Integrated Stereo Amplifiers

Edge A is made to celebrate musicality. Riffs, phrases, percussive rolls – take in every detail of your music thanks to its dynamic setup. Effortlessly powerful, but with incredible depth, the overall sound is breath-taking – like you’re sat in the recording booth with the musicians.  Edge A is designed to bring musical detail to life. It delivers a finely balanced sound with a depth and clarity that come through with every note. We developed the system by ear, testing every component and only choosing those that blew us away. The end result is a ground-breaking arrangement that produces a much cleaner signal path and lets your music breathe. Edge A perfectly delivers our classic British sound – nothing added, nothing taken away. We pioneered the use of toroidal transformers in amplifiers, which led to improved performance. In Edge we take this one step further, using opposing symmetry twin toroidal transformers. This cancels out electromagnetic interference whilst offering outstanding power and maintaining consistent tonality, no matter how loud it’s played. Using standard Class A amplifier technology wasn’t going to be efficient enough for Edge A. Instead we added a bias voltage to a traditional Class AB design, reducing distortion to inaudible levels. This unique configuration also produces less heat and makes the whole system much more effective. Pair any Bluetooth device to your Edge A to easily stream your music. With aptX HD support, you can play your audio at up to 24-bit/48kHz quality for an incredibly rich listening experience. Edge A was designed with a unique PCB. Our engineers replaced conventional capacitors with a DC coupled topology and also added a solid state volume control. The end result is a clean signal path that’s perfectly balanced at any volume. Edge systems are designed to work in perfect synchronisation. Match the performance of Edge A with loudspeakers to make the foundations of a hi-fi system unlike anything else. Specifications: CONTINUOUS POWER OUTPUT: 100W RMS into 8 Ohms; 200W RMS into 4 Ohms THD (UNWEIGHTED): 

The AXA35 boasts 35 watts of power per channel, an integrated moving magnet phono stage for turntable enthusiasts, a white display screen, and a ¼ inch headphone socket for private listening sessions. Specifications: POWER OUTPUT: 35 Watts (into 8 Ohms) THD (UNWEIGHTED):  50 MAX. POWER CONSUMPTION: 260W BASS/TREBLE CONTROLS: Shelving, ultimate boost/cut +/- 10dB @ 100Hz and 10kHz STANDBY POWER CONSUMPTION: 

Offering 25 watts of power per channel in a great value package, the AXA25 features a 3.5mm aux input on the front for smartphones and four analogue inputs on the back panel for connecting all your sources. Specifications: POWER OUTPUT: 25 Watts (into 8 Ohms) THD (UNWEIGHTED): 

Uniti Nova is proof that an all-in-one player can deliver audiophile quality. Whichever source you choose, your music will be transformed into a stunning sonic experience. The reference player in the range, Uniti Nova has been configured to offer the very best solution that we can implement in a single-box, compact enclosure. All the available space has been used to provide 80 watts per channel of Class A/B amplification capable of driving the most demanding loudspeakers – detail and depth you’ll hear in every note, riff and chorus.

The clue is in the name: this system is the star of the show. With plenty of features and the ability to play, rip, store and serve your treasured music collection, Uniti Star offers infinite possibilities. Stream your music in high-resolution, play or rip your CDs, tune in to your favourite radio stations, access a world of music with a host of streaming services and dramatically improve the audio quality of your TV or games console. Ready to go with practically any speaker set-up, Uniti Star will have you rediscovering your entire music collection with a deep, immersive sound.

The M2si integrated amplifier takes our peerless premium-amp experience and applies it to a more affordable price point. It boasts trickle-down technology from our mighty and legendary Titan flagship, plus other high-end touches such as solid metal controls. The M2si delivers 76 watts per channel into 8 ohms and 137 watts into 4 ohms. This means the M2si will drive a wide range of speakers, even power-hungry models.Further flexibility is provided by the M2si's excellent connectivity, which includes six line-level inputs and switchable home-theatre throughput. It features a Class A preamp stage with its own, independant power supply, coupled with a discrete pair of power amps. In effect, this means the M2si offers the performance benefits of a pre/power configuration with the compact convenience of a one-box design.Its performance is rock-solid, it's sonically well-rounded and it's comfortable with a wide array of speakers. And it's all served up in an elegant, no-nonsense package.Specifications:OutputPower 72 Watts per channel into 8 Ohms (18dBW)Voltage 22 Volts RMS, 20Hz to 20 kHz; onset of clipping62 Volts peak to peakCurrent 25 Amps peak to peakDamping factor 36Output devices 1 pair per channelLine inputTHD+N < 0.014 % typical, 20Hz to 20 kHzSignal / noise ratio > 96dB ‘A’-weightedInput impedance 40 k OhmsFrequency response +0, –0.1dB, 10Hz to 20 kHzConnectionsLine level inputs 6 pairs line level RCA connectorsLine level outputs 1 pair line level RCA connectors, constant level TAPE outputs1 pair line level RCA connectors, preamp outputs for e.g. bi-ampingSpeaker outputs 2 pairs 4mm banana plug/binding postsPower requirementMains voltages 115/230VAC 50/60Hz (factory pre-set)100VAC 50/60Hz (alternative)Consumption 320 Watts maximumWeightUnit only, unboxed 9.2 kg (20¼ lbs)In shipping carton 13 kg (30⅔ lbs)DimensionsWide 440 mm (17⅓”)High, including feet 100 mm (4”)Deep (front to back) including terminals 400 mm (15¾”)

The NAD D 3045 is everything a modern amplifier should be; compact, energy efficient, powerful, silent, High Resolution capable, and packed with cutting edge features like DSD and MQA playback. NAD’s expertise in both digital and analog engineering is on full display in this flexible and affordable amplifier. Features: 2 x 60W Hybrid Digital Amplifier Two-Way Bluetooth powered by Qualcomm aptX HD audio Asynchronous USB 24/192 Input supporting MQA and DSD HDMI Audio Return Channel Coax and Optical Input MM Phono and Line Input Preamp Out Sub Out Headphone Amp IR Remote Gross dimensions (W x H x D)*: 70 x 235 x 265 mm Net weight: 3.6kg Shipping weigh: 2.6kg

PM-10 Integrated amplifier The new reference class Integrated amplifier Four switching power amplifier channels in bridged mode (two per channel) for maximum grip and drive  True Balanced Concept from input to speaker to realise ground-free signal management Massive power: 200Wpc per channel into 8ohms, and 400Wpc into 4ohms Easy driving of a wide range of speakers Wide-ranging dynamic ability thanks to instant high-current power supply Fully balanced throughout: both preamplifier and power amplifiers Marantz Hyper Dynamic Amplifier Modules (HDAM) in preamp stage Dual mono power amplifier configuration Separate power supplies for preamplifier and control processor, and for each power amp channel Discrete phono stage for moving coil and moving magnet cartridges in its own shielded case. High-quality construction with double-layer chassis, 5mm thick aluminium top lid, solid aluminium front, copper plated chassis and high-purity copper speakers terminals Double thickness copper PCB for the output section and main power supplies Amplifiers are at the core of Marantz history: its very first product was a high-quality preamplifier designed to make the most of the then-new LP record format. And with a history stretching all the way to that ground-breaking Audio Consolette – which Saul B Marantz started manufacturing in 1952, and which soon became the first real Marantz product, the Model 1 preamplifier – , it’s no surprise that the company’s very latest Premium Series model, the PM-10, is an integrated amplifier built to set new standards with all of today’s music formats. In fact, this massively powerful integrated amplifier is constructed more like a high-end separate preamplifier and a pair of monobloc power amps, but all in one beautifully finished case, designed both to maximise performance and create a strong visual statement. Making an integrated amplifier with dual monobloc design fitting in a normal size cabinet is made possible by the use of a stereo switching amplifier. Its aim? To reveal the maximum musical involvement from everything from LPs to the latest high-resolution audio files and beyond, and with all the power and control required to drive the most demanding loudspeakers, allowing them to perform at their best. Optimised design To achieve such quality, while still delivering class-leading power, means optimising each section of the amplifier for its task, just as would be done in a design using a separate preamplifier and monobloc power amps.  Commonly, amplifiers use a single transformer, with separate power supply regulation for the preamplifier and power amplifier sections; the PM-10 takes things much further. A dual-mono design, it has separate power supplies for the preamplifier and each of the power amplifier channels, with one transformer dedicated to the preamp to ensure the delicate signals passing through that section of the amplifier aren’t affected by the demands of the high power output stages. There’s also a dedicated supply for the microprocessor controlling volume adjustment, input selection and so on, ensuring no noise from the control section finds its way in to the audio path. Pure analogue Another important part of the noise-reduction here is the fact that the PM-10 is a purely analogue amplifier: many rival designs are today including digital-to-analogue conversion, or adopting digital amplification and volume control, but the Marantz keeps things as clean and simple as possible with its highly-developed all-analogue design. Why? Well, though it may seem convenient to have a DAC in the amplifier, digital circuitry is, by its very nature, noisy (in the electrical sense) and can interfere with the delicate analogue signals passing through the amp. That’s why Marantz chooses to design its Premium Series range with any digital-to-analogue conversion in its Super Audio CD or network music players, keeping its amplifiers as pure and clean as possible.  What’s more, to make the most of that purity of design, the PM-10 has also been designed with the option of working in ‘Purest Mode’: when engaged, this deactivates any superfluous circuits, giving the signal the cleanest possible path through the amplifier. There’s also a Power Amp Direct input, taking the signal straight from the input section to the power stage to let the unit work as a pure power amplifier. Fully balanced, from input to final power section The benefits of balanced audio layout have long been understood: unlike a conventional layout, one half of the signal path is in the ground plane of either an amplifier or a cable, balanced working uses two conductors or paths – one for positive, the other for negative – and an entirely separate ground to protect them. The benefit in cables is that any external interference will affect both positive and negative conductors, but since the signals they are carrying are the mirror image of each other, they will mutually cancel out any effect – which is why such cables are widely used in pro audio and studio applications, where sources of hum are common, and the longer cable runs involved makes them particularly prone to picking up interference.  The same is true when balanced working is applied to audio circuitry: not only does this mirror-imaging of the layout, in which identical components are handling the positive and negative ‘legs’ of the signal, cancel out any potential interference, it also means any noise or errors introduced in the circuitry will also be cancelled out.  An additional benefit is that balanced working also uses stronger signals than unbalanced designs, simple because both halves of the circuit are active – rather than just having one half pushing and the other just providing the ground, here we have a ‘push pull’ operation. And a stronger signal means one less susceptible to any outside interference: the more signal there is, the less obvious any noise will be. The PM-10 uses a fully balanced layout, from the input section all the way through to the final power amplifier section: it has two sets of balanced inputs, and also conventional unbalanced line-level inputs (plus a high-quality phono stage), the signal from these inputs being converted to balanced working before being passed through the amplifier. By keeping the signal balanced all the way through the amplifier, and combining that with optimised power supply design, the Marantz engineers are able to achieve maximum noise rejection throughout the audio path, and the highest possible signal purity. Balanced, bridged power amplification For the PM-10, Marantz wanted the purest possible sound, plus the power and dynamics to drive and control some of the world’s most demanding speakers. To achieve this, they continued the balanced working found in the preamp stage right the way through to the power amplifier stage to its speaker outputs, and also adopted bridged working to develop the power required while maintaining that balanced design. This True Balanced Concept realizes a ground-free signal management from the input to the output. What is the bridged amplifier about? In a conventional amplifier, one speaker is driven by the positive and negative part of one single output stage per channel, but a bridged amplifier does things differently, using two separate amplifier stages per channel to drive one speaker. To greatly simplify things: one amp pushes the speaker cones and domes, while the other pulls them back.  That much greater control over the way the speaker drive units behave, in that the amplifier can make them start moving, and stop, much more precisely is very important for definition and the ‘speed’ of the system, meaning it can play music with much better rhythmic and spatial controls, not to mention making voices and instruments sound more realistic. In the PM-10, the bridged amplifiers in the power output stage – a total of four amplifier channels – allow this control to be combined with huge power output: it delivers 2x200W into an 8ohm load, and can easily cope with demanding speakers or those whose impedance varies widely with frequency, thanks to a 2x400W output into 4ohms. That ensures not just the power to drive even big, power-hungry speakers to high levels while keeping the sound clean and distortion-free, but also the ‘grip’ to make sure those speakers are doing just what the music demands. It’s all made possible by the use of the latest switching amplifier technology, allowing a compact integrated amplifier design while still fulfilling Marantz performance requirements. Carefully selected components Marantz has long built a reputation for choosing the best-possible components for its Premium Series products – and if it can’t find what it wants, it designs and builds the required part. That thinking informed the design of the Hyper Dynamic Amplifier Module (or HDAM): unhappy with the audio quality available from ‘amplifier on a chip’ IC components, the company designed its own alternative, in the form of a miniature amplifier module built entirely of discrete components. As with all such design decisions, the engineers selected and optimised the HDAM through extensive listening in dedicated Marantz facilities in Europe and Japan, and since it was introduced this component has both been developed and also found its way into an ever-wider range of products. In the PM-10, the latest-generation HDAM SA3 is used, as part of a current feedback topology designed for the widest possible frequency and dynamic ranges – just the thing for today’s ultra-high-resolution audio formats – and aided by ultra-fast custom made block capacitors for the fastest possible response to demands for high current. The same current feedback design is applied to the phono stage in the PM-10, which is configurable for use with either moving coil or moving magnet cartridges for the best possible playback of those favourite LPs. This isn’t a case of Marantz responding to the current ‘vinyl revival’: over the years, while developing and refining its digital competences, the company has remained totally committed to the excellent sound possible from LPs and singles. It has long been fitting its products with high-quality phono stages – even before vinyl came back into fashion! Built to perform Like the partnering SA-10 Super Audio CD/CD player/DAC, the PM-10 is constructed to the highest possible standards, with a double-layered copper-plated chassis for excellent rejection of mechanical and electrical interference, and casework constructed from thick, heavy, non-magnetic aluminium panels. Both products also sit on aluminium die-cast feet. Even the speaker terminals here are special: even the highest-aiming rivals tend to use components bought in from third party companies, or designed as much for ‘show’ as ‘go’, but the PM-10 has newly-designed and exclusive Marantz SPKT-100+ terminals, made from high-purity solid copper. In common with every other design and engineering decision behind this new reference class amplifier, those terminals are there for one very simple reason:  ‘Because Music Matters’  

PM-10 Integrated amplifier The new reference class Integrated amplifier Four switching power amplifier channels in bridged mode (two per channel) for maximum grip and drive  True Balanced Concept from input to speaker to realise ground-free signal management Massive power: 200Wpc per channel into 8ohms, and 400Wpc into 4ohms Easy driving of a wide range of speakers Wide-ranging dynamic ability thanks to instant high-current power supply Fully balanced throughout: both preamplifier and power amplifiers Marantz Hyper Dynamic Amplifier Modules (HDAM) in preamp stage Dual mono power amplifier configuration Separate power supplies for preamplifier and control processor, and for each power amp channel Discrete phono stage for moving coil and moving magnet cartridges in its own shielded case. High-quality construction with double-layer chassis, 5mm thick aluminium top lid, solid aluminium front, copper plated chassis and high-purity copper speakers terminals Double thickness copper PCB for the output section and main power supplies Amplifiers are at the core of Marantz history: its very first product was a high-quality preamplifier designed to make the most of the then-new LP record format. And with a history stretching all the way to that ground-breaking Audio Consolette – which Saul B Marantz started manufacturing in 1952, and which soon became the first real Marantz product, the Model 1 preamplifier – , it’s no surprise that the company’s very latest Premium Series model, the PM-10, is an integrated amplifier built to set new standards with all of today’s music formats. In fact, this massively powerful integrated amplifier is constructed more like a high-end separate preamplifier and a pair of monobloc power amps, but all in one beautifully finished case, designed both to maximise performance and create a strong visual statement. Making an integrated amplifier with dual monobloc design fitting in a normal size cabinet is made possible by the use of a stereo switching amplifier. Its aim? To reveal the maximum musical involvement from everything from LPs to the latest high-resolution audio files and beyond, and with all the power and control required to drive the most demanding loudspeakers, allowing them to perform at their best. Optimised design To achieve such quality, while still delivering class-leading power, means optimising each section of the amplifier for its task, just as would be done in a design using a separate preamplifier and monobloc power amps.  Commonly, amplifiers use a single transformer, with separate power supply regulation for the preamplifier and power amplifier sections; the PM-10 takes things much further. A dual-mono design, it has separate power supplies for the preamplifier and each of the power amplifier channels, with one transformer dedicated to the preamp to ensure the delicate signals passing through that section of the amplifier aren’t affected by the demands of the high power output stages. There’s also a dedicated supply for the microprocessor controlling volume adjustment, input selection and so on, ensuring no noise from the control section finds its way in to the audio path. Pure analogue Another important part of the noise-reduction here is the fact that the PM-10 is a purely analogue amplifier: many rival designs are today including digital-to-analogue conversion, or adopting digital amplification and volume control, but the Marantz keeps things as clean and simple as possible with its highly-developed all-analogue design. Why? Well, though it may seem convenient to have a DAC in the amplifier, digital circuitry is, by its very nature, noisy (in the electrical sense) and can interfere with the delicate analogue signals passing through the amp. That’s why Marantz chooses to design its Premium Series range with any digital-to-analogue conversion in its Super Audio CD or network music players, keeping its amplifiers as pure and clean as possible.  What’s more, to make the most of that purity of design, the PM-10 has also been designed with the option of working in ‘Purest Mode’: when engaged, this deactivates any superfluous circuits, giving the signal the cleanest possible path through the amplifier. There’s also a Power Amp Direct input, taking the signal straight from the input section to the power stage to let the unit work as a pure power amplifier. Fully balanced, from input to final power section The benefits of balanced audio layout have long been understood: unlike a conventional layout, one half of the signal path is in the ground plane of either an amplifier or a cable, balanced working uses two conductors or paths – one for positive, the other for negative – and an entirely separate ground to protect them. The benefit in cables is that any external interference will affect both positive and negative conductors, but since the signals they are carrying are the mirror image of each other, they will mutually cancel out any effect – which is why such cables are widely used in pro audio and studio applications, where sources of hum are common, and the longer cable runs involved makes them particularly prone to picking up interference.  The same is true when balanced working is applied to audio circuitry: not only does this mirror-imaging of the layout, in which identical components are handling the positive and negative ‘legs’ of the signal, cancel out any potential interference, it also means any noise or errors introduced in the circuitry will also be cancelled out.  An additional benefit is that balanced working also uses stronger signals than unbalanced designs, simple because both halves of the circuit are active – rather than just having one half pushing and the other just providing the ground, here we have a ‘push pull’ operation. And a stronger signal means one less susceptible to any outside interference: the more signal there is, the less obvious any noise will be. The PM-10 uses a fully balanced layout, from the input section all the way through to the final power amplifier section: it has two sets of balanced inputs, and also conventional unbalanced line-level inputs (plus a high-quality phono stage), the signal from these inputs being converted to balanced working before being passed through the amplifier. By keeping the signal balanced all the way through the amplifier, and combining that with optimised power supply design, the Marantz engineers are able to achieve maximum noise rejection throughout the audio path, and the highest possible signal purity. Balanced, bridged power amplification For the PM-10, Marantz wanted the purest possible sound, plus the power and dynamics to drive and control some of the world’s most demanding speakers. To achieve this, they continued the balanced working found in the preamp stage right the way through to the power amplifier stage to its speaker outputs, and also adopted bridged working to develop the power required while maintaining that balanced design. This True Balanced Concept realizes a ground-free signal management from the input to the output. What is the bridged amplifier about? In a conventional amplifier, one speaker is driven by the positive and negative part of one single output stage per channel, but a bridged amplifier does things differently, using two separate amplifier stages per channel to drive one speaker. To greatly simplify things: one amp pushes the speaker cones and domes, while the other pulls them back.  That much greater control over the way the speaker drive units behave, in that the amplifier can make them start moving, and stop, much more precisely is very important for definition and the ‘speed’ of the system, meaning it can play music with much better rhythmic and spatial controls, not to mention making voices and instruments sound more realistic. In the PM-10, the bridged amplifiers in the power output stage – a total of four amplifier channels – allow this control to be combined with huge power output: it delivers 2x200W into an 8ohm load, and can easily cope with demanding speakers or those whose impedance varies widely with frequency, thanks to a 2x400W output into 4ohms. That ensures not just the power to drive even big, power-hungry speakers to high levels while keeping the sound clean and distortion-free, but also the ‘grip’ to make sure those speakers are doing just what the music demands. It’s all made possible by the use of the latest switching amplifier technology, allowing a compact integrated amplifier design while still fulfilling Marantz performance requirements. Carefully selected components Marantz has long built a reputation for choosing the best-possible components for its Premium Series products – and if it can’t find what it wants, it designs and builds the required part. That thinking informed the design of the Hyper Dynamic Amplifier Module (or HDAM): unhappy with the audio quality available from ‘amplifier on a chip’ IC components, the company designed its own alternative, in the form of a miniature amplifier module built entirely of discrete components. As with all such design decisions, the engineers selected and optimised the HDAM through extensive listening in dedicated Marantz facilities in Europe and Japan, and since it was introduced this component has both been developed and also found its way into an ever-wider range of products. In the PM-10, the latest-generation HDAM SA3 is used, as part of a current feedback topology designed for the widest possible frequency and dynamic ranges – just the thing for today’s ultra-high-resolution audio formats – and aided by ultra-fast custom made block capacitors for the fastest possible response to demands for high current. The same current feedback design is applied to the phono stage in the PM-10, which is configurable for use with either moving coil or moving magnet cartridges for the best possible playback of those favourite LPs. This isn’t a case of Marantz responding to the current ‘vinyl revival’: over the years, while developing and refining its digital competences, the company has remained totally committed to the excellent sound possible from LPs and singles. It has long been fitting its products with high-quality phono stages – even before vinyl came back into fashion! Built to perform Like the partnering SA-10 Super Audio CD/CD player/DAC, the PM-10 is constructed to the highest possible standards, with a double-layered copper-plated chassis for excellent rejection of mechanical and electrical interference, and casework constructed from thick, heavy, non-magnetic aluminium panels. Both products also sit on aluminium die-cast feet. Even the speaker terminals here are special: even the highest-aiming rivals tend to use components bought in from third party companies, or designed as much for ‘show’ as ‘go’, but the PM-10 has newly-designed and exclusive Marantz SPKT-100+ terminals, made from high-purity solid copper. In common with every other design and engineering decision behind this new reference class amplifier, those terminals are there for one very simple reason:  ‘Because Music Matters’  

Designed for the aspiring music enthusiast, the Denon PMA-600NE is the superior choice for those who want to build their first 2-channel HiFi system. Powered by the Denon Advanced High Current (AHC) single-push-pull circuit power amplifier, the PMA-600NE integrated amplifier delivers 70 Watts (4ohm, 1kHz, THD: 0.7%) of power-per-channel. Easily connect both analogue and digital sources including your turntable to the built-in phono pre-amp. Listen to your favourite high-resolution audio content with the 192kHz/24bit D/A converter or connect via Bluetooth to stream nearly unlimited songs. The PMA-600NE provides exceptional sound quality that balances high power with delicate, musical details. UPGRADE TO ADVANCED DIGITAL AUDIO REPRODUCTION HIGHLIGHTS YOUR BENEFITS 70 Watts per channel power output (4ohm, 1kHz, THD: 0.7%) Get the maximum performance to drive your favourite loudspeakers Advanced High Current (AHC) single-push-pull circuit power amplifier Wide bandwidth captures everything from deep bass to detailed highs Bluetooth support With antenna inside the unit, actively pair your smart phone to the PMA-600NE via Bluetooth to stream music Includes two digital Optical inputs for your TV or digital device Automatically detects the signal input from your TV and outputs elevated sound Built-in 192kHz/24bit D/A converter Experience high-resolution audio playback to enjoy the highest quality of your favourite songs Micro-processor with Stop Mode benefit Protects audio signal from external noise during playback Analogue Mode for pure audio reproduction Divided circuitry includes a Bluetooth OFF option to help remove any influence from any digital interruptions while listening to analogue audio signal High performance MM phono equalizer amp Connect your turntable and enjoy vinyl tracks Deeper bass Enjoy rich, evenly dispersed bass with a subwoofer output

Designed for the aspiring music enthusiast, the Denon PMA-600NE is the superior choice for those who want to build their first 2-channel HiFi system. Powered by the Denon Advanced High Current (AHC) single-push-pull circuit power amplifier, the PMA-600NE integrated amplifier delivers 70 Watts (4ohm, 1kHz, THD: 0.7%) of power-per-channel. Easily connect both analogue and digital sources including your turntable to the built-in phono pre-amp. Listen to your favourite high-resolution audio content with the 192kHz/24bit D/A converter or connect via Bluetooth to stream nearly unlimited songs. The PMA-600NE provides exceptional sound quality that balances high power with delicate, musical details. UPGRADE TO ADVANCED DIGITAL AUDIO REPRODUCTION HIGHLIGHTS YOUR BENEFITS 70 Watts per channel power output (4ohm, 1kHz, THD: 0.7%) Get the maximum performance to drive your favourite loudspeakers Advanced High Current (AHC) single-push-pull circuit power amplifier Wide bandwidth captures everything from deep bass to detailed highs Bluetooth support With antenna inside the unit, actively pair your smart phone to the PMA-600NE via Bluetooth to stream music Includes two digital Optical inputs for your TV or digital device Automatically detects the signal input from your TV and outputs elevated sound Built-in 192kHz/24bit D/A converter Experience high-resolution audio playback to enjoy the highest quality of your favourite songs Micro-processor with Stop Mode benefit Protects audio signal from external noise during playback Analogue Mode for pure audio reproduction Divided circuitry includes a Bluetooth OFF option to help remove any influence from any digital interruptions while listening to analogue audio signal High performance MM phono equalizer amp Connect your turntable and enjoy vinyl tracks Deeper bass Enjoy rich, evenly dispersed bass with a subwoofer output

The L-509X integrates the features of both a high quality separate amplifier and a high performance integrated amplifier into one product. The goal of creating an ideal integrated amplifier, initiated by LUXMAN with the launch of the L-509fSE in 2002, has now been advanced with the development of the L-509X. The L-509X integrated amplifier is equipped with many desirable features, such as the New LECUA1000 and a discretely configured buffer circuit in the output stage of the pre-amplifier circuit. LUXMAN’s ODNF (Only Distortion Negative Feedback) original amplifier feedback circuit and a power supply with independent left and right channel blocking capacitors are intrinsic to this design, as well as many components used only in high end models, ensuring high-quality audio reproduction. The design of the L-509X incorporates the cream of LUXMAN's proprietary technologies, breaking new ground and creating the ultimate expression of “separates in a single unit”.ODNF* Version 4.0 - innovative amplification feedback circuitAn integral part of the design of the L-509X is LUXMAN's original ODNF* amplification feedback circuit, featuring a high-speed primary slew rate, an ultra-wide bandwidth and a low level of distortion that is achieved by feeding back only the distorted components of the audio signal from the output of the amplification circuit. The L-509X is equipped with the latest Version 4.0 ODNF providing a dramatic enhancement of accuracy in distortion detection due to the triple-paralleled first stage error detection circuit. Lower impedance and a higher signal to noise ratio have been achieved due to the paralleled first stage and Darlington equipped second stage amplification circuit. A 3-stage Darlington circuit and a 4-parallel push-pull structure is used for the output stage, similar to the M-700u power amplifier. This achieves output at 120W+120W(8Ω) and 220W+220W(4Ω), enabling the L-509X to drive speakers powerfully with rich dynamics and full expression. *ODNF stands for “Only Distortion Negative Feedback”.Chassis structure exemplifies excellence in function and designThe L-509X features a top panel with a beautiful hair-line finish and widened venting to improve heat dissipation. The loop-less chassis structure restricts any increase in ground impedance. Analog level meters, illuminated with white LEDs, add to the elegant and stylish appearance. New LECUA*1000 computerized attenuatorLUXMAN's New LECUA1000 is at the heart of the preamp section and the volume adjustment control of the L-509X. This computerized attenuator is integrated with the amplification circuit, a feature integral to the high-end LUXMAN C-900u control amplifier. LECUA provides an ideal level control system which allows smooth and fine adjustment of the volume over 88 steps, thereby minimising the deterioration of audio quality at any point of the volume adjustment range. An advancement of the New LECUA1000 is the 3D design layout. The attenuator circuit board is directly connected to the amplification circuit board. Signal routing has been minimized andefficiency has been successfully enhanced. In addition, this design is extremely resistant to external vibration and eliminates changes in audio quality over the volume control range. The robust nature of this system ensures longevity and durability. *LECUA stands for “Luxman Electronically Controlled Ultimate Attenuator” Spec Rated output    120W + 120W (8Ω), 220W + 220W (4Ω) Input sensitivity/input impedance    PHONO (MM): 2.5mV/47kΩ PHONO (MC): 0.3mV/100Ω LINE: 180mV/47kΩ BAL.LINE: 180mV/55kΩ MAIN-IN: 1.1V/47kΩ Output voltage    REC OUT: 180mV, PRE-OUT: 1V Frequency response    PHONO: 20Hz to 20kHz (±0.5dB) LINE: 20Hz to 100kHz (within -3dB) Total harmonic distortion    0.007% or less (8Ω, 1kHz) 0.06% or less (8Ω, 20Hz to 20kHz) S/N ratio (IHF-A)    PHONO (MM): 91dB or more PHONO (MC): 75dB or more LINE: 105dB or more Volume adjustment    New LECUA1000 Amplification circuit    ODNF 4.0 Output configuration    Bipolar 4-parallel push-pull Damping factor    370 Max. amount of tone control    BASS: ±8dB at 100Hz TREBLE: ±8dB at 10kHz Power supply    230V~(50Hz) /115V~(60Hz) Power consumption    380W 150W (under no signal), 0.5W (at standby) External dimensions    440(W) x 193(H) x 463(D) mm front side knob of 20mm and rear side terminal of 37mm included in depth Net weight    29.3kg (main unit) Accessories    Remote control (RA-17A) Power cable Speaker terminal Supported Y-lug terminal dimension    Width of part a: 16mm or less Width of part b: 7mm or more * Connection may not be performed depending on the shape of the Y-lug terminal.  

Included: Advance Acoustic X-FTB02New Advance Acoustic integrated amplifiers X-i105 has a sober and elegant presentation.It has numerous possibilities for both analog and digital use, benefitting from the latest technical innovations.Combined with the best components available at this time, they allowed to the listening, an exceptional rendering for dynamics without agressiveness,but reproducing the details of the music.The « Hi Bias » function allows it to supply easily most of the loudspeakers sold on the market.Its complete remote control device will make it easier to use.

This integrated amplifier is a new design, combining the highest performance with the cost and quality benefits made possible by our state-of-the-art production facilities. The PI-1 delivers 50 watts per channel (8 Ω).The Electrocompaniet PI-1 and PI-2 are our new fully balanced entry-level stereo integrated amplifiers. In the development of these amplifiers the focus has been to maintain the operating principles and sound quality of the classic line amplifiers, and at the same time reduce manufacturing costs.To achieve this we have utilized modern surface mount technology (SMT) and optimized the amplifiers for our modern SMT production line. The result is modern looking high performance amplifiers with superb control and dynamics.The newly developed protection circuitry protects the PI-1 and PI-2 against high temperature, DC offset and short circuit at the output. This protection has no negative influence on the sound quality what so ever. We have even removed the relay at the output to reduce the number of contact points between the amplifier and the loudspeakers.Both the PI-1 and PI-2 features the same digital volume control as used in the EC4.8/EC4.9 preamplifiers. The bright and clear VFD-display is readable from the listing position and shows the input source and volume setting. Both amplifiers have two fully balanced (XLR) inputs and two single ended (RCA) inputs. Volume and input sources can easily be navigated via the four navigator buttons on the front panel, or from the remote control.The PI-1 is equipped with a big linear power supply with a 300VA toroidal transformer and a capacitor storage bank of 40.000 uF. Specifications:Input impedance: Balanced input 47KohmOutput impedance: 0.03 ohmNoise floor: 20 - 20 kHz < - 100 dBFrequency response: - 3 dB 1 - 200 kHzChannel separation: > 120 dBTHD + N 20 - 20 kHz < 0.006% Maximum peak current:  > 50ADamping factor: 8 ohm load >250Rated output power: THD = 0.2%  into 8 ohm: 2 x 50 Winto 4 ohm: 2 x 75 Winto 2 ohm: 2 x 100 WToroid transformer: 300VA  Capacitor storage bank: 40.000uF  Dimensions W x D x H: 420 x 340 x 77 mm Weight: 6 kgPower consumption: No load or signal: 100 WInputs: 2 x 2 Channel Balanced (XLR) 2 x 2 Channel Single EndedControl ports: NoneOutputs: Loudspeakers

Essentially the same design as the PI-1, but with a more powerful power supply. A lot of effort was put into developing an amplifier that delivers high-end performance at a modest price point. The PI-2 has a rated output of 100 watts per channel (8 Ω).The Electrocompaniet PI-1 and PI-2 are our new fully balanced entry-level stereo integrated amplifiers. In the development of these amplifiers the focus has been to maintain the operating principles and sound quality of the classic line amplifiers, and at the same time reduce manufacturing costs.To achieve this we have utilized modern surface mount technology (SMT) and optimized the amplifiers for our modern SMT production line. The result is modern looking high performance amplifiers with superb control and dynamics.The newly developed protection circuitry protects the PI-1 and PI-2 against high temperature, DC offset and short circuit at the output. This protection has no negative influence on the sound quality what so ever. We have even removed the relay at the output to reduce the number of contact points between the amplifier and the loudspeakers.Both the PI-1 and PI-2 features the same digital volume control as used in the EC4.8/EC4.9 preamplifiers. The bright and clear VFD-display is readable from the listing position and shows the input source and volume setting. Both amplifiers have two fully balanced (XLR) inputs and two single ended (RCA) inputs. Volume and input sources can easily be navigated via the four navigator buttons on the front panel, or from the remote control. The PI-2 is equipped with a oversized linear power supply with a 400VA toroidal transformer and a capacitor storage bank of 80.000 uF. Specifications:Input impedance: Balanced input 47KohmOutput impedance:   0.03 ohmNoise floor: 20 - 20 kHz < - 100 dBFrequency response - 3 dB 1 - 200 kHzChannel separation: > 120 dBTHD + N  20 - 20 kHz < 0.006%Maximum peak current: > 50ADamping factor: 8 ohm load >250Rated output power: THD = 0.2% into 8 ohm:   2 x 100 Winto 4 ohm:   2 x 150 Winto 2 ohm:   2 x 220 W Toroid transformer :  400VA     Capacitor storage bank:   80.000uFDimensions W x D x H: 420 x 340 x 77 mm  Weight: 10 kgPower consumption: No load or signal 100 WInputs:   2 x 2 Channel Balanced (XLR)  2 x 2 Channel Single EndedControl ports:   NoneOutputs:   Loudspeakers

Essentially the same design as the PI-1, but with a more powerful power supply. A lot of effort was put into developing an amplifier that delivers high-end performance at a modest price point. The PI-2 has a rated output of 100 watts per channel (8 Ω).The Electrocompaniet PI-1 and PI-2 are our new fully balanced entry-level stereo integrated amplifiers. In the development of these amplifiers the focus has been to maintain the operating principles and sound quality of the classic line amplifiers, and at the same time reduce manufacturing costs.To achieve this we have utilized modern surface mount technology (SMT) and optimized the amplifiers for our modern SMT production line. The result is modern looking high performance amplifiers with superb control and dynamics.The newly developed protection circuitry protects the PI-1 and PI-2 against high temperature, DC offset and short circuit at the output. This protection has no negative influence on the sound quality what so ever. We have even removed the relay at the output to reduce the number of contact points between the amplifier and the loudspeakers.Both the PI-1 and PI-2 features the same digital volume control as used in the EC4.8/EC4.9 preamplifiers. The bright and clear VFD-display is readable from the listing position and shows the input source and volume setting. Both amplifiers have two fully balanced (XLR) inputs and two single ended (RCA) inputs. Volume and input sources can easily be navigated via the four navigator buttons on the front panel, or from the remote control. The PI-2 is equipped with a oversized linear power supply with a 400VA toroidal transformer and a capacitor storage bank of 80.000 uF. Specifications:Input impedance: Balanced input 47KohmOutput impedance:   0.03 ohmNoise floor: 20 - 20 kHz < - 100 dBFrequency response - 3 dB 1 - 200 kHzChannel separation: > 120 dBTHD + N  20 - 20 kHz < 0.006%Maximum peak current: > 50ADamping factor: 8 ohm load >250Rated output power: THD = 0.2% into 8 ohm:   2 x 100 Winto 4 ohm:   2 x 150 Winto 2 ohm:   2 x 220 W Toroid transformer :  400VA     Capacitor storage bank:   80.000uFDimensions W x D x H: 420 x 340 x 77 mm  Weight: 10 kgPower consumption: No load or signal 100 WInputs:   2 x 2 Channel Balanced (XLR)  2 x 2 Channel Single EndedControl ports:   NoneOutputs:   Loudspeakers

The Elicit-R has been designed and engineered to the highest standard. The Elicit-R will deliver the best possible audio performance whilst remaining simple to use and easy to setup. Our recent development work in amplifier design circuitry has allowed us to further advance the Elicit-Rperformance by using new and improved power amplifier circuits (based around the hugely successful Rega Brio-R amplifier).Combined with FET discrete line level pre-amplifiers and a programmable stepped attenuator volume control, ensuring greater levels of performance and control over the delivery of power. The Elicit-R is supplied with the new Solaris system remote handset offering full control over this and all of the current ‘R’ range of electronics.Specifications:105 Watts per channel into 8127 Watts per channel into 6162 Watts per channel into 4Input sensitivity for 105 Watts into 8Line inputs (input 1 switch set to line) 1-5 and record - 196mV load 10KPhono (input 1 switch set to phono) - 2mV Load 47K in parallel with 220pFDirect input - 760mV Load 50KPower amplifier gain - 31.6dBRecord output - 196mV for rated inputsPre-amplifier output - 760mV for rated inputsDimensions: W 432mm x D 325mm x H 82mmWeight - 13kg

The Osiris is the culmination of 32 years’ experience in solid-state amplifier development. A no compromise, super high performance, 162 Watts into 8 Ohms (250 Watt 4 Ohms), dual mono amplifier housed in a custom Rega CNC machined aluminium case.Designed around "minimalist" high gain power amplifier and "passive pre-amplifier" circuit topology, a passive volume control and a single stage of power amplification between the input and the speakers, the Osiris offers unrivalled performance and build quality.All these features combine to create the supreme level of performance found in the Osiris and provide a perfect partner for our Isis CD player. We hope that you enjoy this product as much as we have enjoyed creating it.Features:Thermal cut outElectronic thermal DC protectionShort Circuit ProtectionGalvanically isolated power supplyNichicon Audio Grade CapacitorsCascoded differential inputDirect InputHigh Specification mains leadCustom aluminium Osiris remote controlSpecifications:Power output 162 Watts per channel RMSInput sensitivity for 160 Watts into 8Ω 250 Watts into 4ΩAmplifier gain: Direct input 44dBRecord output 215mV into 100KFrequency Response 10Hz (-1.7dB point)THD + Noise Less than 0.05%Power consumption 560W at 115/230VDimensions: W 434mm x D 350mm x H 122mmWeight 25.6kgs 

The Brio has a completely new case to house its improved circuits and parts. It now sits in a fully aluminium two-part case which boosts the Brio’s heat sinking capabilities and improves on Rega’s already solid build quality and reliability. The new Brio has a cleverly integrated headphone socket specially designed to avoid interference with the audio circuit when not in use and as you would expect, a very high specification moving magnet phono stage is built in as standard.Throughout the design process the Brio has been meticulously improved in every aspect, from the quality of materials to the manufacturing process, to make this new Brio a step ahead in Rega’s engineering and design for amplifiers.Specifications: Input 1 (phono) input sensitivity = 2.1mV at 47KΩ in parallel with 220pF.Maximum Input 1 (phono) input level = 100mVInput 2-5 (line) input sensitivity = 210mV at 47kΩMaximum input 2-5 (line) input level = 10.25VPower outputs at 230/115V supply voltage:Headphone output: No load = 8VSource impedance = 109ΩDimensions: 345mm (D) -inc volume control x 216mm (W) x 78mm (H)Weight: 5.1kg

Yamaha, with a long history of 125 years as a musical instrument maker, also has a high reputation for HiFi components. The R-S202D was created by taking advantage of this rich experience and high technological expertise. Based on the concept of “Natural Sound”, for reproducing all music as it really sounds, and built with scrupulous care from circuit design to basic sound production, even though an entry model it reproduces high sound quality and musically rich sound.Features:Yamaha high sound quality, created by rich experience and tradition, and high technological expertiseBluetooth® compatible for wireless music streamingDAB/DAB+ and FM tuners both have 40 station preset memoriesSimple and sophisticated designSpeaker selector and speaker terminals for two systemsAuto power standby functionSimple design remote controlHead phone terminal

The D 7050 with Apple AirPlay is one simple package. If you have a computer or smartphone running iTunes and a home Wi-Fi network, just add the D 7050 and your favourite loudspeakers. You'll now have a state-of-the-art audio system in a stylish and compact package that fits anywhere in your home. Wireless access is universal as the D 7050 also supports Bluetooth aptX for hi fidelity point-to-point streaming without a network.A premium headphone amplifier output with a high quality volume control is also included for your personal listening. Downloads and streaming, instant access to all the music in the world, plus Spotify Connect – the D 7050 offers audio excellence as never before. Specifications:2 x 50W @ 0.00% THDWi-Fi (WPS) and wired Network connectionsApple Airplay and DLNA media streamingaptX Bluetooth music streamingSpotify ConnectSupports bit rate/sample rate up to - 24/192 (via Digital Audio input) up to 24/96 (via Computer/Type B USB input)Optical and Coaxial Digital inputsSubwoofer Output12V trigger InputHigh Performance Headphone AmplifierWireless Remote

A prime example of what we stand for here at NAD, the C 388 Hybrid Digital DAC Amplifier is at the top of its class in the world of affordable amplification. An incredibly powerful amp, the C 388 employs NAD technologies to ensure that even the most demanding speakers can be driven to life-like listening levels without dynamic compression. Thanks to its advanced preamplifier circuit, the C 388 gives low noise at all volume settings, ensuring that you’ll be able to listen to your music without any distractions. Another technology that’s available to the C 388 is the BluOS™ module, a music management system that can stream your music library wirelessly across your home Wi-Fi network. You can also instantly connect to the C 388 with Bluetooth® giving you access to various streaming services. With the ability to accommodate a variety of sources both past and present, the C 388 is a remarkably flexible product that will become a core addition to your home audio system.Getting the Basics RightIt is surprising how many seemingly advanced products in the market today often miss many of the most basic requirements for satisfying performance. Low noise circuits, precise volume control action, accurate channel balance, proper input and output impedance characteristics, high overload margins and stability with difficult speaker loads.NAD starts by getting these things precisely right and advances from there. We include an MM Phono stage with precisely accurate RIAA equalization, high overload margins, extremely low noise, and an innovative circuit to suppress infrasonic noise that is present on all LPs – all without affecting bass response. Our line inputs can accommodate all kinds of analogue source components by offering ideal input impedance characteristics with linear ultra-low-noise buffer amplifiers to prevent any sonic degradation caused by inappropriate loading of the source device. We include a separate headphone amplifier with low output impedance and very high output voltage capability – enough to drive even high impedance studio monitor headphones. Low impedance line outputs that can connect to other amplifiers or subwoofers extend the versatility of this well thought out amplifier. These are all details you can hear.Future-Proof Modular DesignThis NAD exclusive feature allows you to customize your NAD amplifier with additional capabilities and features, now or in the future. The two available MDC slots can accommodate a variety of upgrade modules including additional Digital Inputs, additional Analogue inputs, and one of the most advanced Hi-Res Audio multi-room wireless systems available, the BluOS™ music management system developed by Bluesound. BluOS connects to your network and is controlled via smartphone, tablet, or desktop device to manage your music collection and connect to a growing list of high-quality streaming music services.Connected and Smart You can connect instantly to the C 388 with Bluetooth® allowing you to stream music wirelessly from any Bluetooth-enabled device. The high performance aptX® codec is fully supported for true CD-quality sound. Bluetooth can also be used to listen to other sources connected to the C 388 via wireless headphones such as NAD’s own HP70. There is also a control app that allows your smartphone or tablet to control all functions of your C 388. Adding the optional BluOS Module provides access to your local area network via Wi-Fi or wired Ethernet connection and adds Hi-Res Audio streaming. The BluOS Module also makes the C 388 a singlezone streamer in a complete multi-room wireless music system that is fully compatible with BluOS-enabled music systems and wireless speakers. These are available in a variety of sizes and shapes to fit every room and extend the performance of your primary music system to create a warm ambience of sound in your home. Sophisticated PowerNAD has moved away from the old-fashioned power-hungry linear power supplies and Class AB output stages that waste nearly half of the energy consumed and produce heat rather than sound. Instead, we have developed even better performing circuits based on switch mode power supplies and Class D output stages. Once thought to be inferior to traditional topologies, NAD’s advanced work in this area has created some of the best performing amplifiers regardless of basic design principle. These new designs are very linear over a wide bandwidth and provide consistent performance into all speaker loads, providing a dramatic advance over previous models.The power supply is capable of 150 watts continuously and over 250 watts instantaneously to allow for short-term musical transients. It can operate with any AC mains voltage from 100 to 240 volts and provides pure DC power to all the various stages of the C 388. This highly efficient supply also provides near perfect regulation of voltage across a wide range of conditions and provides a solid noise-free foundation for the amplifying stages.The C 388 uses a customized version of the proven Hypex UcD output stage operating in a fully balanced bridge configuration. This allows for massive power with nearly immeasurable distortion and noise in the audible range. Every detail of this design has been carefully planned and perfectly executed to wring out every last drop of performance.

New Advance Acoustic integrated amplifiers X-i75 has a sober and elegant presentation.They have numerous possibilities for both analog and digital use, benefitting from the latest technical innovations.Combined with the best components available at this time, they allowed to the listening, an exceptional rendering for dynamics without agressiveness,but reproducing the details of the music.The « Hi Bias » function allows it to supply easily most of the loudspeakers sold on the market.Its complete remote control device will make it easier to use.           SPECIFICATIONSPower 8 Ω : 2x75W RMSPower 4 Ω : 2x110W RMSFrequency response (-3dB) 10Hz-35kHzTone Control +/- 10 dBDistorsion < 0,1%Signal/Noise ratio > 90 dBChannel Separation > 70 dBInput Impedance 47KΩPhono Input Impedance 47KΩDigital audio Converter AK4113 low jitterConverter 24bit-192kHzUSB B Converter Wolfson WM8740X-MOS AsynchroneIn Level (CD/AUX...) < 300mVIn Level Amplifier < 1,1VPhono MM Input Level 2,5mVBluetooth Module APTX – AAC (Optional module : X-FTB01)AC Input 115-230VPower Consumption : 300W (X-i75)Transformer (1)Dimensions (cm) H12 cm x W.43 cm x D.32 cmNet Weight : 8,6 kg (X-i75) Analog Inputs :1 phono MM input1 CD input1 Tuner input4 Auxiliaries inputs1 PC2 analog input1 Record output1 output for SubwooferAmplifier –Preamplifier can be disconnectedDigital Inputs :2 Coaxial inputs1 Optical inputs1 Asynchronous USB B X-MOS input1 USB A input for USB Key with MP3 files1 module Bluetooth input 24 bits x 48 kHz (Optional module X-FTB01)Outputs :1 Paire of loudspeakers1 headphones plug1 5 Volts output for WTX 500Adjustment :- Volume- Balance- Bass- Trebble- Bypass-Hi Bias switch

The X-i50BT, real audiophile design,allows numerous analog sources connections, even the use of a turntable.For the users of dematarialised music content in computers, tablets or smartphones, it includes a compatible bluetooth receiver that allows a wireless communication .Its power of 2 x 50 Watts RMS into 8 Ohms, its « Hi Bias » function will allow it to supply easily most of the loudspeakers found on the market. Its complete remote control device will make it easier to use.Inputs /Outputs :1 MM phono1 CD1 Tuner4 Auxiliaries1 PC21 USB for MP3 keysAmpli - Preamp can be disconnected1 pair speakers            SPECIFICATIONS :Output Power 8 Ω : 2 X 50 W RMS
Output Power 4 Ω : 2 X 65 W RMS

Frequency Response (-3dB): 10 Hz – 30 kHzTone Control : +/- 10 dBDistortion : < 0,15%
S/N Ratio > 85 dB
Channel Separation > 70 dBBluetooth A2DP
Input Impedance : 10 kΩ
Phono Input Impedance : 47 kΩIn Level of Aux Inputs : < 550 mV
Amp in Level < 1.25 V
Phono Stage Input Level : 2.5 mV
AC Input : 230V
1 toroïdal transformer
Dimensions : H.11 cm x W.43 cm x D.32 cmNet Weight: 6 kg 

The M3si integrated amplifier produces high quality sound, has an extensive range of useful inputs and offers high reliability, compact size and a fair price. With its strong 85 watts per channel, the M3si will drive a huge variety of appropriate loudspeakers. It has inputs for phono (MM), 4 line inputs and USB ‘B’ up to 24bit 96 kHz.The M3si’s sound is effortless, clear and sweet. It projects wide and deep images and has plenty of power to deliver excellent dynamic range. The M3si is unconditionally stable and will drive any appropriate loudspeaker with ease.Although it is Musical Fidelity’s lowest price amplifier, it embodies our hallmark values of uncoloured, stress-free sound, outstanding technical performance and great value for money. Features:85WPCExcellent technical performancePreamp outputUnconditional stability, will drive any loudspeakerWide range of useful inputsincluding asynchronous USB and MM phonoSpecifications:Power output: 85 Watts per channel into 8 OhmsTHD(+ noise): 98dB ‘A’-weightedFrequency Response: +0, –0.1dB, 10Hz to 20 kHz4x Line Level RCA / Phono1x USB type ‘B’ connector - Asynchronous data stream at up to 24-bit/96kHz1x MM Phono inputSensitivity (nominal): 3mV (suitable for cartridges giving 1.5mV or more including high output MC types)Signal / noise ratio: >70dB ‘A’-weightedInput impedance: 50k OhmsFrequency response: RIAA/IEC ±1dB, 20Hz to 20 kHzDimensions - WxHxD (mm): 440 x 100 x 400Weight (unpacked / packed): 9.2 kg/ 13 kg

The M3si integrated amplifier produces high quality sound, has an extensive range of useful inputs and offers high reliability, compact size and a fair price. With its strong 85 watts per channel, the M3si will drive a huge variety of appropriate loudspeakers. It has inputs for phono (MM), 4 line inputs and USB ‘B’ up to 24bit 96 kHz.The M3si’s sound is effortless, clear and sweet. It projects wide and deep images and has plenty of power to deliver excellent dynamic range. The M3si is unconditionally stable and will drive any appropriate loudspeaker with ease.Although it is Musical Fidelity’s lowest price amplifier, it embodies our hallmark values of uncoloured, stress-free sound, outstanding technical performance and great value for money. Features:85WPCExcellent technical performancePreamp outputUnconditional stability, will drive any loudspeakerWide range of useful inputsincluding asynchronous USB and MM phonoSpecifications:Power output: 85 Watts per channel into 8 OhmsTHD(+ noise): 98dB ‘A’-weightedFrequency Response: +0, –0.1dB, 10Hz to 20 kHz4x Line Level RCA / Phono1x USB type ‘B’ connector - Asynchronous data stream at up to 24-bit/96kHz1x MM Phono inputSensitivity (nominal): 3mV (suitable for cartridges giving 1.5mV or more including high output MC types)Signal / noise ratio: >70dB ‘A’-weightedInput impedance: 50k OhmsFrequency response: RIAA/IEC ±1dB, 20Hz to 20 kHzDimensions - WxHxD (mm): 440 x 100 x 400Weight (unpacked / packed): 9.2 kg/ 13 kg

At Musical Fidelity we think of the M6si as being a destination product. The M6si offers such excellent performance, facilities and power that unless you are seeking the most exotic high-end sound quality you would never need another amplifier. We believe it’s that good.Internally, the M6si is configured as 2 independent monobloc power amps with a separate pre amp. It is, in fact, a pre amp with 2 monobloc power amps that just happen to share the same casework. The M6si has 220wpc. It has very low distortion, outstanding noise ratio and extremely flat frequency response. Its inputs are phono (MM/MC), 4 line level, 1 balanced XLR and 1 USB ‘B’ up to 24bit 96kHz asynchronous.The M6 combination of high power, high current and extraordinary stability means that it can drive any loudspeaker with ease.In use it is hard to hear any practical difference between the M6si and other much more expensive amplifiers. In proper blind listening comparisons, the M6si performs incredibly well. If we sound rather enthusiastic it’s because we are. Features:220WPCExcellent technical performanceAmazing load driving ability, unconditional stability will drive any loudspeakerWide range of useful inputs including asynchronous USB and switchable MM / MC PhonoPreamp outputInternally it is a separate preamp with two independent monobloc power amps; effectively a separates system in a boxExcellent, hunky build qualitySpecifications:Power output: 220 Watts per channel into 8 OhmsTHD (+ noise): 107dB ‘A’ - weightedFrequency Response: +0, –0.1dB, 10Hz to 20 kHz4x Line Level RCA1x Line Level XLR Balanced1x USB type ‘B’ connector - asynchronous data stream at up to 24-bit/96kHz1 x switchable phono inputSensitivity: 3mV nominal (MM), 0.4mV nominal (MC)Signal / noise ratio: >84dB ‘A’-weightedInput impedance: 47k Ohms (MM and MC)Frequency response: RIAA/IEC ±0.5dB 20Hz-20kHzDimensions - WxHxD (mm): 440 x 125 x 400Weight (unpacked / packed): 16.6 kg/ 21.3 kg

At Musical Fidelity we think of the M6si as being a destination product. The M6si offers such excellent performance, facilities and power that unless you are seeking the most exotic high-end sound quality you would never need another amplifier. We believe it’s that good.Internally, the M6si is configured as 2 independent monobloc power amps with a separate pre amp. It is, in fact, a pre amp with 2 monobloc power amps that just happen to share the same casework. The M6si has 220wpc. It has very low distortion, outstanding noise ratio and extremely flat frequency response. Its inputs are phono (MM/MC), 4 line level, 1 balanced XLR and 1 USB ‘B’ up to 24bit 96kHz asynchronous.The M6 combination of high power, high current and extraordinary stability means that it can drive any loudspeaker with ease.In use it is hard to hear any practical difference between the M6si and other much more expensive amplifiers. In proper blind listening comparisons, the M6si performs incredibly well. If we sound rather enthusiastic it’s because we are. Features:220WPCExcellent technical performanceAmazing load driving ability, unconditional stability will drive any loudspeakerWide range of useful inputs including asynchronous USB and switchable MM / MC PhonoPreamp outputInternally it is a separate preamp with two independent monobloc power amps; effectively a separates system in a boxExcellent, hunky build qualitySpecifications:Power output: 220 Watts per channel into 8 OhmsTHD (+ noise): 107dB ‘A’ - weightedFrequency Response: +0, –0.1dB, 10Hz to 20 kHz4x Line Level RCA1x Line Level XLR Balanced1x USB type ‘B’ connector - asynchronous data stream at up to 24-bit/96kHz1 x switchable phono inputSensitivity: 3mV nominal (MM), 0.4mV nominal (MC)Signal / noise ratio: >84dB ‘A’-weightedInput impedance: 47k Ohms (MM and MC)Frequency response: RIAA/IEC ±0.5dB 20Hz-20kHzDimensions - WxHxD (mm): 440 x 125 x 400Weight (unpacked / packed): 16.6 kg/ 21.3 kg

Powering your speakers is about more than just brute force. The Yamaha A-S501 offers an excellent balance of power and agility, so your music sounds dynamic and bold without sounding bloated or distorted. In addition to its ample power output, this integrated amplifier employs a symmetrical circuit layout from inputs to outputs, along with an anti-resonance chassis. This keeps distortion and interference from cluttering the signal, for sound that's clean and clear. Your stereo speakers will come to life, for an engaging, detailed performance. Engage Pure Direct listening mode to bypass tone and loudness controls, for an even purer signal.The A-S501 has six pairs of analog RCA inputs, including a phono input for connecting a turntable. But music sources aren't the only possibilities: optical and coaxial digital audio inputs let you bring video devices into the fold. Connect a TV or Blu-ray player to these inputs, and enjoy movie sound through your stereo speakers with this amp. It's a cost-effective way to build an excellent two-channel rig in your TV room that offers dynamic sound with a wide stereo image.Features:85 W x 2-ch (20 Hz - 20 kHz)Digital audio inputs for TV and Blu-ray Disc playerPure Direct Mode for Greater Sound PurityToP-ART (Total Purity Audio Reproduction Technology) and high quality partsI/O (input to output) direct symmetrical designART (Anti-Resonance and Tough) BaseCustom-made power transformer / 12,000uF block capacitors / extruded aluminum heat sinksGold-plated speaker terminals and RCA terminalsSimple yet sophisticated design (aluminum front panel and knobs)Continuously variable loudness control

The amplifier design technology from Yamaha is called ToP-ART which features an input to output with a direct symmetrical design. ToP-ART design and ART Base ensure optimum sound when processing and transmitting the audio signal. The signal is simple and direct, therefore it is less likely to be affected by noise and distortion. The left and right channels are organized in a straight, symmetrical layout for the highest signal purity. In addition, the ART (Anti-Resonance and Tough) Base bottom chassis and a solid center bar provide high rigidity support and dampers vibration. These design innovations contribute to this amplifier's rich audio reproduction with abundant musicality.Spefications:100 W x 2-ch (20 Hz - 20 kHz)Digital audio inputs for TV and Blu-ray Disc™ playerCD Direct Amplification and Pure DirectToP-ART (Total Purity Audio Reproduction Technology) and high quality partsI/O (input to output) direct symmetrical designART (Anti-Resonance and Tough) BaseCustom-made power transformer / 12,000uF block capacitors / extruded aluminum heat sinksGold-plated speaker terminals and RCA terminalsSimple yet sophisticated design (aluminum front panel and knobs)Continuously variable loudness control

Our scene-stealing C 315BEE, an award-winning design that exceeded all expectations, has given rise to the C 316BEE Integrated Amplifier. The C 316BEE promises improved power efficiency, a healthy dose of ‘green’ attributes, and serious musical performance. The C 316BEE offers entry-level affordability and for many there will never be a need for another amplifier. With class-leading specifications for noise, distortion, power, stereo separation and volume control tracking, the C 316BEE sets new benchmarks for performance, both measured and audible. The sonic result is a relaxed and inviting sound that digs out the subtle details in your favourite recordings and presents them across a panoramic stereo sound stage.Features:Proprietary PowerDrive Circuit offers a remarkable combination of high current drive needed for complex loudspeaker loads combined with high levels of undistorted dynamic power. Bjørn Erik Edvardsen, our Director of Advanced Development, developed a simplified version of PowerDrive for the C 316BEE.Thanks to its innovative technology, standby power consumption is less than 1 watt. The C 316BEE uses lead-free silver solder and is constructed free of hazardous materials.True to our enviable reputation for creating some of the best performing budget amplifiers of all time, the C 316BEE delivers huge performance without the huge price tag.Continuous power is a conservative 40 watts and dynamic power, which is more important for music listening, is remarkably more than 100 watts! Far more usable power on tap than other amps at this price point.The C 316BEE has everything necessary for musical enjoyment, yet it is refreshingly limited to the essentials: six inputs, one set of speakers, a headphone jack and full function remote control.While the C 316BEE embodies simplicity, it is far from a ‘stripped down’ product. It is fully equipped to be the control centre for a high performance music system.

Η deluxe έκδοση του T.A.C. 34 MK, Με 2 λυχνίες Magic Eye 6E2.Ολοκληρωμένος ενισχυτής λυχνίας ισχύος 40watt. Η μαγεία της λάμπας με την απαραίτητη ισχύ για την οδήγηση ηχείων ακόμα και με ευαισθησία χαμηλότερη απο 90db spl.Με λάμπες EL34 και 6N3 Προδιαγραφές:Nominal output power RMS 4-8 Ohm: 2 x 40 WattFrequency Range: 20 Hz - 60 kHz +/- 1,5 dBTotal harmonic distortion: < 1% (1 kHz 1 W)Signal-to-Noise Ratio: > 95 dBInput Impedance: 50 kOhmSpeaker Impedance: 4 or 8 OhmTubes in pre-amplifier stage: 4 x 6N3Tubes in power amplifier stage: 4 x EL 34Magic Eye: 2 x 6E2Power supply: 230 V / 50 HzDimensions (WxHxD): 420 x 210 x 270 mmWeight: 18 kgColour: black/chrome

Ολοκληρωμένος ενισχυτής λυχνίας ισχύος 35watt.Η μαγεία της λάμπας με την απαραίτητη ισχύ για την οδήγηση ηχείων ακόμα και με χαμηλότερη ευαισθησία απο 90db spl. Προδιαγραφές: Nominal output power RMS 4-8 Ohm: 2 x 35 WattFrequency Range: 20 Hz – 40 KHz (+/- 1dB)Total harmonic distortion: < 1% (1 kHz 1 W)Signal-to-Noise Ratio: > 80 dBInput Impedance: 47 kOhmSpeaker Impedance: 4 or 8 OhmTubes in pre-amplifier stage: 1x 12AX7 / 2x 12AU7Tubes in power amplifier stage: 4 x EL 34Dimensions (WxHxD):430 x 205 x 386 mmWeight: 26.5 kg

Ολοκληρωμένος ενισχυτής λυχνίας ισχύος 40watt.Η μσγεία της λάμπας με την απαραίτητη ισχύ για την οδήγηση ηχείων ακόμα και με χαμηλότερη ευαισθησία απο 90db spl.Με λάμπες EL34 και 6N3Τηλεχειριζόμενος.Προδιαγραφές: Nominal output power RMS 4-8 Ohm: 2 x 40 WattFrequency Range: 20 Hz - 60 kHz +/- 1,5 dBTotal harmonic distortion: < 1% (1 kHz 1 W)Signal-to-Noise Ratio: > 90 dBInput Impedance: 100 kOhmSpeaker Impedance: 4 or 8 OhmTubes in pre-amplifier stage: 4 x 6N3Tubes in power amplifier stage: 4 x EL 34Dimensions (WxHxD): 420 x 210 x 270 mmWeight: 23 kgRemote Control