Cyber Week

The Elipson RAIN two-way speakers are veritable all-terrain models that are just as suited to intense cold or hot temperatures as they are to extreme humidity. These weatherproof speakers will be at home by the poolside, in the garden, in a sunroom or under a porch, but also in bars, restaurants, kitchens, spas or outdoor terraces. The RAIN speakers are meticulously assembled and come with an ultra-rigid, anti-UV case and a rustproof grill, all of which contribute to their extensive lifespan. Each RAIN model has an integrated wall mount system. Easy to install, this system provides a 180° dispersion angle, ensuring optimal sound quality that fills the entire area. Three sizes are available depending on the amount of power needed: the RAIN 4, RAIN 6 and RAIN 8 which feature a mid-bass driver of 4”, 6.5” and 7.9” respectively. The Elipson RAIN speakers are available in a white or black finish. Specifications:Type: 2-way outdoor speakerPower: 120WFrequency Response (±3 dB): 80Hz - 20KHzCrossover frequency: 3000 HzSensitivity: 89 dB/1W/1mImpedance: 8 OhmsLoudspeakers: Tweeter : 25 mm Mid-bass : 165 mmIndice de protection: IPX4Température min: -25°CTempérature max: +70°C (25% humidity)Résistance à l'humidité: +40°C under 95%Traitements: Anti-rust, anti-UV

Inspired Re-creation of a Legendary Small-diaphragm CondenserTheir acclaimed compressors and preamps have famously upset the pro audio price/performance ratio. When Warm Audio turned its attention to the granddaddy of small-diaphragm FET condenser microphones, you know it had to be good. And it is. Flash back to any top recording studio in the 1970s. You'll see the venerable '84 everywhere. Engineers who have worked with different generations of this perennial studio favorite know that the vintage ones have a warmer, more forgiving sonic character. It's these circuit designs — dating back nearly half a century — that Warm Audio closely followed for the WA-84. Stellar performance, top-shelf parts, and amazing value: that's the Warm formula — and the WA-84 nails it.Quality components make the Warm differenceWarm Audio doesn't cut corners on components, but they do order parts and build in quantity, which keeps costs down and delivers amazing value. Featuring a meticulously crafted vintage reproduction capsule, WA-84 is built with premium all-discrete components that include Fairchild transistors, Wima capacitors, and a CineMag USA transformer. Designed for professional commercial and home studios, live sound reinforcement, and broadcast applications, the WA-84 has the uncanny ability to finesse a wide range of sources, such as acoustic guitars, double bass, drums and percussion, piano, strings, brass and woodwinds, and more.What can the WA-84 do for you?Every studio needs at least one pair of high-quality small-diaphragm condenser mics, and the Warm Audio WA-84 is designed after a legendary one. With its versatile cardioid polar pattern and 10dB pad, you can use the WA-84 on any instrument — with world-class results. It makes snares and tom toms sound huge. It's great for drum overheads, capturing cymbals with warmth and vibrancy. It's perfect for adding a bit of room to complement a close dynamic or ribbon mic on a guitar cabinet. Engage the pad, and move the mic right up on the speaker grille.Double your value with a pair of these excellent micsThe WA-84 is an ideal choice for piano, vibraphone, marimba, congas, strings, woodwinds, and so much more. The list goes on, but suffice to say: You haven't lived until you've heard a grand piano spring to life when miked with a pair of WA-84s. For drum room mics, use two of them and nuke the stereo signal with a fast limiter. Positively explosive! Considering its amazing price, it would be wise to double your value and get (at least) two for recording tracks in stereo.Warm Audio WA-84 Small-diaphragm Condenser Microphone Features: Cardioid polar pattern Fully discrete signal path Vintage reproduction capsule CineMag USA Transformer 48V phantom powered Frequency Range: 20Hz–20kHz Sensitivity: -39dB or 11mV/Pa @ 1kHz Output Impedance: 200Ω Rated Load Impedance: ≥1kΩ Switchable Pad: -10dB Maximum SPL: 123/133dB @ 1kHz, 0.5% THD, 0/-10dB S/N Ratio: 78dBA (IEC651) Equivalent noise: 16dBA (IEC651) Dynamic range: 107dBA (IEC651) Connector: 3-pin gold-plated XLR Includes microphone, cardioid capsule, shockmount, mic clip, windscreen, carrying case A look inside the WA-84 The Capsule The WA-84 utilizes a custom vintage-style capsule designed to emulate classic componentry and design techniques. The WA-84’s capsule is carefully manufactured by an Australian capsule supplier and is precisely reproduced to vintage specs. We are pleased to offer such a high quality capsule in this microphone which allows us to nail the sonics of the most important component of any microphone. The Circuit The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The Transformer The WA-84 utilizes an American made CineMag USA transformer that contributes to the legendary creamy smooth top-end and the BEEFY mid to bottom-end one would hope to get from an 84-style small diaphragm condenser microphone. The Capacitors The WA-84 proudly utilizes Wima, polystyrene and tantalum through-hole capacitors throughout.

We’ve listened to feedback from DJs and improved on our previous professional DJ headphones. With newly developed drivers, the HDJ-X7 model gives you clean monitoring even at high volumes. The independent ground wire in the 4-core twisted-structure cable ensures superior left and right channel separation, while the flexible headband means your headphones will be a perfect fit.The HDJ-X model headphones are designed to be flexible. Their swivel mechanism allows you to wear them comfortably, whichever way you prefer, for long periods of time. No need to worry about bumps and knocks during transport as these DJ headphones can handle severe conditions and heavy use. They even cleared the US Military Standard Shock test.Thanks to the newly developed 50-mm driver, sound is always crystal clear. Add to that the tight bass notes from the optimised diaphragm, a cable with superior left and right channel separation and the bass reflex chamber, all enabling professional monitoring.Even on the road, your headphones will handle severe conditions and heavy use. Durable metal is used in the moving parts, enabling a strong construction that cleared even the US Military Standard Shock test*.These headphones are comfortable to use no matter how you wear them. The housing design reduces pressure on your head, while its outside texture enhances grip. To help you find the perfect fit, they also feature a flexible, durable headband and a flexible swivel.  Specifications: Weight (without cable)   312 gMaximum Input Power   3500 mWOutput Sound Level   102 dBFrequency Range   5 - 30000 HzImpedance   36 Ω

The Elipson RAIN two-way speakers are veritable all-terrain models that are just as suited to intense cold or hot temperatures as they are to extreme humidity. These weatherproof speakers will be at home by the poolside, in the garden, in a sunroom or under a porch, but also in bars, restaurants, kitchens, spas or outdoor terraces. The RAIN speakers are meticulously assembled and come with an ultra-rigid, anti-UV case and a rustproof grill, all of which contribute to their extensive lifespan. Each RAIN model has an integrated wall mount system. Easy to install, this system provides a 180° dispersion angle, ensuring optimal sound quality that fills the entire area. Three sizes are available depending on the amount of power needed: the RAIN 4, RAIN 6 and RAIN 8 which feature a mid-bass driver of 4”, 6.5” and 7.9” respectively. The Elipson RAIN speakers are available in a white or black finish. Specifications:Type: 2-way outdoor speakerPower: 120WFrequency Response (±3 dB): 80Hz - 20KHzCrossover frequency: 3000 HzSensitivity: 89 dB/1W/1mImpedance: 8 OhmsLoudspeakers: Tweeter : 25 mm Mid-bass : 165 mmIndice de protection: IPX4Température min: -25°CTempérature max: +70°C (25% humidity)Résistance à l'humidité: +40°C under 95%Traitements: Anti-rust, anti-UV

Your AVB Stage-to-Console SolutionA perfect partner for StudioLive Series III consoles.Designed to work seamlessly with PreSonus® StudioLive® Series III console/recorders the PreSonus NSB 16.8 is an 16-in, 8-out stage box that sets up quickly and easily to route signals from stage to mixer over an AVB network.With AVB networking, all signals flow through one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the NSB 16.8’s inputs, preamps, and phantom power from your networked Series III console or from free PreSonus UC Surface touch-control software.Making connections—lots of them.A stage box is all about analog connectivity, and the NSB 16.8 gives you all the I/O you need and then some. You get 16 locking combo mic/line inputs equipped with our famous remote-controlled, Class A solid-state XMAX preamps, including gain compensation for shared input scenarios.All line inputs can be controlled from a StudioLive Series III console and from free PreSonus UC Surface software. All eight outputs employ locking XLR jacks. If that’s not enough, a built-in 2-port AVB switch lets you daisy-chain multiple units, giving you enough connections for even the largest shows and installations.What is an AVB network?Audio networking is much more than just a way to connect a digital snake. With an AVB network, you can connect digital audio devices over long distances using CAT5e or CAT6 Ethernet cable and route your audio anywhere on the network with extremely low latency. AVB offers several unique benefits that make it a better choice for audio than other networking protocols.For example, AVB provides a high-precision clock that significantly reduces harmonic distortion and phasing, ensuring your audio stays clear and clean. AVB ensures you always have enough bandwidth to carry your low latency audio—even when your intern starts streaming a movie. These important benefits are an inherent part of AVB; you don’t need to do anything special to your devices or AVB switch. And you can only get them with AVB.Tough enough for the most demanding tours.Even if you baby your equipment, your stage boxes are likely to take a beating, especially on extended tours. But no matter how demanding the conditions, stage box failure is not an option. So we built the NSB 16.8 into a rugged steel chassis designed to survive the rigors of the road, and we equipped it with sturdy handles.Its classic stage box form factor allows the NSB 16.8 to sit well on the stage, or it can be rack mounted with an optional rack-ear kit. The NSB 16.8 also is compatible with stage pockets from Ace Backstage.Everything you need...and then some.“StudioLive” doesn’t just mean “digital mixers.” StudioLive Series III is all about top-to-bottom, wall-to-wall mix solutions with a lineup now featuring digital consoles, rack mixers, personal monitoring units and stage boxes. And because Series III has AVB at its core, you get to expand your audio network over time to fit your needs.With Series III, you can track in your home studio on Friday and then mix front of house at a dive bar on Saturday night. You’ll still have what you need to run monitors on Sunday morning.Stay in the PocketThe ACE Backstage #175SLBK Stage Pocket is designed to be permanently installed in the stage floor and is configured to receive PreSonus Networked Stage Boxes (NSB 8.8, NSB 16.8) for portable onstage use and passive storage.One PreSonus NSB slides easily in and out of the ACE Stage Pocket Nesting Frame. The NSB is secure while resting inside the Stage Pocket, allowing I/O cables to egress neatly through Hinged Cable Exits in the Lid, and onto the stage floor. Additional room for a single space rack panel inside the Stage Pocket makes it possible to add additional connectivity at the stage floor.Features :For StudioLive Series III mixing consoles16 Mic / line inputs (combo jacks, XLR / jack)16 Remote-controllable XMAX Class A mic preamps48 Volt phantom power with 16 status LEDsGain compensation for shared use8 Line outputs (XLR)Mute All button2 AVB Ethernet ports with locking RJ45 socketsConnection to the console via a CAT5e or CAT6 cableCascadable via AVB (daisy chain)Can also be operated via control software "UC Surface"Interlocking IEC power socketRobust steel housing 

The Elipson Prestige Facet 8B speaker introduces a host of innovative technologies. The most visible is undeniably the ring of sculpted facets surrounding each driver, which gives the range its name. A rigorous design process ensures optimal acoustic performance, while an elegant finish allows the speaker to blend in harmoniously with your interior decor.The Prestige Facet 8B is availble in black, walnut and white. Signs of a high-quality finish include a double-layer front panel to which a black or white lacquer is applied. Medium-sized, it is equipped with a 17 cm low midrange driver featuring a bullet-shaped phase plug to limit vibrations and, consequently, reduce distortion.A 25 mm soft dome tweeter reproduces highs with finesse and precision. The multifaceted, sculpted silicone surround rings encircling each driver reduce the baffle effect and limit diffractions. The result is a more linear response curve and a smoother listening experience.Extra attention has been paid to the speaker's cabinet. The lacquered front panel is composed of two dense, thick materials and strengthened by several internal brackets. The speaker's steep-slope filter relies on highly efficient, audiophile-grade components. As for the finish quality, it is not overlooked and offers benefits such as premium-quality vinyl and a lacquered front panel.At Elipson, the back counts as much as the front. That is why our designers have created rounded, high-end dual speaker terminals which offer the possibility of biwiring and biamplifying while benefiting from silver-plated contacts to maximize signal transmission. Banana plugs may also be connected to the terminals.Neutral and accurate, this speaker delivers sound which is free from colouration and faithful to the original recording. Impressions of smoothness and serenity emanate from each track as it is masterfully reproduced, without any hint of harshness. The experts weren't wrong when they awarded the Elipson Prestige Facet 8B speaker with the Choc Classica and Diapason d'Or awards. A champion in its category!The Prestige Facet 8B's high sensitivity allows it to be paired with any amplifier with a power rating of 85 W or less per channel. Its lively performance make it an excellent surround sound speaker for a home cinema installation.   Specifications:Speaker: BookshelfNumber of way: 2Power: 85 W RMSTweeter: 1 "Mid-bass driver: 6,5 "Frequency Response (±3 dB): 47 Hz - 25 kHzSensitivity: 91 dB/1W/1mImpedance: 6 OhmsDimensions (W x H x D): 230 x 361 x 347 mmWeight with packaging, pair (W x H x D): 525 x 460 x 405 mmWeight with packaging, pair: 20,3 kg

AIR10: Versatile, customizable, and easy to transport.Compact and lightweight, AIR12 active loudspeakers provide a rich, extended low-end and natural high-frequency extension in an enclosure that will easily fit in the backseat of a small car. Backed by 1,200W (dynamic) of Class D/Class AB power and enhanced with easy-to-use digital tuning functions, the AIR12 gives you all the power and tools you need for both mobile and installed sound.The best of two worlds.Each type of power amplifier has advantages and disadvantages. By employing different amplifier types for each driver, AIR12 loudspeakers use the respective strengths of Class D and Class A/B amplifiers to provide optimal response throughout the speaker’s frequency range. A 500W (continuous), Class D amplifier powers the 12-inch low-frequency driver, providing efficient, clean power for gut-shaking low end when you need it. A 200W (continuous), Class AB amplifier powers the 1.35-inch high-frequency driver, delivering a natural sounding, "AIR-y" high end. The combination can deliver up to 123 dB SPL of sweet, clear sound between 51 Hz and 20 kHz.Fast and easy customization.The AIR12 loudspeaker is equipped with an easy-to-use signal processor that makes it simple to customize your loudspeakers with the push of a button. Presets customize the AIR12’s response for use as front-of-house mains; as monitor wedges; for music playback (e.g., for DJs); for enhanced low end and a warmer sound; and for improved speech intelligibility. Treble and bass controls let you boost or cut by 10 dB to compensate for room anomalies. Location presets let you optimize performance for stand and bracket mounting as well as flown installations.Versatile mounting for a variety of applications.The AIR12’s molded plastic cabinet can be mounted in several ways, providing tremendous versatility. The multi-angle enclosure sports nonskid rubber feet on the bottom for upright front-of-house use and nonskid rubber feet on one side for stage monitor applications. Rig the speaker using M10 fly points or ground-stack it for portable applications. Mount it on a tripod or atop an AIR-series subwoofer using an optional sub pole. The integrated dual-position pole mount lets you aim the speaker level or at a 7.5˚ downward tilt. And the AIR12 is easy to transport, thanks to its top-mounted handle.You’ll be floored.If you place a loudspeaker against a hard surface such as a wall or floor, the low frequencies emitted from the rear of the enclosure propagate back into the room. This effect, called “half-space loading,” can increase the output of bass frequencies by as much as 6 dB, and it is an unavoidable issue with floor monitors. Most PA speakers in this class simply roll off excess low frequencies with a highpass filter—a half-baked compensation for half-space loading. In contrast, AIR-series full-range loudspeakers offer a Monitor preset that uses DSP to retune the speaker to both compensate for bass buildup and maintain a tight mid-bass response, while suppressing problematic frequencies to reduce feedback.Flexible inputs.AIR-series full-range loudspeakers offer a choice of inputs so you can use them with a variety of sources. You get two combo XLR mic/TRS line inputs, each with a Class A microphone preamplifier and independent gain control. A stereo 1/8” connection admits signals from smartphones, tablets, and other consumer audio devices. These signals can be combined with the AIR12’s internal mixer, and a balanced XLR Mix output lets you send pass the signals to other AIR-series loudspeakers.A sweet-sounding solution.With their “best of both worlds” power-amp configuration, carefully programmed DSP presets, versatile mounting options, flexible inputs with onboard mixing, and other professional features, PreSonus AIR-series loudspeakers are an excellent choice for both mobile and installed sound. You’ll love their easy transportability and their affordability. But the best thing about AIR-series loudspeakers is their clear, natural, “AIR-y” sound. Don’t just take our word for it, though. Check out AIR-series loudspeakers at your favorite PreSonus dealer.Six years of trouble-free performance. Guaranteed.When you choose ULT or AIR loudspeakers, you choose confidence. Rest assured that your new PreSonus speakers are in it for the long haul.We take our build quality seriously, and if anything goes wrong with them in your first six years of ownership (assuming you don't throw them in a swamp or anything like that) the repair or replacement is on us.

AIR15: Versatile, customizable, and easy to transport.Compact and lightweight, AIR15 active loudspeakers provide a rich, extended low-end and natural high-frequency extension in an enclosure that will easily fit in the backseat of a small car. Backed by 1,200W (dynamic) of Class D/Class AB power and enhanced with easy-to-use digital tuning functions, the AIR15 gives you all the power and tools you need for both mobile and installed sound. The best of two worlds.Each type of power amplifier has advantages and disadvantages. By employing different amplifier types for each driver, AIR15 loudspeakers use the respective strengths of Class D and Class A/B amplifiers to provide optimal response throughout the speaker’s frequency range. A 500W (continuous), Class D amplifier powers the 15-inch low-frequency driver, providing efficient, clean power for gut-shaking low end when you need it. A 200W (continuous), Class AB amplifier powers the 1.35-inch high-frequency driver, delivering a natural sounding, "AIR-y" high end. The combination can deliver up to 124 dB SPL of sweet, clear sound between 47 Hz and 20 kHz. Fast and easy customization.The AIR15 loudspeaker is equipped with an easy-to-use signal processor that makes it simple to customize your loudspeakers with the push of a button. Presets customize the AIR15’s response for use as front-of-house mains; as monitor wedges; for music playback (e.g., for DJs); for enhanced low end and a warmer sound; and for improved speech intelligibility. Treble and bass controls let you boost or cut by 10 dB to compensate for room anomalies. Location presets let you optimize performance for stand and bracket mounting as well as flown installations. Versatile mounting for a variety of applications.The AIR15’s molded plastic cabinet can be mounted in several ways, providing tremendous versatility. The multi-angle enclosure sports nonskid rubber feet on the bottom for upright front-of-house use and nonskid rubber feet on one side for stage monitor applications. Rig the speaker using M10 fly points or ground-stack it for portable applications. Mount it on a tripod or atop an AIR-series subwoofer using an optional sub pole. The integrated dual-position pole mount lets you aim the speaker level or at a 7.5˚ downward tilt. And the AIR15 is easy to transport, thanks to its top-mounted handle. You’ll be floored.If you place a loudspeaker against a hard surface such as a wall or floor, the low frequencies emitted from the rear of the enclosure propagate back into the room.This effect, called “half-space loading,” can increase the output of bass frequencies by as much as 6 dB, and it is an unavoidable issue with floor monitors.Most PA speakers in this class simply roll off excess low frequencies with a highpass filter—a half-baked compensation for half-space loading. In contrast, AIR-series full-range loudspeakers offer a Monitor preset that uses DSP to retune the speaker to both compensate for bass buildup and maintain a tight mid-bass response, while suppressing problematic frequencies to reduce feedback. Flexible inputs.AIR-series full-range loudspeakers offer a choice of inputs so you can use them with a variety of sources. You get two combo XLR mic/TRS line inputs, each with a Class A microphone preamplifier and independent gain control. A stereo 1/8” connection admits signals from smartphones, tablets, and other consumer audio devices. These signals can be combined with the AIR15’s internal mixer, and a balanced XLR Mix output lets you send pass the signals to other AIR-series loudspeakers. A sweet-sounding solution.With their “best of both worlds” power-amp configuration, carefully programmed DSP presets, versatile mounting options, flexible inputs with onboard mixing, and other professional features, PreSonus AIR-series loudspeakers are an excellent choice for both mobile and installed sound. You’ll love their easy transportability and their affordability. But the best thing about AIR-series loudspeakers is their clear, natural, “AIR-y” sound. Don’t just take our word for it, though. Check out AIR-series loudspeakers at your favorite PreSonus dealer.   Six years of trouble-free performance. Guaranteed.When you choose ULT or AIR loudspeakers, you choose confidence. Rest assured that your new PreSonus speakers are in it for the long haul.We take our build quality seriously, and if anything goes wrong with them in your first six years of ownership (assuming you don't throw them in a swamp or anything like that) the repair or replacement is on us.     Technical Specifications:Acoustic Performance ConfigurationActive 2-wayFrequency Range (-3 dB)47 Hz to 20 kHzFrequency Range (-10 dB)40 Hz to 20 kHzCrossover Frequency1.6 kHzMaximum Output124 dB SPLNominal Dispersion (HxV)90˚x 60˚Transducer LF Driver15” (2.5” voice coil)HF Driver1.35” compressionAmplifier Amplifier TypeClass D (LF), Class AB (HF)Total System Power1,200W dynamicLF Power900WHF Power300WConnections and Controls Inputs2 x XLR/TRS mic/line combo; 1 x 1/8” TRS stereoOutputs1 x XLR Mix Out 

The perfect partner for a StudioLive Series III console.The StudioLive 16R Series III rack mixer is a perfect partner for your StudioLive Series III console/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive 16R to a Series III front-of-house console with one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs.You can even remote control the StudioLive 16R’s preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 16R not only serves as an excellent networked stage box, it is a full blown monitor mixer with far more processing and mixing power than any mixer in its class—all packed into just one rackspace. (1U). The most powerful rack mixer in its class.When we say the StudioLive® Series III stage boxes and rack mixers are by far the most powerful rackmount digital mixers in their class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps.Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors.Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio. A third-generation Fat Channel.StudioLive Series III rack mixers boast the same third-generation Fat Channel processing found in StudioLive Series III consoles. Delivering digital precision with the heart and soul of analog, the Series III Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs.In addition to channel processing, all StudioLive Series III mixers offer 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording, mixing monitors, or even running the front-of-house system. Technical Specifications Digital Audio and Control ADC Dynamic Range115 dB (A-wtd, 48 kHz)DAC Dynamic Range115 dB (A-wtd, 48 kHz)USB Recording PortUSB 2.0, Type-BNetwork Control PortRJ-45AVB Audio Network PortLocking XLR EthernetInternal Processing32-bit, floating pointSampling Rate48 kHz (44.1 kHz coming soon)A/D/A Bit Depth24Reference Level for 0 dBFS+18 dBuTotal System Latency1.9 ms (local routing, analog in-analog out, all processing active) Mi​crophone Preamplifier Input TypeCombo locking XLR mic-¼” TRS lineFrequency Response to Main Output (at unity gain)20-20 kHz, ±0.5 dBuInput Impedance1 kΩTHD to Main Output

As its name indicates, the  SD25 CEQ is quite simply the Cutaway Electric model of the SD25!Conceived on the same specifications, but with a cutaway, capsule and 3-band amplifier which respect the natural sound scrupulously.This model converts naturally into a very well made electro-acoustic guitar at a price which is, yet again, unbeatable.And for an exceptional sound quality, connect it to one of our Nattural 5 or Natural 6 amplifier. Specifications:Brand : Electro-acoustic guitar Prodipe GuitarsSeries : StarterModel : SD25 CEQ DreadnoughtTop : SpruceBack and sides : Indonesian mahoganyNeck : MahoganyNut and saddle : FittedFingerboard : Composite rosewoodFinition : Satin varnishTuning machine : Die-cast nickel-platedStrings : Bronze 12/54Electronic : EC 1 active 3-band pre-amp with tuner

Combining classic audio design with new technology Tangent's new premium radio Tuner ll provides easy and reliable access to many local and national radio stations thanks to its latest technology high quality tuner.  The FM analogue part of the tuner features RDS and is both clear and refined, whilst the digital DAB and DAB + tuners offer fast, locked-in reception of all available DAB + channels with stunning clarity.  The large white text LED display clearly provides the information you need whichever radio band and station you’re listening to. Hi-Fi sound quality from a mini radio The new Tuner ll fits effortlessly into Tangent's new mini system. By combining the Tangent Ampster BT II and CD ll, you can enjoy a complete, compact sized HI-FI system with premium audio quality and performance.  Each Tuner ll, Ampster BT ll and CD ll is less than the width of an A4 sheet of paper and is only 7cm high, making the system only 21cm high when stacked! So the small size of each component takes up less space in the living room, kitchen - or wherever you enjoy your music. A remote control for all The remote control for the Tuner II also operates the Ampster BT II and CD ll, so when all three components are stacked together or placed separately, each remote control can be used to operate all components.  Or you can choose to use only one remote control and put the two other remotes away!   Features FM/DAB/DAB+ Built-in power supply Alu Front Optical and analogue out

SOUND LIKE A LEGENDThe WA-251 was created to offer a classic microphone design to a new generation of recording artists at an affordable price. We spent a great deal of time listening to different ‘251 microphones to determine what people liked about them and why, how various styles of components impact the tone, and how to give the WA-251 microphone a signature that pays homage to the vintage classic, but also stands out on its own.The WA-251 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern, large condenser microphone, based on the classic ‘251 that has been used on countless hit records for the last 50+ years. The WA-251 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. DESIGNThe classic ‘251 became extremely popular as a vocal microphone in the 1960’s and is now considered to be one of the greatest condenser microphones ever created. The classic ‘251 is still widely used today in professional recording studios but has become extremely rare and cost prohibitive to acquire.Designing our WA-251 to sound like the classic ‘251 was no easy task, especially since some of the vintage components are no longer manufactured or available. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before.SPECIFICATIONS CUSTOM WA-12-B-60V EDGE TERMINATED, DUAL-BACKPLATE, ALL-BRASS VINTAGE CK12-STYLE CAPSULE CINEMAG USA OUTPUT TRANSFORMER JJ SLOVAK 12AY7 VACUUM TUBE GOTHAM 5 METER GAC-7, 7-PIN TUBE MICROPHONE CABLE WIMA, SOLEN FRENCH, AND POLYSTYRENE CAPACITORS POLAR PATTERNS: 3 PATTERNS - CARDIOID, OMNI, FIGURE-OF-EIGHT FREQUENCY RANGE: 20 HZ~20 KHZ OUTPUT IMPEDANCE: 200 OHMS MAXIMUM SPL: 132DB (

It’s time to enjoy your CD collection again As part of Tangent’s new mini-system, the CD II plays an integral role when connected with the new Ampster II and Tuner II. Due to its mini, compact size you’ll now be able to play your CD collection on a player that’s both space saving and technology future-proof.  The CD II is a multi-format digital disk player that’s compatible with all current CD formats (including home-made MP3 files)… and with both digital optical and regular line-outputs, the CD II is designed to produce lossless connectivity to any separates HI-FI system. High quality CD sound from a mini player The new CD ll fits effortlessly into Tangent's new mini system. By combining the Tangent Ampster BT II and Tuner ll, you can enjoy a complete, compact sized HI-FI system with premium audio quality and performance.  Each CD ll, Ampster BT ll and Tuner ll is less than the width of an A4 sheet of paper and is only 7cm high, making the system only 21cm high when stacked! So the small size of each component takes up less space in the living room, kitchen - or wherever you enjoy your music. A remote control for all The remote control for the CD II also operates the Ampster BT II and Tuner ll, so when all three components are stacked together or placed separately, each remote control can be used to operate all components.  Or you can choose to use only one remote control and put the two other remotes away!   Features Optical digital out Analog RCA out Compact design Built-in power supply 

Beginners have essential special needs, which few manufacturers know how to satisfy.Thanks to the skill of its luthiers, Prodipe Guitars have created a model that is perfect for learning.From conception to manufacture, including selection of wood, setting the height of the strings and bridge, and profiling the neck, everything is designed to make learning easy.Because we know that these first guitars often get rough treatment (transported frequently, with or without a case, in all weathers, forgotten in the boot of a car parked in the sun, etc.), Prodipe Guitars' Primera models have a carbon insert in the neck that makes this guitar very light and resistant.Practically exclusive in this price range! Specifications:Brand : Classical Guitar PRODIPE GUITARSSeries : StarterModel : PrimeraTop : SpruceBack and sides : MahoganyBinding filets : Double ABSNeck : Mahogany with insert in carbonNut and saddle : Fitted boneFingerboard : Composite rosewoodFinition : Matt varnishTuning machine : Gilt, black knobsStrings : ALICE high tension

Use the new UHF B210 DSP bodypacks to reproduce the musicality of your instruments and turn wireless into wired!We've added a new, high performing Digital Signal Processor (DSP) to manage the frequencies in all our wireless systems.DSP technology gives greater wireless stability and precision, practically matching the type of sound quality you would expect from a wired system. Relish the uncompromising sound balance when you sing or play in wireless. Connect your Series 21 mic to the UHF B210 DSP Solo bodypack:SB21 Sax & BrassVL21 Violin & AltoGL21 Guitar & UkuleleBL21 ContrabassCL21 CelloOPTION: can be connected to the B210 DSP bodypackLavalier P2L lapel mic: a small diaphragm condenser Lavalier mic which respects the timbre of your voice and is just as effective at conferences as it is during presentations.Headset : the new Prodipe headset mic is specially designed for people on the move. It adapts perfectly to your morphology. Comfortable and light, it boasts a tailor made cardioid cartridge for singing and vocals. Specifications:System - principal fonctions:Transmission type: UHFBandwith:  630 - 680MHzFrequencies:  2 x 50Dynamic: >90dBHarmonic distorsion: 96dBUnbalanced audio output: 1 x Jack 6.35 mmBalanced audio output: 2 x XLR

Use the new UHF B210 DSP bodypacks to reproduce the musicality of your instruments and turn wireless into wired!We've added a new, high performing Digital Signal Processor (DSP) to manage the frequencies in all our wireless systems.DSP technology gives greater wireless stability and precision, practically matching the type of sound quality you would expect from a wired system. Relish the uncompromising sound balance when you sing or play in wireless. Connect your Series 21 mic to the UHF B210 DSP Solo bodypack:SB21 Sax & BrassVL21 Violin & AltoGL21 Guitar & UkuleleBL21 ContrabassCL21 CelloOPTION: can be connected to the B210 DSP bodypackLavalier P2L lapel mic: a small diaphragm condenser Lavalier mic which respects the timbre of your voice and is just as effective at conferences as it is during presentations.Headset : the new Prodipe headset mic is specially designed for people on the move. It adapts perfectly to your morphology. Comfortable and light, it boasts a tailor made cardioid cartridge for singing and vocals. Specifications:System - principal fonctions:Transmission type: UHFBandwith:  630 - 680MHzFrequencies: 2 x 100Dynamic: >90dBHarmonic distorsion: 96dBUnbalanced audio output: 1 x Jack 6.35 mmBalanced audio output: 1 x XLR

A very good  Les Paul style guitar using okoume (instead of mahogany) and palisandro, which allows a weight of only 3.6 kgr Allows you to have all of these classical Les Paul Custom sounds for different rock styles of music. Comes with D'Addario strings 10-46

JM Forest Acoustic Guitar Fine Wood SD 26 MH DreadnoughtMahogany, a real tribute to this legendary manufacturer of the late 19th century, inventor of the X bracing, the flat-top guitars SD26.The MH Dreadnought shape for powerful sound, balanced and full. Ideal for accompanying  SpecificationsModel: SD26 MH DREADNOUGHTTable: Mahogany (Mahogany)Bottom And Sides: Mahogany (Mahogany)Binding: Double black ABSNeck: MahoganyNuts: AdjustedVeneer Head: MahoganyKey: RosewoodFinish: GlossMechanical: oil bath Mechanical nickelCords: Bronze 12/54

Ukulele MARRON Case by JM Forest , 12mm.

Wireless System Bass/Guitar. This UHF system has been designed for electric guitars, electro acoustic guitars and bass guitars.The specially adapted impedance means that you can reproduce the high definition sound of a wired system in UHF.The electronics for the UHF side prevent any interference, and that signal integrity would be optimized no matter what the conditions.Now your instruments can really strut their stuff in UHF with absolutely no compromise on sound quality.PLL with 100 preset frequenciesFrequency range: 600MHz to 635MHzActive cable (for the UHF Lanen GB21) can be connected to the 6.35mm Jack on your guitar/bass100 channel receiver: 6.35 mm output Jack + XLR​Whatever wireless system you're using, the most important aspects are the audio quality and the stability. We've the UHF GB21 GUITAR/BASS system in metal to give you perfect insulation, and adapted the impedance for electric, electro-acoustic, and bass guitars. All this to make sure your UHF sound is the same as wired sound: dynamic, rich and balanced.The UHF wireless system uses an extremely stable phase-locked loop circuit and a dual antenna/dual receiver analogue wireless system (True Diversity) to prevent interference problems and guarantee signal integrity at all times.Now your instruments can really strut their stuff in UHF with absolutely no compromise on sound.Χαρακτηριστικά:System:Receiving mode: UHF True DiversityNumber of channels: 100 PLL selectable frequenciesFrequency range: 600MHz at 635MHzS/N Ratio: >85dBTotal harmonic distorsion: 80dBWeight: 800gDimensions (W x D x H): 210mm x 160mm x 53 mmBodypack:Connections: MiniXLR with Jack 6.35mm active cableMax output power: 8mWMax SPL: 130dBBattery (non supply) : alkaline battery (AA) or rechargeable battery NiMH ty 

Professional monitoring headphones Pro 880 is entirely closed and designed for a perfect and precise monitoring, for professional musicians, the studios and home-studios.Specifications:Type: Closed-backImpedance: 32ΩSensitivity: 96±3dBFrequency Response: 10H-35kHzMax. Power:1500mWCable: about 3 M Plug: Ø3.5mm+Ø6.3mm stereo

The PRODIPE in-ear monitors (IEM 3) have been ergonomically designed for musicians to ensure a complete seal from any external noise and an exceptional sound reproduction on stage, in a studio or on the move.With the IEM 3, the sound is neutral and very balanced from lows through to high notes. Over 20 prototypes were created, tested and evaluated until only the best one was left. The IEM 3 will also give an exceptional sound quality to any of your mobile devices. Supplied with a range of flexible moulds for maximum comfort.Specifications:Loudhailer Diameter: Ø 10mmImpedance: 16 ΩSensitivity: 95±3 dBFrequency Response: 10Hz-22kHzCable Length: about 1.2MPlug: Ø3.5mm stereoCarrying bag, 1pc SpareEarcap: 2 pairs (big size , small size each 1 pair)

Meet MASCHINE MIKRO, your flexible, compact companion for making music with a laptop. Use it to tap out beats, play melodies, and build up tracks – fast, fun, and hands-on. Want to start creating right away? We’ve thrown in everything you need including instruments, sounds, effects, and powerful tools like sampling and drum synths.MIKRO gives you four different ways of getting hands-on with your music using the 16 pads. Drum beats in Pad mode, with color coding for kicks, snares, and other sounds. Switch to Keyboard mode to play melodies with the pads. In Chord mode, it’s easy to lay down inspiring chord progressions. And in Step mode, program beats and patterns visually in a classic step-sequencer style on the 16 pads – get exciting musical results quickly Specifications :Compact, music production instrument that integrates powerful software with tactile, responsive hardwareFour ways to input sound using the 16 pads – drum in pad mode, play melodies in Keyboard mode, create chord progressions in Chord mode, and program in a classic step-sequencer style from Step modeUse the software on its own or as a VST, Audio Unit, or AAX plug-in in all major DAWs (including Ableton Live, Pro Tools, Logic Pro, and FL Studio)1.6 GB MASCHINE Factory Selection with samples, one-shots, loops, sample instruments, presets, patterns, drum kits, and songsSame software as MASCHINE MK3 / STUDIO / JAM – includes 25 pro-quality studio and creative FX including filter, EQ, delay, reverb, and compressor16 large, velocity-sensitive pads for easy two-handed drummingDual-touch Smart Strip lets you slide your fingers to strum instruments, bend sounds, use Perform FX, and morePush encoder and screen for browsing, navigating, adjusting volume levels and panning, and controlling parametersPowered via USB 2.0Classic groovebox features including 16 pad velocity levels, swing, pad link, note repeat, step sequencer, and vintage MPC60/SP1200 sampling emulationPowerful mixer, arranger, and sampler for full creative control over your tracksA doorway into the Native Instruments sound universe – easily expand your library with KOMPLETE, Sounds.com, Expansions, and enjoy perfect integration with any third party NKS-certified instruments and effects System Requirements : macOS 10.12 or 10.13 (latest update), Intel Core i5, 4 GB RAM Windows 10 (latest update, 64-bit), Intel Core i5 or equivalent CPU, 4 GB RAMAdditional Requirements:USB 2.0 Port, 3 GB free disk space for MASCHINE Essentials (full MASCHINE software plus 1.6 GB MASCHINE Factory Selection), 1 GB free disk space for MASSIVE, MONARK and REAKTOR PRISMAn Internet connection and a graphics card which supports OpenGL 2.1 or higher are required to download and activate MASCHINE software. Once installed and activated, all products can be used offline. Additional Info : Supported Interfaces: Stand-alone, VST2 (64-bit), Audio Units (64-bit), AAX 64, ASIO, CoreAudio, and WASAPI.MASCHINE requires activation: Activate using the serial number on the flyer inside the box.In case of graphics issues, please install the latest drivers for your GPU. This can be necessary even if Windows reports them as up to date.MASCHINE Essentials (full Maschine application plus 1.6 GB Factory Selection) provided as a download upon hardware registration Full versions of three popular KOMPLETE plugins, available for download from Native Access after hardware registration:MASSIVE - heavyweight virtual analog synthesizerMONARK – iconic mono synthREAKTOR PRISM – flexible polyphonic synthesizer Dimensions and Weight :Width: 320 mm / 12.6", Length: 177 mm / 6.96", Height: 45 mm / 1.77", Weight: 1.12 kg / 2.47 lbs

UHF B210 DSP SoloUse the new UHF B210 DSP bodypacks to reproduce the musicality of your instruments and turn wireless into wired!We've added a new, high performing Digital Signal Processor (DSP) to manage the frequencies in all our wireless systems.DSP technology gives greater wireless stability and precision, practically matching the type of sound quality you would expect from a wired system. Relish the uncompromising sound balance when you sing or play in wireless.Instrument mic for acoustic guitars and ukuleles GL21 Lanen :Excellent natural sound.Very high acceptable sound pressure level (140 dB).UHF compatible.Easy mounting.Lightweight rubber clamp specific to the instrument.Very high level of protection from instrument vibration.Mini XLR to XLR connector adaptor ensures that the mic lead is properly positioned on your instrument (48V phantom power supply required for wired connection).This pack consists of following elements:A UHF B210 DSP SOLO wireless systemAn instrument mic GL21 Acoustic guitar & ukulélé Specifications:GL21 Sax & Brass mic:Kind of microphone : CondenserDirectivity : CardioidOutput impedance : 2.2 KΩSensitivity : -47dB ±3dB (0dB=1V/Pa at 1KHz)Pression max. SPL : 140dBSignal - noise : 68dBFrequency response : 50Hz - 20KHzSystem - principal fonctions:Transmission type: UHFBandwith:  630 - 680MHzFrequencies: 2 x 100Dynamic: >90dBHarmonic distorsion: 96dBUnbalanced audio output: 1 x Jack 6.35 mmBalanced audio output: 1 x XLR

The new MASCHINE takes our classic groovebox workflow and makes it faster and more intuitive. Optimized based on customer research, it’s packed with new features to boost your speed and increase your focus – all without breaking the workflow you love.Big, bold, and in your face, the larger pads create more room for complex moves like flams and rolls. New technological updates make the pads more sensitive to lighter touches, for more expressive playing. And since the center-to-center distance is exactly the same, your muscle memory and workflow don’t have to change.With two full-color displays and the four-directional push encoder, you can browse sounds, FXs, plug-ins, and instruments with a tactile, one-handed, completely visual workflow – simply find the thumbnail and load directly from the hardware. Plus, the high-res screens let you get more precise with your mixing, see an overview of your arrangement, or zoom in on waveforms to slice samples like a surgeon.MASCHINE now comes with a studio-grade, 96kHz / 24-bit audio interface for pristine sound. Simply patch in a synth or add a dynamic mic for quick recording and sampling. Stereo line and MIDI ports make it a perfect centerpiece for any studio. Plus, it’s USB-powered, so you can record anywhere with your laptop – or plug in the included power supply unit for brighter pads.The new hardware layout cuts through the clutter to help you stay focused and get your ideas out fast. Instead of being hidden behind a shift-function button, some of the most-used features and functions can now be accessed directly with one touch.Features:Smart keyboard controller for all your virtual instrumentsPro-grade Fatar keybeds with aftertouch – 49 or 61 semi-weighted keysErgonomic pitch and mod wheels, plus touch strip for expression controlPre-mapped control of Komplete instruments and hundreds of Native KontrolStandard ( NKS) instruments from leading manufacturersFull VSTi supportTag-based preset browsing: Find sounds quickly and hear instant previewsTwo high-res color screens for browsing, tweaking, mixing, and moreLight Guide: RGB lights above each key highlight drum cells, key switches, chords,scales, and moreSmart Play: See scales and modes on t he Light Guide, play chord progressions andarpeggios with single keys, or map any scale t o white keys onlyDeep integration with Maschine software / hardwareIntuitive control over Logic Pro X, Ableton Live, and GarageBand. Cubase and Nuendointegration coming soon after initial release4-directional push encoder f or one-handed sound browsing and project navigationTwo assignable pedal inputsMIDI in / outUSB 2.0 bus poweredIncludes Komplete 11 Select

Body-pack for in-ear wireless monitor system IEM7120.Features:Frequency range: 700MHz -770MHz. In-ear monitor Prodipe IEM3 included.Specifications:Frequency range: 700 - 770MHzPLL tuned: 100 stereo channelsUp to 80m operating range19" rack-mountable (1U) suppliedIEM3 suppliedMono/stereo modes 

The Min 12 speakers redefine what is possible from a compact speaker and solve this problem by being ultra-small and discreet, and at the same time delivering the sound quality of much larger, traditional box speakers.For maximum placement flexibility each Minx satellite speaker can be mounted a number of different ways; they can sit on their own on any surface, or they can be mounted on adjustable floorstands, discrete table stands or pivoting wall mount brackets. So whatever your needs, there is a perfect way of integrating the Min speakers into your home.Minx is finished to the highest possible standards in stunning white or black high gloss lacquers, using paint application techniques mastered in the premium car industry. Easy to clean, hard to scratch – Minx will look as amazing as it sounds for many years to come.Unlike many style speakers which use low quality spring clips or custom cabling, Minx offers universal connection to any home cinema receiver or amplifier with an ingenious speaker terminal design, which can be removed to support banana plugs.Specifications:Sensitivity (SPL) Min 12: 86dB (2.83 Vrms input)Min 22: 88dB (2.83 Vrms input)Frequency responseMin 12: 150Hz-20kHz Min 22: 120Hz-20kHzImpedance: 8 Ohms compatibleRecommended Amp Power: 25 – 200WDimensions (H x W x D) Min 12: 78 x 78 x 85mm (3.1 x 3.1 x 3.3”)Min 22: 154 x 78 x 85mm (6.0 x 3.1 x 3.3”)Weight Min 12: 0.43kg (0.95lbs)Min 22: 0.75kg (1.65lbs)Finishes: High gloss black.

The Min 12 speakers redefine what is possible from a compact speaker and solve this problem by being ultra-small and discreet, and at the same time delivering the sound quality of much larger, traditional box speakers.For maximum placement flexibility each Minx satellite speaker can be mounted a number of different ways; they can sit on their own on any surface, or they can be mounted on adjustable floorstands, discrete table stands or pivoting wall mount brackets. So whatever your needs, there is a perfect way of integrating the Min speakers into your home.Minx is finished to the highest possible standards in stunning white or black high gloss lacquers, using paint application techniques mastered in the premium car industry. Easy to clean, hard to scratch – Minx will look as amazing as it sounds for many years to come.Unlike many style speakers which use low quality spring clips or custom cabling, Minx offers universal connection to any home cinema receiver or amplifier with an ingenious speaker terminal design, which can be removed to support banana plugs.Specifications:Sensitivity (SPL) Min 12: 86dB (2.83 Vrms input)Min 22: 88dB (2.83 Vrms input)Frequency responseMin 12: 150Hz-20kHz Min 22: 120Hz-20kHzImpedance: 8 Ohms compatibleRecommended Amp Power: 25 – 200WDimensions (H x W x D) Min 12: 78 x 78 x 85mm (3.1 x 3.1 x 3.3”)Min 22: 154 x 78 x 85mm (6.0 x 3.1 x 3.3”)Weight Min 12: 0.43kg (0.95lbs)Min 22: 0.75kg (1.65lbs)Finishes: High gloss white.

The X301 subwoofer is packed with significant technological advances. A forward firing driver for amazing punch and attack, combined with a state-of-the-art Auxiliary Bass Radiator (ABR) to deliver thunderous levels despite their compact and discrete design.The X301 is an extremely efficient and very powerful subwoofer housed in tiny cabinets, their slender size deceives the eye.Still at only 28cm (11”) square this 300W powerhouse is smaller than most typical subwoofers. But with an 8” active woofer matched to an auxiliary bass radiator it will erupt your music and movies to life with immersive punch and power.The Minx subwoofers offer complete rear panel control of ‘gain’, ‘phase’ and ‘crossover frequency’, unlike many other style subwoofers which give little or no adjustment in these areas. With these true hi-fi capabilities, regardless of your room’s shape and size Minx’s simple set-up adjustments ensure your system is perfectly customised for placement almost anywhere.Features:Powerful DSP design delivering awesome performance from the smallest footprint possiblePowerful 300W digital amplifiersOne piece aerospace grade aluminium cones move air with incredible efficiency.DSP design allows far smaller cabinet construction than comparative subwoofers.Supplied with removable grillesFull rear panel control of gain, phase and crossover frequency allowing optimum integration and roompositioningDriver plus ABR (Auxillary Bass Radiator)configuration. ABRs replace bass ports to eliminateair noise at high levelsScratch resistant high gloss lacquer available in black or white finishes.​​Specifications:Power Output: 300WFrequency Response: 31Hz (-6dB) – 200HzCrossover Active: – variable 50Hz-200HzDrivers: 1 x 8" subwoofer1 x 8" passive radiatorDimensions: 311 x 266 x 278mmWeight: 7.5Kg (16.5lbs)Finishes: High gloss white  

The X201 subwoofer is packed with significant technological advances. A forward firing driver for amazing punch and attack, combined with a state-of-the-art Auxiliary Bass Radiator (ABR) to deliver thunderous levels despite their compact and discrete design.The X201 is an extremely efficient and very powerful subwoofer housed in tiny cabinets, their slender size deceives the eye.At just 20cm (9") square, X201 is one of the world’s smallest subwoofers and is incredibly easy to accommodate. And like all Minx subwoofers, it features a range of simple controls to allow placement almost anywhere...Specifications:Power Output: 200W rmsFrequency Response: 39Hz (-6dB) – 200HzCrossover: Active – variable 50Hz-200HzDrive units: 1 x 6.5″ subwoofer, 2 x 6.5″ passive radiatorsDimensions (H x W x D): 219 x 210 x 222mm (8.6 x 8.3 x 8.7″)Weight: 5.0Kg (11.0lbs) 

The X201 subwoofer is packed with significant technological advances. A forward firing driver for amazing punch and attack, combined with a state-of-the-art Auxiliary Bass Radiator (ABR) to deliver thunderous levels despite their compact and discrete design.The X201 is an extremely efficient and very powerful subwoofer housed in tiny cabinets, their slender size deceives the eye.At just 20cm (9") square, X201 is one of the world’s smallest subwoofers and is incredibly easy to accommodate. And like all Minx subwoofers, it features a range of simple controls to allow placement almost anywhere...Specifications:Power Output: 200W rmsFrequency Response: 39Hz (-6dB) – 200HzCrossover: Active – variable 50Hz-200HzDrive units: 1 x 6.5″ subwoofer, 2 x 6.5″ passive radiatorsDimensions (H x W x D): 219 x 210 x 222mm (8.6 x 8.3 x 8.7″)Weight: 5.0Kg (11.0lbs) 

The Min 22 speakers redefine what is possible from a compact speaker and solve this problem by being ultra-small and discreet, and at the same time delivering the sound quality of much larger, traditional box speakers.For maximum placement flexibility each Minx satellite speaker can be mounted a number of different ways; they can sit on their own on any surface, or they can be mounted on adjustable floorstands, discrete table stands or pivoting wall mount brackets. So whatever your needs, there is a perfect way of integrating the Min speakers into your home.Minx is finished to the highest possible standards in stunning white or black high gloss lacquers, using paint application techniques mastered in the premium car industry. Easy to clean, hard to scratch – Minx will look as amazing as it sounds for many years to come.Unlike many style speakers which use low quality spring clips or custom cabling, Minx offers universal connection to any home cinema receiver or amplifier with an ingenious speaker terminal design, which can be removed to support banana plugs.Specifications:Sensitivity (SPL) Min 12: 86dB (2.83 Vrms input)Min 22: 88dB (2.83 Vrms input)Frequency responseMin 12: 150Hz-20kHzMin 22: 120Hz-20kHzImpedance: 8 Ohms compatibleRecommended Amp Power: 25 – 200WDimensions (H x W x D) Min 12: 78 x 78 x 85mm (3.1 x 3.1 x 3.3”)Min 22: 154 x 78 x 85mm (6.0 x 3.1 x 3.3”)Weight Min 12: 0.43kg (0.95lbs)Min 22: 0.75kg (1.65lbs)Finishes: High gloss white.

The X301 subwoofer is packed with significant technological advances. A forward firing driver for amazing punch and attack, combined with a state-of-the-art Auxiliary Bass Radiator (ABR) to deliver thunderous levels despite their compact and discrete design.The X301 is an extremely efficient and very powerful subwoofer housed in tiny cabinets, their slender size deceives the eye.Still at only 28cm (11”) square this 300W powerhouse is smaller than most typical subwoofers. But with an 8” active woofer matched to an auxiliary bass radiator it will erupt your music and movies to life with immersive punch and power.The Minx subwoofers offer complete rear panel control of ‘gain’, ‘phase’ and ‘crossover frequency’, unlike many other style subwoofers which give little or no adjustment in these areas. With these true hi-fi capabilities, regardless of your room’s shape and size Minx’s simple set-up adjustments ensure your system is perfectly customised for placement almost anywhere.Features:Powerful DSP design delivering awesome performance from the smallest footprint possiblePowerful 300W digital amplifiersOne piece aerospace grade aluminium cones move air with incredible efficiency.DSP design allows far smaller cabinet construction than comparative subwoofers.Supplied with removable grillesFull rear panel control of gain, phase and crossover frequency allowing optimum integration and roompositioningDriver plus ABR (Auxillary Bass Radiator)configuration. ABRs replace bass ports to eliminateair noise at high levelsScratch resistant high gloss lacquer available in black or white finishes.​​Specifications:Power Output: 300WFrequency Response: 31Hz (-6dB) – 200HzCrossover Active: – variable 50Hz-200HzDrivers: 1 x 8" subwoofer1 x 8" passive radiatorDimensions: 311 x 266 x 278mmWeight: 7.5Kg (16.5lbs)Finishes: High gloss black  

The Min 22 speakers redefine what is possible from a compact speaker and solve this problem by being ultra-small and discreet, and at the same time delivering the sound quality of much larger, traditional box speakers.For maximum placement flexibility each Minx satellite speaker can be mounted a number of different ways; they can sit on their own on any surface, or they can be mounted on adjustable floorstands, discrete table stands or pivoting wall mount brackets. So whatever your needs, there is a perfect way of integrating the Min speakers into your home.Minx is finished to the highest possible standards in stunning white or black high gloss lacquers, using paint application techniques mastered in the premium car industry. Easy to clean, hard to scratch – Minx will look as amazing as it sounds for many years to come.Unlike many style speakers which use low quality spring clips or custom cabling, Minx offers universal connection to any home cinema receiver or amplifier with an ingenious speaker terminal design, which can be removed to support banana plugs.Specifications:Sensitivity (SPL) Min 12: 86dB (2.83 Vrms input)Min 22: 88dB (2.83 Vrms input)Frequency responseMin 12: 150Hz-20kHzMin 22: 120Hz-20kHzImpedance: 8 Ohms compatibleRecommended Amp Power: 25 – 200WDimensions (H x W x D) Min 12: 78 x 78 x 85mm (3.1 x 3.1 x 3.3”)Min 22: 154 x 78 x 85mm (6.0 x 3.1 x 3.3”)Weight Min 12: 0.43kg (0.95lbs)Min 22: 0.75kg (1.65lbs)Finishes: High gloss black.

The TT1 cartridge has been specially designed for recording and reproducing the sound of acoustic instruments such as stringed instruments, wood, wind, guitars and percussion, either live or in the studio.Specifications:Element: DynamicPolar Pattern: Uni-directionalSensitivity: -49dBV/Pa (2.2mV/Pa)Frequency Response: 50-15000 HzOutput Impedance: 600Ω ±30% at 1kHz

Creative style 6-channel professional DJ mixerCraft your soundForge a new sound with the DJM-V10; a new breed of mixer, born of fresh thinking. It’s built to allow the most creative DJs to craft original soundscapes. This 6-channel unit – loaded with unique features – produces warm audio full of energy and presence. Take full control of your mix and get ready to create something the crowd has never heard before.Elite sound qualityFeel the warmth of natural sound and hear every detail. Studio-quality 64-bit mixing and dithering processing, 32-bit high-quality A/D and D/A converters, a low-jitter clock circuit, and many other components all work to produce a full low-end, vibrant mids, and precise highs.6 channels with a wide range of inputsYou’re free to create your perfect setup with 6 channels and a host of different input types.4-BAND EQ and compressorTake full control of your mix with the newly developed 4-band EQ. A built-in compressor enables further adjustment of the loudness of your tracks.Effects for more creative expressionThe expanded send/return section enables you to add external FX, or even combine them with built-in FX. Create unique sounds; the possibilities are nearly limitless3-band master isolatorEffortlessly control the tone of your entire mix with the 3-band master isolator, featuring new boost/cut curves and adjustments to the crossover frequencies and other parameters. Grab the large dials and drive the crowd wild by drastically changing the sound.Dual headphones output and booth EQThe DJM-V10 makes back-to-back monitoring simple and comfortable. You can tweak the sound in the DJ booth just the way you like.Lockable power cableA lockable power cord is included for added reliability and to avoid accidental disconnections.*In selected regions, a non-lockable power cable is supplied instead.DJM-REC compatibleRecord and archive your mixes via iPhone or iPad, upload your sounds to cloud services or effortlessly live-stream your sessions. Find out more.rekordboxMake full use of rekordbox's low-latency DVS feature for intuitive, smooth scratching. Find out more.Serato DVS-readyUse Serato DVS to control and scratch with CDJs or turntables (Serato DJ Club Kit license required, available separately).TRAKTOR DVS-readyEnjoy DVS control via Native Instruments’ TRAKTOR PRO 3 (available separately) . Use it to intuitively control and scratch with digital audio files stored on your computer. Find out more about the Pioneer DJ Certified program.ShowKontrolThe DJM-V10 supports the extended PRO DJ LINK ShowKontrol protocol. This enables DJs, technical producers, LJs, and VJs to use all the key information from the DJM-V10, such as fader and knob positions, to align sound and visuals to create shows that blow audiences away.

This new 2-channel battle mixer gives you the freedom to customize your setup and bring your own unique style to every performance. The unit enables free use of Serato DJ Pro and it’s a Hardware Unlock device for rekordbox, so you can use performance features in either application.Magvel Fader ProWe’ve enhanced the feeling of the Magvel Fader Pro and boosted the rigidity of the knob mounting shaft in the vertical direction by 30 percent so you can scratch with even more confidence.Large Performance PadsThe 8 large Performance Pads on each channel are easy to hit when you want to rapidly fire off Hot Cues and samples. And with independent pad modes, you can use 2 different features – one on each channel’s set of pads – at the same time.Large effect leversTwist sounds on the fly by adding effects with the large levers. The DJM-S7 includes all 22 built-in Beat FX from the DJM-S11 so you can get creative with these, as well as software effects in Serato DJ Pro and rekordbox. It’s easy to change the 6 effects assigned to the FX Select buttons and you can keep an eye on the name and beat value of the one you’re using by glancing at the OLED display.Bluetooth input: Wirelessly add audio from your phoneSimply pair your phone with the DJM-S7 via Bluetooth and you can drop sounds straight into your set. You can play loops to scratch over or use a music app to play a track requested by someone in the audience. Or simply have your mobile device connected and ready as a backup in case your laptop fails. You can play the sound directly through the master output or either of the channels.Loop MIDI: Automated control of DJ software functionsThis feature in the effects section of the DJM-S7 can control various functions in your DJ software by repeatedly sending a MIDI signal to the software in a set beat cycle. Functions including Hot Cue, sampler, and key shift-up are preassigned so you can start using Loop MIDI straight away.OTHER FEATURESUSB hubPlug your DJ controllers and other devices – including selected units from other brands – into the dual USB-A ports to play with them.MIDI controllerThis device is fully MIDI assignable via USB. Send control information to external devices and use the mixer as a MIDI controller.Serato DJ ProConnect your PC/Mac to use Serato DJ Pro (the mixer unlocks the software for free). Use dedicated buttons for effects and advanced Serato features including Beat Jump, Slip mode, and Quantize.Serato DVSUse Serato DVS to control and scratch with CDJs or turntables.Pitch 'n Time DJSerato DJ Pro Expansion Pack Voucher (Pitch 'n Time DJ) is included. Use Pitch Play, Key Shift, and more features. The mixer is fully MIDI mappable too.rekordboxConnect your PC/Mac to unlock performance features in rekordbox for free and use DVS mode with the dedicated control vinyl (available separately).

Electric Guitar Case by JM Forest 

Because selecting the right woods is not enough, the luthiers at PRODIPE GUITARS have worked to obtain manufacturing quality which is above the norm for this price range.A new form of bracing and a few trade secrets make this an affordable guitar with plenty of personality.A draconian set of specifications:The best combinations of wood accompanied by faultless construction.A soundboard of spruce - known for its acoustic qualities.Back and sides of Indonesian mahogany which gives a light sound with deep, well defined bass notes.These ingredients give the PRODIPE GUITARS SD25 one of the best quality-price ratios in the market. Specifications:Series : StarterModel : SD25 DreadnoughtTop : SpruceBack and sides : Indonesian mahoganyNeck : MahoganyNut and saddle : FittedVeneer : MahoganyFingerboard : Composite rosewoodFinition : Satin varnishTuning machine : Die-cast nickel-platedStrings : Bronze 12/54

Combine your AL21 Romanelli mic pack with the UHF B210 DSP Solo for wireless sound reproduction of your diatonic/chromatic accordion using two mics. You can also connect two AL21 mics directly to the UHF B210 Solo bodypack using a Y-cable with the AL21 mic pack." The sound of the accordion is one of the most complicated to reproduce, so our challenge was to create a mic pack, the Romanelli AL21, which emphasises quality, strength and ease of use. We're very happy with the outcome.With Prodipe's new UHF B210 DSP you can now play a diatonic or chromatic accordion with a wireless system. The DSP circuit is perfect for managing UHF frequencies.With DSP technology, UHF provides the type of quality you'd expect from a wired system. Relish the excellent sound balance when you play music. It's wireless meets wired.And as for the UHF side of things, the electronics have been designed to resist interference and guarantee the integrity of the signal at all times."Ludovic Lanen This pack contains the following elements:The AL21 Romanelli Accordion three mics packThe wireless system UHF B210 DSP Solo Specifications:Directivity: cardioidOutput Impedance: 2.2 KΩSensitivity: -47dB ±3dB (0dB=1V/Pa at 1KHz)Cable length: 1 mPression max. SPL: 140dBSignal - noise: 68dBFrequency response: 50Hz - 20KHzSystem's main functions:Transmission type: UHFBandwith:  630 - 680MHzFrequencies: 1 x 100Dynamic: >90dBHarmonic distorsion: 96dBUnbalanced audio output: Jack 6.35 mmBalanced audio output: XLR

Connect keyboard controler, digital piano, expandeur (...) to your computer with a simple USB plug.The interface Prodipe MIDI 1i/1o provides to your computer the connections input-output MIDI DIN. Features:Mac OS and WindowsNo driver to installPlug n'playZero latency Specifications:Brand : ProdipeLenght between USB and MIDI : 2 meters16 MIDI input channels / 16 MIDI output channelsUSB powered an class compliant for true plug and playLED's indicate power on, MIDI in signal and MIDI out signalCompatible with Windows XP  or higher and Mac OS X or higherTrue plug-n-play, users do not need to install driver for Windows XP, Vista and Mac OSX.

Prodipe have launched a new ultra-pro, in-ear wireless system, and it’s affordable for all. All our expertise goes into keeping prices as low as possible: fewer middlemen in the distribution chain, streamlined manufacturing costs and maximum impact, minimum outlay marketing budgets. First there’s the sound: our job is to come up with products that offer irreproachable quality. And as always this has been our aim for the IEM 7120. With the help of Ludovic Lanen, we’ve created a UHF personal system (120 frequencies) for simultaneous use with up to 12 other systems. The sound is pure – no modulation noise and 100% fidelity to the source. Includes a rack-mountable, solid and reliable metal receiver, boasts an 80m operating range and meets French ANFR standards. Specifications: IEM7120 (Transmitter and bodypack) Frequency range: 626 - 668MHz 80m range 19" rack mounting kit included (1 U) Professional in-ear headphones Prodipe IEM3 included Automatic Stereo/Mono switching Up to 10 receivers (bodypack) per transmitter Specifications Transmitter: Frequency range: 626 - 668MHz Frequency stability: 0.005% PLL (100 channels) RF output power: 30mW Bandwidth: 24MHz S/N ratio: >105dB THD:

Coveted & Rare. Until Now.The WA-CX12 is a faithful recreation of the most natural and balanced tube mic of all time, lauded for its organic tone and pleasing top end. The original AKG C12 was produced in Austria from 1953 - 1963 and is the definitive version of the 12-style mic. The WA-CX12 sound profile and circuit design is inspired by the original production run of only 2500 mics, which are highly coveted for their ability to capture the natural beauty of vocal performances, room sounds, and other far miking techniques. The list of famous recording artists who have never used a 12-style microphone is likely shorter than the list of those who have. Some of the most notable artists to create music with the original includeThe Beatles, Lupe Fiasco, Tom Petty, Michael Jackson, Alanis Morissette, and Taylor Swift, just to name a few. The WA-CX12 cuts no corners in achieving the highly coveted open, airy, and natural sound profile used over and over again by some of the world’s most recognized engineers and artists.No-Compromise ComponentsThe WA-CX12 is a professional large-diaphragm tube microphone with premium components, elite build quality, and is hand-inspected in Austin, Texas. The circuit design of the WA-CX12 is faithful to the original production run from 1953-1963, and serves as the basis for the historically accurate sound profile. Like the original, the WA-CX12 tone is mostly flat until a slight dip at 2kHz with a gradual boost between 5-10kHz. At the beginning of the chain, the CX12 has an edge-terminated, all-brass CK12-style capsule, that stays true to the frequency response of the original-run 12-style microphones.This capsule allows the WA-CX12 to have 9 polar patterns with the typical cardioid, omni, and figure-8, in addition to 6 intermediate patterns. . Moving down from the capsule, the WA-CX12 uses a premium 12AY7 vacuum tube for added warmth. At the end of the circuit, the WA-CX12 uses a custom TAB-Funkenwerk (AMI) USA Output Transformer, which gives the WA-CX12 a very full, wide, and open sound, getting the most out of the capsule and additional circuit components. The WA-CX12 has premium capacitors throughout, and a no-solder mask board for the lowest noise possible. As with all Warm Audio products, we focus heavily on quality components to ensure we release the best sounding product possible.True To Legacy, True To SoundThe WA-CX12 sound profile is known for capturing the real sound of a performance. Designed to provide clarity in the midrange and smooth out any high end harshness, the WA-CX12 delivers professional solo vocals, intricate piano performances, and epic, natural room sounds.VocalsThe gently tuned 5-10kHz boost of the WA-CX12 accentuates and smoothes out the upper register in many vocal performances.PianoOne of the more popular studio uses for the original 12-style microphone is as a stereo pair on grand piano. Because of the mic’s relatively flat frequency at 0dB until the top-end boost kicks in, the WA-CX12 adds just the right amount of pristine high end to a piano performance.Room SoundsWhether it’s room reflections, splashy cymbals, or guitar & bass cabinets - mixing in a distant WA-CX12 can bring a natural “live” sound to professional recordings.Premium Components - Elite Build Quality - Superior SoundWA-12-B-60V CEK12-Style CapsuleThe WA-12-B-60V CK12-style capsule accurately matches the frequency response of the original capsule found in vintage C12 mics. This capsule captures incredible detail across the 30Hz-20kHz frequency response. With a remarkably flat response until the top-end boost starts to hit around 3k, the capsule inside the WA-CX12 will help you capture natural sounds with some added top-end smoothness before the pleasant 19kHz rolloff.AMI USA-MADE Output TransformerThe history of TAB-Funkenwerk (AMI) transformers goes all the way back to the founding of the most sought-after German analog audio innovations. The TAB (AMI) transformer in the WA-CX12 is American-made with large-core German laminations and built to exacting standards as designed by Oliver Archut. The custom transformer drives the full natural sound captured by the capsule delivering that renowned Austrian sound.Premium Tubes, Capacitors, & BoardsThe WA-CX12 uses a premium 12AY7 vacuum tube that adds warmth and depth to the microphone’s signal. Like all Warm Audio products, we use premium capacitors in the circuit for ideal signal transfer. The PCB board in the WA-CX12 does not have solder masks which allows for the lowest noise floor possible, preventing crosstalk from added capacitance.Authentic Appearance, Elite Build Quality, Premium AccessoriesThe WA-CX12 is encased in an ultra-durable nickel-plated brass body. Every WA-CX12 comes with a custom tweed carrying case housing the mic, wood mic case, premium Gotham 7-pin cable, IEC cable, shockmount, and external power supply. Every WA-CX12 is meticulously hand-inspected at Warm HQ in Austin,TX by real musicians and engineers with a passion for superior sound.

Large-Diaphragm Condenser Microphone.A Secret Weapon Of Pro StudiosThe WA-47F is a faithful recreation of a high-SPL, low-noise classic celebrated as a 'secret weapon' across world-class studios. The original '47-style FET was released in 1969 and gained massive popularity inside recording studios for its ability to handle fast transients with exceptional detail. Compared to popular tube microphones, the WA-47F has a more pristine top end and a tighter, more controllable bass response. Famous artists such as Dave Grohl and Daft Punk used the original 47FET on kick drums, inspiring generations of drummers and engineers. For vocals, legends like David Lee Roth and Michael Stipe used the original to create some of the most beloved music of all time.The WA-47F shares the same sonic profile as that original microphone, making the WA-47F a studio workhorse that will quickly become a go-to mic in your locker.Full Volume. Powerful Detail. No CompromiseLike all Warm Audio microphones, the WA-47F is a no-nonsense studio tool with premium components and elite build quality. Like the originals, the WA-47F takes the sound of the WA-47 tube mic and swaps the valve for solid-state FETs, meaning there’s no compromise between capturing rich midrange, detailed bass, and handling very loud sources. At its core, the WA-47F uses a premium reproduction of the vintage K47-style capsule found in the original microphone for ultra-wide frequency response and detail. The WA-47F uses a single backplate, cardioid-only version of the same capsule used in our award-winning WA-47 tube microphone.The capsule is joined by a custom TAB-Funkenwerk USA Output Transformer that drives the punchy, powerful sound captured by this capsule. The WA-47F pairs premium Fairchild FETs with polystyrene & Wima capacitors and the AMI output transformer, giving the WA-47F the ideal frequency response to capture extra detail and depth. The -10dB pad gives you extra headroom for those loud sources that you need to keep loud. When you need to eliminate unwanted bass frequencies on sources like lead vocals or electric guitar cabs, engage the included 140 Hz low-cut filter to save yourself from unnecessary post-EQ. Our meticulous R&D process allowed us to dial in a true-to-original output level and frequency response that matches the performance expectations of world-class audio engineers and recording facilities.Studio WorkhorseLike the original, the WA-47F’s custom-tuned frequency response captures huge kick drum sounds, punchy guitar & bass cabs, and adds a pristine edge to solo vocals that need to stand out.Kick DrumIn addition to a dynamic mic on the inside of the kick, aimed right at the beater, many engineers choose to add a 47FET-style microphone to the outside of the kick drum on the front head. The dynamic mic on the beater tends to capture the “snap” of the kick, while the WA-47F on the outside will get the “thump” from the drum. The air pressure “boom” of the resonant kick drum head is a huge sound easily missed by the dynamic mic. Adding a WA-47F to your kick will have a huge spatial effect on the sound, making tracks feel more alive and less robotic.VocalsThe original mic was chosen to capture some very famous vocals including Bon Scott (AC/DC), David Lee Roth (Van Halen), and REM’s Michael Stipe. Like the original, the WA-47F delivers powerful, detailed vocals ranging from screaming hair metal all the way to soft falsettos over iconic indie rock.Guitar & Bass CabinetsThe original is also a favorite inside studios for tracking guitar and bass cabinets - especially for percussive, loud guitar parts like you might find on an AC/DC record. The openness of the condenser capsule and the ability for the circuit to handle higher-than-normal SPLs means that you can track guitars LOUD without compromising detail. For those about to rock - you'll notice a difference.WA-47-B-50v CapsuleThe WA-47-B-50v capsule is a true reproduction of the single-backplate K47-style capsule found in the original 47Fet mic. This capsule captures incredible detail across the 20Hz-19kHz frequency response. With a unique gradual climb in the mids and slight scoop in the high end, the capsule inside the WA-47F will quickly make this a favorite mic for any source that demands critical detail and pleasing high end at louder volumes.AMI USA-Made Output TransformerThe history of TAB-Funkenwerk (AMI) transformers goes all the way back to the founding of the most sought-after German analog audio innovations. The TAB (AMI) transformer in the WA-47F is American-made and built to exacting standards as designed by Oliver Archut. The sweet sonic character of the WA-47F would not be possible without the amazing, historically-correct transformer supplied by TAB-Funkenwerk.Fairchild Transistors & Premium CapacitorsThe WA-47F uses premium Fairchild FETs - the same component found in the most exacting and expensive reissues. The polystyrene and premium WIMA capacitors in the WA-47F provide the excellent signal conversion that this circuit demands.Authentic Appearance & Elite Build QualityThe WA-47F is encased in an ultra-durable nickel-plated brass body with an updated headbasket shape adding additional space around the capsule. Every single WA-47F is meticulously hand-inspected at Warm HQ in Austin,TX by real musicians and engineers with a passion for superior sound.

The TT1 cartridge has been specially designed for recording and reproducing the sound of acoustic instruments such as stringed instruments, wood, wind, guitars and percussion, either live or in the studio. The new, rugged TT1 Instruments mic has shown itself to be highly effective for amp micing (guitar, etc.).This is a well balanced mic with a high output level. It is perfect for singers who want the highest standards, as well as conference speakers, presenters and entertainers who want a true reproduction of their voice.And you shouldn’t let the price influence you, nor compare it to a low quality mic! Even though the price is exceptionally low, this new mic offers an identical quality to many professional mics that I have used on stage.The reason we are where we are today is because on my last visit to China I tested, compared and assessed the performance of more than a hundred cartridges alongside the engineers from the state of the art factory that we work with.This close partnership enabled me to develop the completely new TT1 and I can absolutely guarantee its performance. Prices really don’t mean anything anymore; of the hundred cartridges that I was offered to look at, many of the more expensive were not as good or as efficient as the one I selected and prepared for you.Specifications:Element: DynamicPolar Pattern: Uni-directionalSensitivity: -49dBV/Pa (2.2mV/Pa)Frequency Response: 50-15000 HzOutput Impedance: 600Ω ±30% at 1kHz