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Reloop's compact headphones as deep black MK2 edition. The RH-2350 PRO MK2 are the ideal headphones for DJs who are on the road a lot. In spite of its marginal weight and small cups, the 2350 pushes a superb 102 dB out of its 40 mm large dynamic drivers that are the big secret to its power. Light, loud, and with a modern design.
Θρυλική αναλογική μονάδα φίλτρου / distortion με τεράστια συχνοτική περιοχή, παραμόρφωση σε στυλ λάμπας, envelopes και πολλές επιλογές modulation / routing.Χαρακτηριστικά:Ανεξάρτητα φίλτρα Lowpass, Bandpass και Highpass με ρυθμιζόμενο resonance, cutoff και θετικό/αρνητικό ADSRΠαράλληλη ή σειριακή τοπολογίαΤο δεύτερο φίλτρο έχει διακόπτη 6 octave και μπορεί να συγχρονιστεί με το πρώτοADSR generator με έξοδο που μπορεί να χρησιμοποιηθεί σε modular συστήματαΕίσοδος FM για τα φίλτρα, εσωτερική ή εξωτερική, LFO ή CVVCA overdrive με AR generatorΕίσοδος Ring Modulation, εσωτερική ή εξωτερική, LFO ή CV
The Korg MR-2000S Studio Recorder - designed from the ground up to bring that same 1-Bit sonic performance home for use in any studio environment.The Korg MR-2000S adds a number of new features to meet the requirements of the most demanding studio, yet retains a sleek, single rack-space profile.All of KorgΆs MR Series recorders feature the 1-Bit/2.8224 MHz format used in creating the SACD (Super Audio Compact Disc). The MR-2000S goes above and beyond this industry standard to provide 1-Bit/5.6448 MHz recording. At such accelerated sampling rates, the entire sound stage is faithfully captured, even during the softest passages.The MR-2000S uses the highest-quality components available - the CS4398 Digital to Analog Converter from Cirrus Logic and the Burr-Brown PCM4202 Analog to Digital Converter from Texas Instruments Corporation - minimizing any possible degradation of the audio signal.In addition to the aforementioned 2.8 MHz and 5.6 MHz 1-Bit formats (DSDIFF, WSD and DSF formats are supported), the MR2000S is ready to record in any of the current 16-Bit and 24-Bit formats (from 44.1 kHz up to 192 kHz) directly, in BWF (Broadcast WAV) format.The XLR analog inputs feature a selectable -12dB, -14dB -16 dB, -18dB or -20 dB reference level, insuring the proper level match with nearly any audio source. XLR analog outputs are also provided. In addition, the Korg MR-2000S is equipped with analog RCA style inputs and outputs for maximum flexibility.On the digital side, coaxial S/P DIF digital I/O provides smooth integration into any 16-Bit or 24-Bit digital studio environment – from the music workshop to the broadcast studio. The MR-2000S also provides word clock I/O for reliable digital synchronization between various digital audio equipment or even between two MR-2000S Studio Recorders.Even at the highest resolution (1-Bit/5.6 MHz), the 80 GB internal hard drive provides a generous 14 hours of stereo recording time.The included AudioGate software let you transform the data into multiple format masters. Adjust the left/right balance, enter locate points numerically from the keyboard, and link individual mono files into a single stereo song. Support for importing new file formats - AAC, Apple Lossless, WMA and even MP3 – has been added as well.Korg MR-2000S main features include:2 tracks simultaneous playback/2 tracks simultaneous recordingRecording formats: -PCM audio format: BWF (extension .wav) 44.1 kHz @ 16/24 bit, 48 kHz @ 16/24 bit, 88.2 kHz @ 24 bit, 96 kHz @ 24 bit,176.4 kHz @ 24 bit, 192 kHz @ 24 bit-1-bit audio format: 2.8 MHz @ 1-bit, 5.6 MHz @ 1-bit, DSDIFF format (extension .dff), DSF (extension .dsf), WSD (extension .wsd)Maximum approximately: 120 hours at 44.1 kHz/16 bit, 14.5 hours at 5.6 MHz/1- bit (for 80 Gbyte hard disk), Maximum continuous recording 6 hoursConnect to computer via USB 2.0, usable as FAT32 USB external driveDisplay: 160 x 104 pixel, LCD with backlightLevel meter: – 54 dB...+ 3 dB, L and R each provide, 23-step LED + peak LEDS/N: 103 dB (typical) @ IHF-ATHD+N: 0.005% (typical), 20 Hz ... 20 kHzDimensions/Weight: 482mm(W) x 220mm(D) x 45mm(H) / 2.8kgKorg MR-2000S system requirements for the AudioGate Software:Win XP Home Edition/Professional Edition Service Pack 1 or later, Microsoft Windows Vista, CPU: Intel Pentium III /1 GHz or better, RAM: 256 MB or more, A USB port that meets the operating requirements of Microsoft Windows XP/VistaMac OS X 10.3.9 or later, CPU: Apple G4/800 MHz or better, Intel Mac is supported, RAM: 256 MB or more, a USB port that meets the operating requirements of Mac OS X
Roland Octapad SPD-30, 8 Built-in Pads, Packed with new percussion sounds from around the world, plus 30 types of multi-effects,The latest pad-sensing technology developed for V-Drums provides even and accurate pad triggering with excellent isolation between pads, Four dual-trigger inputs plus hi-hat controller for adding pads to create a mini kit, or for accepting triggers from acoustic drums, Phrase Loop function inspires your creativity; record your playing in real time and overdub up to three layers, USB connectivity for MIDI and memory storage, Large backlit LCD and pad indicator lights for easy operation onstage or in any environment, Rugged, road-worthy design, Wide: 21-5/16 inches, Depth: 10-3/4 inches, Height: 3-1/2 inches, Weight: 8 lbs. 7 oz.
The DL-103 is a living legend in audio product history. Denon collaborated with the Japan Broadcasting Corporation Technical Research Laboratories in 1963 to make this extremely reliable, high performance low-output phono cartridge. As the first moving coil cartridge, the DL-103 will always be the standard of reliability in every aspect, even the price. From quality inspectors at EMI and Decca, to recording studios, broadcasters, and music lovers around the world, the DL-103 is synonymous with great sound. The mark of the Denon is excellent tracking, as pops and ticks are pushed farther into the sonic background.Widely used in the past for broadcasting , the Denon DL-103 uses a high-quality nude, square shank meticulously mounted to Denon's own conical aluminum cantilever with a cross-shaped armature. This reduces mass such that rich tonal qualities are natural and convincing. This cartridge boasts independent moving coils, a flat frequency response, and a single-point suspension system.Specifications:Frequency response (Hz): 20-45,000Output@1khz, 50mm/sec: .3mVOutput impedance: 40 ohmsLoad impedance: 100ohmsChannel seperation at 1kHz: over 25dbChannel sensitivity: 1dB or lessTracking tip: 16.5 micron special round solid diamondCopliance: 5x10-6cm/dyne (100Hz)Tracking force- 2.3~2.7gCantilever: aluminum, conicalMass: 8.5g
The Shure PS-6 Popper Stopper is widely recognized throughout the recording and post-production communities as the leading tool in pop elimination technology. With a 6 inch (7.62cm) diameter, the highly durable four-layer screen stops plosive consonants such as "p" and "b", while the fully adjustable 14 inch (35.56cm) gooseneck and mic stand clamp ensure flexibility across any number of applications.
The Shure A25D is a break resistant microphone clip that securely mounts the SM58, SM57, SM87A, Beta 87A, Beta 87Cand all other microphones with 3/4-inch and larger handles to a standard microphone stand.
The MixDream is a cascadable, 16-in-2 analog outboard mixer in a 19“/2U format. Any DAW or digital console can be expanded with active analog stereo summing and insert functionality. MixDream advantages High-grade analog summing on just 2U rack space Sophisticated, active Class A/60V stages for analog summing in the quality of the best consoles 16 balanced inserts allow for integrated analog effects with individual and overall hard bypass relays Reduction of A/D conversions (14 A/D conversions can be spared with all inserts connected). All analog tracks can be summed before A/D conversion. Channel adjustments and automation (level, panorama etc.) remain controlled from the DAW so the user loses no digital efficiency Lower DAW processor utilization rates The most efficient possible re-sampling of individual tracks with latency free monitoring Surround capable (from up to 3 MixDream units) Channel capacity expandable through linked units Sensitive and transparent stereo expansion control Analog peak limiter for impressive loudness Master inserts and switchable output transformers from Lundahl Optimized signal pathes, all switching functions via relays Proprietary differential amplifiers for each input Discrete, exceptionally low-noise power supply
The EV-5 Expression Pedal is designed for use with keyboards or other Expression-compatible instruments and devices, providing a more dynamic performance. You can set the minimum volume to the level of your choice, thereby determining the maximum effect of the pedal.
Headphone amplifier rack mountable 4 regulated expenses for acoustic array.
Passive Mastering Equalizer In the PASSEQ we have revived the concept of the passive equalizer that was used in the 50’s and 60’s. The charming sound of this vintage technology combined with the modern 120V technology results in a very special equalizer. Only one filter All control functions are part of only one passive filter. There are three frequency ranges: Low Freq / Mid Freq / High Freq Each with a cut control on the left and a boost control on the right. In the middle is the output control. Design A passive filter has no amplification stages. It can therefore only be lowered. If one frequency is to be boosted, all the others must be lowered. Behind the filter there is a stage that makes up for the lowered overall level. Since low noise is particularly important here, since up to 20 dB can be made up for, the 120V technology comes into its own. The entire passive filter (variable resistor, capacitor and coil) provides a very nice sound characteristic. Besides the choice of components, the charging behaviour of the capacitors and the saturation behaviour of the coils play a major role in this. The resulting relative inertia compared to potentially very fast active filters is the reason for a pleasant, musically advantageous sound characteristic. We would choose smoothness and transparency as well as strikingly silky highs and pithy basses as a description that suits our perception. During fine-tuning, through component selection, in countless listening sessions, the emphasis was on achieving the most musical sounding curves possible, which, for example, need fear no comparison with a Pultec EQ from the 1950/60s. Only without all the disadvantages of a 60 year old original, such as the very high background noise, but above all the very limited frequency selection. Another highlight of the PASSEQ is the HF+ band, which has been extended by the frequencies 25 kHz and 35 kHz and sounds so incredibly good that you don’t want to switch it off. Specifications: Analog inputs & output; XLR (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -60 dBu Frequency range (-3 dB): 10 Hz – 200 kHz Crosstalk (1 kHz): -108 dBu THD + N (+30 dBu, 1 kHz): 0.0012 % Noise (A-bewertet): -95.2 dBu Dynamic range: 134.5 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 15 VA Dimensions & Weight W x H x T (W x H x D (width x height x depth) x Höhe x Tiefe): 482 x 132 x 300 mm Unit weight: 10.2 kg Shipping weight (incl. packaging): 14 kg
The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Versatile, durable, and precise, the KSM137 is an outstanding microphone for instruments ranging from percussion to wind, strings to brass, and piano to guitar. A highly consistent cardioid polar pattern Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar® diaphragm for superior transient response Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion Premium electronic components, including gold-plated internal and external connectors Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs) Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs) Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect Performance Characteristics Extended frequency response Low self noise Exceptional reproduction of low-frequency sounds Can withstand high sound pressure levels (SPL) High output level No crossover distortion Uniform polar response Superior common mode rejection and suppression of radio frequency interference Applications Some typical applications for the KSM137 are listed below. Microphone use is a matter of personal taste and the KSM137 may be used for a variety of applications other than those listed. Acoustic instruments -- such as piano, guitar, drums, percussion, strings Wind instruments -- brass and woodwind Low frequency instruments -- such as double bass, electric bass, kick drum Overhead miking -- drums or percussion Ensembles -- choral or orchestral Room ambiance pick-up -- guitar amplifier or drums
The Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals. SM81-LC - With windscreen, no cable. Phantom power required. The SM81 is ruggedly constructed. It operates on phantom power and performs over a wide range of temperatures and humidity conditions. It is furnished with a swivel adapter, attenuator-switch lock, foam windscreen, and case for carrying and storage. Other accessories are available. 0 Hz to 20 kHz frequency response Flat response curve for accurate reproduction of sound sources Low noise and high output clipping level Low distortion over a wide range of load impedances Cardioid polar pattern, uniform with frequency and symmetric about axis, providing maximum rejection and minimum coloration of off-axis sounds Low RF susceptibility Selectable low-frequency response: flat, 6 or 18 dB/octave rolloff 0 dB/10 dB lockable attenuator switch Phantom powering (DIN 45 596 voltages of 12 to 48 Vdc) Rugged steel construction for durability Field-usable over wide range of temperature and humidity conditions
An embossed single-diaphragm, side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. The Shure KSM32 offers an extended frequency response for an open, natural sounding reproduction of the original sound source. KSM32/CG - Charcoal Gray, with swivel mount and carrying case, phantom power required KSM32/SL - Champagne, with swivel mount, shock mount, aluminum case, phantom power required Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range. Embossed, high-compliance diaphragm provides extended low-frequency response. Ultra-thin, gold-layered, low-mass, Mylar® diaphragm for excellent transient response 15 dB attenuation switch for handling extremely high sound pressure levels (SPL) Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect. Integrated three-stage pop protection grille reduces "pop" and other breath noise Internal shock mount reduces transmission of handling noise Replacement cartridge: RK374Performance Characteristics Extended frequency response Very low self-noise Exceptional low-frequency reproduction High output level High input SPL capability No cross-over distortion Extremely uniform polar response Superior common mode rejection and suppression of radio frequency interferenceApplicationsSome typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed. Voice -- solo, background, voice-over, broadcasting Acoustic instruments -- such as piano, guitar, drums, percussion, strings Wind instruments -- brass and woodwind Low frequency instruments -- such as double bass, electric bass, kick drum Overhead miking -- drums or percussion Ensembles -- choral or orchestral Room ambiance pick-up -- guitar amplifier or drums Both the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application.
NEW Wider mounting base capable of accommodating a larger range of microphone stands.The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch," and delivers studio quality sound even at extremely high sound pressure levels.The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain before feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. * Frequency response shaped specifically for kick drums and bass instruments * Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum * Studio quality performance, even at extremely high sound pressure levels * Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise * Hardened steel mesh grille that resists wear and abuse * Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration * Neodymium magnet for high signal-to-noise ratio output * Low sensitivity to varying load impedance * Legendary Shure quality and reliabilityNEW Wider mounting base capable of accommodating a larger range of microphone stands.The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch," and delivers studio quality sound even at extremely high sound pressure levels.The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain before feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. * Frequency response shaped specifically for kick drums and bass instruments * Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum * Studio quality performance, even at extremely high sound pressure levels * Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise * Hardened steel mesh grille that resists wear and abuse * Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration * Neodymium magnet for high signal-to-noise ratio output * Low sensitivity to varying load impedance * Legendary Shure quality and reliability
A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar® diaphragm for superior transient response Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion Premium electronic components, including gold-plated internal and external connectors Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs) Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect Performance Characteristics Extended frequency response Low self-noise Exceptional reproduction of low-frequency sounds Can withstand high sound pressure levels (SPL) High output level No crossover distortion Uniform polar response Superior common mode rejection and suppression of radio frequency interference Applications Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed. Acoustic instruments -- such as piano, guitar, drums, percussion, strings Wind instruments -- brass and woodwind Low frequency instruments -- such as double bass, electric bass, kick drum Overhead miking -- drums or percussion Ensembles -- choral or orchestral Room ambiance pick-up -- guitar amplifier or drums Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
SPL 's Gainstation 1 very compact design allows for free placing outside of a rack . Musicians can place the GainStation 1 easily on a rack or amplifier.To accommodate portability, the optionally available SPL GainBag ensures safe transport of the GainStation 1 and offers additional storage for cables and an average-sized microphone. For more permanent installations, up to four GainStation 1's can be rack-mounted in one optionally available 3-unit mounting frame. Features :Custom-designed and built, fully discrete, class A op-amps (no off-the-shelf stuff here). The GainStation's op-amps feature 60-Volt operating voltage twice as high as most common op-amps�for an incredible dynamic rangeAn extremely high amplifier slew rate of 200 V/microsecond, ensuring clean transmission of high-frequency signal portions and rapid transients with virtually no clippingAn almost entirely DC-coupled signal path, making signal-degenerating condensers unnecessary.An optimized layout guarantees the shortest possible signal paths, while generously proportioned grounding surfaces ensure low impedance and maximum shielding.All switching functions are handled by encapsulated relays with gold-plated contacts.All resistors are within 0.1% tolerance and were selected after extensive listening tests.A no-compromise power supply with extensive additional shielding and seven separately wound and regulated voltages. The power supply is of primary importance to audio quality; its importance should not be underestimated.A tube stage utilizing premium MKP foil condensers and a select 12 AX7 LPS tube for clear, dynamic audio.
Shure's innovative A56D Microphone Drum Mount sets a new standard for versatility. Compact in design, the A56D can be used in a multitude of positions for accurate microphone placement. Live, or in the studio, this universal clamp can be mounted virtually anywhere, including drum rims and racks, microphone stands, and cymbal stands. This reduces the stage clutter that is associated with traditional mic stand set-ups, while promoting greater placement accuracy.
The GoldMike Mark2 retains a hybrid solid state and tube construction to combine the best of both worlds.The transistor stage is composed of single transistors in a class A design. The circuitry is fully discrete, and each transistor is completely optimized for its specific task. You will not find any IC’s in this preamplifier stage because they cannot be optimized for this specific application to the degree we aimed for.This all new discrete class A transistor stage is a genuine innovation in the entire preamplifier market at this price level. Features : Frequency response ‹10Hz bis 90kHz (-3dB) THD+N (Input level -30dBu, 30dB Gain) 0,016% Noise (A-w., R=40Ohm, 30dB Gain) -91,2dBu Dynamic range (30dB Gain) 110dB E.I.N. 128dBu Max. output level (sym., XLR+Jack) +26,8dBu Slew rate solid state stage 200V/µs
The Shure Beta 91 is specifically designed for kick drums and other bass instruments. The Beta 91 combines superior "attack" and "punch" for studio quality sound, even at the extremely high sound pressure levels encountered inside a kick drum. Its boundary effect design produces a strong, solid low-end response that has been specifically tailored for heavy bass applications. The microphone's cardioid pattern provides outstanding gain-before-feedback and excellent rejection of unwanted sound, making the Beta 91 ideal for live concert applications. The low profile design of the Beta 91 eliminates the need for external mounting hardware - just throw it in your kick drum and play. FEATURES Frequency response shaped specifically for kick drums and other instruments Wide dynamic range for use in high SPL environments Low-profile design requires no external mounting hardware Detachable cable for easy storage Legendary Shure quality, ruggedness, and reliability
The Beta 98H/C is a premium cardioid condenser instrument microphone that clamps onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument 'key noise' and other mechanical noise. A gooseneck angle brace is included to provide better retention of the microphone placement during more active performances. FEATURES The Beta 98 H/C and WB98 H/C feature transformerless preamplifier circuitry which improves linearity across the full frequency range. The pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise. Its high maximum sound pressure level (SPL) enables it to handle the extreme demands of brass, woodwind and percussion instruments. The Beta98H/C features a 3 m (10 ft.) high-flex cable with attached preamplifier (XLR connection) The WB98H/C features a 1.6 m (5.3ft) high-flex cable terminating in a 4-pin mini-connector, for use with wireless bodypack transmitters Tailored frequency response for open, natural sound reproduction Compact, lightweight construction provides a low degree of visibility Gooseneck, ratcheting swivel joint and gooseneck angle brace allow for optimum placement and fixed positioning Legendary Shure ruggedness and reliability
The API 550 EQ played a major part in the history of music recording in the USA during the 60's and 70's. Originally conceived for use in API's consoles, this latest 550 "B" version is a continuation of the original 1967 550 through the 550A with one additional filter band and several new frequencies. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 op-amp), the 550B artfully blends the past with the present. So many hit records still depend on the unique 550 sound, that the 550B will be an invaluable tool you will turn to again and again. The API 550B—unlike any other you will ever use.Many EQ's today offer a huge assortment of complex features, but the API 550B provides exactly the right number of controls to the professional engineer. Deceptively simple at first glance, the 550B's four EQ bands are overlapped significantly to aid in dual roles as problem solver and sweetening device. Each band offers 7 switchable filter frequencies spanning 4 to 5 octaves, selected through experience by a "who's who" list of the industry's most proficient engineers. This re-issue design has been taken from the original blue prints and spec control drawings from the API archives.Features: 4 bands of our famous sounding equalizationEach band offers 7 API selected frequency centersReciprocal and repeatable filtering12 dB of boost/cut per bandEQ Band 1 and 4 offer shelf/peak switching"Proportional Q" narrows filter Q at extremesTraditional API fully discrete circuit designHigh headroom +30 dB clip levelRe-issue of 1967 API 550 EQ with an extra band
Few equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now legendary Saul Walker in the late 60's, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found it's way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today.Forty years later, the 550A remains the standard against which other EQ's are measured, and it has played a major role in the recording industry for decades. Still copied but never duplicated, the 550A became API's standard channel module EQ when the company began manufacturing consoles in 1971. With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004.With the long-awaited reissue of this unit, an EQ that has had such a part in the history of recording is continuing to make history in today's music. FEATURES3 bands of classic API equalization Each band offers 5 API selected frequency centers Reciprocal and repeatable filtering maximum 12 dB of boost/cut per band EQ Band 1 and 3 offer shelf/peak switching "Proportional Q" narrows filter Q at extremes Traditional API fully discrete circuit design High headroom +30 dB clip level
The R 1 Active MKIII is a very cool mic that combines the best of two worlds; the warmth of a ribbon and the stability of a F.E.T. buffer ampilier. This means that you can use the R1 Active MKIII with long cables and virtually any pre-amp featuring 48V phantom power.A clean and clear sound, yet warm and punchy is what the R1 Active MKIII will deliver in most cases. We love it on drums, as an ambience mic or in pairs for O.H. pickup, but it sounds great on most instruments.The R1 Active MKIII is in fact a very versatile mic even suitable for some sensitve vocal recording! And even more so now when the mk3 version includes switches for low cut and 10dB pad.
Dangerous Music's Source is the all-in-one portable monitoring system project studio engineers have been waiting for! The Dangerous Source gives you access to a complete set of audio sources, including USB and AES digital audio, as well as a balanced XLR and an 1/8" stereo input (perfect for your iPod!).Separate source selections for your headphones and monitors will certainly also come in handy when collaborating with artists. If the complexity of your monitoring setup has you tied in knots, check out the Dangerous Source.Portable, studio-grade monitor controllerThe Dangerous Source pops into your backpack and fits right under your laptop. If you're a producer, engineer, DJ, or video editor who's always on-the-go, it's great to have access to studio-quality monitoring on the road. Dangerous Music's studio monitoring products are well regarded amongst audio pros, and you know when they set out to design a portable monitor controller, it's going to have the right stuff.Flexibility - it's a beautiful thingThe Dangerous Source lets you listen to any combination of four input sources; you get two speaker outputs and two headphone outputs. You can let the singer hear her own personal headphone mix, for instance, from the Analog 2 input - while you monitor the real mix, coming in from your computer via the USB input (which can run up to 24-bit/192kHz). The Dangerous Source gives you the monitoring flexibility to handle virtually any monitoring situation that might crop up.Dangerous qualityDangerous Music is renowned for their no-compromise designs and build-quality, and the Dangerous Source lives up to this reputation. The company's products have earned the fierce loyalty of legions of audio pros the world over. When you add the Dangerous Source to your audio rig, you know that you're making an investment in great sound that will give you many years of use.Dangerous Music Source monitoring system Features:Hear everything, anywhere, so you can mix it right the first time.Portable monitor control for both speakers and headphones.Monitor Digital, (2) Analog and USB sources separately or simultaneouslyFits beneath a 13" laptop or rack installable (kit optional)Two speaker outputs can be engaged simultaneously, or use one as a dedicated subwoofer out.Headphones and speakers can monitor single or multiple sources - different choices for the producer and artist.Two analog inputs: 1/8" mini stereo & XLR/TRS combo jack.Two digital inputs: AES/SPDIF and USBUSB IN, up to 24-bit/192kHz for Windows and Mac (plug and play in OX X 10.7)Third stereo output to send to Front of House or final mixdown
24bit/192kHz FireWire / USB 2.0 Audio Interface and 28/16 digital mixer with FX, DSP (EQ, compressor and reverb), new CueMix console, 2x mic/guitar inputs with internal hardware limiter, 48V phantom power, 8x balanced line I/Os & 2x XLR main outputs, 2x sends, 2x ADAT I/O, S/PDIF RCA I/O (24bit/96kHz), MIDI I/O, Word Clock I/O, 2x headphone outputs. Compatible with Mac & PC. Dimensions: 19" x 1U.
The Manley MASSIVE PASSIVE is a two channel, four band equalizer, with additional high pass and low pass filters. Passive - refers to the tone shaping part of the EQ design not using any active circuitry. Only metal film resistors, film capacitors and hand-wound inductors sculpt the sound. Super- beefy, hugely-high-headroom, Manley all-tube make-up gain amplifiers deliver your tunes into the next realm. Creating natural, organic, acoustic tone can only be done with an equalizer that shapes the signal with natural methods. The Massive Passive uses simple passive components and exploits their natural qualities rather than forcing a complex circuit to meet an arbitrary clinical or scientific goal. Manley knows that recording and mastering equalizers are used by artists for artistic goals and they balanced this design with a little more art than science. The Massive Passive is intended both for the most radical EQ sometimes needed for tracking as well as the most subtle shadings for vocals and mastering. It is designed to be a fundamentally different EQ but with the best strengths of Pultecs, choice console EQs, parametrics and graphics. The difference is that this EQ allows twice as much EQ with half the colouration. It allows massive HF boosts without sibilance problems and unbelievable fatness without mud. This is unique. Being different also gives it some quirks and idiosyncrasies that will spark your creativity.The main features of the Manley MASSIVE PASSIVE include:Perhaps the ultimate studio EQ for tracking instruments, mastering and delivering powerful tonal control with characterAll-Passive tone sculpting circuitryUnique Shelf curves use the "bandwidth" controlOverlapping and Interleaved Frequency choicesEvery band switchable to shelf or bellVacuum tube make-up gain and line driversParallel symmetrical topologyPremium components throughoutHP and LP Filters plus gain trimsEach band can be bypassed or set to boost or cut. This provides twice the control resolution over conventional EQs. It also eliminates the problem of a centre detent not guaranteeing flat responseEach band is capable of 20 dB of boost or cut combined with amazing headroom and freedom from clippingSteep LP and HP filters for maximum effectiveness and achieved passively for minimal coloration. The minimum slope is 18 dB/octave and the 18kHz filter was designed for 60 dB/octaveModular design that allows future upgrades and special functionsTransformer balanced floating outputs for ease of installation and a touch of desirable flavourIns and Outs Balanced XLR and 1/4 inch (accepts unbalanced)Level +4 dBm nominal, internal switches for -10 operationBypass Switch bypasses EQ and tube circuits (not hardwire)44 Frequencies (roughly 1/4 octave spacing)Frequency Range: 22 Hz to 27 kHzEQ Boost/Cut Range : 20 dB boost, 20 dB cutNominal Q range: 1.5 to 3 (uniquely active in shelf modesFrequency Response: +/- 2 dB: 8 Hz to 60 kHzMaximum Output @ 1.5% THD +37 dBv; + 26dBv @ 20 HzTHD and Noise (1kHz @ +4 dBm): 0.06%Noise Floor (referred to + 4dBm): -85 dB (A Weight)Dynamic Range: 120 dBTube Complement: 5751 x 2, 6414 x 4Power Consumption 72 wattsSize (3U): 19 x 5.25 x 10 inchesWeight: Unit 21 lbs. Shipping weight: 27 lbs
The Dangerous Monitor ST is a remote-control accessed input source switcher/speaker switcher/cue system/talkback system /headphone amplifier all in a one rack space package. FEATURESAnalog stepped-attenuator volume control 4 input sources3 speaker outputsProgrammable input gain offsetsInput level compensation for –10dBV and +4dBu sourcesInput 4 has continuously variable level offsetProgrammable output level offsets Assignable subwoofer outputProgrammable subwoofer level offsetSelectable subwoofer filteringComprehensive speaker Mute and SoloFlexible stereo cue system with main and auxiliary inputsOnboard cue power ampTalkback system with dual control and dedicated slate output SR unit has selected source output
Enjoy exceptional sound in a minimalist style. The Denon CEOL-N10 Hi-Fi-Network CD Receiver with HEOS music streaming, Bluetooth® and Alexa voice control is the perfect compact stereo for all your musical desires. With the Denon CEOL-N10 your sound possibilities are nearly endless. Listen to your favourite CD, stream your playlists via Spotify, Deezer Premium or Tidal, go multi-room with the built in HEOS technology, using Bluetooth® or your network. Enjoy Internet Radio and AirPlay2. And the most convenient thing: Control this Mini HiFi system easily via your voice with Amazon Alexa voice compatibility. It's a thousand things. It's cool, it's CEOL. Select the sound or source you like, turn up volume, skip to the next track – all this and more you can do with simple voice commands. Since the CEOL-N10 Mini System is compatible with Amazon's Echo devices and Alexa Voice Service, it'll literally read your every wish from your lips. CEOL-N10 is built for optimum sound performance with a completely re-engineered two-way speaker configuration that improves clarity and musical accuracy. You will hear every instrument clearly with enthusiast quality. Every room in your home can have its own HEOS sound. Or, group multiple HEOS compatible devices and speakers to fill the house with the same song , using your home network. With HEOS, multi-room means multiple options. Have it all at your fingertips with the intuitive HEOS App. The CEOL-N10 comes in a compact design that complements your style. The beautiful Denon mini system is available in a black, white and grey high-quality matte finish. The sophisticated industrial design of the CEOL-N10 blends seamlessly into your home and pairs with your aesthetic preferences. CEOL-N10 is fast and intuitive to set up, taking just minutes from unboxing to filling your home with beautiful music. Just follow the simple instructions and connect to your favourite streaming services with ease. Or just pop in a CD. The choice is yours. Play your personal music collection – even in high-resolution. The CEOL-N10 Network-Receiver supports all major streaming formats. All the great music services are fully integrated. Set the mood that's just right for the moment. Specifications :High quality power output : 2 x 65 WCD Compatibility: CD / CD-R/RW / WMA / MP3 : / / / Tuner: FM (RDS) / AM : / Network Audio Streaming : Spotify Connect* / Tidal* / Deezer* / others * : / / / AirPlay 2 : Internet radio : tuneinHEOS Multiroom and Streaming : Voice Control - Works with Amazon Alexa : Auto Power On by optical input signal : TV remote learning : (update)Bluetooth / aptX / NFC : / / USB Audio (Front) / Made for iPod / Made for iPhone : / / USB-A: DSD / WAV / FLAC / AIFF / ALAC : 5.6 / 192 / 192 / / 192Ethernet / WiFi : / WiFi setup: WPS / WiFi Sharing : / Lossy Formats: MP3 / WMA / AAC : / / Lossless formats: FLAC HD / ALAC / WAV / AIFF / DSD : / / / / Gapless Playback : (FLAC, WAV, DSD)Tone Control: Bass / Treble / Balance : / / MaxxBass / MaxxTreble : / Low Noise OELD display : 3 lineClock : Sleep Timer : Programmable Timer: Once / Daily : / Digital Optical In / Out : 2 / 0Subwoofer PreOut : Speaker Terminal: push type / Screw Type : / Power Output (6 ohm, 1kHz) : 60 W / 4 ohmsNumber of channels : 2Freq. Response (Analogue In) : 20 Hz 20 kHzSignal to Noise Ratio (audio) : 86dBTotal Harmonic Distortion (audio) : 0.1(1kHz/5W/ 4 ohms)Frequency Range FM : 87.5 108 MHzSignal to Noise Ratio (Mono/Stereo) FM : 74/70 dBTotal Harmonic Distortion (Mono/Stereo) FM : 0.3 / 0.4%Remote Control : RC1222Power Consumption in W : 55Standby Consumption in W : 0.4Maximum Dimensions (W x D x H) in mm : 280 x 305 x 108Weight in g : 3.4
Vocal microphone provides excellent speech reproduction onstage due to its cardioid pickup pattern. It features a wind and "pop" filter for vocals, a wire-mesh front grille, dual-impedance operation, and a silent magnetic on and off switch.The predecessor to the SM58®, The 565SD Classic Unisphere® Vocal Microphone is a dual-impedance, unidirectional dynamic microphone famous for its spot on the Woodstock stage.It features highly effective wind and "pop" filter for vocals and a durable, wire-mesh front grille. Shipped connected for low-impedance operation, the 565SD provides excellent vocal or speech reproduction onstage, and can also be used with public address systems.Features:Versatile, high-quality microphone with sound characteristics similar to the SM58®Selectable dual-impedance operationSilent magnetic reed on/off switch with lock-on optionCardioid dynamicFrequency response: 50 to 15,000 HzSpecifications:Weight: 298 gHeight: 161.0 mmWidth: 51.0 mmFrequency Response: 50 Hz – 15 kHzFrequency Response: TailoredSensitivity: -56.00 dBV/Pa – 1.60 mV/PaTransducer Type: DynamicPolar Pattern: CardioidSwitchable low cut: NoConnectors: 3 Pin XLRAttenuator: NoInterchangeable Capsule: No
The ultra-compact VP83 LensHopper™ is an all-in-one solution for capturing detailed, high-definition audio with full low-end response for professional results every time. For use with DSLR cameras and HD camcorders, the VP83 features a rugged build and true-to-life audio quality, expertly combining form and function. Its easily accessible controls enable quick adjustments for different recording environments.Features:High sensitivity and low self-noise with wide frequency range for natural audio reproductionHighly directional supercardioid / lobar polar pattern that rejects unwanted off-axis audio while clearly capturing the intended sound sourceSuperior RF immunity that avoids unwanted audio artifacts from cellular and RF devicesEasily accessible controls at the back of the microphone:Three-position gain (-10 dB pad, 0, +20 dB boost) to compensate for different recording environmentsLow-cut filter to eliminate background noise and room ambienceDurable and LightweightIntegrated Rycote® Lyre® shock mounting system that provides robust isolation from vibration and mechanical noise (exclusively developed with Rycote for the VP83)Durable, all-metal construction that meets legendary Shure quality standards in an ultra-lightweight design
Shure MX150B/C-TQG Black Cardioid 5mm Subminiature Lavalier Microphone with TQG connector for Shure Bodypacks.The Shure Microflex® MX150 is a professional electret condenser microphone ideal for applications requiring low-profile placement. Fully compatible with all Shure wireless systems, the discreet MX150 offers uncompromising sound quality and high reliability for television broadcasting, corporate lectures, A / V teleconferencing, houses of worship, and sound reinforcement. Specifications:For voice applicationsChangeable equalisation capsCardioidFrequency Response: 20 - 20,000 HzSPL max. 147.5 dB4-pin. TQG plugDiameter: 5.8 mmLength: 11 mmBlack reinforced cableIncluding tie clip and windshield
Clip-on lavalier condenser microphone in a discreet, miniature form factor ideal for professional presentations. Works with Shure wireless systems.Specifications:Discreet, miniature clip-on lavalier microphone for speeches and presentationsCondenser cartridge with cardioid polar patternWorks with all Shure wireless bodypacks featuring TA4F (TQG) connectorsPolar pattern: CardioidFrequency range: 50 - 20,000 HzMax. SPL: 139 dB-43.5 dBV/PaTQG Connector for Shure wireless systems
With an all-new design, MR Series monitors utilize our proven technology and acoustic tuning to deliver incredible accuracy and clarity. The logarithmic waveguide provides an ultra-wide listening sweet spot and enhanced stereo imaging while the Acoustic Space Control allows you to adjust the frequency response of the monitor to match your studio.Whether it’s dialogue, hip-hop, rock, and beyond, you can listen with confidence knowing your mix will sound great anywhere.For extended bass response in your studio, the MRS10 Powered Studio Subwoofer delivers powerful low-end reinforcement perfect for when your music hits hard and low. Features:120W RMS / 240W Peak Output Sub With 10'' Composite WooferClass-D Amplification For Responsive & Accurate LF SoundsAdjustable 40Hz To 180Hz Crossover Point Offers Versatile SettingsAll-Wood Cabinet With Rubber Feet Minimises Unwanted ResonanceIdeal For Electronic Music, Hip-Hop & More
Combining high-resolution 24-bit/192kHz converters with premium Mackie analog circuitry and Built-Like-A-Tank™ hardware design, the bus-powered Onyx Series USB Audio Interfaces give you the power to capture your best performance and experience media with pristine fidelity at home or on the go.Perfect for singer-songwriters and content creators, the Onyx Artist 1•2™ features an Onyx mic pre plus a ¼” input with Hi-Z switch for quick and easy recording. The model offers zero-latency direct monitoring plus a headphone output, L/R line-output and +48v phantom power.Specifications:Boutique-quality Onyx™ mic preamp with class-leading fidelity and dynamic range+48v Phantom Power for use with studio condenser mics1/4” TRS input with Hi-Z switch for connecting guitar, bass, and moreHigh-resolution 2 in x 2 out 24-Bit/192kHz recordingZero-latency direct analog monitoring of inputsDedicated 1/4" TRS outputs for connecting studio monitorsBus-powered for easy mobile recordingUSB 2.0 connectivityBuilt-Like-A-Tank™ design to survive day-to-day abusePowerful headphone outputTracktion™ Music Production Software includedCompatible with all major DAWs on Mac or PC1.1 lbs / .5 kg
The PGA56 is designed for clear reproduction of the sound source in close-miking percussion applications. Available with and without a cable. Specifications:PG Alta SeriesFor snare, toms, percussionCardioid50 - 15,000 Hz200 OhmSensitivity t 1 kHz: -57 dBV/Pa (1.45 thomann mV)Metal housingColour: BlackWeight: 287 gIncluded: 4.5 m XLR cable, drum clip and bag
10" powered loudspeakerEV QuickSmart Mobile application: quickly and wirelessly configure, control and monitor up to six ELX200 loudspeakers simultaneously, and receive immediate notification during critical performance conditions. Bluetooth is available in select countries.QuickSmartDSP features best-in-class processing. Easy setup via four presets, sub/top system-match, three-band EQ, five user-programmable presets, visual monitoring of limiter status, input level control and meters, and master volume control to optimize gain structure, all via LCD.High-efficiency 1200 W Class-D power amplifier delivers up to 130 dB peak SPL utilizing transducers designed and engineered by EV.EV-patented Signal Synchronized Transducers (SST) waveguide design provides precise and consistent coverage, minimal distortion, and maximized acoustical loading.Professional-grade hardware: three M10 threaded mounting points for forged eyebolts, integrated pole-mounts and the proven ZLX two-handle design for easy lifting.ELX200-10P features high-efficiency Class-D power amplifiers (up to 1200 W) with integrated QuickSmartDSP, and delivers up to 130 dB SPL utilizing transducers designed and engineered by EV (10-inch EVS-10M woofer coupled with a DH-1L 1-inch titanium compression driver). Powered full-range models allow easy setup via four presets (Music, Live, Speech, Club), sub/top system-match crossovers, three-band EQ, five user-programmable presets (Store and Recall settings), visual monitoring of limiter status, input level control and meters, and master volume control to ensure optimal gain structure.ELX200 powered models are ideal for portable and installed applications, with lightweight and durable polypropylene enclosures, three M10 threaded mounting points and the proven ZLX handle design for easy lifting.The new QuickSmart Mobile wireless control and monitoring application, using Bluetooth Low Energy (BTLE) technology, allows intuitive system control, configuration and monitoring of up to six powered ELX200 loudspeakers simultaneously. Receive alerts when your system is being overdriven, and control your system while in front of your speakers, not behind. Bluetooth is available in select countries.
12" powered loudspeakerEV QuickSmart Mobile application: quickly and wirelessly configure, control and monitor up to six ELX200 loudspeakers simultaneously, and receive immediate notification during critical performance conditions. Bluetooth is available in select countries.QuickSmartDSP features best-in-class processing. Easy setup via four presets, sub/top system-match, three-band EQ, five user-programmable presets, visual monitoring of limiter status, input level control and meters, and master volume control to optimize gain structure, all via LCD.High-efficiency 1200 W Class-D power amplifier delivers up to 130 dB peak SPL utilizing transducers designed and engineered by EV.EV-patented Signal Synchronized Transducers (SST) waveguide design provides precise and consistent coverage, minimal distortion, and maximized acoustical loading.Professional-grade hardware: three M10 threaded mounting points for forged eyebolts, integrated pole-mounts and the proven ZLX three-handle design for easy lifting.ELX200-12P features high-efficiency Class-D power amplifiers (up to 1200 W) with integrated QuickSmartDSP, and delivers up to 130 dB SPL utilizing transducers designed and engineered by EV (12-inch EVS-12M woofer coupled with a DH-1L 1-inch titanium compression driver). Powered full-range models allow easy setup via four presets (Music, Live, Speech, Club), sub/top system-match crossovers,three-band EQ, five user-programmable presets (Store and Recall settings), visual monitoring of limiter status, input level control and meters, and master volume control to ensure optimal gain structure.ELX200 powered models are ideal for portable and installed applications, with lightweight and durable polypropylene enclosures, three M10 threaded mounting points and the proven ZLX handle design for easy lifting.The new QuickSmart Mobile wireless control and monitoring application, using Bluetooth Low Energy (BTLE) technology, allows intuitive system control, configuration and monitoring of up to six powered ELX200 loudspeakers simultaneously. Receive alerts when your system is being overdriven, and control your system while in front of your speakers, not behind. Bluetooth is available in select countries.
A prime example of what we stand for here at NAD, the C 388 Hybrid Digital DAC Amplifier is at the top of its class in the world of affordable amplification. An incredibly powerful amp, the C 388 employs NAD technologies to ensure that even the most demanding speakers can be driven to life-like listening levels without dynamic compression. Thanks to its advanced preamplifier circuit, the C 388 gives low noise at all volume settings, ensuring that you’ll be able to listen to your music without any distractions. Another technology that’s available to the C 388 is the BluOS™ module, a music management system that can stream your music library wirelessly across your home Wi-Fi network. You can also instantly connect to the C 388 with Bluetooth® giving you access to various streaming services. With the ability to accommodate a variety of sources both past and present, the C 388 is a remarkably flexible product that will become a core addition to your home audio system.Getting the Basics RightIt is surprising how many seemingly advanced products in the market today often miss many of the most basic requirements for satisfying performance. Low noise circuits, precise volume control action, accurate channel balance, proper input and output impedance characteristics, high overload margins and stability with difficult speaker loads.NAD starts by getting these things precisely right and advances from there. We include an MM Phono stage with precisely accurate RIAA equalization, high overload margins, extremely low noise, and an innovative circuit to suppress infrasonic noise that is present on all LPs – all without affecting bass response. Our line inputs can accommodate all kinds of analogue source components by offering ideal input impedance characteristics with linear ultra-low-noise buffer amplifiers to prevent any sonic degradation caused by inappropriate loading of the source device. We include a separate headphone amplifier with low output impedance and very high output voltage capability – enough to drive even high impedance studio monitor headphones. Low impedance line outputs that can connect to other amplifiers or subwoofers extend the versatility of this well thought out amplifier. These are all details you can hear.Future-Proof Modular DesignThis NAD exclusive feature allows you to customize your NAD amplifier with additional capabilities and features, now or in the future. The two available MDC slots can accommodate a variety of upgrade modules including additional Digital Inputs, additional Analogue inputs, and one of the most advanced Hi-Res Audio multi-room wireless systems available, the BluOS™ music management system developed by Bluesound. BluOS connects to your network and is controlled via smartphone, tablet, or desktop device to manage your music collection and connect to a growing list of high-quality streaming music services.Connected and Smart You can connect instantly to the C 388 with Bluetooth® allowing you to stream music wirelessly from any Bluetooth-enabled device. The high performance aptX® codec is fully supported for true CD-quality sound. Bluetooth can also be used to listen to other sources connected to the C 388 via wireless headphones such as NAD’s own HP70. There is also a control app that allows your smartphone or tablet to control all functions of your C 388. Adding the optional BluOS Module provides access to your local area network via Wi-Fi or wired Ethernet connection and adds Hi-Res Audio streaming. The BluOS Module also makes the C 388 a singlezone streamer in a complete multi-room wireless music system that is fully compatible with BluOS-enabled music systems and wireless speakers. These are available in a variety of sizes and shapes to fit every room and extend the performance of your primary music system to create a warm ambience of sound in your home. Sophisticated PowerNAD has moved away from the old-fashioned power-hungry linear power supplies and Class AB output stages that waste nearly half of the energy consumed and produce heat rather than sound. Instead, we have developed even better performing circuits based on switch mode power supplies and Class D output stages. Once thought to be inferior to traditional topologies, NAD’s advanced work in this area has created some of the best performing amplifiers regardless of basic design principle. These new designs are very linear over a wide bandwidth and provide consistent performance into all speaker loads, providing a dramatic advance over previous models.The power supply is capable of 150 watts continuously and over 250 watts instantaneously to allow for short-term musical transients. It can operate with any AC mains voltage from 100 to 240 volts and provides pure DC power to all the various stages of the C 388. This highly efficient supply also provides near perfect regulation of voltage across a wide range of conditions and provides a solid noise-free foundation for the amplifying stages.The C 388 uses a customized version of the proven Hypex UcD output stage operating in a fully balanced bridge configuration. This allows for massive power with nearly immeasurable distortion and noise in the audible range. Every detail of this design has been carefully planned and perfectly executed to wring out every last drop of performance.
The Ui Series mixers feature cross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices, and can use up to 10 control devices simultaneously. In addition, the Ui12 and Ui16 each feature built-in HARMAN signal processing from dbx, DigiTech and Lexicon, including dbx AFS2, DigiTech Amp Modeling, and more. Both models feature fully recallable and remote-controlled mic gain and phantom power, along with 4-band parametric EQ, high-pass filter, compressor, de-esser and noise gate on input channels. Both mixers offer 31-band graphic EQ, noise gate and compressor on all outputs, plus real-time frequency analyser (RTA) on inputs and outputs. Built in are three dedicated Lexicon FX busses: Reverb, Delay and Chorus. In addition, mixer controls include Subgroups, Mute groups and View groups, among others. The Ui Series mixers feature full Show/Snapshot recallability with channel recall safes. while security lockout features allow customization of device access to only specific functions and mixes if needed. Both mixers also offer independent network interfaces on board for simultaneous control by Wi-Fi and Ethernet, plus a floor-ready rugged chassis for live applications. The Ui16 boasts eight XLR combo mic/line inputs, four XLR mic inputs, two channels of Hi- Z/instrument inputs, as well as a stereo RCA line input. A 2-channel USB media player is included, along with four balanced XLR Aux outputs, two quarter-inch headphone outputs with level control, plus balanced stereo XLR and quarter-inch main outputs. Two-channel USB audio playback is compatible with MP3, WAV and AIFF formats, and 2-channel USB Record direct-to-memory devices functionality is possible as well. The Ui16 also has an HDMI display connection output.Features:Tablet/PC/Smartphone Controlled Digital MixerIntegrated Wi-FiCross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devicesUse up to 10 control devices (tablets, phones, PCs) simultaneouslyLegendary Harman Signal Processing from dbx®, Digitech®, and Lexicon®Fully recallable and remote-controlled mic preamps4-band Parametric EQ, High-Pass Filter, Compressor, De-esser and Noise Gate on input channels31-band Graphic EQ, Noise Gate and Compressor on all outputsReal-Time Frequency Analyser (RTA) on inputs and outputs3 dedicated Lexicon® FX effects processors: Reverb, Delay and ChorusSubgroups, Mute Groups, View Groups, and more mixer controlsShow/Snapshot recall with channel safes and security lockout2-channel USB audio playback and recordingPassword-protected Access limitation systemSync ID (multiple browser windows staying in channel Sync)
The PGA57 is a professional quality instrument microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments. Mountable microphone for amplified and acoustic instrument performance and recording, including guitar amps and snare drumsTailored, dynamic cartridge (does not require phantom power) with cardioid polar pattern. Specifications:Type Dynamic: (moving coil)Frequency Response: 70 to 15,000 HzPolar Pattern CardioidOutput Impedance 150 ΩSensitivity at 1 kHz, open circuit voltage: -56.5 dBV/Pa (1.5 mV) 1 Pa=94 dB SPLPolarity Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3Weight 280 g (9.88 oz.)Connector Three-pin professional audio (XLR), maleOperating Temperature -20 to 165 °F (-29 to 74 °C)Operating Humidity 0 to 95%
KSM8 redefines dynamic microphone technology for leading performers and engineers. It virtually eliminates proximity effect and provides unmatched vocal accuracy with minimal EQ and processing and has been designed for use in large, complex sound systems. Providing absolute vocal clarity, KSM8 is suited for production studios, live performance venues and broadcast productions.KSM8 has an extremely wide sweet spot, due to the design of the Dualdyne element and its ability to control proximity effect. Additionally, the neutral mid/high frequency response means that there is little external processing required, resulting in consistent, natural-sounding audio, regardless of the artist’s mic technique and placement.Specifications:Transducer Type : DynamicPolar Pattern: CardioidFrequency Response: 40 Hz - 16 kHzSensitivity (1 kHz): -51,5 dBV/Pa / 1,85 mV/PaWeight: 330 g
A total solution consisting of the necessary microphones for recording drums.Including:1x PGA52 bass drum mic2x PGA56 snare/tom mic1x PGA57 snare microphone2x PGA81 Overhead microhoneincl. case and clamps for PGA56
One of the microphones that Shure is most known for is the SM58, the Ultimate live vocal mic that has been used by some of the best known musicians in the world. The SM58 has had many different versions over the years, and the PGA 58 is the Alta's take on this seminal classic.The PGA 58 is a fantastic mic for both lead singer and backing vocals when onstage. It's super durable, has an included on/off switch and a built in pop shield. The pop shield not only deadens the plosives inherent in vocals to make you sound great, it also protects the precious electronics inside the mic from water vapour from your breath as you sing; this results in an overall longer life without issues!Features:Handheld microphone for lead and backup and performanceDynamic cartridge (does not require phantom power) with cardioid polar patternTailored cartridge design for clear, natural sounding vocal reproductionIncludes PGA48 with On / Off switch, microphone clip, zipper pouch and user guideSpecifications:Frequency Response 50–16,000 HzPhantom power required: NoPolar Pattern CardioidType Dynamic
