Active Monitors

Both models feature ATC’s renowned drive units, hand built in its UK facility. Of particular note is the new SH-25-76S 25mm/one-inch soft dome tweeter, the first to be designed and built by ATC, and the result of six years of research and development by Managing Director Billy Woodman and R&D Engineer Richard Newman. “The tweeter is designed and built with the same no-compromise philosophy as all other ATC drive units,” notes Newman, before continuing: “The design takes notes from the highly-regarded ATC midrange dome by utilising a dual-suspension design, negating the requirement for Ferro-fluid, and avoiding the detrimental effects of this drying out over time, a feature considered to be of utmost importance for longterm consistency.” The massive neodymium motor with heat-treated top plate is optimised to ensure an extended frequency response (-6dB @ 26kHz) and low non-linear distortion. The geometry of the waveguide is designed for optimum dispersion and made from a precision-machined alloy so that the entire structure is extremely rigid and free from resonances.The bass/mid driver used in both loudspeakers is ATC’s proprietary 150mm/six-inch Super Linear device. Constructed with a 75mm/three-inch voice coil and a short-coil, long-gap topology, it combines the high-power handling and low-power compression usually only found in large, high-efficiency systems with the fine resolution and balance of modern high-fidelity systems. Unique to the drive unit is ATC’s Super Linear technology, which, by employing specialist materials in the magnetic circuit, reduces third harmonic distortion in the lower midrange.The electronics in the active design have also had considerable development time invested in them, resulting in reduced noise and distortion (a further -10dB @ 10kHz) and a reduced operating temperature for improved reliability. The amplifier design is a revised version of ATC’s discrete MOSFET Class A/B design with 200W and 50W continuous power available for the bass and high frequency sections, respectively. The user controls have also been improved over the previous generation with more flexible input sensitivity controls and a revised low frequency shelf control to help achieve good balance in difficult acoustic conditions. The amplifier includes protection circuits for both DC offset and thermal overload.The cabinet has been restyled to more closely follow the larger monitors in ATC’s professional range and is constructed from heavily-braced MDF. Highly damped, elastometric panels are bonded and stapled to the cabinet’s inner walls to suppress cabinet panel resonances, while the enclosure’s front panel is heavily radiused to reduce cabinet diffraction, improving the frequency response and imaging. The loudspeaker can be wall mounted via a K&M 24120 Wall Mount (available separately). Note that the cabinet requires modification to accept the ‘top-hat’ mount.Ideally suited to critical nearfield listening applications in all control rooms, LCR surround monitoring in small-to-medium control rooms, and surround channels in medium-to-large control rooms, anyone looking to seriously improve their reference nearfield monitoring experience surely owe it to themselves and their studio setup to take a listen to the SCM20ASL Pro (V2) and/or the SCM20PSL Pro in action? EQ, balance, and edit faster, with more consistent results and reduced listening fatigue using the latest reference nearfields from ATC.

The SCM45A Pro is a completely new design, yet shares many features with its smaller sibling, the highly-successful SCM25A Pro three-way, compact active loudspeaker. As a mid-size, three-way design that can be used in near- or mid-field positions, the SCM45A Pro perfectly fills a gap in ATC’s high-performance, professional active studio monitoring loudspeaker range. It has high output and delivers extended low frequency for its size — and all without compromising the overall balance for which ATC is so well known.

Combining precision, adaptability and a small footprint, the 8330A offers colour-free performance and powerful room compensation features.The professional’s choiceThe choice of demanding professionals for whom power and flexibility go hand-in-hand, the 8330A offers a little more SPL and LF extension than its smaller 8320A sibling. Providing transparent and truthful reproduction, the 8330A’s wide uncoloured sweet spot means you are always in a position to make accurate, reliable mix decisions.

Evo stands for «evolution»The new Alpha 50 Evo has a 1” (25mm) aluminium tweeter and a 5” (13 cm) woofer with Slatefiber cone developed and manufactured in Focal's workshops in France. This monitor stands out for its dynamics, its neutrality of tonal balance and its excellent sonic coherence, guaranteed wherever you are listening.Its features include a 1/4" (6.35mm) TRS jack input in addition to the XLR and RCA analogue inputs.SSL 2 & 2+SSL have been involved in helping musicians, producers and engineers create amazing music for 40 years, and all that knowledge and experience is at the heart of their audio creation products. As the next generation of aspiring music and audio professionals, the SSL 2 & 2+ professional personal studio gives you the tools and technology to make your productions stand out from the crowd.

Evo stands for «evolution»The new Alpha 50 Evo has a 1” (25mm) aluminium tweeter and a 5” (13 cm) woofer with Slatefiber cone developed and manufactured in Focal's workshops in France. This monitor stands out for its dynamics, its neutrality of tonal balance and its excellent sonic coherence, guaranteed wherever you are listening.Its features include a 1/4" (6.35mm) TRS jack input in addition to the XLR and RCA analogue inputs.SSL 2 & 2+SSL have been involved in helping musicians, producers and engineers create amazing music for 40 years, and all that knowledge and experience is at the heart of their audio creation products. As the next generation of aspiring music and audio professionals, the SSL 2 & 2+ professional personal studio gives you the tools and technology to make your productions stand out from the crowd.

Evo stands for «evolution»The new Alpha 50 Evo has a 1” (25mm) aluminium tweeter and a 5” (13 cm) woofer with Slatefiber cone developed and manufactured in Focal's workshops in France. This monitor stands out for its dynamics, its neutrality of tonal balance and its excellent sonic coherence, guaranteed wherever you are listening.Its features include a 1/4" (6.35mm) TRS jack input in addition to the XLR and RCA analogue inputs.Volt USB Audio InterfacesWe built Volt interfaces to let you easily record audio with legendary studio tone. Plug right into your Mac, PC, iPad, or iPhone and Volt just shows up — ready to capture your music, livestream, or podcast with professional sound, courtesy of Universal Audio.

Evo stands for «evolution»The new Alpha 50 Evo has a 1” (25mm) aluminium tweeter and a 5” (13 cm) woofer with Slatefiber cone developed and manufactured in Focal's workshops in France. This monitor stands out for its dynamics, its neutrality of tonal balance and its excellent sonic coherence, guaranteed wherever you are listening.Its features include a 1/4" (6.35mm) TRS jack input in addition to the XLR and RCA analogue inputs.Volt USB Audio InterfacesWe built Volt interfaces to let you easily record audio with legendary studio tone. Plug right into your Mac, PC, iPad, or iPhone and Volt just shows up — ready to capture your music, livestream, or podcast with professional sound, courtesy of Universal Audio.

Evo stands for «evolution»The new Alpha 50 Evo has a 1” (25mm) aluminium tweeter and a 5” (13 cm) woofer with Slatefiber cone developed and manufactured in Focal's workshops in France. This monitor stands out for its dynamics, its neutrality of tonal balance and its excellent sonic coherence, guaranteed wherever you are listening.Its features include a 1/4" (6.35mm) TRS jack input in addition to the XLR and RCA analogue inputs.Volt USB Audio InterfacesWe built Volt interfaces to let you easily record audio with legendary studio tone. Plug right into your Mac, PC, iPad, or iPhone and Volt just shows up — ready to capture your music, livestream, or podcast with professional sound, courtesy of Universal Audio.

Evo stands for «evolution»The new Alpha 50 Evo has a 1” (25mm) aluminium tweeter and a 5” (13 cm) woofer with Slatefiber cone developed and manufactured in Focal's workshops in France. This monitor stands out for its dynamics, its neutrality of tonal balance and its excellent sonic coherence, guaranteed wherever you are listening.Its features include a 1/4" (6.35mm) TRS jack input in addition to the XLR and RCA analogue inputs.Volt USB Audio InterfacesWe built Volt interfaces to let you easily record audio with legendary studio tone. Plug right into your Mac, PC, iPad, or iPhone and Volt just shows up — ready to capture your music, livestream, or podcast with professional sound, courtesy of Universal Audio.

Evo stands for «evolution»The new Alpha 50 Evo has a 1” (25mm) aluminium tweeter and a 5” (13 cm) woofer with Slatefiber cone developed and manufactured in Focal's workshops in France. This monitor stands out for its dynamics, its neutrality of tonal balance and its excellent sonic coherence, guaranteed wherever you are listening.Its features include a 1/4" (6.35mm) TRS jack input in addition to the XLR and RCA analogue inputs.Volt USB Audio InterfacesWe built Volt interfaces to let you easily record audio with legendary studio tone. Plug right into your Mac, PC, iPad, or iPhone and Volt just shows up — ready to capture your music, livestream, or podcast with professional sound, courtesy of Universal Audio.

Evo stands for «evolution»The new Alpha 50 Evo has a 1” (25mm) aluminium tweeter and a 5” (13 cm) woofer with Slatefiber cone developed and manufactured in Focal's workshops in France. This monitor stands out for its dynamics, its neutrality of tonal balance and its excellent sonic coherence, guaranteed wherever you are listening.Its features include a 1/4" (6.35mm) TRS jack input in addition to the XLR and RCA analogue inputs.Scarlett the original, remastered. Bringing big studio sound to wherever you make music, Scarlett 2i2 makes it easier than ever to record and release your songs. Perfectly crafted for today's music makers, just plug in, record, and produce finished tracks with the best sound you've ever had. Hook a mic up to 2i2's detailed mic pres and it sounds great right away. Plug your guitar into the high-headroom Hi-Z instrument input, it feels just like an amp.

Evo stands for «evolution»The new Alpha 50 Evo has a 1” (25mm) aluminium tweeter and a 5” (13 cm) woofer with Slatefiber cone developed and manufactured in Focal's workshops in France. This monitor stands out for its dynamics, its neutrality of tonal balance and its excellent sonic coherence, guaranteed wherever you are listening.Its features include a 1/4" (6.35mm) TRS jack input in addition to the XLR and RCA analogue inputs.Scarlett the original, remastered. Bringing big studio sound to wherever you make music, Scarlett Solo makes it easier than ever to record and release your songs. Perfectly crafted for today's music makers, just plug in, record, and produce finished tracks with the best sound you've ever had. Hook a mic up to Solo’s detailed mic pre and it sounds great right away. Plug your guitar into the high-headroom Hi-Z instrument input, it feels just like an amp.

Evo stands for «evolution»The new Alpha 50 Evo has a 1” (25mm) aluminium tweeter and a 5” (13 cm) woofer with Slatefiber cone developed and manufactured in Focal's workshops in France. This monitor stands out for its dynamics, its neutrality of tonal balance and its excellent sonic coherence, guaranteed wherever you are listening.Its features include a 1/4" (6.35mm) TRS jack input in addition to the XLR and RCA analogue inputs.A High-quality Audio Interface That Won’t Break the BankLooking for a high-quality audio interface that won’t break the bank? The Motu M4 fits that description to a T. This 4-in/4-out USB-C audio interface includes ESS Sabre32 Ultra DAC technology for top-shelf sound, along with optimized drivers that yield impressive low-latency performance. Two great-sounding mic preamps include individual gain adjustment and phantom power, while 1-touch hardware monitoring ensures smooth tracking. You’ll also benefit from convenient front-panel metering, by way of the M4’s full-color LCD screen. Podcasters will appreciate the built-in loopback functionality, which includes a mix knob for balancing your live input with your computer’s playback. Bus-powered for the ultimate in portability, the Motu M4 packs a lot of performance into a compact, high-powered audio interface.

Evo stands for «evolution»The new Alpha 50 Evo has a 1” (25mm) aluminium tweeter and a 5” (13 cm) woofer with Slatefiber cone developed and manufactured in Focal's workshops in France. This monitor stands out for its dynamics, its neutrality of tonal balance and its excellent sonic coherence, guaranteed wherever you are listening.Its features include a 1/4" (6.35mm) TRS jack input in addition to the XLR and RCA analogue inputs.Looking for a high-quality audio interface that won’t break the bank? The Motu M2 fits that description to a T. This 2-in/2-out USB-C audio interface includes ESS Sabre32 Ultra DAC technology for top-shelf sound, along with optimized drivers that yield impressive low-latency performance. Two great-sounding mic preamps include individual gain adjustment and phantom power, while 1-touch hardware monitoring ensures smooth tracking. You’ll also benefit from convenient front-panel metering, by way of the M2’s full-color LCD screen. Podcasters will appreciate the built-in loopback functionality. Bus-powered for the ultimate in portability, the Motu M2 packs a lot of performance into a compact, high-powered audio interface.

Made in France, Trio6 is a 3-way monitor offering flawless transparency, precision, and dynamics. Thanks to its double Focus mode — 1 or 2-way — Trio6 is 3 monitors in 1.This studio monitor is equipped with a Beryllium inverted dome tweeter, whose frequency response can extend up to 40 kHz. It also features a 5" midrange woofer and a 8” subwoofer, made with composite ‘W’-cone and a 35Hz cut-off frequency. Like Solo6 and Twin6, Trio6 benefits from exclusive Focal technologies: TMD suspension, laminar venting, reinforced cabinetry, IAL, and more. Several other features complete this professional piece of kit: high-pass crossover, disengageable automatic standby mode, 160 Hz LMF crossover for console reflections, making Trio6 a benchmark studio monitor.

Engineering the best speaker possibleHeavy science and engineering backs up every ATC product. These monitors aren't just cobbled together from parts that will work together. The ATC SCM25A Pro was thoroughly engineered to give you the best sound, response, and reproduction of your audio possible. You'll hear every change and every detail in your recordings. Hear the difference of truly engineered monitors with the ATC SCM25A Pro. Proprietary speakers offer life-like playbackGreat-sounding monitors start with great-sounding speakers. The ATC SCM25A Pro's low and mid drivers are manufactured to exacting standards at their in-house facility. Hand-wound voice coils are made from flat oxygen-free copper wire and operate in a precision long magnetic gap. Specially designed magnet vents not only reduce air flow noise and heat, but increase power handling and reliability. These drivers are designed to give you a smooth and even frequency response without built-in EQ. In short, the SCM25A Pro was designed to perform and sound better. The legacy of ATC monitorsA young engineer named Billy Woodman spent his younger days working side by side with some of the best speaker engineers of his day. In 1974 Billy went on to found ATC, Acoustic Transducer Company, and began building amazing-sounding speakers. Today ATC hand builds speakers one at a time to ensure the utmost quality and best sound. Billy continues to invent new drivers, new speakers and new ideas, giving you the best monitors in the industry. How good are ATC monitors? Just ask producers and engineers like George Massenburg, Chuck Ainley and Doug Sax. You'll also find them in Abbey Road Studios, Sony Studios New York, Blackbird Studios. and many more. Grab a pair of ATC SCM25A Pro monitors and hear the difference they'll make in your studio. Overview : 25mm neodymium soft dome tweeter. ATC hand built 3˝/75mm soft dome mid driver. ATC hand built 7˝/164mm carbon-paper cone bass driver. On-board grounded source 235W class A/B 3-way amplifier. Compact size with high output and low cut-off frequency. 19˝ rack mountable. 6 year warranty. Specifications : Drivers: HF 25mm soft dome, Mid 75mm soft dome, LF 164mm short-coil carbon paper cone Amplitude Linearity (±2dB): 74Hz-17kHz Cut-off Frequencies (-6dB, free-standing): 47Hz-22kHz Dispersion: ±80° Coherent Horizontal, ±10° Coherent Vertical Max. Continuous SPL (1 metre): 109dB Audio Input: Rear panel mounted female xlr (pin 2 +) Input Sensitivity: 1V rms (ref. full output) Input Sensitivity Trim: 0dB to -6dB/1V – 2V (continuously variable via rear panel trimmer) Input Impedance: Balanced > 10kΩ Amplifier Output Power: Bass 150W rms, Mid 60W rms, High 25W rms Crossover Frequencies: 380Hz & 3.5Khz Crossover Filters: 4th order critically damped with phase compensations Low Frequency Boost: 0dB to +3dB at 40Hz (continuously variable via rear panel trimmer) Overload Protection: Active FET momentary gain reduction Dimensions (HxWxD): 264 x 430 x 369mm (10.4˝ x 16.9˝ x 14.5˝). Handles add an 39mm/1.5″ to depth. Weight: 30kg / 66lbs (per cabinet)

The upgraded 8351B now offers increased SPL, additional room compensation EQs, equalised delay and enhanced HF response. Offering the same extraordinary imaging and uncoloured precision of its smaller 8331A and 8341A siblings, the 8351B provides even greater LF extension, while its higher maximum SPL enables longer listening distances.

High Standards, Low ProfileWith a 19-inch width, the horizontally oriented A44H can sit on a standard rack shelf or be mounted above or below a display. The completely new design also enables the A44H to serve as a center speaker in immersive and 3D speaker configurations.Dual 4-inch long-throw woofers and the X-ART tweeter deliver a wide frequency range, while onboard DSP-based tuning capabilities enable you to tweak the sound easily.German Handmade Precision X-ART Tweeter with rotatable HPS waveguide2 x 4'' Woofer (Multi-Layer Mineral)Cumulated Amp. Power Peak: 130 WFrequency Response @ -6 dB: 46 Hz – 45 kHzMax. peak SPL per speaker at 1 m: 103 dB SPL

Nothing Compares Incorporating two 7-inch woofers, a midrange driver, and ADAM Audio’s X-ART tweeter, the A77H delivers an ultra-wide frequency range.The addition of the midrange driver helps produce clear sound in the most sensitive range of human hearing. Rotatable HPS waveguide technology and onboard DSP allow you to tune the sound for your precise requirements.German Handmade Precision X-ART Tweeter with rotatable HPS waveguide3.5" DCH Midrange Driver2 x 7'' Woofer (Multi-Layer Mineral)Cumulated Amp. Power Peak: 340 WFrequency Response @ -6 dB: 34 Hz – 45 kHzMax. peak SPL per speaker at 1 m: 106 dB SPL

Quality Compacted The A4V is a two-way speaker incorporating a 4-inch long-throw woofer made from the same Multi-Layer Mineral (MLM) fibers as other A Series speakers plus the classic X-ART tweeter. Onboard DSP-based tuning capabilities let you easily dial in the perfect sound for your space.With a frequency range of 52 Hz to 45 kHz, the A4V can accommodate a broad spectrum of audio applications—from producing podcasts to mixing string quartets—and will fit well within immersive and 3D setups.German Handmade Precision X-ART Tweeter with rotatable HPS waveguide4'' Woofer (Multi-Layer Mineral)Cumulated Amp. Power Peak: 130 WFrequency Response @ -6 dB: 52 Hz - 45 kHzMaximum SPL per speaker at 1 m: 100 dB SPL

Supreme MonitoringThe A8H incorporates an 8-inch resonant Multi-Layer Mineral (MLM) fiber woofer, innovative midrange driver, and handmade precision X-ART tweeter, which together produce an ultra-wide frequency response.Like the other members of the A Series family, the A8H gives you tremendous flexibility for fine-tuning the sound through rotatable HPS waveguide technology and onboard DSP. At home across a full range of audio applications in mid- to full-sized spaces, the A8H is the right choice when you’re looking for the most detailed representation of your audio.The A8H is available in a left and right version.German Handmade Precision X-ART Tweeter with rotatable HPS waveguide8'' Woofer (Multi-Layer Mineral)3.5" DCH Midrange DriverCumulated Amp. Power Peak: 340 WFrequency Response @ -6 dB: 31 Hz – 45 kHzMax. peak SPL per speaker at 1 m: 105 dB SPL

Supreme MonitoringThe A8H incorporates an 8-inch resonant Multi-Layer Mineral (MLM) fiber woofer, innovative midrange driver, and handmade precision X-ART tweeter, which together produce an ultra-wide frequency response.Like the other members of the A Series family, the A8H gives you tremendous flexibility for fine-tuning the sound through rotatable HPS waveguide technology and onboard DSP. At home across a full range of audio applications in mid- to full-sized spaces, the A8H is the right choice when you’re looking for the most detailed representation of your audio.The A8H is available in a left and right version.German Handmade Precision X-ART Tweeter with rotatable HPS waveguide8'' Woofer (Multi-Layer Mineral)3.5" DCH Midrange DriverCumulated Amp. Power Peak: 340 WFrequency Response @ -6 dB: 31 Hz – 45 kHzMax. peak SPL per speaker at 1 m: 105 dB SPL

A New Industry StandardThe A7V is a contemporary 2-way monitor that represents the evolution of ADAM Audio’s award winning A7X. It features a 7” Multi-Layer Mineral woofer and rotatable X-ART tweeter, which is made by hand in Berlin.DSP-based voicing, equalization and room correction options can be controlled remotely and in real time via the free-to-download A Control software, and updatable firmware allows for new filters and tunings to be implemented over the lifetime of the monitor.German Handmade Precision X-ART Tweeter with rotatable HPS waveguide7'' Woofer (Multi-Layer Mineral)Cumulated Amp. Power Peak: 130 WFrequency Response @ -6 dB: 40 Hz - 45 kHzMax. peak SPL per speaker at 1 m: 105 dB SPL

Hear Every Detail in Your Mix with This 3-way Coaxial Monitor If you demand the utmost in precision, the Kali Audio IN-5 is among the most accurate studio monitors in its price range. In fact, it stands up to speakers that far exceed the modest price tag. The IN-5 unveils every detail in your mix; in other words, it’s brutally honest. Nothing is boosted or attenuated to mask flaws or spice up its sound — what you hear is what you get. In addition to its ruler-flat frequency response, the IN-5 exhibits negligible levels of distortion, ample headroom, and impressive low-end extension for a 5-inch speaker. This speaker’s coaxial design boasts directivity that surpasses any non-coaxial speaker, enveloping your entire room in a uniform soundstage. Plus, its low-noise port tube yields clean, punchy bass. And thanks to its boundary compensation EQ, the IN-5 sounds great in a myriad of environments. The IN-5 also includes an integrated Class D power amp, along with balanced XLR and TRS inputs, and an unbalanced RCA input. For your studio setup, you need a monitor that you can trust — and the Kali Audio IN-5 delivers on all fronts. Transparent sound reproduction for mixes you can trust The IN-5 offers ultra-transparent sound reproduction, enabling you to hear every detail of your mix. This starts with an exceptionally accurate frequency response — there’s nothing hyped about this speaker. Its dual-layer, large-diameter voice coil exhibits a crystal-clear sound with negligible distortion — a full 6dB lower than its nearest competitor. At continuous reference-level output, the IN-5 boasts at least 20dB of headroom to allow for transient spikes. What’s more, this studio monitor employs larger magnets and voice coils than others in its class, resulting in super-accurate low-end response and impressive low-frequency extension. At Sweetwater, we’ve found that the IN-5 empowers you to mix with confidence. Coaxial design yields rock-solid imaging With a typical 2-way studio monitor, its woofer and tweeter produce energy at the same time, creating an interference pattern at the speaker’s crossover point. Waveguides are generally employed to reduce the interference; however, the speaker still produces a directivity anomaly because the two drivers are in two separate positions. The Kali Audio IN-5’s coaxial high- and mid-frequency drivers, on the other hand, occupy the same space. This puts them within a quarter wavelength of one another, thereby eliminating this interference pattern. The IN-5 exhibits superb directivity — better than any non-coaxial design — and covers your entire room uniformly. What’s more, the IN-5’s optimized-profile midrange driver boasts more radiating surface than a standard waveguide, ensuring minimum distortion and maximum dynamic range. Low-noise port tube exhibits clean, punchy low end One of the IN-5’s most novel features is its low-noise port tube. Many port tubes emit turbulence, as air leaves the tube at different speeds from different points of the opening. This turbulence produces chuffing — a noisy sound that obscures the low-end details of your mix. The IN-5’s port tube, on the other hand, ensures that all of the air exits at the same velocity. The end result is clean, punchy bass with zero added noise. Boundary EQ ensures optimal sound in any environment A speaker’s position in a room drastically affects its frequency response. Even if your room is acoustically treated, your studio monitor’s sound will change if you place it near a wall or on a desk. Additionally, hard surfaces like walls and the top of your console will skew your monitor’s frequency response, degrade its sound, and give you false auditory information. The engineers at Kali Audio understand this, and that's why they baked a solution directly into the IN-5: its Boundary EQ. Tuned to perfection at The Village Studios in Los Angeles, the IN-5’s Boundary EQ supplies you with presets that are tailored to eight common speaker placements. You also get LF/HF trims for fine-tuning the speaker’s response. With the IN-5, you’ll be able to optimize its response, no matter what environment you’re mixing in.

This standard bearer of the Shape series features two passive radiators, woofers equipped with a new Flax cone, and the latest “M”-shaped Aluminium/Magnesium inverted dome tweeter. Perfect weapon of mass production for professionals. Shape Twin is made in France, just like Shape 40, 50 and 65. Designed to meet the needs of nearfield monitoring, these monitors combine an ingenuous design and numerous settings optimised for the acoustics of small listening rooms. Shape Twin stands out through its excellent rendering over the whole audio spectrum, its broad frequency response in the low end, and its high SPL considering its size. The compact design makes it easy to integrate even into the most cramped of rooms. Finally, its 2.5-way design gives it a real advantage when it comes to controlling the bass and lower mid-range registers which are the hardest to control in small rooms. Shape Twin’s five innovations present a remarkable tonal balance, with very wide and precise stereo imaging. The low frequencies are well defined  as well as controlled. The low-mid and mid ranges provide a true neutral sound.Features:Tweeter with very low directivity for a flexible sweet spotDesigned without a port (double passive radiator) allowing it to be placed near a wall2.5 channels to provide optimal control of bass and low mid-range registersNumerous settings for optimal integrationAccurate control, even in the very high frequenciesFlax sandwich cone: controlled and articulated bass, natural and detailed lower mid-range and uppermid-range registersFastening mechanisms for mounting to the ceiling or a wall (fastening accessories not supplied)  

NEUMANN ACCURACY, SERIOUS BASS AND POWER TO SPAREThe KH 150 is a powerful bi-amplified studio monitor with reference-class performance. Its 6.5” woofer in a bass reflex cabinet provides stunning low end and high SPL capability with undiminished clarity. DSP controlled electronics ensure linear phase response and allow for room-adaptive calibration via Neumann’s revolutionary MA 1 Automatic Monitor Alignment.

Linear απόκριση συχνότητας και φάσης Deep low end μέχρι 39 Hz και υψηλή ικανότητα SPL DSP engine για βελτιωμένη απόδοση και αυτόματo room alignment Εξαιρετικά ακριβές imaging λόγω των εξαιρετικά χαμηλών ανοχών του (± 0,8 dB) Αναλογικές (XLR) και ψηφιακές (RCA) είσοδοι, προαιρετικά: συνδεσιμότητα AES67 Μπορεί να συνδυαστεί με άλλα ηχεία της σειράς KH σε immersive/surround ρυθμίσεις . Tεχνικά χαρακτηριστικά : Απόκριση συχνότητας ελεύθερου πεδίου ±3 dB : 39 Hz ... 20.4 kHz Θόρυβος που δημιουργείται μόνος του στα 10 cm(with input gain set to 100 dB SPL for 0 dBu) " :

Linear απόκριση συχνότητας και φάσης Deep low end μέχρι 39 Hz και υψηλή ικανότητα SPL DSP engine για βελτιωμένη απόδοση και αυτόματo room alignment Εξαιρετικά ακριβές imaging λόγω των εξαιρετικά χαμηλών ανοχών του (± 0,8 dB) Αναλογικές (XLR) και ψηφιακές (RCA) είσοδοι, προαιρετικά: συνδεσιμότητα AES67 Μπορεί να συνδυαστεί με άλλα ηχεία της σειράς KH σε immersive/surround ρυθμίσεις . Tεχνικά χαρακτηριστικά : Απόκριση συχνότητας ελεύθερου πεδίου ±3 dB : 39 Hz ... 20.4 kHz Θόρυβος που δημιουργείται μόνος του στα 10 cm(with input gain set to 100 dB SPL for 0 dBu) " :

Linear απόκριση συχνότητας και φάσης Deep low end μέχρι 39 Hz και υψηλή ικανότητα SPL DSP engine για βελτιωμένη απόδοση και αυτόματo room alignment Εξαιρετικά ακριβές imaging λόγω των εξαιρετικά χαμηλών ανοχών του (± 0,8 dB) Αναλογικές (XLR) και ψηφιακές (RCA) είσοδοι, προαιρετικά: συνδεσιμότητα AES67 Μπορεί να συνδυαστεί με άλλα ηχεία της σειράς KH σε immersive/surround ρυθμίσεις . Tεχνικά χαρακτηριστικά : Απόκριση συχνότητας ελεύθερου πεδίου ±3 dB : 39 Hz ... 20.4 kHz Θόρυβος που δημιουργείται μόνος του στα 10 cm(with input gain set to 100 dB SPL for 0 dBu) " :

Πρόκειται για ένα υπέροχο σύνολο που χαρακτηρίζεται από τις πιο καινούργιες τεχνολογίες σε ηλεκτρονικό και κατασκευαστικό επίπεδο. Ιδανικό για χρήσεις studio, (mastering, mixing, broadcast) καθώς καταφέρνει να παράγει εξαιρετικό, διαυγή ήχο. Διαθέτει woofer 10’’, midrange 3" και tweeter 1’’. Equalizer τριών περιοχών ενώ για τη συνδεσμολογία του, δέχεται κωλώδια τύπου XLR.  Το ηχείο είναι ξύλινο βαμμένο σε χρώμα άνθρακα, εσωτερικό όγκο 93 λίτρα και βάρος 35 κιλά.  

JBL 104-BT compact reference monitors with Bluetooth, the newest models in the 1 Series line, draw from seven decades of JBL Professional engineering to deliver the truest, most accurate sound in their class. They’re perfect for recording musicians, producers, podcasters and vloggers, as well as professional audio engineers seeking an accurate portable reference with Bluetooth streaming. JBL 104-BT Reference Monitors combine a powerful coaxial 4.5-inch (118 mm) low-frequency driver and .75-inch (19 mm) soft-dome tweeter, potent integrated 60-watt amplification and an innovative acoustic design to reproduce honest sound with exceptional imaging and crisp detail. Bluetooth streaming lets you check mixes over Bluetooth to make sure they sound great in every listening scenario.

Redesign of the classic 6301 series speaker with new class D 20W amplifier, new full range 4" loudspeaker, "auto stand-by" feature and a more modern look. Balanced jack 1/4 & XLR (transformer balanced) inputs.

Redesign of the classic 6301 series speaker with a new class D 20W amplifier, new full range 4" loudspeaker, "auto stand-by" feature and a more modern look. Balanced jack 1/4 & XLR (electrically balanced) inputs.

You won’t miss a thing.Clarity is king—and with the R80 V2s, you’ll hear every single detail in your music: the gentle breath in every exhale, the subtle finger noise in a nylon-string classical guitar; the nuanced overtones of brass and woodwinds; and exquisite reverb tails that decay gracefully into the void. Not only will your mixes sound their absolute best on R80 V2, but you’ll also be able to hear trouble spots in your tracks with surgical clarity. If you’re mixing or mastering high-resolution audio, the R80 V2 will ensure that you’ll hear every detail captured in your recordings.Air and transient response.Driven by a dedicated 65 watt Class A/B amp, the R80 V2’s custom-designed 6.8-square-inch Air Motion Transformer (AMT) excels at accurate reproduction of the highest of high frequencies—those responsible for a sense of air, space, and dimensionality. And the AMT’s astonishingly thin (< 0.01 mm) folded Kapton® membrane allows the tweeter to move in the same instant as the voltage cycles that power it, providing nothing less than wave cycle-accurate transient reproduction.Wide with pride.The unique AMT design also allows the R80 V2 to handle 8 to 13 times the projection area of more traditional tweeter designs, while the R80 V2’s unique housing constrains this projection area to the horizontal axis. The result is a very wide sweet spot with focused vertical dispersion, —minimizing reflections off of your desk, ceiling, and floor that could otherwise introduce problematic phase and coherence issues. And because it’s less subject to room-anomaly interference, the R80 V2 studio monitor reacts predictably and sounds consistent, even if moved to different listening environments.The lowdown on the down-low.R80 V2’s woofer is eight inches of rigid, custom-woven composite that offers consistent dispersion across its frequency range for the flattest response we could design. A dedicated 75 watt Class A/B amplifier provides ample headroom and impressive distortion-free, non-fatiguing performance—even at higher volumes.The new versatility.Improving the respected R-series classics wasn’t easy, but we found a way: by giving you more control than was available on the original R80. The updated R80 V2 features analog acoustic tuning controls that will be familiar to users of our celebrated Eris® line—you get Low Cut, Mid Frequency, and High Frequency controls, as well as a three-way Acoustic Space switch that allow you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner. We also added a new Class A/B amplifier to provide an even warmer and smoother overall frequency response.Studio monitor connections.Of course, you also get classic PreSonus monitor connectivity, as R80 V2 provides balanced XLR, balanced ¼-inch TRS, and unbalanced RCA line-level inputs, so you can hook them up to an audio interface, mixer, monitor controller, or almost any other line-level source.Accuracy defined.The R80 V2 studio monitor provides lifelike audio reproduction that will allow you to hear the room in your recordings. Its transparent sound and responsive transient reproduction makes it an ideal solution for anyone who is mixing high-resolution audio. The exact same AMT technology that provides the R80 V2’s natural-sounding, honest playback also ensures that potential trouble spots in your mixes won’t slip past your critical ear.

You won’t miss a thing.Clarity is king—and with the R65 V2s, you’ll hear every single detail in your music: the gentle breath in every exhale, the subtle finger noise in a nylon-string classical guitar; the nuanced overtones of brass and woodwinds; and exquisite reverb tails that decay gracefully into the void. Not only will your mixes sound their absolute best on R65 V2, but you’ll also be able to hear trouble spots in your tracks with surgical clarity. If you’re mixing or mastering high-resolution audio, the R65 V2 will ensure that you’ll hear every detail captured in your recordings.Air and transient response.Driven by a dedicated 65 watt Class A/B amp, the R65 V2’s custom-designed 6.8-square-inch Air Motion Transformer (AMT) excels at accurate reproduction of the highest of high frequencies—those responsible for a sense of air, space, and dimensionality. And the AMT’s astonishingly thin (< 0.01 mm) folded Kapton® membrane allows the tweeter to move in the same instant as the voltage cycles that power it, providing nothing less than wave cycle-accurate transient reproduction.Wide with pride.The unique AMT design also allows the R65 V2 to handle 8 to 13 times the projection area of more traditional tweeter designs, while the R65 V2’s unique housing constrains this projection area to the horizontal axis. The result is a very wide sweet spot with focused vertical dispersion, —minimizing reflections off of your desk, ceiling, and floor that could otherwise introduce problematic phase and coherence issues. And because it’s less subject to room-anomaly interference, the R65 V2 studio monitor reacts predictably and sounds consistent, even if moved to different listening environments.The lowdown on the down-low.R65 V2’s woofer is six and a half inches of rigid, custom-woven composite that offers consistent dispersion across its frequency range for the flattest response we could design. A dedicated 75 watt Class A/B amplifier provides ample headroom and impressive distortion-free, non-fatiguing performance—even at higher volumes.The new versatility.Improving the respected R-series classics wasn’t easy, but we found a way: by giving you more control than was available on the original R65. The updated R65 V2 features analog acoustic tuning controls that will be familiar to users of our celebrated Eris® line—you get Low Cut, Mid Frequency, and High Frequency controls, as well as a three-way Acoustic Space switch that allow you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner. We also added a new Class A/B amplifier to provide an even warmer and smoother overall frequency response.Studio monitor connections.Of course, you also get classic PreSonus monitor connectivity, as R65 V2 provides balanced XLR, balanced ¼-inch TRS, and unbalanced RCA line-level inputs, so you can hook them up to an audio interface, mixer, monitor controller, or almost any other line-level source. Accuracy defined.The R65 V2 studio monitor provides lifelike audio reproduction that will allow you to hear the room in your recordings. Its transparent sound and responsive transient reproduction makes it an ideal solution for anyone who is mixing high-resolution audio. The exact same AMT technology that provides the R65 V2’s natural-sounding, honest playback also ensures that potential trouble spots in your mixes won’t slip past your critical ear.

Kali Audio LP-6 V2 is a 6.5 inch Studio monitor. It is designed to provide transparent sound to creators working in a variety of genres and formats at a price that makes it feasible. An advanced waveguide, a large voice coil and precision tuning make the sound extremely transparent, while the large low-frequency magnet and low-noise port provide strong, clear bass response. To make it easy to integrate into your settings, the speaker is self-powered and has a variety of inputs. DSP has Boundary EQ settings that optimize the response of the speaker to what is in the listening area.In the 2nd version it is an improved amplifier platform that offers lower noise, higher sensitivity and smooth high frequency response. Boundary EQ settings have been updated based on user feedback, and the low-frequency driver cone has less mass for a more consistent response.

Kali Audio LP-6 V2 is a 6.5 inch Studio monitor. It is designed to provide transparent sound to creators working in a variety of genres and formats at a price that makes it feasible. An advanced waveguide, a large voice coil and precision tuning make the sound extremely transparent, while the large low-frequency magnet and low-noise port provide strong, clear bass response. To make it easy to integrate into your settings, the speaker is self-powered and has a variety of inputs. DSP has Boundary EQ settings that optimize the response of the speaker to what is in the listening area.In the 2nd version it is an improved amplifier platform that offers lower noise, higher sensitivity and smooth high frequency response. Boundary EQ settings have been updated based on user feedback, and the low-frequency driver cone has less mass for a more consistent response.

Kali's IN-8 2nd Wave is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3D design with a surreal display of a coaxial mid-range and Tweeter, it offers more transparency, lower distortion and a soundstage that must be heard to be believed.Power. Detail. Soundstage.The IN-8 2nd Wave Studio Monitor is a speaker like no other. Using the same Woofer and Tweeter from Kali's famous LP-8, the IN-8 2nd Wave adds a mid-range driver that surrounds the Tweeter and acts as its waveguide.That way, both Tweeter and Woofer are stocked. with less workload, are able to play cleaner and with less distortion.The coaxial nature of the medium and the Tweeter makes the IN-8 2nd Wave audio point source. This eliminates the deviation from the pod axis, resulting in a stereo sound stage that presents the listener with a super-realistic level of detail.All of this means that the IN-8 2nd Wave is extremely accurate and easy to mix, and that the blends made in the IN-8 will be wonderfully transferred to other systems.ImagingWe continue to talk about the "surreal" depiction of the IN-8 2nd Wave. What does this mean?When you listen to a stereo speaker set, you hear information about where the instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate the physical locations of the elements in the mix, and you will hear them in a stereo recording.Not only does this allow producers to create interesting spatial effects, but it also means that you can work faster and with more confidence. An accurate audio track lets you see every element of the mix in front of you, so you can hear exactly what happens when you make changes.2-way systems with good waveguides, such as Kali's LP-6 and LP-8, do a good job of transmitting this spatial information. However, because the tweeters and woofers on these speakers (and most studio monitors!) Are separate, this information is lost in the space just above and below the speaker. This means that in the listening position, you do not hear the full stereo image.IN-8 solves this problem. The tweeter and the middle section share an audio center and the Woofer traverses 330 Hz, so the distance between the Woofer and the medium size is much less than a quarter of the wavelength at the junction. This means that the IN-8 is an acoustic point source. Therefore, it has the same excellent directionality that the LP-6 and LP-8 have on their sides at a full 360 degrees around the speaker. You listen to all the space information in the listening position, so the sound scene you hear will have every detail in the mix.ClarityThe total harmonic distortion of the IN-8 is less than 1.4%, which is excellent. This is the result of both Woofer and Tweeter unloading, so they both do less work. The Woofer is clocked at 330 Hz, 2.5 octaves lower than the LP-8.Tweeter traverses at 3000 Hz, almost an octave higher than the LP-8. Take up space between the hero of the IN-8 system: the 4-inch, optimized mid-profile driver profile. This guide has a lot of work to do. In addition to playing the midrange, it also acts as a waveguide for Tweeter. This means that the shape must be precisely constructed to provide an ideal dispersion characteristic of Tweeter.It also means that the medium intervals must remain stationary. In many other coaxial or concentric systems, the large deviation from the larger guide causes a distortion of the body and degrades the accuracy of the system. The midline in the IN-8 2nd Wave is limited to a top deflection of less than 1 millimeter, making the headset stagnant while still providing mid-range to keep up with the powerful woofer and Tweeter.Easy useMarginal EQ controlThe given speaker position in a room can drastically change the frequency response. A speaker mounted against a wall or desk will sound very different from a speaker mounted on a stand, even in a well-crafted space. Hard surfaces such as walls, desktops, and recording consoles can alter the screen's low-frequency response and degrade overall sound clarity.Fortunately, most of the common positions are quite predictable and easily corrected.Kali's team did the Boundary EQ tuning at The Village Studios in Los Angeles and found EQ settings for offsetting to help you get the perfect sound for where to place your speakers.Combined with the LF and HF fins, this will ensure that the speakers sound better, regardless of the room in which you mix or where the speakers are placed.

The Alpha 80 Evo design leverages cutting-edge materials and engineering to advance the state of the art in studio monitoring. This compact active 2-way monitor employs a 1-inch aluminum tweeter and an 8-inch woofer with a Slatefiber cone developed and handcrafted in Focal’s Saint-Étienne, France-based facility. Powered by 115 watts of optimized Class D bi-amplification and engineered to deliver flat tonal balance and outstanding dynamic range, the Alpha 80 Evo is designed from the ground up for improved performance over previous-generation Alpha monitors. The Focal Alpha 80 Evo is a versatile, robust speaker system that will complement your modern production environment and provide the honest, accurate monitoring you need to produce world-class results.

The Alpha Twin Evo design leverages cutting-edge materials and engineering to advance the state of the art in studio monitoring. This compact twin active monitor employs a 1-inch aluminum tweeter and dual 6.5-inch woofers with Slatefiber cones developed and handcrafted in Focal’s Saint-Étienne, France-based facility. Powered by 130 watts of optimized Class D tri-amplification and engineered to deliver flat tonal balance and outstanding dynamic range, the Alpha Twin Evo is designed from the ground up for improved performance over previous-generation Alpha monitors. The Focal Alpha Twin Evo is a versatile, robust speaker system that will complement your modern production environment and provide the honest, accurate monitoring, high SPL, and deep low-end extension you need to produce world-class results.

Unveils Every Detail in Your Mix Featuring a refined amplifier design, the Kali Audio LP-8 V2 is among the most accurate studio monitors you’ll find in its price range — in fact, it stands up to speakers that far exceed the modest price tag. The LP-8 V2 unveils every detail in your mix — it’s brutally honest. Nothing is boosted or attenuated to mask flaws or spice up its sound: what you hear is what you get. In addition to a ruler-flat frequency response, the LP-8 V2 exhibits negligible levels of distortion, ample headroom, and impressive low-end extension for a 8-inch speaker. Experience a massive soundstage with spot-on imaging, courtesy of the LP-8 V2’s cutting-edge waveguide design, while its low-noise port tube yields clean, punchy bass. Plus, it sounds excellent in a myriad of environments, thanks to its boundary compensation EQ. At the end of the day, you need a studio monitor that you can trust — and the Kali Audio LP-8 V2 delivers on all fronts. Second-generation refinements yield sonic excellence Despite so many rave reviews among studio engineers, Kali Audio saw room for improvement with the LP-8's already impressive sonic signature. The LP-8 V2 features a refined amplifier design that lowers the noise floor even further than it was, and offers a smoother high frequency response too. The LP-8 V2's Boundary EQ settings have been tweaked based on user feedback, enhancing transparency when your monitors are positioned close to a wall or on a desktop. And with the LP-8 V2's lower-mass woofer design, you'll experience even more detail and clarity in the bass regions. Transparent sound reproduction for mixes you can trust The LP-8 V2 offers ultra-transparent sound reproduction, enabling you to hear every detail of your mix. This starts with an exceptionally accurate frequency response. There’s nothing hyped about this speaker: its dual-layer, large-diameter voice coil exhibits a crystal-clear sound with negligible distortion — a full 6dB lower than its nearest competitor. At continuous reference-level output, the LP-8 V2 boasts at least 20dB of headroom to allow for transient spikes. What’s more, this studio monitor employs larger magnets and voice coils than others in its class, resulting in super-accurate low-end response and impressive low-frequency extension. At Sweetwater, we’ve found that the LP-8 V2 empowers you to mix with confidence. Once you dial in your music on a set of these monitors, it will sound great everywhere. Cutting-edge waveguide design yields rock-solid imaging When you listen to a speaker, you hear both its direct sound and its reflections. When the reflections are consistent with the direct sound, the speaker sounds better. Its stereo image will sound three-dimensional, enabling you to observe subtle details, such as spatial information and microphone placement. The Kali Audio LP-8 V2’s cutting-edge waveguide design minimizes unwanted reflections, thereby preventing the smeared sound stage that’s inherent in many low-cost studio monitors. With the LP-8 V2, you’ll know the exact location of every instrument in your mix’s stereo field. This will also you to mix faster, and produce better results. Low-noise port tube exhibits clean, punchy low end One of the LP-8 V2’s most novel features is its low-noise port tube. Many port tubes emit turbulence, as air leaves the tube at different speeds from different points of the opening. This turbulence produces chuffing, a noisy sound that obscures the low-end details of your mix. The LP-8 V2’s port tube, on the other hand, ensures that all of the air exits at the same velocity. The end result is clean, punchy bass with zero added noise. Boundary EQ ensures optimal sound in any environment A speaker’s position in a room drastically affects its frequency response. Even if your room is acoustically treated, your studio monitor’s sound will change if you place it near a wall or on a desk. What’s more, hard surfaces like walls and the top of your console will skew your monitor’s frequency response, degrade its sound, and give you false auditory information. The engineers at Kali Audio understand this, and they baked a solution directly into the LP-8 V2: its Boundary EQ. Tuned to perfection at The Village Studios in Los Angeles, the LP-8 V2’s Boundary EQ supplies you with presets that are tailored to eight common speaker placements. You also get LF/HF trims for fine-tuning the speaker’s response. With the LP-8 V2, you’ll be able to optimize its response, no matter what environment you’re mixing in.

Second-gen 3-way Coaxial Monitor from Kali Audio Kali Audio's IN-8 has been heralded as one of the most accurate powered studio monitors in its price range, and the second-wave version ups the ante with a new amplifier platform, improved transducers, and an upgraded cabinet. The IN-8 V2 uncovers every detail in your mix — it’s brutally honest. Nothing is boosted or attenuated to mask flaws or spice up its sound, so what you hear is what you get. In addition to a ruler-flat frequency response, the IN-8 V2 exhibits negligible levels of distortion, ample headroom, and impressive low-end extension for an 8-inch speaker. This speaker’s coaxial design boasts directivity that surpasses any non-coaxial speaker, enveloping your entire room in a uniform soundstage. Its low-noise port tube yields clean, punchy bass. And thanks to its boundary compensation EQ, it sounds great in a myriad of environments. The IN-8 V2 includes an integrated Class D power amp, along with balanced XLR and TRS inputs, and an unbalanced RCA input. At the end of the day, the Kali Audio IN-8 V2 is a studio monitor that you can trust. Transparent sound reproduction The IN-8 V2 offers ultra-transparent sound reproduction, enabling you to hear every detail of your mix. This starts with an exceptionally accurate frequency response. Its dual-layer, large-diameter voice coil exhibits a crystal-clear sound with negligible distortion — a full 6dB lower than its nearest competitor. At continuous reference-level output, the IN-8 V2 boasts at least 20dB of headroom to allow for transient spikes. What’s more, this studio monitor employs larger magnets and voice coils than others in its class, resulting in super-accurate low-end response and impressive low-frequency extension. At Sweetwater, we’ve found that the IN-8 V2 empowers you to mix with confidence. Once you dial it in on a set of these monitors, it will sound great everywhere. Coaxial design yields rock-solid imaging With a typical 2-way studio monitor, its woofer and tweeter produce energy at the same time, creating an interference pattern at the speaker’s crossover point. Waveguides are generally employed to reduce the interference; however, the speaker still produces a directivity anomaly because the two drivers are in two separate positions. The Kali Audio IN-8 V2’s coaxial high- and mid-frequency drivers, on the other hand, occupy the same space. This puts them within a quarter wavelength of one another, thereby eliminating this interference pattern. The IN-8 V2 exhibits superb directivity — better than any non-coaxial design — covering your entire room uniformly. What’s more, the IN-8 V2’s optimized-profile midrange driver boasts more radiating surface than a standard waveguide, ensuring minimum distortion and maximum dynamic range. Low-noise port tube exhibits clean, punchy low end One of the IN-8 V2’s more novel features is its low-noise port tube. Many port tubes emit turbulence, as air leaves the tube at different speeds from different points of the opening. This turbulence produces chuffing — a noisy sound that obscures the low-end details of your mix. The IN-8 V2’s port tube, conversely, ensures that all of the air exits at the same velocity. The result is clean, punchy bass with zero added noise. Boundary EQ ensures optimal sound in any environment A speaker’s position in a room drastically affects its frequency response. Even if your room is acoustically treated, your studio monitor’s sound will change if you place it near a wall or on a desk. What’s more, hard surfaces like walls and the top of your console will skew your monitor’s frequency response, degrade its sound, and give you false auditory information. The engineers at Kali Audio understand this, and they baked a solution directly into the IN-8 V2: its Boundary EQ. Tuned to perfection at The Village Studios in Los Angeles, the IN-8 V2’s Boundary EQ supplies you with presets that are tailored to eight common speaker placements. You also get LF/HF trims for fine-tuning the speaker’s response. With the IN-8 V2, you’ll be able to optimize its response, no matter what environment you’re mixing in.

Hear Every Detail in Your Mix with This 3-way Coaxial Monitor If you demand the utmost in precision, the Kali Audio IN-5 is among the most accurate studio monitors in its price range. In fact, it stands up to speakers that far exceed the modest price tag. The IN-5 unveils every detail in your mix; in other words, it’s brutally honest. Nothing is boosted or attenuated to mask flaws or spice up its sound — what you hear is what you get. In addition to its ruler-flat frequency response, the IN-5 exhibits negligible levels of distortion, ample headroom, and impressive low-end extension for a 5-inch speaker. This speaker’s coaxial design boasts directivity that surpasses any non-coaxial speaker, enveloping your entire room in a uniform soundstage. Plus, its low-noise port tube yields clean, punchy bass. And thanks to its boundary compensation EQ, the IN-5 sounds great in a myriad of environments. The IN-5 also includes an integrated Class D power amp, along with balanced XLR and TRS inputs, and an unbalanced RCA input. For your studio setup, you need a monitor that you can trust — and the Kali Audio IN-5 delivers on all fronts. Transparent sound reproduction for mixes you can trust The IN-5 offers ultra-transparent sound reproduction, enabling you to hear every detail of your mix. This starts with an exceptionally accurate frequency response — there’s nothing hyped about this speaker. Its dual-layer, large-diameter voice coil exhibits a crystal-clear sound with negligible distortion — a full 6dB lower than its nearest competitor. At continuous reference-level output, the IN-5 boasts at least 20dB of headroom to allow for transient spikes. What’s more, this studio monitor employs larger magnets and voice coils than others in its class, resulting in super-accurate low-end response and impressive low-frequency extension. At Sweetwater, we’ve found that the IN-5 empowers you to mix with confidence. Coaxial design yields rock-solid imaging With a typical 2-way studio monitor, its woofer and tweeter produce energy at the same time, creating an interference pattern at the speaker’s crossover point. Waveguides are generally employed to reduce the interference; however, the speaker still produces a directivity anomaly because the two drivers are in two separate positions. The Kali Audio IN-5’s coaxial high- and mid-frequency drivers, on the other hand, occupy the same space. This puts them within a quarter wavelength of one another, thereby eliminating this interference pattern. The IN-5 exhibits superb directivity — better than any non-coaxial design — and covers your entire room uniformly. What’s more, the IN-5’s optimized-profile midrange driver boasts more radiating surface than a standard waveguide, ensuring minimum distortion and maximum dynamic range. Low-noise port tube exhibits clean, punchy low end One of the IN-5’s most novel features is its low-noise port tube. Many port tubes emit turbulence, as air leaves the tube at different speeds from different points of the opening. This turbulence produces chuffing — a noisy sound that obscures the low-end details of your mix. The IN-5’s port tube, on the other hand, ensures that all of the air exits at the same velocity. The end result is clean, punchy bass with zero added noise. Boundary EQ ensures optimal sound in any environment A speaker’s position in a room drastically affects its frequency response. Even if your room is acoustically treated, your studio monitor’s sound will change if you place it near a wall or on a desk. Additionally, hard surfaces like walls and the top of your console will skew your monitor’s frequency response, degrade its sound, and give you false auditory information. The engineers at Kali Audio understand this, and that's why they baked a solution directly into the IN-5: its Boundary EQ. Tuned to perfection at The Village Studios in Los Angeles, the IN-5’s Boundary EQ supplies you with presets that are tailored to eight common speaker placements. You also get LF/HF trims for fine-tuning the speaker’s response. With the IN-5, you’ll be able to optimize its response, no matter what environment you’re mixing in.