Audio Technica

The PRO42's low-profile design assures inconspicuous appearance for surface-mount use in boardroom, school, government, house of worship and other installed applications. Designed for sound reinforcement, broadcasting and recording applications, the PRO42 brings crisp, intelligible audio reproduction to the podium, stage, conference table and beyond. With a wide-range condenser element and low-mass diaphragm for superior performance, the microphone is equipped with self-contained electronics, eliminating the need for external power modules. Very low-profile design for minimum visibility Wide-range condenser element with low-mass diaphragm for superior performance Uniform polar pattern for maximum rejection of unwanted sounds Rugged design and construction 25' (7.6 m) cable permanently attached between microphone and XLRM-type connector

AT5045P Cardioid Condenser Instrument Microphone Pair. Studio Instrument Microphones The AT5045P is two of Audio-Technica’s premier condenser instrument microphones in a stereo pair pack. Offering the performance of a large-diaphragm, side-address condenser in a convenient, stick-type body, the AT5045, despite the space limitations imposed by its housing,boasts Audio-Technica’s largest single diaphragm. The instrument microphone’s circuitry has been honed to the essentials, allowing the AT5045 to achieve an unprecedented dynamic range that’s one of the widest of any microphone on the market. 100% quality control Every AT5045 is hand assembled and individually inspected for 100% quality control. Each microphone is enclosed in an elegant housing of aluminum and brass with a high-quality gray finish for durability and low reflectivity. Discrete components have been selected for optimized performance. The circuitry and capsule assembly are mounted as a single block within a floating internal shock mount, effectively decoupling the capsule from the microphone body for excellent vibration isolation. In fact, every aspect of the microphone has been carefully considered to minimize any negative effects on the audio signal. The AT5045P stereo pair pack comes with two AT5045 instrument mics, two of Audio-Technica’s innovative AT8481 isolation clamps, two AT8165 windscreens and a protective carrying case that holds a both AT5045 microphones. Available as a single microphone (AT5045) or as a stereo pair (AT5045P).

AT5045 Premier Studio Condenser Instrument Microphone Premier Studio Condenser Instrument Microphone A large diaphragm in a small body Available as a single mic or a stereo pair, the AT5045 offers the sound and performace of a large diagphram studio condenser microphone, in a small and easy to position stick type body. Despite its small size, the AT5045 has Audio-Technica's largest single diaphragm, larger than most large diaphragm condenser microphones on the market. Audio-Technica’s premium studio condenser instrument microphone Larger diaphragm surface area than most traditional large diaphragm condenser microphones on the market Stick design for easy and precise microphone positioning Pure and realistic sound quality; ideal for piano, overheads and acoustic instruments Discrete components carefully selected for optimized capsule performance High-SPL capability and extended frequency response Hand assembled and inspected for 100% quality control Elegant, durable housing of aluminum and brass “Easy and precise microphone positioning” The AT5045 is presented in a convenient stick design body, meaning you can easily position it in places that are not possible with other large diaphragm condenser microphones, making it a very versatile microphone. “Audio-Technica’s largest single element” The AT5045 uses Audio-Technica's largest single element, larger than that of most on the market, offering a pure and accurate sound reproduction that is perfectly suited to acoustic instruments. “Optimized capsule performance” Discrete components have been chosen to complete the circuitry, honing down to the very essentials, allowing optimized capsule performance and an unpresidented dynamic range. Innovative design The AT45045 offers a diaphragm larger than most on the market, but in a convenient, easy to position stick type body, made from durable aluminium and brass.  Large rectangular diaphragm The AT5045 has Audio-Technica's largest single diaphragm, offering imporoved transient response and increased bandwidth AT8482 Shock Mount An advanced-design custom shock mount provides superior isolation attenuating noise, shock and vibration Custom hard-shell carry case Custom hard-shell carry case with die cut foam compartments offers protection for one or two microphones

ATW-1101 System 10 Wireless Body-Pack System. ATW-R1100 receiver and ATW-T1001 body-pack transmitter. Select a microphone or cable with a cW-style locking 4-pin connector to complete the system.

Line + gradient condenser microphone, 233 mm BP4073 Line and gradient condenser microphone, 233 mm. Designed for use in broadcasting, film/TV production, and theater. Innovative acoustic design, same directivity as mics up to 50% longer. Rugged housing made of lightweight structural-grade aluminum. BP4073 short and lightweight, ideal for recording in the field Created after intensive field research and from extensive user feedback, the BP4073 short shotgun microphone is ideal for creating a high quality audio sound recording. It is intended for documentaries, professional recordings in the wild, and theater sound reinforcement. Highly directional, the BP4073 has low self noise and extremely focused sound recording. Short (233mm) shotgun microphone, designed for use in broadcasting, film/TV production and theater sound reinforcement applications Its compact size and light weight (99g) allow it to be mounted on a camera or on a fishpole boom, keeping it out of shot Highly directional, it perfectly captures all frequency ranges (20Hz to 20kHz) Perfect intelligibility, even in noisy environments thanks to excellent off-axis noise rejection The Double Wave Diaphragm proprietary technology offers high sensitivity with low self noise Direct-coupled, balanced output ensures a clean signal even in high-output conditions Innovative acoustic design provides same directivity as mics up to 50% longer Switchable 80 Hz hi-pass filter & 10 dB pad Rugged housing made of lightweight structural-grade aluminum alloy Effective protection against mobile phone interference and other unwanted radio frequency Comes with a foam windscreen “Low-cut filter” The low-cut position reduces sensitivity to ambient low frequency noise such as traffic noise, ventilation, reverberation of the room or mechanical vibrations transmitted through the recording device. “Short ant lightweight shotgun mic” Especially suitable for mounting on a fishpole boom or outdoors on professional camera, the BP4073 weighs only 99 grams and has a length of just 23.3 cm. “High intelligibility” Its very narrow directivity provides the narrow acceptance angle needed to capture far away sound whilst maintaining excellent off-axis noise rejection. The BP4073 guarantees very specific audio capture with high intelligibility. Robust body Robust microphone design made of lightweight aluminum alloy, which allows it to be positioned it on a boom, a camera or on a tripod. Low-cut filter Switchable low-cut filter for better insulation of unwanted noise. Line + gradient The BP4073 combines a directional capsule (gradient) and an interference tube to remove the sound from the rear. Accessories Comes with a clip, a foam windscreen, two O-rings and a protective carry case.

Line + gradient condenser microphone, 539 mm BP4071L Line and gradient condenser microphone, 539 mm. Designed for use in broadcasting, film/TV production, and theater. Innovative acoustic design, same directivity as mics up to 50% longer. Rugged housing made of lightweight structural-grade aluminum. BP4071L Professional Long-DistanceSound Capture At 53.9 cm long, the BP4071L is one of the longest shotgun microphones on the market. It was specially designed to meet the needs of the broadcast, film, and is particularly suitable for television. Particularly well adapted for long-distance sound recordings for filmmaking, in the theatre or for sporting events, the BP4071L guarantees a low noise level as well as a direct-coupled symmetrical output resulting in a clean signal even in high-output conditions. One of the longest shotgun microphones on the market, 539 mm Developed to meet the demands of the Professional Broadcast market Extremely narrow directivity, for long distance recording Highly directional, it perfectly captures all frequency ranges (20Hz to 18kHz) Excellent rejection of side and rear noise Perfect intelligibility, even in noisy environments Uses proprietary "Double Wave Diaphragm" technology which offers high sensitivity with low self noise 80Hz low cut filter, with a slope of 18dB / octave and -10dB switchable attenuator Effective protection against mobile phone interference and other unwanted radio frequencies Comes equipped with a foam windscreen “low cut filter” The low-cut position reduces sensitivity to ambient low frequency noise such as traffic noise, ventilation, reverberation of the room or mechanical vibrations transmitted through the recording device. “Clear and precise capture of distant audio” Particularly suitable for long-distance sound recording both indoors or outdoors, the BP4071L ensures low self noise and a balanced Direct-coupled output resulting in an accurate and clean signal even in high-output conditions. “High intelligibility” The microphone's very narrow directivity provides the narrow acceptance angle needed to catch remote sound while maintaining excellent off-axis noise rejection. The BP4071L guarantees you very specific audio capture with high intelligibility. Robust body Robust microphone design is made of lightweight aluminum alloy. Low-cut filter Switchable low-cut filter for better insulation of unwanted noise. Line + gradient The BP4071L combines a directional capsule (gradient) and an interference tube to remove the sound from the rear. Accessories Comes with a clip, a foam windscreen, two O-rings and a protective carry case.

Line + gradient condenser microphone, 395 mm BP4071 Line + gradient condenser microphone, 395 mm. Designed for use in broadcasting, film/TV production, and theater with Direct-coupled, balanced output ensures a clean signal. Innovative acoustic design, same directivity as mics up to 50% longer. BP4071 for extremely focussed sound capture At a length of 39.5 cm, the directional BP4071 shotgun microphone has been specially designed to meet the needs of broadcast, film, television, recording outdoors and theater applications. Particularly suitable for long-distance sound recording in filmmaking or in theatre, the BP4071 ensures a low noise level and a balanced Direct-coupled output resulting in a clear and clean signal, even in high-output conditions. 395 mm shotgun microphone designed to deliver quality sound in reporting, producing TV / Film and Theatre Excels in long distance quality sound recording Highly directional, it captures perfectly all frequency ranges (20Hz to 20kHz) Perfect intelligibility even in noisy environments, thanks to excellent off-axis noise rejection "Double Wave Diaphragm" proprietary technology offers high sensitivity with low self noise Direct-coupled output with active balancing which ensures a signal without distortion at high output levels 80Hz low-cut filter, with a slope of 18dB / octave and -10dB switchable attenuator Effective protection against nearby mobile phone interference and other unwanted radio frequency Comes equipped with a foam windscreen “low-cut filter” The low-cut position reduces sensitivity to ambient low frequency noise such as traffic noise, ventilation, reverberation of the room or mechanical vibrations transmitted through the recording device. “CLEAR AND PRECISE CAPTURE OF DISTANT AUDIO” Particularly suitable for long-distance sound recording for cinema or in the theatre, the BP4071 ensures low self noise and a balanced Direct-coupled output resulting in an accurate and clean signal even in high-output conditions. “High intelligibility” The microphone's very narrow directivity provides the narrow acceptance angle needed to catch remote sound while maintaining excellent off-axis noise rejection. The BP4071 guarantees you very specific audio capture with high intelligibility. Robust body Robust microphone design made of lightweight aluminum alloy, which allows it to be positioned it on a boom, a camera or on a tripod. low-cut filter Switchable low-cut filter for better insulation of unwanted noise. Line + gradient The BP4071 combines a directional capsule (gradient) and an interference tube to remove the sound from the rear. Accessories Comes with a clip, a foam windscreen, two O-rings and a protective carry case.

Handheld Hypercardioid Dynamic Vocal Microphone The Midnight Blues Series standout performance microphone, the MB 3k dynamic vocal microphone has an extended frequency response specifically developed to capture lead, backup, and choral vocals. Truly a standout in its class, the MB3k is tuned to make an impact: high volumes come through without distortion - and even subtle nuances are clean and precise. Its Hi-ENERGY® neodymium magnet structure provides improved output and extremely fast transient response. Other features include Audio-Technica's MagnaLock silent switch, soft-touch finish, and gold-plated XLRM connector. Standout performance microphone for lead, back-up and choral vocals Extended frequency response for optimal vocal reproduction Hypercardioid dynamic element design Rugged all-metal construction Hi-ENERGY® neodymium magnet for improved output and transient response Soft-touch finish for a secure, comfortable grip Silent on-off operation thanks to MagnaLock™ switch design Corrosion-resistant gold-plated XLRM-type connector

Based on models originally developed for use in the broadcast of the Sydney Games in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone’s internal matrixing system or choosing discrete Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer. A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use. Designed for broadcasters, videographers and sound recordists Compact, lightweight design is perfect for camera-mount use Independent Line-cardioid and Figure-of-eight condenser elements Switchable low-frequency roll-off Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes Includes a 0.61 m (24") cable (5-pin XLRF to two standard 3-pin XLRM connectors) RoHS compliant—free from all substances specified in the EU directive on hazardous substances

The Audio-Technica MB1k is a high-output cardioid dynamic vocal microphone, ideal as a first mic for stage and rehearsal. It is used for lead, backing or choir vocals and delivers vocals that cut through the mix.Hi-Energy neodymium magnetThe Hi-Energy neodymium magnet delivers high output and fast transient response, while anti-shock engineering reduces handling noise.Rugged and silentAll-metal construction, a silent lockable MagnaLock on/off switch and a corrosion-resistant gold-plated XLR connector.

Omnidirectional Condenser Lavalier Microphone, for A-T Wireless System. Audio-Technica’s newscaster-style omnidirectional ATR35cW wireless lavalier is engineered for intelligible, accurate voice reproduction. This high-quality condenser is ideal for video use, and is a favorite choice for aerobics/dance/sports instructors. Its low-profile design assures minimum visibility. Newscaster-style miniature mic is perfect for video use Ideal for aerobics/dance/sports instructors 55" (1.4 m), terminated for use with Audio-Technica wireless transmitter Omni pickup pattern offers full coverage Includes tie clip, battery, foam windscreen

Audio-Technica combines exceptionally low-noise large-diaphragm condenser elements with a shotgun design for extremely tight polar patterns, perfect for long-range sound recordings. With a length of 56.8 cm, the directional BP28L shotgun microphones have been specially designed to meet the needs of broadcast, film, television, recording outdoors and theater applications. Particularly suitable for long-distance sound recording in filmmaking or in theatre, the BP28L have a very low noise level (3 dB), and a transformer-coupled output results in a smooth sonic character. The microphone provide extremely high sensitivity (-23 dBV), wide dynamic range (135 dB) and high-SPL capability (138 dB). The patented acoustic port design maintains directionality across the entire frequency range. Large-diaphragm condenser element and optimized circuitry deliver exceptional low-noise performance – ideal for film/TV production and broadcasting applications Overall length of 567.9 mm with an extremely narrow, highly directional pickup pattern Transformer-coupled output provides smooth sonic character Extremely high sensitivity (-23 dBV), wide dynamic range (135 dB), and high-SPL capability (138 dB) Flat frequency response for accurate sound reproduction Rugged housing made of lightweight, structural-grade aluminum alloy Switchable 80 Hz high-pass filter and 10 dB pad Patented acoustic port design maintains directionality across the entire frequency range

Audio-Technica combines exceptionally low-noise large-diaphragm condenser elements with a shotgun design for extremely tight polar patterns, perfect for long-range sound recordings. With a length of 35.5 cm, the directional BP28 shotgun microphones have been specially designed to meet the needs of broadcast, film, television, recording outdoors and theater applications. Particularly suitable for long-distance sound recording in filmmaking or in theatre, the BP28 have a very low noise level (8 dB), and a transformer-coupled output results in a smooth sonic character. The microphone provide extremely high sensitivity (-28 dBV), wide dynamic range (135 dB) and high-SPL capability (143 dB). The patented acoustic port design maintains directionality across the entire frequency range. Large-diaphragm condenser element and optimized circuitry deliver exceptional low-noise performance – ideal for film/TV production and broadcasting applications Overall length of 354.9 mm with a highly directional pickup pattern Transformer-coupled output provides smooth sonic character Extremely high sensitivity (-28 dBV), wide dynamic range (135 dB), and high-SPL capability (143 dB) Flat frequency response for accurate sound reproduction Rugged housing made of lightweight, structural-grade aluminum alloy Switchable 80 Hz high-pass filter and 10 dB pad Patented acoustic port design maintains directionality across the entire frequency range

Line + Gradient Condenser Microphone, 369mm The length (369mm) of the AT8035 Line + Gradient Condenser Microphone is well-suited for ENG, outdoor recording and other specialized uses. The microphone is designed for video production and broadcast (ENG/EFP) audio acquisition. Suited for both boom & handheld use, it provides the narrow acceptance angle desirable for long-distance sound pickup, featuring excellent sound rejection from the sides and rear of mic and switchable low-frequency roll-off. It operates on battery or phantom power. Very precise sound recording, even in noisy environments The AT8035 is ideal for videos and movies but should be installed outside of the image, in other words, out of camera range. This type of microphone, provided with an interference tube in front of the capsule, which cancels a large part of its off-axis.Audio-Technica's Line and Gradient Condenser Microphones combine a directional capsule ("gradient") and an interference tube which removes the sound from the rear. Generally, the interference tube of this type of microphone can be extended to reduce the acceptance angle and thus increase the sound capture distance. Short condenser microphones do not have as long a range as shotgun models, but in some cases are preferred for their greater acceptance angle, when the accuracy of the source is less important. 369mm Shotgun Microphone, designed for video production and broadcast (ENG/EFP) audio acquisition Provides the narrow acceptance angle desirable for long-distance sound pickup Captures sound with high intelligibility in noisy environments with its excellent sound rejection from the sides and rear of mic Two power modes (battery or phantom power) for versatility 80Hz low-frequency roll-off, with a slope of 18dB / octave to reduce pickup of low-frequency ambient noise Effective protection against interference from nearby mobile phones and other unwanted radio frequencies Equipped with a foam windscreen, the AT8035 comes with a 1.5V AA battery, a stand clamp and a carry case “Low-cut filter” The low-cut position reduces sensitivity to ambient low frequency noise such as traffic noise, ventilation, reverberation of the room or mechanical vibrations transmitted through the recording device. “two powering options” The AT8035 shotgun microphone can be powered in two ways allowing for maximum versatility. You can use it on a professional camera or recorder equipped with XLR inputs with phantom power, or by using a 1.5V AA battery (included) on any device equipped with XLR inputs. “high intelligibility” Suited for both boom & handheld use, it provides the narrow acceptance angle desirable for long-distance sound pickup, featuring excellent sound rejection from the sides and rear of mic and switchable low-frequency roll-off. The AT8035 guarantees you a very specific audio capture with high intelligibility. Battery / phantom power Two power modes (battery or 48V phantom power) for increased versatility. Low-cut FILTeR Switchable low-cut filter for better isolation of unwanted noise. Line + gradient The AT8035 combines a directional capsule ("gradient") and an interference tube which removes the sound from the rear. Accessories Comes with a stand clamp, a foam windscreen, a 1.5V AA battery, two O-rings and a carrying case.

Very accurate sound capture, even in noisy environments Designed for video production and broadcast (ENG/EFP) audio acquisition, the AT8015 provides the narrow acceptance angle desirable for long-distance sound pickup, along with excellent sound rejection from the sides and rear of mic. The roll-off position reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically coupled vibrations. Generally, the tube interference of this type of microphone can be extended to reduce the acceptance angle and thus increase the sound capture distance. Shorter condenser microphones do not have as long-a range as long as the shotgun models, but are favoured for their greater acceptance angle in some cases, when the accuracy of the source is less important. Long 460mm shotgun microphone, designed for video production and broadcast (ENG/EFP) audio acquisition Provides the narrow acceptance angle desirable for long-distance sound pickup Captures sound with high intelligibility in noisy environments due to excellent sound rejection from the sides and rear of mic Operates on battery or phantom power for increased versatility Switchable 80Hz low frequency rolloff, with a slope of 18dB / octave to reduce pickup of low-frequency ambient noise Effective protection against interference related to nearby mobile phones and other unwanted radio frequency Comes with a windscreen, a 1.5V AA battery, a stand clamp and a carry case “low-cut filter” The low-cut position reduces the sensitivity to ambient low frequency noise such as traffic noise, ventilation, reverberation of the room or mechanical vibrations transmitted through the recording device. “two types of power supply ” The AT8015 shotgun microphone can be powered in two ways for reaching maximum versatility. You can use it on a professional camera or recorder equipped with XLR inputs with phantom power, or by using a 1.5V AA battery (included) on any device equipped with XLR inputs. “high intelligibility” Its very narrow directivity provides the narrow acceptance angle needed for long-distance sound pickup while maintaining excellent rejection of off-axis noise. The AT8015 guarantees you very specific audio capture with high intelligibility. battery or 48V phantom power Two power modes to choose from (battery or phantom power) for increased versatility. low-cut FILTeR Switchable low-cut filter for better insulation of unwanted mechanical / background noise. Line + gradient The AT8015 combines the narrow acceptance angle desirable for long-distance sound pickup, with excellent sound rejection from the sides and rear of mic. Accessories Comes with a stand clamp, a foam windscreen, a 1.5V AA battery, two O-rings and a carrying case.

Cardioid Condenser Handheld Microphone With pristine audio quality, ultra-low handling noise, and high-frequency clarity, Audio-Technica's AE3300 gives voice to the subtleties of vocal performance. The quality of the famous At4033 in a stage mic With pristine audio quality, ultra-low handling noise, and high-frequency clarity, Audio-Technica's AE3300 gives voice to the subtleties of vocal performance. This cardioid condenser vocal microphone features the condenser element used in the legendary AT4033 and proven in the world's finest recording studios. The hardened-steel outer grille is lined with fine steel mesh and a layer of open-cell foam for ultimate protection against vocal plosives without compromising high-frequency clarity. Its superior anti-shock engineering ensures low handling noise and quiet performance. For exceptional performance. For exacting detail. For brilliant clarity: AE3300. it's the new standard in live audio. Exceptional performance for exceptional performers Same element as the classic AT4033 studio microphone Well-tempered polar pattern with outstanding rejection qualities Superior anti-shock engineering ensures low handling noise and quiet performance Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Multi-stage grille design offers excellent protection against plosives and sibilance without compromising high-frequency clarity Robust all-metal design for enduring dependability on the road Integral 80 Hz HPF switch and 10 dB pad Designed and made in Japan, guaranteed for 15 years “Same element as the AT4033” The AE3300 is built with the element of the legendary AT4033 studio microphone. As such, it delivers the same clarity and realism without coloration. Moreover, its very well balanced cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source and& ensuring a high quality rejection. “Multi-stage grille” The grille of the AE3300 is composed of 3 structures: a polyurethane foam layer which guarantees perfect thermal insulation, a hardened steel outer grille, covered with a fine metal mesh. “sound consistency in all situations” Whether you're recording in the studio with your AT4033aSM or performing on stage with the AE3300 or the wireless T3300a AEW-wire system version connected to a 4000 or 5000 Series, you will always find the same sound homogeneity, whatever the situation. Low cut filter and attenuator The AE3300 is equipped with a low-cut filter that removes frequencies below 80 Hz with a gradient of 12dB / octave. Low frequencies are controlled in a very natural way. 3 layer grille The protective head that protects the element is made from a polyurethane foam layer, a hardened steel grille, and covered with a fine metal mesh. Robust and very effective against pops and sibilance. Isolating stand clamp Quiet-Flex® AT8470 stand clamp (included) provides silent, flexible microphone positioning and facilitates the positioning of the AE3300 on any microphone stand. Protective pouch The AE3300 comes with a soft protective pouch for easy storage and transport.

BPHS2C Broadcast Stereo Headset with Condenser mic. XLR + 6.3mm Created especially for news and sports broadcasting, this rugged stereo headset offers clear, articulate vocal reproduction, along with a comfortable fit and excellent sound isolation. Its low-profile, closed-back, on-ear design is based on the ATH-M60x professional monitor headphones and includes the same 45 mm large-aperture drivers, and premium, memory foam earpads and headband, giving users a high-fidelity headset that’s built to last. The headset’s sleek cardioid condenser microphone keeps the pickup focused on the broadcaster’s voice, even in loud environments, and is tailored to reproduce that voice with a clear, articulate quality. The microphone sits at the end of a rigid boom with a strong, flexible gooseneck section that allows the microphone to be easily adjusted and then stay in place. The boom is also designed to swivel forward and back so that the headset can be worn with the mic positioned on either the right or left side. Headset comes with a 3.0 m detachable cable (BPCB2) with a TA6F connector at the headset and, at the output end, a 3-pin XLRM-type connector for the microphone and a 6.3 mm (1/4") connector for the headphones. An unterminated version of the cable (BPCB3) is available separately. Headset is also available with a dynamic microphone (BPHS2) and as a single-ear headset (BPHS2S). Low-profile, closed-back, on-ear design provides excellent isolation and fit Proprietary 45 mm large-aperture drivers (the same used in the ATH-M60x pro headphones) with rare earth magnets and copper-clad aluminum wire voice coils Sleek cardioid condenser microphone with frequency response tailored for clear, articulate vocal reproduction Carefully crafted using key metal components for lasting durability Low-impedance design delivers high output level from any headphone output Boom-mounted microphone can be positioned on the left or right side Rigid boom with strong, flexible gooseneck section allows microphone to be adjusted and stay in place Premium, memory foam earpads and headband allow headset to be worn comfortably for hours on end Earpads and headband detach for easy replacement 3.0 m detachable cable (BPCB2) with TA6F connector at headset, and 3-pin XLRM-type connector (microphone) and 6.3 mm (1/4") connector (headphone) outputs  Unterminated detachable cable (BPCB3) is available separately  Headset is also available with a dynamic microphone (BPHS2) and as a single-ear headset (BPHS2S)

BPHS2 Broadcast Stereo Headset with Dynamic mic. XLR + 6.3mm Created especially for news and sports broadcasting, this rugged stereo headset offers highly intelligible and commanding vocal reproduction, along with a comfortable fit and excellent sound isolation. Its low-profile, closed-back, on-ear design is based on the ATH-M60x professional monitor headphones and includes the same 45 mm large-aperture drivers, and premium, memory foam earpads and headband, giving users a high-fidelity headset that’s built to last. The headset’s hypercardioid dynamic microphone keeps the pickup focused on the broadcaster’s voice, even in loud environments, and is tailored to reproduce that voice with a rich, broadcast-ready sound. The microphone sits at the end of a rigid boom with a strong, flexible gooseneck section that allows the microphone to be easily adjusted and then stay in place. The boom is also designed to swivel forward and back so that the headset can be worn with the mic positioned on either the right or left side. The headset comes with a 3.0 m detachable cable (BPCB2) with a TA6F connector at the headset and, at the output end, a 3-pin XLRM-type connector for the microphone and a 6.3 mm (1/4") connector for the headphones. An unterminated version of the cable (BPCB3) is available separately. This headset is also available with a condenser microphone (BPHS2C) and as a single-ear headset (BPHS2S). Low-profile, closed-back, on-ear design provides excellent isolation and fit Proprietary 45 mm large-aperture drivers (the same used in the ATH-M60x pro headphones) with rare earth magnets and copper-clad aluminum wire voice coils Hypercardioid dynamic microphone with frequency response tailored for commanding, broadcast-ready vocal reproduction Carefully crafted using key metal components for lasting durability Low-impedance design delivers high output level from any headphone output Boom-mounted microphone can be positioned on the left or right side Rigid boom with strong, flexible gooseneck section allows microphone to be adjusted and stay in place Premium, memory foam earpads and headband allow headset to be worn comfortably for hours on end Earpads and headband detach for easy replacement 3.0 m detachable cable (BPCB2) with TA6F connector at headset, and 3-pin XLRM-type connector (microphone) and 6.3 mm (1/4") connector (headphone) outputs Unterminated detachable cable (BPCB3) is available separately Headset is also available with a condenser microphone (BPHS2C) and as a single-ear headset (BPHS2S)

BPHS1 Broadcast Stereo Headset with Boom Microphone Created especially for on-air news & sports broadcasting, announcing & interviews, this rugged stereo headset offers natural, highly intelligible and focused vocal reproduction, closed-back circumaural (around-the-ear) ear cups to seal out background noise, and a high-output dynamic microphone mounted on a flexible gooseneck boom. The headset s microphone has a cardioid polar pattern tailored for pickup of speech with maximum voice intelligibility over a wide range of frequencies. It is more sensitive to sound originating directly in front of the element, making it useful in reducing pickup of unwanted sounds. The flexible gooseneck boom swivels for easy positioning on either the right or left side. Microphone features polar pattern and frequency response tailored for natural, highly intelligible vocal reproduction Closed-back circumaural ear cups help seal out crowd noise and other background distractions Neodymium magnets in microphone and headphones for high output level & detailed sound reproduction Cardioid pickup pattern of the dynamic microphone rejects off-axis sounds Boom-mounted microphone can be positioned on the left or right side Adjustable cushioned headband and lightweight design for long-wearing comfort Rugged design with user-replaceable cable and ear pads BPHS1 - Includes detachable cable (BPCB1) that terminates in 3-pin XLRM-type connector for microphone and ¼" 3-conductor for headphone BPHS1-XF4 - Includes detachable cable (BPCB4) terminates in 4-pin XLRF-type connector for use with intercom systems

Open-back dynamic headphones Open-back headphones ATH-AVA400 with self-adjusting headband support mechanism - suitable for hours of use with home audio and video systems. Offers full, high-quality sound. Open-air design, featuring 40mm CCAW drivers, delivers rich, detailed sound Honeycomb-punched aluminium housings enable clear sound reproduction Self-adjusting headband support provides comfortable fit even during extended wear Soft, cloth earpads reduce pressure on your ears

The Audio-Technica ATH-AVC200 are closed-back dynamic headphones with a comfortable fit, designed for use with home audio, TV and home cinema systems. They deliver clear, full sound for movies and music at a very accessible price.Clear mids and lowsNewly designed 40 mm drivers reproduce clear mid and low frequencies, while contoured earpads fit naturally over the ears and help provide rich bass.Comfort for hoursThe adjustable, wide headband provides a stable, comfortable fit even during extended wear. The 3 m cable with 3.5 mm and 6.3 mm plug gives freedom of movement in front of the TV.

Designed for studio, broadcast and mobile applications, the ATH-M60x on-ear professional monitor headphones utilize the same proprietary 45 mm large-aperture drivers found in the legendary ATH-M50x headphones, delivering exceptional clarity throughout an extended frequency range with accurate bass response.  The low-profile, closed-back, on-ear design provides excellent sound isolation and a great fit, which is enhanced by the exceptional comfort and durability of the memory foam earpads and headband. The headphones come with three interchangeable cables (1.2 m - 3.0 m coiled, 3.0 m straight, and 1.2 m straight – each with a 3.5 mm (1/8") mini-plug), a 6.3 mm (1/4") screw-on adapter, and a protective carrying pouch. Built on the Acclaimed M50x Sound These headphones use the same drivers as the ATH-M50x to deliver exceptional clarity throughout an extended frequency range with deep, accurate bass response. Award-Winning On-Ear Headphones Praised for their technical excellence, the M60x on-ear headphones offer a low-profile option for fans of the Audio-Technica M-Series. Built to Last You won’t have to worry about durability – these headphones are built to last with key metal components ensuring long-term performance. Low-profile, closed-back, on-ear design provides excellent isolation and fit Proprietary 45 mm large-aperture drivers (the same used in the legendary ATH-M50x) with rare earth magnets and copper-clad aluminum wire voice coils Carefully crafted using key metal components for lasting durability Exceptional clarity throughout an extended frequency range with accurate bass response Low-impedance design delivers high output level from any headphone output Premium, memory foam earpads and headband allow headphones to be worn comfortably for hours on end Earpads and headband detach for easy replacement Ideal for studio, broadcast and mobile applications Detachable cables (includes 1.2 m - 3.0 m coiled cable, 3.0 m straight cable and 1.2 m straight cable)

The AT-HS6 is a universal ½"-mount headshell for 4-pin turntable cartridges. It features an ultra-lightweight (9 g) aluminum die-cast body to keep vibration to a minimum and a finger lift to enable precise stylus placement. The headshell comes with color-coded lead wires and mounting screws.  

Replacement stylus for VM670SP VMN70SP Replacement stylus for VM670SP. Conical (3mil) stylus, Nude Rectangular Shank construction in grey

Replacement stylus for VM760SLC VMN60SLC Replacement stylus for VM760SLC. Special Line Contact stylus, Nude Rectangular Shank construction in black

2.7 x 0.26 - Shibata Replacement Stylus for these cartridges: VM750SH

2.2 x 0.12 - MicroLine® Replacement Stylus for these cartridges: VM540ML, VM740ML

0.3 x 0.7 - Elliptical Replacement Stylus for these cartridges: VM530EN

Replacement stylus for VM520EB. VMN20EB Replacement stylus for VM520EB. Elliptical Bonded stylus, Bonded Round Shank construction in blue.

Replacement stylus for VM510CB & VM610MONO. VMN10CB Replacement stylus for VM510CB & VM610MONO. Conical Bonded stylus, Bonded Round Shank construction in blue.

0.3 x 0.7 mil elliptical replacement stylus for these cartridges: AT85EP, AT301EP, AT311EP, AT316EP, AT92ECD

Replacement stylus for AT5V cartridge with stainless tension wire.

VM95 series 78rpm SP replacement stylus Aluminium cantilever SP 3mil Conical Stylus Bonded Round Shank VM95 Series - Styli compatibility Every cartridge diamond stylus becomes worn after a period of play. Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus. Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus. The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible. AT-VMN95C,AT-VMN95E,AT-VMN95EN,AT-VMN95ML,AT-VMN95SH,AT-VMN95SP Conical Bonded (3mil) Stylus A conical bonded stylus with a large curvature radius at the tip. The curvature radius is 3 mil, and suitable for playing 78 RPM records from a wide variety of eras.

The Audio-Technica AT-VMN95SH is a genuine VM95 Series replacement stylus with a Shibata tip (nude diamond, square shank) and an aluminium cantilever. It is the original stylus of the AT-VM95SH cartridge and fits every VM95 cartridge.The Shibata tip has a large contact area with the groove, for excellent high-frequency resolution, low distortion and long life. It is the top stylus in the VM95 Series.Upgrade without a new cartridgeAll VM95 cartridges (C, E, EN, ML, SH, SP) share the same body, so every stylus in the series fits every cartridge. When the stylus wears, you buy only the stylus, or upgrade the sound by choosing a different tip.Stylus lifeA Shibata stylus lasts approximately 800 hours of play. After that the sound loses clarity and record grooves wear, so replacing it on time protects your collection.Easy to changeThe old stylus slides out by pulling it forward and the new one clicks into place in seconds, with no tools and no new tonearm setup.

VM95 series Elliptical Nude replacement stylus Aluminium cantilever Elliptical Nude Stylus Nude Round Shank VM95 Series - Styli compatibility Every cartridge diamond stylus becomes worn after a period of play. Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus. Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus. The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible. AT-VMN95C,AT-VMN95E,AT-VMN95EN,AT-VMN95ML,AT-VMN95SH,AT-VMN95SP Elliptical Nude Stylus Elliptical diamond stylus follows the groove modulation with greater precision compared to a conical stylus, offering improved frequency and phase responses whilst reducing distortion.

The Audio-Technica ATN95EX is a genuine replacement stylus for the AT95EX cartridge, with a 0.3 × 0.7 mil elliptical diamond on a bonded round shank. It restores your cartridge’s clear, detailed sound and protects your records from wear.When to replace the stylusAn elliptical stylus lasts approximately 300 hours of play. If the sound becomes dull or distorted, it is time to replace it.Easy to changeThe old stylus slides out by pulling it forward and the new one fits in place with no tools.

0.6 mil conical replacement stylus for these cartridges: AT91R and CN5625AL

The Audio-Technica ATN91 is a genuine replacement stylus for the AT91 cartridge. It also fits the discontinued CN5625AL and AT90 cartridges, so you can keep using your cartridge with a fresh stylus.Upgrade for the AT3600LThe ATN91 can also be used as an upgrade on the AT3600L cartridge. Note: with the ATN91, the AT3600L needs a tracking force of 2 g, so do not replace the ATN3600L with it if your tonearm does not allow tracking force adjustment.Easy to changeThe old stylus slides out by pulling it forward and the new one fits in place with no tools.

The AT-ART1000 (“ART” for Audio-Technica Reference Transducer) is Audio-Technica’s new flagship phono cartridge, handmade in Japan. Born of the pursuit of audio excellence that has driven A-T for more than 50 years, the AT-ART1000 introduces an innovative, audiophile design heretofore unseen in mass-produced cartridges. The cartridge’s direct power system places the dual moving coil directly on top of the stylus tip, ensuring that the audio quality does not suffer the negative effects normally introduced by the cantilever's length and material type. Having the coils move in such close proximity to the stylus tip allows the cartridge to vividly render even the most subtle sonic details and provide unsurpassed transient response. Each of the cartridge’s two coils is constructed of 20 ìm diameter PCOCC (Pure Copper by Ohno Continuous Casting) wire, wound eight turns to a diameter of 0.9 mm to create a non-magnetic core coil. The 3-ohm coils are placed in the tiny 0.6 mm gap of a powerful magnetic circuit, enabling each coil to generate an output voltage of 0.2 mV. The AT-ART1000 features the same high-performance line contact stylus and solid boron cantilever found in the AT-OC9/III, enabling the cartridge to faithfully trace the record groove and reliably transfer the signal to the coils. The base that supports the specialized magnetic circuit and vibration system is made from titanium. This sturdy base is instrumental in providing consistent playback, and works in combination with the cartridge’s hard plastic cover and aluminum housing to disperse resonance that negatively affects the sound quality. *The AT-ART1000’s stylus assembly is not field-replaceable, but Audio-Technica offers a fee-based Cartridge Rebuild Program. Under this program, Audio-Technica will replace all assembly parts, including the stylus tip, cantilever, coils, and rubber dampers.

An update of the AT-ART7, the AT-ART9XA non-magnetic core MC cartridge features a Shibata stylus on a 0.28 mm diameter solid boron cantilever. The “ART” in the model number stands for Audio-Technica Reference Transducer, a designation that we give only to our flagship phono cartridges. Compared with the magnetic core used in most MC cartridges, non-magnetic core cartridges are free from magnetic distortion, allowing for natural timbre and a precise sound field. Although conventional non-magnetic cores struggle with output voltage, the AT-ART9XA features a newly designed coil armature with an improved output voltage of 0.2 mV (1 kHz, 5 cm/sec). The dual moving coils (fashioned from high-performance PCOCC wire) are aligned in an inverted V shape to provide high separation and wide response. Threaded cartridge mounting holes make installation to a headshell or integrated tonearm incredibly easy.

Featuring a special line contact stylus on a 0.28 mm diameter solid boron cantilever, the AT-ART9XI replaces the AT-ART9 as Audio-Technica’s flagship magnetic core MC cartridge. The “ART” in the model number stands for Audio-Technica Reference Transducer, a designation that we give only to our flagship phono cartridges. The specially designed magnetic circuit boasts an output voltage of 0.5 mV (1 kHz, 5 cm/sec), making the cartridge easy to use and capable of reproducing even the most delicate expressions, while also ensuring dynamic playback. The dual moving coils (fashioned from high-performance PCOCC wire) are aligned in an inverted V shape to provide high separation and wide response for clear sound localization and minimal distortion. Threaded cartridge mounting holes make installation to a headshell or integrated tonearm incredibly easy.

With a specialized body and internal wiring dedicated to monaural sound reproduction, the VM610xMONO conical stylus cartridge is designed for playing mono records.  Part of the 600 Series in Audio-Technica’s new VM cartridge line – a line that harks back to A-T’s early days as a manufacturer primarily of high-end phono cartridges – the VM610xMONO is equipped with dual magnets that are internally connected to reduce record noise and obtain a highly focused “center” sound image that stereo cartridges can’t provide. Includes mounting hardware.

This VM95 Series cartridge with 3.0 mil conical stylus fits half-inch mount turntables. While this cartridge is designed to play 78 RPM mono records, it is, nevertheless, a stereo cartridge, allowing users to choose between the left and right channels, which can be especially helpful in archiving applications to minimize noise and distortion. The durable, low-resonance housing includes threaded inserts that enable the cartridge to be mounted to the headshell with just two screws – no nuts required. And since all VM95 Series share the same body, the stylus can be replaced with any of the six interchangeable AT-VMN95 replacement styli.

The AT-VM95SH, features a Nude Shibata stylus, one of the most acclaimed stylus format by high end audiophiles. The Shibata stylus produces mid and bass sounds strong and rich in addition to offer a frequency response up to 25,000 Hz. Aluminium cantilever 3.5mV output voltage Compatible body with all VM95 Series stylus assemblies 20 to 25,000Hz frequency response VM95 Series - Styli compatibility Every cartridge diamond stylus becomes worn after a period of play. Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus. Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus. The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible. AT-VMN95C, AT-VMN95E, AT-VMN95EN, AT-VMN95ML, AT-VMN95SH, AT-VMN95SP AT-VM9E Series compatibility with the AT-XP Series DJ Cartridges The electromagnetic engine-body of XP-Series, is fully compatible with all replacement styli of VM95 Series and will deliver more output voltage than VM95 Series cartridge. So providing improved compatibility with phono inputs of Professional DJ Mixers. VM95 Series electromagnetic engine-body is also compatible with the three replacement styli of the DJ cartridge AT-XP Series, nevertheless, the electromagnetic engine-body of XP-Series, will deliver more output voltage than VM95 Series cartridge in order to provide better compatibility with phono inputs of Professional DJ Mixers. Note that typical tracking force when using XP Series styli is three grams as opposed to two grams for VM95 Series styli. The suspension design and compliance of XP-Series styli have been optimized for intensive DJ’ing, including possible manual cueing and back-cueing. The VM95 Series suspension design and compliances of VM95 Series have been designed for optimum audiophile reproduction. ATN-XP7, ATN-XP5, ATN-XP3 Shibata Stylus Provides a beautiful mid-high range Shibata-signature sound and strong mid-range volume. No use of nuts VM95 Series cartridges features two M2.6 threaded inserts allowing the installation of the cartridge onto tonearm or removable headshell without the use of nuts.Each cartridge is provided with one pair of 8mm M2.6 screws, one pair of 11mm M2.6 screws and two plastic washers.

The Audio-Technica AT-VM95EN is a Dual Moving Magnet phono cartridge from the VM95 Series, with a 0.3 × 0.7 mil nude elliptical stylus and an aluminium pipe cantilever. The diamond is a single solid piece (nude) mounted directly in the cantilever, for a lighter and stiffer transmission than the bonded tip of the AT-VM95E, with a clear difference in high-frequency detail and transients.It fits any tonearm with a standard 1/2-inch headshell and, like every cartridge in the series, accepts any VM95 stylus, so you can upgrade the sound later by changing only the stylus.