Instrument Microphones

The D2 dynamic instrument microphone is used for stage, studio and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets and brass. Transformer less design, low impedance and balanced output insure that the D2 hypercardioid instrument microphone will perform interference-free.Applications:Rack toms, congas, floor tomsGuitar and bass cabinetsSaxophone, brassSpecifications:Set of 3 piecesType: DynamicPolar Pattern: HypercardioidFrequency Response: 68Hz - 18kHzImpedance: 280 ohmsSensitivity: @1k 1.2 mV/Pa​​

The D6 dynamic instrument microphone is used for stage, studio and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 drum microphone is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.Lightweight, compact and easy to position, the D6 cardioid microphone is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drums, large toms and bass cabinets. The D6's transformer less design, low impedance and balanced output allow for interference-free performance. Designed, assembled, and tested by Audix in the USA.Applications:Live stage, recordingKick drumFloor tomBass cabinetsLeslie bottomSpecifications:Type: DynamicPolar Pattern: CardioidFrequency Response: 30Hz - 15kHzImpedance: 280 ohmsSensitivity: .8 mV/Pa @ 80Hz​​

The ATM230 hypercardioid instrument microphone brings a compact drum model to Audio-Technica’s popular Artist Series line. The mic’s proprietary capsule is designed to excel in high SPL applications, delivering full, well-rounded audio with an exceptional low-end. The hypercardioid polar pattern keeps the focus on the sound source, directionality that is aided by the mic’s low-profile design, which allows it to be placed in a wide variety of setups. All this makes the ATM230 ideally suited for miking toms, snare and other percussion instruments. The ATM230 features rugged metal construction that stands up to the rigors of live and studio applications, and comes with an AT8665 drum mount and a protective pouch.  Specifications:Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound sourceHandles very high SPL at close rangeBig, warm low-frequency response with excellent attackLow-profile design permits versatile placement around drum kitRugged, all-metal design and construction for years of trouble-free useIncludes AT8665 drum mount and a soft protective pouchElement: DynamicPolar Pattern: HypercardioidFrequency Response: 30-12,000 HzOpen Circuit Sensitivity: –54 Db (1.9 Mv) Re 1v At 1 PaImpedance: 600 OhmsWeight: 292 G (10.3 Oz)Dimensions: 82.5 Mm (3.2") Long, 38.0 Mm (1.5") Maximum Diameter

The ND46 is a robust, high-performance, large-diaphragm dynamic supercardioid instrument microphone. Designed for capturing a wide of variety instrument sounds, the ND46 capsule is precisely tuned to deliver a lively and balanced sound, as well as excellent isolation from the sound of other nearby instruments, and its unique locking pivoting head makes mic placement easy and precise.Features:Excellent isolationLarge-diaphragm dynamic capsuleEasy mic placement with locking pivoting headShock-mounted capsule minimizes handling noiseHumbucking coil guards against line humMemraflex grille resists dentingSpecifications:Audio Frequency Response: 70 – 18,000Case Material: Die cast zincConnector Type: 3-pin XLR​​​

The ND44 is a robust, high-performance, large-diaphragm dynamic instrument microphone with a tight cardioid polar pattern. Designed for excellent performance on drums and other rhythm section instruments, the ND44 capsule is precisely tuned to deliver the aggressive and punctuated sound these instruments produce, as well as excellent isolation from the sound of other nearby instruments. Its rotating low-profile head and drum rim clamp make mic placement easy anywhere on a drum set.Features:Excellent isolationLarge-diaphragm dynamic capsuleEasy mic placement with locking pivoting headShock-mounted capsule minimizes handling noiseHumbucking coil guards against line humMemraflex grille resists dentingSpecifications:Audio Frequency Response: 80 – 16,500Case Material: Die cast zinc handle, ABS polycarbonate headConnector Type: 3-pin XLRDiameter (Max): 48.5mm (1.91")Element: DynamicFinish: Black polyurethane paintImpedance, Low-Z balanced: 350ΩMaximum SPL: > 140dBMic Type: InstrumentOpen Circuit Voltage: 2.4mV/PascalPolar Pattern: Tight CardioidPower Requirement: PassiveShipping Weight: 17.21oz (488g)Weight Net: 6.84oz (194g)Wired/Wireless: Wired​​

The TG D35d is a professional dynamic microphone for miking drums, percussion and other instruments. The tuned frequency response is predestined for toms and snare, but due to its powerful yet clear sound it is not only great for drums.While the compact and robust plastic housing ensures an easy and secure positioning, the supercardioid polar pattern allows a high channel separation. Therefore, the TG D35d is ideal for ambitious musicians or home studio owners, who have only limited space available on their drum sets.For safe transport the microphone is supplied with an appropriate bag. The patented MKV 87 microphone clamp is included.Together with the Drum Microphone Sets TG Drum Set Pro S and TG Drum Set Pro M the TG D35d is the best solution for Drummers who needs professional sound for a good price.Features:The dynamic capsule allows the miking of high sound pressure levels without distortion.The supplied MKV 87 microphone clamp provides a perfect grip and immediate readiness for use.The compact design and the lightweight, rugged plastic housing allow easy positioning n Toms and Snare Drums. Its low weight avoids undesirable oscillations of the microphone. 

The D112 MkII can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 MkII is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 MkII features an integrated hum-compensation coil that keeps noise to an absolute minimum. In addition to being an exceptional bass drum mic on stage and in the studio, the D112 MkII is an excellent choice for miking electric bass cabinets and trombones.

A solid choice for brass and woodwind players. With its flexible gooseneck, the e 608 snuggles right up to the instrument, while the multifunctional clip lets it find an optimal position on every instrument. The shock-mounted capsule reliably protects against structure-borne noise. When something is in the air – it doesn't get lost here. The e 608 comes closer to the heart of each instrument and transmits its character in soft, warm tones.Features:Dynamic microphone with gooseneckLow sensitivity to structure-borne noiseExtremely rugged fiberglass housing with tear-resistant cable (XLR connector)Simple handling and flexible positioningHum compensating coilHighly effective shock mountSpecifications:Frequency response: 40 - 16000 HzSensitivity: 0,8 mV/PaΙmpedance: 250 OhmDimensions: 17 x 185 mmWeight: 20 gr

The TG D70d dynamic large-diaphragm microphone is exceptionally reliable for the transmission of sound from low-frequency instruments – the best friend of every bass drum, djembe and bass amplifier.Despite its bulky appearance, it can be easily positioned in the resonant head, even in bass drums with very tiny holes. The mass-reduced special membrane delivers exceptional impulse fidelity and the hypercardioid polar pattern ensures excellent feedback reduction. For each switch a specially equalised frequency response curve can be set, which delivers brilliant sound even without making complicated settings on the mixing console; or a linear frequency response curve can be set, which transmits the natural bass drum sound which can then be acoustically tuned via the mixing console.

To pick up sound from brass instruments such as saxophones, trumpets, trombones or horns, a microphone really has to function at a high level, a requirement where the TG I 57c premium clip-on condenser microphone succeeds with flying colours. It can operate at extremely high maximum sound levels and reliably suppresses unwanted noise as a result of its cardioid polar pattern. The easy to mount clamp with gooseneck for optimal positioning protects the instrument’s surface and provides a reliable hold. For wired operation at a phantom powering input, the optional CV 18 is necessary.

Whether with standing toms, snare drums or percussion instruments - with its patented clip-on mount and integrated pre-amplifier, the TG D57c condenser microphone is mounted and ready in a flash.The expanded frequency range ensures faithful reproduction of all drum types and the 72 mm long flexible gooseneck allows it to be optimally positioned relative to the sound source. An elastic capsule suspension on the capsule housing protects against damage from drumstick strikes. The new electronics provide increased level accuracy and guarantee a very high maximum sound pressure level – even with phantom powering below 44 V.

The practical advantages of the patented microphone clamp on the TG D58c condenser microphone are immediately apparent whether when using with rack toms, snare drums or percussion instruments: the microphone can be mounted and positioned quickly and securely.The balanced frequency response also makes it immediately ready for use. Pre-amplifiers are a thing of the past due to the integrated pre-amplifiers with downward-facing standard XLR connections. Its ability to operate at high levels compared to the previous model Opus 88 should also be mentioned, as is the newly designed, low-resonance housing, the elastic capsule suspension, the improved signal-to-noise ratio and technical values that remain valid even with phantom powering below 44 volts.

With robust construction and unobtrusive appearance, the PRO45 and PRO45W offer versatile sound-reinforcement solutions for speech, theater, orchestra and choir sound reinforcement and recording. The microphones high-SPL handling is perfect for suspension over choirs and orchestras. Available in two colors: Black (PRO45), white (PRO45W).Specifications:Element: Fixed-charge back plate, permanently polarized condenserPolar Pattern: CardioidFrequency Response: 70-16,000 HzOpen Circuit Sensitivity: -37 dB (14.1 mV) re 1V at 1 PaImpedance: 100 ohmsMaximum Input Sound Level: 134 dB SPL, 1 kHz at 1% T.H.D.Dynamic Range: 106 dB, 1 kHz at Max SPLSignal to Noise Ratio: 66 dB, 1 kHz at 1 PaPhantom Power Requiremens: 9-52V DC, 2 mA typicalWeight: 0.5 oz (15 g)Dimensions: 2.24" (56.9 mm) long, 0.47" (12.0 mm) head diameterOutput Connector: 3-pin XLRM-type on cableCable: 25' (7.6 m) long, permanently attached

Delivers a warm low-frequency response with excellent presence. Hypercardioid polar pattern improves isolation of desired sound source. Superior off-axis rejection for maximum gain before feedback. Versatile mounting options and effective dampening of mechanical noise thanks to included AT8471 isolation clamp. Rugged design and construction for reliable performance.Features:Dynamic elementHypercardioid pattern30-12,000Hz frequency responseIsolation clamp5/8" to 3/8" threaded adapterSpecifications:Open Circuit Sensitivity: -54 dB (1.9 mV) re 1V at 1 Pa600 ohms impedance8.1 oz.XLRM-type output connector.

With robust construction and unobtrusive appearance, the PRO45 and PRO45W offer versatile sound-reinforcement solutions for speech, theater, orchestra and choir sound reinforcement and recording. The microphones high-SPL handling is perfect for suspension over choirs and orchestras. Available in two colors: Black (PRO45), white (PRO45W).Specifications:Element: Fixed-charge back plate, permanently polarized condenserPolar Pattern: CardioidFrequency Response: 70-16,000 HzOpen Circuit Sensitivity: -37 dB (14.1 mV) re 1V at 1 PaImpedance: 100 ohmsMaximum Input Sound Level: 134 dB SPL, 1 kHz at 1% T.H.D.Dynamic Range: 106 dB, 1 kHz at Max SPLSignal to Noise Ratio: 66 dB, 1 kHz at 1 PaPhantom Power Requiremens: 9-52V DC, 2 mA typicalWeight: 0.5 oz (15 g)Dimensions: 2.24" (56.9 mm) long, 0.47" (12.0 mm) head diameterOutput Connector: 3-pin XLRM-type on cableCable: 25' (7.6 m) long, permanently attached

The Audio-Technica PRO 35 clip-on microphone is designed for sax, brass, toms, and percussion. The PRO35 is a cardioid condenser mic that excels in high-SPL (sound pressure level) applications and is ideal for active stage performances. Its extended frequency response captures subtle nuances of the performance. The included UniMount clip permits accurate positioning and provides shock resistance while protecting the element. The microphone's cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of the desired sound source. Features:Ideal for sax, toms, brass and percussionExcels in high-SPL applicationsIdeal for active stage performancesUniMount clip permits accurate positioning, provides shock resistance and protects elementCardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound sourceExtended frequency response captures subtle nuances of the performance6' (1.8 m) cable permanently attached between microphone and power module

The ATM250DE dual-element instrument microphone features cardioid condenser and hypercardioid dynamic capsules combined in a single housing. Audio-Technica’s innovative use of two polar patterns is ideal for kick drum: the hypercardioid dynamic element focuses tightly on the aggressive attack of the beater, while the condenser captures the round tonalities of the shell. The elements are positioned in a perfect phase relationship, something practically impossible to achieve with two separate microphones. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise. Specifications:Elements: Condenser, dynamicPolar Patterns: Cardioid (condenser), Hypercardioid (dynamic)Frequency Response: 40-20,000 Hz (condenser), 40-15,000 Hz (dynamic)Low Frequency Roll-Off: 80 Hz, 12 dB/octave (condenser)Open Circuit Sensitivity: –49 dB (3.5 mV) re 1V at 1 Pa (condenser), –53 dB (2.2 mV) re 1V at 1 Pa (dynamic)Impedance: 50 ohms (condenser), 600 ohms (dynamic)Maximum Input Sound Level: 148 dB SPL, 1 kHz at 1% T.H.D. (condenser)Dynamic Range (typical): 122 dB, 1 kHz at Max SPL (condenser)Signal-To-Noise Ratio: 68 dB, 1 kHz at 1 Pa (condenser)Phantom Power Requirements: 11-52V DC, 3.5 mA typical (condenser)Switches: Flat, roll-off; 10 dB pad (condenser only)Weight: 320 g (11.3 oz)Dimensions: 143.6 mm (5.65") long, 55.0 mm (2.17") diameterOutput Connector: Integral 5-pin XLRM-typeCable: 5.0 m (16.5') dual shielded, 8-conductor cable, 5-pin XLRF-type connector at microphone, two 3-pin XLRM-type output connectors

The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.Features:Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound sourceDurable performance for professional applicationsSpecial dual-wall floating construction reduces handling noise and assures consistent performance from mic to micHi-ENERGY neodymium magnet for improved output and transient responseMulti-stage flat grille design is engineered to enable easy placement as close as possible to sound sourceCorrosion-resistant contacts from gold-plated XLRM-type connectorRugged, all-metal design and construction for years of trouble-free useSpecifications:Element: DynamicPolar Pattern: HypercardioidFrequency Response: 80-17,000 HzOpen Circuit Sensitivity: —56 dB (1.5 mV) re 1V at 1 PaImpedance: 300 ohmsWeight: 279 g (9.8 oz)Dimensions: 164.2 mm (6.46") long, 38.8 mm (1.53") diameterOutput Connector: Integral 3-pin XLRM-typeAudio-Technica Case Style: T5

Ultra-light condenser cardioid instrumental miniature mic for accodeon and speakers with mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.

The Legendary Shure "Green Bullet" Harmonica Microphone!Here's the Shure 520DX, dubbed the "Green Bullet" - a legend in its own right! This famous harmonica microphone is the perfect tool for live performers. The Shure 520 DX "Green Bullet" boasts a handy volume control knob at the base of the microphone so it's easy to adjust your levels mid-peformance. And, the 520DX's attached cable offers a standard 1/4-inch phone plug so you can connect your harp mic to whatever high impedance device your needs require. A favorite of harmonica players around the world, take the stage confidently with the Shure 520DX "Green Bullet" harmonica microphone.A trusted harmonica legendThe Shure 520DX, known affectionately as the "Green Bullet," has seen countless stages across the world. In fact, it's already a legend among harmonica players - especially among blues players. Its signature green and chrome die-cast casing was countoured to fit perfectly between your harmonica and your hands. And, true to Shure form, you can bet the 520DX Green Bullet sounds great, too.Handy volume knob on base of microphoneBuilt for the stage, the Shure 520DX has a convenient volume level control built right into it. That way, it's easy to make quick level adjustments mid-performance without taking your mind off your performance or your hands off your harp.

The MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels. Surface: all metal body with black leatherette finish, sound inlet basket: nickel plated. Pick-up pattern : super-cardioidSensitivity in free field, no load : (1kHz) 1,8 mV/Pa +- 2 dBNominal impedance : 200 OhmMin. terminating impedance : 1000 OhmDimensions : 270 x 33 x 36 mmWeight : 450 g

The MD 421 II continues the tradition of the MD 421 which has been one of Sennheiser's most popular dynamic mics for over 35 years. The large diaphragm, dynamic element handles high sound pressure levels, making it a natural for recording guitars and drums. The MD 421's full-bodied cardioid pattern, and five-position bass control make it an excellent choice for most instruments, as well as group vocals, or radio broadcast announcers. One listen and you'll know why it's a classic. Pick-up pattern : cardioidSensitivity in free field, no load : (1kHz) 2 mV/Pa +- 3 dBNominal impedance : 200 OhmMin. terminating impedance : 200 OhmDimensions : 215 x 46 x 49 mmWeight : 385 gFrequency response (microphone) : 30.....17000 Hz

DPA IMK 4061 - miniature microphone set (Type 4061-BM),Includes 1 x 4061 microphone, 1 x XLR adapter (Type DAD6001), includes holders for strings, universal surface mounts with double sided tape, a magnet mount and foam windscreens.

The legendary Shure SM57 microphone is exceptional for musical instrument pickup and vocals. With its bright, clean sound and contoured frequency response, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. The SM57’s outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers worldwide. SM57-LCE :  Without Cable

The Shure Beta 56A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise. A built–in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom–toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.         FEATURESTailored frequency response provides drums, amplified instruments, and horns with studio quality sound Built–in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound Compact design reduces stage clutter Hardened steel mesh grille resists wear and abuse Neodymium magnet for high signal–to–noise ratio output Minimally affected by varying load impedance Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration Legendary Shure quality and reliability

Supplied with Audio-Technica's versatile UniMount® clip and new violin mount, the low-profile ATM350 is an exceptional cardioid condenser microphone designed to clip to brass, reeds, piano, snare, toms, and violin. The microphone offers a crisp, clear, well-balanced response, even at high SPLs. It features an integral 80 Hz hi-pass filter and is also equipped with a new in-line power module. Its cardioid polar pattern reduces pickup of sounds from the side and rear for effective protection against feedback.Features:Low-profile design for minimum visibilityUniMount® clip permits accurate positioning, provides shock resistance and protects elementUnique violin mount permits unobtrusive placement of microphone between the instrument's bridge and tailpieceCrisp, clear, well-balanced response, even at high SPLsCardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound sourceInterchangeable elements available for hypercardioid and omnidirectional polar patternsCorrosion-resistant contacts from gold-plated XLRM-type connectorRugged, all-metal design and construction for years of trouble-free use Specifications:Element: Fixed-charge back plate permanently polarized condenserPolar Pattern: CardioidFrequency Response: 40-20,000 HzLow Frequency Roll Off: 80 Hz, 12 dB/octaveOpen Circuit Sensitivity: 49 dB (3.5 mV) re 1V at 1 PaImpedance: 50 ohmsMaximum Input Sound Level: 149 dB SPL, 1 kHz at 1% T.H.D.Dynamic Range: 122 dB, 1 kHz at Max SPLSignal to Noise Ratio: 67 dB, 1 kHz at 1 PaPhantom Power Requiremens: 11-52V DC, 3.5 mA typicalSwitch: Flat, roll-offCable: 4.0 m (13.1') long (permanently attached to microphone), 3.2 mm (0.13") diameter, 2-conductor shielded cable with TA3F-type connectorAccessories: AT8542 power module; AT8418 UniMount® microphone instrument mount; AT8468 violin mount; soft protective pouch 

The TT1 cartridge has been specially designed for recording and reproducing the sound of acoustic instruments such as stringed instruments, wood, wind, guitars and percussion, either live or in the studio. The new, rugged TT1 Instruments mic has shown itself to be highly effective for amp micing (guitar, etc.).This is a well balanced mic with a high output level. It is perfect for singers who want the highest standards, as well as conference speakers, presenters and entertainers who want a true reproduction of their voice.And you shouldn’t let the price influence you, nor compare it to a low quality mic! Even though the price is exceptionally low, this new mic offers an identical quality to many professional mics that I have used on stage.The reason we are where we are today is because on my last visit to China I tested, compared and assessed the performance of more than a hundred cartridges alongside the engineers from the state of the art factory that we work with.This close partnership enabled me to develop the completely new TT1 and I can absolutely guarantee its performance. Prices really don’t mean anything anymore; of the hundred cartridges that I was offered to look at, many of the more expensive were not as good or as efficient as the one I selected and prepared for you.Specifications:Element: DynamicPolar Pattern: Uni-directionalSensitivity: -49dBV/Pa (2.2mV/Pa)Frequency Response: 50-15000 HzOutput Impedance: 600Ω ±30% at 1kHz

A totally new range of instrument mic systems for on stage recording of all your acoustic instruments.We have perfected an electret capsule that can take up to 140dB. At that level of performance the capsule will preserve the full harmonic envelope and warmth of your instrument. The SB21 Lanen Sax & Brass has been designed for alto saxophones, tenor saxophones, trumpets, trombones, tubas, French horns et all other brass instruments.We paid a lot of attention to how the mic should be attached to the instrument. We looked at existing mics, talked to musicians and put all the good ideas together. We then created a mic stem consisting of a fixed component and a flexible component. This offers greater adjustability and stability. The suspension system reduces the noise from the keys, and the clamp has been specially adapted for a tight fit to the bell of the instrument.Specifications:Sensitivity: -47dB ±3dB (0dB=1V/Pa to 1KHz)Max SPL (140 dB)Impedance: 2.2 KΩDirectivity: unidirectionalS/N Ratio: 68dBFrequency Response: 50Hz to 20KHzCable lenght: 1 m

A totally new range of instrument mic systems for recording all your acoustic instruments live. The AL21 Romanelli Accordion mic pack optimizes the sound of the accordion on a PA system.We wanted the capsule to be able to withstand an acoustic pressure of up to 140 dB so that it would preserve the full harmonic envelope and the warmth of the sound. We also wanted the capsule attachment to be unobtrusive, secure, manageable, and not in the way.The noise made when using the instrument, along with any mechanical noise, is also kept to a minimum because the capsule is held in place by elastic stretched across a circular band which sits at the end of a flexible gooseneck.Specifications:Sensitivity: -47dB ±3dB (0dB=1V/Pa to 1KHz)Max SPL (140 dB)Impedance: 2.2 KΩDirectivity: unidirectionalS/N Ratio: 68dB Frequency Response: 50Hz to 20KHzCable lenght: 1 m

A totally new range of instrument mic systems for on stage recording of all your acoustic instruments.We have perfected an electret capsule that can take up to 140dB. At that level of performance the capsule will preserve the full harmonic envelope, which adds warmth to the sound of your instrument.The GL21 Lanen Acoustic guitar & Ukulele has been designed for guitars, ukuleles, mandolins and banjos.For the clamp, we chose to develop two sizes of clip, rather than one single adaptable clip: The first type is for guitars with a thick soundboard or internally strengthened near the sound hole, The second clip is smaller and curved in shape - the mic can be positioned on guitars or ukuleles whose soundboard ribs are near the sound hole towards the neck side. Specifications:Sensitivity: -47dB ±3dB (0dB=1V/Pa to 1KHz)Max SPL (140 dB)Impedance: 2.2 KΩDirectivity: unidirectionalS/N Ratio: 68dBFrequency Response: 50Hz to 20KHzCable lenght: 1 m