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Connecting to your Android device with a cable should provide a decent connection. But what if it could be even better?  iFi’s audiophile grade OTG cables provide a super stable connection that supplies superior sound. On-the-go iFi understand the need for quality in every single component of your system. On-the-go (OTG) cables should be no exception. If fact, these actually need extra care and attention. Their very name suggests they will suffer more wear and tear than if they were sat at home! Simply the best OTG cables go between your phone and your DAC. We produce both the USB C and the micro version. They transfer the digital signal from your phone into your DAC. This connection must be stable. That’s why we use a USB 3.0 ‘A’ female connector. It is proven to be a much more mechanically reliable connection. We believe you guys deserve the best, even in the small stuff. Superior signal We also make our cables from top-notch materials. They are constructed from pure OFHC continuous cast copper – an excellent conductor – to deliver a superior, clean signal from your phone to your DAC. This, is turn, delivers the best sound to you to keep you and your music on-the-go, go, go! Perfect for use with Android phones. Our OTG cables extract a digital signal with ease. We offer both micro USB and USB C options. The USB C version is 3.0 standard. The USB 3.0 ‘A’ female connector provides a much more mechanically reliable connection, a factor that not many manufacturers take into account. This fits directly into a flat Type A USB port of the micro or nano iDSD Black Label and ensures a strong and steady audio connection. Our audiophile grade OTG cables are constructed from pure OFHC continuous cast copper, which conducts clean sound between your Android and DAC. And it’s not just the insides that get the iFi treatment. The cables are not only sonically superior but also super smart looking with a sexy ceramic finish to add that touch of class.

The B2 is a new generation of digital piano from KORG focused on accessibility and ease of use. Perfect as a first piano for a new player, we've paid special attention to the experience of playing a real piano. B2 is packed with carefully selected sounds, starting with legendary grand pianos from around the world. Software and a variety of connectors come standard for a truly modern piano experience. Features: Color Variations: Black (B2-BK), White (B2-WH) Keyboard: 88 key (A0–C8), NH (Natural Weighted Hammer Action) Keyboard Touch Control: Three types Pitch Transpose, Fine tuning Temperament: Equal temperament Sound Generation: Stereo PCM Maximum Polyphony: 120 voices (max) Sounds: 12 Effects: Reverb, Chorus Demo Songs: 12 Metronome: Tempo, Time signature and Volume controls Pedal: Damper*,* Half-pedaling supported with Optional Pedal unit PU-2 (Sold separately) Connections: PHONES (Headphone/ LINE OUT combined use), USB TYPE B), AUDIO IN, PEDAL Controls: Power, VOLUME, PIANO PLAY, SOUND, METRONOME Power Supply: DC 15 V, AC adapter (included) Power Consumption: 8W Amplification: 15 W x 2 Dimensions (W x D x H):1,312 x 336 x 117 mm / 51.65" x 13.23" x 4.61",(including projections, excluding music stand),1,312 x 336 x 750 mm / 51.65" x 13.23" x 29.53",(including STB1 optional stand and projections, excluding music stand) Weight: 11.4 kg / 25.13 lbs. Included Items: AC adapter, Music stand, Damper Pedal

What’s New Our professional desktop audio interface grows even more powerful. Without getting much bigger. Zen Tour Synergy Core brings the following upgrades from the original Zen Tour 4x DSP + 2x FPGA Synergy Core low-latency effects and audio engine processors Improved AD/DA conversion – up to 130dB DNR, on par with Orion Studio Synergy Core 2x increase in channel count (32 channels at sample rates up to 192kHz) Thunderbolt™ 3 & USB 2.0 cross-platform connectivity for Mac / Windows Support for new Synergy Core-exclusive effects like Auto-Tune Synergy, Opto-2A, MES-432C, Comp-4K-Bus and others 8 DC-coupled line outputs for CV applications like controlling modular synthesizers Discrete ultra – linear microphone preamps Antelope Audio Synergy Core interfaces employ ARM DSP + FPGA chips in custom configurations to process tens of input/output audio streams and hundreds of low-latency studio effects without burdening your computer. With 4x DSP + 2x FPGA processors, Zen Tour Synergy Core achieves a new standard for real-time audio effects in its category. Lead benefits Offload the bulk of your signal processing to the audio interface with hundreds of FX instances (at sample rates up to 192kHz)Record, monitor, mix and master without perceived latency Free up CPU for large sessions and resource-intensive virtual instruments Explore a growing library of vintage gear emulations and creative effects Avoid latency stacking in complex effects chains Improve system stability by lightening CPU load and optimising audio I/O 36 Synergy Core FX Included Zen Tour Synergy Core comes with 36 Synergy Core FX included: • 2 Preamps • 4 Equalizers • 5 Compressors • 22 Guitar Amps & Cabs • 2 Utility FX • 1 Reverb Giving your projects a flying start, Zen Tour Synergy Core includes a compelling library of 36 meticulously modeled real-time studio effects. It’s all happening inside your audio interface with the lowest possible latency – thanks to FPGA’s massive parallel computing capabilities, DSP processing, and fast Thunderbolt™ connectivity. The included library can be expanded to include any effects you choose from our web store. Auto-Tune Synergy Built from the ground-up for the Synergy Core platform, Auto-Tune Synergy adds live pitch correction to the Antelope Audio experience. Industry-leading pitch correction anytime you need it – live, during recording, and at mixdown Fully adjustable Retune Speed, Flex-Tune, and Humanize parameters with Auto-Key automatic key and scale detection Real-time, low latency performance with the Edge Go modeling microphone and any Antelope Audio Synergy Core interface ‘Classic’ mode pays homage to the legendary “Auto-Tune 5 sound” heard on countless hit records Make ConnectionsSmall footprint, big connectivity! Zen Tour Synergy Core offers a choice of 4 Instrument/Line inputs, 4 Mic/Line Ins, 8 Line Outs, 2 Monitor Outs, 2 Headphone Outs and 2 Re-Amp Outs, totalling 8 analog inputs and 14 outputs. The unit is digitally expandable over ADAT & SPDIF for an additional 10 digital input and 10 output channels. Additionally, all line outputs are DC-Coupled and ready for control voltage (CV) applications such as control of modular synthesizers. As a final touch, an integrated Talkback microphone lets you demo vocals and propel your voice to the live room. 4 Discrete Microphone PreampsA proprietary design that honors the best of audio engineering practices, our fully discrete, ultra-linear microphone preamps have sound quality comparable to that of a great mixing desk. Musical and transparent, they perfectly complement the Antelope Audio Edge & Verge modeling microphones’ sonic characteristics to deliver the power of our Accusonic 3D mic modeling technology right on your desktop. Industry-leading ClockingThe pioneer of atomic clocking in pro audio, Antelope Audio incorporates 20+ years of expertise in its audio interfaces. Our proprietary 64-bit Acoustically Focused Clocking technology & Jitter Management algorithm helps deliver the kind of artifact-free audio once accessible only to the most prestigious studios. Full Speed AheadRecord and monitor with maxed-out effects chains at high sample rates and low buffer sizes without taxing your CPU! You can enjoy Latency-Free Direct Monitoring over 4 independent internal mixers with 32 assignable inputs and stereo outputs. Center CommandZen Tour Synergy Core has modern touchscreen controls giving immediate access to metering, level controls, presets and settings. The intuitive interface and precise tactile control facilitate fast, efficient work at all times, without staring at a monitor. Pack LightZen Tour Synergy Core is our desktop-sized answer to professional rackmount equipment. With it, all you need to make great recordings in your project studio, rehearsal space, or on the road is power, a decent laptop, and reliable headphones. The Synergy Core architecture lets you run processing-heavy projects without carrying external equipment like DSP accelerators, FX processors, and authorization dongles. Route Any AudioBuilt inside the software Control Panel, a comprehensive Routing Matrix houses a full-fledged digital patch bay to freely route audio between the interface’s analog and digital inputs and outputs. Run DAW playback through Synergy Core FX, re-amp guitar DIs through the Shred Guitar Amps & Cabs, and integrate external equipment. With all ‘training wheels’ removed, your workflow can be as esoteric as you want it to be. • IMMEDIATE ACCESS TO ANY PARAMETER• COLOR-CODED ROUTING MATRIX WITH USER LABELS AND UNDO/REDO• FOUR 32-CHANNEL, LOW-LATENCY SOFTWARE MIXERS• SAVE AND LOAD CUSTOM PRESETS• SINGLE-WINDOW WORKFLOW True Cross-PlatformThis time, it's not the manufacturer who's making decisions - you are. Whether your weapon of choice is PC or Mac, Zen Tour Synergy Core carries both Thunderbolt 3 (Type-C) and USB 2.0 (Type-B) ports for cross-platform compatibility with Mac and Windows machines. Depend On ItHand-assembled in Europe from high quality materials (steel and anodized aluminum), Zen Tour Synergy Core withstands the demands of your studio desktop, road rig and practice space. Furthermore, our rock-solid drivers and 20-hour customer support (phone, chat, ticket system) will ensure you get consistent, smooth performance out of the interface in all conditions. Use the Antelope Audio AFX2DAW plug-in to bring our hardware-processed, latency-free Synergy Core FX within your DAW of choice. Enjoy convenient workflow and DAW effects automation with all FX and audio I/O processing handled by the audio interface. Hear The TruthWith updated converters and Antelope’s signature 4th-generation clocking, Zen Tour Synergy Core offers pristine AD/DA conversion for artifact-free recording and critical listening with a best-in-class dynamic range of up to 130dB (measured at the monitor outputs). The sound quality rivals that of professional rackmount studio interfaces, which occupy additional space and may cost times as much. Mic Modeling ReadyThe Zen Tour Synergy Core’s purpose-built preamps and Accusonic 3D modeling engine lets you transform the Antelope Audio Edge and Verge modeling microphones into expensive-sounding vintage replicas. Shape the final sound with complete control over proximity effect and change polar patterns during or after recording. Choose from a collection of classic and rare microphones as you monitor and record live, bringing out the musician’s finest performance.

Enjoy every last detail from your vinyl collection with our highest quality moving magnet phono stage, the Solo Phono Preamplifier. Whether you’re dusting off your record collection or embracing analogue through the vinyl revival, there’s a unique experience to be had from the moment you drop the needle on your favourite album. To preserve the unique warmth of the vinyl sound, the Solo phono preamplifier has been carefully designed with a state-of-the-art switch mode power supply and a new surface mounted circuit board layout to reduce unwanted noise. Due to the low-level signals created by a turntable, not all hi-fi amplifiers will let you connect directly to a record player. The phono preamplifier boosts this signal to something a power amplifier can work with. The challenge at this stage though is that noise can easily be added. This is why we’ve designed the Solo around exceptional components that deliver the warm and detailed sound that’s synonymous with vinyl, all without distorting the signal from your moving magnet cartridge. The switch mode power supply improves performance by switching outside of audible frequency to drastically reduce hum and new circuit board layout uses surface-mount components to reduce noise. If some records in your collection are a little worse for wear, the subsonic filter will help to eliminate low frequency rumbles that can be caused by imperfections within your vinyl. Combine this with the balance control for handling potential cartridge imbalances in your record player (that can cause a difference between the left and right channels) and the result is a detailed experience with accurate soundstage. The Solo phono preamplifier is green at heart with less than half a watt standby power consumption and auto power down feature if the unit isn’t used after a 20 minute period. This in turn gives the unit the same worldwide voltage for compatibility wherever you are in the world. Specifications: MAX POWER CONSUMPTION: 10W GAIN @ 1KHZ: 39dB NOMINAL OUTPUT: 300mV SENSITIVITY FOR NOMINAL OUTPUT: 3.35mV EQUIVALENT INPUT NOISE (A-WEIGHTED): ~0.09uV RIAA CURVE ACCURACY: +/- 0.65dB 30Hz-20kHz SIGNAL TO NOISE RATIO GROUNDED INPUTS REF. 1V OUTPUT (20HZ-20KHZ BW): >90dB THD+N 1KHZ (20-20KHZ BW): 30dB CROSSTALK @10KHZ: >85dB DIMENSIONS (H X W X D): 48x176x132 (1.9x6.9x5.2”) WEIGHT: 0.68kg/1.5lbs

The AXC25 is a versatile, gapless playback CD player featuring a high quality digital to analogue converter (DAC), to convert the digital information stored on a CD into an analogue sound signal. This premium component will draw extra depth and detail from your music. The AXC25 will also play home recorded CD-R, CD-RW and CD-ROM discs with MP3 and WMA files on them. Specifications: THD @ 1KHZ -10DBFS: 

Edge W is made to be played loud. When you do turn it up, expect nothing but a dynamic and punchy sound that captures all the musicality of your songs. With just 14 hand-picked components, Edge W has one of the cleanest signal paths available. It delivers our breath-taking, unadulterated British sound – nothing added, nothing taken away. For all its power, Edge W is remarkably detailed. The sound is finely balanced, with a musical depth and clarity that comes through with every note. It’s all down to how we chose the componentry inside – nothing was picked on price, specs or measured performance. We listened carefully. And created our system with components that simply sounded the best. The end result is a power amplifier that truly brings an original recording to life like no other. Although minimal in its exterior design, Edge W has some complex audio engineering inside. To remove the barriers between you and your music, we have worked hard to minimise the number of components in the signal path. As a result, Edge W delivers a more faithful reproduction of the original recording; an impressively detailed three-dimensional sound, with striking staging and focus. We pioneered the use of toroidal transformers in amplifiers, which led to improved performance. In Edge we take this one step further, using opposing symmetry twin toroidal transformers. This cancels out electromagnetic interference whilst offering outstanding power and maintaining consistent tonality, no matter how loud it’s played. Using standard Class A amplifier technology wasn’t going to be efficient enough for Edge W. Instead we added a bias voltage to a traditional Class AB design, reducing distortion to inaudible levels. This unique configuration also produces less heat and makes the whole system much more effective. Edge systems are designed to work in perfect synchronisation. Match the Edge W with our most versatile Preamplifier Network player, Edge NQ, to create a hi-fi system with a sound, and a look, unlike anything else. Specifications: CONTINUOUS POWER OUTPUT: 100W RMS into 8 Ohms; 200W RMS into 4 Ohms THD (UNWEIGHTED): 113 dB INPUT SENSITIVITY: Input A1-A2 (unbalanced) 1.09V RMS INPUT IMPEDANCES: Input A3 (balanced) 47k Ohm; Input A1-A2 (unbalanced) 47k Ohm INPUTS: Balanced, Unbalanced OUTPUTS: Speakers, Loop out MAX POWER CONSUMPTION: 1000W STANDBY POWER CONSUMPTION: 

With a revolutionary preamp circuit-board that reduces interference and an incredibly clean signal path, Edge NQ plays your favourite music with astonishing depth. Stream, plug-in and play to enjoy every note in perfect clarity. Edge NQ lets you enjoy music from any source. As well as digital coaxial, HDMI, USB and S/PDIF connections, there’s also Chromecast built-in, Spotify Connect, TIDAL, Qobuz, AirPlay, Bluetooth aptX HD, Internet Radio and UPnP Playback. Wherever songs are played from, Edge NQ stays true to the character of every instrument and uncovers a musicality you’ve never heard before. With a wealth of connections including digital coaxial, ARC (Audio Return Channel), USB and S/PDIF, our engineers have ensured that all of your digital content can be enjoyed, at up to 32bit/384kHz and DSD 256. Edge NQ offers an incredibly revealing sound that has detailed tone, rhythmic drive and taut bass. Edge NQ was designed with a unique PCB. Our engineers replaced conventional capacitors with a DC coupled topology and also added a solid state volume control. The end result is a clean signal path that’s perfectly balanced at any volume. Edge NQ boasts the very latest version of our award-winning streaming module. Designed in-house, right here in the UK, it features a new, faster chipset and support for both 24bit/192kHz and DSD128 files. The addition of Spotify Connect, TIDAL, Qobuz, AirPlay, Bluetooth aptX HD and Internet radio means you can enjoy your music whatever the source. Thanks to Chromecast Built-in hundreds of music services, including Sirius XM & Soundcloud, can be enjoyed on the Edge NQ. Just tap the cast button in your favourite app to stream music from your smartphone, tablet or laptop in stunning high definition sound, up to 24bit/96kHz. If you wish to connect the Edge NQ to an integrated amplifier rather than a power amplifier, the streaming functionality can be used independently of the preamplifier. The preamplifier can be disabled via the dedicated Edge app for iOS and Android. Edge systems are designed to work in perfect synchronisation. Match the Edge NQ with our highest performing power amplifier, Edge W, to create a hi-fi system with a sound, and a look, unlike anything else. Specifications: D/A CONVERTER: THD

Edge A is made to celebrate musicality. Riffs, phrases, percussive rolls – take in every detail of your music thanks to its dynamic setup. Effortlessly powerful, but with incredible depth, the overall sound is breath-taking – like you’re sat in the recording booth with the musicians.  Edge A is designed to bring musical detail to life. It delivers a finely balanced sound with a depth and clarity that come through with every note. We developed the system by ear, testing every component and only choosing those that blew us away. The end result is a ground-breaking arrangement that produces a much cleaner signal path and lets your music breathe. Edge A perfectly delivers our classic British sound – nothing added, nothing taken away. We pioneered the use of toroidal transformers in amplifiers, which led to improved performance. In Edge we take this one step further, using opposing symmetry twin toroidal transformers. This cancels out electromagnetic interference whilst offering outstanding power and maintaining consistent tonality, no matter how loud it’s played. Using standard Class A amplifier technology wasn’t going to be efficient enough for Edge A. Instead we added a bias voltage to a traditional Class AB design, reducing distortion to inaudible levels. This unique configuration also produces less heat and makes the whole system much more effective. Pair any Bluetooth device to your Edge A to easily stream your music. With aptX HD support, you can play your audio at up to 24-bit/48kHz quality for an incredibly rich listening experience. Edge A was designed with a unique PCB. Our engineers replaced conventional capacitors with a DC coupled topology and also added a solid state volume control. The end result is a clean signal path that’s perfectly balanced at any volume. Edge systems are designed to work in perfect synchronisation. Match the performance of Edge A with loudspeakers to make the foundations of a hi-fi system unlike anything else. Specifications: CONTINUOUS POWER OUTPUT: 100W RMS into 8 Ohms; 200W RMS into 4 Ohms THD (UNWEIGHTED): 

Offering 25 watts of power per channel in a great value package, the AXA25 features a 3.5mm aux input on the front for smartphones and four analogue inputs on the back panel for connecting all your sources. Specifications: POWER OUTPUT: 25 Watts (into 8 Ohms) THD (UNWEIGHTED): 

The Warm Audio BUS-COMP is an all-analog, 2 channel, stereo VCA bus compressor based on classic circuitry that has provided silky smooth tone for decades. Stereo VCA bus compressors are masterful at controlling dynamics on many sources, but they have become widely known for their magic touch on stereo mixes.  The BUS-COMP will perform well on stereo mixes, drum mixes, drum overheads, acoustic guitars, keyboards, piano, orchestral instruments, voice-overs and an array of other sources. The BUS-COMP is primarily designed for stereo use, but it can be used just as successfully on individual mono sources. VCA bus compressors of this type have become widely loved for their ability to control dynamics effortlessly but also for the added tone and depth they provide to the audio signal that passes through them, even when no compression is applied.Re-creating legendary VCA bus compressor technology was the focus of the BUS-COMP’s design, however, adding options and improvements was just as important to us during its development. One feature we are proud to boast is the BUS-COMP’s ability to have USA made CineMag transformers inserted into the signal path driven by fully discrete operational amplifiers. With a single push of a front panel switch, these custom USA made transformers are inserted into the audio’s path providing increased depth, tone and vibe!As with all of the products we develop here at Warm Audio, the BUS-COMP was designed with a price point in mind. With efficient, modern manufacturing techniques we are proud to bring this boutique quality, classic VCA bus compressor to the market at a quality-to-price ratio previously unseen. More studios than ever before will now have access to analog quality VCA bus compression. Our desire is for all musicians to be heard the way they want to be heard and we feel the BUS-COMP is the perfect tool to perfect any mix!Technical Specifications* All analog, 2 channel, stereo VCA bus compressor* Based on legendary VCA bus compressor technology* Selectable discrete opamp stage with CineMag USA transformers* External side chain source select* SELECTABLE HI-PASS FILTER: 30, 60, 105, 125, 185 HZ* COMPRESSOR ENGAGE SWITCH FOR EASY A/B COMPRESS VS. NO-COMPRESS COMPARISON* PERFORMS WELL ON STEREO MIXES, DRUM MIXES, DRUM OVERHEADS, ACOUSTIC GUITARS, KEYBOARDS, PIANO, ORCHESTRAL INSTRUMENTS, VOICE-OVERS AND ENDLESS OTHER SOURCES* CAN BE USED ON STEREO AS WELL AS INDIVIDUAL MONO SOURCES* THAT 2180 VCAS* Optimally provides both XLR and TRS connectivity* Noise: < -90dBu* DYNAMIC RANGE: > 120DB* FREQUENCY RESPONSE: 18HZ – 22KHZ* THD + NOISE, 20HZ – 20KHZ, +20DBU INPUT: < .05%* INPUT IMPEDANCE: 10K OHMS* OUTPUT IMPEDANCE: 50 OHMS

The Tone Beast now is BLACK !  This great mic pre with loads of gain that can effortlessly capture an array of sources very well. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat its big, bold, fully-professional sound at its price. The Tone Beast is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. Additionally the Tone Beast is customizable and allows for other opamps to be sourced and easily swapped into the unit. I've pulled my best tones from this pre right at the saturation point (as loud as I can push the gain before clipping). The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control. The goal was to make a microphone preamplifier affordable for the first time, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable.   Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear. The TB12 "Tone Beast" is a high-voltage microphone preamplifier, utilizing CineMag USA Transformers. Have no fear of hurting the Beast, you can push it very hard into full-on distortions if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some nice grit. When hand building mic pres I learned a bit about the "subtle" differences component choices can make. A little change here, and another there often times became a huge deal in a finished mix, but often times is not very noticeable at first take. The different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound. Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear. Specifications: Utilizes premium grade CineMag USA Transformers. 71db of gain. Transformer selection provides both Steel and 50% Nickel CineMag output transformers for varying character. Transformer bypass switch allows for removal of the output transformer from the circuit. Discrete Opamp selection allows for choosing between a 1731(vintage) and 918(cleaner) style .opamp.  These are socketed/swappable with your choice of 2520 6 pin footprint opamps. Impedance switch labeled TONE to switch between 150 and 600 ohms input impedance.  Changes the Tone of all inputs (Mic, Line and Hi-Z.). 2 Meg Ohm True HI-Z input on front panel sends instrument signal through entire circuit including both Cinemag Transformers and the discrete operational amplifier. Great for guitars, bass, keyboards and other instruments that have a 1/4″ output jack. Capacitor selection between Tantalum and Electrolytic for different characters. 80hz hipass filter. Polarity Reverse. +48V phantom power. Output attenuation allowing for saturation flexibility of both the opamps and transformers. ¼" insert for the use of inline compressors, eq's etc. Balanced XLR mic, balanced TRS line, and ¼" instrument inputs. -20db Pad. LED VU Meter. Compatible with standard 500 series racks.

High-end construction & performance.The Nova power cable delivers a serious upgrade over standard mains. It imbues sound with greater clarity, space and definition.The sound of SilentPower.We have made a number of ‘clean power’ products in our nine-year history to date, but one thing we haven’t made is a specialist IEC power cable for home audio components – until now!The Nova is a specialised power cable with a high-end construction that belies its affordable price point. It delivers a serious upgrade over standard mains leads that imbues sound with greater clarity, space and definition.The cable.The Nova incorporates five conductors, each made from heavy-gauge, continuous-cast OFHC (Oxygen-Free High Thermal Conductivity) copper, arranged in a geometrically balanced configuration – highly unusual at such a price point.Two pairs of live and neutral conductors are arranged either side of the earth conductor, which is positioned at the centre of the cable. A further pair of air-dielectric delineators – essentially polymer matrix tubes filled with air – are arranged either side of the earth conductor, keeping the two pairs of live and neutral conductors apart whilst improving the cable’s overall dielectric performance and constructive solidity.The cable is finished with a tough yet flexible polymer outer sheath and iFi’s bespoke audiophile-grade connectors, complete with 24ct gold plated oxygen-free copper conductors.Ground ZeroAs already mentioned, the Nova incorporates five conductors, each made from heavy-gauge, continuous-cast OFHC (Oxygen-Free High Thermal Conductivity) copper, arranged in a geometrically balanced configuration.Two pairs of live and neutral conductors are arranged either side of the earth conductor, which is positioned at the centre of the cable. The ground conductor is arranged in a shotgun configuration and not twisted around like other mains cables. The live and neutral conductors are arranged in a truly balanced configuration, hence their magnetic fields cancel each other out perfectly.As a result, there is no residual magnetic field being applied to the centre ground conductor, and no unwanted induced voltage on the Ground conductor – we call this design Ground Zero.

iFi’s new active power cable equals clearer audio.Our multi-faceted active power cable eradicates noise from dirty mains power and adds clarity to your favourite sounds.The sound of SilentPower.iFi’s new SilentPower range tackles mains-related noise to improve audio/AV system performance.We have made a number of ‘clean power’ products in our nine-year history to date, but we’ve never made a specialist IEC power cable for home audio components – until now!The SupaNova is a specialised active power cable with a high-end construction that belies its affordable price point. It delivers a serious upgrade over standard mains leads that imbues sound with greater clarity, space and definition.The cable.The SupaNova incorporates five conductors, each made from heavy-gauge, continuous-cast OFHC (Oxygen-Free High Thermal Conductivity) copper, arranged in a geometrically balanced configuration – highly unusual at such a price point.Two pairs of live and neutral conductors are arranged either side of the earth conductor, which is positioned at the centre of the cable. A further pair of air-dielectric delineators – essentially polymer matrix tubes filled with air – are arranged either side of the earth conductor, keeping the two pairs of live and neutral conductors apart whilst improving the cable’s overall dielectric performance and constructive solidity.The cable is finished with a tough yet flexible polymer outer sheath and iFi’s bespoke audiophile-grade connectors, complete with 24ct gold plated oxygen-free copper conductors.Ground ZeroAs already mentioned, the SupaNova incorporates five conductors, each made from heavy-gauge, continuous-cast OFHC (Oxygen-Free High Thermal Conductivity) copper, arranged in a geometrically balanced configuration.Two pairs of live and neutral conductors are arranged either side of the earth conductor, which is positioned at the centre of the cable. The ground conductor is arranged in a shotgun configuration and not twisted around like other mains cables. The live and neutral conductors are arranged in a truly balanced configuration, hence their magnetic fields cancel each other out perfectly.As a result, there is no residual magnetic field being applied to the centre-ground conductor, and no unwanted induced voltage on the Ground conductor – we call this design Ground Zero.Power conditioning activated!The SupaNova takes the Nova and adds a cylindrical housing partway down its length. This contains our proprietary Active Noise Cancellation II technology.ANC II actively eliminates far more noise across the frequency range than a passive product, even across the lower frequencies. We use inverse noise current to cancel out the noise in the mains signal. The way this works is comparable to the technology in noise-cancelling headphones.The SupaNova also includes:Our Wireless Purification System to significantly reduce power-line noise without audible or visible side-effectsA Ground/Earth connection diagnosticPolarity detection to ensure correct polarity at all timesOver-voltage Surge Protection, an auto-detection and cut-off circuit to protect your equipment

THUNDERBOLT™ 3 & USB INTERFACE WITH 12 DISCRETE PREAMPS AND 6DSP + 2FPGA FX PROCESSORS Synergy Core FX free up CPU to improve system stability, letting you reduce buffer size to record & monitor with sub-millisecond latency 2x FPGA units handle all audio mixing, dynamics processing, equalization and reverb with effects modeling legendary studio gear 6x ARM-based DSPs bring a wider variety of creative effects to an efficient, low-latency platform No latency stacking when chaining multiple effects 6x DSP + 2x FPGA The FX Processing Beast The new Orion Studio brings our recently pioneered Synergy Core FX processing platform to its next stage of evolution. With two proprietary Field Programmable Gate Aray (FPGA) chips and a whopping six ARM-based DSP processors on board, the sheer computing power contained in this interface is astounding! Leave CPU upgrades aside and let Synergy Core do the number-crunching. 6x DSP + 2x FPGA chips let the Orion Studio Synergy Core handle up to 32 FX channel strips X 8 FX slots each for a maximum of 256 FX instances, at any sample rate and over AFX2DAW. That's four times the processing power of the Orion Studio Rev. 2017. REAL-TIME LIVE MONITORING Auto-Tune Synergy Built from the ground-up for the Synergy Core platform, Auto-Tune Synergy adds live pitch correction to the Antelope Audio experience. Industry-leading pitch correction anytime you need it – live, during recording, and at mixdown Fully adjustable Retune Speed, Flex-Tune, and Humanize parameters with Auto-Key automatic key and scale detection Real-time, low latency performance with the Edge Go modeling microphone and any Antelope Audio Synergy Core interface ‘Classic’ mode pays homage to the legendary “Auto-Tune 5 sound” heard on countless hit record EXPANDABLE FX LIBRARY 50 Synergy Core FX Included Adding further value to your investment, the Оrion Studio Synergy Core includes a compelling library of 50 real-time studio effects, meticulously modelled after their hardware originals. It’s all happening inside your audio interface with the lowest latency possible thanks to FPGA’s massive parallel computing capabilities, DSP processing, and fast Thunderbolt™ connectivity. The library can be expanded to include any effects you choose from our web store. Thunderbolt 3 Certified & USB Compatible Thunderbolt 3 is the fastest, most versatile data connection available now. Orion Studio Synergy Core underwent a rigorious certification process to ensure operating system compatibility and stability. Not up to speed with Thunderbolt 3? Worry not, the interface is backwards-compatible with Thunderbolt 2, and we also left the USB 2.0 port intact – it’s right where you’d expect it to be. This way, the Orion Studio Synergy Core works with any DAW, on any modern Windows or macOS computer. FULL SPEED AHEAD Forget Latency Record and monitor with maxed-out effects chains at high sample rates and low buffer sizes without taxing your CPU! You can enjoy Latency-Free Direct Monitoring over 4 independent internal mixers with 32 assignable inputs and stereo outputs.   MORE THAN YOU EXPECT 12 Discrete Preamps The outcome of a long, hard look into iconic microphone preamp circuitry, our discrete transistor pres honor the finest audio engineering practices while sounding absolutely exceptional. They also bring out the best in our Edge & Verge modeling condenser microphones, for vocal and instrument recording that truly keeps up with the times. HEAR THE TRUTH Go Direct All Orion Studio Synergy Core analog inputs have the Direct-In feature to let you bypass preamp controls and record line-in signals directly into the converters. Get ready to hear the truth! COMPREHENSIVE I/O Immense Analog & Digital Flexibility There’s no task too big or too small for the Orion Studio Synergy Core. Record high-impedance instruments, such as the electric guitar, through four Hi-Z inputs and reamp DI tracks through the special purpose ReAmp outputs. Take advantage of all 16 line outputs (on DB25 connectors). Handle digital audio via S/PDIF and ADAT. Freely route all incoming and outgoing audio from an intuitive software Routing Matrix. Then hear the result from two pairs of headphones or studio monitors – simultaneously, if you need to. TOTAL CONTROL Any Audio Anywhere The Software Control Panel is the “mediator” between the Orion Studio Synergy Core and your DAW. Handle gain adjustments, signal routing, effects processing, mixing and metering from a single window. Route the resulting audio into your DAW for recording in formats of your choice, such as multi-track, stem, and two-channel stereo. Gone DAW-less? Route any audio to any output and take it to the recording medium of your choice. • IMMEDIATE ACCESS TO ANY PARAMETER • COLOR-CODED ROUTING MATRIX WITH USER LABELS AND UNDO/REDO FUNCTIONS • FOUR 32-CHANNEL, LOW-LATENCY SOFTWARE MIXERS • SAVE AND LOAD CUSTOM PRESETS • SINGLE-WINDOW WORKFLOW BEST-IN-CLASS AD/DA 130 DB Dynamic Range With an array of 12 audiophile-grade DACs, capable of up to 192kHz sample rates and 130dB dynamic range conversion* each, Orion Studio Synergy Core is an AD/DA powerhouse! Capture your voice, instruments or mixing desk outputs exactly as they sound, with immaculate precision that’s as flawless as it’s unforgiving. * Measured at the monitor outputs. D/A CONVERTER DYNAMIC RANGE: 128 DB THD + N: -115 DB D/A MONITOR CONVERTER DYNAMIC RANGE: 130 DB THD + N: -115 DB A/D CONVERTER DYNAMIC RANGE: 124 DB THD + N: -112 DB ACCUSONIC 3D MODELING Mic Modeling Ready The Orion Studio Synergy Core’s Accusonic 3D modeling engine lets you transform the Antelope Audio Edge and Verge modeling microphones into expensive-sounding vintage replicas. Shape the final sound with complete control over proximity effect and change polar patterns during or after recording. Choose from a collection of classic and rare microphones as you monitor and record live, bringing out the musician’s finest performance.   *Available with Antelope Audio Edge & Verge modeling microphones OVEN-CONTROLLED CRYSTAL OSCILLATOR 64-bit Acoustically Focused Clocking The pioneer of atomic clocking in pro audio, Antelope Audio incorporates 20+ years of expertise in its audio interfaces. Our proprietary 64-bit Acoustically Focused Clocking jitter management algorithm helps deliver the kind of artifact-free audio once accessible only to the most prestigious studios. Furthermore, with the Word Clock outputs, you can distribute this highly stable clock signal across the rest of your digital gear to have everything running in smooth sync! Increased width, separation, and detail in musical performances Very low frequency drift due to temperature and other parameter changes Taking advantage of high-speed Thunderbolt, the AFX2DAW * plug-in lets you use Synergy Core effects as inserts inside your chosen DAW. This simplifies workflow and enables easy, immediate effects automation. *Available as a separate purchase for Mac Thunderbolt. HAND-BUILT IN EUROPE Sturdy and Sleek Housed in a machined aluminum chassis, each unit is hand-built in our European facility to strict standards, component choices and quality control. This kind of attention to detail is typically reserved only for boutique-class products. Orion Studio Synergy Core THUNDERBOLT 3 & USB INTERFACE WITH 12 DISCRETE PREAMPS AND SYNERGY CORE FX

For medium sized speakers and studio monitors Fine tune your sound the way it’s meant to be heard The ISO Stands are the latest generation of IsoAcoustics stands designed for studio monitors. The ISO Stands are an updated version of the popular ISO-L8R series and features a lower profile, new frame design and a newer version of isolator for improved performance. The ISO-155 isolation stand is 6.1” (155mm) wide x 7.5” (190mm) depth and is rated for monitors weighing up to 40lbs. Offering 14 variations of height and tilt, the ISO-155 will help you optimize the placement of your monitors and bring your tweeters to ear level. The IsoAcoustics patented isolation system provides superior isolation and decoupling from the supporting surface. The stands are biased to keep all energy in alignment with the speaker cones, providing greater clarity and focus. Perfect for optimizing the placement and performance of small studio monitors… An important aspect of the speaker stand design is the ability to adjust the height and tilt angle of the supported speaker enclosure to optimize its position relative to the listener and eliminate soundwave reflections off the supporting surface. In a typical Desktop Audio Workstation (DAW) configuration, the listener is positioned 3 to 4 feet from the monitors with ear level approximately 20″ above the work surface. Raising and tilting the monitors to the optimum position can be achieved in these circumstances using the IsoAcoustics stands. Patented IsoAcoustics Isolation Exciting the supporting surface The isolators manage the energy of the speaker to reduce vibrations resonating through the supporting surface to eliminate dissonant sounds in the listening area or joining rooms. Reducing internal reflections Internal reflections are vibrations reflecting back up the speaker cabinet which causes smear. Smear is a result of artifacts replicated in both channels which are perceived to be in the middle, causing the stereo image to collapse. The IsoAcoustics isolators reduce internal reflections to eliminate smear. The result is an improved stereo image of natural spatial sound. Table Tripod for Speakers / Monitors Allows optimal angle of the speakers in the direction of listening position Decouples the loudspeaker signal from the ground Two height adjustable: 76 and 210 mm Inclination adjustable: Up to 6.5 degrees Supporting surface: 155 x 190 mm Maximum load: Up to 18 kg Weight: 2.3 kg Priced per pair

Better Sound, Instantly — Without Changing Your Monitors IsoAcoustics ISO-130 monitor stands will vastly improve your monitoring accuracy. Get tighter, more extended bass and more solid stereo imaging from your studio monitors, without investing in new monitors. How is this possible? Well, IsoAcoustics has designed the ISO-130 according to the PIF (Placement, Isolation, Focus) principles of acoustic design. The results are immediately noticeable and dramatic. Placed on ISO-130 speaker stands, decoupled from supporting surfaces, with minimized reflections from nearby surfaces, and properly focused; your existing monitors will amaze you with accuracy you didn't know they had. IsoAcoustics improved the ISO-130 over previous models with a sleek, lower-profile design and newly formulated isolators. Sweetwater's advice: Increasing your monitoring accuracy will yield better-sound recordings. Get better monitoring (without replacing your monitors) with IsoAcoustics ISO-130 monitor stands. Placement IsoAcoustics ISO-130 monitor stands assist you in proper placement of your speakers according to accepted acoustic principles. Proximity to adjacent and nearby surfaces can create undesirable reflections, smearing your image and wreaking havoc on your monitors' frequency response. ISO-130 monitor stands raise your studio monitors above supporting surfaces and away from nearby surfaces to reduce reflections. The result is a better stereo image. Isolation IsoAcoustics ISO-130 monitor stands isolate your speakers from supporting surfaces. Why is this important? Decoupling your monitors from their supporting surfaces allows the monitor and its enclosure to float independently, reducing the energy created from exciting other objects. The benefit? Tighter, cleaner bass. Focus Raising and tilting your studio monitors to form an equilateral triangle from the monitors to your head (with tweeters at exact ear level) creates an ideal nearfield monitoring environment. The IsoAcoustics ISO-130 monitor stands allow you to articulate your speakers into that position, giving your speakers pinpoint focus that will turn them into true monitors that tell you the truth about the signal you're feeding them! Table stand for speakers / monitors 2 Units Height adjustable: 80-203 mm Adjustable inclination Allows you to adjust the speakers for an optimal dispersion pattern in the direction of the listener Isolates studio monitors from the supporting surface Dimensions per piece: 130 x 150 mm (support surface) Maximum load capacity: up to 9 kg Quantity included: 1 pair

MX Series Professional Power Amplifiers provide the power and performance needed for installation and portable passive systems. Utilizing proven Mackie amplifier design history, they deliver clear, punchy sound that’s distortion-free even when pushed to the limits. With optimized performance, super-quiet operation and an array of protection circuits, the MX Series delivers powerful performance at an affordable price. Combine with DRM Passive Loudspeakers and the SP260 Loudspeaker Processor for a complete Mackie professional system. Features: 2700W PROFESSIONAL POWER AMPLIFIER Affordable, reliable power perfect for DRM Series Passive Loudspeakers, installations, and production audio systems Forced-air ventilation keeps the amplifier running cool Power output: 1000W Continuous power @ 8 ohms per channel 1350W Continuous power @ 4 ohms per channel 2700W continuous power @ 8 ohms bridged Selectable parallel/stereo/bridged operating modes Independent level control per channel Selectable input sensitivity Signal, Clip, and Fault LEDs per channel Short, under-impedance, over-current and thermal protection XLR input and Thru per channel NL4 outputs Robust, impact-resistant, all-steel 2U rackmount chassis

MX Series Professional Power Amplifiers provide the power and performance needed for installation and portable passive systems. Utilizing proven Mackie amplifier design history, they deliver clear, punchy sound that’s distortion-free even when pushed to the limits. With optimized performance, super-quiet operation and an array of protection circuits, the MX Series delivers powerful performance at an affordable price. Combine with DRM Passive Loudspeakers and the SP260 Loudspeaker Processor for a complete Mackie professional system. Features: 1500W PROFESSIONAL POWER AMPLIFIER Affordable, reliable power perfect for DRM Series Passive Loudspeakers, installations, and production audio systems Forced-air ventilation keeps the amplifier running cool Power output: 500W Continuous power @8 ohms per channel 750W Continuous power @4 ohms per channel 1500W continuous power @ 8 ohms bridged Selectable parallel/stereo/bridged operating modes Independent level control per channel Selectable input sensitivity Signal, Clip, and Fault LEDs per channel Short, under-impedance, over-current and thermal protection XLR input and Thru per channel NL4 outputs Robust, impact-resistant, all-steel 2U rackmount chassis

Reloop SPIN is a portable turntable that guarantees mobile fun anywhere you want! The turntable comes with everything you need out of the box and is especially optimized for scratching and cutting. The Bluetooth Audio Streaming technology allows wireless streaming of music or beats via SPIN – this way the turntable becomes a speaker for your smartphone. SPIN comes with a 7'' slipmat and an exclusive 7“ scratch vinyl containing specially mastered scratch samples and beats for beginners and experienced scratch artists alike. Features: Portable turntable for vinyl lovers & scratch artists Mobile fun with your turntable, anywhere you go Outstanding for mobile scratching and cutting Out of the box: comes with 7'' scratch vinyl, pre-installed 45-mm-crossfader & cartridge, integrated speaker, Bluetooth audio receiver, USB recording function, slipmat, and dust cover High-grade 7''-scratch-record: professionally recorded samples for scratching and beats for juggling Bluetooth audio streaming: wireless streaming of music or beats to the device Smart USB recording: direct recording of scratches & cuts to USB in MP3 format Can also be used for digitizing vinyl Integrated speaker on the turntable's left 3 selectable speeds (33 1/3, 45 & 78 rpm) Extremely stable tone arm with transport lock Cartridge with excellent tracking features Precise 45-mm-crossfader with two-rail glide technology Crossfader can be installed on preferred side (both-way) Two headphones connections for listening and monitoring AUX input facilitates connection of several turntables (daisy chain) Easy battery charging via USB PSU or USB power bank (sold separately) Installed start/stop button Precise speed adjustment via pitch control with +/-20 % Tone control to adjust low frequencies by +/- 10 dB Volume control for AUX input and master/headphones Power LED indicates the turntable's operational status 7'' record puck adaptor with holder Anti-skip rubber feet for secure stand Especially sturdy and portable shape factor with optional battery operation Additional protection thanks to dust cover; can be transported via carrying handle when closed Locking of dust cover for safe transport Can be operated with regular USB PSU (5 V, 2 A), USB power bank or batteries (sold separately) Batteries can be inserted into battery compartment on the device's bottom 2x Li-Ion 18650 (sold separately) Incl. 7'' scratch vinyl, pre-installed cartridge, slipmat, dust cover, puck adapter, USB cable, instruction manual and Super Spin Duck Looper app Specifications: Belt drive Inputs: AUX 3.5 mm stereo, Bluetooth audio Outputs: master RCA, USB (USB-A), headphones 3.5/6.3 mm stereo Recording format: MP3 with 256 kbit/s Recording quality: 16 bit / 44.1 kHz Battery type: 2x Li-Ion 18650 (batteries sold separately) Power supply: 5 V, 2 A micro USB (PSU sold separately) Dimensions: 370 x 95 x 260 mm Weight: 2 kg

XVP-20 keyboard volume pedal provides players with an indispensable tool for wide ranging control of their routing, levels, and feel. Stereo inputs and outputs allow you to rout your signal how you chose. And the minimum volume control adjusts the signal you hear when the pedal is pulled all the way back.

The volca modular is a semi-modular synthesizer consisting of independent analog synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them. Specifications: Keyboard Multi touch Keyboard / Step key Synthesizer  Type: Analog synthesis Maximum Polyphony: 1 Structure: 2 VCO (Triangle), 2 EG, 2 LPG, digital effect Sequencer Number of parts:1 Number of Steps: 16 (pattern chain is available) Number of Recording Patterns: 16 Connectors Audio Output: Headphones (3.5mm stereo mini jack) Sync: Sync In (3.5mm monaural mini jack, Maximum input level: 20V,Sync Out (3.5mm monaural mini jack, Maximum Output level: 5V) Control In: CV-IN jack (TRS mini phone jack) Power Battery Life: Approximately 10 hours (using alkaline batteries) Power supply: AA alkaline battery ×6, AA nickel-metal hydride battery ×6 or AC adapter “KA-350” (optional) Others Included Items: AA alkaline battery ×6 (for verifying operation), Sync cable, Pin cable for patching 1 set, Module reference sheet Dimensions (W x D x H): 193 × 115 × 39 mm / 7.61 x 4.54 x 1.54 inches Weight 377 g / 0.83 lbs (Excluding batteries)  

The volca series is all about unique sound. Whether it's analog, PCM, or FM, the volca series puts unique sounds into an accessible platform. And now, the series is joined by a new rhythm machine that brings yet another sonic character. It's the volca drum digital percussion synthesizer. Based on a simple trigger waveform, wave folder and overdrive are used to add overtones and distortion, and then a waveguide resonator effect brings the sound to life. The six-part DSP synth engine was designed with a completely different philosophy than conventional drum machines, and generates a wide range of unexpectedly different sounds. And of course, you can play those sounds from the volca-style sequencer. Adding these distinctive sounds to your rhythms will revolutionarily transform your performances and productions. Specifications:   Keyboard Multi touch trigger pads / Step keys Synthesizer Type: Digital synthesis Maximum Polyphony: 6 Structure: 6 parts (For each part, 2 oscillators, pitch modulator, and amp EG), waveguide resonator effect. Kits: 16 (Settings for 6 parts + Settings for waveguide resonator) Kit No.1 – No.10 are factory preset.Program16 (Sequence pattern, Motion sequence, Kit No.) Program: No.1 – No. 10 are factory preset. Sequencer Number of parts: 6 Number of steps: 16 (pattern chain is available) Number of recording patterns: 16 Connectors Audio: Output Headphones: jack (3.5mm stereo mini jack) Sync: Sync In jack (3.5mm monaural mini jack, Maximum input level: 20V),Sync Out jack (3.5mm monaural mini jack, Maximum Output level: 5V) MIDI: MIDI IN Power Battery Life: Approximately 10 hours (using alkaline batteries) Power supply: AA alkaline battery × 6, AA nickel-metal hydride battery × 6, or KA-350 AC adapter (sold separately) Others Included Items: AA alkaline battery × 6 (for verifying operation),Sync cable Dimensions (W x D x H): 193 × 115 × 39 mm / 7.61 x 4.54 x 1.54 inches Weight: 370 g / 0.75 lbs. (Excluding batteries)

Four-voice polyphonic analog synthesis. The analog synthesizer circuit of the minilogue, whose genuine analog sound had a huge impact on the synth world, has been further developed for the minilogue xd. Voice structure of minilogue xd is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a sharp two-pole filter, and a drive switch that adds thickness and drives signal into minilogue xd’s filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analog to fat basses and crisp lead sounds, covering every situation. Of course, programs that you create can also be saved in the unit. Out of the box, minilogue xd comes loaded with 200 presets, and a total of 500 programs can be saved.

Features: Multi-format recording and playback, including SACD ultra-high quality 1-bit DSD@2.8224 MHz; multi-bit PCM formats up to 24-bit@192 kHz. (DSDIFF/WSD/DSF/WAV[BWF]/MP3/MP2 recording and playback are supported.) High-performance X-Y configuration stereo electret condenser mic; capable of rotating 210 degrees. Screw mounts provided on two surfaces allow mounting to a commercially available camera tripod for flexible placement. High-performance analog limiter, low-cut filter, and bass EQ are provided. 40 Recording Setups call up specific mic sensitivity, limiter, low-cut filter, and bass EQ settings to suit a variety of situations. Ten custom user settings can be memorized. Records directly to (and plays back from) SD or SDHC cards. USB 2.0 (Mini-B type USB connector) allows high-speed data transfer to and from a computer. Convenient, high-performance KORG chromatic tuner is built in. 128 x 128 pixel LCD with noiseless backlight provides excellent visibility. Two-way power; operates either on two AA nickel-metal hydride batteries, or on USB bus power.

PM-10 Integrated amplifier The new reference class Integrated amplifier Four switching power amplifier channels in bridged mode (two per channel) for maximum grip and drive  True Balanced Concept from input to speaker to realise ground-free signal management Massive power: 200Wpc per channel into 8ohms, and 400Wpc into 4ohms Easy driving of a wide range of speakers Wide-ranging dynamic ability thanks to instant high-current power supply Fully balanced throughout: both preamplifier and power amplifiers Marantz Hyper Dynamic Amplifier Modules (HDAM) in preamp stage Dual mono power amplifier configuration Separate power supplies for preamplifier and control processor, and for each power amp channel Discrete phono stage for moving coil and moving magnet cartridges in its own shielded case. High-quality construction with double-layer chassis, 5mm thick aluminium top lid, solid aluminium front, copper plated chassis and high-purity copper speakers terminals Double thickness copper PCB for the output section and main power supplies Amplifiers are at the core of Marantz history: its very first product was a high-quality preamplifier designed to make the most of the then-new LP record format. And with a history stretching all the way to that ground-breaking Audio Consolette – which Saul B Marantz started manufacturing in 1952, and which soon became the first real Marantz product, the Model 1 preamplifier – , it’s no surprise that the company’s very latest Premium Series model, the PM-10, is an integrated amplifier built to set new standards with all of today’s music formats. In fact, this massively powerful integrated amplifier is constructed more like a high-end separate preamplifier and a pair of monobloc power amps, but all in one beautifully finished case, designed both to maximise performance and create a strong visual statement. Making an integrated amplifier with dual monobloc design fitting in a normal size cabinet is made possible by the use of a stereo switching amplifier. Its aim? To reveal the maximum musical involvement from everything from LPs to the latest high-resolution audio files and beyond, and with all the power and control required to drive the most demanding loudspeakers, allowing them to perform at their best. Optimised design To achieve such quality, while still delivering class-leading power, means optimising each section of the amplifier for its task, just as would be done in a design using a separate preamplifier and monobloc power amps.  Commonly, amplifiers use a single transformer, with separate power supply regulation for the preamplifier and power amplifier sections; the PM-10 takes things much further. A dual-mono design, it has separate power supplies for the preamplifier and each of the power amplifier channels, with one transformer dedicated to the preamp to ensure the delicate signals passing through that section of the amplifier aren’t affected by the demands of the high power output stages. There’s also a dedicated supply for the microprocessor controlling volume adjustment, input selection and so on, ensuring no noise from the control section finds its way in to the audio path. Pure analogue Another important part of the noise-reduction here is the fact that the PM-10 is a purely analogue amplifier: many rival designs are today including digital-to-analogue conversion, or adopting digital amplification and volume control, but the Marantz keeps things as clean and simple as possible with its highly-developed all-analogue design. Why? Well, though it may seem convenient to have a DAC in the amplifier, digital circuitry is, by its very nature, noisy (in the electrical sense) and can interfere with the delicate analogue signals passing through the amp. That’s why Marantz chooses to design its Premium Series range with any digital-to-analogue conversion in its Super Audio CD or network music players, keeping its amplifiers as pure and clean as possible.  What’s more, to make the most of that purity of design, the PM-10 has also been designed with the option of working in ‘Purest Mode’: when engaged, this deactivates any superfluous circuits, giving the signal the cleanest possible path through the amplifier. There’s also a Power Amp Direct input, taking the signal straight from the input section to the power stage to let the unit work as a pure power amplifier. Fully balanced, from input to final power section The benefits of balanced audio layout have long been understood: unlike a conventional layout, one half of the signal path is in the ground plane of either an amplifier or a cable, balanced working uses two conductors or paths – one for positive, the other for negative – and an entirely separate ground to protect them. The benefit in cables is that any external interference will affect both positive and negative conductors, but since the signals they are carrying are the mirror image of each other, they will mutually cancel out any effect – which is why such cables are widely used in pro audio and studio applications, where sources of hum are common, and the longer cable runs involved makes them particularly prone to picking up interference.  The same is true when balanced working is applied to audio circuitry: not only does this mirror-imaging of the layout, in which identical components are handling the positive and negative ‘legs’ of the signal, cancel out any potential interference, it also means any noise or errors introduced in the circuitry will also be cancelled out.  An additional benefit is that balanced working also uses stronger signals than unbalanced designs, simple because both halves of the circuit are active – rather than just having one half pushing and the other just providing the ground, here we have a ‘push pull’ operation. And a stronger signal means one less susceptible to any outside interference: the more signal there is, the less obvious any noise will be. The PM-10 uses a fully balanced layout, from the input section all the way through to the final power amplifier section: it has two sets of balanced inputs, and also conventional unbalanced line-level inputs (plus a high-quality phono stage), the signal from these inputs being converted to balanced working before being passed through the amplifier. By keeping the signal balanced all the way through the amplifier, and combining that with optimised power supply design, the Marantz engineers are able to achieve maximum noise rejection throughout the audio path, and the highest possible signal purity. Balanced, bridged power amplification For the PM-10, Marantz wanted the purest possible sound, plus the power and dynamics to drive and control some of the world’s most demanding speakers. To achieve this, they continued the balanced working found in the preamp stage right the way through to the power amplifier stage to its speaker outputs, and also adopted bridged working to develop the power required while maintaining that balanced design. This True Balanced Concept realizes a ground-free signal management from the input to the output. What is the bridged amplifier about? In a conventional amplifier, one speaker is driven by the positive and negative part of one single output stage per channel, but a bridged amplifier does things differently, using two separate amplifier stages per channel to drive one speaker. To greatly simplify things: one amp pushes the speaker cones and domes, while the other pulls them back.  That much greater control over the way the speaker drive units behave, in that the amplifier can make them start moving, and stop, much more precisely is very important for definition and the ‘speed’ of the system, meaning it can play music with much better rhythmic and spatial controls, not to mention making voices and instruments sound more realistic. In the PM-10, the bridged amplifiers in the power output stage – a total of four amplifier channels – allow this control to be combined with huge power output: it delivers 2x200W into an 8ohm load, and can easily cope with demanding speakers or those whose impedance varies widely with frequency, thanks to a 2x400W output into 4ohms. That ensures not just the power to drive even big, power-hungry speakers to high levels while keeping the sound clean and distortion-free, but also the ‘grip’ to make sure those speakers are doing just what the music demands. It’s all made possible by the use of the latest switching amplifier technology, allowing a compact integrated amplifier design while still fulfilling Marantz performance requirements. Carefully selected components Marantz has long built a reputation for choosing the best-possible components for its Premium Series products – and if it can’t find what it wants, it designs and builds the required part. That thinking informed the design of the Hyper Dynamic Amplifier Module (or HDAM): unhappy with the audio quality available from ‘amplifier on a chip’ IC components, the company designed its own alternative, in the form of a miniature amplifier module built entirely of discrete components. As with all such design decisions, the engineers selected and optimised the HDAM through extensive listening in dedicated Marantz facilities in Europe and Japan, and since it was introduced this component has both been developed and also found its way into an ever-wider range of products. In the PM-10, the latest-generation HDAM SA3 is used, as part of a current feedback topology designed for the widest possible frequency and dynamic ranges – just the thing for today’s ultra-high-resolution audio formats – and aided by ultra-fast custom made block capacitors for the fastest possible response to demands for high current. The same current feedback design is applied to the phono stage in the PM-10, which is configurable for use with either moving coil or moving magnet cartridges for the best possible playback of those favourite LPs. This isn’t a case of Marantz responding to the current ‘vinyl revival’: over the years, while developing and refining its digital competences, the company has remained totally committed to the excellent sound possible from LPs and singles. It has long been fitting its products with high-quality phono stages – even before vinyl came back into fashion! Built to perform Like the partnering SA-10 Super Audio CD/CD player/DAC, the PM-10 is constructed to the highest possible standards, with a double-layered copper-plated chassis for excellent rejection of mechanical and electrical interference, and casework constructed from thick, heavy, non-magnetic aluminium panels. Both products also sit on aluminium die-cast feet. Even the speaker terminals here are special: even the highest-aiming rivals tend to use components bought in from third party companies, or designed as much for ‘show’ as ‘go’, but the PM-10 has newly-designed and exclusive Marantz SPKT-100+ terminals, made from high-purity solid copper. In common with every other design and engineering decision behind this new reference class amplifier, those terminals are there for one very simple reason:  ‘Because Music Matters’  

New Generation Digital Workstation-Synthesizer with 61 dynamic keys. Features: Piano sounds borrowed from KRONOS. 120 voices plural / 60 in dual mode. 7-inch color touch screen. 896 programs and 512 combi. drum track with separate output for easy mixing. 16 channel Sequencer, dual polyphonic arpeggiator. effect unit with 5 insert 2 master and 1 total. aluminum chassis, USB PC connection. SD to store data. Includes editor-library software for editing Krome sounds through Pc. Weight 7.2Kg.

New Generation Digital Workstation-Synthesizer with 73 dynamic keys. Piano sounds borrowed from KRONOS. 120 voices plural / 60 in dual mode. 7-inch color touch screen, 896 programs and 512 combi, drum track with separate output for easy mixing, 16 channel Sequencer, dual polyphonic arpeggiator, effect unit with 5 insert 2 master and 1 total, aluminum chassis, USB PC connection, SD to store data. Includes editor-library software for editing Krome sounds through Pc. Weight 8.2Kg. Features: Responsive semi-weighted 73-note keyboard 800 x 480 pixel TouchView color display 896 programs, 512 combinations High-fidelity piano and electric piano sounds Modeled vintage amps, cabinets, and classic effects 2,500 drum samples, 48 preloaded kits Dual polyphonic arpeggiators 16-track sequencer Auto Song Setup function RPPR (Realtime Pattern/Play Recording) Intuitive 800 x 480 pixel TouchView color display Connect to your computer via USB to transfer MIDI data SD card slot for recording and managing data files Specifications: Type: Synthesizer Workstation Sound Engine Type(s): Enhanced Definition Synthesis - eXpanded, Updated Piano Programs Analog/Digital: Digital Number of Keys: 73 Type of Keys: Semi-weighted, Velocity-sensitive Other Controllers: Joystick (assignable) Polyphony: 120 Voices (single mode), 60 Voices (double mode) Presets: 896 Programs, 512 Combinations, 48 Drum Kits, 256 GM2, 9 GM2 Drums Oscillators: Oscillator 1 (single), Oscillator 1+2 (double) LFO: 2 x LFO Filter: 2 x Multi-mode Filters (lowpass, highpass, bandpass, band reject) Envelope Generator: 2 x EG (filter, amp) Effects Types: 193 Effects; 2 x Master, 5 x Insert, 1 x Total Effect, 32 Preset per Effect Arpeggiator: Dual Polyphonic Arpeggiators, 960 Preload Sequencer: 16-track + Master, 128 Songs, Touch-based Piano Roll Editing, Realtime Pattern/Play Recording Memory: 4GB PCM Memory Storage: SD/SDHC card slot (32GB SDHC max) Audio Outputs: 2 x 1/4" (L/Mono, R) Headphones: 1 x 1/8" USB: 1 x Type B MIDI I/O: In/Out/USB Pedal Inputs: 3 x 1/4" (assignable switch/pedal) Power Supply: 12V DC power supply (included) Height: 3.66" Width: 46.89" Depth: 12.32" Weight: 18.08 lbs.

Summit’s digital New Oxford Oscillators offer subtractive, FM and wavetable synthesis, and feed into genuine analogue dual filters, distortion and VCAs. The multitimbral engine enables merging and combining of two complete and independent patches, while up to 16 simultaneous voices deliver enough harmonic depth for even the richest of pads. The best sounding synthesiser Novation has ever made Summit doubles the power of Peak’s digital New Oxford Oscillators up to 16 voices and two parts, and adds a wealth of new features and a premium-quality five-octave keyboard. A synth much greater than the sum of its parts, it gives the serious producer or performer everything they need to design and play stunning basses, leads, arps, pads, effects and beyond. Totally tactile sound design Summit takes Peak’s architecture and workflow to new heights, with a swathe of extra front panel controls for hands-on wrangling of FM, effects, LFOs and more; dual filters with six LP/HP/BP combinations; audio input for processing external sources with the onboard effects; and auxiliary audio outputs. Analogue where it matters The true stereo analogue signal path comprises dual analogue multimode filters, analogue VCAs and three stages of analogue distortion – pre- and post-filter, and post-VCA. With roots in the legendary OSCar, via Bass Station II, Summit’s analogue credentials are truly impressive. Features: Synth Engine 16 note polyphony (dependent on voices used per note) 2-part-timbral Layered, Split, Dual Bi-Timbral Modes 5 Voice Modes - Mono, MonoLG, Mono2, Poly, Poly2 Waveforms Include Sine, tri, sawtooth, square / pulse, plus 43 wavetables of 5 waveforms per row Modulation 16 modulation slots per patch 2 sources per destination per slot Product Hardware Specifications 50 control knobs  8 45mm sliders 1 volume knob 1 data encoder knob Rubberised knob caps with spun metal discs 55 function buttons 2 Animate buttons plus hold button OLED display Kensington Lock Power switch IEC power supply connector USB socket for system (MIDI comms only, no bus power) MIDI In / Out / Thru 2 1/4" jack sockets for continuous or switched pedals 1 3.5mm jack socket for CV in 2 1/4" jack sockets for left and right outputs 2 1/4" jack sockets for left and right auxiliary outputs 2 1/4" jack sockets for left and right inputs 1/4" jack socket for headphone output Metal chassis with American walnut wooden end cheeks

Hercules Plus is a multiplug device that includes a line filter pf 2500W.The line filter offers protection to the devices of your sound system and cleans the mains power supply.FeaturesHercules, Multiplug, Maximum Power 2500Watt. Hercules Plus, Multiplug - Line Filter, Maximum Power 2500Watt. Ten (10) Power Sockets. Two Separate Chain Wire Connenctions. Symmetric Line Filter & Over Voltage Protection. High Grade Polypropylane Filter Capacitors. Metal Film Resistors. Five Years Guarantee.

Hercules Plus is a multiplug device that includes a line filter pf 2500W.The line filter offers protection to the devices of your sound system and cleans the mains power supply.FeaturesHercules, Multiplug, Maximum Power 2500Watt. Hercules Plus, Multiplug - Line Filter, Maximum Power 2500Watt. Ten (10) Power Sockets. Two Separate Chain Wire Connenctions. Symmetric Line Filter & Over Voltage Protection. High Grade Polypropylane Filter Capacitors. Metal Film Resistors. Five Years Guarantee.

Power cable for better filtering of power and lower noise. Improve performance of source, preamplifiers, amplifiers, terminals, CD player and other devices.

Power cable for better filtering of power and lower noise. Improve performance of source, preamplifiers, amplifiers, terminals, CD player and other devices.

The Most Musical Sound Engineered and extensively tuned by a team drawing on more than 65 years of Hi-Fi expertise, the Melody X provides exceptional performance for your audio collection. Whether digital or analogue, enjoy the most musical sound from any source. Powerful and versatile Featuring four channels of high-efficiency digital audio amplification, easily configure the Melody X to drive two pairs of loudspeakers with independent volume control for each pair. Or, configure it to drive even tower speakers with double the output power. Elegant Design and Audiophile Construction The Melody X combines refined elegance and thoughtful design into a compact network CD receiver. Styled in a high-gloss black or a classic silver-gold finish, the Melody X offers a beautiful look to complement its superb performance. Unlimited Music Sources It does not stop with CD and FM/DAB+ radio playback. Thanks to built-in HEOS technology, you can enjoy your favourite digital music through a most comfortable App operation. Enjoy music from Spotify, TuneIn Internet Radio, Sound Cloud, Tidal, Napster, Deezer or your local music file libraries. Better audio quality than a Soundbar Connect your digital TV or cable/satellite set-top-box and a Blu-ray or DVD player to either of the two digital audio inputs and the Melody X automatically turns on for you to enjoy full dynamic range sound of your favourite movies and TV shows. Supports Major Voice Control Agents Enjoy effortless voice control and total flexibility from the leading voice agents. Speak commands with Amazon Alexa, Google Assistant or Apple Siri. Ask to play your favourite music, turn the volume up, skip to the next track, switch inputs and more. Switch between voice agents, or pick a favourite to use — you’re in control. Functionality varies by voice agent Features: High quality power output: 2x 60W / 4x 30W CD Compatibility: CD / CD-R/RW / WMA / MP3 o / o / o / o Tuner: DAB / DAB+ / DMB-A / FM (RDS) / AM o / o / o / - Network audio streaming o Spotify Connect* / Tidal* / Deezer* / others * o / o / o / o Amazon Prime Music* / Pandora* o / o AirPlay 2 o Internet radio o HEOS Multiroom and Streaming o Voice Control - Works with Amazon Alexa o Voice Control - Google Assist / Apple Siri o Voice Control - Microphone built-in - Auto Power On by optical input signal o TV remote learning o Bluetooth / aptX / NFC o / - / - USB Audio: front / rear - / o USB-A: DSD / WAV / FLAC / AIFF / ALAC 5.6 / 192 / 192 / - / 192 Wi-Fi built in / Ethernet o / o WiFi Sharing / WPS o / o Lossy formats: MP3 / WMA / AAC o / o / o Lossless formats: FLAC HD / ALAC / WAV / AIFF / DSD 192 / 192 / 192 / x / 2.8 Gapless Playback o (FLAC, WAV, DSD) Tone Control: Bass / Treble / Balance o / o / o Low Noise OELD Display 3 line Illuminated front on / off selectable Clock o Sleep Timer o Programmable Timer: Once / Daily o / o Specifications: Power Output (6 ohm, 1kHz): 60 W Number of channels: 2 Freq. Response (Analogue In): 10 Hz-40 kHz Signal to Noise Ratio (audio): 90 dB Total Harmonic Distortion (audio): 0.1 Receiving Range (Band III): o Signal to Noise Ratio DAB (Mono/Stereo): 95 dB Total Harmonic Distortion DAB: 0.02% Frequency response DAB: 20Hz-20 kHz Stereo Separation DAB: 75 dB Frequency Range FM: 87.5-108 MHz Signal to Noise Ratio (Mono/Stereo:) FM 74 / 70 dB Total Harmonic Distortion (Mono/Stereo): FM 0.4 / 0.4%

AT-VMN95E  VM95 series Elliptical replacement stylus Aluminium Cantilever Elliptical stylus Bonded Round Shank

The StudioLive® 32R Series III stage box and rack mixer is by far the most powerful rackmount digital mixer in its class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.Specifications : Type: Rackmount Digital MixerChannels: 40 x 40 (USB), 55 x 55 (AVB networking)Inputs - Mic Preamps: 32 x XLR-1/4" combo (mic/line)Phantom Power: YesInputs - Other: 1 x Dual RCA StereoOutputs - Main: 2 x XLROutputs - Direct: 16 x 1/4" (mix out)Data I/O: 1 x EtherCon (AVB), 1 x RJ-45 (network control)USB: 1 x Type BComputer Connectivity: USB (40 x 40), Ethernet (AVB, 55 x 55)Headphones: 1 x 1/4" TRSEQ Bands: 4-band/6-band Parametric EQ, 31-band Graphic EQEffects: Studio Magic Plug-in SuiteSignal Processing: Gate, Compressor, LimiterFeatures: Onboard stereo SD recorderSoftware: Studio One Artist, UC Surface Touch, Capture, QMix-UCOS Requirements - Mac: OS X 10.8.5 64-bit or later, Intel Core i3 or higherOS Requirements - PC: Windows 7 SP1 64-bit or later, Intel Core i3 or higherRackmountable: YesPower Source: Standard IEC AC cable

Designed for the aspiring music enthusiast, enjoy your favourite CD’s with the Denon DCD-600NE CD Player. With Denon-proprietary AL32 Processing technology, combined with an innovative circuitry structure, ensure recordings are accurately reproduced and beautifully faithful to the original sound. More than a CD player, the DCD-600NE supplies the even higher quality audio signals to the amplifier. Vibration-resistant design reduces adverse audio effects of heavy components within amplifiers, guaranteeing the sound quality meets rigorous Denon standards. And with a more than 100-year legacy of crafting audio components, trust Denon to achieve amazing sound that exceeds your expectations. AL32 Processing and Ultra Precision 192kHz/32bit D/A Converter: Accurate playback that’s faithful to the original recording Extended disc support for your audio collection: Play all your music on CD and CD-R/RW (MP3, WMA) Impeccable sound engineering with carefully selected and rigorously tested Hi-Fi parts: Enjoy the exceptional sound that is the signature of all Denon Hi-Fi products Vibration-resistant design with Direct Mechanical Ground Construction: Listen to music with pristine detail and quality that’s unaffected by the environment Circuitry with minimized signal paths: With a shorter distance for the signal to travel, the original sound is faithfully reproduced Thoughtfully designed audio and digital circuits: Built with layered circuit boards to prevent the deterioration of sound quality due to connectors or cables Pure Direct Mode: For cleaner audio output and more accurate, detailed sound Available in premium silver and black: Elegant design that blends seamlessly with your home décor and other audio systems Engineered with a more than 100-year Denon legacy in audio excellence: Trust this high-quality and durable system to deliver the ultimate audio experience

Designed for the aspiring music enthusiast, enjoy your favourite CD’s with the Denon DCD-600NE CD Player. With Denon-proprietary AL32 Processing technology, combined with an innovative circuitry structure, ensure recordings are accurately reproduced and beautifully faithful to the original sound. More than a CD player, the DCD-600NE supplies the even higher quality audio signals to the amplifier. Vibration-resistant design reduces adverse audio effects of heavy components within amplifiers, guaranteeing the sound quality meets rigorous Denon standards. And with a more than 100-year legacy of crafting audio components, trust Denon to achieve amazing sound that exceeds your expectations. AL32 Processing and Ultra Precision 192kHz/32bit D/A Converter: Accurate playback that’s faithful to the original recording Extended disc support for your audio collection: Play all your music on CD and CD-R/RW (MP3, WMA) Impeccable sound engineering with carefully selected and rigorously tested Hi-Fi parts: Enjoy the exceptional sound that is the signature of all Denon Hi-Fi products Vibration-resistant design with Direct Mechanical Ground Construction: Listen to music with pristine detail and quality that’s unaffected by the environment Circuitry with minimized signal paths: With a shorter distance for the signal to travel, the original sound is faithfully reproduced Thoughtfully designed audio and digital circuits: Built with layered circuit boards to prevent the deterioration of sound quality due to connectors or cables Pure Direct Mode: For cleaner audio output and more accurate, detailed sound Available in premium silver and black: Elegant design that blends seamlessly with your home décor and other audio systems Engineered with a more than 100-year Denon legacy in audio excellence: Trust this high-quality and durable system to deliver the ultimate audio experience

Designed for the aspiring music enthusiast, the Denon PMA-600NE is the superior choice for those who want to build their first 2-channel HiFi system. Powered by the Denon Advanced High Current (AHC) single-push-pull circuit power amplifier, the PMA-600NE integrated amplifier delivers 70 Watts (4ohm, 1kHz, THD: 0.7%) of power-per-channel. Easily connect both analogue and digital sources including your turntable to the built-in phono pre-amp. Listen to your favourite high-resolution audio content with the 192kHz/24bit D/A converter or connect via Bluetooth to stream nearly unlimited songs. The PMA-600NE provides exceptional sound quality that balances high power with delicate, musical details. UPGRADE TO ADVANCED DIGITAL AUDIO REPRODUCTION HIGHLIGHTS YOUR BENEFITS 70 Watts per channel power output (4ohm, 1kHz, THD: 0.7%) Get the maximum performance to drive your favourite loudspeakers Advanced High Current (AHC) single-push-pull circuit power amplifier Wide bandwidth captures everything from deep bass to detailed highs Bluetooth support With antenna inside the unit, actively pair your smart phone to the PMA-600NE via Bluetooth to stream music Includes two digital Optical inputs for your TV or digital device Automatically detects the signal input from your TV and outputs elevated sound Built-in 192kHz/24bit D/A converter Experience high-resolution audio playback to enjoy the highest quality of your favourite songs Micro-processor with Stop Mode benefit Protects audio signal from external noise during playback Analogue Mode for pure audio reproduction Divided circuitry includes a Bluetooth OFF option to help remove any influence from any digital interruptions while listening to analogue audio signal High performance MM phono equalizer amp Connect your turntable and enjoy vinyl tracks Deeper bass Enjoy rich, evenly dispersed bass with a subwoofer output

They say you shouldn’t mess with a classic - we say, “Have you heard our LCD-2 Closed Back?” Experience the engaging warmth and vibrancy of our LCD-2 Classic without disturbing your neighbors!This headphone is the perfect option for those looking for an accessible entry point to our world-renowned LCD line with minimal sound leakage. The LCD-2 Closed Back will truly make you feel like you’ve been transported into your own musical world.

Getting the Basics RightWhen it comes to Classic Series amplifiers, no feature is overlooked. Low noise circuits, precise volume control action, and accurate channel balance are all key characteristics of the C 328. With the added bonus of proper input and output impedance traits, plus high overload margins and stability with difficult speaker loads, the C 328 is the best choice for audiophiles who are just starting to build their dream systems. The C 328 also includes a MM phono stage with precisely correct RIAA equalization, high overload margins, extremely low noise, and an innovative circuit to suppress infrasonic noise that is present on all LPs—all without affecting bass response. Versatility in SpadesThe line inputs of the C 328 can accommodate all kinds of analogue source components. It offers ideal input impedance attributes with linear, ultra-low noise buffer amplifiers to prevent any sonic degradation caused by improper loading of the source device. The C 328 also features a separate headphone amplifier with low output impedance and very high output voltage capability, enough in fact to drive even high impedance studio monitor headphones. The low impedance line outputs can also connect to a subwoofer to further extend the versatility of the C 328 Ready for StreamingWith support for Bluetooth, you can instantly connect and listen to the music service of your choice, or wirelessly stream music and playlists stored directly on your smartphone, tablet or computer. Plus, with its high performance digital circuitry, Bluetooth streaming has never sounded as good as it does with the C 328 Sophisticated PowerSince moving away from old-fashioned linear power supplies and Class AB output stages, NAD has developed even better performing circuits based on switch mode power supplies and Class D output stages. Once thought to be inferior to traditional topologies, NAD’s advanced work in this area has led to some of the best performing amplifiers on the market today. These new designs are linear over a wide bandwidth and provide consistent performance into all speaker loads, delivering a dramatic advancement. The power supply of the C 328 is able to provide over 100 watts of audio output when needed. The C 328 can operate with any AC mains voltage from 100V to 240V and provides pure DC power to all of its various stages. This extremely efficient supply also provides near perfect regulation of voltage across a wide range of conditions and provides a solid noise-free foundation for the amplifying stages. The C 328 uses a customised version of the proven Hypex UcD output stage. This allows for massive power with nearly immeasurable distortion and noise in the audible range. Every detail of this design has been carefully crafted and perfectly executed to wring out the best performance possible. The perfect starter amp for audiophiles and music lovers alike, the C 328 will flawlessly deliver NAD’s signature flexibility and expansive power.

Specifications : New front panel design Heavy duty aerator Novel transistors Large, oversized cooling fins Overload protection and short-circuit protection High reliability Thermal protective circuit Separate amplifier circuits for channel A and B Bridged mono operation Ground/lift switch against background noises Aluminium cooling tunnel 360 watt pro final amplifier Frequency range: 20 Hz - 20 kHz Inputs: XLR, RCA Outputs: PA speaker cord pro, screw clamps Output rating: 2x 180 W at 4 ohm, 2x 120 W at 8 ohm Dimensions: 483 x 88 x 350 mm Weight: 8.5 kg

Dominance reloaded: The MK2 series of Reloop's Dominance amps combines intelligent electronics and qualitative manufacturing adding up to an amplifier solution for gastronomy, business and clubbing. A vast protective circuit package avoids unwanted overloading of any kind. With the three different capacity levels for 360, 720 and 960 watt every sound engineer should be able to find the right package. Specifications : Heavy duty aerator Novel transistors Large, oversized cooling fins Overload protection and short-circuit protection High reliability Thermal protective circuit Separate amplifier circuits for channel A and B Ground/lift switch against background noises Aluminium cooling tunnel Outputs: PA speaker cord pro, screw clamps Inputs: XLR, RCA 720 watt pro final amplifier Output rating: 2x 360 W at 4 ohm, 2x 240 W at 8 ohm frequency range: 20 Hz - 20 kHz Dimensions: 483 x 88 x 350 mm Weight: 10 kg

The RP-404C center channel speaker delivers accurate-to-live acoustics that take your movies and music to a whole new level. Quad 4" copper-spun Cerametallic™ woofers offer both incredible sound and style. Features: 1” Titanium LTS Vented Tweeter with Hybrid Tractrix® Horn Quad 4" Spun Copper Cerametallic™ Woofers Bass-Reflex via Rear-Firing Tractrix® port Premium Scratch Resistant Ebony and Walnut Finishes Strong, Flexible Removable Magnetic Grille Dimensions: 5.7” x 26” x 13” HYBRID TRACTRIX® HORN TECHNOLOGYKlipsch proprietary Tractrix® horn-loaded technology ensures high-frequency energy of the RP-404C center channel speaker is aimed directly at the listener and reduces unwanted, artificial reverb caused by indirect sound bouncing off walls - meaning you experience the most clear, detailed, lifelike sound possible. HORN ANATOMYKlipsch Reference Premiere series speakers feature a compressed molded silicon face thats matted to the 90x90 Tractrix horn to reduces horn resonance for a smoother frequency response. Klipsch computer modeled phase plugs acts as a mechanical filter to further ensure a smooth, flat frequency response while protecting the tweeter from damage. ALL-NEW VENTED TWEETERA vented tweeter design reduces standing waves behind the tweeter diaphragm for a smoother high frequency reproduction. The titanium tweeter diaphragm's light weight yet rigid composition exceeds the performance of aluminum, polymer or silk tweeters. Klipsch award-winning Linear Travel Suspension technology leverages a piston motion of the titanium diaphragm that lowers distortion and delivers real-to-life sound. A ceramic magnet housing provides premium performance, Klipsch Reference Premiere tweeters set the standard in acoustic reproduction. CERAMETALLIC™ WOOFERSKlipsch Proprietary Cerametallic™ woofers are the RP-404C center channel speaker's signature statement for both sound and aesthetics. This extremely light, rigid materials holds its shape while being able to deliver lower frequencies with maximum efficiency. WOOFER ANATOMYKlipsch Cerametallic™ cones are matted to a dual-layer, copper-wound voice coil for exceptional conductivity. Reference Premiere woofers are housed in a non-resonating, stamped-steel basket that’s secured to a large magnet motor for exceptional efficiency and low distortion, and matched to our horn-loaded tweeters for optimal acoustic execution. REAR TRACTRIX® PORTThe rear Tractrix port of the Reference Premiere center channel speakers is perfectly matched to the cabinet and woofers, creating ideal airflow with minimal distortion or turbulence even at the lowest frequencies. FINISHED TO PERFECTIONThe RP-404C ebony and walnut finishes boast satin painted baffles with a scratch resistant design for an elegant audio solution to your home theater system. Strong, flexible, magnetic grilles provide protection and a sleek aesthetic to compliment your home's decor. Specifications : FREQUENCY RESPONSE 59-25kHz +/- 3dB SENSITIVITY 97dB @ 2.83V / 1m POWER HANDLING (CONT/PEAK) 125W/500W NOMINAL IMPEDANCE 8 ohms compatible CROSSOVER FREQUENCY 500Hz/1500Hz HIGH FREQUENCY DRIVER 1” Titanium LTS Vented Tweeter with Hybrid Cross-Section Tractrix® Horn LOW FREQUENCY DRIVER Quad 4” Cerametallic™ Cone Woofers ENCLOSURE MATERIAL MDF ENCLOSURE TYPE Bass Reflex via rear-firing Tractrix® Port INPUTS Single Binding Posts HEIGHT 5.7” (14.39 cm) WIDTH 26.0” (66.04 cm) DEPTH 13” (33.02 cm) WEIGHT 28 lb (12.7 kg) FINISH Ebony, Walnut, Piano Black ACCESSORIES Rubber Feet (4) BUILT FROM 2018

Leveraging a 10" spun copper Cerametallic™ woofer and high-efficiency Class-D amplifier, The Klipsch SPL-100 subwoofer delivers best-in-class low frequency output. Features: 10" Spun Copper Cerametallic™ Woofers Bass-Reflex via Exclusive Front-Firing Internal-Flare Port Class D Amplifier with 200W RMS / 450W Peak Premium Scratch-Resistant Finish Shock-absorbing rubber feet, steel grille posts and a woven cloth grille for a premium look and feel Dimensions: 16.5” x 14” x 17.3” HIGH EFFICIENCY CLASS D AMPLIFIERThe built-in, high efficiency amplifier features an analog preamp design, which maintains the original signal path for cleaner, true-to-source reproduction. The Class D output stage ensures maximum efficiency for maximum output, detail, and low frequency power. SPUN COPPER CERAMETALLIC WOOFERSCerametallic™ woofers are exceptionally light and extremely rigid, providing remarkable low frequency response with minimal cone breakup and distortion for higher, cleaner output using less amplifier power. WOOFER ANATOMYKlipsch Cerametallic™ cones are matted to a dual-layer, copper-wound voice coil for exceptional conductivity. Reference Premiere woofers are housed in a non-resonating, stamped-steel basket that’s secured to a large magnet motor for exceptional efficiency and low distortion, and matched to our horn-loaded tweeters for optimal acoustic execution. EXCLUSIVE PORT TECHNOLOGYKlipsch SPL subwoofers leverage proprietary internal-flare geometry that minimizes port noise for clean undistorted low frequencies. The front-firing design allows for placement flexibility to reduce unwanted resonance from your walls or furniture behind the subwoofer. TAKE CONTROLLow Pass Crossover and Variable Phase control allows you to tune the subwoofer to your Klipsch speakers and to your room, establishing the ideal level of bass. Line Level / LFE RCA inputs ensure compatibility with home theater receivers. Both the RCA and wireless inputs can be utilized, giving you the ability to use a single subwoofer with multiple system in the same room. For example, you can use the wireless input for your home theater set up and the RCA input for your 2-channel system, without needing to switch inputs when changing between systems. ULTRA-DURABLE DESIGNKlispsch SPL subwoofers feature a scratch resistant ebony finish that looks like real wood and covers the entire cabinet. Shock-absorbing rubber feet, steel grille posts and a woven cloth grille give the SPL subwoofers a premium look and feel. Specifications : FREQUENCY RESPONSE 27Hz - 125Hz MAXIMUM ACOUSTIC OUTPUT 114dB AMPLIFIER TYPE Class D with Analog Preamp Stage AMPLIFIER POWER 200 W RMS / 450 W Peak WOOFER 10” Long-Throw Cerametallic ENCLOSURE MATERIAL MDF ENCLOSURE TYPE Bass Reflex via Front-Firing Slot Port INPUTS Dual RCA/LFE Line In, WA-2 Wireless Port HEIGHT 16-9/16” (421mm) WIDTH 14” (356mm) DEPTH 17-5/16” (451mm) WEIGHT 37 lbs (16.8kg) FINISH Ebony Vinyl BUILT FROM 2018

The Super OM 5E major improvements: 1. By means of computer simulations it has been possible to define the natural pivot point of the system with unprecedented accuracy while achieving an optimum oscillation balance. The result: improved linearity, higher channel separation and reduced distortion. 2. Slit less than 1 mm dia. hollow pole pins significantly reduces eddy current losses caused by magnetic hysteresis. This technology extends the frequency range and improves phase linearity. 3. OM Super 5 cartridge body is manufactured from a Noryl (plastic & glass compound) which ensures high rigidity and freedom from resonances. Optimal fit and sound reproductionIf your tonearm has a standard headshell or a cartridge mount, then step up to optimal sound reproduction with OM’s. A glance at anyone of these cartridges will reveal Ortofon's answer to perfect tonearm matching. Ingeniously tucked into the top of the mounting bracket is a tiny, removable weight-plate. If your tonearm is an standard tonearm, just leave the weight-plate. If your tonearm is one of the low mass types, then simply remove the weight. The mass of your OM cartridge is now a mere 2.5g. Super OM 5E features Elliptical stylus that provides balanced and distortion-free playback. Elliptical diamonds are able to follow the groove oscillations more accurately than spherical diamonds due to their contoured shape. This results in better tracking and less distortion. Styli types and interchangeabilityThe OM 5s features a Spherical diamond. Spherical diamonds are the simplest and most robust diamonds. The OM 5E and Super OM 5E feature an Elliptical diamond. In the development of OM cartridges, a major objective was to provide the music lover with the opportunity to optimize sound reproduction without having to replace the entire cartridge. Instead of being merely intended for replacement purposes following wear or damage, the OM 5 Series allows you to step up to better sound by simply upgrading the stylus. Specifications : Output voltage at 1000 Hz, 5cm/sec. - 4 mV Channel balance at 1 kHz - 1.5 dB Channel separation at 1 kHz - 22 dB Channel separation at 15 kHz - 15 dB Frequency range at - 3dB - 20-25.000 Hz Frequency response - 20-20.000 Hz ± 2 dB Tracking ability at 315Hz at recommended tracking force - 65 µm Compliance, dynamic, lateral - 20 µm/mN Stylus type - Elliptical Stylus tip radius - r/R 8/18 µm Tracking force range - 1.5-2.0 g (15-20 mN) Tracking force, recommended - 1.75 g (17.5 mN) Tracking angle - 20° Internal impedance, DC resistance - 1 kOhm Internal inductance - 580 mH Recommended load resistance - 47 kOhm Recommended load capacitance - 200-500 pF Cartridge colour, body/stylus - Black/Black Cartridge weight incl. extra weight - 5 g Cartridge weight excl. extra weight - 2.5 g