Warm Audio

Pro Series - Studio & Live TS Cable 10' (3 meters)

Pro Series - Studio & Live TS Cable 5' (1.5 meters)

Pro Series - Studio & Live TRS Cable 20' (6.1 meters)

Pro Series - Studio & Live TRS Cable 510 (3.0 meters)

Pro Series - Studio & Live TRS Cable 5' (1.5 meters)

Pro Series - Studio & Live TRS Cable 3' (0.9 meters)

Pro Series - Studio & Live XLR Female to TRS Male 6' (1.8 meters)

Pro Series - Studio & Live XLR Female to TRS Male 3' (0.9 meters)

Pro Series - Studio & Live XLR Male to TRS Male 6' (1.8 meters)

Pro Series - Studio & Live XLR Male to TRS Male 3' (0.9 meters)

Pro Series - Studio & Live XLR Cable 50' (15.2 meters)

Pro Series - Studio & Live XLR Cable 25' (7.6 meters)

Pro Series - Studio & Live XLR Cable 20' (6.1 meters)

Pro Series - Studio & Live XLR Cable 15' (4.6 meters)

Pro Series - Studio & Live XLR Cable 10' (3.0 meters)

Pro Series - Studio & Live XLR Cable 6' (1.8 meters)

Pro Series - Studio & Live XLR Cable 3' (0.9 meters)

The original ’67 became one of the most sought-after and widely-used studio microphones of its time, recording a massive collection of some of the most memorable songs of the last 50 years - we’re talking about classic tracks from artists as varied as The Beatles, Led Zeppelin, The Temptations and Nirvana! The original mics are still sought after, but they can command upwards of $8000 for a pristine unit, putting them far out of reach for most recordists. Thankfully, Warm Audio has now changed that scenario with the release of the new WA-67! Based around an EF86 pentode tube and having the same smooth and creamy tone of the original, the WA-67 excels at recording just about anything that you put it in front of, and it may immediately become your go-to choice for vocals, guitars, drum toms and overheads, pianos, brass and strings.

Rebirth Of A Classic The seventies were an amazing time, as bell-bottoms, chains and afros dominated the fashion scene and the swoosh and swirl of phaser effects were everywhere on the radio. From the guitar work of David Gilmour, Brian May and Eddie Van Halen to the trail-blazing keyboard stylings of Steely Dan, Herbie Hancock and Paul Simon’s Richard Tee, it seemed like everyone was incorporating phasers into their sound. Of all of the designs available during that time period, one phaser pedal stood apart from the others due to its flexibility, sound quality and addition of fuzz sounds, and it was immediately adopted by funk bass pioneer Larry Graham as the core of his modulated sound with both Sly and The Family Stone and his own Graham Central Station. The Warm Audio Jet Phaser is a hyper-authentic recreation of this famous pedal, accurate from the gooey swirl of the audio circuit to the look and feel of the enclosure, except that it’s true bypass and far more affordable and reliable than vintage units! The Jet Set The Jet Phaser contains six modes, with two labeled "PHASE" and four labeled "JET". The two PHASE modes produce traditional phasing effects, with the first having moderate modulation depth for more subtle sounds, and the second having increased depth for more exaggerated results. However, the similarities to normal phase pedals end there. The four JET modes engage the "jet" (or fuzz) effect, and that's when things get seriously fun! There are four fuzz/phase combinations: Bright fuzz/shallow phase Bright fuzz/deep phase Dark fuzz/shallow phase Dark fuzz/deep phase When the JET modes are active, the pedal's output level is controlled by the JET LEVEL knob. This enables you to set up the JET modes as a boost, if desired—which could be perfect for solos! Creative Control The Jet Phaser also features a RESONANCE control that's available in all six modes, allowing you to dial in varying amounts of filtered sci-fi craziness. Additionally, you get creative control of the modulation rate: the SLOW RATE knob allows you to set the main modulation speed, but hitting the FAST/SLOW foot switch always kicks the rate up to the maximum speed possible. It’s a cool design, because the change from fast to slow ramps up and down gradually like an organ’s rotary speaker. Unlike most phasers, the Jet Phaser can actually get “in-between” speeds by continuously hitting the FAST/SLOW foot switch like organ players do! The Jet Phaser’s true bypass operation makes it easy to incorporate into any rig, and the fact that it runs at 18V gives it high headroom and pristine audio quality (it can be powered with the included 18VDC adapter or two 9V batteries). We already know it'll sound great on guitar, bass, and keys, but don't let that stop you from slapping it on a vocal track or a drum bus - use your imagination! Technical Specifications: FAITHFUL RECREATION OF THE ORIGINAL “JET” PHASE CIRCUIT USES PREMIUM COMPONENTS THROUGHOUT, INCLUDING CARBON FILM RESISTORS AND FILM CAPACITORS TRUE BYPASS OPERATION SIX MODES: JET (1–4), PHASE (1–2) EFFECT/NORMAL AND FAST/SLOW FOOT SWITCHES JET LEVEL, MODE, RESONANCE, AND SLOW RATE KNOBS GRADUAL RATE CHANGE WHEN FAST/SLOW SWITCH IS PRESSED, SIMULATING A ROTARY CAB 1/4" INPUT (INST) AND OUTPUT (AMP) JACKS DC ADAPTER/BATTERY SWITCH RUGGED STEEL CHASSIS WITH ATTRACTIVE WOODEN SIDE PANELS POWERED BY TWO 9V BATTERIES OR 18V DC ADAPTER (INCLUDED) POWER CONSUMPTION: 9MA WIDTH: 10.25" DEPTH: 6.5" HEIGHT: 2.25" WEIGHT: 4.6 LBS

A lot of preamps on the market do a good job of raising the volume of mics and instruments. Unfortunately, many pres are doing only that, raising volume.  The “Super clean” designs of today often leave the signal exiting the preamp sounding much the same as it did entering it.The WA12 MKII is a completely discrete, high voltage, dual-transformer microphone preamplifier designed for high gain (+71dB), high headroom, low noise, and an exciting sonic performance – great for all types of recording applications.  A high quality mic preamp is one of the most critical pieces needed to achieve the elusive ‘larger than life’ sound, and the WA12 MKII is more than capable of delivering. ​The WA12 MKII is based around a discrete op-amp, the X731, which is our own reproduction of the vintage classic Melcor 1731, considered by some to be the warmer predecessor to the modern 2520-style op-amp.  The X731 can achieve vibrant, clean and lifelike tones; but can also be driven into mild saturation at much higher gain levels.  The effects can be subtle, but very pleasing to the ear.  The WA12 MKII can also accept any discrete op-amp on the market which conforms to the +/-16v, 2520 pinout standard.   In this example, the WA12 MKII is being routed as an insert into a recording device. This is useful for using the WA12 as an “analog plug-in” or insert for mix-down. The recording device is feeding the WA12 with a balanced 1/4” cable via a line output. Then, the recording device is capturing the WA12 MKII via a LINE LEVEL input. Note: It is important to use a line level input on your recording device as opposed to a microphone or instrument level input.If you are looking for a preamp to improve and shape your signal you will most definitely love the WA12 MKII. The WA12 MKII is designed to transform plain instruments and vocals into exciting tone.  If your mixes lack depth, struggle to sound alive, or are just missing that professional touch you’ve always wanted, there is a good chance you will love the WA12 MKII. Specifications: Utilizes premium grade input and output USA CineMag transformers. 71db of Gain, fully discrete signal path. Utilizes a discrete 6-pin socketed 1731 style opamp.  Can be replaced with other 6-pin "2520 foot-print" opamps for varying tone/flavor. TONE button – Switches the input impedance from 600 ohms to 150 ohms.  Changes the tone of both the mic and HI-Z inputs. 2 Meg Ohm True HI-Z input on front panel. Sends instrument signal through entire circuit including both Cinemag Transformers and the discrete opamp. Great for guitars, bass, keyboards and other instruments that have a 1/4″ output jack. Mic level balanced input: XLR. Balanced outputs: XLR and 1/4″/TRS. 48 volt Phantom Power. Output attenuation control (after the CineMag output transformer) allows for driving the preamp and transformers into saturation. LED Meter gain indication. 20db pad. External power plug. ​​

INTRODUCING AN UPDATED AND UPGRADED '87 STYLE FET CONDENSER MICROPHONE WA-87 R2: Updated And Upgraded In 2016, we at Warm Audio introduced one of the most talked-about 87-style FET condenser microphones in the industry with the release of the WA-87, and at just $599 USD it made the looks and authentic vintage sonics of this style of mic affordable to customers for the very first time. Simply put, the release of the WA-87 changed the industry’s perception of what could be achieved at an affordable price.  Based on classic 60s circuitry, the WA-87’s rich sound became a favorite of countless producers, engineers, and home recordists everywhere.  It was our first microphone and a verifiable hit, and in recent years we’ve followed it with many other successful and ground-breaking designs. Since the release of the WA-87 in 2016 we’ve learned a bunch more about microphone manufacturing, and we’ve proven that we can shatter the industry’s quality expectations at affordable prices. That experience drove us to see if we could improve the WA-87 in tangible ways without having to raise the price, and the result is the new WA-87 R2 (Revision 2). We’ve used everything we’ve learned about recreating vintage microphones in the last five years to bring it even closer to the sound, vibe and performance of the original 60s classic we all know and love. We’re ecstatic to bring you the result – in short, the new WA-87 R2 is bigger, bolder and just plain better! A Faithful Reproduction With Top-Shelf Components The WA-87 is based on a classic 60s circuit that is widely considered to be one of the greatest studio microphones ever designed. We spent countless hours trying to get even closer to the sound of the vintage version than we had with the WA-87, so the new WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. We also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics. The result is an incredibly accurate sonic replica of arguably the widest-used studio microphone in popular recording history! The Most Versatile Mic In Your Locker Just like the vintage microphone, the WA-87 R2 excels at recording virtually anything. Three polar patterns (cardioid, omni, and figure 8) make sure you’re covered for a wide variety of applications, and an 80Hz high pass filter reduces low-frequency rumble if needed. The switchable -10dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics. The WA-87 R2 works brilliantly on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings, and more. Not only that, it’s the same price as the original WA-87, so you can afford to have several in your mic locker! Stunning In Sound And Appearance The WA-87 R2 is now encased in a heavier, stronger and larger nickel-plated brass body, and the new rounded head basket shape adds additional space around the capsule for a more pleasing sonic signature. With authentic vintage warmth and a smooth detailed top end, we truly believe this mic performs on par with microphones costing five times as much or more. No matter what else you’ve got in your mic locker, the WA-87 R2 is sure to become one of your favorite go-to microphones! Technical Specifications: LARGE DIAPHRAGM STUDIO CONDENSER MICROPHONE, WITH A FAITHFUL REPRODUCTION OF THE ORIGINAL VINTAGE 87-STYLE CIRCUIT ALL DISCRETE PREMIUM COMPONENTS, INCLUDING A NOS FAIRCHILD TRANSISTOR AND WIMA/NICHICON CAPACITORS CUSTOM CINEMAG USA OUTPUT TRANSFORMER WA-87-B-50V CAPSULE—REPRODUCTION OF CLASSIC DUAL BACKPLATE (FOUR-WIRE TERMINATION) K87 CAPSULE NICKEL-PLATED BRASS BODY THREE POLAR PATTERNS: CARDIOID, FIGURE-OF-EIGHT, AND OMNIDIRECTIONAL  -10DB PAD AND 80HZ HIGH PASS FILTER FREQUENCY RESPONSE: 20HZ – 20KHZ SPL: .5% THD @ 125DB (WITHOUT PAD), 132DB DIAPHRAGM: 6-MICRON THICKNESS, GOLD-SPUTTERED MEMBRANE, NOS MYLAR (PET FILM) NOISE: -117DB INCLUDED ACCESSORIES: WOODEN STORAGE CASE, HARD MOUNT, AND SHOCK MOUNT (OPTIONAL FLIGHT CASE AVAILABLE) WEIGHT (FULLY BOXED): 6.5 LBS / 3 KG COLOR: AVAILABLE IN NICKEL OR BLACK FINISH

Whether you play guitar, bass, keyboards or another stringed instrument, you'll need a direct box that won't diminish your instrument's tone, like the Direct Box Active and Direct Box Passive from Warm Audio.  Built around world-famous CineMag USA Transformer topology and engineering, like no other DI Boxes in the world. Constructed with top-tier discrete components housed in rugged aluminum chassis' that include switches, knobs and connectors that are all designed to withstand heavy abuse on the road or in the studio. Made With USA Custom CineMag Transformers Every aspect of our direct boxes are designed for maximum sonic integrity, from the custom-wound CineMag USA transformer to the rugged metal knob and switches.  You can expect warm, rich tone even after long cable runs, and the extruded aluminum enclosure ensures a long life span.  When you need to convert an instrument-level signal to mic-level, with sonic quality as your top priority, you'll be well-served with the Direct Box Active and Direct Box Passive from Warm Audio. New DI Box Experience Warm Audio DI boxes offer the rare versatility of having an onboard variable pad knob which attenuates your input signal all the way from -3dB to -30dB, which will easily tame any instrument input source. Both of our Direct Boxes offer a Thru-put jack that is jumpered to the input jack. It is a convenience jack allowing you to send your instrument's signal to a second place in addition to the live mixer or recording device. Our Direct Boxes can also take a recorded signal at line level and send it to another line input while simultaneously sending signal out of the XLR mic level output of the Direct Box. Typical Applications For A DI Box Connecting electronic instruments such as guitar, bass, keyboard, or drum machines directly to a PA or recording system. Simply put, a DI box converts the high impedance, unbalanced output signals to low impedance, balanced output signals. By doing so, the instrument signals are now converted to the proper voltage level for the PA or recording system - which greatly reduces and/or eliminates connections which could cause tonal shifts and distortion. Passive Or Active? Direct Box Active is best for instruments with passive pickups, especially acoustic instruments.  The Direct Box Active can also operate in "passive" mode. Direct Box Passive is best for balancing the signal of instruments with active electronics, but still performs extremely well on passive pickups by producing a frequency range that exceeds the bandwidth of most passive DI boxes on the market. Passive Specifications CUSTOM-WOUND CINEMAG USA OUTPUT TRANSFORMER CONVERTS INSTRUMENTS TO MIC-LEVEL SIGNALS WITHOUT SIGNAL DEGRADATION IDEAL SOLUTION FOR PLUGGING YOUR INSTRUMENT DIRECT INTO ANY MIC PRE TOP-QUALITY CLASS A COMPONENTS WITH GOLD-PLATED TRACES ON CIRCUIT BOARD RUGGED ALUMINUM CONSTRUCTION PAD: VARIABLE FROM -3DB TO -30DB BALANCED OUTPUTS: 600 OHMS, MIC LEVEL INPUT IMPEDANCE: 1 MEG OHMS  THD: .01% FROM 20HZ TO 50HZ. LESS THAN .003% FROM 50HZ TO 20KHZ FREQUENCY RESPONSE: 10HZ TO 90KHZ +/- 0.5DB

Whether you play guitar, bass, keyboards or another stringed instrument, you'll need a direct box that won't diminish your instrument's tone, like the Direct Box Active and Direct Box Passive from Warm Audio.  Built around world-famous CineMag USA Transformer topology and engineering, like no other DI Boxes in the world. Constructed with top-tier discrete components housed in rugged aluminum chassis' that include switches, knobs and connectors that are all designed to withstand heavy abuse on the road or in the studio. Made With USA Custom CineMag Transformers Every aspect of our direct boxes are designed for maximum sonic integrity, from the custom-wound CineMag USA transformer to the rugged metal knob and switches.  You can expect warm, rich tone even after long cable runs, and the extruded aluminum enclosure ensures a long life span.  When you need to convert an instrument-level signal to mic-level, with sonic quality as your top priority, you'll be well-served with the Direct Box Active and Direct Box Passive from Warm Audio. New DI Box Experience Warm Audio DI boxes offer the rare versatility of having an onboard variable pad knob which attenuates your input signal all the way from -3dB to -30dB, which will easily tame any instrument input source. Both of our Direct Boxes offer a Thru-put jack that is jumpered to the input jack. It is a convenience jack allowing you to send your instrument's signal to a second place in addition to the live mixer or recording device. Our Direct Boxes can also take a recorded signal at line level and send it to another line input while simultaneously sending signal out of the XLR mic level output of the Direct Box. Typical Applications For A DI Box Connecting electronic instruments such as guitar, bass, keyboard, or drum machines directly to a PA or recording system. Simply put, a DI box converts the high impedance, unbalanced output signals to low impedance, balanced output signals. By doing so, the instrument signals are now converted to the proper voltage level for the PA or recording system - which greatly reduces and/or eliminates connections which could cause tonal shifts and distortion. Passive Or Active? Direct Box Active is best for instruments with passive pickups, especially acoustic instruments.  The Direct Box Active can also operate in "passive" mode. Direct Box Passive is best for balancing the signal of instruments with active electronics, but still performs extremely well on passive pickups by producing a frequency range that exceeds the bandwidth of most passive DI boxes on the market. Active Specifications POWER (ACTIVE ONLY): 48V PHANTOM OR TWO 9V BATTERIES.  CAN ALSO BE USED PASSIVELY CUSTOM-WOUND CINEMAG USA OUTPUT TRANSFORMER CONVERTS INSTRUMENTS TO MIC-LEVEL SIGNALS WITHOUT SIGNAL DEGRADATION IDEAL SOLUTION FOR PLUGGING YOUR INSTRUMENT DIRECT INTO ANY MIC PRE TOP-QUALITY CLASS A COMPONENTS WITH GOLD-PLATED TRACES ON CIRCUIT BOARD RUGGED ALUMINUM CONSTRUCTION PAD: VARIABLE FROM -3 TO -30DB  BALANCED OUTPUT: 600 OHMS, MIC LEVEL INPUT IMPEDANCE: 1 MEG OHMS OUTPUT CONTROL THD: .01% FROM 20HZ TO 100HZ. LESS THAN .004% FROM 100HZ TO 20KHZ FREQUENCY RESPONSE: 20HZ TO 70KHZ +/- 0.5DB

The Tone Beast now is BLACK !  This great mic pre with loads of gain that can effortlessly capture an array of sources very well. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat its big, bold, fully-professional sound at its price. The Tone Beast is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. Additionally the Tone Beast is customizable and allows for other opamps to be sourced and easily swapped into the unit. I've pulled my best tones from this pre right at the saturation point (as loud as I can push the gain before clipping). The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control. The goal was to make a microphone preamplifier affordable for the first time, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable.   Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear. The TB12 "Tone Beast" is a high-voltage microphone preamplifier, utilizing CineMag USA Transformers. Have no fear of hurting the Beast, you can push it very hard into full-on distortions if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some nice grit. When hand building mic pres I learned a bit about the "subtle" differences component choices can make. A little change here, and another there often times became a huge deal in a finished mix, but often times is not very noticeable at first take. The different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound. Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear. Specifications: Utilizes premium grade CineMag USA Transformers. 71db of gain. Transformer selection provides both Steel and 50% Nickel CineMag output transformers for varying character. Transformer bypass switch allows for removal of the output transformer from the circuit. Discrete Opamp selection allows for choosing between a 1731(vintage) and 918(cleaner) style .opamp.  These are socketed/swappable with your choice of 2520 6 pin footprint opamps. Impedance switch labeled TONE to switch between 150 and 600 ohms input impedance.  Changes the Tone of all inputs (Mic, Line and Hi-Z.). 2 Meg Ohm True HI-Z input on front panel sends instrument signal through entire circuit including both Cinemag Transformers and the discrete operational amplifier. Great for guitars, bass, keyboards and other instruments that have a 1/4″ output jack. Capacitor selection between Tantalum and Electrolytic for different characters. 80hz hipass filter. Polarity Reverse. +48V phantom power. Output attenuation allowing for saturation flexibility of both the opamps and transformers. ¼" insert for the use of inline compressors, eq's etc. Balanced XLR mic, balanced TRS line, and ¼" instrument inputs. -20db Pad. LED VU Meter. Compatible with standard 500 series racks.

Inspired Re-creation of a Legendary Small-diaphragm CondenserTheir acclaimed compressors and preamps have famously upset the pro audio price/performance ratio. When Warm Audio turned its attention to the granddaddy of small-diaphragm FET condenser microphones, you know it had to be good. And it is. Flash back to any top recording studio in the 1970s. You'll see the venerable '84 everywhere. Engineers who have worked with different generations of this perennial studio favorite know that the vintage ones have a warmer, more forgiving sonic character. It's these circuit designs — dating back nearly half a century — that Warm Audio closely followed for the WA-84. Stellar performance, top-shelf parts, and amazing value: that's the Warm formula — and the WA-84 nails it.Quality components make the Warm differenceWarm Audio doesn't cut corners on components, but they do order parts and build in quantity, which keeps costs down and delivers amazing value. Featuring a meticulously crafted vintage reproduction capsule, WA-84 is built with premium all-discrete components that include Fairchild transistors, Wima capacitors, and a CineMag USA transformer. Designed for professional commercial and home studios, live sound reinforcement, and broadcast applications, the WA-84 has the uncanny ability to finesse a wide range of sources, such as acoustic guitars, double bass, drums and percussion, piano, strings, brass and woodwinds, and more.What can the WA-84 do for you?Every studio needs at least one pair of high-quality small-diaphragm condenser mics, and the Warm Audio WA-84 is designed after a legendary one. With its versatile cardioid polar pattern and 10dB pad, you can use the WA-84 on any instrument — with world-class results. It makes snares and tom toms sound huge. It's great for drum overheads, capturing cymbals with warmth and vibrancy. It's perfect for adding a bit of room to complement a close dynamic or ribbon mic on a guitar cabinet. Engage the pad, and move the mic right up on the speaker grille.Double your value with a pair of these excellent micsThe WA-84 is an ideal choice for piano, vibraphone, marimba, congas, strings, woodwinds, and so much more. The list goes on, but suffice to say: You haven't lived until you've heard a grand piano spring to life when miked with a pair of WA-84s. For drum room mics, use two of them and nuke the stereo signal with a fast limiter. Positively explosive! Considering its amazing price, it would be wise to double your value and get (at least) two for recording tracks in stereo.Warm Audio WA-84 Small-diaphragm Condenser Microphone Features: Cardioid polar pattern Fully discrete signal path Vintage reproduction capsule CineMag USA Transformer 48V phantom powered Frequency Range: 20Hz–20kHz Sensitivity: -39dB or 11mV/Pa @ 1kHz Output Impedance: 200Ω Rated Load Impedance: ≥1kΩ Switchable Pad: -10dB Maximum SPL: 123/133dB @ 1kHz, 0.5% THD, 0/-10dB S/N Ratio: 78dBA (IEC651) Equivalent noise: 16dBA (IEC651) Dynamic range: 107dBA (IEC651) Connector: 3-pin gold-plated XLR Includes microphone, cardioid capsule, shockmount, mic clip, windscreen, carrying case A look inside the WA-84 The Capsule The WA-84 utilizes a custom vintage-style capsule designed to emulate classic componentry and design techniques. The WA-84’s capsule is carefully manufactured by an Australian capsule supplier and is precisely reproduced to vintage specs. We are pleased to offer such a high quality capsule in this microphone which allows us to nail the sonics of the most important component of any microphone. The Circuit The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The Transformer The WA-84 utilizes an American made CineMag USA transformer that contributes to the legendary creamy smooth top-end and the BEEFY mid to bottom-end one would hope to get from an 84-style small diaphragm condenser microphone. The Capacitors The WA-84 proudly utilizes Wima, polystyrene and tantalum through-hole capacitors throughout.

Inspired Re-creation of a Legendary Small-diaphragm CondenserTheir acclaimed compressors and preamps have famously upset the pro audio price/performance ratio. When Warm Audio turned its attention to the granddaddy of small-diaphragm FET condenser microphones, you know it had to be good. And it is. Flash back to any top recording studio in the 1970s. You'll see the venerable '84 everywhere. Engineers who have worked with different generations of this perennial studio favorite know that the vintage ones have a warmer, more forgiving sonic character. It's these circuit designs — dating back nearly half a century — that Warm Audio closely followed for the WA-84. Stellar performance, top-shelf parts, and amazing value: that's the Warm formula — and the WA-84 nails it.Quality components make the Warm differenceWarm Audio doesn't cut corners on components, but they do order parts and build in quantity, which keeps costs down and delivers amazing value. Featuring a meticulously crafted vintage reproduction capsule, WA-84 is built with premium all-discrete components that include Fairchild transistors, Wima capacitors, and a CineMag USA transformer. Designed for professional commercial and home studios, live sound reinforcement, and broadcast applications, the WA-84 has the uncanny ability to finesse a wide range of sources, such as acoustic guitars, double bass, drums and percussion, piano, strings, brass and woodwinds, and more.What can the WA-84 do for you?Every studio needs at least one pair of high-quality small-diaphragm condenser mics, and the Warm Audio WA-84 is designed after a legendary one. With its versatile cardioid polar pattern and 10dB pad, you can use the WA-84 on any instrument — with world-class results. It makes snares and tom toms sound huge. It's great for drum overheads, capturing cymbals with warmth and vibrancy. It's perfect for adding a bit of room to complement a close dynamic or ribbon mic on a guitar cabinet. Engage the pad, and move the mic right up on the speaker grille.Double your value with a pair of these excellent micsThe WA-84 is an ideal choice for piano, vibraphone, marimba, congas, strings, woodwinds, and so much more. The list goes on, but suffice to say: You haven't lived until you've heard a grand piano spring to life when miked with a pair of WA-84s. For drum room mics, use two of them and nuke the stereo signal with a fast limiter. Positively explosive! Considering its amazing price, it would be wise to double your value and get (at least) two for recording tracks in stereo.Warm Audio WA-84 Small-diaphragm Condenser Microphone Features: Cardioid polar pattern Fully discrete signal path Vintage reproduction capsule CineMag USA Transformer 48V phantom powered Frequency Range: 20Hz–20kHz Sensitivity: -39dB or 11mV/Pa @ 1kHz Output Impedance: 200Ω Rated Load Impedance: ≥1kΩ Switchable Pad: -10dB Maximum SPL: 123/133dB @ 1kHz, 0.5% THD, 0/-10dB S/N Ratio: 78dBA (IEC651) Equivalent noise: 16dBA (IEC651) Dynamic range: 107dBA (IEC651) Connector: 3-pin gold-plated XLR Includes microphone, cardioid capsule, shockmount, mic clip, windscreen, carrying case A look inside the WA-84 The Capsule The WA-84 utilizes a custom vintage-style capsule designed to emulate classic componentry and design techniques. The WA-84’s capsule is carefully manufactured by an Australian capsule supplier and is precisely reproduced to vintage specs. We are pleased to offer such a high quality capsule in this microphone which allows us to nail the sonics of the most important component of any microphone. The Circuit The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The Transformer The WA-84 utilizes an American made CineMag USA transformer that contributes to the legendary creamy smooth top-end and the BEEFY mid to bottom-end one would hope to get from an 84-style small diaphragm condenser microphone. The Capacitors The WA-84 proudly utilizes Wima, polystyrene and tantalum through-hole capacitors throughout.

Inspired Re-creation of a Legendary Small-diaphragm CondenserTheir acclaimed compressors and preamps have famously upset the pro audio price/performance ratio. When Warm Audio turned its attention to the granddaddy of small-diaphragm FET condenser microphones, you know it had to be good. And it is. Flash back to any top recording studio in the 1970s. You'll see the venerable '84 everywhere. Engineers who have worked with different generations of this perennial studio favorite know that the vintage ones have a warmer, more forgiving sonic character. It's these circuit designs — dating back nearly half a century — that Warm Audio closely followed for the WA-84. Stellar performance, top-shelf parts, and amazing value: that's the Warm formula — and the WA-84 nails it.Quality components make the Warm differenceWarm Audio doesn't cut corners on components, but they do order parts and build in quantity, which keeps costs down and delivers amazing value. Featuring a meticulously crafted vintage reproduction capsule, WA-84 is built with premium all-discrete components that include Fairchild transistors, Wima capacitors, and a CineMag USA transformer. Designed for professional commercial and home studios, live sound reinforcement, and broadcast applications, the WA-84 has the uncanny ability to finesse a wide range of sources, such as acoustic guitars, double bass, drums and percussion, piano, strings, brass and woodwinds, and more.What can the WA-84 do for you?Every studio needs at least one pair of high-quality small-diaphragm condenser mics, and the Warm Audio WA-84 is designed after a legendary one. With its versatile cardioid polar pattern and 10dB pad, you can use the WA-84 on any instrument — with world-class results. It makes snares and tom toms sound huge. It's great for drum overheads, capturing cymbals with warmth and vibrancy. It's perfect for adding a bit of room to complement a close dynamic or ribbon mic on a guitar cabinet. Engage the pad, and move the mic right up on the speaker grille.Double your value with a pair of these excellent micsThe WA-84 is an ideal choice for piano, vibraphone, marimba, congas, strings, woodwinds, and so much more. The list goes on, but suffice to say: You haven't lived until you've heard a grand piano spring to life when miked with a pair of WA-84s. For drum room mics, use two of them and nuke the stereo signal with a fast limiter. Positively explosive! Considering its amazing price, it would be wise to double your value and get (at least) two for recording tracks in stereo.Warm Audio WA-84 Small-diaphragm Condenser Microphone Features: Cardioid polar pattern Fully discrete signal path Vintage reproduction capsule CineMag USA Transformer 48V phantom powered Frequency Range: 20Hz–20kHz Sensitivity: -39dB or 11mV/Pa @ 1kHz Output Impedance: 200Ω Rated Load Impedance: ≥1kΩ Switchable Pad: -10dB Maximum SPL: 123/133dB @ 1kHz, 0.5% THD, 0/-10dB S/N Ratio: 78dBA (IEC651) Equivalent noise: 16dBA (IEC651) Dynamic range: 107dBA (IEC651) Connector: 3-pin gold-plated XLR Includes microphone, cardioid capsule, shockmount, mic clip, windscreen, carrying case A look inside the WA-84 The Capsule The WA-84 utilizes a custom vintage-style capsule designed to emulate classic componentry and design techniques. The WA-84’s capsule is carefully manufactured by an Australian capsule supplier and is precisely reproduced to vintage specs. We are pleased to offer such a high quality capsule in this microphone which allows us to nail the sonics of the most important component of any microphone. The Circuit The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The Transformer The WA-84 utilizes an American made CineMag USA transformer that contributes to the legendary creamy smooth top-end and the BEEFY mid to bottom-end one would hope to get from an 84-style small diaphragm condenser microphone. The Capacitors The WA-84 proudly utilizes Wima, polystyrene and tantalum through-hole capacitors throughout.

Inspired Re-creation of a Legendary Small-diaphragm CondenserTheir acclaimed compressors and preamps have famously upset the pro audio price/performance ratio. When Warm Audio turned its attention to the granddaddy of small-diaphragm FET condenser microphones, you know it had to be good. And it is. Flash back to any top recording studio in the 1970s. You'll see the venerable '84 everywhere. Engineers who have worked with different generations of this perennial studio favorite know that the vintage ones have a warmer, more forgiving sonic character. It's these circuit designs — dating back nearly half a century — that Warm Audio closely followed for the WA-84. Stellar performance, top-shelf parts, and amazing value: that's the Warm formula — and the WA-84 nails it.Quality components make the Warm differenceWarm Audio doesn't cut corners on components, but they do order parts and build in quantity, which keeps costs down and delivers amazing value. Featuring a meticulously crafted vintage reproduction capsule, WA-84 is built with premium all-discrete components that include Fairchild transistors, Wima capacitors, and a CineMag USA transformer. Designed for professional commercial and home studios, live sound reinforcement, and broadcast applications, the WA-84 has the uncanny ability to finesse a wide range of sources, such as acoustic guitars, double bass, drums and percussion, piano, strings, brass and woodwinds, and more.What can the WA-84 do for you?Every studio needs at least one pair of high-quality small-diaphragm condenser mics, and the Warm Audio WA-84 is designed after a legendary one. With its versatile cardioid polar pattern and 10dB pad, you can use the WA-84 on any instrument — with world-class results. It makes snares and tom toms sound huge. It's great for drum overheads, capturing cymbals with warmth and vibrancy. It's perfect for adding a bit of room to complement a close dynamic or ribbon mic on a guitar cabinet. Engage the pad, and move the mic right up on the speaker grille.Double your value with a pair of these excellent micsThe WA-84 is an ideal choice for piano, vibraphone, marimba, congas, strings, woodwinds, and so much more. The list goes on, but suffice to say: You haven't lived until you've heard a grand piano spring to life when miked with a pair of WA-84s. For drum room mics, use two of them and nuke the stereo signal with a fast limiter. Positively explosive! Considering its amazing price, it would be wise to double your value and get (at least) two for recording tracks in stereo.Warm Audio WA-84 Small-diaphragm Condenser Microphone Features: Cardioid polar pattern Fully discrete signal path Vintage reproduction capsule CineMag USA Transformer 48V phantom powered Frequency Range: 20Hz–20kHz Sensitivity: -39dB or 11mV/Pa @ 1kHz Output Impedance: 200Ω Rated Load Impedance: ≥1kΩ Switchable Pad: -10dB Maximum SPL: 123/133dB @ 1kHz, 0.5% THD, 0/-10dB S/N Ratio: 78dBA (IEC651) Equivalent noise: 16dBA (IEC651) Dynamic range: 107dBA (IEC651) Connector: 3-pin gold-plated XLR Includes microphone, cardioid capsule, shockmount, mic clip, windscreen, carrying case A look inside the WA-84 The Capsule The WA-84 utilizes a custom vintage-style capsule designed to emulate classic componentry and design techniques. The WA-84’s capsule is carefully manufactured by an Australian capsule supplier and is precisely reproduced to vintage specs. We are pleased to offer such a high quality capsule in this microphone which allows us to nail the sonics of the most important component of any microphone. The Circuit The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The Transformer The WA-84 utilizes an American made CineMag USA transformer that contributes to the legendary creamy smooth top-end and the BEEFY mid to bottom-end one would hope to get from an 84-style small diaphragm condenser microphone. The Capacitors The WA-84 proudly utilizes Wima, polystyrene and tantalum through-hole capacitors throughout.

The 1073 Legend Lives in Warm Audio's Splendid WA73-EQThe legendary 1073 wrote the book on characterful mic preamplification and EQ. These venerable circuits helped define the punchy sound of '70s rock — and countless recordings and live concerts ever since. Today, this coveted tone can be yours for a song, with the Warm Audio WA73-EQ mic/line/instrument preamp. In both design and performance, the WA73-EQ pays homage to the revered British console lineage that started it all. Throughout the audio industry, the 1073 is considered the holy grail of preamps and EQs, with a rich, sweet, and bold tonality that's ideal for making audacious statements with your music. After years of R&D, painstaking reverse-engineering, and countless hours of listening, Warm Audio captured the sonic essence of this classic perfectly in their boutique WA73-EQ. With 80dB of gain and a fully discrete transformer-balanced signal path, the sound is a revelation: harmonically rich bottom end, focused midrange, and slightly resonant highs.Handcrafted with top-quality parts Boasting weapons-grade build quality with discrete, handwired Class A circuits and top-drawer parts such as UK-made Carnhill transformers and Blore Edwards mil-spec, dual-concentric switch pots, the WA73-EQ has 80dB of gain on tap so you can capture subdued sources with your favorite ribbon mic. Your ribbons and condensers will sound heavenly; you'll even be gobsmacked when you hear how authoritative your dynamic mics sound. Cranking the input stage and backing off the output gain enhances your tracks with tasty vintage-style coloration. Topping off the feature set is an instrument jack, polarity reverse, 48V phantom power, and switchable impedance for tonal variation and to optimally match a variety of microphones.Optimize every source — and microphone There is no source that doesn't sound amazing through the Warm Audio WA73-EQ. With judicious mic selection and placement, drums are larger-than-life; DI bass and keyboards sound massive and synths become trance-inducing; electric guitars soar; vocals rule. Pianos and acoustic guitars are resplendent. Orchestral instruments — strings, woodwinds, brass, and percussion — achieve ineffable lushness and dimension. You can even use the WA73-EQ as a tone-shaping tool to run stems or complete mixes through. Hear what the WA73-EQ can do for your own recordings. It's transformative.Definitive British EQ The EQ section of the WA73-EQ adheres to the classic 1073 circuit topology. The vintage 1073 is the holy grail of EQ, and the WA73-EQ nails its sonics and behavior (complete with its fabled harmonic distortion). It's a three-band affair, with HF shelving at 10, 12, and 16kHz; midband peaking with selectable center frequencies at 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, and 7.2kHz; and LF shelving, selectable at 35Hz, 60Hz, 110Hz, and 220Hz. A highpass filter, selectable at 50Hz, 80Hz, 160Hz, and 300Hz, lets you trim your signals of unwanted low end. If you've never worked with a 1073-style EQ before, all we can say is: you're in for a serious treat. It's worth noting that the original 1073 offered only a fixed 10kHz shelf, and the additional high-frequency flexibility afforded by the WA73-EQ is most welcome.UK Custom Carnhill transformers 1073-loving engineers perk up when the conversation turns to the component history of these classic circuits, and signal transformers are a frequent topic of discussion. Vintage 1073s used different transformer variants throughout their production run; but the most coveted were the very first ones made by Marinair Radar, due to their fluid and forgiving nature that saturates sweetly when pushed. They have been known to bring engineers to tears when they hear how gorgeous their mixes sound through them! Warm Audio turned to Carnhill Transformers of Cambridgeshire, UK, to design meticulous replicas of these most desirable early 1073 transformers. The results are stunning, and — to our ears — tantalizingly close to early vintage 1073s.Warm left no stone unturned A vital yet not-often-discussed component of these classic British circuits is the different types of capacitors and output transistors used. To maintain the integrity of the original circuits, Warm decided to use high-quality tantalum and polystyrene capacitors in the signal path and an output transistor choice that delivers smoother results at higher gain settings than what is commonly found in today's 1073-style preamps. All considered, Warm Audio's monumental effort to design a no-compromise product has paid off handsomely. You'll appreciate this every time you plug into the WA73-EQ and hit record.Warm Audio WA73-EQ Mic/Line/Instrument Preamp and EQ Features: Handwired and hand-assembled, single-channel 1073-style preamp/EQFully discrete, Class A, transformer-balanced circuitryUK-made Carnhill Transformers80dB of gain handles any type of microphone, including low-output ribbonsResistor-stepped rotary gain switch for easy recallTone button changes input transformer impedance for mic optimization and tonal shapingPolarity switch48V phantom power4-position inductor-based highpass filter, selectable for Off, 50, 80, 160, or 300HzInductor-based 3-band equalizationLow-band boost/cut at 35, 60, 110, or 220HzMid-band boost/cut at 360, 700, 1600, 3200, 4800, or 7200HzHigh-band boost/cut at 10, 12, or 16kHzAdditional high-band frequency EQ points added (compared to vintage 1073)XLR mic inputLine-level TRS inputTS Send/Receive insert jacksXLR and TRS line-level outputsDI instrument inputOutput level controlLED level indication meterRugged 19" rackmount chassisGround lift switchInternal IEC 115V/230V power inlet

The Tone Beast is a great mic pre with loads of gain that can effortlessly capture an array of sources very well. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat its big, bold, fully-professional sound at its price.The Tone Beast is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent.Additionally the Tone Beast is customizable and allows for other opamps to be sourced and easily swapped into the unit. I've pulled my best tones from this pre right at the saturation point (as loud as I can push the gain before clipping). The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control.The goal was to make a microphone preamplifier affordable for the first time, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable.  Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear.The TB12 "Tone Beast" is a high-voltage microphone preamplifier, utilizing CineMag USA Transformers. Have no fear of hurting the Beast, you can push it very hard into full-on distortions if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some nice grit. When hand building mic pres I learned a bit about the "subtle" differences component choices can make.A little change here, and another there often times became a huge deal in a finished mix, but often times is not very noticeable at first take. The different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound. Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear.Specifications:Utilizes premium grade CineMag USA Transformers.71db of gain.Transformer selection provides both Steel and 50% Nickel CineMag output transformers for varying character.Transformer bypass switch allows for removal of the output transformer from the circuit.Discrete Opamp selection allows for choosing between a 1731(vintage) and 918(cleaner) style .opamp.  These are socketed/swappable with your choice of 2520 6 pin footprint opamps.Impedance switch labeled TONE to switch between 150 and 600 ohms input impedance.  Changes the Tone of all inputs (Mic, Line and Hi-Z.).2 Meg Ohm True HI-Z input on front panel sends instrument signal through entire circuit including both Cinemag Transformers and the discrete operational amplifier. Great for guitars, bass, keyboards and other instruments that have a 1/4″ output jack.Capacitor selection between Tantalum and Electrolytic for different characters.80hz hipass filter.Polarity Reverse.+48V phantom power.Output attenuation allowing for saturation flexibility of both the opamps and transformers.¼" insert for the use of inline compressors, eq's etc.Balanced XLR mic, balanced TRS line, and ¼" instrument inputs.-20db Pad.LED VU Meter.Compatible with standard 500 series racks.

What if you could juice your tracks with massive bass, shimmering air, and addictive warmth - without having to shell out a fortune? Well, now you can, with the Warm Audio EQP-WA. A Pultec-style 2U rackmount tube equalizer, the EQP-WA rocks the look and feel of the classic original that graced countless hits. But with its fully discrete circuitry and top-drawer components such as CineMag transformers and premium tubes, it also nails those elusive euphonic sonics that make your recordings come alive. Add luster and brilliance to your music, affordably, with the Warm Audio EQP-WA.the EQP-WA gives you: top-notch performance, in fact, and incredible value. The EQP-WA lets you shape your tracks with an exciting, vibey warmth that makes any vocal or instrument sound, well, gorgeous and sit proud in the mix. We dig the Warm Audio EQP-WA, and - especially considering its gentle price tag - we're confident you will, too!  Specifications:With gain modification for level adjustments of two devicesCineMag input and output transformer - made in the USAPremium 12AX7 and 12AU7 tubesCineMag inductor EQ sectionThe EQ section can be set to bypass while the signal is still running through the tubes and transformers, thus keeping the "warmth" of the tubeTransformer balanced inputs and outputs (XLR and jack)Linear frequency response from 20 – 50,000 HzBoost and cut can be used simultaneously to allow phase effectsLow frequency boost - 20, 30, 60, 100, 200, 400, 800 Hz - 12 dBLow frequency cut - 20, 30, 60, 100, 200, 400, 800 Hz - 18 dBHigh frequency boost - 3, 4, 5, 8, 10, 12, 16 kHz - 18 dBHigh frequency cut - 3, 4, 5, 10, 20 kHz - 14 dB5 more additional frequency points than the EQP-1 A for greater versatilityIntegrated 115 / 230 V IEC power supply 

If there’s one preamp-eq that professional engineers would unanimously agree has defined the tone of pop/rock records for the last 50+ years, it would most definitely be the venerable 1073.  The 1073 has been massively used in recording and live applications for decades and is still considered to be the “Holy Grail” of preamp(eq’s) today.  The Warm Audio “WA73 Family” provides single and dual channel re-creations of this classic British preamp (with & w/out EQ), that each pay careful and humble homage to the original circuit.After years of R&D, careful reverse-engineering, and countless hours of auditioning, the WA73 Family has been born! The WA73 Family shines on all types of microphones and sources including; vocals, acoustic/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through.  With 80dB of gain, a fully discrete Carnhill Transformer balanced signal path, and versatile 3 band inductor EQ (on WA73-EQ and WA273-EQ products) - there’s no recording, mixing or engineering task the WA73, WA73-EQ, WA273, and WA273-EQ can’t handle.A LOOK INSIDEHand Wired, Hand AssembledThe classic 1073 was hand-wired and so is the WA73 Family!  Guru’s claim that a portion of the 1073’s classic tone can be attributed to the hand-wired nature of the build.  The entirety of the WA73 Family of preamp(eq’s) is authentically hand-wired and hand assembled, including the pcb components that are all populated by hand.UK Custom Carnhill Transformers1073 enthusiasts unequivocally get excited about the component history in these classic circuits.  The signal transformers are a common topic of conversation.  The classic vintage units used various versions of transformers throughout the years, and the most coveted were the very first versions made by Marinair Radar.  Marinair Radar Transformers are regarded as the most desirable 1073 choice due to their fluid and forgiving nature.  They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!  Warm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful replicas of these most coveted, early version transformers.  The entire WA73 Family proudly utilizes these fantastic Carnhill Transformers.  We at Warm Audio have not yet heard a modern day 1073-style preamp(eq) sound as close to the early vintage 1073 design as do our WA73 Family units with these beautiful custom Transformers.Capacitors & Signal Path:An important part of these classic British circuits not often discussed is the different styles of capacitors and output transistor used.  We found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern 1073-style replicas.UK Blore Edwards Switch-Pots (WA73-EQ & WA273-EQ only):A great sounding 1073-style circuit should be just as reliable as it is great sounding.  The complex dual concentric switch potentiometers in the EQ sections of the WA73-EQ and WA273-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers.  The use of Blore-Edwards components is no small inclusion for 1073-style preamp-eq’s in this price range            SPECIFICATIONS

Large-Diaphragm Condenser Microphone.A Secret Weapon Of Pro StudiosThe WA-47F is a faithful recreation of a high-SPL, low-noise classic celebrated as a 'secret weapon' across world-class studios. The original '47-style FET was released in 1969 and gained massive popularity inside recording studios for its ability to handle fast transients with exceptional detail. Compared to popular tube microphones, the WA-47F has a more pristine top end and a tighter, more controllable bass response. Famous artists such as Dave Grohl and Daft Punk used the original 47FET on kick drums, inspiring generations of drummers and engineers. For vocals, legends like David Lee Roth and Michael Stipe used the original to create some of the most beloved music of all time.The WA-47F shares the same sonic profile as that original microphone, making the WA-47F a studio workhorse that will quickly become a go-to mic in your locker.Full Volume. Powerful Detail. No CompromiseLike all Warm Audio microphones, the WA-47F is a no-nonsense studio tool with premium components and elite build quality. Like the originals, the WA-47F takes the sound of the WA-47 tube mic and swaps the valve for solid-state FETs, meaning there’s no compromise between capturing rich midrange, detailed bass, and handling very loud sources. At its core, the WA-47F uses a premium reproduction of the vintage K47-style capsule found in the original microphone for ultra-wide frequency response and detail. The WA-47F uses a single backplate, cardioid-only version of the same capsule used in our award-winning WA-47 tube microphone.The capsule is joined by a custom TAB-Funkenwerk USA Output Transformer that drives the punchy, powerful sound captured by this capsule. The WA-47F pairs premium Fairchild FETs with polystyrene & Wima capacitors and the AMI output transformer, giving the WA-47F the ideal frequency response to capture extra detail and depth. The -10dB pad gives you extra headroom for those loud sources that you need to keep loud. When you need to eliminate unwanted bass frequencies on sources like lead vocals or electric guitar cabs, engage the included 140 Hz low-cut filter to save yourself from unnecessary post-EQ. Our meticulous R&D process allowed us to dial in a true-to-original output level and frequency response that matches the performance expectations of world-class audio engineers and recording facilities.Studio WorkhorseLike the original, the WA-47F’s custom-tuned frequency response captures huge kick drum sounds, punchy guitar & bass cabs, and adds a pristine edge to solo vocals that need to stand out.Kick DrumIn addition to a dynamic mic on the inside of the kick, aimed right at the beater, many engineers choose to add a 47FET-style microphone to the outside of the kick drum on the front head. The dynamic mic on the beater tends to capture the “snap” of the kick, while the WA-47F on the outside will get the “thump” from the drum. The air pressure “boom” of the resonant kick drum head is a huge sound easily missed by the dynamic mic. Adding a WA-47F to your kick will have a huge spatial effect on the sound, making tracks feel more alive and less robotic.VocalsThe original mic was chosen to capture some very famous vocals including Bon Scott (AC/DC), David Lee Roth (Van Halen), and REM’s Michael Stipe. Like the original, the WA-47F delivers powerful, detailed vocals ranging from screaming hair metal all the way to soft falsettos over iconic indie rock.Guitar & Bass CabinetsThe original is also a favorite inside studios for tracking guitar and bass cabinets - especially for percussive, loud guitar parts like you might find on an AC/DC record. The openness of the condenser capsule and the ability for the circuit to handle higher-than-normal SPLs means that you can track guitars LOUD without compromising detail. For those about to rock - you'll notice a difference.WA-47-B-50v CapsuleThe WA-47-B-50v capsule is a true reproduction of the single-backplate K47-style capsule found in the original 47Fet mic. This capsule captures incredible detail across the 20Hz-19kHz frequency response. With a unique gradual climb in the mids and slight scoop in the high end, the capsule inside the WA-47F will quickly make this a favorite mic for any source that demands critical detail and pleasing high end at louder volumes.AMI USA-Made Output TransformerThe history of TAB-Funkenwerk (AMI) transformers goes all the way back to the founding of the most sought-after German analog audio innovations. The TAB (AMI) transformer in the WA-47F is American-made and built to exacting standards as designed by Oliver Archut. The sweet sonic character of the WA-47F would not be possible without the amazing, historically-correct transformer supplied by TAB-Funkenwerk.Fairchild Transistors & Premium CapacitorsThe WA-47F uses premium Fairchild FETs - the same component found in the most exacting and expensive reissues. The polystyrene and premium WIMA capacitors in the WA-47F provide the excellent signal conversion that this circuit demands.Authentic Appearance & Elite Build QualityThe WA-47F is encased in an ultra-durable nickel-plated brass body with an updated headbasket shape adding additional space around the capsule. Every single WA-47F is meticulously hand-inspected at Warm HQ in Austin,TX by real musicians and engineers with a passion for superior sound.

Coveted & Rare. Until Now.The WA-CX12 is a faithful recreation of the most natural and balanced tube mic of all time, lauded for its organic tone and pleasing top end. The original AKG C12 was produced in Austria from 1953 - 1963 and is the definitive version of the 12-style mic. The WA-CX12 sound profile and circuit design is inspired by the original production run of only 2500 mics, which are highly coveted for their ability to capture the natural beauty of vocal performances, room sounds, and other far miking techniques. The list of famous recording artists who have never used a 12-style microphone is likely shorter than the list of those who have. Some of the most notable artists to create music with the original includeThe Beatles, Lupe Fiasco, Tom Petty, Michael Jackson, Alanis Morissette, and Taylor Swift, just to name a few. The WA-CX12 cuts no corners in achieving the highly coveted open, airy, and natural sound profile used over and over again by some of the world’s most recognized engineers and artists.No-Compromise ComponentsThe WA-CX12 is a professional large-diaphragm tube microphone with premium components, elite build quality, and is hand-inspected in Austin, Texas. The circuit design of the WA-CX12 is faithful to the original production run from 1953-1963, and serves as the basis for the historically accurate sound profile. Like the original, the WA-CX12 tone is mostly flat until a slight dip at 2kHz with a gradual boost between 5-10kHz. At the beginning of the chain, the CX12 has an edge-terminated, all-brass CK12-style capsule, that stays true to the frequency response of the original-run 12-style microphones.This capsule allows the WA-CX12 to have 9 polar patterns with the typical cardioid, omni, and figure-8, in addition to 6 intermediate patterns. . Moving down from the capsule, the WA-CX12 uses a premium 12AY7 vacuum tube for added warmth. At the end of the circuit, the WA-CX12 uses a custom TAB-Funkenwerk (AMI) USA Output Transformer, which gives the WA-CX12 a very full, wide, and open sound, getting the most out of the capsule and additional circuit components. The WA-CX12 has premium capacitors throughout, and a no-solder mask board for the lowest noise possible. As with all Warm Audio products, we focus heavily on quality components to ensure we release the best sounding product possible.True To Legacy, True To SoundThe WA-CX12 sound profile is known for capturing the real sound of a performance. Designed to provide clarity in the midrange and smooth out any high end harshness, the WA-CX12 delivers professional solo vocals, intricate piano performances, and epic, natural room sounds.VocalsThe gently tuned 5-10kHz boost of the WA-CX12 accentuates and smoothes out the upper register in many vocal performances.PianoOne of the more popular studio uses for the original 12-style microphone is as a stereo pair on grand piano. Because of the mic’s relatively flat frequency at 0dB until the top-end boost kicks in, the WA-CX12 adds just the right amount of pristine high end to a piano performance.Room SoundsWhether it’s room reflections, splashy cymbals, or guitar & bass cabinets - mixing in a distant WA-CX12 can bring a natural “live” sound to professional recordings.Premium Components - Elite Build Quality - Superior SoundWA-12-B-60V CEK12-Style CapsuleThe WA-12-B-60V CK12-style capsule accurately matches the frequency response of the original capsule found in vintage C12 mics. This capsule captures incredible detail across the 30Hz-20kHz frequency response. With a remarkably flat response until the top-end boost starts to hit around 3k, the capsule inside the WA-CX12 will help you capture natural sounds with some added top-end smoothness before the pleasant 19kHz rolloff.AMI USA-MADE Output TransformerThe history of TAB-Funkenwerk (AMI) transformers goes all the way back to the founding of the most sought-after German analog audio innovations. The TAB (AMI) transformer in the WA-CX12 is American-made with large-core German laminations and built to exacting standards as designed by Oliver Archut. The custom transformer drives the full natural sound captured by the capsule delivering that renowned Austrian sound.Premium Tubes, Capacitors, & BoardsThe WA-CX12 uses a premium 12AY7 vacuum tube that adds warmth and depth to the microphone’s signal. Like all Warm Audio products, we use premium capacitors in the circuit for ideal signal transfer. The PCB board in the WA-CX12 does not have solder masks which allows for the lowest noise floor possible, preventing crosstalk from added capacitance.Authentic Appearance, Elite Build Quality, Premium AccessoriesThe WA-CX12 is encased in an ultra-durable nickel-plated brass body. Every WA-CX12 comes with a custom tweed carrying case housing the mic, wood mic case, premium Gotham 7-pin cable, IEC cable, shockmount, and external power supply. Every WA-CX12 is meticulously hand-inspected at Warm HQ in Austin,TX by real musicians and engineers with a passion for superior sound.

he WA-47 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern (9), large condenser microphone, based on the classic ‘47 that has been used on countless hit records for the last 50+ years.  The WA-47 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. The classic ‘47 became extremely popular in the 1960’s and is now considered one of the greatest microphones every made.  The classic ‘47 is still widely used today in professional recording studios but have become extremely rare and expensive to acquire.True '47 style capsuleThe WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response.  Every Warm Audio capsule is made in the same small assembly house in a clean-room environment,  and packaged in its own protective jewel case until the moment it is loaded into the microphone.  Each capsule is visually inspected and electrically tested for imperfections.The CapsuleThe WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response.  Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer who's precision and repeatability allows us to nail the vintage sonics of the most important sonic piece of this classic style of microphone.​The TubeA Slovak Republic JJ 5751 vacuum tube is a lower gain, low noise tube that forces much of the sonics of the capsule and transformer to be heard more significantly than some higher gain tubes might allow.  We auditioned 4 different tube brands and fell in love with the JJ 5751.  The frequency response of the JJ 5751 and the way it contributes to the circuit is tonally smooth and vintage in nature.​The TransformerThe WA-47 utilizes an American made TAB-Funkenwerk (AMI) USA transformer with large core imported German laminations.  This transformer helps provide the creamy smooth top end, and the LARGER THAN LIFE bottom end one would expect from a '47 style condenser microphone.​The CableOne component of a tube microphone often overlooked is the 7 pin cable that connects the microphone to its power supply.  When auditioning the WA-47 and other tube microphones we learned quite a bit about 7 pin cables and how the shielding and wire gauge size can drastically change the sonics of a tube microphone.  We have partnered with Gotham Audio in Switzerland to use their very carefully built top-end 7 pin GAC-7 cable. Using this cable increases top end presence and the overall size of the recorded image in the stereo field, by reducing phase shift and the parasitic effect often found in poorly built cables. Gotham Audio is very expensive and boutique in nature and should not be considered a small addition to the WA-47 package.​The CapacitorsThe WA-47 uses a polystyrene coupling capacitor for uncompressed top-end response from the capsule, wima film capacitors throughout, and an imported Solen French capacitor on its output driving the TAB-Funkenwerk (AMI) USA output transformer.Specifications:Custom true '47 capsule reproduction (k47 style) - Model# WA-47-B-80vCapsule makeup: Gold sputtered, dual large diaphragm, single backplate, 6 microns NOS mylar (PET film)TAB-Funkenwerk (AMI) USA output transformerJJ Slovak 5751 vacuum tubeGotham 5 meter GAC-7, 7-pin tube microphone cableWima, Solen French, and Polystyrene capacitorsPolar Patterns: 9 patterns - Cardioid, Omni, figure-of-eight + 6 mixed patternsSelf-noise: 11dBADynamic range: 130dBAMaximum SPL: 140dB  (

The 1073 Legend Lives in Warm Audio's Splendid WA273The legendary 1073 wrote the book on characterful mic preamplification. This venerable circuit helped define the punchy sound of '70s rock — and countless recordings and live concerts ever since. Today, this coveted tone can be yours for a song, with the Warm Audio WA273 mic/line/instrument preamp. In both design and performance, the 2-channel WA273 pays homage to the revered British console lineage that started it all. Throughout the audio industry, the 1073 is considered the holy grail of preamps, with a rich, sweet, and bold tonality that's ideal for making audacious statements with your music. After years of R&D, painstaking reverse-engineering, and countless hours of listening, Warm Audio captured the sonic essence of this classic perfectly in their boutique WA273. With 80dB of gain and a fully discrete transformer-balanced signal path, the sound is a revelation: harmonically rich bottom end, focused midrange, and slightly resonant highs.Handcrafted with top-quality partsBoasting weapons-grade build quality with discrete, handwired Class A circuits and top-drawer parts such as UK-made Carnhill transformers, the WA273 has 80dB of gain on tap so you can capture subdued sources with your favorite ribbon mic. Your ribbons and condensers will sound heavenly; you'll even be gobsmacked when you hear how authoritative your dynamic mics sound. Cranking the input stage and backing off the output gain enhances your tracks with tasty vintage-style coloration. Topping off the feature set are per-channel instrument jacks, polarity reverse, 48V phantom power, and switchable impedance for tonal variation and to optimally match a variety of microphones.Optimize every source — and microphoneThere is no source that doesn't sound amazing through the Warm Audio WA273. With judicious mic selection and placement, drums are larger-than-life; DI bass and keyboards sound massive and synths become trance-inducing; electric guitars soar; vocals rule. Pianos and acoustic guitars are resplendent. Orchestral instruments — strings, woodwinds, brass, and percussion — achieve ineffable lushness and dimension. You can even use the WA273 as a tone-shaping tool to run stems or complete mixes through. Hear what the WA273 can do for your own recordings. It's transformative.UK Custom Carnhill transformers1073-loving engineers perk up when the conversation turns to the component history of these classic circuits, and signal transformers are a frequent topic of discussion. Vintage 1073s used different transformer variants throughout their production run; but the most coveted were the very first ones made by Marinair Radar, due to their fluid and forgiving nature that saturates sweetly when pushed. They have been known to bring engineers to tears when they hear how gorgeous their mixes sound through them! Warm Audio turned to Carnhill Transformers of Cambridgeshire, UK, to design meticulous replicas of these most desirable early 1073 transformers. The results are stunning, and — to our ears — tantalizingly close to early vintage 1073sWarm left no stone unturnedA vital yet not-often-discussed component of these classic British circuits is the different types of capacitors and output transistors used. To maintain the integrity of the original circuits, Warm decided to use high-quality tantalum and polystyrene capacitors in the signal path and an output transistor choice that delivers smoother results at higher gain settings than what is commonly found in today's 1073-style preamps. All considered, Warm Audio's monumental effort to design a no-compromise product has paid off handsomely. You'll appreciate this every time you plug into the WA273 and hit record.Warm Audio WA273 2-channel Mic/Line/Instrument Preamp Features:Handwired, hand-assembled 1073-style preamplifiersFully discrete, Class A, transformer-balanced circuitryUK-made Carnhill Transformers80dB of gain handles any type of microphone, including low-output ribbonsResistor-stepped rotary gain switches for easy recallTone buttons change input transformer impedance for mic optimization and tonal shapingPolarity switches48V phantom power4-position inductor-based highpass filters, selectable for Off, 50, 80, 160, or 300HzXLR mic inputsLine-level TRS inputsTS Send/Receive insert jacksXLR and TRS line-level outputsDI instrument inputsOutput level controlsLED level indication metersRugged 19" rackmount chassisGround lift switchInternal IEC 115V/230V power inlet

The WA-14 is a '414-style condenser microphone based on the early 1970's microphone used on countless hit records. The WA-14 utilizes a custom all-brass CK12-style capsule, CineMag USA transformer, and a fully discrete signal path.  The WA-14 can be used on an array of sources, such as; punchy/warm intimate lead vocals, acoustic/electric guitars, bass, drums/percussion, strings/orchestral material, and many other sources. The WA-14 provides a realism and thickness that is true to the vintage microphone, but now at an affordable price.All-brass CapsuleThe WA-12-B-60V is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and warm vintage sonics of the original CK12 capsule.  The WA-12-B-60V uses a variant CEK-12 backplate as a basis, which overcomes manufacturing limitations of the original CK12 capsule.  The o-ring and housing of the WA-12-B-60V are all made from brass (no teflon parts), and the diaphragm is 24k gold sputtered 6 micron, NOS PET film (mylar).  The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule.Specifications:Large diaphragm condenser microphone with variable pad and three polar patternsFeatures custom WA-12-B-60V edge-terminated, dual-backplate, all-brass vintage CK12-style capsuleCustom CineMag USA transformerFrequency range: 20Hz to 20kHz Output pad: 0dB, -10dB, -20dBPolar Patterns: Cardioid, figure of eight and omnidirectionalOutput Impedance: 150 ohms3-pin gold plated XLRRequires +48V phantom powerIncludes shock mount and hard mountColor: black​​

The Warm Audio WA-412 is a four-channel microphone preamp with instrument DI in a 1U rack, based on classic American console preamps. It is ideal when you need several channels of quality tone, for example to record drums or a full band, at an affordable price.This style of preamp is often called "the sound of Rock n' Roll" for its big, punchy low end and smooth, open top end. With fully discrete socketed 6-pin op-amps and custom-wound Altran USA input and output transformers, the WA-412 offers a price/performance ratio that impresses even seasoned engineers.Inspiration behind the WA-412Warm Audio founder Bryce Young always wanted more channels of high-end preamps in his studio, but his budget only allowed one or two, never enough to record a full band or drummer. The WA-412 was designed "for the people": multiple channels of world-class tone for professional and home studios, so signals are recorded well on the way in.More featuresThe WA-412 has all the features one would expect from this style of preamp, and more. Output Trim is available on every channel for precise control and creative gain structuring, and a Tone switch (transformer input impedance) on each channel lets you choose between a warm, punchy classic console tone or a more open and neutral sound.Better componentsEach channel uses a fully discrete socketed 6-pin op-amp that can be swapped with others. Discrete op-amps are known for high headroom and low distortion, and are a big part of the coveted sound of classic console preamps. All input and output transformers are made in the USA by Altran, developed with Warm Audio to extend the low-frequency response, using a vintage winding technique for a distinct, smooth, big character.

The Warm Audio WA-DI-A2 is a two-channel (stereo) transformer-balanced active DI box that converts high-impedance instrument signals into balanced mic-level signals. It is ideal for stereo keys and synths, two guitars or basses at once, in the studio and on stage.Preserve your toneInside is 100% Class-A circuitry with premium components, but the stars of the show are the custom CineMag USA output transformers, one per channel. They preserve the analog character of your instrument and signal chain before it reaches the mixer or interface, and allow long cable runs without losing level, tone or high-frequency detail.Full control on every channelEach channel has a variable -3 to -30 dB pad to set the right level, a ground lift switch to eliminate ground-loop hum, a phase switch and an Instrument / Amp Out selector for connecting straight from an amp's speaker output (always with a cabinet connected to the Thru jack). The Active/Passive switch lets you also use each channel as a passive DI, and LEDs show whether 48 V phantom power is present.Built for the road and the studioThe WA-DI-A2 is powered by 48 V phantom power from the mixer or interface. Its rugged two-piece aluminium chassis is built for years of touring, and every unit is hand-tested in Austin, Texas.

The Warm Audio WA-2MPX is a two-channel tube microphone preamp and an authentic reproduction of the vintage tape-machine tube preamp that helped give birth to rock ‘n’ roll. With 300 V of operating voltage, up to 90 dB of gain per channel and selectable tape saturation, it brings tape-era warmth and colour to vocals, instruments and mixes.During the golden era of tape recording, the original 351-style tube preamp became a studio staple, in the signal chain of hits by Elvis Presley, Bing Crosby, Les Paul, Nat King Cole and Roy Orbison, and of producers like Steve Albini. With premium components and a true-to-original circuit, the WA-2MPX reproduces all the analog tone of the original across two channels.

The Warm Audio WA-14SP is a matched stereo pair of WA-14 large-diaphragm condenser microphones, inspired by the legendary early-1970s '414-style microphone. It is ideal for stereo recording of drum overheads, acoustic instruments, piano, strings and choirs, with three polar patterns and a variable pad.Each WA-14 uses a custom all-brass CK12-style capsule, a CineMag USA transformer and a fully discrete signal path. It handles punchy and warm vocals, acoustic and electric guitars, bass, drums and percussion, strings and orchestral material, with the realism and thickness of the vintage microphone at an affordable price.All-brass capsuleThe WA-12-B-60V is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end and warm vintage sonics of the original CK12 capsule. It uses a variant CEK-12 backplate, which overcomes the manufacturing limitations of the original CK12. The o-ring and housing are made from brass (no teflon parts), and the diaphragm is 24k gold-sputtered 6 micron NOS PET film (mylar). The result is a very consistent, reliable capsule that matches the frequency response and tonality of the classic 1970s capsule.Included in delivery:2 shockmounts2 microphone clamps2 PU leather zip pouches1 transport case1 stereo mounting rail

Whether you play guitar, bass, keyboards or another stringed instrument, you'll need a direct box that won't diminish your instrument's tone, like the Direct Box Active and Direct Box Passive from Warm Audio.  Built around world-famous CineMag USA Transformer topology and engineering, like no other DI Boxes in the world. Constructed with top-tier discrete components housed in rugged aluminum chassis' that include switches, knobs and connectors that are all designed to withstand heavy abuse on the road or in the studio. Made With USA Custom CineMag Transformers Every aspect of our direct boxes are designed for maximum sonic integrity, from the custom-wound CineMag USA transformer to the rugged metal knob and switches.  You can expect warm, rich tone even after long cable runs, and the extruded aluminum enclosure ensures a long life span.  When you need to convert an instrument-level signal to mic-level, with sonic quality as your top priority, you'll be well-served with the Direct Box Active and Direct Box Passive from Warm Audio. New DI Box Experience Warm Audio DI boxes offer the rare versatility of having an onboard variable pad knob which attenuates your input signal all the way from -3dB to -30dB, which will easily tame any instrument input source. Both of our Direct Boxes offer a Thru-put jack that is jumpered to the input jack. It is a convenience jack allowing you to send your instrument's signal to a second place in addition to the live mixer or recording device. Our Direct Boxes can also take a recorded signal at line level and send it to another line input while simultaneously sending signal out of the XLR mic level output of the Direct Box. Typical Applications For A DI Box Connecting electronic instruments such as guitar, bass, keyboard, or drum machines directly to a PA or recording system. Simply put, a DI box converts the high impedance, unbalanced output signals to low impedance, balanced output signals. By doing so, the instrument signals are now converted to the proper voltage level for the PA or recording system - which greatly reduces and/or eliminates connections which could cause tonal shifts and distortion. Passive Or Active? Direct Box Active is best for instruments with passive pickups, especially acoustic instruments.  The Direct Box Active can also operate in "passive" mode. Direct Box Passive is best for balancing the signal of instruments with active electronics, but still performs extremely well on passive pickups by producing a frequency range that exceeds the bandwidth of most passive DI boxes on the market. Passive Specifications CUSTOM-WOUND CINEMAG USA OUTPUT TRANSFORMER CONVERTS INSTRUMENTS TO MIC-LEVEL SIGNALS WITHOUT SIGNAL DEGRADATION IDEAL SOLUTION FOR PLUGGING YOUR INSTRUMENT DIRECT INTO ANY MIC PRE TOP-QUALITY CLASS A COMPONENTS WITH GOLD-PLATED TRACES ON CIRCUIT BOARD RUGGED ALUMINUM CONSTRUCTION PAD: VARIABLE FROM -3DB TO -30DB BALANCED OUTPUTS: 600 OHMS, MIC LEVEL INPUT IMPEDANCE: 1 MEG OHMS  THD: .01% FROM 20HZ TO 50HZ. LESS THAN .003% FROM 50HZ TO 20KHZ FREQUENCY RESPONSE: 10HZ TO 90KHZ +/- 0.5DB

Classic Studio Compression Recreated For Your PedalboardPedal76 accurately reproduces one of the fastest and most powerful studio compressors of all time, known for having ultra-fast attack and release and adding sweet analog tone to any source. Just like in the studio, Pedal76 has Attack & Release, Ratio, and Input controls, critical for taming unwanted changes in volume on stage. Backed by over 10 years of expertise delivering premium, award-winning studio compression with the Warm Audio WA76, the Pedal76 is capable of bringing out the wide range of legendary compression tones from subtle to hard-limiting as favored by celebrated artists such as Led Zeppelin, Pink Floyd, Periphery, Jack White and many more.Studio-Quality Sound, Stage-Ready ControlTo achieve authentic 76-style FET compression, Pedal76 is built with an all-analog circuit and premium components, including a custom CineMag USA transformer. Spec’d to duplicate the professional performance of the studio units, this transformer adds rich harmonic content, and, in high gain mode, a bit of audible overdrive reminiscent of the most prized studio originals. Pedal76 features gig-ready controls like an external switch for true/buffered bypass, ensuring the compressor plays nice in your rig. Switches for input sensitivity, ground/lift, pad and high/low gain modes (both for DI operation) provide added utility at gigs or in the studio. The separate (DI) out also sends a balanced signal to any mixer or live recording rig.ApplicationsElectric Guitar: Squishy Funk & Chicken Pickin'Electric Guitar: Lead & Solo SustainElectric Bass: Big Studio BassElectric Guitar: Pristine Drive & Rhythm ToneSmash any light playing and make transients stick out without losing low end.

Timeless Compression With A Vintage VoiceThe WA76-A/A2 faithfully recreates one of the fastest and most powerful studio compressors of all time known for ultra-responsive dynamic control with true analog grit, now with additional modern recording features. Known for use on vocals, drums, guitar, bass, and anything in the studio requiring tight dynamics, the vintage “Blue Stripe” 76 compressors are known for their versatility, speed, and harmonic analog tonality added to recordings. Just like the originals, the WA76-A and A2 deliver that classic performance that can be heard on legendary recordings by artists like Led Zeppelin, The Beatles, Chris Stapleton, Chris Lord-Alge and many more.True-to-Spec, Plus Bonus Modern Add-OnsUsing premium and custom components like built-to-vintage-spec O-12 (input) and 5002 (output) transformers from CineMag, WA76-A/A2 achieves authentic “Blue Stripe” compression, known for fast compression while adding more harmonic distortion for unmistakable analog character. Easily the most feature-rich 76-style compressor on the market, WA76-A/A2 has added a dry/wet knob for parallel compression, two versions of active bypass for imparting analog color, and selectable input impedance to work with modern recording interface outputs. The single-channel WA76-A has additional sidechain flexibility allowing either key inputs to be inserted or EQs for de-essing, as well as stereo linking. The stereo model (WA76-A2) has multiple stereo operating modes that transform the compressor from a stereo unit, dual-mono unit, and lead:follow compressor with the A channel controlling the B channel.What you need to knowBuilding off of the lauded fame of vintage Blue Stripe compressors, the WA76-A/A2 includes all the controls of the original plus critical added features that deliver a complete and professional recording experience.Use the mix knob to easily achieve analog parallel compression by dialing the dry signal alongside the compressed (wet) tone. The SC HPF knob engages a variable sidechain high pass filter with a range of 30-300Hz.Quickly switch between a traditional 600Ω impedance ideal for other analog gear to a 10kΩ impedance that better-matches modern audio interface outputs. SINGLE CHANNEL ONLY: WA76-A has two stereo linking jacks to link up to 10 WA76-A compressors for surround/immersive compression. External sidechain inputs and outputs are added to insert key inputs to achieve “ducking” or adding an EQ on the input and output for analog de-essing in real time.WA76-A2 is a dual-channel unit and has three distinct two-channel operating modes. Stereo mode allows for even compression in the sidechain, focusing on the fastest attack or slowest release. A>AB mode allows the left channel to control the attack/release of the right channel. Sidechains in A>AB mode are still linked as in stereo mode. In A|B mode, the WA76-A2 operates as a dual-mono compressor.Key Features:Premium CineMag Transformers:Faithfully reproduces the original 76-style tone with custom CineMag input and output transformers.Comprehensive Controls:Includes classic attack, release, ratio settings plus modern options like stereo linking, true bypass, and sidechain flexibility.Hand-Tested Precision:Built and hand-tested in Austin, TX, ensuring authentic performance and studio-grade reliability.

The WA76-D compressor is a precise recreation of the revered vintage “Revision-D-Style” FET studio compressor, celebrated for its ultra-fast response, low-noise performance, and rich analogue tone. It combines authentic vintage circuitry with modern enhancements for unparalleled flexibility, making it an ideal tool for today’s recording workflows. Featuring hand-tested CineMag transformers and premium components, the WA76-D ensures pristine signal integrity and dynamic control, while added features such as parallel compression, active bypass, and a variable sidechain high-pass filter provide ultimate versatility. Whether used on vocals, drums, or guitars, this compressor delivers classic tone and modern adaptability in a robust rackmount chassis.Classic Compression with Modern Features:The WA76-D captures the legendary tone and performance of the vintage Revision-D compressors, delivering the fast attack, clean sound, and dynamic control that made them studio staples. Modern features like dry/wet mix, selectable input impedance, and sidechain flexibility make it suitable for today’s workflowsCustom CineMag Transformers for Analogue Warmth:Just like the original Revision-D compressors, the WA76-D uses custom CineMag transformers to ensure a rich analogue character. These large-core transformers are built to original specifications, delivering warm tones and impeccable sound quality across all inputs and outputs.Handcrafted Quality from Austin, TX:Every WA76-D is hand-tested and inspected in Austin, TX, ensuring premium build quality and reliable performance. This attention to detail guarantees a flawless analogue sound experience, making it a trusted choice for professional studios and home recording setups alike.Key Features:Authentic Vintage Circuitry:Faithful Revision-D design with premium components for fast, clean, and rich compression.Enhanced Control Options:Parallel compression, active bypass, and variable sidechain high-pass filter for modern flexibility.Professional-Grade Build:Hand-tested in the USA with custom CineMag transformers and robust 2U rackmount chassis.