Chandler Limited Germanium Preamp/DI Microphone Preamp

Chandler Limited TG2 Abbey Road Special Edition 2-channel Microphone Preamp

The TG2 Pre Amp/DI recreates the rare EMI TG12428 preamp used in EMI and Abbey Road recording and mastering consoles in the late ’60s and early ’70s. Its sound appears on many famous recordings made at the studio, including The Beatles’ “Abbey Road” and Pink Floyd’s “The Dark Side of the Moon”.It uses the same discrete transformer-balanced amplifiers as the TG series limiter and delivers a creamy, smooth tone with a surprisingly open, clear top end. A small rise in the high frequencies and some warmth-inducing distortion make up its character: body and punch with a beautifully extended top.

2.954 €

Chandler Limited REDD.47 Tube Microphone Preamp

Chandler Limited’s REDD.47 Mic Amplifier recreates the valve line amplifiers of Abbey Road’s rare EMI REDD.51 consoles, from around 1959 to 1968. The original REDD.47 was a central component of the console and amplified almost every stage of the audio path: mic and line inputs, echo sends and monitors.Its punchy, aggressive character marked everything recorded in Studio Two between 1964 and 1968, including many Beatles tracks. Chandler’s version adds more gain and ranges from pristine clean sound to rich, saturated tone with up to 2% harmonic distortion before clipping, enough to reproduce the distortion heard on “Revolution”.

2.994 €

Chandler Limited REDD.47 Special Edition

The REDD.47 began life as the microphone amplifier of EMI's REDD.51 console at Abbey Road, and its character — dense, forward, with a controlled aggression through the midrange — became one of the recognisable signatures of the recordings made on it. The Special Edition is not a cosmetic variation on the current REDD.47: Wade Goeke builds each unit around 53 vintage components collected over years, including Piher, ISKRA, Beyschlag and ERO/Roederstein resistors and Siemens, Wima and Mullard «tropical fish» capacitors — the same parts found inside original EMI equipment.What it adds over the standard REDD.47The front panel layout follows the logic of the original REDD console cassettes and carries the new lighted EMI sign. Beyond the aesthetics, this edition incorporates three sections taken directly from the REDD.51 console: Input Sensitivity, Line Input and Bass Lift with 10 dB of low-frequency boost. The signal path remains the core REDD.47 path — EF86 and E88CC valves, transformer-balanced input and output on custom wound transformers, +57 dB total gain with stepped Pre Amp Gain from 16 to 52 dB and Fine Gain of ±5 dB.

3.975 €

Chandler Limited TG Channel MKII Microphone Preamp & EQ

The TG Channel MKII, now named TG12411 by Chandler Limited, combines two classic circuits: Wade Goeke’s TG2 preamp and an equalizer redesigned from the TG12410 Transfer Console, the mastering counterpart of the original “Beatles desks”. The renaming came with no change to the circuit.The active sections use the same discrete amplifiers and transformers as the TG1 Limiter and TG2. The passive EQ is an all-inductor design with sweet highs, large lows and a very narrow mid cut. Its sound compares closely with Pultec and Lang program EQs. Put simply, a “TG Pultec” with a TG preamp thrown in.

3.130 ,58 €

Neve 1073SPX mono preamp & EQ

The Neve preamp for the modern ageThe elegantly crafted 1073SPX adopts the 1073® Class A design, exquisite 3-bandEQ (fixed HF plus two switchable bands with cut/boost capability) and high pass filter – making the 1073SPX the obvious choice for modern studios.

1.895 €

Neve 1073DPX stereo preamp & EQ

The 1073DPX has two channels of 1073® Class A design microphone preamplifiers, each with 3-band EQ (fixed HF plus two switchable bands with cut/boost capability) and a high pass filter.With two 1073® pre-amps packed into a modern, 2u 19″ rack format, the 1073DPX features everything you need to record a variety of performance setups. For example, stereo micing setups such as piano or drums work perfectly through the dual-channel DPX. Alternatively, singer-songwriters can use each channel strip independently for an acoustic guitar and a vocal simultaneously.

3.333 €

BAE 1073 Single Channel Mic Pre / EQ W/power supply

BAE 1073 Single Channel Mic Pre / EQ W/power supplyThe BAE 1073 is as authentic as you can get to the original, featuring the same St Ives (Carnhill) transformers as the vintage modules, Elma switches and Canford wire.The BAE 1073 looks identical to the original vintage module and will happily retrofit in vintage Neve 80 Series consoles because the entire product is engineered in exactly the same way as the originals: the same chassis construction, connectors, printed circuit board layouts, hand-wired looms, and circuitry.Features of the BAE 1073 Single Channel Mic Pre / EQHigh Frequency: +/-16dB fixed frequency shelving at 12kHzLow Frequency: +/-16dB shelving with selectable frequencies of 35Hz, 60Hz, 110Hz & 220HzMid Range: +/-18dB peaking, fixed ‘Q’ with, selectable centre frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz & 7.2kHzHigh Pass Filter: 18dB per octave slope, switchable between 50Hz, 80Hz, 160Hz & 300HzIncludes BAE 24V PSU to operate.The power supply can run 2 units simultaneously thats why units are sold separately.

4.350 €

BAE 1084 Mic/Line Preamp/EQ with PSU

Definitive British Preamp/EQ, Enhanced Neve 80 series consoles defined the sound of 1970s rock 'n' roll; their original 1073 preamp and EQ modules wrote the book on characterful mic preamplification and punchy equalization. Introduced later in the decade, the 1084 included several enhancements under the bonnet, most notably selectable HF frequency centers and a lowpass filter. Done up in classic RAF blue-gray livery, the BAE 1084 Rackmount nails the authentic sound of the vintage modules, using the same hand-wired, transformer-coupled Class A design and original-spec components like Carnhill St. Ives transformers, Elma switches, and Canford wire. With 80dB of gain on tap, the 1084 lets you capture subdued sources with your favorite ribbon mic. Cranking preamp gain enhances your tracks with tasty vintage-style coloration. The 1084 is fitted with concentric highpass and lowpass filters to curtail undesirable frequency extremes that could mar an otherwise perfect performance. And the 1084's renowned 3-band EQ section can enhance anything. The BAE 1084. Take it from Sweetwater: this is the stuff of legend. BAE 1084 Rackmount Features: All Class A, hand-wired transformer-coupled design 80dB of gain on tap handles low-out ribbon mics Highpass filter: Off, 50Hz, 80Hz, 160Hz, and 300Hz Lowpass filter: Off, 6kHz, 8kHz, 10kHz, 14kHz, and 18kHz 3-band EQ section HF: +/-16dB shelving, selectable center frequencies at 10kHz, 12kHz, and 16kHz MF: +/-18dB peaking, fixed Q, selectable center frequencies at 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, and 7.2kHz LF: +/-16dB shelving, selectable center frequencies at 35Hz, 60Hz, 110Hz, and 220Hz Handles line-level inputs for added versatility High-impedance DI for guitar, bass, synth, and other sources Polarity reverse switch Original-spec components include Carnhill St. Ives transformers, Elma switches, and Canford wire Frequency response: 10Hz-55kHz (-3dB) Mic input impedance selector switches between 1200 and 300 ohms Line input impedance: 10k ohms; DI Input Impedance 150k ohms Output impedance: 65 ohms Common mode rejection ratio: 100dB min at 60Hz Maximum output level: +27.4 dBu at 600ohms Regulated linear power supply runs up to two channels

4.898 €