputs. Engage the -14dB pad for even more control of hot signals, or keep things clean and transparent by backing off on the Gain and turning up the Output. Further sculpt your tone via the selectable low-pass filter to eliminate unwanted low-end rumble at the source, and use the selectable top-end Air EQ to add some shimmer and presence to your top-end. Use the Low-Z switch to toggle between 1200 or 300 Ω resistance and hear how your mics react!Connect to anythingThe Pre-73 MKIV’s switchable +48v mic input lets you use both condenser and dynamic microphones, while its 80 dB of Gain make it ideal for use with sensitive ribbon microphones on delicate sound sources. Line- and instrument-level inputs allow further connection to nearly any audio source, and you get an Insert jack for using external processors like EQs and compressors. You have your choice of TRS or XLR out.Quality firstTrue to classic preamps of yesterday, the Pre 73 MKIV was designed with a focused attention to component choices and build quality not found in other preamps near the same price. No surface-mount components or integrated circuits are used, and all inputs and outputs are transformer-balanced, using two different purpose-optimized transformers. Its external power supply eliminates the risk of self-noise, and its metal half-rack chassis is both sturdy and portable.

344 €

Golden Age PRE-73 DLX mkII

The PRE-73 DLX is a one-channel vintage style microphone-, line- and instrument preamplifier.The signal path uses only discrete components like resistors, capacitors and transistors. The line and microphone input and the line output are transformer balanced, using three different transformers, each one optimized for its purpose.This is the way audio components were built before integrated circuits became available. The subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment.The circuit used in the PRE-73 DLX is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres.The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.The PRE-73 DLX has a number of improvement and new features compared to the PRE-73 MKII:- Tantalum capacitors in the signal path.- Selectable 1073-style high pass filter, 50Hz, 80Hz, 160Hz and 300Hz.- Output Attenuator -7, -14, -21 and -28 dB (located after the output transformer) allows overdriving the output stage and the output transformer for added character by lowering the output signal to a suitable level.- The circuit board is prepared for Carnhill Mic and Line transformer and high pass inductor.- The Insert jack can be switched in/out from the front panel. An internal jumper can select that the Insert jack always has an output signal.- Switchable 600 ohm Output Termination and Ground Lift on the back panel.- Selectable Active or Passive DI input and selectable input impedance in active mode, Hi Z or 100 kohm, by internal jumpers.- The DI can signal can be selected to pass or bypass the mic input transformer by internal jumpers.- Relays are used to control internal switching for DI input, Phantom power, Mic Low Z, Insert and Phase for shorter circuit board signal paths. The relays are controlled by front panel switches.- Revised gain switch for added headroom.- Circuit board star grounding scheme.- Revised power supply with separate regulators for the audio circuits and relay and LED circuits.

417 €

Golden Age PRE-73 Jr mkII

The small version of the PRE-73 offers the same sound as its big brother in a super-compact 4.75" chassis at an unbeatable price. Thanks to the insert jack on the back, the manufacturer's EQ units can be easily combined with the Preamp. In addition, a DI input is located on the front, so that instruments can be preamplified in addition to all common microphone types. The Mk II also offers the user a 2-stage high-pass filter and the popular Air EQ in 2 stages. With a subtle boost at 30kHz, the audio material is significantly upgraded; it sounds more refined, HiFi-like and gets a pleasant presence in the mix.Due to the high level of low-noise preamplification, the PRE-73 is also suitable for low-level dynamic microphones such as the Shure SM7B, the Electro Voice RE20 or ribbon microphones.

273 €

Manley Core

Manley designed the Core reference channel strip so that you can hit record and focus on your performance, not your signal chain. It sports the quality, performance, and flexibility their VOXBOX is known for, at a price that makes it accessible to any serious artist or engineer. You get a world-class Manley mic pre, followed by a 3:1 ELOP style compressor for effortless dynamic control. Engineers at Athens Mastering are ecstatic over the active Baxandall EQ, and a fast attack FET brickwall limiter at the end of the chain protects your converters from accidental clipping. Even if you plug right in without tweaking a single knob, you're sure to get an amazing sound.Manley Core Reference Channel Strip Features:Easy to use and awesome-sounding channel strip based on the award-winning VOXBOXClass A tube mic preamplifier with Manley's hand-wound transformersDirect input uses the same circuit as the Manley SLAM! for fantastic direct-instrument recordingsELOP compressor with 3:1 ratio tames any signal transparentlyBaxandall EQ with low/high shelving and sweepable mid for flexible sonic sculptingFast attack FET brickwall limiter ensures you don't clip your converters during recordingFlexible metering can display input, output, and compressor gain reduction levels 

2.545 €

Grace Design M201 mk2

High Fidelity Microphone Preamplifier Like the updated m801mk2, our freshly redesigned m201mk2 provides a full serving of our unique brand of audio performance. It delivers massive headroom, ultra-wide bandwidth and a very open, musical character. The fully balanced signal path has been refined, resulting in incredible dynamic range. A new power supply design provides the lowest noise performance we have ever achieved. This all means the new m201mk2 will translate a sonic picture of astonishing clarity and detail, which captures the essential character of the music being recorded. Changes over the previous design find the m201mk2 more essential and a bit more paired down. We have eliminated the A/D option as this is functionality is now best served buy our current m108 8 channel mic preamp A/D. We have eliminated the M+S matrix and a few other functions to really focused on making the finest, purist style 2 channel mic preamp we can. These refinements also serve to bring the price down to where even more recording engineers can now afford Grace Design flagship mic preamp performance. The m201mk2 will bring out the very best in your entire microphone collection. Your favorite large diaphragm mics will sound like they were intended, with detail and texture in extra measure. Your humble dynamics mics will come alive with newfound dynamics and clarity. Ribbons mics will perform their best with our exclusive ribbon mic mode, which shifts the gain range up 10dB while deactivating 48V phantom power, bypassing the decoupling capacitors and optimizing the input impedance. FREQUENCY RESPONSE: @ 20dB gain ± 3dB 150Ω source: 3.2Hz-530kHz @ 20dB gain ± 0.2dB 150Ω source: 14.8Hz-109kHz @ 40dB gain ± 3dB 150Ω source: 3.2Hz-500kHz @ 40dB gain ± 0.2dB 150Ω source: 15.4Hz-103kHz THD+N: @ 20dB gain +20dBu out, 1kHz:

2.450 €

Grace Design m101

Ιn 2000, the model 101 helped fuel a revolution. When people took professional recording into their own hands, it was there with all of the quality and performance of a high-end mic preamplifier, but with a price that made it available to the masses. 8 years later, and the cause moves forward with the newly redesigned m101.With its impressive list of new features, the m101 is ready to give any mic preamplifier a run for its money. Consider the new audio signal path with 0.5% precision metal film resistors, 12 position gold plated rotary gain switch, a built-in universal AC input module, or our exclusive RIBBON mic mode - and the picture becomes clear: This is now a fully professional, state of the art precision mic preamp that roundly outperforms anything in its class. All this at the same affordable price of the original model 101.  From podcast to concert hall, the m101 brings the build quality, refinement and performance to revolutionize any recording facility Fast and musical transimpedance architectureUpdated audio path with 0.5% precision metal film resistors New 12 position gold plated rotary gain switchHigh performance output line driver amplifier and HPF amplifierNew Ribbon mic mode (also great for dynamic mics)-  Relay bypass of phantom power decoupling capacitors, increased input impedance, and 48V lockoutWider 10-75dB gain range Enhanced RFI interference suppression Three output connectors: XLR balanced, TRS balanced and Ό” unbalancedBombproof laser-etched black anodized frontpanelSealed gold contact relay for Hi-Z input switching Built in power supply / no wall-wart! Led indicators for +48V, Ribbon mode, and HPFFive year warranty on parts and labor Made in the USA

1.100 €