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Large Diaphragm Condenser

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Meet the studio condenser that captures every nuance. With three switchable polar patterns, the large-diaphragm Audio-Technica AT4050SM exhibits a remarkable combination of qualities: high-SPL capability with transparent and airy uppers/mids complemented by rich low-end qualities. Its dual large diaphragms are gold-vaporized and aged for consistent, outstanding performance. A precision-machined, nickel-plated brass acoustic element baffle provides rock-solid element stability and exceptional sensitivity. Supplied with AT8449 shockmount. Also available as the AT4050SC with the AT8430 isolation stand clamp.Ideal for studio use and live sound productions with vocals, piano, strings, drum overheads, guitar amps, and more.  Transparent uppers/mids balanced by rich low-end qualities combine with advanced acoustic engineering for extensive performance capabilities and highest quality  Dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone  The 2-micron-thick, vapor-deposited gold diaphragms undergo a five-step aging process so that the optimum characteristics achieved remain constant over years of use  Three switchable polar patterns: omni, cardioid, figure-of-eight  Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients  State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards  Switchable 80 Hz hi-pass filter and 10 dB pad  Custom shock mount provides superior isolation  Also available as the AT4050SC with the AT8430 isolation stand clamp

729 €
36 Instalments 25,17€ / month
Upon Order

With omni, cardioid and figure-of-eight patterns, as well as a 10dB cut/boost function, the ORPHEUS is the perfect workhorse in practically any studio or live sound application. Its low self-noise and unmistakable presence allow you to record the subtlest of instruments or voices without the need to edit afterwards.The highly sensitive 1.07-inch dual-diaphragm capsule is suspended in its own special mount, almost floating in the large, sppherical basket. The body is cast from zinc alloy, which gives almost zero resonance and helps to keep the signal crystal-clear.The ORPHEUS comes supplied in a luxury wooden case, lined with black velvet, and really does sound as good as it looks.TECHNICAL DATAResponse: 20Hz - 20kHzSensitivity: 20mV/Pa -32dB ±2dB (0dB = 1V/Pa 1,000Hz)Polar pattern: Omni, cardioid, figure-of-eightImpedance: ≤200 OhmsEquivalent noise level: 16dB (A-weighted)Max SPL (for 0.5% THD @ 1,000Hz): 125dBPower source: Phantom power 48V ±4V

589 €
36 Instalments 20,33€ / month
Upon Order

Audio-Technica’s stringent quality and consistency standards set the AT2020 apart from other mics in its class. Its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease. The AT2020: the new standard for affordable side-address studio condensers.   The price/performance standard in side-address studio condenser microphone technology   Ideal for project/home-studio applications  High SPL handling and wide dynamic range provide unmatched versatility  Custom-engineered low-mass diaphragm provides extended frequency response and superior transient responseCardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source  Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone

99 €
36 Instalments 3,42€ / month
Upon Order

The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applicationsSpecifications : Type 2/3" Diaphragm True Condenser Polar pattern cardioid Frequency range 20 to 20,000 Hz Sensitivity 22 mV/Pa (-33 dBV) Max. SPL 130/150 dB (0/-20 dB) for 0.5% THD Equivalent noise level 22 dB-A (IEC 60268-4) Signal/noise ratio (A-weighted) 72 dB Preattenuation pad 0 dB, -20 dB Bass filter 12 dB/octave at 300 Hz Impedance = 1,000 ohms Current consumption

104 ,27 €
36 Instalments 3,60€ / month
Available in warehouse

The RΨDE NTK is the multi award-winning Class-A tube microphone that has found a home with tens of thousands of professionals around the world. 

The heart of the NTK is the Australian designed and manufactured HF-2 capsule.The electronic circuitry complementing this very sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components and lay-out. The result is an ultra-wide dynamic range, very low noise, and stunning tube warmth. The NTK‘s rich valve sound is ideal for vocals, acoustic instruments, drum overheads, guitar amps and pianos.

The NTK comes with a dedicated power supply, internal capsule shock mounting, stand mount, zip pouch and a 30’ cable.

599 €
36 Instalments 20,68€ / month
Available in warehouse

The world's first large diaphragm condenser studio microphone with seamlessly variable Polar Patterns, Filter and Pad located conveniently on the microphone body.

The NT2000’s state of the art surface-mount electronics combined with the new Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.

The NT2000 is supplied with the SM2 Shock Mount, together in a durable custom carry case.     •    Acoustic principle: Externally polarised 25 mm (1”) dual diaphragm condenser    •    Directional pattern: Multipattern    •    Frequency range: 20Hz - 20KHz    •    Output impedance: 200 ohms    •    Signal noise ratio din iec 651: 87 dB (1kHz rel 1Pa)    •    Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)    •    Maximum spl: 147 dB (@ 1% THD into 1K ohm) 157dB (@ 1% THD into 1K ohm) with pad set to maximum    •    Sensitivity: -36 db re 1 Volt/Pasca (16 mv @94db SPL) +/- 2 dB    •    Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)    •    Power supply voltage: Phantom P48    •    Weight without battery: 831 gm    •    Weight with battery: 2.6 kg

499 €
36 Instalments 17,23€ / month
Available in warehouse

The NT2-A carries on the tradition forged by the now legendary RΨDE NT2. A professional large capsule (1") studio microphone incorporating three-position pick-up patterns, PAD and high pass filter switches conveniently located on the mic body.At the heart of the NT2-A is the Australian designed and manufactured HF1 dual diaphragm capsule. The frequency and transient response of this transducer has been voiced to complement today's modern recording techniques, and yet still evoke the silky smooth character of the legendary microphones of the 50's and 60's. These features provide the flexibility and superlative audio characteristics that make the NT2-A one of the most versatile condenser mics available.Large 1" (25mm) HF1 gold sputtered capsuleOn body control of polar pattern, HPF and PADThree position variable polar pattern - Omni, Cardioid or Figure 8Three position variable High-Pass Filter - Flat, 40Hz or 80HzThree position PAD - 0dB, -5dB or -10dBUltra low noise, transformerless surface mount cicuitryWide dynamic rangeInternal capsule shock mounting

349 €
36 Instalments 12,05€ / month
Available in warehouse

The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. FEATURESAcoustical operating principle : Pressure gradient transducerDirectional pattern : CardioidFrequency range : 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohm : 23 mV/PaRated impedance : 50 ohmsRated load impedance : 1000 ohmsEquivalent SPL CCIR 468-3 : 17.5 dBEquivalent SPL DIN/IEC 651 : 7 dB-AS/N ratio CCIR 468-3 : 76.5 dBS/N ratio DIN/IEC 651 : 87 dBMaximum SPL for THD 0.5% : 138 dBMaximum output voltage : 13 dBuDyn. range of the mic. amplifier DIN/IEC 651 : 131 dBSupply voltage : 48 V ± 4 VCurrent consumption : 3 mAMatching connector : XLR 3FWeight approx : 500 gDiameter : 60 mmLength : 132 mm

1.049 €
36 Instalments 36,22€ / month
Available in warehouse

The M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model's now legendary predecessors, the U 47 and the M 49. Following the capsule is a tube that functions as an impedance converter.  The next stage is an efficient, transformerless output circuit, that guarantees an extremely low self-noise level. Note: This innovative combination of current tube technology with the most advanced solid-state circuitry was decisive in awarding the 1997 TEC Award to the related M 149 Tube mic. The M 147 Tube can feed extremely long microphone cables without affecting the quality of the audio signal. Like all Neumann tube microphones, the M 147 Tube comes with an elegant satin nickel finish.  The microphone is delivered as a complete set in a high-quality aluminum case. Included with the microphone are a microphone cable, a metal swivel mount for a mic stand, and a compact universal power supply for standard mains sockets. Our modern manufacturing methods makes it possible to offer this complete set at a very attractive price.

2.959 €
36 Instalments 102,16€ / month
Out of stock

The TLM 170 R was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage it features extremely low self-noise and an impressive dynamic range.  Five directional characteristics are selectable by means of a rotary switch. In the sixth position, marked 'R', the directional patterns can be controlled remotely with the N 48 R-2 power supply.  There is no special cable necessary for this purpose. The microphone has at its rear a 10 dB attenuation switch for extremely high sound pressure levels, and a high-pass filter to suppress structure born noise.

2.849 €
36 Instalments 98,36€ / month
Out of stock

The TLM 170 R was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage it features extremely low self-noise and an impressive dynamic range.  Five directional characteristics are selectable by means of a rotary switch. In the sixth position, marked 'R', the directional patterns can be controlled remotely with the N 48 R-2 power supply. There is no special cable necessary for this purpose.  The microphone has at its rear a 10 dB attenuation switch for extremely high sound pressure levels, and a high-pass filter to suppress structure born noise.

2.849 €
36 Instalments 98,36€ / month
Out of stock

The M 149 Tube is a variable dual-diaphragm microphone. The K 49 capsule — well-known from the legendary U 47 and M 49 microphones — is followed by a tube functioning as an impedance converter. In contrast to earlier concepts — utilizing a transformer — the tube is complemented with a transformerless output circuit design. The M 149 Tube can thus feed long microphone cables without any coloration. Two slide switches are located below the large, acoustically very open headgrille. The switch at the front allows selection one of nine directional patterns. The slide switch at the rear operates a seven-step high pass filter. It allows a very fine adjustment of the cut-off. 

4.789 €
36 Instalments 165,33€ / month
Out of stock

Dual-membrane condenser microphone for authentic multi-pattern vintage mic emulation The ultimate microphone to complete your mic lockerТhis high-quality dual-capsule large-diaphragm condenser microphone captures vocals and instruments with pristine clarity, depth and detail, making it the perfect starting point for emulating a plethora of timeless studio microphones. A legendary libraryEdge Duo is able to call on an extensive and ever-expanding collection of classic mic emulations, with 11 legendary microphone models already available and 7 more soon to be released. All have been meticulously measured from carefully selected original examples in one of the most respected facilities in Germany. Find the full list of Edge Duo emulations below. Unique designHoused in a specially designed low-resonance body with a sleek matte black finish, Edge Duo features a 6-micron gold-sputtered dual-membrane capsule. It provides an incredibly smooth, rich and organic response that the powerful Antelope Audio modeling engine can shape into the true sound of some of the most expensive and sought-after microphones in the history of audio recording. Multi-dimensional mic modelingEdge Duo’s dual-membrane capsule design feeds two separate XLR output channels via the included Y-cable. The signal from each membrane is then individually processed and recombined, delivering the most precise mic modeling on the market. This approach not only means that users can vary the polar pattern from within the plug-in, even after recording. It also allows the Edge Duo to accurately emulate the characteristic on- and off-axis response of each mic for true multi-dimensional mic modeling. High compatibilityThe Edge emulations are designed to work hand-in-hand with Antelope’s own precision mic preamps and converters. For maximum accuracy, Edge Duo can be used with any of Antelope Audio’s mic preamp-equipped interfaces, whose built-in FPGA processing capabilities allow real-time vintage mic emulation.However, Edge Duo also includes Antelope’s native mic emulation plug-ins, meaning you can use any third-party audio interface and even change modeling settings after recording. Available in VST, AU and AAX formats for both macOS and Windows, Antelope’s native AFX plug-ins* provide everything we’ve come to expect from their industry-leading FPGA FX, with minimal latency, a high degree of oversampling and precise floating-point calculations. *iLok 2 or 3 required. Not included in the pack.    About the new Edge FamilyBuilding on the success of the acclaimed Edge modeling mic, the new Edge Family from Antelope Audio features three new large-diaphragm condenser mics – the fixed cardioid Edge Solo, the multi-pattern Edge Duo and the dual-capsule, four-output Edge Quadro, capable of 360° stereo recording.Together with Antelope’s constantly expanding range of FPGA and native AFX mic emulation plug-ins, the Edge Family makes Antelope’s unrivalled mic modeling technology available to an even wider range of users and recording applications. Key features:- Powerful mic modeling engine- Duosonic / Stereosonic microphone- Output split into two independent audio channels for maximum control- Large double-membrane condenser capsule- Switchable polar patterns: cardioid, figure-8, omnidirectional and anything in between- Ultra-low resonance headbasket and body construction- Extensive library of vintage mic emulations- Shock mount with pop filter and special oxygen-free copper Y-cable included Mic emulations:Berlin 47 FTBerlin 49TBerlin 57Berlin 87Berlin 67Berlin M103Vienna 12Vienna 414Tokyo 800TOxford 4038Sacramento 121RBerlin K86 (coming soon)Berlin 47 TU (coming soon)Berlin V563 (coming soon)Berlin/Halske M25 (coming soon)Berlin M251 (coming soon)Minnesota 20 (coming soon)Illinois 7B (coming soon) Specifications:Microphone type: Stereo condenser microphoneDiaphragm: Large condenser – double-sided 6u gold-sputtered membranesDiaphragm diameter: 34mmPolar pattern: Multi-pattern (cardioid, figure-8, omnidirectional)Frequency response: 20HZ ~ 20kHZSensitivity: -35dB | 18mV/Pa (-1 to +3dB)THD+N: -116dBSelf-noise: 19dB(A)SNR: 75dB(A)Output impedance: 50 Ohms @ 1kHzPower requirements: 48V DC phantom powerOutput connector: 5-pin male XLRColor: Black matteWeight (mic body): 1.23 lbs (560 grams)Dimensions (mic body): 8.6" x 2.1" (219mm x 53mm) Package contents:Breakout cable: 16.4' (5 meters) 5-pin female XLR to dual 3-pin male XLR (high grade OFC Y-cable)Mount: Shock absorber typeCase: Standard mid-size road case with handle and custom-fit foam inserts ​

1.106 €
12 Interest Free Instalments 92,17€ / month
Upon Order

he WA-47 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern (9), large condenser microphone, based on the classic ‘47 that has been used on countless hit records for the last 50+ years.  The WA-47 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. The classic ‘47 became extremely popular in the 1960’s and is now considered one of the greatest microphones every made.  The classic ‘47 is still widely used today in professional recording studios but have become extremely rare and expensive to acquire.True '47 style capsuleThe WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response.  Every Warm Audio capsule is made in the same small assembly house in a clean-room environment,  and packaged in its own protective jewel case until the moment it is loaded into the microphone.  Each capsule is visually inspected and electrically tested for imperfections.The CapsuleThe WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response.  Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer who's precision and repeatability allows us to nail the vintage sonics of the most important sonic piece of this classic style of microphone.​The TubeA Slovak Republic JJ 5751 vacuum tube is a lower gain, low noise tube that forces much of the sonics of the capsule and transformer to be heard more significantly than some higher gain tubes might allow.  We auditioned 4 different tube brands and fell in love with the JJ 5751.  The frequency response of the JJ 5751 and the way it contributes to the circuit is tonally smooth and vintage in nature.​The TransformerThe WA-47 utilizes an American made TAB-Funkenwerk (AMI) USA transformer with large core imported German laminations.  This transformer helps provide the creamy smooth top end, and the LARGER THAN LIFE bottom end one would expect from a '47 style condenser microphone.​The CableOne component of a tube microphone often overlooked is the 7 pin cable that connects the microphone to its power supply.  When auditioning the WA-47 and other tube microphones we learned quite a bit about 7 pin cables and how the shielding and wire gauge size can drastically change the sonics of a tube microphone.  We have partnered with Gotham Audio in Switzerland to use their very carefully built top-end 7 pin GAC-7 cable. Using this cable increases top end presence and the overall size of the recorded image in the stereo field, by reducing phase shift and the parasitic effect often found in poorly built cables. Gotham Audio is very expensive and boutique in nature and should not be considered a small addition to the WA-47 package.​The CapacitorsThe WA-47 uses a polystyrene coupling capacitor for uncompressed top-end response from the capsule, wima film capacitors throughout, and an imported Solen French capacitor on its output driving the TAB-Funkenwerk (AMI) USA output transformer.Specifications:Custom true '47 capsule reproduction (k47 style) - Model# WA-47-B-80vCapsule makeup: Gold sputtered, dual large diaphragm, single backplate, 6 microns NOS mylar (PET film)TAB-Funkenwerk (AMI) USA output transformerJJ Slovak 5751 vacuum tubeGotham 5 meter GAC-7, 7-pin tube microphone cableWima, Solen French, and Polystyrene capacitorsPolar Patterns: 9 patterns - Cardioid, Omni, figure-of-eight + 6 mixed patternsSelf-noise: 11dBADynamic range: 130dBAMaximum SPL: 140dB  (

873 €
12 Interest Free Instalments 72,75€ / month
In Stock

Large-Diaphragm Condenser Microphone.A Secret Weapon Of Pro StudiosThe WA-47F is a faithful recreation of a high-SPL, low-noise classic celebrated as a 'secret weapon' across world-class studios. The original '47-style FET was released in 1969 and gained massive popularity inside recording studios for its ability to handle fast transients with exceptional detail. Compared to popular tube microphones, the WA-47F has a more pristine top end and a tighter, more controllable bass response. Famous artists such as Dave Grohl and Daft Punk used the original 47FET on kick drums, inspiring generations of drummers and engineers. For vocals, legends like David Lee Roth and Michael Stipe used the original to create some of the most beloved music of all time.The WA-47F shares the same sonic profile as that original microphone, making the WA-47F a studio workhorse that will quickly become a go-to mic in your locker.Full Volume. Powerful Detail. No CompromiseLike all Warm Audio microphones, the WA-47F is a no-nonsense studio tool with premium components and elite build quality. Like the originals, the WA-47F takes the sound of the WA-47 tube mic and swaps the valve for solid-state FETs, meaning there’s no compromise between capturing rich midrange, detailed bass, and handling very loud sources. At its core, the WA-47F uses a premium reproduction of the vintage K47-style capsule found in the original microphone for ultra-wide frequency response and detail. The WA-47F uses a single backplate, cardioid-only version of the same capsule used in our award-winning WA-47 tube microphone.The capsule is joined by a custom TAB-Funkenwerk USA Output Transformer that drives the punchy, powerful sound captured by this capsule. The WA-47F pairs premium Fairchild FETs with polystyrene & Wima capacitors and the AMI output transformer, giving the WA-47F the ideal frequency response to capture extra detail and depth. The -10dB pad gives you extra headroom for those loud sources that you need to keep loud. When you need to eliminate unwanted bass frequencies on sources like lead vocals or electric guitar cabs, engage the included 140 Hz low-cut filter to save yourself from unnecessary post-EQ. Our meticulous R&D process allowed us to dial in a true-to-original output level and frequency response that matches the performance expectations of world-class audio engineers and recording facilities.Studio WorkhorseLike the original, the WA-47F’s custom-tuned frequency response captures huge kick drum sounds, punchy guitar & bass cabs, and adds a pristine edge to solo vocals that need to stand out.Kick DrumIn addition to a dynamic mic on the inside of the kick, aimed right at the beater, many engineers choose to add a 47FET-style microphone to the outside of the kick drum on the front head. The dynamic mic on the beater tends to capture the “snap” of the kick, while the WA-47F on the outside will get the “thump” from the drum. The air pressure “boom” of the resonant kick drum head is a huge sound easily missed by the dynamic mic. Adding a WA-47F to your kick will have a huge spatial effect on the sound, making tracks feel more alive and less robotic.VocalsThe original mic was chosen to capture some very famous vocals including Bon Scott (AC/DC), David Lee Roth (Van Halen), and REM’s Michael Stipe. Like the original, the WA-47F delivers powerful, detailed vocals ranging from screaming hair metal all the way to soft falsettos over iconic indie rock.Guitar & Bass CabinetsThe original is also a favorite inside studios for tracking guitar and bass cabinets - especially for percussive, loud guitar parts like you might find on an AC/DC record. The openness of the condenser capsule and the ability for the circuit to handle higher-than-normal SPLs means that you can track guitars LOUD without compromising detail. For those about to rock - you'll notice a difference.WA-47-B-50v CapsuleThe WA-47-B-50v capsule is a true reproduction of the single-backplate K47-style capsule found in the original 47Fet mic. This capsule captures incredible detail across the 20Hz-19kHz frequency response. With a unique gradual climb in the mids and slight scoop in the high end, the capsule inside the WA-47F will quickly make this a favorite mic for any source that demands critical detail and pleasing high end at louder volumes.AMI USA-Made Output TransformerThe history of TAB-Funkenwerk (AMI) transformers goes all the way back to the founding of the most sought-after German analog audio innovations. The TAB (AMI) transformer in the WA-47F is American-made and built to exacting standards as designed by Oliver Archut. The sweet sonic character of the WA-47F would not be possible without the amazing, historically-correct transformer supplied by TAB-Funkenwerk.Fairchild Transistors & Premium CapacitorsThe WA-47F uses premium Fairchild FETs - the same component found in the most exacting and expensive reissues. The polystyrene and premium WIMA capacitors in the WA-47F provide the excellent signal conversion that this circuit demands.Authentic Appearance & Elite Build QualityThe WA-47F is encased in an ultra-durable nickel-plated brass body with an updated headbasket shape adding additional space around the capsule. Every single WA-47F is meticulously hand-inspected at Warm HQ in Austin,TX by real musicians and engineers with a passion for superior sound.

695 €
12 Interest Free Instalments 57,92€ / month
Upon Order

Coveted & Rare. Until Now.The WA-CX12 is a faithful recreation of the most natural and balanced tube mic of all time, lauded for its organic tone and pleasing top end. The original AKG C12 was produced in Austria from 1953 - 1963 and is the definitive version of the 12-style mic. The WA-CX12 sound profile and circuit design is inspired by the original production run of only 2500 mics, which are highly coveted for their ability to capture the natural beauty of vocal performances, room sounds, and other far miking techniques. The list of famous recording artists who have never used a 12-style microphone is likely shorter than the list of those who have. Some of the most notable artists to create music with the original includeThe Beatles, Lupe Fiasco, Tom Petty, Michael Jackson, Alanis Morissette, and Taylor Swift, just to name a few. The WA-CX12 cuts no corners in achieving the highly coveted open, airy, and natural sound profile used over and over again by some of the world’s most recognized engineers and artists.No-Compromise ComponentsThe WA-CX12 is a professional large-diaphragm tube microphone with premium components, elite build quality, and is hand-inspected in Austin, Texas. The circuit design of the WA-CX12 is faithful to the original production run from 1953-1963, and serves as the basis for the historically accurate sound profile. Like the original, the WA-CX12 tone is mostly flat until a slight dip at 2kHz with a gradual boost between 5-10kHz. At the beginning of the chain, the CX12 has an edge-terminated, all-brass CK12-style capsule, that stays true to the frequency response of the original-run 12-style microphones.This capsule allows the WA-CX12 to have 9 polar patterns with the typical cardioid, omni, and figure-8, in addition to 6 intermediate patterns. . Moving down from the capsule, the WA-CX12 uses a premium 12AY7 vacuum tube for added warmth. At the end of the circuit, the WA-CX12 uses a custom TAB-Funkenwerk (AMI) USA Output Transformer, which gives the WA-CX12 a very full, wide, and open sound, getting the most out of the capsule and additional circuit components. The WA-CX12 has premium capacitors throughout, and a no-solder mask board for the lowest noise possible. As with all Warm Audio products, we focus heavily on quality components to ensure we release the best sounding product possible.True To Legacy, True To SoundThe WA-CX12 sound profile is known for capturing the real sound of a performance. Designed to provide clarity in the midrange and smooth out any high end harshness, the WA-CX12 delivers professional solo vocals, intricate piano performances, and epic, natural room sounds.VocalsThe gently tuned 5-10kHz boost of the WA-CX12 accentuates and smoothes out the upper register in many vocal performances.PianoOne of the more popular studio uses for the original 12-style microphone is as a stereo pair on grand piano. Because of the mic’s relatively flat frequency at 0dB until the top-end boost kicks in, the WA-CX12 adds just the right amount of pristine high end to a piano performance.Room SoundsWhether it’s room reflections, splashy cymbals, or guitar & bass cabinets - mixing in a distant WA-CX12 can bring a natural “live” sound to professional recordings.Premium Components - Elite Build Quality - Superior SoundWA-12-B-60V CEK12-Style CapsuleThe WA-12-B-60V CK12-style capsule accurately matches the frequency response of the original capsule found in vintage C12 mics. This capsule captures incredible detail across the 30Hz-20kHz frequency response. With a remarkably flat response until the top-end boost starts to hit around 3k, the capsule inside the WA-CX12 will help you capture natural sounds with some added top-end smoothness before the pleasant 19kHz rolloff.AMI USA-MADE Output TransformerThe history of TAB-Funkenwerk (AMI) transformers goes all the way back to the founding of the most sought-after German analog audio innovations. The TAB (AMI) transformer in the WA-CX12 is American-made with large-core German laminations and built to exacting standards as designed by Oliver Archut. The custom transformer drives the full natural sound captured by the capsule delivering that renowned Austrian sound.Premium Tubes, Capacitors, & BoardsThe WA-CX12 uses a premium 12AY7 vacuum tube that adds warmth and depth to the microphone’s signal. Like all Warm Audio products, we use premium capacitors in the circuit for ideal signal transfer. The PCB board in the WA-CX12 does not have solder masks which allows for the lowest noise floor possible, preventing crosstalk from added capacitance.Authentic Appearance, Elite Build Quality, Premium AccessoriesThe WA-CX12 is encased in an ultra-durable nickel-plated brass body. Every WA-CX12 comes with a custom tweed carrying case housing the mic, wood mic case, premium Gotham 7-pin cable, IEC cable, shockmount, and external power supply. Every WA-CX12 is meticulously hand-inspected at Warm HQ in Austin,TX by real musicians and engineers with a passion for superior sound.

1.039 €
12 Interest Free Instalments 86,58€ / month
Pending Stock

The WA-14 is a '414-style condenser microphone based on the early 1970's microphone used on countless hit records. The WA-14 utilizes a custom all-brass CK12-style capsule, CineMag USA transformer, and a fully discrete signal path.  The WA-14 can be used on an array of sources, such as; punchy/warm intimate lead vocals, acoustic/electric guitars, bass, drums/percussion, strings/orchestral material, and many other sources. The WA-14 provides a realism and thickness that is true to the vintage microphone, but now at an affordable price.All-brass CapsuleThe WA-12-B-60V is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and warm vintage sonics of the original CK12 capsule.  The WA-12-B-60V uses a variant CEK-12 backplate as a basis, which overcomes manufacturing limitations of the original CK12 capsule.  The o-ring and housing of the WA-12-B-60V are all made from brass (no teflon parts), and the diaphragm is 24k gold sputtered 6 micron, NOS PET film (mylar).  The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule.Specifications:Large diaphragm condenser microphone with variable pad and three polar patternsFeatures custom WA-12-B-60V edge-terminated, dual-backplate, all-brass vintage CK12-style capsuleCustom CineMag USA transformerFrequency range: 20Hz to 20kHz Output pad: 0dB, -10dB, -20dBPolar Patterns: Cardioid, figure of eight and omnidirectionalOutput Impedance: 150 ohms3-pin gold plated XLRRequires +48V phantom powerIncludes shock mount and hard mountColor: black​​

419 €
12 Interest Free Instalments 34,92€ / month
Upon Order

The ST-1 MK2 Lanen, designed on the basis of the STC-3D MK2, is one of the only condenser microphones on the market, equipped with a real 34mm large diaphragm capsule, with a gold-plated one-inch diaphragm, in this price range. Almost all of the other brands speak of a large membrane, for capsules from 16 to 19mm and the difference is significant! Unlike "entry-level" products, which are often too cold and too bright, with less full sound in the bass and lower midrange, the ST-1 MK2 Lanen perfectly reproduces the definition and warmth of the recorded source.

129 €
36 Instalments 4,45€ / month
In Stock