Mixing Desks

SSL Origin Evo: Ever Closer to the GrailFor many Solid State Logic aficionados, the classic SSL consoles of the late 1970s and early 1980s represent the Holy Grail of what an in-line analog console should be. With the Origin, SSL created a board that epitomized that ideal at a size and price that made it accessible to smaller studios. Now, the Solid State Logic Origin Evo gets you even closer to the magic of those cherished consoles of yesteryear, honoring the iconic dual-path in-line architecture and signal-routing flexibility while introducing a new “Evo” channel strip that features PureDrive preamps with Drive control and E-Series EQ, plus the addition of SSL’s coveted E-series dynamics processing and a new lowpass filter to complement the HPF. Origin Evo provides all these upgrades in an updated Mk2 console mainframe with a state-of-the-art, energy-saving power supply.Note: For existing Origin owners who wish to update their consoles with EVO channel strips, SSL has made available the Evo 8-channel Upgrade Kit. Please contact your Sweetwater Sales Engineer for details.Taking Origin the the next levelSSL revisited its storied history to inspire Origin, a fully analog recording and mixing console with an in-line workflow and modern appointments for hybrid analog-digital production environments. Simple, intuitive, and incredibly powerful, Origin was the culmination of nearly half a century of technological innovation, integrating the best of SSL’s legacy designs into an engaging new format aimed at contemporary DAW-based studios. Now, Origin Evo takes all those virtues to the next level. Available in your choice of 16- or 32-channel mainframe sizes, Origin Evo incorporates Origin’s PureDrive preamps with Drive control for even greater sonic flexibility. Origin Evo can handle even the most demanding tracking and mixing sessions with ease. And loaded with E-Series 4-band parametric EQ, E-Series dynamics, and SSL’s legendary bus compressor, Origin Evo enhances your mixes with the signature SSL sound that has powered countless hits.Significantly reduced operational costsMost busy studios tend to leave their large-format consoles permanently switched on to avoid problems related to heat cycles and stresses on linear power supplies, which can trigger failures on power-up. For Origin Evo, Solid State Logic developed a new, cutting-edge power supply that’s specifically designed to be powered off and on regularly. The power supply monitors console activity and automatically engages Sleep mode after a period of inactivity. Sleep mode cuts power consumption from 500 watts to that of a 40-watt light bulb. To indicate Sleep mode, an LED on the Wake/Sleep button in the center section glows slowly. Simply press this button to instantly awaken Origin Evo with all your settings intact. This unique feature benefits your studio by significantly reducing running costs, providing a boost to your bottom line.Designed for hybrid setupsDesigned for modern hybrid production studios, Origin Evo provides the analog punch absent from purely digital, “in-the-box” setups while seamlessly integrating into your DAW workflow. To that end, Solid State Logic has made available the new UF-8 Retrofit Kit, a metalwork kit that allows the SSL UF8 advanced DAW controller to be fitted into Origin Evo’s fader tray and the stereo group faders to be relocated to the center section rack space. Origin complements each stage of production, feeding life into your digitally captured tracks on the front end and providing you with the spaciousness and depth of analog summing during mixdown. Origin Evo features the intuitive SSL in-line channel strip design that will be immediately familiar to guest engineers. SSL’s PureDrive mic/line preamps deliver the transparent sound for which SSL’s legacy consoles are famous, but add Drive circuitry that lets you introduce complex, gain-dependent harmonics for sonic richness. Additionally, each channel comes equipped with the acclaimed SSL E-Series parametric EQ, arguably one of the most detailed and flattering equalizers in pro audio history, favored by scores of multi-platinum and Grammy-winning artists, producers, and engineers.E-Series 4-band parametric channel EQThe Black Knob 242 E-Series EQ was SSL’s third console EQ design, following the Brown Knob EQ and the Orange Knob 132 EQ. It improved on its predecessors in several ways: it was more powerful, with an additional 6dB of cut and boost; featured a steeper slope for the highpass filter; and had the capacity to switch the highpass and lowpass filters out of circuit when not being used. However, beyond the spec sheet improvements, the Black Knob EQ quickly gained notoriety for its open and transparent sound, and engineers were struck by how generously they could apply EQ without adding distortion to a signal, especially when cranking up the bass. Origin Evo is equipped with Black Knob 242 E-Series-style EQs on every channel, which can be flipped between the small and large fader paths. When recording into a DAW, the highpass filter is especially useful for eliminating unnecessary low frequencies that can chew up digital headroom. With variable cut and boost per band and switchable EQ curves between bell and shelving on the high-frequency and low-frequency bands, Origin Evo has incredible tone-shaping power with an unmistakably analog sound.E-Series channel dynamicsA particularly notable upgrade from the Origin is the addition of iconic E-Series channel dynamics. With its painstakingly replicated circuits and components, the compressor/gate implementation in Origin Evo remains faithful to that of the original E-Series — a design that delivered the aggressive compression and fast gating and shaped the sound of mega-hit records in the ’80s (drum sounds, perhaps most memorably). Origin Evo’s channel dynamics circuitry includes a true RMS sidechain detector and an all-discrete gain-reduction stage identical to the Class A voltage-controlled amplifier chip used in vintage E-Series consoles. As implemented in Origin Evo, a flexible control set lets you bypass the soft-knee curve, activate fast-attack mode, and select between logarithmic or linear release curves. Together, these features give you a broad range of tone-sculpting options.Multifunction large and small fadersEach of Origin Evo’s channels includes small fader control, with a high-quality 60mm audio fader and pan knob with center detent, and large fader control, with a premium 100mm fader, plus independent pan, solo, and cut. Additionally, both small and large fader paths contain a discrete insert point, with the option to place the insert pre-fader. Cognizant that many contemporary mix engineers prefer to automate within their DAW, SSL supplied Origin Evo with 0dB switches on the large and small fader paths that subtract the faders from those paths, passing unity gain. So, you have the ease of computerized automation along with Origin’s warm, analog character. Typically, the channel input feeds the small fader, and the monitor input feeds the large fader; however, Origin Evo lets you flip the paths with the Path Flip switch, according to your workflow preference. And, during mixdown, the small fader path can be routed to the mix bus, doubling Origin’s channels for handling larger mixes without having to comp tracks in your DAW, for a true large-format console mixing experience.Comprehensive master control streamlines your workflowOrigin Evo’s master control section is the heart of the console and offers quick, fingertip access to its vast functionality, including talkback and rear-panel listen mic, ±10dB trim pots, and routing assign switches for the console’s 16 buses, four stereo returns, monitor management, DIM and MONO controls, left and right mutes, and polarity switch. Sitting prominently in the master control center is SSL’s iconic bus compressor, celebrated for its ability to glue a mix together and make it “sound like a record.” The master control section is customizable, with a modular design and 6U of additional 19-inch rack space to load up with your favorite outboard gear, keyboard, monitor, or DAW controller.Flexible monitor section and clear-cut communications managementSSL is famed for designing well-organized and navigable monitor and communication sections, and Origin Evo continues that tradition. The monitor section is exceptionally flexible, allowing for three sets of monitors — main monitors and two alternate sets with independent trim knobs. So, you can quickly cycle between your monitors, or hook up grot box speakers to check the integrity of your mixes on a less-than-ideal medium. You can select five different monitor sources (mix, 3.5mm jack in, and three external stereo inputs) and simultaneously monitor multiple sources for expanded reference listening and creative applications. Origin Evo’s matrix of sources and outputs simplifies communications management and foldback, keeping engineers, producers, and artists connected throughout the recording process. Customize foldback mixes on two stereo cues or utilize any of the four aux sends for mono parallel mixes. Origin Evo has two options for talkback: a built-in microphone and an XLR input for an external microphone. Each has a dedicated compressor, which, alternatively, can be inserted into any audio channel for the hyper-compressed sound popularized on Phil Collins’ epic “In the Air Tonight” drum solo.Bus matrix for advanced routingOne of the ways Origin Evo keeps its vast functionality within a relatively condensed footprint is by routing assignments to a compact, centralized bus matrix. The bus matrix includes ±10dB trim pots for each of the console’s 16 buses, and its simple 2-button operation makes bus assignment incredibly efficient. Select the bus and track you wish to assign to it, and a blue light indicates they are linked — that’s it! If your routing becomes overly complicated and you need to start from scratch, you can reset it with the push of a button. Below the bus matrix are Origin Evo’s four stereo returns, which have independent trim and level controls, foldback A and B sends, and a bus routing button and indicator light. Not only does this configuration provide an intuitive interface, but it also uses fewer components than other large-format consoles with the same level of routing, reducing future maintenance requirements.Classic SSL bus compressorThe center-section compressor from SSL’s G-Series console has taken on legendary status for its uncanny ability to glue together a mix in a distinctly vital and musical way. Origin Evo includes a faithful re-creation of the G-Series bus compressor. No mere emulation; it’s the real deal, true to the original specs, with added sidechain access and a highpass filter to keep the compressor from over-responding to low frequencies. Featuring classic Threshold, Attack, Ratio, and Makeup controls, the Origin’s bus compressor is effortless to use, and, even at higher ratios, retains the dynamic topography of your mix without sounding squashed and lifeless. One of the final links of Origin Evo’s beautifully rendered analog signal chain, the bus compressor imparts the timeless vibe and personality that made SSL synonymous with world-class pro audio.Versatile, customizable physical designOrigin Evo’s modular center section and compact footprint allow for installation flexibility to meet your ergonomic preferences and space requirements. Based on the industry-standard 19-inch pitch, the console mainframe accommodates inboard rackmount processors and panels. Furthermore, the Master Section can be repositioned to cater to varying priorities dependent on the nature of your work. Additionally, Origin Evo is provisioned with separate insert points for both the large and small fader paths, allowing for additional processing to be easily incorporated into the signal flow. Shipped to you fully assembled, Origin Evo is designed for easy installation. With no external PSU to contend with, you plug it directly into your AC supply, and the intelligent internal power supply auto-adjusts between 90 and 250 volts. Audio wiring is either XLR or AES 59 (TASCAM) DB-25 connectors, and the connector pin layout is designed to plug directly into a standard DB-25 to TT (Bantam) patchbay. The console is passively cooled (no internal fans) and designed to be mounted on legs or to be installed into custom furniture.The Solid State Logic legacySince its founding by Colin Sanders in 1969, Solid State Logic has followed a design philosophy that prioritizes the needs of artists, engineers, and producers. The company’s products facilitate creativity by removing technical impediments and streamlining workflows. From the groundbreaking SL 4000E with TotalRecall to the SuperAnalogue SL 9000 J and K, AWS, and Duality, SSL consoles have captured the magic of countless iconic recordings. Indeed, installed in the world’s top studios, Solid State Logic consoles have shaped the sound of modern music. Firmly ensconced in the pantheon of pro audio greats, SSL continues to innovate, bringing its uncompromising quality and signature sonics to a new generation of artists and creators. Sweetwater is proud to offer you SSL’s pedigreed line of consoles, signal processors, and audio interfaces.Solid State Logic Origin Evo 16 Features:16-ch. analog recording and mixing console16 mono in-line channelsSuperAnalogue preamps with preset Drive/4K switchIn-line architecture with 2 paths per channel60mm small fader and 100mm large fader with balanced inputs in each path, and independent pan, solo, cut, and 0dB switch to set unity gainChannel inserts: 2 (1 per path)8 stereo sub groupsE-Series 4-band parametric EQSweepable highpass and lowpass filtersE-Series channel dynamicsSSL’s iconic stereo VCA bus compressor with sidechain HPF1 stereo mix bus; 8 track busesComprehensive master control sectionMonitor outputs: main (12 wide) + 1 alternate + headphoneAux sends: 2 stereo, 4 mono3 foldback outputsAuto Sleep modeDesigned and crafted in England

SSL Origin Evo: Ever Closer to the GrailFor many Solid State Logic aficionados, the classic SSL consoles of the late 1970s and early 1980s represent the Holy Grail of what an in-line analog console should be. With the Origin, SSL created a board that epitomized that ideal at a size and price that made it accessible to smaller studios. Now, the Solid State Logic Origin Evo gets you even closer to the magic of those cherished consoles of yesteryear, honoring the iconic dual-path in-line architecture and signal-routing flexibility while introducing a new “Evo” channel strip that features PureDrive preamps with Drive control and E-Series EQ, plus the addition of SSL’s coveted E-series dynamics processing and a new lowpass filter to complement the HPF. Origin Evo provides all these upgrades in an updated Mk2 console mainframe with a state-of-the-art, energy-saving power supply.Note: For existing Origin owners who wish to update their consoles with EVO channel strips, SSL has made available the Evo 8-channel Upgrade Kit. Please contact your Sweetwater Sales Engineer for details.Taking Origin the the next levelSSL revisited its storied history to inspire Origin, a fully analog recording and mixing console with an in-line workflow and modern appointments for hybrid analog-digital production environments. Simple, intuitive, and incredibly powerful, Origin was the culmination of nearly half a century of technological innovation, integrating the best of SSL’s legacy designs into an engaging new format aimed at contemporary DAW-based studios. Now, Origin Evo takes all those virtues to the next level. Available in your choice of 16- or 32-channel mainframe sizes, Origin Evo incorporates Origin’s PureDrive preamps with Drive control for even greater sonic flexibility. Origin Evo can handle even the most demanding tracking and mixing sessions with ease. And loaded with E-Series 4-band parametric EQ, E-Series dynamics, and SSL’s legendary bus compressor, Origin Evo enhances your mixes with the signature SSL sound that has powered countless hits.Significantly reduced operational costsMost busy studios tend to leave their large-format consoles permanently switched on to avoid problems related to heat cycles and stresses on linear power supplies, which can trigger failures on power-up. For Origin Evo, Solid State Logic developed a new, cutting-edge power supply that’s specifically designed to be powered off and on regularly. The power supply monitors console activity and automatically engages Sleep mode after a period of inactivity. Sleep mode cuts power consumption from 500 watts to that of a 40-watt light bulb. To indicate Sleep mode, an LED on the Wake/Sleep button in the center section glows slowly. Simply press this button to instantly awaken Origin Evo with all your settings intact. This unique feature benefits your studio by significantly reducing running costs, providing a boost to your bottom line.Designed for hybrid setupsDesigned for modern hybrid production studios, Origin Evo provides the analog punch absent from purely digital, “in-the-box” setups while seamlessly integrating into your DAW workflow. To that end, Solid State Logic has made available the new UF-8 Retrofit Kit, a metalwork kit that allows the SSL UF8 advanced DAW controller to be fitted into Origin Evo’s fader tray and the stereo group faders to be relocated to the center section rack space. Origin complements each stage of production, feeding life into your digitally captured tracks on the front end and providing you with the spaciousness and depth of analog summing during mixdown. Origin Evo features the intuitive SSL in-line channel strip design that will be immediately familiar to guest engineers. SSL’s PureDrive mic/line preamps deliver the transparent sound for which SSL’s legacy consoles are famous, but add Drive circuitry that lets you introduce complex, gain-dependent harmonics for sonic richness. Additionally, each channel comes equipped with the acclaimed SSL E-Series parametric EQ, arguably one of the most detailed and flattering equalizers in pro audio history, favored by scores of multi-platinum and Grammy-winning artists, producers, and engineers.E-Series 4-band parametric channel EQThe Black Knob 242 E-Series EQ was SSL’s third console EQ design, following the Brown Knob EQ and the Orange Knob 132 EQ. It improved on its predecessors in several ways: it was more powerful, with an additional 6dB of cut and boost; featured a steeper slope for the highpass filter; and had the capacity to switch the highpass and lowpass filters out of circuit when not being used. However, beyond the spec sheet improvements, the Black Knob EQ quickly gained notoriety for its open and transparent sound, and engineers were struck by how generously they could apply EQ without adding distortion to a signal, especially when cranking up the bass. Origin Evo is equipped with Black Knob 242 E-Series-style EQs on every channel, which can be flipped between the small and large fader paths. When recording into a DAW, the highpass filter is especially useful for eliminating unnecessary low frequencies that can chew up digital headroom. With variable cut and boost per band and switchable EQ curves between bell and shelving on the high-frequency and low-frequency bands, Origin Evo has incredible tone-shaping power with an unmistakably analog sound.E-Series channel dynamicsA particularly notable upgrade from the Origin is the addition of iconic E-Series channel dynamics. With its painstakingly replicated circuits and components, the compressor/gate implementation in Origin Evo remains faithful to that of the original E-Series — a design that delivered the aggressive compression and fast gating and shaped the sound of mega-hit records in the ’80s (drum sounds, perhaps most memorably). Origin Evo’s channel dynamics circuitry includes a true RMS sidechain detector and an all-discrete gain-reduction stage identical to the Class A voltage-controlled amplifier chip used in vintage E-Series consoles. As implemented in Origin Evo, a flexible control set lets you bypass the soft-knee curve, activate fast-attack mode, and select between logarithmic or linear release curves. Together, these features give you a broad range of tone-sculpting options.Multifunction large and small fadersEach of Origin Evo’s channels includes small fader control, with a high-quality 60mm audio fader and pan knob with center detent, and large fader control, with a premium 100mm fader, plus independent pan, solo, and cut. Additionally, both small and large fader paths contain a discrete insert point, with the option to place the insert pre-fader. Cognizant that many contemporary mix engineers prefer to automate within their DAW, SSL supplied Origin Evo with 0dB switches on the large and small fader paths that subtract the faders from those paths, passing unity gain. So, you have the ease of computerized automation along with Origin’s warm, analog character. Typically, the channel input feeds the small fader, and the monitor input feeds the large fader; however, Origin Evo lets you flip the paths with the Path Flip switch, according to your workflow preference. And, during mixdown, the small fader path can be routed to the mix bus, doubling Origin’s channels for handling larger mixes without having to comp tracks in your DAW, for a true large-format console mixing experience.Comprehensive master control streamlines your workflowOrigin Evo’s master control section is the heart of the console and offers quick, fingertip access to its vast functionality, including talkback and rear-panel listen mic, ±10dB trim pots, and routing assign switches for the console’s 16 buses, four stereo returns, monitor management, DIM and MONO controls, left and right mutes, and polarity switch. Sitting prominently in the master control center is SSL’s iconic bus compressor, celebrated for its ability to glue a mix together and make it “sound like a record.” The master control section is customizable, with a modular design and 6U of additional 19-inch rack space to load up with your favorite outboard gear, keyboard, monitor, or DAW controller.Flexible monitor section and clear-cut communications managementSSL is famed for designing well-organized and navigable monitor and communication sections, and Origin Evo continues that tradition. The monitor section is exceptionally flexible, allowing for three sets of monitors — main monitors and two alternate sets with independent trim knobs. So, you can quickly cycle between your monitors, or hook up grot box speakers to check the integrity of your mixes on a less-than-ideal medium. You can select five different monitor sources (mix, 3.5mm jack in, and three external stereo inputs) and simultaneously monitor multiple sources for expanded reference listening and creative applications. Origin Evo’s matrix of sources and outputs simplifies communications management and foldback, keeping engineers, producers, and artists connected throughout the recording process. Customize foldback mixes on two stereo cues or utilize any of the four aux sends for mono parallel mixes. Origin Evo has two options for talkback: a built-in microphone and an XLR input for an external microphone. Each has a dedicated compressor, which, alternatively, can be inserted into any audio channel for the hyper-compressed sound popularized on Phil Collins’ epic “In the Air Tonight” drum solo.Bus matrix for advanced routingOne of the ways Origin Evo keeps its vast functionality within a relatively condensed footprint is by routing assignments to a compact, centralized bus matrix. The bus matrix includes ±10dB trim pots for each of the console’s 16 buses, and its simple 2-button operation makes bus assignment incredibly efficient. Select the bus and track you wish to assign to it, and a blue light indicates they are linked — that’s it! If your routing becomes overly complicated and you need to start from scratch, you can reset it with the push of a button. Below the bus matrix are Origin Evo’s four stereo returns, which have independent trim and level controls, foldback A and B sends, and a bus routing button and indicator light. Not only does this configuration provide an intuitive interface, but it also uses fewer components than other large-format consoles with the same level of routing, reducing future maintenance requirements.Classic SSL bus compressorThe center-section compressor from SSL’s G-Series console has taken on legendary status for its uncanny ability to glue together a mix in a distinctly vital and musical way. Origin Evo includes a faithful re-creation of the G-Series bus compressor. No mere emulation; it’s the real deal, true to the original specs, with added sidechain access and a highpass filter to keep the compressor from over-responding to low frequencies. Featuring classic Threshold, Attack, Ratio, and Makeup controls, the Origin’s bus compressor is effortless to use, and, even at higher ratios, retains the dynamic topography of your mix without sounding squashed and lifeless. One of the final links of Origin Evo’s beautifully rendered analog signal chain, the bus compressor imparts the timeless vibe and personality that made SSL synonymous with world-class pro audio.Versatile, customizable physical designOrigin Evo’s modular center section and compact footprint allow for installation flexibility to meet your ergonomic preferences and space requirements. Based on the industry-standard 19-inch pitch, the console mainframe accommodates inboard rackmount processors and panels. Furthermore, the Master Section can be repositioned to cater to varying priorities dependent on the nature of your work. Additionally, Origin Evo is provisioned with separate insert points for both the large and small fader paths, allowing for additional processing to be easily incorporated into the signal flow. Shipped to you fully assembled, Origin Evo is designed for easy installation. With no external PSU to contend with, you plug it directly into your AC supply, and the intelligent internal power supply auto-adjusts between 90 and 250 volts. Audio wiring is either XLR or AES 59 (TASCAM) DB-25 connectors, and the connector pin layout is designed to plug directly into a standard DB-25 to TT (Bantam) patchbay. The console is passively cooled (no internal fans) and designed to be mounted on legs or to be installed into custom furniture.The Solid State Logic legacySince its founding by Colin Sanders in 1969, Solid State Logic has followed a design philosophy that prioritizes the needs of artists, engineers, and producers. The company’s products facilitate creativity by removing technical impediments and streamlining workflows. From the groundbreaking SL 4000E with TotalRecall to the SuperAnalogue SL 9000 J and K, AWS, and Duality, SSL consoles have captured the magic of countless iconic recordings. Indeed, installed in the world’s top studios, Solid State Logic consoles have shaped the sound of modern music. Firmly ensconced in the pantheon of pro audio greats, SSL continues to innovate, bringing its uncompromising quality and signature sonics to a new generation of artists and creators. Sweetwater is proud to offer you SSL’s pedigreed line of consoles, signal processors, and audio interfaces.Solid State Logic Origin Evo 32 Features:32-ch. analog recording and mixing console32 mono in-line channelsSuperAnalogue preamps with preset Drive/4K switchIn-line architecture with 2 paths per channel60mm small fader and 100mm large fader with balanced inputs in each path, and independent pan, solo, cut, and 0dB switch to set unity gainChannel inserts: 2 (1 per path)8 stereo sub groupsE-Series 4-band parametric EQSweepable highpass and lowpass filtersE-Series channel dynamicsSSL’s iconic stereo VCA bus compressor with sidechain HPF1 stereo mix bus; 8 track busesComprehensive master control sectionMonitor outputs: main (12 wide) + 1 alternate + headphoneAux sends: 2 stereo, 4 mono3 foldback outputsAuto Sleep modeDesigned and crafted in England

Allen & Heath AR2412, a 48kHz, 24 XLR input, 12 XLR output Audiorack compatible with Qu, Avantis and SQ mixers, and with the AHM audio matrix processors.The AR2412 provides 24 microphone preamps and 12 Balanced, relay protected line outputs on XLR. The AR2412 can be placed up to 100m away from the mixer for maximum flexibility of positioning and includes rack ears for mounting in a 3U 19/" rack space. The unit connects over a single Cat5 cable to the mixer or upstream Expander. A second port is provided for daisy-chaining to another compatible expander or for connection to a ME personal mixing system. No configuration required, just connect to your mixer and you’re ready to go. Firmware updates are handled automatically by the mixer.

Allen & Heath SQ Dante 32 x 32, provides any SQ mixer or AHM processor with a full 32?32 channel, 96kHz or 48kHz interface to a Dante network. An SQ or AHM unit fitted with the Dante option card can seamlessly connect to DT expanders, wireless systems, amplifiers, preamps and any other devices on your Dante network, making full use of high-resolution 96kHz audio. The SQ Dante card can be switched between 96kHz or 48kHz to accommodate Dante networks running at either sample rate. In addition to facilitating system integration, the card also enables digital splits and affordable multitrack recording direct to a computer.

StudioLive® Series III SE digital mixers go beyond delivering pristine studio sound quality and processing to give front-of-house engineers and integrators the industry-leading recording, playback, and streaming capabilities needed to meet today's demands.

Our 40-channel, 26-bus digital mixer with 25 motorized faders, a 64x64 USB Audio Interface, and Milan-certified AVB Audio Networking.Designed to inspire and built to perform, StudioLive SE delivers pristine, ultra-low noise studio-quality sound to the stage in a compact, rack-mountable frame. Dial in your mix with an arsenal of audio processors and effects, including meticulous digital models of coveted EQs, compressors, limiters, and reverb.But live sound for touring, installations, and houses of worship demands more than pristine audio and powerful effects. With the StudioLive SE 24, you get access to capabilities beyond any solution in its class—like seamless multitrack recording, playback and streaming with integrated Studio One Pro and Capture software, remote access mix, console management, and one-click virtual soundcheck.Expand your system and stay industry-ready—StudioLive SE connects effortlessly to networked StudioLive Stage Boxes and any Milan-compatible I/O, while its sleek design, intuitive layout, ergonomic feel, and high-contrast UI maximize comfort and streamline workflow during long sessions.FeaturesIntegrated Multitrack RecordingRecord every channel and mix with the onboard SD recorder or 64x64 USB audio interfaceOne-click Virtual Soundcheck with CaptureSeamless compatibility with Studio One Pro and leading DAWsPristine Studio Sound on Stage33 XMAX-Remote preamps for transparent analog tone and digital recall32-bit floating-point DSP processing115 dB A/D–D/A converters with ultra-low jitter clockingExpanded Routing and I/O16 FlexMixes configurable as auxes, subgroups, or matrix mixesAVB networking with StudioLive Stage Boxes and Milan-compatible gearFour dedicated effects buses, four subgroups, and 24 DCAsAdvanced Fat Channel ProcessingDynamic Fat Channel design with 8 scribble strip displays for fast visual access and customizationAll 7 EQs and 8 Compressors from the Fat Channel Collection includedModeled after iconic hardware: Brit Comp, FC-670, Tube EQ, and moreExtended reverb parameters: Diffusion, Predelay, Room Size, and advanced dampingMetro™ Remote Access and Universal ControlControl every aspect of your mix remotely—from routing to effectsProvide technical support and reconfiguration remotelyUse QMix®-UC for personal monitor mixing from mobile devicesMixing Comfort and Control25 touch-sensitive motorized faders deliver smooth automation and tactile mixingErgonomic flat screen and redesigned fader caps for maximum visibility and comfort

40-channel, 26-bus digital mixer with 17 motorized faders, a 64x64 USB Audio Interface, and Milan-certified AVB Audio Networking.Designed to inspire and built to perform, StudioLive SE delivers pristine, ultra-low noise studio-quality sound to the stage in a unique split-fader frame. Dial in your mix with an arsenal of audio processors and effects, including meticulous digital models of coveted EQs, compressors, limiters, and reverb.But live sound for touring, installations, and houses of worship demands more than pristine audio and powerful effects. With the StudioLive SE 16, you get access to capabilities beyond any solution in its class—like seamless multitrack recording, playback and streaming with integrated Studio One Pro and Capture software, remote access mix, console management, and one-click virtual soundcheck.Expand your system and stay industry-ready—StudioLive SE connects effortlessly to networked StudioLive Stage Boxes and any Milan-compatible I/O, while its sleek design, intuitive layout, ergonomic feel, and high-contrast UI maximize comfort and streamline workflow during long sessions.FeaturesIntegrated Multitrack RecordingRecord every channel and mix with the onboard SD recorder or 64x64 USB audio interfaceOne-click Virtual Soundcheck with CaptureSeamless compatibility with Studio One Pro and leading DAWsPristine Studio Sound on Stage17 XMAX-Remote preamps for transparent analog tone and digital recall32-bit floating-point DSP processing115 dB A/D–D/A converters with ultra-low jitter clockingExpanded Routing and I/O16 FlexMixes configurable as auxes, subgroups, or matrix mixesAVB networking with StudioLive Stage Boxes and Milan-compatible gearFour dedicated effects buses, four subgroups, and 24 DCAsAdvanced Fat Channel ProcessingDynamic Fat Channel design with 8 scribble strip displays for fast visual access and customizationAll 7 EQs and 8 Compressors from the Fat Channel Collection includedModeled after iconic hardware: Brit Comp, FC-670, Tube EQ, and moreExtended reverb parameters: Diffusion, Predelay, Room Size, and advanced dampingMetro™ Remote Access and Universal ControlControl every aspect of your mix remotely—from routing to effectsProvide technical support and reconfiguration remotelyUse QMix®-UC for personal monitor mixing from mobile devicesMixing Comfort and Control17 touch-sensitive motorized faders deliver smooth automation and tactile mixingErgonomic flat screen and redesigned fader caps for maximum visibility and comfort

Designed in conjunction with mixer design legends Greg Mackie and Peter Watts. SoundLink mixers just look like conventional 16 and 24-channel mixersUse a SoundLink and you discover all the typical Greg Mackie features and ideas that make you think "why don't other mixers have that?”; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years. Let’s just say, he’s picked up a few ideas over that time. Many of which are incorporated into SoundLink.New HiVolt microphone preamps actually deliver on the usual “low noise, high headroom” mixer claimWhen you listen to the “White Album,” Rhianna’s “Rated R” and “Loud”, “Goodbye Yellow Brick Road” and literally hundreds of other familiar albums, you’re listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical.Not just effects. KORG effectsInstead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg’s multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate “WARM” version – a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that’s another SoundLink exclusive in a mixer in this price range.Rack-mount studio-grade DSP you can reach easilyDigital processing and effects are frustrating if they’re buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink’s Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can’t handle.A mixer should not only sound good. It should be very easy to use.Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. Both the 24- and 16-channel models give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition — paired with the power of high-quality digital where it counts.The massively powerful processing allows for running up to 10 effects at a time for total mixing control. Korg's amazing 32-bit effects and signal processing combine with the premium analog mixer components and design for a truly flexible hybrid analog and digital mixer. The 16 channels and 8-bus system make the SoundLink 1608 the most versatile mixer its size.16 channel hybrid analog/digital mixerPowerful digital processing for up to 10 effects at a timeKorg's renowned high-quality 32 bit effects, as found in KronosTrue 8-bus configuration with group outputsPremium analog components and designDesigned with Greg Mackie and Peter Watts

A mixer should not only sound good. It should be very easy to use.Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. Both the 24- and 16-channel models give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition — paired with the power of high-quality digital where it counts.True hybrid design developed with mixer design legends Greg Mackie and Peter Watts24 x 8 x 2 or 16 x 8 x 2 models feature practical design structure and ingenious features that make mixing unpredictable live performances easy even for novicesPeter Watts-designed HiVolt mic preamps, with the most headroom of any comparably-priced analog or digital mixerUnique Musician’s Phones Monitor Section for fast, one-knob boost of a musician’s mix without having to change Aux or Main mixOnly mixer in its class with Mute Groups to create various input combinations of musicians or parts of a church serviceTrue 8-bus configuration makes SoundLink perfect for recording as well as live mixing musicians, different parts of a church service, or cues during a theater productionPeter Watts’ refined, studio-grade, one-knob Compressor on all mic channelsSuper-useful touches such as best-in-class Feedback control system, all-XLR speaker outputs, 31-band Spectrum Analyzer, and enhanced Break system20 of Korg’s renowned 32-bit digital effects — 10 at once with recallable parametersPremium components including Velvet Sound™ A/D & D/A converters and silky-smooth, long-life ALPS® faders and rotary controlsDesigned in conjunction with mixer design legends Greg Mackie and Peter Watts. SoundLink mixers just look like conventional 16 and 24-channel mixersUse a SoundLink and you discover all the typical Greg Mackie features and ideas that make you think "why don't other mixers have that?”; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years. Let’s just say, he’s picked up a few ideas over that time. Many of which are incorporated into SoundLink.New HiVolt microphone preamps actually deliver on the usual “low noise, high headroom” mixer claimWhen you listen to the “White Album,” Rhianna’s “Rated R” and “Loud”, “Goodbye Yellow Brick Road” and literally hundreds of other familiar albums, you’re listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical.You can tell SoundLink was designed by practical musiciansIt’s is the only small mixer that has Mute Groups. They let you instantly call up different combinations of channels for various groups on stage, different songs, sound checks, a solo acoustic number, a drum solo or different parts of a church service (choir, praise band, pastor. You get four Group options, each easily programmable and recallable.Have it their waySome musicians want to hear more of their own instrument or voice in their in-ear or floor monitor, a process that is complicated to change on other mixers. SoundLink’s Musician’s Phone feature provides one-knob boost of the complete left/right mix into the musician’s individual track. Instead of having to change main mix settings or take up a bus, you have dedicated knobs for two Musician’s monitor mixes. A SoundLink exclusive!Not just effects. KORG effectsInstead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg’s multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate “WARM” version – a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that’s another SoundLink exclusive in a mixer in this price range.Rack-mount studio-grade DSP you can reach easilyDigital processing and effects are frustrating if they’re buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink’s Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can’t handle.

Mix big in any spaceGet the unparalleled speed, rich visual feedback, and software integration of Avid’s high-end consoles in a slimline surface that’s an easy fit for any space or budget. Avid S1 gives you deep hands-on control of your favorite audio and video software, including Pro Tools, Media Composer, Logic Pro X, Cubase, Nuendo, and Premiere Pro. Together with the free Avid Control app on your iPad or Android tablet, it provides great ergonomic efficiency, easy touch workflows, and Avid S6-style metering and processing views, so you can mix more intuitively and turn around better sounding mixes fast.Get massive power in a mini surfaceWhile Avid S1 fits easily between your display and keyboard, it packs a lot of mixing power into its small surface. From motorized faders and knobs that respond to your touch, to fast-access touchscreen workflows and Soft Keys that enable you to perform complex tasks with a single press, S1 provides the speed and versatility to accelerate any music, audio post, or video project.Get unmatched software integrationS1 is powered by EUCON, Avid’s high-speed Ethernet control protocol that delivers deep hardware/software integration, giving you full touch and tactile access to a host of Avid and third-party software functions and controls. You can even switch between multiple applications—and workstations—at the touch of a button, providing the most fluid editing and mixing experience.Gain extensive insight into your mixS1 not only features high-resolution OLED displays, it integrates with the free Avid Control app on your tablet, providing rich visual feedback to enhance your workflow. From track names, parameter values, and automation, to S6-style monitoring, metering, and channel processing views, you get the comprehensive feedback of a high-end console in a versatile surface for the budget-minded.Scale the surface to your needsNeed more faders? Connect multiple S1 units together to create an extended, fully integrated control surface that provides more tactile control to handle larger mixes. You can even seamlessly connect Avid Dock to S1 to have dedicated transport controls, a jog wheel, focus fader, and more at your fingertips.

Legendary SSL studio tools redefined and streamlined To the casual observer SiX looks like any other compact desktop mixer. Look a little closer and like all SSL consoles, SiX reveals a carefully considered feature set that is driven by an obsessive desire for total flexibility, to encompass every creative eventuality. It may be small but SiX is a classic SSL design. It carries the DNA of 40 years of true expertise in creative studio workflow. Listen to SiX and you will experience the impeccable sonic performance that is the hallmark of every SSL console. It is powerful and intuitive. Inspired and rewarding. SiX is a condensed professional console for use in the studio, in post-production, on stage, and for podcasting. SiX offers big console sound and an impressive set of utility features in a format that is small enough to stick in a bag a go wherever you need it. SiX is stunning value; it offers two recording channels with SuperAnalogueTM mic pres, two band EQ, an essential one knob version of the classic SSL Channel Compressor, a new two-band Channel EQ, inserts and 100mm faders. There is a two-knob version of the legendary G-Series Bus Compressor on the main mix bus and the unique Listen Mic Compressor on the Talkback. In mixdown mode it is a very capable twelve channel summing system that offers analogue detail, depth and width to your mixes. The SuperAnalogue™ Sound of SSL SiX is an SSL SuperAnalogue™ design – it gives you the sonic signature of a large format SSL console on your desktop or in your backpack. Its signal path is fully balanced from front to back on everything except the headphone output. It delivers pristine, detailed audio with wide dynamic range, ultra-low noise, ultra-low distortion and superb imaging. If you want to know more about the technical reasons why SSL mixers sound so good read our Lifting The Veil document.

Audient ASP4816 in-line Recording and Mixing Console at a Glance:* Ergonomic in-line convenience * Flexible signal routing options * Superior onboard preamps and processing Ergonomic in-line convenienceIt's rare to find an old-school in-line console these days, but if you've ever worked on one, you know how incredibly convenient this format can be. Audient's ASP4816 mixing console integrates this same streamlined workflow in a 16-channel format, putting all of the controls you need within easy reach, without forcing you to buy more console than you need. That makes the ASP4816 the perfect console for your midsize studio - especially if you need to work quickly and efficiently. Flexible signal routing optionsWith 16 recording channels and 16 in-line mix channels, you can hardly call the ASP4816's basic routing ability limited. But to let you take full advantage of this format, Audient knew they'd have to include a powerful center section. One look at the ASP4816's master section, and you'll know they nailed it! 16-bus routing, plus six auxiliary buses, two dedicated cues sends, four stereo returns, and a comprehensive monitor section all contribute to the absolutely incredible toolset the ASP4816 gives you. Superior onboard preamps and processingOf course, all of the ergonomic convenience and routing flexibility in the world wouldn't matter if the ASP4816 didn't sound good. It sounds absolutely amazing! Engineered and developed from the ground up by console design legend David Dearden, it's little wonder that the ASP4816 is one of the best-sounding consoles on the market. Not only does it feature Dearden's incredible 4-band EQs and high-headroom Class A microphone preamplifiers, it also includes an absolutely phenomenal-sounding stereo bus compressor - perfect for adding that vital finishing touch to your recordings. Audient ASP4816 in-line Recording and Mixing Console Features:* The sound and feel of Audient's world-famous ASP8024 mixer in a compact and more affordable format * The perfect in-line recording console for midsize recording/production houses and educational facilities * Supreme sound quality designed by industry legend, David Dearden. * 16 x main channels each feature dual inputs (each with its own fader), as well as a Class A microphone preamplifier and a 4-band EQ * Flexible signal routing includes 16 x record buses, 6 x aux buses, 2 x cue sends, and 4 x stereo returns * Central section features a comprehensive monitor control section and a highly musical stereo-bus compressor.Get large-format convenience in a small, streamlined format with the Audient ASP4816 in-line recording and mixing console!

Following the introduction of the 1608 in 2008, API delivered over 600 consoles and expanders to discerning audio professionals throughout the world. New for 2018 and based on the incredible success of the original, API proudly announces the 1608-II. Equipped with an updated feature set and debuting API's new cross-platform Final TouchTM automation system, the 1608-II continues API's rich legacy of crafting the world's highest-quality analog recording consoles. Adding valuable features for today's Engineers, Producers and Musicians, the 1608-II provides the powerful reliability and the incredible API sound that has characterized API products for nearly 50 years. 1608-II Features: * 16, 32, or 48 Input Channel Frame sizes * Each channel equipped with Mic Pre and Equalizer * Accepts API 500 Series Equalizers * 8 Multitrack Buses * 8 Auxiliary Buses * 1 Stereo Bus * 4 Stereo Returns, 100mm faders (manual or automated) with Multitrack and Stereo Bus assign * Full Center Section Control * Surround 5.1 Center Section Monitoring * Classic Analog Metering * Global 0dB Fader Bypass * Comprehensive Rear Panel IO Connectivity The standard fit of a 1608-II Console is: 16 548B Inputs with Mic/Line and Direct Output12 550A Equalizers4 560 Equalizers8 Echo Returns1 Complete Center Facilities Section16 Manual Faders1 Stereo Fader Pricing and Options: 16 Channel Console $52,40016 Channel Expander $39,90016 Channel Console Plus 16 Channel Expander (32 Channels Total) $92,30016 Channel Console Plus Two 16 Channel Expanders (48 Channels Total) $132,200 Final TouchTM Motorized Fader Automation System Derived from API's Vision Automation System used extensively in the Vision, Legacy Plus and AXS consoles, API now offers optional Final Touch fader automation for the 1608-II console. Final Touch automation combines system reliability, user flexibility and operational simplicity and offers a host of features found only in the most expensive and sophisticated console automation systems typically costing many times more. Consoles can be factory-fitted with Final Touch automation prior to delivery, and existing 1608-II consoles can be retrofitted with Final Touch automation. Final Touch Automation Features: * Reliable, self-contained system requiring no external computer * Individual Switch Control on each fader * Global Control Panel in the console Center Section * Hi Resolution 7.5" Touch Screen Control * Files are easily saved to standard memory cards * Automated Mute and Insert switches on each channel * Unlimited Fader Groups with 2 dedicated Group Master Faders * Motorized Stereo Program Fader * 4 Motorized Stereo Returns * DAW Control with unity gain audio bypass * Unlimited Mix Restore points * Comprehensive Operations Manual Pricing and Options: Consoles With Final Touch Automation 16 Channel Console $63,30016 Channel Expander $45,30016 Channel Console Plus 16 Channel Expander (32 Channels Total) $108,60016 Channel Console Plus Two 16 Channel Expanders (48 Channels Total) $153,900

Podcasting and home recording, simplified.With its instantly familiar analog mixer design, the StudioLive® AR8c is the easiest way to record podcasts, live streams, and music productions. Featuring a pristine analog front-end with four high-gain XMAX mic preamps and an 8x4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, the StudioLive AR8c’s hybrid design makes it simple to record from a single intuitive console. Add in tools like a musical 3-band analog EQ, mic/line boost for low-level broadcast microphones and consumer devices, Bluetooth® connectivity, and a stereo SD recorder... and you have a broadcasting and recording powerhouse that fulfills the needs of both modern musicians and content creators.  ​A full-featured audio interface.The StudioLive AR8c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the six inputs, plus the main mix, for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks—plus sound effects, loopback audio, and more. Four lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analog mixer front-end makes connecting your gear to your computer intuitive. With a USB-C compatible connection, your StudioLive AR8c is ready to use as an audio interface for nearly any computer. The channel that does it all… even Bluetooth connectivity!The unique Super Channel can handle four stereo sources at once and makes it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the ⅛-inch stereo input to plug in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making it simple to add bumpers and sound effects to your podcast in real-time, or practice along with your favorite recordings. ​ The all-in-one recording package. The StudioLive AR8c audio interface and analog mixer is tightly integrated with state-of-the-art recording software to help you achieve your creative vision. Create multitrack recordings for your podcast or band with one click thanks to PreSonus’ Capture™ live recording software. Capture is designed to make recording easy. Create complete studio productions with our award-winning Studio One® Artist DAW to add effects, bumpers, and more. With two professional recording applications included with your StudioLive AR8c, you’re ready to record right out of the box whether you’re creating a podcast, live streaming your performance, or recording your first EP. Record whenever and wherever you want.Whether you’re recording a mobile interview for your podcast or you’re in the middle of a songwriting session and want to capture your ideas as quickly as they come to you, the StudioLive AR8c’s stereo SD recorder has you covered. Insert any SD/SDHC card and you’re ready to record your main mix, so you can simplify your recording process whenever you want. Doing mobile interviews for your podcast? Leave the computer at home and record straight to SD. ​  Effects without latencyMonitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more at ease while performing. The StudioLive AR8c mixer’s onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too—with or without the dry channels—to blend with your multitrack recording. Experiment in post-production to your heart's content. All the connections you need with a familiar look.Packed with all the connections and controls needed to mix and record podcasts, live streams, and music productions, the StudioLive AR8c is the ultimate recording solution. The two mono channels and two stereo channels include a musical three-band EQ, plus one of PreSonus’ famed XMAX high-gain mic preamps. The USB-C compatible connector ensures your StudioLive AR8c audio interface will be the center of your studio for years to come. With high-resolution 96 kHz recording, a full complement of connections, and an instantly familiar workflow, the StudioLive AR8c is the perfect recording and mixing solution for the modern musician and content creator.

Audio recording made easy. Don’t let the classic analog mixer design fool you—the StudioLive® AR12c was built to record. With a pristine analog front-end, eight high-gain XMAX mic preamps, and a 14x4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, its hybrid design makes it simple to record studio productions and mix live shows from a single, intuitive console. Add in a musical 3-band analog EQ, mic/line boost for low-level vintage synths and broadcast microphones, all-new digital effects with rich reverbs and lush delays, Bluetooth® connectivity, and a stereo SD recorder... and you have a mixing and recording powerhouse that fulfills the needs of both modern musicians and content creators. A full-featured audio interface. The StudioLive AR12c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the 12 inputs, plus the main mix for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks—plus a click. Eight lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analog mixer front-end makes connecting your gear to your computer intuitive, and creating monitor mixes is quick and easy. With a USB-C compatible connection, your StudioLive AR12c is ready to use as an audio interface for nearly any computer. The channel that does it all… even Bluetooth connectivity! The unique Super Channel can handle four stereo sources at once, making it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the ⅛-inch stereo input to plug-in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making rehearsal a snap. A complete recording solution for studio and stage.  The StudioLive AR12c audio interface and analog mixer is tightly integrated with state-of-the-art recording software to help you realize your creative vision. Record multitrack live performances with one click thanks to PreSonus’ Capture™ live-recording software. Create complete studio productions with our award-winning Studio One® Artist DAW. With two professional recording applications included with your StudioLive AR12c, you’re ready to record right out of the box. Stereo recording without a computer. Imagine you’re rehearsing with your band and want to record your session to analyze later. Or perhaps you’re in the middle of a songwriting session and want to capture your ideas as quickly as they come to you. Either way, the StudioLive AR12c’s stereo SD recorder has you covered. Insert any SD/SDHC card and you’re ready to record your main mix to listen to later, so you’ll never forget a great song idea or an amazing guitar solo. Doing mobile interviews for your podcast? Leave the computer at home and record straight to SD. ll the connections you need with a familiar look. Packed with all the connections and controls needed to mix and record in the studio and on the stage, the StudioLive AR12c is the ultimate recording solution. The four mono channels and four stereo channels include a musical three-band EQ, plus one of PreSonus’ famed XMAX mic preamps. Two dedicated monitor mixes with balanced outputs provide your musicians the custom mix they need. The USB-C compatible connector ensures your StudioLive AR12c audio interface will be the center of your studio for years to come. And with high-resolution 96 kHz recording, a full complement of connections, and an instantly familiar workflow, the StudioLive AR12c is the perfect recording and mixing solution for the modern musician and content creator.  Effects without latency. Monitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more comfortable while performing. The StudioLive AR12c mixer’s onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too—with or without the dry channels—to blend with your multitrack recording. Experiment in post-production to your heart's content.

Audio recording made easy. Don’t let the classic analog mixer design fool you—the StudioLive® AR16c was built to record. With a pristine analog front-end, 12 high-gain XMAX mic preamps, and an 18x4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, its hybrid design makes it simple to record studio productions and mix live shows from a single intuitive console. Add in a musical 3-band analog EQ, mic/line boost for low-level vintage synths and broadcast microphones, all-new digital effects with rich reverbs and lush delays, Bluetooth® connectivity, and a stereo SD recorder... and you have a mixing and recording powerhouse that fulfills the needs of both modern musicians and content creators. A full-featured audio interface. The StudioLive AR16c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the 16 inputs, plus the main mix for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks—plus a click. Twelve lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analog mixer front-end makes connecting your gear to your computer intuitive, and creating monitor mixes is quick and easy. With a USB-C™ compatible connection, your StudioLive AR16c is ready to use as an audio interface for nearly any computer. The channel that does it all… even Bluetooth connectivity! The unique Super Channel can handle four stereo sources at once and makes it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the ⅛-inch stereo input to plug-in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making rehearsal a snap. A complete recording solution for studio and stage.  The StudioLive AR16c audio interface and analog mixer is tightly integrated with state-of-the-art recording software to help you realize your creative vision. Record multitrack live performances with one click thanks to PreSonus’ Capture™ live-recording software. Create complete studio productions with our award-winning Studio One® Artist DAW. With two professional recording applications included with your StudioLive AR16c, you’re ready to record right out of the box. Stereo recording without a computer. Imagine you’re rehearsing with your band and want to record your session to analyze later. Or perhaps you’re in the middle of a songwriting session and want to capture your ideas as quickly as they come to you. Either way, the StudioLive AR16c’s stereo SD recorder has you covered. Insert any SD/SDHC card and you’re ready to record your main mix to listen to later, so you’ll never forget a great song idea or an amazing guitar solo. Doing mobile interviews for your podcast? Leave the computer at home and record straight to SD. Effects without latency. Monitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more comfortable while performing. The StudioLive AR16c mixer’s onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too—with or without the dry channels—to blend with your multitrack recording. Experiment in post-production to your heart's content. All the connections you need with a familiar look. Packed with all the connections and controls needed to mix and record in the studio and on the stage, the StudioLive AR16c is the ultimate recording solution. The eight mono channels and four stereo channels include a musical three-band EQ, plus one of PreSonus’ famed XMAX high-gain mic preamps. Two dedicated monitor mixes with balanced outputs provide your musicians the custom mix they need. The USB-C compatible connector ensures your StudioLive AR16c audio interface will be the center of your studio for years to come. And with high-resolution 96 kHz recording, a full complement of connections, and an instantly familiar workflow, the StudioLive AR16c is the perfect recording and mixing solution for the modern musician and content creator.

Designed for live sound reinforcement, live recording, and studio recording applications, the PreSonus StudioLive 32SX is a Series III S 32-channel digital console, recorder, and audio interface in a low-profile, space-saving frame. The mixer features an integrated hardware and software system with a full-color touchscreen, 25 touch-sensitive, motorized faders and 32 recallable XMAX preamps. The powerful dual-core FLEX DSP engine supercharges the mixer with Fat Channel vintage-style EQs and compressors on every channel, plus a four-slot FLEX FX processor that can run heralded digital reverbs and delays. Streamline your workflow with recallable scene presets, virtual sound check, and the supplied software library, which empowers you with remote control from a computer or iPad, remote monitor mixing using a mobile device, and all the software you need to track, edit, mix, and distribute your music. The StudioLive 32SX boasts 16 XLR mic inputs and 16 mic/line inputs via XLR-1/4" combo jacks. Additional inputs include four 1/4" aux inputs and a dedicated XLR talkback mic input with phantom power. The mixer provides a balanced XLR mono output, stereo XLR main outputs, 16 analog FlexMix outputs (12 XLR, four 1/4" TRS), a pair of 1/4" monitor outputs, and a 1/4" headphone port. A digital AES/EBU output of the main mix is available via a rear-panel XLR socket. Additionally, unbalanced stereo RCA tape inputs and outputs are on hand to hookup a house music source and a separate stereo recorder. Record 32 channels and the main stereo mix to a Class 10 U3 SD card (available separately) via the onboard 34-track SD recorder, or stream 128 channels (64 in each direction) over USB 2.0 to and from your computer. You can even record redundantly to an SD card and a USB host computer at the same time. Take advantage of the StudioLive 32SX's built-in AVB networking capabilities for flexible system expansion, digital patching between networked devices, and more. At a Glance 40 mixing channels 26 buses 32 recallable XMAX preamps via 16 XLR inputs and 16 XLR-1/4" combo inputs 25 touch-sensitive motorized faders Fixed input layer Fat Channel Dual-core FLEX DSP mix engine 286 processors in various form factors Low-profile, space-saving frame Powerful Mixing Features Expandable plug-in processing with ten vintage EQ and classic compression options on every input channel and bus Input delay, high-pass filter, gate, compressor, limiter, and parametric 4-band EQ per input channel High-pass filter, compressor, limiter, output delay, and parametric 6-band EQ per bus FLEX FX multi-effects processor with four slots to load legendary reverb emulations anddelays with four dedicated effects buses 16 FlexMixes (aux mixes, subgroups, or matrix mixes) with 12 XLR and four 1/4" TRS mix output jacks Four static subgroup buses with 1/4" outputs Four designated effects buses 24 DCAs to control groups of channels True virtual soundcheck simplifies mix configuration Enhanced scene management with scenes organized into projects, scene lock, and channel safe Password-protected user profiles enable restricting access to specific features Channel scribble strips and input metering Audio Networking Built-in AVB networking allows the creation of a complete ecosystem with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and the SW5E AVB switch (all available separately) Connect NSB-series stage boxes to add remote analog inputs and outputs wherever required Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes Network multiple StudioLive Series III mixers Route audio to and from any device on the AVB network, thanks to the flexibility of digital patching Multichannel Recording Record 34 tracks (32 channels plus a stereo mix) without a computer via the onboard SD card recorder Stream up to 128 channels (64 in, 64 out) of audio to a Mac or Windows computer via USB 2.0 Record to SD card, via USB, or to both simultaneously for safe, redundant live recording Record with PreSonus Capture, PreSonus Studio One, or any recording software that supports ASIO or Core Audio DAW Control Advanced Studio One control integration MCU emulation mode optimized for Logic Pro HUI emulation mode optimized for Pro Tools Complete Software Bundle UC Surface touch-control for Mac, Windows, and iPad Capture recording app with virtual soundcheck for Mac and Windows Studio One Artist DAW for recording, mixing, mastering, sharing, and collaborating on Mac and Windows QMix-UC personal monitor mix control for iPhone, iPod touch, and Android

The Most Formidable StudioLive Yet The StudioLive 64S is a powerhouse — it’s PreSonus’s most formidable offering yet. This 64-channel digital mixer boasts a quad-core FLEX DSP engine with enough muscle to drive 526 simultaneous processors, and then some. What’s more, its FLEX FX multi-effects processor vaunts eight slots of reverb emulations and delays with eight dedicated effects buses. Benefit from easy expandability thanks to built-in AVB networking. Enjoy versatile operation by virtue of the 64S’s 32 Flex Mixes. Shape and polish each channel to perfection courtesy of PreSonus’s lauded Fat Channel processing. The PreSonus StudioLive 64S includes a comprehensive software suite, which enables you to make top-flight recordings right from the get-go. Quad-core FLEX DSP engine boasts impressive processing muscle The StudioLive 64S is packed with serious power. Its quad-core FLEX DSP engine possesses enough processing muscle to run 526 simultaneous processors, 43 mix buses, and 76 mixing channels. And its FLEX FX multi-effects processor includes eight slots of reverb emulations and delays with eight dedicated effects buses. At Sweetwater, we’re impressed by the sheer amount of raw power that’s lurking under the 64S’s hood. Three options for multitrack recording The PreSonus StudioLive 64S gives you three efficient options for multitrack recording. A built-in SD card recorder allows you to record all inputs simultaneously, and you can also play back from the SD card to do virtual soundchecks without a computer. You can also connect to a computer via USB for 64 channels of recording and playback — almost twice that of previous generations. And the StudioLive 64S supports AVB over Ethernet too, enabling you to interface directly with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and SW5E AVB switches. Pristine XMAX preamps for sound reinforcement and recording Simply put, the 32 Class A XMAX preamps onboard the StudioLive 64S sound like they belong in the studio. Their high headroom and low noise floor deliver extremely clean and clear sound you simply wouldn’t expect from a live console. And mic preamp settings are fully recallable, which is a huge time saver when you mix or record the same band or show on a regular basis. Flex Mixes offer a ton of freedom for any mixing application It can be frustrating trying to use the same mixer for many different tasks. Thanks to Flex Mixes, that’s not the case with the PreSonus StudioLive 64S. Flex Mixes can be set up as aux mixes, subgroups, or matrix mixes, depending on what your show demands. Need a ton of different monitor mixes for a large group of musicians? No problem, you can create up to 32 aux sends if you need to. Same with subgroups and matrix mixes — perfect for theater productions and multi-zone venues, respectively. Basically, the 64S’s Flex Mixes allow you to adapt your mixer to the mixing task at hand, instead of adapting your workflow to the limitations of your mixer. Advanced processing for EQ, compression, and effects The StudioLive series of consoles has always been known for outstanding effects and processing capabilities, and the StudioLive 64S takes it even further. Its FLEX FX multi-effects processor supplies you with eight internal effects buses that are loaded with a combination of reverbs, delays, and other effects that you can route any channel through. On top of that, Fat Channel processing offers vintage EQ and compressor models on every channel. And if you crave even more plug-in processing power, you can bolster your 64S with PreSonus’s Fat Channel Collection (sold separately). Includes a plethora of useful software The PreSonus StudioLive 64S is a complete solution. It includes UC Surface mix control software, which enables you to access virtually any aspect of your mix, and with support for up to four screens, you could hardly ask for more comprehensive feedback. Capture live recording software records all 64 channels plus a stereo mix of your choosing via USB, to an SD card, or both for a redundant live recording rig. You also get Studio One Artist — a powerful DAW with smart features aimed at making you a total creative beast. What’s more, the 64S is compatible with the free QMix-UC app, which allows artists to control their own monitor mixes. PreSonus StudioLive 64S Digital Mixer Features: 64-channel digital mixing console with built-in SD card recorder Quad-core FLEX DSP engine possesses enough processing muscle to run 526 simultaneous processors, 43 mix buses, and 76 mixing channels Record and play back up to 64 channels via USB — almost twice that of previous generations Supports AVB over Ethernet for use with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and SW5E AVB switches Built-in SD card support for multitrack recording and virtual soundchecks Main Left, Right, and Mono/Center buses with per-channel mono send level and center divergence control Fully recallable XMAX preamps with ultra-low noise floor 33 touch-sensitive motorized faders allow you to mix with precision 24 DCA groups help you manage complex productions with high channel counts FLEX FX multi-effects processor vaunts 8 slots of reverb emulations and delays with 8 dedicated effects buses Fat Channel processing provides vintage EQ and compression options for each channel Better visual feedback than ever, with full-color touchscreen and channel scribble strips Advanced scene management helps you manage complex mixing tasks more efficiently 32 Flex Mixes can be used as aux mixes, subgroups, or matrix mixes DAW control with advanced Studio One integration, MCU emulation for Logic, and HUI emulation for Pro Tools Software package includes UC Surface 2 touch-control software (Mac/PC/Android/iOS), Capture recording software (Mac/PC), Studio One Artist DAW software (Mac/PC), QMix personal monitoring app (iOS/Android) Compatible with the Fat Channel Collection (sold separately)

Designed for live sound reinforcement, live recording, and studio recording applications, the PreSonus StudioLive 32S is a Series III S 40-channel digital mixing console, recorder, and audio interface in a single enclosure. The mixer features an integrated hardware and software system with a full-color touchscreen, 33 touch-sensitive, motorized faders and 32 recallable XMAX preamps. The powerful dual-core FLEX DSP engine supercharges the mixer with Fat Channel vintage-style EQs and compressors on every channel, plus a four-slot FLEX FX processor that can run heralded digital reverbs and delays. Streamline your workflow with recallable scene presets, virtual sound check, and the supplied software library, which empowers you with remote control from a computer or iPad, remote monitor mixing using a mobile device, and all the software you need to track, edit, mix, and distribute your music. The StudioLive 32S boasts 16 XLR mic inputs and 16 mic/line inputs via XLR-1/4" combo jacks. Additional inputs include four 1/4" aux inputs and a dedicated XLR talkback mic input with phantom power. The mixer provides a balanced XLR mono output, stereo XLR main outputs, 16 analog FlexMix outputs (12 XLR, four 1/4" TRS), a pair of 1/4" monitor outputs, and a 1/4" headphone port. A digital AES/EBU output of the main mix is available via a rear-panel XLR socket. Additionally, unbalanced stereo RCA tape inputs and outputs are on hand for hooking up a house music source and a separate stereo recorder. Alternatively, you can wirelessly stream music from a mobile device to the mixer's built-in Bluetooth receiver. Record 40 channels and the main stereo mix to a Class 10 U3 SD card (available separately) via the onboard 34-track SD recorder, or stream 128 channels (64 in each direction) over USB 2.0 to and from your computer. You can even record redundantly to an SD card and a USB host computer at the same time. Take advantage of the built-in AVB networking capabilities for flexible system expansion, digital patching between networked devices, and more. At a Glance 40 mixing channels 26 buses 32 recallable XMAX preamps via 16 XLR inputs and 16 XLR-1/4" combo inputs 33 touch-sensitive motorized faders Dynamic Fat Channel layout allows access to every Fat Channel parameter and aux send via eight Fat Channel encoders with scribble strips Dual-core FLEX DSP mix engine 286 processors in various form factors Built-in Bluetooth receiver for wireless music streaming Powerful Mixing Features Expandable plug-in processing with ten vintage EQ and classic compression options on every input channel and bus Input delay, high-pass filter, gate, compressor, limiter, and parametric 4-band EQ per input channel High-pass filter, compressor, limiter, output delay, and parametric 6-band EQ per bus FLEX FX multi-effects processor with four slots to load legendary reverb emulations anddelays with four dedicated effects buses 16 FlexMixes (aux mixes, subgroups, or matrix mixes) with 12 XLR and four 1/4" TRS mix output jacks Four static subgroup buses with 1/4" outputs Four designated effects buses 24 DCAs to control groups of channels True virtual soundcheck simplifies mix configuration Enhanced scene management with scenes organized into projects, scene lock, and channel safe Password-protected user profiles enable restricting access to specific features Channel scribble strips and input metering Audio Networking Built-in AVB networking allows the creation of a complete ecosystem with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and the SW5E AVB switch (all available separately) Connect NSB-series stage boxes to add remote analog inputs and outputs wherever required Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes Network multiple StudioLive Series III mixers Route audio to and from any device on the AVB network, thanks to the flexibility of digital patching Multichannel Recording Record 34 tracks (32 channels plus a stereo mix) without a computer via the onboard SD card recorder Stream up to 128 channels (64 in, 64 out) of audio to a Mac or Windows computer via USB 2.0 Record to SD card, via USB, or both simultaneously for safe, redundant live recording Record with PreSonus Capture, PreSonus Studio One, or any recording software that supports ASIO or Core Audio DAW Control Advanced Studio One control integration MCU emulation mode optimized for Logic Pro HUI emulation mode optimized for Pro Tools Complete Software Bundle UC Surface touch-control for Mac, Windows, and iPad Capture recording app with virtual soundcheck for Mac and Windows Studio One Artist DAW for recording, mixing, mastering, sharing, and collaborating on Mac and Windows QMix-UC personal monitor mix control for iPhone, iPod touch, and Android

Building on API’s rich heritage of extremely high-quality recording consoles, THE BOX is a small-format recording/mixing console designed for professional project studios, home studios, and production facilities of all kinds.Optimized for the digital era, THE BOX handles all the functions needed for production not provided by most DAWs, including mic preamps, input signal processing, high-quality mix bus, cue sends with talkback, monitor control, and more, without the redundant capacities of larger consoles.Most importantly, THE BOX provides the legendary “all discrete” API sound in an efficient, cost-effective package.Features:Two (2) input channels with mic/instrument/line preamp, HP filter, & integral 550A EQTwo (2) input channels with mic/instrument/line preamp, HP filter, & 500 slotTwo (2) compressors assignable to input channels or program bus with stereo linkSixteen (16) summing channels (20 channels during mix)Stereo program bus with master fader, insert, and external inputOne (1) stereo and (2) mono auxiliary sends/busesStereo cue send/bus & headphone systemPFL, AFL, and solo-in-place solo modes with stereo solo busFull-featured monitor section that supports two stereo monitor systemsTalkback systemComprehensive rear panel connections with balanced inputs and outputsIntegrated power supply 

Small digital mixer. Big power. The StudioLive 32SC is a compact, rack-mountable 32-channel digital mixer that can be quickly and easily scaled for 16-, 24-, and 32-channel applications. Don't let the road-ready size fool you; the StudioLive 32SC sports a dual-core PreSonus FLEX DSP Engine powering 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. With 128 (64x64) channels of USB recording and AVB network audio I/O, flexible routing options, and studio-grade audio quality, the StudioLive 32SC provides all the tools you need—whether you’re building your dream studio or putting together a pro touring rig. The scalable digital mixer. The StudioLive 32SC digital mixer and the complete PreSonus® StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxesto add remote analog inputs and outputs wherever they’re required and complete your 32-channel, 16-bus StudioLive 32SC. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network thanks to the flexibility of Digital Patching on your StudioLive 32SC digital mixer and in UC Surface remote mixer software. Superior sound. We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 32SC digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32SC mic preamps to be remote-controlled with UC Surface software or Studio One®, and when you load a StudioLive 32SC mixer scene, the mic preamp trim values can also be recalled along with the other settings. The mobile music recording studio. PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32SC digital mixer or on your Mac or Windows computer. Record all 32 channels plus a stereo mix of your choosing via USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show. Features: Powered by the new dual-core PreSonus FLEX DSP Engine to provide the most processing of any digital mixer in its class 40 input-channel digital mixer with 17 touch-sensitive motorized faders 16 local digitally controlled XMAX mic/line inputs 16 digital channels (AVB, USB, or SD) 2 balanced stereo aux inputs 1 stereo tape input (RCA, USB, AVB or SD) 4 FLEX FX returns 1 Talkback 26 mix buses 16 FlexMixes (Aux, Subgroup, Matrix) 4 dedicated FLEX FX buses 4 dedicated subgroups Stereo Main bus 286 simultaneous processors HPF Gate / Expander Compressor with Fat Channel plug-in models 4-band/6-band parametric EQ with Fat Channel plug-in models Limiter 31-band Graphic EQ 4 FLEX FX slots featuring legendary classic reverb emulations and delays

The perfect partner for a StudioLive Series III console.The StudioLive 16R Series III rack mixer is a perfect partner for your StudioLive Series III console/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive 16R to a Series III front-of-house console with one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs.You can even remote control the StudioLive 16R’s preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 16R not only serves as an excellent networked stage box, it is a full blown monitor mixer with far more processing and mixing power than any mixer in its class—all packed into just one rackspace. (1U). The most powerful rack mixer in its class.When we say the StudioLive® Series III stage boxes and rack mixers are by far the most powerful rackmount digital mixers in their class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps.Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors.Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio. A third-generation Fat Channel.StudioLive Series III rack mixers boast the same third-generation Fat Channel processing found in StudioLive Series III consoles. Delivering digital precision with the heart and soul of analog, the Series III Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs.In addition to channel processing, all StudioLive Series III mixers offer 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording, mixing monitors, or even running the front-of-house system. Technical Specifications Digital Audio and Control ADC Dynamic Range115 dB (A-wtd, 48 kHz)DAC Dynamic Range115 dB (A-wtd, 48 kHz)USB Recording PortUSB 2.0, Type-BNetwork Control PortRJ-45AVB Audio Network PortLocking XLR EthernetInternal Processing32-bit, floating pointSampling Rate48 kHz (44.1 kHz coming soon)A/D/A Bit Depth24Reference Level for 0 dBFS+18 dBuTotal System Latency1.9 ms (local routing, analog in-analog out, all processing active) Mi​crophone Preamplifier Input TypeCombo locking XLR mic-¼” TRS lineFrequency Response to Main Output (at unity gain)20-20 kHz, ±0.5 dBuInput Impedance1 kΩTHD to Main Output

Our StudioLive™ 24.4.2 and 16.4.2 changed the game, offering amazing performance and ease of use for a great price. Now we’ve packed the same audio quality, performance, seamlessly integrated software (including remote control) into a smaller, even more affordable package. In a “footprint” of less than 2 square feet (0.19 m2), the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX™ Class A solid-state mic preamps. (Well, okay, it actually has 13 XMAX preamps; the Talkback input has one, too.) But don't let its size fool you; the 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters.  8 mono mic/line channel inputs:High-headroom Class A XMAX™ mic preamplifierXLR mic and balanced ¼' line inputs60 mm precision fader4 stereo line channel inputs:High-headroom Class A XMAX™ mic preamplifier (Ch. 9, 11, 13, and 15)XLR mic inputs (Ch. 9, 11, 13, and 15)Balanced ¼' line inputs (Ch. 9-16)Unbalanced RCA line inputs (Ch. 13-16)60 mm precision fader (4 stereo)4 Auxiliary buses (pre/post-fader send)2 Internal FX buses2 stereo 32-bit digital effects processors with customizable reverb and delay presets Fat Channel signal processing on all channels and buses:3-band semi-parametric EQ (individual band on/off)Full-featured compressorStandard downward expanderLimiterPhase reverse (12 mic preamplifiers only)Pan with dedicated 15-LED displayStereo link for input channels and aux busesHigh-pass filter  Computer system requirements:WindowsWindows XP, Vista, Windows 7 (32- and 64-bit)Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 3000+ (Turion) (2.8 GHz or faster recommended)1 GB RAM (2 GB or more recommended)MacintoshMac OS X 10.6 (Snow Leopard) or later (32- and 64-bit)Intel Core 1 Solo 1.5 GHz processor (Intel Core Duo or Intel Xeon processor recommended)1 GB RAM (2 GB or more recommended) Windows and Macintosh SystemsInternet connection recommendedDVD-ROM driveInternal or external 7200 RPM storage drive highly recommended

Soundcraft Spirit LX7 32CH MKII. Mixing console 32 mono, 4 stereo, 4 group, 4 band EQ, direct outputs, 100mm faders, 6 AUX. for: live p.a. / home studio usage.

The StudioLive® 32R Series III stage box and rack mixer is by far the most powerful rackmount digital mixer in its class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.Specifications : Type: Rackmount Digital MixerChannels: 40 x 40 (USB), 55 x 55 (AVB networking)Inputs - Mic Preamps: 32 x XLR-1/4" combo (mic/line)Phantom Power: YesInputs - Other: 1 x Dual RCA StereoOutputs - Main: 2 x XLROutputs - Direct: 16 x 1/4" (mix out)Data I/O: 1 x EtherCon (AVB), 1 x RJ-45 (network control)USB: 1 x Type BComputer Connectivity: USB (40 x 40), Ethernet (AVB, 55 x 55)Headphones: 1 x 1/4" TRSEQ Bands: 4-band/6-band Parametric EQ, 31-band Graphic EQEffects: Studio Magic Plug-in SuiteSignal Processing: Gate, Compressor, LimiterFeatures: Onboard stereo SD recorderSoftware: Studio One Artist, UC Surface Touch, Capture, QMix-UCOS Requirements - Mac: OS X 10.8.5 64-bit or later, Intel Core i3 or higherOS Requirements - PC: Windows 7 SP1 64-bit or later, Intel Core i3 or higherRackmountable: YesPower Source: Standard IEC AC cable