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Large Diaphragm Condenser

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THE SMART CHOICEEdge Go is the world’s first Smart USB microphone. It combines the ease and convenience of a digital mic with the flexibility and sound quality of an entire recording studio.Record or stream live with the kind of fidelity only a professional microphone with high-end audio converters can deliver. Experience polished and immediate results, thanks to authentic-sounding effects and presets done by top audio pros.18 VINTAGE MIC MODELS INCLUDEDWith Antelope Audio’s premium mic modeling technology, the Edge Go can pick up the personality and characteristics of almost any condenser microphone. Just like you, we shoot for the stars. So we went on to recreate nothing but resolute studio classics from all over the world – Germany, Japan, England, Austria, America. Each microphone was meticulously analysed and measured in Europe’s finest facility, then brought to life digitally with the power of Synergy Core processing. Have fun hearing your voice through vintage microphones that remain unattainable for anyone but the utmost connoiseurs!20 Synergy Core FX IncludedThe premier Synergy Core effects processing platform is integrated in our USB modeling mic. With 1xDSP and 1xFPGA running, the Edge Go is not only a mic that captures high-resolution audio in crisp detail but also a portable studio with built-in effects. Play around with true-to-life microphone and preamp models. Explore the coveted sounds of iconic and highly sought-after equalizers and compressors. Add reverb for a sense of space and tape saturation for vintage warmth. Remove breaths and pops with PowerGate. All possible with real-time monitoring and imperceptible latency.Fill Up Your CollectionAdd more flavor to your sound and stand out with distinct vocals. In our selection of vocal oriented expandable effects you can find a vibrato, a synth-like effect, a compressor modeled after an iconic unit from the 1950s and more. Switch up the pitch, combine it with an expressive range of tone and you are already ahead of the game.REAL-TIME LIVE MONITORINGUPGRADE YOUR EDGE GO WITH AUTO-TUNE SYNERGYBuilt from the ground-up for the Synergy Core platform, Auto-Tune Synergy adds live pitch correction to the Antelope Audio experience.Industry-leading pitch correction anytime you need it – live, during recording, and at mixdownFully adjustable Retune Speed, Flex-Tune, and Humanize parameters with Auto-Key automatic key and scale detectionReal-time, low latency performance with the Edge Go modeling microphone and any Antelope Audio Synergy Core interface‘Classic’ mode pays homage to the legendary “Auto-Tune 5 sound” heard on countless hit recordsUSB-C READYThe Edge Go is a modern device with USB-C connectivity. However, having an USB-C port on your computer isn’t mandatory. Edge Go works just fine plugged into a standard USB Type-A port!A PORTABLE STUDIOWhat does a recording studio comprise? An acoustically optimal space with piles and piles of gear – microphones, preamps, converters, master clocks, equalizers, compressors, reverbs, and so on. Picture all of that inside your head. Ready? Now try fitting it all inside a desktop USB mic. Or, better yet, don’t, because we already did the work for you. Our premium audio technology and Synergy Core FX platform, built into the Edge Go, lets us recreate all of that – in an incredibly lifelike, true-to-form manner. The Edge Go is a complete studio experience contained within a microphone. Welcome to the future!LIVE STREAMINGWith low latency mic models and effects working their magic on your voice, Edge Go makes studio quality live streaming possible – with minimal effort on your part. Technology is no longer a bottleneck. Let your audience hear the best of you!

1.525 €
12 Interest Free Instalments 127,08€ / month
Upon Order

The WA-47jr is an FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years.  The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and broadcast applications.  The WA-47jr sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources.​The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage design.  Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability that allows the most important sonic piece of the classic mic to be heard and influence the tone and signature of the WA-47jr.  The WA47jr's low-noise and discrete signal path, when paired with this excellent true '47 style capsule, allows it to obtain a very similar tone to the classic ‘47 microphone, but at a much lower price tag.  The WA-47jr utilizes the same k47 style capsule found in our flagship WA-47 tube condenser microphone.  Quality components make a better mic.The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage part.  Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability.  The WA47jr's low-noise and discrete signal path then paired with an excellent true '47 style capsule allows this mic to obtain a very similar tone to the classic ‘47 microphone at a much lower price tag.  Specifications:FET transformerless '47 style condenser microphone.Custom true '47 capsule reproduction (k47 style) - Model# WA-47-B-80v.  Capsule makeup: Gold sputtered, dual large diaphragm, single backplate, 6 microns NOS mylar (PET film).Fully discrete signal path, Toshiba FET’s, Wima film capacitors, Panasonic electrolytic capacitors.Polar Patterns: Cardioid, figure-of-eight, and omnidirectional.High-pass filter: 70HzPad: -10dbSelf-noise: 9dBADynamic range: 138dBAMaximum SPL: 147/157dB (@1kHz 1kOhms 0.5% THD, 0/-10dB)Frequency Range: 20 Hz~20 kHzSensitivity: 10mV/Pa or -40dBOutput Impedance: 100 ohms​

295 €
12 Interest Free Instalments 24,58€ / month
Upon Order

Capture every detail, every time  Designed for musicians and performers who demand outstanding audio quality, the PreSonus PX-1 cardioid condenser microphone is an ideal solution for recording vocals, guitar, podcasts, and much more. A true large-diaphragm condenser microphone, the PX-1 features a 25mm, gold-sputtered capsule designed to provide exceptional clarity throughout its frequency response range. Rugged construction and top-quality performance specifications make the PX-1 large diaphragm microphone an excellent addition for any home recording or streaming studio.

115 €
12 Interest Free Instalments 9,58€ / month
Pending

The TF39 Copperhead Deluxe is an expansion of the “Copperhead” sound with the addition of a dual membrane K67-style capsule, allowing for 3-pattern selection between cardioid, omnidirectional, and figure-8. This added feature set gives the TF39 greater flexibility and options in the studio. Sonically and component-wise, the two microphones are otherwise the same. Circuit Design The TF39 features a new old stock American-made 5654W vacuum tube, all-brass K67-style capsule, and a premium Swedish-made Lundahl output transformer. These components create a balanced frequency response and natural tonality, making the TF39 a trusty go-to choice. Audio Comparison Listen to the distinct voices of the Alchemy Microphone Series; the "Copperhead" sound of the TF29 and TF39, the "German" voiced TF47, and the "Austrian" voiced TF51. Compare the sonic characteristics of each voice on classic studio applications like drum overheads, guitar cabinets, and vocals. Accessories Every TF39 Copperhead Deluxe microphone system comes with a multi pattern M 903 Power Supply, M 803 Tube Microphone Cable, ZC03 Shell Case, M 703 Shock Mount, M 782 Stand Mount, and Microphone Sleeve.

1.960 €
36 Instalments 67,67€ / month
Upon Order

INTRODUCING AN UPDATED AND UPGRADED '87 STYLE FET CONDENSER MICROPHONE WA-87 R2: Updated And Upgraded In 2016, we at Warm Audio introduced one of the most talked-about 87-style FET condenser microphones in the industry with the release of the WA-87, and at just $599 USD it made the looks and authentic vintage sonics of this style of mic affordable to customers for the very first time. Simply put, the release of the WA-87 changed the industry’s perception of what could be achieved at an affordable price.  Based on classic 60s circuitry, the WA-87’s rich sound became a favorite of countless producers, engineers, and home recordists everywhere.  It was our first microphone and a verifiable hit, and in recent years we’ve followed it with many other successful and ground-breaking designs. Since the release of the WA-87 in 2016 we’ve learned a bunch more about microphone manufacturing, and we’ve proven that we can shatter the industry’s quality expectations at affordable prices. That experience drove us to see if we could improve the WA-87 in tangible ways without having to raise the price, and the result is the new WA-87 R2 (Revision 2). We’ve used everything we’ve learned about recreating vintage microphones in the last five years to bring it even closer to the sound, vibe and performance of the original 60s classic we all know and love. We’re ecstatic to bring you the result – in short, the new WA-87 R2 is bigger, bolder and just plain better! A Faithful Reproduction With Top-Shelf Components The WA-87 is based on a classic 60s circuit that is widely considered to be one of the greatest studio microphones ever designed. We spent countless hours trying to get even closer to the sound of the vintage version than we had with the WA-87, so the new WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. We also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics. The result is an incredibly accurate sonic replica of arguably the widest-used studio microphone in popular recording history! The Most Versatile Mic In Your Locker Just like the vintage microphone, the WA-87 R2 excels at recording virtually anything. Three polar patterns (cardioid, omni, and figure 8) make sure you’re covered for a wide variety of applications, and an 80Hz high pass filter reduces low-frequency rumble if needed. The switchable -10dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics. The WA-87 R2 works brilliantly on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings, and more. Not only that, it’s the same price as the original WA-87, so you can afford to have several in your mic locker! Stunning In Sound And Appearance The WA-87 R2 is now encased in a heavier, stronger and larger nickel-plated brass body, and the new rounded head basket shape adds additional space around the capsule for a more pleasing sonic signature. With authentic vintage warmth and a smooth detailed top end, we truly believe this mic performs on par with microphones costing five times as much or more. No matter what else you’ve got in your mic locker, the WA-87 R2 is sure to become one of your favorite go-to microphones! Technical Specifications: LARGE DIAPHRAGM STUDIO CONDENSER MICROPHONE, WITH A FAITHFUL REPRODUCTION OF THE ORIGINAL VINTAGE 87-STYLE CIRCUIT ALL DISCRETE PREMIUM COMPONENTS, INCLUDING A NOS FAIRCHILD TRANSISTOR AND WIMA/NICHICON CAPACITORS CUSTOM CINEMAG USA OUTPUT TRANSFORMER WA-87-B-50V CAPSULE—REPRODUCTION OF CLASSIC DUAL BACKPLATE (FOUR-WIRE TERMINATION) K87 CAPSULE NICKEL-PLATED BRASS BODY THREE POLAR PATTERNS: CARDIOID, FIGURE-OF-EIGHT, AND OMNIDIRECTIONAL  -10DB PAD AND 80HZ HIGH PASS FILTER FREQUENCY RESPONSE: 20HZ – 20KHZ SPL: .5% THD @ 125DB (WITHOUT PAD), 132DB DIAPHRAGM: 6-MICRON THICKNESS, GOLD-SPUTTERED MEMBRANE, NOS MYLAR (PET FILM) NOISE: -117DB INCLUDED ACCESSORIES: WOODEN STORAGE CASE, HARD MOUNT, AND SHOCK MOUNT (OPTIONAL FLIGHT CASE AVAILABLE) WEIGHT (FULLY BOXED): 6.5 LBS / 3 KG COLOR: AVAILABLE IN NICKEL OR BLACK FINISH

634 €
12 Interest Free Instalments 52,83€ / month
In Stock

High sensitivity and extremely low self noiseFive switchable polar patterns for placement and application flexibilityTwo-color LEDs provide quick visual indication of selected polar pattern and output overloadElastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibrationH 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen.A classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments.With the introduction of the NeXt Generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of the legendary C 414 unaltered.Additional features:High sound pressure level capability and wide dynamic rangeCompletely immune to electrostatic and electromagnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stageThree switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indicationAll switchable components operate in low impedance circuits for ultra-high reliability even in extremely humid conditionsAlso available in stereo pair C 414 B-XL II/ST.

887 ,94 €
36 Instalments 30,65€ / month
Available in warehouse

SOUND LIKE A LEGENDThe WA-251 was created to offer a classic microphone design to a new generation of recording artists at an affordable price. We spent a great deal of time listening to different ‘251 microphones to determine what people liked about them and why, how various styles of components impact the tone, and how to give the WA-251 microphone a signature that pays homage to the vintage classic, but also stands out on its own.The WA-251 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern, large condenser microphone, based on the classic ‘251 that has been used on countless hit records for the last 50+ years. The WA-251 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. DESIGNThe classic ‘251 became extremely popular as a vocal microphone in the 1960’s and is now considered to be one of the greatest condenser microphones ever created. The classic ‘251 is still widely used today in professional recording studios but has become extremely rare and cost prohibitive to acquire.Designing our WA-251 to sound like the classic ‘251 was no easy task, especially since some of the vintage components are no longer manufactured or available. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before.SPECIFICATIONS CUSTOM WA-12-B-60V EDGE TERMINATED, DUAL-BACKPLATE, ALL-BRASS VINTAGE CK12-STYLE CAPSULE CINEMAG USA OUTPUT TRANSFORMER JJ SLOVAK 12AY7 VACUUM TUBE GOTHAM 5 METER GAC-7, 7-PIN TUBE MICROPHONE CABLE WIMA, SOLEN FRENCH, AND POLYSTYRENE CAPACITORS POLAR PATTERNS: 3 PATTERNS - CARDIOID, OMNI, FIGURE-OF-EIGHT FREQUENCY RANGE: 20 HZ~20 KHZ OUTPUT IMPEDANCE: 200 OHMS MAXIMUM SPL: 132DB (

769 €
12 Interest Free Instalments 64,08€ / month
In Stock

Το πιο δημοφιλές μικρόφωνο στην ιστορία των ηχογραφήσεων bundle μαζί με την αράχνη του. To U87 είναι ενα πυκνωτικό μικρόφωνο μεγάλου διαφράγματος για ηχογραφήσεις φωνής και οργάνων. ΧΑΡΑΚΤΗΡΙΣΤΙΚΑ:Acoustical operating principle Pressure gradient transducerDirectional pattern Omnidirectional, cardioid, figure-8 plusFrequency range 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa*Rated impedance 200 ohmsRated load impedance 1000 ohmsEquivalent SPL CCIR 468-3 26/23/25 dB*Equivalent SPL DIN/IEC 651 15/12/14 dB-A*S/N ratio CCIR 468-3 68/71/69 dB*S/N ratio DIN/IEC 651 79/82/80 dB*Maximum SPL for THD 0.5% 117 dB (cardioid)Maximum SPL for THD 0.5% with preattenuation 127 dBMaximum output voltage 390 mVDynamic range of the microphone amplifier cardioid DIN/IEC 651 105 dBSupply voltage 48 V ± 4 VCurrent consumption 0.8 mAMatching connectors XLR 3FWeight 500 gDiameter 56 mmLength 200 mm 

2.849 €
36 Instalments 98,36€ / month
Available in warehouse

The Reference Cardioid Microphone shares the same electronic attributes as the Gold Reference Series, but has a center-fixed cardioid-only capsule with a thicker gauge (6 micron) gold sputtered diaphragm. With the similar film thickness and construction, similar high frequency resonance (a little edge), similar proximity effect and pretty good immunity from pops and sibilance problems, our Reference Cardioid more closely recalls how many of the vintage European tube mics such as the beloved U47 sounded like when they were new. Its rich tonal balance and liquid character is consistently admired for instruments such as guitars, drum overheads, saxophone, and especially vocals. With your present mic, if you find yourself leaning on your compressors and boosting 5 or 10K to score a bit more testosterone, then the Reference Cardioid just might be the mic you’re looking for to cure what ails ya. If you seem to be constantly boosting 12-18K and trying to get a clean, intimate sound, then probably the Reference Gold would be the safest bet. Specifications:All-Tube triode design 12AT7 (2011 build. Previous versions used 12AX7 and 6072.)-10 dB switchable padFrequency response: 10Hz-30KHzSensitivity: 17mV/PaNoise typically -120dB EINMax SPL: 150dBActual output impedance 200 OhmsWeight: 2.25 lbs (mic)Weight: 2.5 lbs (PSU)Size: 4.5" x 9.7" x 4.5" (mic)Size: 5" x 8.2" x 3.4" (PSU)Shipping weight: 15 lbsSelected matched pairs availableOutboard Power Supply is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.Operating Mains Voltage changeable with power transformer re-wiring via internal jumpers and fuse value change.Mains Voltage Frequency: 50~ 60HzMains Fuse: 250mA @ 100~120V; 125mA @ 220~240V operationPower Consumption: 70mA @ 120V = 8.4 Watts 

3.295 €
12 Interest Free Instalments 274,58€ / month
Upon Order

The WA-8000 is a nod to a very special large diaphragm tube condenser microphone that made its way onto countless platinum recordings starting in the early 90s and continuing today. The sound of this mic has delivered hits for artists ranging from Dr. Dre, Mariah Carey, Boyz II Men and Brian McKnight to Eminem, Rihanna, Drake and more. The original stood out, boasting a natural and open top end, supremely clear midrange, and the ability to render detail in a vocal performance unlike most other mics on the planet. The WA-8000 rises to the occasion and delivers all that top end, beat by beat, at a price that will leave you hypnotized.

1.099 €
36 Instalments 37,94€ / month
In Stock
New

The FC 3 is a high quality dual capsule condenser microphone, inspired by classical microphone models. The FC 3 is a very versatile microphone with a wide frequency response and a large dynamic range. It will perform great in the studio or in live sound and broadcast applications. It΄s sound character is similair to vintage microphones and it is well suited to be used with most instruments and voices. Use it on vocals and choirs, acoustic and electric guitars and other fretted instruments, as a drum overhead or room mic and in any other application where you would use a big capsule condenser mic. The FC 3 is, in spite of it΄s low cost, suitable for critical recording applications.  

178 €
12 Interest Free Instalments 14,83€ / month
Upon Order
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The Audio Technica AT4050SC is a multi-pattern condenser studio microphone. It has dual 2-micron-thick large diaphragms which are gold-vaporized and aged for consistent, outstanding performance and a precision-machined, nickel-plated brass acoustic element baffle provides rock-solid element stability and exceptional sensitivity. It is able to withstand high sound pressure levels whilst delivering transparent and airy uppers/mids complemented by rich low-end qualities. Features include three switchable polar patterns (omnidirectional, cardioid and figure of eight), a switchable 80Hz hi-pass filter and 10dB pad, transformerless circuitry which virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients, and a custom shock mount providing superior mechanical isolation. It has a black finish and comes supplied with a AT8430 isolation stand clamp.Specifications:transducer type condenserpolar pattern cardioidfrequency response 20Hz - 20kHzsensitivity -34dB (19.9mV) re 1V  1Panominal impedance 50Ωsignal to noise ratio 78dB 1kHz  1Pamax sound pressure level 145dBself noise 16dB SPLpower requirement 48V DC phantom powerconnector 3 pole male XLRdimensions 155mm L x 21mm Dweight 126g

740 €
36 Instalments 25,55€ / month
Upon Order

Το Sphere L22™ είναι ένα καινοτόμο μικρόφωνο από την Townsend Labs το οποίο προσομοίωνει τα χαρακτηριστικά των πιο γνωστών πυκνωτικών μικροφώνων μεγάλου διαφράγματος με εξαιρετική ακρίβεια και επιτρέπει την επιλογή τύπων και πολικών διαγραμμάτων ακόμα και μετά την ηχογράφηση.Το Sphere™ είναι ένα σύστημα, το οποίο αποτελείται από ένα υψηλής ακρίβειας dual channel μικρόφωνο, σε συνδυασμό με το Sphere DSP plug-in (UAD, VST, AU, AAX Native). Αναπαριστά με ακρίβεια την απόκριση, τα χαρακτηριστικά και τη συμπεριφορά από μια μεγάλη γκάμα γνωστών και θρυλικών μικροφώνων.Τώρα μπορείτε να: Ηχογραφήσετε με ποιότητα και ήχο μικροφώνων που μέχρι τώρα ήταν άπιαστο όνειρο! Αλλάξετε τύπο μικροφώνου, πολικό διάγραμμα και άλλα χαρακτηριστικά μικροφώνου ακόμα και μετά την ηχογράφηση! Έχετε δυνατότητα αλλαγής ήχου μικροφώνων χωρίς να κουράζεται ο καλλιτέχνης,τραγουδιστής ή μουσικός. Απαλείψετε ή να διορθώστε οποιδήποτε ανεπιθύμητο χρωματισμό χώρου ή άλλων προβλημάτων ηχογράφησης χρησιμοποιώντας το Off-Axis Correction™ Έχετε δυνατότητα στέρεο ηχογράφησης από ένα μόνο μικρόφωνο. Ονειρεμένη συλλογή Αποκτήστε πρόσβαση σε μερικά από τα πιο βραβευμένα μικρόφωνα όλων των εποχών, Συμπεριλαμβανομένων των 47 (με VF14 tube), 67, M49, και C12. Μικρόφωνο Sphere L22 Το σύστημα του Sphere χρησιμοποιεί υψηλής ανάλυσης, μεγάλου διαφράγματος πυκνωτικού μικρόφωνου L22 δύο καναλιών, ειδικά σχεδιασμένο ώστε να μπορεί να "λαμβάνει" και τις τρείς διαστάσεις του χώρου με εξαιρετική ακρίβεια . Κατασκευασμένο με ιδιαίτερα "σφιχτές" ανοχές , το L22 διαβεβαιώνει πιστό και άρτιο modeling . Επεξεργασία UAD σε πραγματικό χρόνο Με τις κάρτες ήχου της Universal Audio Apollo, μπορούμε να χειριστούμε και να επεξεργαστούμε σε πραγματικό χρόνο και με εξαιρετικά χαμηλό latency ( 1.6ms σε δειγματοληψία 96kHz) σε μορφή AAX, VST και AU. . Μικρόφωνο Sphere L22 Το σύστημα του Sphere χρησιμοποιεί υψηλής ανάλυσης, μεγάλου διαφράγματος πυκνωτικού μικρόφωνου L22 δύο καναλιών, ειδικά σχεδιασμένο ώστε να μπορεί να "λαμβάνει" και τις τρείς διαστάσεις του χώρου με εξαιρετική ακρίβεια . Κατασκευασμένο με ιδιαίτερα "σφιχτές" ανοχές , το L22 διαβεβαιώνει πιστό και άρτιο modeling . Πως Λειτουργεί: Το μικρόφωνο Sphere L22, χρησιμοποιώντας δύο κάψες με δύο αυτόνομες εξόδους, καθιστά εφικτή την σύλληψη τεράστιας λεπτομέρειας και πληροφορίας χώρου, όπως, κατεύθυνσης και απόστασης, πληροφορίες που με ένα συμβατικό μικρόφωνο μονής κάψας θα είχαν χαθεί.Αυτό επιτρέπει στο σύστημα του Sphere να αναπαράγει τον τρόπο με τον οποίο διαφορετικά μικρόφωνα αντιδρούν στον εκάστοτε χώρο Το Sphere L22 αποτελείται από ένα υψηλής ευκρίνειας μικρόφωνο, δύο καναλιών, και ένα audio plug-in για το DAW σας. Το plug-in πραγματοποιεί όλη την διαδικασία μέσω DSP, ώστε να προσομοιώσει όλα τα διαφορετικά μικρόφωνα. Η χρήση plug-in , αντί για ενσωματωμένη DSP επεξεργασία στο μικρόφωνο, έχει σαν αποτέλεσμα και προτέρημα την δυνατότητα επιλογής και αλλαγής, από τον χρήστη, διαφορετικών ρυθμίσεων, όπως τύπο μικροφώνου και πολικό διάγραμμα, ακόμα και μετά την ηχογράφηση. Αξεσουάρ: Η συσκευασία περιλαμβάνει: Το μικρόφωνο Sphere L22 Τα αξεσουάρ Breakout Cable10 (3 μέτρα) Shock Mount Swivel Mount Σκληρή βαλίτσα μεταφοράς Μαλακή προστατευτική θήκη

1.499 €
36 Instalments 51,75€ / month
Available in warehouse

Introduced in 1960, the U 67 was the quintessential studio workhorse throughout the formative years of modern music. Today, more than ever, its inimitably smooth sound continues to be in high demand. Now, for the first time in decades, Neumann’s legendary tube microphone is back in production, built to the original specifications.Introduced as the successor to the eminent Neumann U 47, a lesser microphone would have failed. But the U 67 was quickly adopted as the new studio standard, offering many advantages over its predecessor. With three selectable polar patterns and advanced tube circuitry, including low cut and pad switches, the Neumann U 67 was well-equipped for virtually any recording task. It still is: To this day, many top level engineers would choose the U 67 as their “desert island” microphone for its extraordinary versatility and unmatched sound quality.Neumann Engineering at Its BestThe U 67 was the first microphone equipped with the famous K 67 capsule, which has since become associated with “the Neumann sound” and continues to be used in its successor, the U 87 A. No less important is the U 67’s masterful tube circuit featuring a clever pre-emphasis/de-emphasis scheme to minimize tube hiss. The U 67 was also the first microphone to address modern recording techniques such as close miking. Its switchable low cut filter compensates for the proximity effect occurring at short recording distances. Using its preattenuation, the U 67 can handle high sound pressure levels of up to 124 dB without distortion (and much more if you don’t mind a bit of “tube grit”).As timeless as its sound and technical design is its outer appearance. The U 67’s cone-shaped body and the tapered headgrille have since become iconic for the Neumann brand; the same elegant design would grace its solid state successor, the U 87, for the next 50+ years.ApplicationsThe U 67 is a universal studio microphone suitable for all applications. Its smooth top-end with a subtle tube shimmer makes the U 67 an outstanding vocal microphone. Due to its essentially linear response in three polar patterns – omni, cardioid, and figure-8 – the U 67 is also a very versatile microphone for all kinds of instruments such as strings, woodwinds, brass, piano, drums, acoustic and electric guitar, bass guitar and upright bass.History RepeatingSonically, the current reissue is identical to the U 67 made from 1960–1971. It uses the same capsule and electronic design. Key parts, such as the BV 12 output transformer, are meticulously reproduced according to original documentation. EF86 tubes are carefully selected for optimal characteristics and lowest noise in a dedicated measurement facility. The power supply was redesigned to meet today’s strict safety requirements and to accommodate the slightly higher filament current of newer premium grade tubes. The new power supply NU 67 V is fully compatible with older U 67 microphones.* Reissue of the legendary Neumann U 67* Superb vocal microphone for male and female singers* Versatile microphone for all kinds of instruments* Made to original specifications using archived documentation* New power supply NU 67 V automatically adapts to the local mains voltage* Handmade and hand soldered in Germany

6.199 €
36 Instalments 214,01€ / month
Upon Order

The TLM 193 is a large diaphragm microphone with a cardioid polar pattern. With this microphone Neumann continues its long tradition, and is offering high end technology at an affordable price for musicians and the home recording studio. The microphone uses a transformerless circuit, featuring extremely low self noise and large dynamic range. The polar response is very linear over a wide incidence angle. Thus, even signals coming from the side are reproduced faithfully and without coloration. The exposed surface of the microphone capsule is at ground potential, making it immune to typical interference and contamination. The microphone is supplied with a swivel mount.Acoustical operating principle: Pressure gradient transducerDirectional pattern: CardioidFrequency range: 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohms: 18 mV/PaRated impedance: 50 ohmsRated load impedance: 1 kohmsEquivalent noise level, CCIR: 21 dBEquivalent noise level, A-weighted: 10 dB-ASignal-to-noise ratio, CCIR (rel. 94 dB SPL): 73 dBSignal-to-noise ratio, A-weighted (rel. 94 dB SPL): 84 dBMaximum SPL for THD 0.5%: 140 dBMaximum output voltage: 13 dBuSupply voltage (P48, IEC 61938) 48 V ± 4 VCurrent consumption (P48, IEC 61938): 3 mAMatching connectors: XLR3FWeight: 480 gDiameter: 49 mmLength: 175 mm

1.399 €
36 Instalments 48,30€ / month
Upon Order

Designed for musicians and performers who need great audio quality on a budget, the M7 is an ideal all-around recording solution for entry-level podcasters, singers, and musicians. The M7 boasts a warm frequency response that flatters the human voice. And thanks to the M7’s cardioid polar pattern, the M7 will brilliantly record the sounds you point it at, while downplaying the sounds you don’t. Last but not least, the M7 can rock hard when asked: Its 134 dB of SPL handling lets it wrangle loud instruments like cracking snare drums or electric guitar amps worry-free, something more expensive mics can’t always do. A hard mount, carrying case, and 10-foot XLR cable round out the M7 package, so you’re ready to start producing right out of the box!

58 €
Interest Free Instalments 9,67€ / month
Expected back in stock
05-12-2022

AT5045 Premier Studio Condenser Instrument Microphone Premier Studio Condenser Instrument Microphone A large diaphragm in a small body Available as a single mic or a stereo pair, the AT5045 offers the sound and performace of a large diagphram studio condenser microphone, in a small and easy to position stick type body. Despite its small size, the AT5045 has Audio-Technica's largest single diaphragm, larger than most large diaphragm condenser microphones on the market. Audio-Technica’s premium studio condenser instrument microphone Larger diaphragm surface area than most traditional large diaphragm condenser microphones on the market Stick design for easy and precise microphone positioning Pure and realistic sound quality; ideal for piano, overheads and acoustic instruments Discrete components carefully selected for optimized capsule performance High-SPL capability and extended frequency response Hand assembled and inspected for 100% quality control Elegant, durable housing of aluminum and brass “Easy and precise microphone positioning” The AT5045 is presented in a convenient stick design body, meaning you can easily position it in places that are not possible with other large diaphragm condenser microphones, making it a very versatile microphone. “Audio-Technica’s largest single element” The AT5045 uses Audio-Technica's largest single element, larger than that of most on the market, offering a pure and accurate sound reproduction that is perfectly suited to acoustic instruments. “Optimized capsule performance” Discrete components have been chosen to complete the circuitry, honing down to the very essentials, allowing optimized capsule performance and an unpresidented dynamic range. Innovative design The AT45045 offers a diaphragm larger than most on the market, but in a convenient, easy to position stick type body, made from durable aluminium and brass.  Large rectangular diaphragm The AT5045 has Audio-Technica's largest single diaphragm, offering imporoved transient response and increased bandwidth AT8482 Shock Mount An advanced-design custom shock mount provides superior isolation attenuating noise, shock and vibration Custom hard-shell carry case Custom hard-shell carry case with die cut foam compartments offers protection for one or two microphones

1.629 €
36 Instalments 56,24€ / month
Upon Order

Consistent performance Engineered and manufactured in Austria, its high sensitivity and low self-noise means it can handle everything from a whisper, to extreme SPLs without distortion, making it the perfect choice for studio, live and broadcast applications. The unique ceramic capsule design is so consistent, the OC18 can be match-paired with any other OC18 or paired with any OC818 set in cardioid mode.

724 ,16 €
36 Instalments 25,00€ / month
Available in warehouse

Limited edition OC818 Studio set with multiple polar diagrams (Omni, Figure8, Cardioid, HyperCardioid, etc), based on the new CKR12 Double Cockpit design with world patent for double-handed ceramic rings. Multiple polar charts can be checked in addition to the traditional manual way and through the free POLARPILOT application (Android and iOS) by placing the OCR8 Bluetooth adapter on the back of the microphone, giving the user the ability to adjust 255 steps from Figure8 to Omni , controlling the pad settings. All settings through the application are done in a digital environment, but the sound of the microphone does not change, it does not change and remains proportional. A further breakthrough is the dual output with a single front-rear cap allowing you to record on two separate channels that can be further processed and change the microphone pattern after recording via the dedicated cable / the adapter included in the package for the second outlet. 

999 €
36 Instalments 34,49€ / month
Upon Order

The making of Stealth - The Aston 33 and the blind testing process The Aston 33 (so named after the original members) is now a panel of more than 120 top producers, engineers and artists who work with Aston on new product development to ensure every mic is best in class before it is released to the market. They perform blind listening tests on a range of possible versions of each new mic, plus  ‘industry standard’ models from key manufacturers and vote on performance on a variety of sources (vocals, guitars and so on). In tests the panel do not know which mics they are listening to, so the resultant votes can’t be affected by brand reputation, or an expectation of how a certain microphone should sound. Some surprising results arose from the Stealth project testing. For example the prototype Stealth voicing that consistently came top in the voting for female vocal takes came off worst for male vocals and vice versa, regardless of the pitch of the singer! Furthermore a different voicing came top for ALL guitar sources, from finger picked acoustic through to mic’d distorted guitar cabs. These discoveries, derived from more than 9000 data samples, were the catalyst for the Aston team to set about reimagining the microphone from the ground up. Stealth truly excels at capturing professional quality audio in almost every situation, and masters them all. With 4 switchable voices delivering unparalleled performance in almost any situation, a Class A built in mic preamp with autodetect 48V Phantom power (a world’s first!) and featuring a unique Sorbothane internal shock mount system and Aston’s legendary build quality, we reckon Stealth is the world’s most versatile microphone. Stealth was developed in partnership with 92 top engineers, producers and artists (the Aston 33 development panel) who participated in a series of blind listening tests designed to create the best possible sound… the resulting four voice settings, Vocal 1, Vocal 2, Guitar and Dark, offer a range of world class sounds to suit almost every application.

351 €
36 Instalments 12,12€ / month
Upon Order

The Starlight features a 20 mm cardioid capsule hand-picked by a panel of more than 70 top producers (Aston 33) in double blind listening tests conducted during 2016. Starlight showcases a host of innovations, including laser targeting, multiple voices (Vintage, Modern & Hybrid), and near perfectly linear off-axis response, which have seen the mic win a host of international awards, and a nomination for 2018 NAMM TEC, the ‘Oscars’ of the music technology industry. The Starlight is, like all of our products, packed full of technical innovation and sounds truly stunning. Nominated for the prestigious NAMM TEC Award in 2018 it represents the very pinnacle of pencil mic technology with its multiple voicing options, laser targeting and near perfectly linear off axis response. Beautiful, and outrageously good.

280 €
36 Instalments 9,67€ / month
Upon Order

The Aston Spirit is a high-performance, switchable pattern, large diaphragm condenser microphone utilising a 1” gold evaporated capsule. A switch on the mic body selects from Omni, Cardioid or Figure-of-Eight polar patterns. It is versatile enough to use with most instruments and excels on acoustic guitar and vocals. Its Aston 33 panel selected capsule is teamed with high-end transformer balanced circuitry using only the best components. The Spirit is designed to deliver a beautifully open sound with sparkling harmonics. This highly accurate microphone gives a stunningly natural and transparent recording, capturing all the detail in the high range but without adding the harshness that some condenser microphones seem to. The Spirit represents one of the biggest engineering advancements in the microphone industry in decades. Nominated for the prestigious NAMM TEC Award in 2017 and universally acclaimed as one of the best mics on the market today at any price, it achieves a level of technical excellence and performance never before seen at this price point. Accessories Aston has become synonymous for innovative and emotive design. Our microphones are not only exceptional recording tools and multiple award-winning products, delivering vocal and instrument recording to rival the very best in the world, but works of engineering art. If you already own an Aston mic, you’ve already experienced the exquisite attention to detail throughout, as well as the incredible performance. As standard every Spirit comes with a built in pop filter and internal shock mounting system which elevates the performance bar compared to other mics. In many applications you can use the Spirit just as it is, but if you want to get the best results possible, and style your mic to look the mutts nuts in your studio environment, then the Aston SwiftShield takes things to a whole new performance level. The Aston Swift shock mount, is not only elegant, and designed specifically to show off your mic in all its glory with its open-fronted design, but boasts the fastest mic mounting system in the world. Combined with Aston’s internal shock absorbing system, the Swift gives supreme performance in seconds. The Shield SM, clips on and off the Swift mount quickly and easily when switching between vocal and instrument applications. Utilising Aston’s Hextech perforation acid etching process, the Shield gives excellent plosive (pop) control without affecting the tone of your recordings at all. The SwiftShield combo is the perfect partner for getting the ultimate performance from your Spirit (and it looks awesome too!).

339 €
36 Instalments 11,70€ / month
Upon Order

The Aston Origin is a high-performance cardioid condenser microphone utilising a one inch (1″) gold evaporated capsule. It's versatile enough to use with any instrument and, for singer-songwriters, excels on acoustic guitar and vocals. Its hand-selected capsule is paired with high-end transformerless circuitry using only the finest components. The Origin is designed to deliver direct, smooth and intimate sound… for a supremely natural and transparent recording. The Origin was our first design, the start of it all, and represents the fundamental essence of the Aston brand. Beautiful, superb engineering, a sound to rival some of the very best mics in the world… the Origin is the first mic ever made which brings this level of technical excellence and performance to the project studio market. Accessories Aston has become synonymous for innovative and emotive design. Our microphones are not only exceptional recording tools and multiple award-winning products, delivering vocal and instrument recording to rival the very best in the world, but works of engineering art. If you already own an Aston mic, you’ve already experienced the exquisite attention to detail throughout, as well as the incredible performance. As standard every Origin comes with a built in pop filter and internal shock mounting system which elevates the performance bar compared to other mics. In many applications you can use the Origin just as it is, but if you want to get the best results possible, and style your mic to look the mutts nuts in your studio environment, then the Aston SwiftShield takes things to a whole new performance level. The Aston Swift shock mount, is not only elegant, and designed specifically to show off your mic in all its glory with its open-fronted design, but boasts the fastest mic mounting system in the world. Combined with Aston’s internal shock absorbing system, the Swift gives supreme performance in seconds. The Shield SM, clips on and off the Swift mount quickly and easily when switching between vocal and instrument applications. Utilising Aston’s Hextech perforation acid etching process, the Shield gives excellent plosive (pop) control without affecting the tone of your recordings at all. The SwiftShield combo is the perfect partner for getting the ultimate performance from your Origin (and it looks awesome too!).

244 €
36 Instalments 8,42€ / month
Upon Order

A Modern Classic The TLM 103 has quickly become one of the biggest successes in Neumann’s history. Its pristine, clear sound is a modern update on the classic U87. The TLM 103 is a transformerless cardioid condenser microphone with a gentle presence boost for a stunningly direct sound with breathtaking definition and ultra low noise. The New Standard Introduced in 1997 as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern classic in its own right. Today, the TLM 103 defines the standard by which contemporary studio microphones are measured. Its classic tapered headgrille design gives the TLM 103 a distinct Neumann look. The TLM 103 is a cardioid microphone with a large diaphragm condenser capsule derived from the classic K67/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz. Its very direct yet refined sound is perfect for vocals, and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them the number one choice in studios around the world. A unique feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments. Technical Excellence  The TLM 103 has set new standards for technical performance, too. With an incredibly low self-noise of only 7 dB-A , it is among the quietest microphones available. And its high sensitivity of 23 mV/Pa, ensures ultra low noise even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for preattenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy to use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion. As a member of Neumann’s TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original, as well as a clear, powerful bass response, even at highest signal levels. Applications The TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U87 e.g. for speech, vocals, drums, guitar amps, and piano. The TLM 103 is also often used as a spot mic in classical recordings e.g. for cello and double bass. Large diaphragm capsule derived from the classic U 87 microphone Balanced sound with enhanced presence Cardioid pattern Transformerless circuitry with high SPL capability Extremely low self-noise: only 7 dB-A

2.329 €
36 Instalments 80,41€ / month
Upon Order

A Modern Classic The TLM 103 has quickly become one of the biggest successes in Neumann’s history. Its pristine, clear sound is a modern update on the classic U87. The TLM 103 is a transformerless cardioid condenser microphone with a gentle presence boost for a stunningly direct sound with breathtaking definition and ultra low noise. The New Standard Introduced in 1997 as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern classic in its own right. Today, the TLM 103 defines the standard by which contemporary studio microphones are measured. Its classic tapered headgrille design gives the TLM 103 a distinct Neumann look. The TLM 103 is a cardioid microphone with a large diaphragm condenser capsule derived from the classic K67/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz. Its very direct yet refined sound is perfect for vocals, and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them the number one choice in studios around the world. A unique feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments. Technical Excellence  The TLM 103 has set new standards for technical performance, too. With an incredibly low self-noise of only 7 dB-A , it is among the quietest microphones available. And its high sensitivity of 23 mV/Pa, ensures ultra low noise even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for preattenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy to use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion. As a member of Neumann’s TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original, as well as a clear, powerful bass response, even at highest signal levels. Applications The TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U87 e.g. for speech, vocals, drums, guitar amps, and piano. The TLM 103 is also often used as a spot mic in classical recordings e.g. for cello and double bass. Large diaphragm capsule derived from the classic U 87 microphone Balanced sound with enhanced presence Cardioid pattern Transformerless circuitry with high SPL capability Extremely low self-noise: only 7 dB-A

2.329 €
36 Instalments 80,41€ / month
Upon Order

A Modern Classic The TLM 103 has quickly become one of the biggest successes in Neumann’s history. Its pristine, clear sound is a modern update on the classic U87. The TLM 103 is a transformerless cardioid condenser microphone with a gentle presence boost for a stunningly direct sound with breathtaking definition and ultra low noise. The New Standard Introduced in 1997 as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern classic in its own right. Today, the TLM 103 defines the standard by which contemporary studio microphones are measured. Its classic tapered headgrille design gives the TLM 103 a distinct Neumann look. The TLM 103 is a cardioid microphone with a large diaphragm condenser capsule derived from the classic K67/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz. Its very direct yet refined sound is perfect for vocals, and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them the number one choice in studios around the world. A unique feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments. Technical Excellence  The TLM 103 has set new standards for technical performance, too. With an incredibly low self-noise of only 7 dB-A , it is among the quietest microphones available. And its high sensitivity of 23 mV/Pa, ensures ultra low noise even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for preattenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy to use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion. As a member of Neumann’s TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original, as well as a clear, powerful bass response, even at highest signal levels. Applications The TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U87 e.g. for speech, vocals, drums, guitar amps, and piano. The TLM 103 is also often used as a spot mic in classical recordings e.g. for cello and double bass. Large diaphragm capsule derived from the classic U 87 microphone Balanced sound with enhanced presence Cardioid pattern Transformerless circuitry with high SPL capability Extremely low self-noise: only 7 dB-A

1.099 €
36 Instalments 37,94€ / month
Available in warehouse

The WA-47jr is an FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years.  The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and broadcast applications.  The WA-47jr sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources.​The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage design.  Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability that allows the most important sonic piece of the classic mic to be heard and influence the tone and signature of the WA-47jr.  The WA47jr's low-noise and discrete signal path, when paired with this excellent true '47 style capsule, allows it to obtain a very similar tone to the classic ‘47 microphone, but at a much lower price tag.  The WA-47jr utilizes the same k47 style capsule found in our flagship WA-47 tube condenser microphone.  Quality components make a better mic.The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage part.  Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability.  The WA47jr's low-noise and discrete signal path then paired with an excellent true '47 style capsule allows this mic to obtain a very similar tone to the classic ‘47 microphone at a much lower price tag.  Specifications:FET transformerless '47 style condenser microphone.Custom true '47 capsule reproduction (k47 style) - Model# WA-47-B-80v.  Capsule makeup: Gold sputtered, dual large diaphragm, single backplate, 6 microns NOS mylar (PET film).Fully discrete signal path, Toshiba FET’s, Wima film capacitors, Panasonic electrolytic capacitors.Polar Patterns: Cardioid, figure-of-eight, and omnidirectional.High-pass filter: 70HzPad: -10dbSelf-noise: 9dBADynamic range: 138dBAMaximum SPL: 147/157dB (@1kHz 1kOhms 0.5% THD, 0/-10dB)Frequency Range: 20 Hz~20 kHzSensitivity: 10mV/Pa or -40dBOutput Impedance: 100 ohms​

295 €
12 Interest Free Instalments 24,58€ / month
Pending

The original ’67 became one of the most sought-after and widely-used studio microphones of its time, recording a massive collection of some of the most memorable songs of the last 50 years - we’re talking about classic tracks from artists as varied as The Beatles, Led Zeppelin, The Temptations and Nirvana! The original mics are still sought after, but they can command upwards of $8000 for a pristine unit, putting them far out of reach for most recordists. Thankfully, Warm Audio has now changed that scenario with the release of the new WA-67! Based around an EF86 pentode tube and having the same smooth and creamy tone of the original, the WA-67 excels at recording just about anything that you put it in front of, and it may immediately become your go-to choice for vocals, guitars, drum toms and overheads, pianos, brass and strings.

790 €
12 Interest Free Instalments 65,83€ / month
In Stock

INTRODUCING AN UPDATED AND UPGRADED '87 STYLE FET CONDENSER MICROPHONE WA-87 R2: Updated And Upgraded In 2016, we at Warm Audio introduced one of the most talked-about 87-style FET condenser microphones in the industry with the release of the WA-87, and at just $599 USD it made the looks and authentic vintage sonics of this style of mic affordable to customers for the very first time. Simply put, the release of the WA-87 changed the industry’s perception of what could be achieved at an affordable price.  Based on classic 60s circuitry, the WA-87’s rich sound became a favorite of countless producers, engineers, and home recordists everywhere.  It was our first microphone and a verifiable hit, and in recent years we’ve followed it with many other successful and ground-breaking designs. Since the release of the WA-87 in 2016 we’ve learned a bunch more about microphone manufacturing, and we’ve proven that we can shatter the industry’s quality expectations at affordable prices. That experience drove us to see if we could improve the WA-87 in tangible ways without having to raise the price, and the result is the new WA-87 R2 (Revision 2). We’ve used everything we’ve learned about recreating vintage microphones in the last five years to bring it even closer to the sound, vibe and performance of the original 60s classic we all know and love. We’re ecstatic to bring you the result – in short, the new WA-87 R2 is bigger, bolder and just plain better! A Faithful Reproduction With Top-Shelf Components The WA-87 is based on a classic 60s circuit that is widely considered to be one of the greatest studio microphones ever designed. We spent countless hours trying to get even closer to the sound of the vintage version than we had with the WA-87, so the new WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. We also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics. The result is an incredibly accurate sonic replica of arguably the widest-used studio microphone in popular recording history! The Most Versatile Mic In Your Locker Just like the vintage microphone, the WA-87 R2 excels at recording virtually anything. Three polar patterns (cardioid, omni, and figure 8) make sure you’re covered for a wide variety of applications, and an 80Hz high pass filter reduces low-frequency rumble if needed. The switchable -10dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics. The WA-87 R2 works brilliantly on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings, and more. Not only that, it’s the same price as the original WA-87, so you can afford to have several in your mic locker! Stunning In Sound And Appearance The WA-87 R2 is now encased in a heavier, stronger and larger nickel-plated brass body, and the new rounded head basket shape adds additional space around the capsule for a more pleasing sonic signature. With authentic vintage warmth and a smooth detailed top end, we truly believe this mic performs on par with microphones costing five times as much or more. No matter what else you’ve got in your mic locker, the WA-87 R2 is sure to become one of your favorite go-to microphones! Technical Specifications: LARGE DIAPHRAGM STUDIO CONDENSER MICROPHONE, WITH A FAITHFUL REPRODUCTION OF THE ORIGINAL VINTAGE 87-STYLE CIRCUIT ALL DISCRETE PREMIUM COMPONENTS, INCLUDING A NOS FAIRCHILD TRANSISTOR AND WIMA/NICHICON CAPACITORS CUSTOM CINEMAG USA OUTPUT TRANSFORMER WA-87-B-50V CAPSULE—REPRODUCTION OF CLASSIC DUAL BACKPLATE (FOUR-WIRE TERMINATION) K87 CAPSULE NICKEL-PLATED BRASS BODY THREE POLAR PATTERNS: CARDIOID, FIGURE-OF-EIGHT, AND OMNIDIRECTIONAL  -10DB PAD AND 80HZ HIGH PASS FILTER FREQUENCY RESPONSE: 20HZ – 20KHZ SPL: .5% THD @ 125DB (WITHOUT PAD), 132DB DIAPHRAGM: 6-MICRON THICKNESS, GOLD-SPUTTERED MEMBRANE, NOS MYLAR (PET FILM) NOISE: -117DB INCLUDED ACCESSORIES: WOODEN STORAGE CASE, HARD MOUNT, AND SHOCK MOUNT (OPTIONAL FLIGHT CASE AVAILABLE) WEIGHT (FULLY BOXED): 6.5 LBS / 3 KG COLOR: AVAILABLE IN NICKEL OR BLACK FINISH

620 €
12 Interest Free Instalments 51,67€ / month
Upon Order

The Telefunken ELA M 250/251 was made for Telefunken by AKG after Neumann discontinued its OEM production of the Telefunken U-47. The Golden Age Premier GA-251 is inspired by this truly classic mic model. The GA-251 shares the same design goal that was set for the GA-47: to offer the classic qualities and advantages that a vintage unit in perfect condition would provide and doing so at a very low price point. Having gone through a number of prototypes that was compared to great sounding vintage units in different recording settings, everyone involved agreed that the goal was reached. The coupling capacitor is made by Solen from France. It is a high balanced film capacitor made from MKP material with pure oxygen-free copper connections. It has a very delicate and balanced sound.The capsule capacitor uses NOS Siemensantique grade polystyrene capacitor to reduce loss.The tube cathode bypass capacitor uses an ELNA OFC Cerafine high end hifi capacitor from Japan with oxygen free copper connections exhibiting a very sweet and delicate character, not the least for vocals.The other capacitors are of the low loss polystyrene type.The resistor used for setting the capsule voltage is a high quality DALE 1% metal film resistor. The result is a very stable and consistent operating level leading to better consistency between different GA-251 units. The plate resistor uses a non-inductive resistor of the United States IRC audio with pure copper connections. The sound level is rich and full bodied. The GA-251 uses a 34 mm K251 style capsule. Being a dual-sided one, it provides both cardioid and omni polar patterns.In order to get a good consistency between units, for each production run of 50 pcs GA-251 units, approximately 200 capsules is evaluatedin order to find 50 capsules with specifications that lie within the tight tolerances. The sensitivity of the front and back side of the capsule do not differ more than 0,3 dB. The sensitivity between different capsules do not differ more than 0,5 dB.The tight manufacturing tolerance will lead to a very good consistency between different GA-251 units.The capsule is specially designed to complement the electronic circuit of the GA-251 to achieve a frequency response curve with a nice balance between the high, middle and low frequencies. The result is a very smooth sound with a warm bottom and airy top end just like ELA M251. The vintage style power supply PSU uses a high power R-style transformer with a low noise level and minimum stray field.A simple but effective circuit uses dual-stage filtering for the filament voltage. The High voltage is also precisely filtered and stabilized using an ON semiconductor zener diode. The polar pattern switch is placed on the power supply so that the recording engineer can change the polar pattern between Cardioid and Omni remotely. A ground lift switch will help to solve mains power related noise issues that can appear in some cases.

1.995 €
12 Interest Free Instalments 166,25€ / month
Upon Order

High End, no compromise components and build quality• Built in many details according to the vintage U47 including the polar pattern switch below the grille and switchable capsule head• A -10 dB PAD switch on the power supply for high SPL instrument recordings like kick drum• Hand Made in small series• Capsules selected with very tight tolerances• Point-to point wiring with silver-plated copper wire, a printed circuit board is only used for the ground connections• All soldering points made with Mudorf Msolder Supreme SilverGold solder (Sn88, 6Cu, 1,8Ag, 9,5Au)• Solid wood microphone box, tweed style system flight case. Every mic, box and psu has a badge with the serial numberThe Neumann U-47 was produced between 1949 and 1965 meaning that the vintage original units are now very old and their performance do differ a lot depending on their condition. The different clones all have their specific sound character too. So, it´s not easy to say which sound is “the right one”. As always, not the least as far as microphones goes, it will ultimately be a matter of taste. Does the world need one more U-47 clone? The GA-47 microphone as the first product in Golden Age Projects new high end line, changing “Project” to “Premier” for this product range, the answer is “Yes!”.The Golden Age Premier GA-47 has been born from a lot of hard work and real world testing. The end result is a microphone with a very sweet character that should appeal to a great number of users and a microphone that can be used for the most demanding recording tasks. It has proved itself to be a great allrounder, this is not a “vocal-only” microphone. The GA-47 is not a product that will be built in huge quantities on a big assembly line. It´s a product that is built by hand, fifty units at a time in a small workshop by a skilled and dedicated staff. It uses very high quality components all the way to achieve the desired goal, allowing me to answer “yes!” to the rephrased question mentioned above. The capsule for the GA-47 is designed to provide the requirements of modern day recordings by mixing the character between a vintage K47 capsule and the one from a K67-style capsule with a wide frequency response and high sensitivity. The result is a truly great sound.

2.699 €
12 Interest Free Instalments 224,92€ / month
Upon Order

The classic C800G is the only tube microphone in the world equipped with a semiconductor active cooling system that results in a higher signal-to-noise ratio compared to most other tube microphones. It has a very high-quality modern sound performance.The Golden Age Premier GA-800G is currently the only microphone to fully reproduce the C800G. It´s appearance and structure, as well as accessories and circuit principles, including its sound character, strictly follows the original design. All of the parts including the power plug and the pin definition of the power supply are the same as in the original C800G. Even though its based on the original, the circuit board has been upgraded to a ROGERS ceramic circuit board that has superior insulation parameters and offers a more stable performance. The coupling and bypass capacitors has also been upgraded, resulting in a deeper and more exact low frequency performance and a more delicate and transparent high frequency reproduction.The classic semiconductor active cooling and external cooling system from the C800G is also used in the GA-800G. This is to ensure that the GA-800G has the highest possible signal-to-noise ratio. The tube (a 6AU6) is mounted in an aluminum casing, with the semiconductor cooling chip being attached to the bottom of the case. The temperature of the tube in the GA-800G is the effectively kept down when the GA-800G is in it´s working state, the heat generated by the tube is actively dissipated. The heat that the tube generates is transferred to the reverse side of the semiconductor and transferred to the effective outer aluminum alloy heat sink at the rear of the microphone. This heat sink will then dissipate the heat from semiconductor cooling chip to the air surrounding the GA-800G.PCB board: A ROGERS ceramic gold-plated circuit board is used. This type of circuit board is usually used in high-end aerospace communication products, the cost is about twenty (20!) times higher than an ordinary PCB board.Capsule: By disassembling a C800G and handing it´s capsule to a manufacturer with more than twenty years of microphone capsule production experience, they were able to produce a capsule that matched the characteristics of the original one. The capsule used in the GA-800G can handle a higher sound pressure level than the original one and it has almost the same sound character.Tube: In order to ensure the tube will have a long life, we are using a NOS CIFTE 6AU6 tube from France, it has a maximum anode voltage rating of about 300V. The tube in this circuit has an anode voltage of 90V and will generate more heat than tubes in many other tube microphones that typically uses voltages between 35-50V. The higher voltage used in the GA-800G increases the heat dissipation so the semiconductor active cooling system is an important element in the design.Power supply: The classic 800G uses two 6AU6 tubes as rectifiers for the high voltage rail, they work as pseudo diodes by connecting all grids to the anode that outputs about 290V.After a lot of listening tests comparing a tube rectifying circuit with a solid state one, we found that we did prefer the sound of the latter so this is what we decided to use. The additional advantage is that there is no need to worry about replacing tubes in the power supply.Capacitors, resistors and solder: The metal resistors and electrolytic capacitor from Japan are of special audiophile audio types. The coupling capacitors are Siemens EPCOS from Germany. The connecting wires inside the GA-800G are oxygen-free copper wires from Japan. The solder is FELDER silver/copper-containing solder from Germany.Shockmount:  Rycote USM-VB

3.998 €
12 Interest Free Instalments 333,17€ / month
Upon Order

The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget. By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. Specifications: Acoustical operating principle : Pressure gradient transducer Directional pattern : Cardioid Frequency range : 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm : 23 mV/Pa Rated impedance : 50 ohms Rated load impedance : 1000 ohms Equivalent SPL CCIR 468-3 : 17.5 dB Equivalent SPL DIN/IEC 651 : 7 dB-A S/N ratio CCIR 468-3 : 76.5 dB S/N ratio DIN/IEC 651 : 87 dB Maximum SPL for THD 0.5% : 138 dB Maximum output voltage : 13 dBu Dyn. range of the mic. amplifier DIN/IEC 651 : 131 dB Supply voltage : 48 V ± 4 V Current consumption : 3 mA Matching connector : XLR 3F Weight approx : 500 g Diameter : 60 mm Length : 132 mm

999 €
36 Instalments 34,49€ / month
Available in warehouse

Λαμπάτο πυκνωτικό μικρόφωνο με δύο μεγάλα επίχρυσα διαφράγματα ,σχεδιασμένο για επαγγελματικά στούντιο. Ηχογραφήσεις υψηλής ποιότητας για επαγγελματικά στούντιο Εξαρτήματα και σετς: Μεγάλου διαφράγματος κάψα 2 επίχρυσα διαφράγματα Η πολικότητα αλλάζει με ρυθμιστή στο τροφοδοτικό

3.314 €
36 Instalments 114,41€ / month
Upon Order

Tube microphone.Flagship of the Oktava microphone family. Areas of application:  •    vocal microphone for recording studios   •    recording solo instruments    Options:  •    the microphones can be supplied as stereo pairs   The supply package contains: •    МКЛ-111 microphone with a power supply unit  •    АМ-65/27 shock mount  •    microphone cable (5 m)  •    mains cable to the power supply unit  •    aluminium case     Specifications: Polar patterns: Omnidirectional, cardioid, bidirectional and 8 switch-selectable intermediate patterns Frequency range, Hz: 20–20000 Sensitivity at 1000 Hz, mV/Pa: 18 Output impedance, Ohms: 300 Nominal load resistance, Ohms: 1000 Equivalent noise level, dBA: 22 Maximum SPL at nonlinear distortion coefficient of 0.5%, dBA: 124 Power supply: БП-103-01 , power supply unit Connector type: XLR-6 Dimensions, mm: 62х221 Weight, kg: 1,7

4.278 €
36 Instalments 147,69€ / month
Upon Order

The MK-102 features a small physical profile and flat, extended frequency response – qualities not typically found together in large diaphragm mics. The Capsule The MK-102 features a large 27.5 mm condenser capsule using all-brass backplate construction, precision-drilled pattern control holes and optimal 5 micron diaphragm for classic LDC microphone presence on vocals or instruments. Capsule Housing & Body A close-fitting housing surrounds the capsule and allows the front diaphragm to function in free-air without internal headbasket reflections. In addition, the MK-102’s unique capsule and body orientation reduces reflections between the microphone and the sound source. The MK-102 body disappears completely behind the capsule head when the mic is aimed at the sound source. This leaves only the capsule diaphragm exposed to the sound source for minimal reflections and clear-sounding recordings. The Circuit The MK-102 uses the same transformerless circuit found in the renowned MK-012 (over 90,000 in use worldwide) to deliver the alluring sound of direct phantom power applied to a large diaphragm capsule. The Sound On-axis - The MK-102 offers a smooth and extended frequency response with clean and accurate top end free from the harsh, excessively bright sound found in many modern microphones. Off-axis - Frequency response from 90 through 180 degrees closely resembles the on-axis sound and the attenuation of sound over this angular range is exceptionally smooth. The MK-102 excels where the recordist desires a large diaphragm cardioid condenser mic with a flat frequency response that is maintained from 0 to 180 degrees to achieve a natural room sound spectral balance. Specifications: Freq. Response, Hz: 20-20000 Output sensitivity, mV/Pa: 16 Max SPL, dB for 0,5% THD: 120 Self Noise (DIN), dBa: 1 x microphon body (preamp) 1 x MK-102 capsule 1 x -10dB pad 1 x mic holder 1 x wooden box

508 €
36 Instalments 17,54€ / month
Available in warehouse

The MK-105 retains the authorative lower midrange power Oktava is known for but adds some top end sparkle. The combination of the new capsule, headbasket and transformerless circuit produces a more transparent or hi-fi sound when compared to the classic transformer output coloration and soft top end of the MK-219/319. The Capsule The large 27.5 mm capsule with precision-drilled backplate holes in conjunction with the headbasket design produces a gentle +4dB rise from 4 kHz to 12 kHz to lend a touch of presence and air to vocal or instrument sources. The Headbasket Inside the headbasket, the capsule is mounted on a conical diffuser designed to reduce standing waves and smooth the capsule / headbasket system frequency response. The Circuit The MK-105 employs the highly regarded transformerless circuit found in one of the most widely used mics in existence – the MK-102 (over 90,000 in use worldwide) to deliver the alluring sound of direct phantom power applied to a large diaphragm capsule. The Sound On-axis - A carefully crafted “double peak” high frequency response provides subtle emphasis of both presence and “air” frequencies while suppressing the sibilance range. This results in a more modern or “Hi-Fi” sound when compared to the classic midrange-rich 219/319 sound but without the harsh sibilance found in many modern mics. Off-axis - Frequency response at 90 degrees resembles 0 degree response but attenuated a nominal l0dB. 180 degree rejection increases to 16dB below 2kHz but the top end over 4kHz stays just 8-10 dB or so below the on-axis response. This means the MK-105 has a very natural off-axis response out to 90 degrees with a pleasingly bright room ambience. The MK-105 excels where the recordist wants a large diaphragm cardioid mic with a musically useful proximity effect, a sparkling top end free from sibilance and a bright room ambience sound. Specifications: Freq. Response, Hz: 20-20000 Output sensitivity, mV/Pa: 16 Max SPL, dB for 0,5% THD: 120 Self Noise (DIN), dBa:

614 €
36 Instalments 21,20€ / month
Available in warehouse

The MK-101 is large diaphragm condenser microphone with interchangable capsule. Introduced as a transition from earlier Oktava models, it retains some of the vintage character of the popular MK-219/319 capsule but offers transformerless output clarity. The Capsule The Oktava MK-101 uses the successful 26mm 219/319 capsule much loved for its classic midrange presence and sibilance-free top end. The Headbasket & Body The MK-101 headbasket features a large open area “forehead” for excellent off-axis response in the vertical as well as horizontal planes. Vertical asymmetry of the headbasket allows the recordist to explore different polar responses when using the mic upright or inverted. The small headbasket and body size make for easy placement and minimal reflection between sound source and microphone body. The Circuit Building on the marketplace success of the legendary MK-012, the MK-101 uses the same impedance converter / output circuit and body design made famous by the MK-012. The Sound On Axis – The MK-101 offers a powerful midrange presence and natural top end response with excellent rejection of sibilance. Off-Axis - The MK-101 has moderate attenuation at 90 degrees giving the mic a wide cardioid pick up pattern. 180 degree response has a warm spectral balance with strongest output below 200Hz, smooth amplitude reduction to 3 kHz followed by a moderate high frequency ambient sound presence peak. The MK-101 excels on vocals or guitar cabinets where the recordist wants classic midrange presence, sibilant-free top end and a warm room sound with just a touch of top end room presence. Specifications: Freq. Response, Hz: 20-20000 Output sensitivity, mV/Pa: 16 Max SPL, dB for 0,5% THD: 122 Self Noise (DIN), dBa: Included in delivery: 1 x microphon body (preamp) 1 x MK-101 capsule 1 x -10dB pad 1 x mic holder 1 x plastic box

434 €
36 Instalments 14,98€ / month
Available in warehouse

The MK-519 features a large 27.5 mm condenser capsule with cardioid pattern using an all-brass backplate construction, precision-drilled pattern control holes and optimal 5 micron gold-plated diaphragm. An isolation mount / diffuser is installed at the base of the capsule mount to reduce “boink” and tame sound reflections that smear detail. The microphone features a new no-feedback amplifier capable to work properly on 600 Ohm load. The MK-519 provides a very high sensitivity and extremely low self-noise level, provided by a high polarizing voltage (about 100 V). The single layer headbasket is used to reduce internal sound reflections between the grille and the capsule that smear midrange and high frequency detail - the result is a clear and natural mid and high frequency response. However, it entrusts additional requirements to the careful handling: it is highly recommended to use a pop filter to protect the capsule from dust spittle. Specifications: Freq. Response, Hz: 20-20000 Output sensitivity, mV/Pa 21 Max SPL, dB for 0,5% THD: 124 Self Noise (DIN), dBa: 600 Ohm Phantom power required: 48V Weight, g: 350 Length /  Max diameter, mm: 150 / 56 Included in delivery: 1 x microphon 1 x mic holder (shock mount is not included) 1 x wood

620 €
36 Instalments 21,40€ / month
Available in warehouse

A bottle style tube multi-pattern large diaphragm studio microphone MKL5000 is the hi-end addition to the range of high quality condenser mics from the Oktava factory. Utilising a 6Ж1П tube in the discreet preamplifier circuitry creates just the right amount of third harmonic distortion, adding a subtle warmth but maintaining the clarity of the newly designed 1 inch 5 micron thick gold sputtered dual diaphragms. The tube is powered by a british designed and built class 'A' power supply and the mic comes with a highly effective shockmount and durable flight case. On the body of the MKL5000 is a switch to select from the choice of Cardiod, Omni-directional and Figure-of-eight polar patterns making this a versatile single mic which is also useful in XY or AB stereo situations when bought in pairs.  Designed to work with numerous sound sources to maximum effect, the MKL5000 excels on vocals, grand pianos, guitars and percussion amongst many other sources, and gives presence and warmth to lead parts in the mix. The frequency response of the MKL5000 is expansive, ranging from 20 Hz to 20 kHz and smooth throughout all of its polar patterns. Despite its sensitivity it has a very high SPL handling capability and very low noise floor, allowing straight to digital recording and thus leaving the pure warm sound unadulterated.  For close miking vocals a pop shield is recommended.  Specifications: Polar Pattern:  Omni-directional / Cardoid / Figure-of-eight  Frequency Response:  20hz to 20kHz  Sensitivity:  12 mV/Pa Power:  Power supply unit supplied  Output Impedance: 350 Ohm nominal Minimum load impedance: 1 k Ohm Max SPL @ 1kHz:  > 125dB  Dimesions:  Ø64х255 mm  Weight:  1,1kg

1.242 ,35 €
36 Instalments 42,89€ / month
Available in warehouse
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The MK-105 retains the authorative lower midrange power Oktava is known for but adds some top end sparkle. The combination of the new capsule, headbasket and transformerless circuit produces a more transparent or hi-fi sound when compared to the classic transformer output coloration and soft top end of the MK-219/319. The Capsule The large 27.5 mm capsule with precision-drilled backplate holes in conjunction with the headbasket design produces a gentle +4dB rise from 4 kHz to 12 kHz to lend a touch of presence and air to vocal or instrument sources. The Headbasket Inside the headbasket, the capsule is mounted on a conical diffuser designed to reduce standing waves and smooth the capsule / headbasket system frequency response. The Circuit The MK-105 employs the highly regarded transformerless circuit found in one of the most widely used mics in existence – the MK-102 (over 90,000 in use worldwide) to deliver the alluring sound of direct phantom power applied to a large diaphragm capsule. The Sound On-axis - A carefully crafted “double peak” high frequency response provides subtle emphasis of both presence and “air” frequencies while suppressing the sibilance range. This results in a more modern or “Hi-Fi” sound when compared to the classic midrange-rich 219/319 sound but without the harsh sibilance found in many modern mics. Off-axis - Frequency response at 90 degrees resembles 0 degree response but attenuated a nominal l0dB. 180 degree rejection increases to 16dB below 2kHz but the top end over 4kHz stays just 8-10 dB or so below the on-axis response. This means the MK-105 has a very natural off-axis response out to 90 degrees with a pleasingly bright room ambience. The MK-105 excels where the recordist wants a large diaphragm cardioid mic with a musically useful proximity effect, a sparkling top end free from sibilance and a bright room ambience sound. Specifications: Freq. Response, Hz: 20-20000 Output sensitivity, mV/Pa: 16 Max SPL, dB for 0,5% THD: 120 Self Noise (DIN), dBa:

620 €
36 Instalments 21,40€ / month
Available in warehouse

The MK-101 is large diaphragm condenser microphone with interchangable capsule. Introduced as a transition from earlier Oktava models, it retains some of the vintage character of the popular MK-219/319 capsule but offers transformerless output clarity. The Capsule The Oktava MK-101 uses the successful 26mm 219/319 capsule much loved for its classic midrange presence and sibilance-free top end. The Headbasket & Body The MK-101 headbasket features a large open area “forehead” for excellent off-axis response in the vertical as well as horizontal planes. Vertical asymmetry of the headbasket allows the recordist to explore different polar responses when using the mic upright or inverted. The small headbasket and body size make for easy placement and minimal reflection between sound source and microphone body. The Circuit Building on the marketplace success of the legendary MK-012, the MK-101 uses the same impedance converter / output circuit and body design made famous by the MK-012. The Sound On Axis – The MK-101 offers a powerful midrange presence and natural top end response with excellent rejection of sibilance. Off-Axis - The MK-101 has moderate attenuation at 90 degrees giving the mic a wide cardioid pick up pattern. 180 degree response has a warm spectral balance with strongest output below 200Hz, smooth amplitude reduction to 3 kHz followed by a moderate high frequency ambient sound presence peak. The MK-101 excels on vocals or guitar cabinets where the recordist wants classic midrange presence, sibilant-free top end and a warm room sound with just a touch of top end room presence. Specifications: Freq. Response, Hz: 20-20000 Output sensitivity, mV/Pa: 16 Max SPL, dB for 0,5% THD: 122 Self Noise (DIN), dBa: Included in delivery: 1 x microphon body (preamp) 1 x MK-101 capsule 1 x -10dB pad 1 x mic holder 1 x plastic box

434 €
36 Instalments 14,98€ / month
Available in warehouse

The MK 319 is the successor to the MK219, providing the same relentless attention to detail and legendary performance in an improved form. The MK319 is housed in a new casing which has been acoustically designed to cut down the sound refractions inside the grill, allowing a smoother and more open sound, as well as being more rugged and shock resistant. The Switches are also improved and whilst still using magnetic reed switches the mechanism has been redesigned for extra durability and easier operation. A switch located at the left (High-Pass Filter) allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).   The second switch attenuates the sensitivity by 10 dB. This option should be used in high SPL environments or by recording of loud instruments (for example saxophone).   The Mic is a fixed-pattern, cardioid, large diaphragm mic intended for studio and broadcast usage. featuring a classic design gold spattered teflon capsule teamed with low noise discreet preamplifier circuitry, resulting in a smooth frequency response from 40 hz to 16khz, with a gentle presence rise giving especial warmth and clarity to the human voice. This microphone is also ideally suited to guitars, overheads and any other application where a warm clear sound is required. The design of the mic is specifically tuned to bringing the sound that it is used with up front in a sympathetic and flattering manner. Specifications: Freq. Response, Hz: 20-18000 Output sensitivity, mV/Pa: 13 Max SPL, dB for 0,5% THD: 122 Self Noise (DIN), dBa: Included in delivery: 1 x microphon 1 x mic holder (shock mount is not included)

472 €
36 Instalments 16,30€ / month
Available in warehouse

The Reference Cardioid XXX microphone is limited to 100 pieces worldwide and begins shipping end of October. In continuing the celebration of the company’s 30th Anniversary, Manley Laboratories is proud to announce a limited run of their classic Reference Cardioid tube microphone in a custom pearlescent white finish with red accents, dubbed the “Reference Cardioid XXX Anniversary Limited Edition.” According to the company, the Reference Cardioid is “the world’s most popular modern tube vocal mic, heard everywhere from Don LaFontaine’s famous movie trailers to classic singers like Etta James to chart-topping hits from artists like Britney Spears, Katy Perry, Panic! at the Disco and Avril Lavigne” since its introduction in 1990. This XXX Anniversary Edition Reference Cardioid microphone production will feature the MANLEY POWER® Switch-Mode Power Supply, currently used in the Manley Reference Silver Microphone. Based on the same technologies already proven in the Manley CORE®, FORCE®, ELOP®+, and Nu Mu processors, this new PSU is “empirically quieter” than the microphone’s original linear PSU. According to Manley Labs, “Sonically, we hear faster highs, generally more clarity, and ‘blacker blacks’ in the silence.” The new power supply is also universal, allowing it to work anywhere in the world without a voltage changeover switch or power transformer rewiring. Specifications: All-Tube triode design 12AT7 (2011 build. Previous versions used 12AX7 and 6072.) -10 dB switchable pad Frequency response: 10Hz-30KHz Sensitivity: 17mV/Pa Noise typically -120dB EIN Max SPL: 150dB Actual output impedance 200 Ohms Weight: 2.25 lbs (mic) Weight: 2.5 lbs (PSU) Size: 4.5" x 9.7" x 4.5" (mic) Size: 5" x 8.2" x 3.4" (PSU) Shipping weight: 15 lbs Selected matched pairs available Outboard Power Supply is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage. Operating Mains Voltage changeable with power transformer re-wiring via internal jumpers and fuse value change. Mains Voltage Frequency: 50~ 60Hz Mains Fuse: 250mA @ 100~120V; 125mA @ 220~240V operation Power Consumption: 70mA @ 120V = 8.4 Watts

3.195 €
36 Interest Free Instalments 88,75€ / month
Upon Order

The ML-1 microphone is the centerpiece of the Virtual Microphone System. This large-diaphragm mic has a shock-mounted, gold sputtered, 6-micron capsule and a state of the art FET circuit path that ensures the most linear, flat, and clean ‘blank canvas’ response. Combined with the Slate Digital tube microphone modeling software, it can sound like some of the most classic microphones in recording history. Large Diaphragm Condenser Microphone Neutral condenser microphone tuned to the VMS hardware and software (VMS preamp optional - not included) VMS plug-in software can completely change the sound characteristics, even after recording Virtual selection of classic vintage microphones and preamp models as well as unique models for advanced recording techniques (download and purchase may be required on the manufacturer's site) Classic Tubes & Virtual Preamp Collection included Includes: ML-1 large diaphragm condenser microphone, microphone shock mount, case, software license code   Technical Data: Software Type: Virtual Modelling Platform: Mac, PC, Format: AAX, AU, RTAS, VST Hardware requirements Mac: Dual core Intel processor, 2 GB RAM Hardware requirements PC: Dual core Intel / AMD processor with SSE2 support, 2 GB RAM OS requirement Mac: OS X 10.7 or higher OS support PC: Windows 7 or higher

799 €
36 Instalments 27,58€ / month
Upon Order