Instrument Microphones

Comprehensive Instrument Microphone Kit for Professional Touring and RecordingThe DPA 4099 Core+ Classic Touring Kit 10C Version offers an extensive package of ten 4099 Core+ microphones, designed for versatile use across a wide range of instruments. Built with CORE by DPA technology, this kit delivers pristine, natural sound with ultra-low distortion and high dynamic range. Perfect for large ensembles, orchestras, or multi-instrument setups, the kit includes a variety of specialized mounting clips and accessories to ensure quick, secure placement and reliable performance in demanding live or studio environments.Key Features:Includes ten 4099 Core+ miniature condenser microphonesCORE by DPA technology for exceptional clarity and minimal distortionSupercardioid polar pattern for focused sound capture and excellent isolationExtensive range of mounting clips compatible with many instruments (violin, guitar, saxophone, bass, cello, etc.)Flexible goosenecks for precise mic positioningRobust design suitable for professional touring and studio applicationsComplete accessory set with windscreens, cables, clips, and durable carrying case

Complete Touring Microphone Kit for Versatile Instrument ApplicationThe DPA 4099 Core+ Classic Touring Kit 4C is a professional-grade microphone package designed to provide exceptional sound quality and reliable performance for a variety of instruments on the road. Featuring four 4099 Core+ microphones with CORE by DPA technology, this kit delivers crystal-clear, natural sound with ultra-low distortion. The versatile mounting clips and rugged construction make it ideal for live performances and studio recording alike, ensuring quick setup and secure attachment to different instruments.Key Features:Includes four 4099 Core+ miniature condenser microphonesCORE by DPA technology for outstanding clarity and dynamic rangeSupercardioid polar pattern for excellent isolation and feedback rejectionVersatile mounting clips suitable for multiple instruments (violin, guitar, saxophone, etc.)Flexible goosenecks for precise microphone positioningDurable, road-ready design built to withstand touring demandsComprehensive accessory kit including windscreens, cables, clips, and a sturdy carrying case

Compact Stereo Microphone Kit Perfectly Suited for Accordion PerformanceThe DPA 4099 Core+ Stereo Kit for Accordion provides a high-quality, natural stereo sound capture tailored for the unique tonal range of the accordion. Featuring two matched 4099 Core+ microphones with CORE by DPA technology, this kit delivers clear, detailed sound with minimal distortion. Designed with specialized accordion clips, the microphones attach securely and allow flexible positioning for optimal stereo imaging in live or studio environments.Key Features:Two matched 4099 Core+ microphones for authentic stereo recordingCORE by DPA technology ensures ultra-low distortion and wide dynamic rangeSupercardioid polar pattern for excellent sound isolation and feedback rejectionCustom accordion clips for stable, secure mountingFlexible goosenecks for precise microphone placementDurable construction suited for touring and recordingIncludes windscreens, mounting clips, cables, and protective carrying case

Premium Stereo Microphone Kit Designed for Capturing the Full Dynamic Range of the PianoThe DPA 4099 Core+ Stereo Kit for Piano offers a professional solution for natural, detailed stereo recording of grand and upright pianos. Featuring two matched 4099 Core+ microphones with CORE by DPA technology, this kit ensures ultra-low distortion and an expansive dynamic range to capture every subtlety of your performance. The kit includes specialized clips for secure, adjustable mounting on the piano, allowing flexible placement to achieve the perfect stereo image.Key Features:Two matched 4099 Core+ microphones for true stereo recordingCORE by DPA technology delivers clarity and minimal distortionSupercardioid pickup pattern for focused sound and excellent isolationAdjustable mounting clips designed for grand and upright pianosFlexible goosenecks for precise mic positioningRugged design built for professional studio and live useIncludes windscreen, mounting clips, cables, and protective carrying case

Versatile Microphone Perfectly Suited to Capture the Nuances of the GuitarThe DPA 4099 Core+ for Guitar delivers clear, balanced sound that captures the full tonal range of acoustic or electric guitars. With advanced CORE by DPA technology, it offers high dynamic range and low distortion, ensuring every strum and note is reproduced authentically. Its custom guitar clip provides secure mounting and flexible positioning for consistent performance on stage or in the studio.Key Features:Dedicated guitar clip for stable and precise mountingCORE by DPA amplifier technology for ultra-low distortion and natural soundSupercardioid polar pattern ensures excellent isolation and feedback rejectionFlexible gooseneck allows easy adjustment for optimal placementRugged, tour-ready design suitable for live and studio useCompatible with a range of wireless adaptersIncludes windscreen, guitar clip, and protective carrying case

Robust Microphone Engineered to Capture the Deep, Powerful Sound of the BassThe DPA 4099 Core+ for Bass is designed to deliver crystal-clear, natural sound reproduction that highlights the depth and richness of the bass guitar. Featuring CORE by DPA technology, this microphone handles the instrument’s low frequencies and high dynamic range with minimal distortion. Its specially designed clip ensures secure attachment and flexible positioning, perfect for both live performances and studio sessions.Key Features:Tailored bass guitar clip for firm and reliable mountingCORE by DPA technology for exceptional clarity and ultra-low distortionSupercardioid pickup pattern for focused sound capture and feedback rejectionFlexible gooseneck enables precise mic positioning near pickups or bodyDurable construction built for professional touring and recordingModular design compatible with multiple wireless adaptersIncludes windscreen, bass clip, and protective carrying case

High-Fidelity Microphone Designed to Capture the Full Expressiveness of the SaxophoneThe DPA 4099 Core+ for Saxophone is crafted to deliver a clear, detailed, and natural sound that faithfully reproduces the saxophone’s rich tonal character. Equipped with CORE by DPA technology, this microphone handles high sound pressure levels without distortion, making it ideal for both live performances and studio recordings. Its ergonomic design and dedicated saxophone clip ensure a secure, comfortable fit for consistent audio quality during dynamic playing.Key Features:Custom-designed saxophone clip for secure, stable mountingCORE by DPA technology for ultra-low distortion and wide dynamic rangeSupercardioid pickup pattern offers excellent isolation and feedback controlFlexible gooseneck allows precise positioning close to the bell or tone holesRobust, tour-ready construction for demanding stage environmentsCompatible with a variety of wireless adapter systemsIncludes windscreen, saxophone clip, and protective carrying case

Precision-Matched Microphone for Capturing the Nuances of the ViolinThe DPA 4099 Core+ for Violin is expertly engineered to deliver pristine, natural sound reproduction for violinists in both live and studio settings. Featuring the advanced CORE by DPA technology, this microphone offers exceptional clarity with minimal distortion, capturing every subtle nuance of the instrument. Its lightweight design and custom violin clip provide secure, unobtrusive attachment for flexible positioning and consistent sound quality during performance.Key Features:Specifically tailored for violin with a dedicated mounting clip for secure fitCORE by DPA amplifier technology ensures ultra-low distortion and high dynamic rangeSupercardioid pickup pattern for focused sound capture and feedback rejectionFlexible gooseneck allows precise mic placementDurable construction built to withstand the rigors of touring and live useModular design compatible with various wireless adaptersIncludes windscreen, violin clip, and protective carrying case

Professional Instrument Mic Tailored for the Rich Tones of the CelloThe DPA 4099 Core+ for Cello is a premium condenser microphone solution designed specifically for capturing the natural, dynamic sound of the cello, whether in studio or on stage. With DPA’s renowned CORE by DPA amplifier technology, it ensures superior clarity and reduced distortion across the entire dynamic range. The discreet, lightweight design attaches securely to the instrument, allowing for precision placement and a natural sonic balance without impeding performance.Key Features:Optimized for cello with custom mounting clip for secure and stable placementCORE by DPA technology for reduced distortion and increased dynamic clarityDirectional (supercardioid) pickup pattern for excellent isolation and feedback rejectionFlexible gooseneck for easy, precise positioningRugged, road-ready build suitable for live performance and studio useModular design – compatible with a variety of DPA adapters for wireless systemsComes with carrying case, windscreen, and instrument clip included

Shure Value for Brass and WoodwindsWhen it comes time to mic up brass and woodwind instruments, the Shure PGA98H clip-on condenser mic packs a lot of value. It's an affordable way to capture clear, detailed audio while withstanding the high sound pressure levels created by these instruments. The flexible gooseneck helps you achieve the perfect mic position. Recordists know that it can be a challenge to capture consistent results from horns and woodwinds, but the Shure PGA98H clip-on condenser mic makes it easy.Shure PGA98H Clip-on Condenser Microphone Features at a Glance:Clip-on condenser microphone optimized for brass and woodwindsFlexible gooseneck for easy positioningHandles high sound pressure levels without clippingXLR output connectorRecording brass and woodwinds is easy with the Shure PGA98H!

Shure Value for Brass and WoodwindsWhen it comes time to mic up brass and woodwind instruments, the Shure PGA98H clip-on condenser mic packs a lot of value. It's an affordable way to capture clear, detailed audio while withstanding the high sound pressure levels created by these instruments. The flexible gooseneck helps you achieve the perfect mic position. Recordists know that it can be a challenge to capture consistent results from horns and woodwinds, but the Shure PGA98H clip-on condenser mic makes it easy.Shure PGA98H Clip-on Condenser Microphone Features at a Glance:Clip-on condenser microphone optimized for brass and woodwindsFlexible gooseneck for easy positioningHandles high sound pressure levels without clippingTA4F output connectorRecording brass and woodwinds is easy with the Shure PGA98H!

Instrument microphone provides high gain-before-feedback and rejection of unwanted noise. It features preamplifier circuitry for linearity across frequency range, tailored frequency response for studio quality, and a wide dynamic range for high-SPL.

Capture toms and instruments with legendary clarity.Easily capture tom drums, guitar cabs, horns, and more with natural open tone. A classic dynamic mic with high SPL handling, hypercardioid polar pattern, and best-in-class Hemisphere mic modeling — SD-7 gives you pro sound with precision, in any environment.Record Through Five Famous Instrument MicsSD-7 is powered by the same mic modeling technology found in our award-winning UA Sphere microphones. With the included Hemisphere Mic Collection software, it’s the only dynamic modeling mic that gives you the authentic sound of famous dynamics from Sennheiser and Beyerdynamic.*A Modeling Mic That Works for YouSD-7 and the included Hemisphere Mic Collection software work with or without UA hardware, and go way beyond subtle EQ curves to give you precise control over filter, proximity, and axis — an industry first. Just set up SD-7 and use the plug-in to quickly find that “sweet spot” for a guitar amp, or make horns pop through the mix.Discover Your Best SoundsFrom a rowdy stage to a quiet studio, SD-7’s ultra-high SPL capability makes it a perfect choice for loud, transient-rich sources. And thanks to its hypercardioid polar pattern, you're able to back the mic away for added "air" without sacrificing isolation.Add a Pro Mic with Vintage StyleWith rugged all-metal construction, cool retro look, and hand-selected capsules, SD-7 gives you a trusted companion, reliably capturing your sources for a lifetime of professional performance.

Get kick and bass tones from your favorite era.Easily capture all the punch and heft of your kick drums, bass amps, and anything else where extended low-end is required. A classic dynamic mic with a supercardioid polar pattern, high SPL handling, and best-in-class Hemisphere mic modeling — SD-5 gives you pro sound, no matter where you record.Record Through Five Workhorse Kick MicsSD-5 is powered by the same mic modeling technology found in our award-winning UA Sphere microphones. With the included Hemisphere Mic Collection software, it’s the only dynamic modeling mic that gives you the authentic sound of famous dynamics from Shure, Audix, and AKG.* See included mic models ›A Modeling Mic That Works for YouSD-5 and the included Hemisphere Mic Collection software work with or without UA hardware, and go way beyond subtle EQ curves to give you precise control over filter, proximity, and axis — an industry first. Just set up SD-5 and use the plug-in to quickly find that “sweet spot” for your kick drum or bass amp.Easily Capture Your Best SoundsWe fine-tuned the supercardioid polar pattern on SD-5 for use on stage or in the studio. And with its ultra-high SPL capability and exceptional isolation, you’ll capture all the thump, tone, and transients in your instrument without bleed from other sources.

Record Through Five Workhorse MicsSD-3 is powered by the same mic modeling technology found in our award-winning UA Sphere microphones. With the included Hemisphere Mic Collection software, it’s the only dynamic modeling mic that gives you the authentic sound of famous dynamics from Shure, Sennheiser, and Audix.* See included mic models ›A Modeling Mic That Works for YouSD-3 and the included Hemisphere Mic Collection software work with or without UA hardware, and go way beyond subtle EQ curves to give you precise control over filter, proximity, and axis — an industry first. Just set up SD-3 and use the plug-in to find that “sweet spot” for a guitar cab, or tame harsh frequencies on a snare or tom drum.Easily Capture Your Best SoundsWe fine-tuned the cardioid polar pattern on SD-3 for a wide range of environments. Whether it's your bedroom, project, or pro studio — or even the stage — SD-3’s ultra-high SPL tolerance and exceptional isolation give you iconic "sit-in-the-mix" sounds heard on countless hits. Plus, its compact size lets you zone in for perfect mic placement in tight spaces.Add a Pro Mic with Vintage StyleWith all-metal construction, retro fit and finish, and hand-selected capsules, the SD-3 stands apart from other "workhorse dynamics" — giving you a trusted partner, perfect for capturing nearly any source.

The WA-19 faithfully recreates one of the most favored studio and live dynamic mics of the 1960s. Like the original adored by live and studio engineers, the WA-19 delivers a unique combination of dynamic mic functionality and studio-worthy condenser tones. With the critical noise rejection & reduced proximity effect of a dynamic, the WA-19 captures vibrant top-end for enhanced detail, surpassing many studio dynamic microphones.This sound has been leveraged by artists like The Beatles, Tame Impala, Slayer (Kerry King), and many more. With elite, upgraded build quality and premium components, the WA-19 revives all the tone of the original 60s-era dynamic mic.

The WA-19 faithfully recreates one of the most favored studio and live dynamic mics of the 1960s. Like the original adored by live and studio engineers, the WA-19 delivers a unique combination of dynamic mic functionality and studio-worthy condenser tones. With the critical noise rejection & reduced proximity effect of a dynamic, the WA-19 captures vibrant top-end for enhanced detail, surpassing many studio dynamic microphones.This sound has been leveraged by artists like The Beatles, Tame Impala, Slayer (Kerry King), and many more. With elite, upgraded build quality and premium components, the WA-19 revives all the tone of the original 60s-era dynamic mic.

Close to the attack, tough, easy to handle: the e 604 has long since been a classic on the rims of tom-toms and snares the world over. Thanks to the practical clip-on holder, the microphone can be mounted in seconds and positioned however you choose. Lightly emphasized in the upper mids and highs, the e 604 provides a forceful sound, open and clear in the lows. The snare receives a warm to dynamic presence; woodwind instruments also receive a marked spaciousness. This is no wonder, since the sound design is based on the legendary MD 421 microphone. Features:Compact dynamic microphoneTransmits extreme sound pressure levels (over 160dB) without distortionImpact-resistant fiberglass reinforced housingVery low structure-borne noiseExtremely simple handling and flexible positioningHum compensating coilIntegrated stand mount Specifications:Type: DynamicPick Up Pattern: cardioidFrequency response: 40 - 18000 HzSensitivity: 1,8 mV/PaΙmpedance: 350 OhmDimensions: &Weight: 60 gr  

Prodipe clamp for BL21 Contrabass micThis clamp is only compatible with BL21 Contrabass mic

Hypercardioid Dynamic Instrument Microphone ATM250 A natural with high SPLs, the ATM250 hypercardioid dynamic is tailored for kick drum, percussion, brass and other highly dynamic instruments. Its rich, warm low-frequency response gives the microphone excellent presence. The microphone is equipped with a rare earth neodymium magnet and a tight hypercardioid polar pattern. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise. Handles very high SPL at close range Big, warm low-frequency response with excellent presence Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Durable, proven performance for professional applications Hi-ENERGY® neodymium magnet for improved output and transient response Superior off-axis rejection for maximum gain before feedback Corrosion-resistant contacts from gold-plated XLRM-type connector Rugged, all-metal design and construction for years of trouble-free use

Step Up Your Performance. The TG I51 is a dynamic instrument microphone – it gets the most out of you and your instrument. It’s your companion on drum kits, snare drums or floor toms as well as on electric guitar amplifiers or wind instruments – no matter if you’re on stage or in the studio. The natural sound and the well-thought-out, slim but robust construction fulfils your every wish. For producers and sound engineers, the microphone is a versatile partner – a true all-rounder for instruments. ​​​​​​Natural Sound ​​​​​The microphone boasts beyerdynamic's characteristic natural sound so you’ll hear your instrument just like you want it: as a pure, natural reproduction. Our microphone has a quick response and outstanding impulse fidelity. Well-Thought-Out Construction  It can get a bit hectic on stage and on tour. That’s where a microphone should be able to withstand whatever comes its way. Vibrations and even an impact won’t affect the robust housing. But the TG I51 is still slender and relatively light to transport. Its rather short shaft makes it very easy to mount the microphone on its stand or on a snare drum using the MKV 87 from beyerdynamic. It requires minimal space and is sure to be your lasting companion. For Many Uses The TG I51 is a versatile instrument microphone for many uses. Whether on drum kits, snare drums or deeper tom-toms or on guitar amplifiers: It always produces the highest sound quality. The microphone also demonstrates its strengths on brass instruments, making it an all-rounder for the stage and studio. Optimal Isolation  The cardioid characteristic ensures excellent isolation from ambient noises and increases protection against feedback. It’s particularly suitable for uses involving direct sources in loud environments. Even on the very loudest rock-and-roll stages, the dynamic instrument microphone demonstrates a remarkable resistance to feedback – rear sound is suppressed and side sound is only recorded at very soft levels. Made In Germany  Made by hand at the company’s production site in Heilbronn, the TG I51 fascinates users with its exceptional workmanship. The combination of craftsmanship, select materials and years and years of production experience creates a truly reliable drum microphone.

A very faithful response, with an excellent natural sound and an easy and fast assembly. Developed under the direction of Ludovic Lanen, the VL21-C Lanen microphone is specially designed for the recording and sound reinforcement of violins and violas. Equipped with an electret cell capable of handling up 140dB, it will capture all the dynamics and nuances of your playing.Its great linearity will perfectly respect the timbre and the sound of your instrument. Particular attention has been paid to attaching the microphone to the instrument. The two new rubber clamps allow the 21 cell to be positioned at the heart of the sound recording, in order to ensure perfect capture for a precise and natural rendering.

Designed for use with brass, saxophone and other instruments, the ATM350U UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491U universal clip-on mount and strong, flexible AT8490 5" gooseneck, the mic can be clipped securely to the bell of your instrument and positioned to stay where you want it – the gooseneck won’t flop around no matter how aggressively you move the instrument as you play. The microphone’s cardioid polar pattern isolates the instrument by reducing side and rear pickup, and the switchable 80 Hz high-pass filter on the in-line power module helps control undesired low-frequency noise. The system also includes an AT8468 violin mount with hook-and-loop fastener and a protective carrying case. Features: Low-profile mic design for minimum visibility Crisp, clear, well-balanced microphone response, even at high SPLs Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source UniMount® universal clip-on mount attaches securely to instrument bell and provides excellent shock resistance for the microphone Rugged UniMount® 5" gooseneck rigidly holds its shape, keeping microphone accurately positioned even during aggressive play In-line power module is equipped with a switchable 80 Hz high-pass filter to control undesired ambient noise Interchangeable elements available for hypercardioid and omnidirectional polar patterns Included violin mount with hook-and-loop fastener provides an additional mounting option

Prodipe clamp for CL21 Cello mic This clamp is only compatible with CL21 Cello mic

The ND68 is a robust, high-performance, large-diaphragm dynamic supercardioid kick drum and low-frequency instrument microphone. Its supercardioid polar pattern provides excellent acoustic isolation from nearby instruments, and its voicing characteristics deliver a deep low end, relaxed midrange, as well as high-frequency content for aggressive top-end punctuation.Features: Excellent acoustic isolation with deep lows and top-end punctuationLarge-diaphragm dynamic capsuleCreates a rich and detailed frequency responseExtremely high SPL handling capabilityManages close miking of high SPL transients and RMS wave fronts up to 144 dB SPLHumbucking coil guards against line humUse with confidence near speaker cabinets and EMF-generating equipment racksMemraflex grille resists dentingDurable tight-mesh grilles withstand extraordinarily rough treatment​Specifications:Element Type: Dynamic neodymium magnet structureFrequency Response, FreeField: 20 Hz to 11 kHzPolar Pattern: SupercardioidSensitivity, Open Circuit 0.8 mV / PascalMaximum SPL: 140 dB SPLPolarity: Pin 2 positive, reference to pin 3 withpositive pressure on diaphragmImpedance: 150 ohms balanced (low-z)Microphone Connector: 3-pin, XLR-typeFinish: Black polyurethane paintMaterial: Zinc die cast case, Memraflex grille screenNet Weight: 13.2 oz (374 g)​​

The rugged workhorse with a practical shape. The super-cardioid e 609 silver instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.Features:Rugged metal bodyAdvanced shock-mount designSuper-cardioid pick-up patternHum compensating coilMade in GermanySpecifications:Type: Condenser Pick Up Pattern: super-cardioid Frequency response: 40-15000 Hz Sensitivity: 1,5 mV/Pa Ιmpedance: 350 Ohm Dimensions: 55 x 34 x 134 mm Weight: 140 g

The e 602-II hears bass guitars and tubas with the same attention to detail: warm, dynamic, and always with substance. It sounds as solid as it looks and, thanks to its lightweight aluminum body, is easy to position – in studios, clubs, rehearsal rooms, at smaller gigs or for home recording.Features:Dynamic microphone with expanded bass rangeFast transient responseDesigned for extreme sound pressure levelsRugged lightweight aluminum body simplifies positioning on long microphone boom armsExtremely lightweight coil constructionHum compensating coilIntegrated stand mountSpecifications:Type: Dynamic Pick Up Pattern: cardioid Frequency response: 20 - 16000 Hz Sensitivity: 0,25 mV/Pa; (50 Hz) 0,9 mV/PaΙmpedance: 350 Ohm Dimensions: Ø 60 x 153 mm Weight: 318 gr

The Beta 98H/C is a premium cardioid condenser instrument microphone that clamps onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument 'key noise' and other mechanical noise. A gooseneck angle brace is included to provide better retention of the microphone placement during more active performances.          FEATURESThe Beta 98 H/C and WB98 H/C feature transformerless preamplifier circuitry which improves linearity across the full frequency range.The pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.Its high maximum sound pressure level (SPL) enables it to handle the extreme demands of brass, woodwind and percussion instruments.The Beta98H/C features a 3 m (10 ft.) high-flex cable with attached preamplifier (XLR connection)The WB98H/C features a 1.6 m (5.3ft) high-flex cable terminating in a 4-pin mini-connector, for use with wireless bodypack transmittersTailored frequency response for open, natural sound reproductionCompact, lightweight construction provides a low degree of visibilityGooseneck, ratcheting swivel joint and gooseneck angle brace allow for optimum placement and fixed positioningLegendary Shure ruggedness and reliability

The D12 VR is a large-diaphragm cardioid dynamic microphone. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Without phantom power, the microphone delivers the pure character of the sound source. With phantom power enabled, one of three switchable active-filter presets can be used to quickly adapt the microphone response to suit the desired kick-drum. The warm sound is realized by the original C 414 transformer from the 1970's and a patented discrete circuitry. The filter setting can be controlled using a switch on the microphone body. In this mode the output level is also reduced by 10dB automatically. Active filter operation: The implementation of an active electronic filter in a dynamic microphone is an AKG patented solution. "Phantom Power" must be supplied from the connected mixing desk in order to power the active filter circuitry. The operating principle of the active filters is based on analogue circuitry combined with a transformer. Frequency processing is performed in the filter circuit and then combined with the audio signal in the transformer. Impedance differences between the microphone and other equipment are cancelled out enabling a perfect sound regardless of the connected device. The resulting sound is especially impressive at high signal levels at which the transformer enhances the audio signal. HIGHLIGHTS - Patented analogue processing unit Cardioid polar pattern - Dynamic passive mode - Ultra thin diaphragm - Optimized bass chamber - 3 active sound shapes s/P48 power Zero latency calculator - Original C414 transforme.

Dynamic Instrument Microphone designed for drums and percussions, for wind instruments and guitar amps.

Clip-on mic with miniature gooseneck for wind instruments for hardwire applications, with standard XLR connector for phantom powering.

Clip-on mic with miniature gooseneck for wind instruments with mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.

The e 902 is a dynamic cardioid instrument microphone, which was designed for lowest bass signals with very high sound pressure levels.It is suitable for kick drums, bass guitar-amps, tuba, and other bass instruments. Pick-up pattern : cardioidFrequency response : 20...18000 HzSensitivity in free field, no load : (1kHz) 0,2 mV/Pa; (@ 60 Hz): 0,6 mV/PaNominal impedance : 350 OhmMin. terminating impedance : 1000 OhmDimensions : 128,5 x 60 mmWeight : 440 gFrequency Response : 

Ultra-light vibration pickup. Condenser transducer in sealed enclosure. Cable with lockable miniature XLR connector  Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.C 411 PP: For hardwire applications, with standard XLR connector for phantom powering.C 411 L: With mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.

NEW Wider mounting base capable of accommodating a larger range of microphone stands.The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch," and delivers studio quality sound even at extremely high sound pressure levels.The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain before feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. * Frequency response shaped specifically for kick drums and bass instruments * Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum * Studio quality performance, even at extremely high sound pressure levels * Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise * Hardened steel mesh grille that resists wear and abuse * Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration * Neodymium magnet for high signal-to-noise ratio output * Low sensitivity to varying load impedance * Legendary Shure quality and reliabilityNEW Wider mounting base capable of accommodating a larger range of microphone stands.The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch," and delivers studio quality sound even at extremely high sound pressure levels.The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain before feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. * Frequency response shaped specifically for kick drums and bass instruments * Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum * Studio quality performance, even at extremely high sound pressure levels * Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise * Hardened steel mesh grille that resists wear and abuse * Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration * Neodymium magnet for high signal-to-noise ratio output * Low sensitivity to varying load impedance * Legendary Shure quality and reliability

The Beta 98H/C is a premium cardioid condenser instrument microphone that clamps onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument 'key noise' and other mechanical noise. A gooseneck angle brace is included to provide better retention of the microphone placement during more active performances.          FEATURES The Beta 98 H/C and WB98 H/C feature transformerless preamplifier circuitry which improves linearity across the full frequency range. The pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise. Its high maximum sound pressure level (SPL) enables it to handle the extreme demands of brass, woodwind and percussion instruments. The Beta98H/C features a 3 m (10 ft.) high-flex cable with attached preamplifier (XLR connection) The WB98H/C features a 1.6 m (5.3ft) high-flex cable terminating in a 4-pin mini-connector, for use with wireless bodypack transmitters Tailored frequency response for open, natural sound reproduction Compact, lightweight construction provides a low degree of visibility Gooseneck, ratcheting swivel joint and gooseneck angle brace allow for optimum placement and fixed positioning Legendary Shure ruggedness and reliability

PL21 Salmiéri Percussions : three mics pack for almost all percussions.A totally new range of instrument mic systems for recording all your percussion instruments live. For congas, bongos, djembes, cajons, timbales, rototoms, tambourines, tablas, batas, goblet drums, bendirs, bodhrans, toms, snare drums, tambors, surdos, talking drums, udu, steel drums and many more.We have perfected an electret capsule that can take up to 140dB. At that level of performance the capsule will preserve the full harmonic envelope and warmth of your instrument. Clamp(s) and XLR adaptor are supplied for wired mic use (48V phantom power supply required). The mic can also convert to a UHF mic by connecting it to the Prodipe DSP/UHF Bodypack system (specially adapted for the Lanen 21 capsule impedance).Specifications:Sensibility: -47dB ±3dB (0dB=1V/Pa à 1KHz)Max SPL (140 dB)Impedance: 2.2 KΩDirectivity: uni directionalS/N ratio: 68dBFrequency response: 50Hz to 20KHzCable lenght: 1 m

A totally new range of instrument mic systems for recording all your acoustic instruments live. We have perfected an electret capsule that can take up to 140dB. At that level of performance the capsule will preserve the full harmonic envelope and warmth of your instrument. The CL21 Lanen Cello has been designed for cellos and provides a very high acceptable sound pressure level. Cellos come in various sizes, so they need a fully adaptable mounting system. We have created a clamp which is flexible, ingenious and easy to attach. The mic’s flexible gooseneck allows you to place it at the very heart of the sound.Specifications:Sensitivity: -47dB ±3dB (0dB=1V/Pa to 1KHz)Max SPL (140 dB)Impedance: 2.2 KΩDirectivity: unidirectionalS/N Ratio: 68dB Frequency Response: 50Hz to 20KHzCable lenght: 1 m

The M-85 is strong, versatile, and fitted with an anti-shock copper mesh. Not only that, like almost all of Prodipe’s mics, it has been finished in rubber paint, giving an extra comfortable grip and improved noise reduction when handled.During the development of the Prodipe M-85, we placed a huge emphasis on obtaining perfect neutrality in the frequency response because we wanted to offer increased gain and at the same time, respect the rich harmonic content of the human voice.The M-85 is simple to use and manage with any type of equipment. The M-85’s new Prodipe cartridge, brought to fruition with plenty of input from Ludovic Lanen, uses a stunning mix of finesse and precision to restore the grain and colour of your voice.Specifications:Type: dynamicFrequency response : 50 Hz ~ 16 kHzPattern: uni-directionalSensitivity (0dB=1v/pa at 1kHz): - 71 ±3dBImpedance (at 1 kHz): 600 Ω ± 30%Weight: 42 g

The TT1 cartridge has been specially designed for recording and reproducing the sound of acoustic instruments such as stringed instruments, wood, wind, guitars and percussion, either live or in the studio.Specifications:Element: DynamicPolar Pattern: Uni-directionalSensitivity: -49dBV/Pa (2.2mV/Pa)Frequency Response: 50-15000 HzOutput Impedance: 600Ω ±30% at 1kHz

A totally new range of instrument mic systems for recording all your acoustic instruments live. We have perfected an electret capsule that can take up to 140dB. At that level of performance the capsule will preserve the full harmonic envelope and warmth of your instrument. The BL21 Lanen Double Bass has been designed for double basses. Double basses come in various sizes, so they need a fully adaptable clamp. We have created a mounting system which is flexible, ingenious and easy to attach. The mic’s flexible gooseneck allows you to place it at the very heart of the sound.Specifications:Sensitivity: -47dB ±3dB (0dB=1V/Pa to 1KHz)Max SPL (140 dB)Impedance: 2.2 KΩDirectivity: unidirectionalS/N Ratio: 68dB Frequency Response: 50Hz to 20KHzCable lenght: 1 m

The ADX20iP miniature condenser microphone is applicable for professional stage and studio applications. This microphone is primarily used for miking most reed and brass instruments.The ADX20iP has a uniformly controlled cardioid polar pattern, which provides excellent isolation and feedback control on stage with natural sound reproduction at very close distances.The ADX20iP condenser instrument microphone is lightweight, compact and simple to use. Included with the ADX20iP is a gooseneck clip with spring tension for easy mounting to the bell of an instrument.Εφαρμογές:SaxophoneTrombone, trumpetRoom ambience, recordingAccordionΧαρακτηριστικά:Transducer Type: Pre-Polarized CondenserFrequency Response: 40 Hz - 20 kHzPolar Pattern: CardioidOutput Impedance: 250 ohmsSensitivity Cardioid: - 6 mV / Pa @ 1kHypercardioid: - 5.6 mV / Pa @1kEquivalent Noise Level:

The ADX10FLP is characterized with a uniformly controlled cardioid polar pattern, helping to isolate the area or section being miked from other instruments or vocals on stage. With a smooth and accurate frequency range of 50 Hz - 18 kHz, the ADX10FLP is lightweight, low profile and will provide natural sound with exceptional transient response.The ADX10FLP cardioid condenser microphone works with the Audix wireless systems specifically for use with a flute, includes a clip that attaches to the headstock of a flute, an 8' cable terminating to a miniXLRf connector. Requires a phantom power adapter (APS911).Manufactured to high standards and tight tolerances, the ADX10FLP miniaturized condenser flute microphone features a modular threaded capsule, machined brass body with matte black finish, high quality shielded microphone cable and a variety of optional accessories.Specifications:Type: Pre-polarized CondenserPolar Pattern: CardioidFrequency Response: 50 Hz - 18 kHzImpedance: 250 OhmsSensitivity: 4.5 mV/Pa @1k

With a wide frequency response of 40 Hz - 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 dynamic instrument microphone is an excellent choice for miking instruments requiring precise, low frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone saxophone, trombone, acoustic bass, bass cabinets and small kick drums.The D4 is lightweight, compact and easy to position. Used for stage, studio and broadcast applications, the D4 dynamic instrument microphone is designed with a hypercardioid pickup pattern for isolation and feedback control. The D4 hypercardioid is also equipped with a VLM™ diaphragm for natural accurate sound reproduction.Applications:Live stage or recording Large rack tom, floor tom, small kick drumCajon, djembe, tympani, leslie bottomBass flute, sax and baritone sax, tromboneAcoustic bass, bass cabsSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 40Hz - 18kHzImpedance: 280 ohmsSensitivity: 1.4 mV/Pa @1k

The D2 dynamic instrument microphone is used for stage, studio and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets and brass. Transformer less design, low impedance and balanced output insure that the D2 hypercardioid instrument microphone will perform interference-free.Applications:Rack toms, congas, floor tomsGuitar and bass cabinetsSaxophone, brassSpecifications:Type: DynamicPolar Pattern: HypercardioidFrequency Response: 68Hz - 18kHzImpedance: 280 ohmsSensitivity: @1k 1.2 mV/Pa​​