Warm Audio

Reviving An Avant-Garde Pedal For Music’s TrailblazersFrom light Lo-Fi modulation all the way to the piercing sound of infinity ring-modulation, the Warm Audio RingerBringer accurately recreates the ultimate all-analog ring modulation effect used for experimental tones. Like the original, loved by artists like Jeff Beck, Radiohead, Omar Rodríguez-López, Trent Reznor, and many more, RingerBringer delivers the original distinct set of controls, extensive in/out options, and rich sonic textures to inspire boundless sonic experimentation.Don’t Just Play, CreateThe ideal platform for the sonic tinkerer, RingerBringer inspires you to generate layered frequencies and harmonics, explore a wide range of sonic possibilities for guitar & beyond, and design your own sounds from the ground up. Extensive controls including LFO, MOD, Frequency & RATE open up sonic possibilities that range from subtle overdriven textures all the way to wobbling, warped leads soaked in texture and tone. RingerBringer is 100% analog and sports premium components including hand-selected op-amps and transistors. RingerBringer is no emulation or “patch”, instead it delivers true-to-spec performance of the boutique, analog original.For Original Artists Building Memorable SoundsDelivering tones ranging from nuanced drive to out-of-this world modulation, Ringerbringer helps develop a unique sonic signature for any instrument, on any track.Radical Guitar TonesCombine drive, rate, and frequency for out-of-this-world world guitar tones. Use an external EXP pedal to tame the madness by controlling the rate, amount, mix or frequency manually.A Sandbox For Synths & KeysSend any keyboard or synth through the WA-RB for added harmonic content and endless modulation. Try sending digital synths, keys, and pads from your interface through the WA-RB for added analog vibe and “fattened up” tone on otherwise dry digital signals.Modern, Modded BassAdd drive, wobble, and bite to analog string and digital synth bass. Experiment with low and high mix settings to go from light harmonic content all the way to dense sonic bass texture.

A Rich Rock & Roll HistoryFrom rolled-down wooly tweed tones all the way to riff-worthy growl and grit, the Warm Audio Warm Bender delivers the ultimate Tone Bender-style fuzz experience in one pedal. The Warm Audio Warm Bender features three dedicated, selectable circuits that accurately deliver two of the most iconic Germanium Tone Bender fuzz tones plus a bonus, modern silicon circuit. Many legendary guitar tracks by artists like Jimmy Page, Jeff Beck, Pete Townshend, and more were crafted using the two most popular versions of the iconic British Bender fuzz sound. The debate rages over which Bender fuzz tone is most legendary, but why choose one when you can have both on your board?Two Vintage Benders + A Silicon VersionWhy choose one classic Tone Bender when you can have three? Choose between the NOS 76 (1X OC76 & 1X SFT337 transistors) setting for the “early” Bender tones with cutting highs, clear presence and drive that cleans up beautifully. For legendary riff-worthy fuzz with added bass response, the NOS 75 (3X OC75 transistors) setting delivers that Mark II Professional-style Bender fuzz tone. To hear the Bender sound with a tighter low and top end response, smooth distortion-like tone, use the 3-transistor topology Silicon setting. The added SAG control starves the voltage to create that “dying battery” tone with added touch-sensitivity and compression. Warm Bender is made with 100% through-hole construction using NOS Germanium transistors and every pedal is hand inspected and tested at Warm Audio HQ in Austin Texas by real musicians and engineers with a passion for superior sound.Pedal Settings & ControlsThe Warm Bender pedal has the typical ATTACK (Gain/Fuzz) and LEVEL (Loudness) controls of a Tone Bender-style pedal. The SAG switch starves the voltage from 9V to 6V - perfect for that touch-sensitive compressed tone. The three settings on Warm Bender cover these basic tones:

The WA-14 is a '414-style condenser microphone based on the early 1970's microphone used on countless hit records. The WA-14 utilizes a custom all-brass CK12-style capsule, CineMag USA transformer, and a fully discrete signal path. The WA-14 can be used on an array of sources, such as; punchy/warm intimate lead vocals, acoustic/electric guitars, bass, drums/percussion, strings/orchestral material, and many other sources. The WA-14 provides a realism and thickness that is true to the vintage microphone, but now at an affordable price.All-brass CapsuleThe WA-12-B-60V is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and warm vintage sonics of the original CK12 capsule. The WA-12-B-60V uses a variant CEK-12 backplate as a basis, which overcomes manufacturing limitations of the original CK12 capsule. The o-ring and housing of the WA-12-B-60V are all made from brass (no teflon parts), and the diaphragm is 24k gold sputtered 6 micron, NOS PET film (mylar). The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule. Included in delivery:2 Shockmounts2 Microphone clamps2 PU leather zip pouches1 Transport case1 Stereo mounting rail

Premium Name-Brand TubesOne of the key elements of the WA-1B’s sonic signature is analog warmth of the makeup gain. Using premium vacuum tubes, the WA-1B adds rich character after the compression stage to deliver a dynamically-One of the key elements of the WA-1B’s sonic signature is the analog warmth of the makeup gain. Using premium vacuum tubes, the WA-1B adds rich character after the compression stage to deliver a dynamically-balanced signal without sacrificing tone. signal without sacrificing tone.Custom Transformer From Lundahl SwedenWe paired the true-to-spec Scandinavian circuit design with two custom large-core transformers from Lundahl in Sweden. Transformer selection plays a critical role in the rich analog tone and signal transfer that help deliver smooth compression with more control.

A 70s LegendThe Warm Audio Mutation Phasor II is an accurate recreation of one of the most desirable,100% analog phaser circuits made famous in the experimental era of the 1970s. Mutation Phasor II has all of the vintage vibes of the original phaser pedal allowing you to add depth, wobble, swirl, or “instant funk” to guitar, keys, bass, or anything you can dream of. This electro-optical phase-shifting pedal is built with a true-to-spec recreation of the 70s circuit using premium components. True to the original pedal, Mutation Phasor II delivers all the rich depth and instant psychedelic tones, favored by innovative musicians and producers like Billy Corgan, Tom Bukovac, Robin Trower, and many more.Swirly, Psychedelic, Rich Analog Tone Adding the Mutation Phasor II to your rig is like adding a new instrument. Fine-tuning the depth of the modulation just right and timing the speed to sync perfectly with the tune takes you back to old-school gigging and recording. For those looking for a truly unique phaser experience, send the phase shifts into overdrive by dialing up the feedback, emphasizing the “wooshes” of the pedal. Altogether, the Mutation Phasor II is not just a pedal, but more of a tone-shaping experience.A true-to-original recreation of the 70s circuit, Mutation Phasor II is built with premium components including classic RC4558P op-amps, vintage-style diodes, carbon resistors, and film caps - Housed in an ultra-tough, vintage-vibe steel case.Pedal Settings & ControlsTo deliver an authentic, experimental experience, the Mutation Phasor II brings back all of the original controls. For ultra-rich swirly phase shifting, the “Depth” control allows you to vary the width of the sweep range - delivering deep modulation expected from a vintage all-analog pedal. Increasing the depth control adds width to the frequency range of the effect, impacting higher highs and lower lows. Easily change the speed (or rate) of the phase-shifting effect to create more or less “wobble” in your tone - from 1/10th sweeps per second (slowest) to 18 sweeps per second (fastest). Increasing the “Feedback” control adds electric feedback to the “wet” phase-shifting signal. Increasing the feedback control creates a more intense phase sound with a particular emphasis on the sweeps, especially noticeable at slower rate settings.

A Must-Have OD Tone Of The 2000s & Beyond The Warm Audio ODD Box V1 (“ODD” for short) is a hard-clipping, op-amp-based overdrive inspired by an iconic pedalboard staple known for having a “cranked amp” tone. Perfect for boosting, adding breakup, or adding high gain to cleans, the ODD has all the tonal versatility of its inspiration. Delivering all of the sounds of a cranked, saturated tube amp, the ODD features classic-inspired controls, including a UK/US Switch, to flip the personality of ODD from a “British” to an “American” tube amp. True to its inspiration, the ODD delivers the sound of massive, live electric guitar that attracted players like Billy Gibbons, Mark Hoppus, Eric Johnson, J Mascis, Paul Gilbert, and many more to that open tube amp sound.Cranked Tone On Any StageThe ODD brings the coveted “amp-in-a-box” tone to any stage or studio. With a high degree of touch sensitivity combined with powerful drive and tone controls - the ODD sounds like a full stack regardless of volume. The added versatility of the UK/US switch ensures that any guitar or amp will deliver a true cranked-amp tone in any setup.To accurately deliver this artist-favorite tone, the ODD is built with through-hole construction using premium components, including a TLO82CP Op-Amp, 2N7000 transistors, & hand-selected capacitors & resistors.Pedal Settings & ControlsThe ODD has three critical OD controls on the front with a special addition. Drive controls the amount of clipping, or “overdrive” tone. The tone control increases treble as you turn it clockwise. The Volume control acts like a master output, increasing volume as you turn it clockwise. The UK/US switch quickly changes the personality of the ODD. The UK setting distorts earlier, bumps the upper mids, and increases volume - giving this setting more of a cranked, "chimey" amplifier tone. The US setting has a little more clean headroom, allowing the ODD to act more like a boost at first, and better aligns with traditional tweed-based "edge of breakup" amplifier tones.

Unapologetically VintageThe Warm Audio Centavo is an accurate recreation of one of the most unattainable overdrive pedals in guitar history. Known by its lauded boost and overdriven tones, the craze for this uber-popular pedal continues today, long after its original production from 1994 to 2009. With prices soaring into unthinkable prices for a three-knob overdrive, it’s no wonder that guitar players like Jeff Beck, Joe Perry, John Mayer, and Josh Homme have found all the mythical magic of the original pedals to be worth the hype. The Warm Audio Centavo is a true-to-original overdrive pedal that authentically recreates the legendary experience and adored tones of the original, legendary box.Legacy At Your FeetWhether you’re after the fabled boost tones, edge-of-breakup overdrive, or you want to push your rhythm channel to true grit - the Centavo has all of the adored tones of the original pedal. The Centavo is comfortable acting as a boost pedal, but the saturation in the higher gain settings provide a platform for true “transparent” overdriven rhythm tones. The addition of the “MOD” switch on the back - famously requested by Jeff Beck on the original pedal- allows players to extend the bass response, impacting the lower strings to get added low end drive tones.Pedal Settings & ControlsThe Centavo has three basic controls on the top - Gain, Treble, & Output. The gain on Centavo breaks up fairly late, with edge-of-breakup hitting after 50% and real clipping occurring late in the gain stage. The treble control is useful for dialing in more top-end for muddier guitars, like dual-humbucker models or all-mahogany instruments. The Centavo is loaded with output and can easily deliver clean boost, or create natural distortion if the tubes on your amplifier are already being pushed. Engaging the MOD switch on the back is a great tool to have at your disposal if the overdrive initially sounds “thin” in the lower register.

PedalboardThe Warm Audio Warmdrive is a true reproduction of the most sought-after "amp-in-a-box" pedal of all time, delivering the tones of a truly unattainable overdriven amp. Both guitar heroes and modern virtuosos like SRV, Eric Clapton, Robben Ford, John Mayer, Santana, and Cory Wong are known to have used either the original amplifier or the pedal inspired by it. With an artist roster like that, it’s no wonder that original vintage pedals are talked about amongst the most demanding and discerning chasers of tone. Staying true to the legacy, the Warmdrive delivers all the tones of the original pedal and amplifier that inspired it.True To Legacy, True To SoundWhether you’re driving cleans into breakup, thickening up rhythm tones, or saturating solos, the Warmdrive can transform your amp from a polite and clean pedal platform into a fuzzy monster. While the Warmdrive has plenty of dynamic gain on tap, adding the pedal to your rig does not dramatically alter or diminish your tone. Just like the original, the Warmdrive has the unique Voice/Tone control to go from silky-smooth tones reminiscent of that special overdriven amp at the sweet spot all the way to sustain-rich distortion. It’s like having the best of both worlds, from clean to mean.Pedal Settings & ControlsThe voice/tone control combination on the stomp box gives artists extra versatility compared to the typical overdrive pedal, allowing the player to modify the frequency both before (voice control) and after (tone control) the clipping stages. Playing with the knobs can create dynamic sounds that almost seem like two guitar signals going at once. Warmdrive will also push beyond light overdrive, all the way to a saturated cascading gain tone that makes it easy to get lost in a solo jam. Couple these controls with critical volume and gain knobs and the Warmdrive is a venerable addition to any live or studio rig.

The WA-MPX is an authentic reproduction of the vintage tape machine tube preamp that started the birth of rock ‘n’ roll known for pure analog warmth, delivering an impressive 300v of raw power & 90dB of tube gain. During the golden era of tape recording, the original 351-style tube preamp became the kings of studio tech and signature sound in the signal chain of hit recordings for artists including Elvis Presley, Bing Crosby, Les Paul, Nat King Cole, and Roy Orbison and producers like Steve Albini- a timeless sound that continues to be pursued by elite audio engineers today. With premium components, true-to-original circuit design, and selectable tape saturation, the WA-MPX authentically reproduces all the analog tone of the original to bring vintage warmth & color to your sound.

The WA-MPX is an authentic reproduction of the vintage tape machine tube preamp that started the birth of rock ‘n’ roll known for pure analog warmth, delivering an impressive 300v of raw power & 90dB of tube gain. During the golden era of tape recording, the original 351-style tube preamp became the kings of studio tech and signature sound in the signal chain of hit recordings for artists including Elvis Presley, Bing Crosby, Les Paul, Nat King Cole, and Roy Orbison and producers like Steve Albini- a timeless sound that continues to be pursued by elite audio engineers today. With premium components, true-to-original circuit design, and selectable tape saturation, the WA-MPX authentically reproduces all the analog tone of the original to bring vintage warmth & color to your sound.

The WA-8000 is a nod to a very special large diaphragm tube condenser microphone that made its way onto countless platinum recordings starting in the early 90s and continuing today. The sound of this mic has delivered hits for artists ranging from Dr. Dre, Mariah Carey, Boyz II Men and Brian McKnight to Eminem, Rihanna, Drake and more. The original stood out, boasting a natural and open top end, supremely clear midrange, and the ability to render detail in a vocal performance unlike most other mics on the planet. The WA-8000 rises to the occasion and delivers all that top end, beat by beat, at a price that will leave you hypnotized.

Introducing Premium Cables By Warm Audio At Warm, we always put customers front and center in our decision-making. You are the reason that we put so much time and effort into ensuring that the products we bring to market sound amazing, are as affordable as possible and inspire endless creativity - we’re serious about this stuff!We’re also serious about recording as an art, and we’re always looking for ways to help our customers achieve their sonic goals. With that mission in mind we partnered with Switzerland-based Gotham AG - Europe’s top producer of premium cable - to provide the cable stock for our entire new line of interconnects, and the results have exceeded our expectations! Highest Quality Possible With Warm Cables we knew that we wanted to offer the highest quality possible at a price low enough for everyone to afford, with construction robust enough that we could offer a lifetime warranty. Well known as the original supplier to some of the industry’s elite manufacturers (their 3-conductor wire was known simply as “the Neumann Cable” for decades), Gotham’s cable construction techniques and technology now represent the current state-of-the-art. We couldn’t be happier to partner with them on these new cables, and we can’t wait for you to use them! What Does “StarQuad” Mean? A traditional balanced cable uses three cores of wire to carry the audio signals: one shielded core for the hot/positive leg, one shielded core for the cold/negative leg (which is wired in reverse polarity to the positive leg), and a plain outer wrap that functions as the ground. A balanced audio system effectively rejects most induced noise encountered along the cable’s length by removing signals that are common to both the hot and cold legs.StarQuad construction takes that concept even further, by using four cores instead of two: two cores each for the hot/positive and cold/negative legs and a single ground. This helps to further shield the audio from RFI (radio frequency interference) even more than a traditional 3-conductor cable.   What Is Double-Reussen Shielding? Most cable construction techniques use an outer wrap of wire to act as the ground. Some manufacturers braid this wire, while others simply wrap the wires in a highly uniform way to shield the interior wires from interference. Double-Reussen shielding goes much further than more traditional techniques in two ways: First, the cable is wrapped with not one but TWO separate shields, and second, the outer shield is wrapped in a contrary direction to the inner shield. This creates a stronger and more complete shield from RFI for the internal cores, and can result in an astounding reduction of interference. Double-Reussen shielding is a tad more expensive to manufacture, but for those who will accept nothing but the best it represents the pinnacle of current balanced cable technology.

Introducing Premium Cables By Warm Audio At Warm, we always put customers front and center in our decision-making. You are the reason that we put so much time and effort into ensuring that the products we bring to market sound amazing, are as affordable as possible and inspire endless creativity - we’re serious about this stuff!We’re also serious about recording as an art, and we’re always looking for ways to help our customers achieve their sonic goals. With that mission in mind we partnered with Switzerland-based Gotham AG - Europe’s top producer of premium cable - to provide the cable stock for our entire new line of interconnects, and the results have exceeded our expectations! Highest Quality Possible With Warm Cables we knew that we wanted to offer the highest quality possible at a price low enough for everyone to afford, with construction robust enough that we could offer a lifetime warranty. Well known as the original supplier to some of the industry’s elite manufacturers (their 3-conductor wire was known simply as “the Neumann Cable” for decades), Gotham’s cable construction techniques and technology now represent the current state-of-the-art. We couldn’t be happier to partner with them on these new cables, and we can’t wait for you to use them! What Does “StarQuad” Mean? A traditional balanced cable uses three cores of wire to carry the audio signals: one shielded core for the hot/positive leg, one shielded core for the cold/negative leg (which is wired in reverse polarity to the positive leg), and a plain outer wrap that functions as the ground. A balanced audio system effectively rejects most induced noise encountered along the cable’s length by removing signals that are common to both the hot and cold legs.StarQuad construction takes that concept even further, by using four cores instead of two: two cores each for the hot/positive and cold/negative legs and a single ground. This helps to further shield the audio from RFI (radio frequency interference) even more than a traditional 3-conductor cable.   What Is Double-Reussen Shielding? Most cable construction techniques use an outer wrap of wire to act as the ground. Some manufacturers braid this wire, while others simply wrap the wires in a highly uniform way to shield the interior wires from interference. Double-Reussen shielding goes much further than more traditional techniques in two ways: First, the cable is wrapped with not one but TWO separate shields, and second, the outer shield is wrapped in a contrary direction to the inner shield. This creates a stronger and more complete shield from RFI for the internal cores, and can result in an astounding reduction of interference. Double-Reussen shielding is a tad more expensive to manufacture, but for those who will accept nothing but the best it represents the pinnacle of current balanced cable technology.

Introducing Premium Cables By Warm Audio At Warm, we always put customers front and center in our decision-making. You are the reason that we put so much time and effort into ensuring that the products we bring to market sound amazing, are as affordable as possible and inspire endless creativity - we’re serious about this stuff!We’re also serious about recording as an art, and we’re always looking for ways to help our customers achieve their sonic goals. With that mission in mind we partnered with Switzerland-based Gotham AG - Europe’s top producer of premium cable - to provide the cable stock for our entire new line of interconnects, and the results have exceeded our expectations! Highest Quality Possible With Warm Cables we knew that we wanted to offer the highest quality possible at a price low enough for everyone to afford, with construction robust enough that we could offer a lifetime warranty. Well known as the original supplier to some of the industry’s elite manufacturers (their 3-conductor wire was known simply as “the Neumann Cable” for decades), Gotham’s cable construction techniques and technology now represent the current state-of-the-art. We couldn’t be happier to partner with them on these new cables, and we can’t wait for you to use them! What Does “StarQuad” Mean? A traditional balanced cable uses three cores of wire to carry the audio signals: one shielded core for the hot/positive leg, one shielded core for the cold/negative leg (which is wired in reverse polarity to the positive leg), and a plain outer wrap that functions as the ground. A balanced audio system effectively rejects most induced noise encountered along the cable’s length by removing signals that are common to both the hot and cold legs.StarQuad construction takes that concept even further, by using four cores instead of two: two cores each for the hot/positive and cold/negative legs and a single ground. This helps to further shield the audio from RFI (radio frequency interference) even more than a traditional 3-conductor cable.   What Is Double-Reussen Shielding? Most cable construction techniques use an outer wrap of wire to act as the ground. Some manufacturers braid this wire, while others simply wrap the wires in a highly uniform way to shield the interior wires from interference. Double-Reussen shielding goes much further than more traditional techniques in two ways: First, the cable is wrapped with not one but TWO separate shields, and second, the outer shield is wrapped in a contrary direction to the inner shield. This creates a stronger and more complete shield from RFI for the internal cores, and can result in an astounding reduction of interference. Double-Reussen shielding is a tad more expensive to manufacture, but for those who will accept nothing but the best it represents the pinnacle of current balanced cable technology.

Introducing Premium Cables By Warm Audio At Warm, we always put customers front and center in our decision-making. You are the reason that we put so much time and effort into ensuring that the products we bring to market sound amazing, are as affordable as possible and inspire endless creativity - we’re serious about this stuff!We’re also serious about recording as an art, and we’re always looking for ways to help our customers achieve their sonic goals. With that mission in mind we partnered with Switzerland-based Gotham AG - Europe’s top producer of premium cable - to provide the cable stock for our entire new line of interconnects, and the results have exceeded our expectations! Highest Quality Possible With Warm Cables we knew that we wanted to offer the highest quality possible at a price low enough for everyone to afford, with construction robust enough that we could offer a lifetime warranty. Well known as the original supplier to some of the industry’s elite manufacturers (their 3-conductor wire was known simply as “the Neumann Cable” for decades), Gotham’s cable construction techniques and technology now represent the current state-of-the-art. We couldn’t be happier to partner with them on these new cables, and we can’t wait for you to use them! What Does “StarQuad” Mean? A traditional balanced cable uses three cores of wire to carry the audio signals: one shielded core for the hot/positive leg, one shielded core for the cold/negative leg (which is wired in reverse polarity to the positive leg), and a plain outer wrap that functions as the ground. A balanced audio system effectively rejects most induced noise encountered along the cable’s length by removing signals that are common to both the hot and cold legs.StarQuad construction takes that concept even further, by using four cores instead of two: two cores each for the hot/positive and cold/negative legs and a single ground. This helps to further shield the audio from RFI (radio frequency interference) even more than a traditional 3-conductor cable.   What Is Double-Reussen Shielding? Most cable construction techniques use an outer wrap of wire to act as the ground. Some manufacturers braid this wire, while others simply wrap the wires in a highly uniform way to shield the interior wires from interference. Double-Reussen shielding goes much further than more traditional techniques in two ways: First, the cable is wrapped with not one but TWO separate shields, and second, the outer shield is wrapped in a contrary direction to the inner shield. This creates a stronger and more complete shield from RFI for the internal cores, and can result in an astounding reduction of interference. Double-Reussen shielding is a tad more expensive to manufacture, but for those who will accept nothing but the best it represents the pinnacle of current balanced cable technology.

Introducing Premium Cables By Warm Audio At Warm, we always put customers front and center in our decision-making. You are the reason that we put so much time and effort into ensuring that the products we bring to market sound amazing, are as affordable as possible and inspire endless creativity - we’re serious about this stuff!We’re also serious about recording as an art, and we’re always looking for ways to help our customers achieve their sonic goals. With that mission in mind we partnered with Switzerland-based Gotham AG - Europe’s top producer of premium cable - to provide the cable stock for our entire new line of interconnects, and the results have exceeded our expectations! Highest Quality Possible With Warm Cables we knew that we wanted to offer the highest quality possible at a price low enough for everyone to afford, with construction robust enough that we could offer a lifetime warranty. Well known as the original supplier to some of the industry’s elite manufacturers (their 3-conductor wire was known simply as “the Neumann Cable” for decades), Gotham’s cable construction techniques and technology now represent the current state-of-the-art. We couldn’t be happier to partner with them on these new cables, and we can’t wait for you to use them! What Does “StarQuad” Mean? A traditional balanced cable uses three cores of wire to carry the audio signals: one shielded core for the hot/positive leg, one shielded core for the cold/negative leg (which is wired in reverse polarity to the positive leg), and a plain outer wrap that functions as the ground. A balanced audio system effectively rejects most induced noise encountered along the cable’s length by removing signals that are common to both the hot and cold legs.StarQuad construction takes that concept even further, by using four cores instead of two: two cores each for the hot/positive and cold/negative legs and a single ground. This helps to further shield the audio from RFI (radio frequency interference) even more than a traditional 3-conductor cable.   What Is Double-Reussen Shielding? Most cable construction techniques use an outer wrap of wire to act as the ground. Some manufacturers braid this wire, while others simply wrap the wires in a highly uniform way to shield the interior wires from interference. Double-Reussen shielding goes much further than more traditional techniques in two ways: First, the cable is wrapped with not one but TWO separate shields, and second, the outer shield is wrapped in a contrary direction to the inner shield. This creates a stronger and more complete shield from RFI for the internal cores, and can result in an astounding reduction of interference. Double-Reussen shielding is a tad more expensive to manufacture, but for those who will accept nothing but the best it represents the pinnacle of current balanced cable technology.

The new WA-MBA professional broadcast boom arm from Warm Audio adds the finishing touch to your broadcast or streaming setup, allowing you to properly position your microphone for ultimate sound quality. With a hidden internal cable management system and easy-to-grab tension hinges, getting the professional appearance and performance you’ve been looking for onstream has never been easier. The Finishing Touch For Your Streaming Setup

The WA-47jr is an FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years.  The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and broadcast applications.  The WA-47jr sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources.​The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage design.  Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability that allows the most important sonic piece of the classic mic to be heard and influence the tone and signature of the WA-47jr.  The WA47jr's low-noise and discrete signal path, when paired with this excellent true '47 style capsule, allows it to obtain a very similar tone to the classic ‘47 microphone, but at a much lower price tag.  The WA-47jr utilizes the same k47 style capsule found in our flagship WA-47 tube condenser microphone.  Quality components make a better mic.The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage part.  Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability.  The WA47jr's low-noise and discrete signal path then paired with an excellent true '47 style capsule allows this mic to obtain a very similar tone to the classic ‘47 microphone at a much lower price tag.  Specifications:FET transformerless '47 style condenser microphone.Custom true '47 capsule reproduction (k47 style) - Model# WA-47-B-80v.  Capsule makeup: Gold sputtered, dual large diaphragm, single backplate, 6 microns NOS mylar (PET film).Fully discrete signal path, Toshiba FET’s, Wima film capacitors, Panasonic electrolytic capacitors.Polar Patterns: Cardioid, figure-of-eight, and omnidirectional.High-pass filter: 70HzPad: -10dbSelf-noise: 9dBADynamic range: 138dBAMaximum SPL: 147/157dB (@1kHz 1kOhms 0.5% THD, 0/-10dB)Frequency Range: 20 Hz~20 kHzSensitivity: 10mV/Pa or -40dBOutput Impedance: 100 ohms​

Pro Series - 1 End Rgt-Angle Instrument Cable 20' (6.1 meters)

Pro Series - 1 End Rgt-Angle Instrument Cable 10' (3.0 meters)

Pro Series - Both Ends Rgt-Angle Instrument Cable 1' (0.3 meters)

Pro Series - Both Ends Rgt-Angle Instrument Cable 6 inch (0.2 meters)

Pro Series - Studio & Live TS Cable 20' (6.1 meters)

Pro Series - Studio & Live TS Cable 10' (3 meters)

Pro Series - Studio & Live TS Cable 5' (1.5 meters)

Pro Series - Studio & Live TRS Cable 20' (6.1 meters)

Pro Series - Studio & Live TRS Cable 510 (3.0 meters)

Pro Series - Studio & Live TRS Cable 5' (1.5 meters)

Pro Series - Studio & Live TRS Cable 3' (0.9 meters)

Pro Series - Studio & Live XLR Female to TRS Male 6' (1.8 meters)

Pro Series - Studio & Live XLR Female to TRS Male 3' (0.9 meters)

Pro Series - Studio & Live XLR Male to TRS Male 6' (1.8 meters)

Pro Series - Studio & Live XLR Male to TRS Male 3' (0.9 meters)

Pro Series - Studio & Live XLR Cable 50' (15.2 meters)

Pro Series - Studio & Live XLR Cable 25' (7.6 meters)

Pro Series - Studio & Live XLR Cable 20' (6.1 meters)

Pro Series - Studio & Live XLR Cable 15' (4.6 meters)

Pro Series - Studio & Live XLR Cable 10' (3.0 meters)

Pro Series - Studio & Live XLR Cable 6' (1.8 meters)

Pro Series - Studio & Live XLR Cable 3' (0.9 meters)

The original ’67 became one of the most sought-after and widely-used studio microphones of its time, recording a massive collection of some of the most memorable songs of the last 50 years - we’re talking about classic tracks from artists as varied as The Beatles, Led Zeppelin, The Temptations and Nirvana! The original mics are still sought after, but they can command upwards of $8000 for a pristine unit, putting them far out of reach for most recordists. Thankfully, Warm Audio has now changed that scenario with the release of the new WA-67! Based around an EF86 pentode tube and having the same smooth and creamy tone of the original, the WA-67 excels at recording just about anything that you put it in front of, and it may immediately become your go-to choice for vocals, guitars, drum toms and overheads, pianos, brass and strings.

Rebirth Of A Classic The seventies were an amazing time, as bell-bottoms, chains and afros dominated the fashion scene and the swoosh and swirl of phaser effects were everywhere on the radio. From the guitar work of David Gilmour, Brian May and Eddie Van Halen to the trail-blazing keyboard stylings of Steely Dan, Herbie Hancock and Paul Simon’s Richard Tee, it seemed like everyone was incorporating phasers into their sound. Of all of the designs available during that time period, one phaser pedal stood apart from the others due to its flexibility, sound quality and addition of fuzz sounds, and it was immediately adopted by funk bass pioneer Larry Graham as the core of his modulated sound with both Sly and The Family Stone and his own Graham Central Station. The Warm Audio Jet Phaser is a hyper-authentic recreation of this famous pedal, accurate from the gooey swirl of the audio circuit to the look and feel of the enclosure, except that it’s true bypass and far more affordable and reliable than vintage units! The Jet Set The Jet Phaser contains six modes, with two labeled "PHASE" and four labeled "JET". The two PHASE modes produce traditional phasing effects, with the first having moderate modulation depth for more subtle sounds, and the second having increased depth for more exaggerated results. However, the similarities to normal phase pedals end there. The four JET modes engage the "jet" (or fuzz) effect, and that's when things get seriously fun! There are four fuzz/phase combinations: Bright fuzz/shallow phase Bright fuzz/deep phase Dark fuzz/shallow phase Dark fuzz/deep phase When the JET modes are active, the pedal's output level is controlled by the JET LEVEL knob. This enables you to set up the JET modes as a boost, if desired—which could be perfect for solos! Creative Control The Jet Phaser also features a RESONANCE control that's available in all six modes, allowing you to dial in varying amounts of filtered sci-fi craziness. Additionally, you get creative control of the modulation rate: the SLOW RATE knob allows you to set the main modulation speed, but hitting the FAST/SLOW foot switch always kicks the rate up to the maximum speed possible. It’s a cool design, because the change from fast to slow ramps up and down gradually like an organ’s rotary speaker. Unlike most phasers, the Jet Phaser can actually get “in-between” speeds by continuously hitting the FAST/SLOW foot switch like organ players do! The Jet Phaser’s true bypass operation makes it easy to incorporate into any rig, and the fact that it runs at 18V gives it high headroom and pristine audio quality (it can be powered with the included 18VDC adapter or two 9V batteries). We already know it'll sound great on guitar, bass, and keys, but don't let that stop you from slapping it on a vocal track or a drum bus - use your imagination! Technical Specifications: FAITHFUL RECREATION OF THE ORIGINAL “JET” PHASE CIRCUIT USES PREMIUM COMPONENTS THROUGHOUT, INCLUDING CARBON FILM RESISTORS AND FILM CAPACITORS TRUE BYPASS OPERATION SIX MODES: JET (1–4), PHASE (1–2) EFFECT/NORMAL AND FAST/SLOW FOOT SWITCHES JET LEVEL, MODE, RESONANCE, AND SLOW RATE KNOBS GRADUAL RATE CHANGE WHEN FAST/SLOW SWITCH IS PRESSED, SIMULATING A ROTARY CAB 1/4" INPUT (INST) AND OUTPUT (AMP) JACKS DC ADAPTER/BATTERY SWITCH RUGGED STEEL CHASSIS WITH ATTRACTIVE WOODEN SIDE PANELS POWERED BY TWO 9V BATTERIES OR 18V DC ADAPTER (INCLUDED) POWER CONSUMPTION: 9MA WIDTH: 10.25" DEPTH: 6.5" HEIGHT: 2.25" WEIGHT: 4.6 LBS

A lot of preamps on the market do a good job of raising the volume of mics and instruments. Unfortunately, many pres are doing only that, raising volume.  The “Super clean” designs of today often leave the signal exiting the preamp sounding much the same as it did entering it.The WA12 MKII is a completely discrete, high voltage, dual-transformer microphone preamplifier designed for high gain (+71dB), high headroom, low noise, and an exciting sonic performance – great for all types of recording applications.  A high quality mic preamp is one of the most critical pieces needed to achieve the elusive ‘larger than life’ sound, and the WA12 MKII is more than capable of delivering. ​The WA12 MKII is based around a discrete op-amp, the X731, which is our own reproduction of the vintage classic Melcor 1731, considered by some to be the warmer predecessor to the modern 2520-style op-amp.  The X731 can achieve vibrant, clean and lifelike tones; but can also be driven into mild saturation at much higher gain levels.  The effects can be subtle, but very pleasing to the ear.  The WA12 MKII can also accept any discrete op-amp on the market which conforms to the +/-16v, 2520 pinout standard.   In this example, the WA12 MKII is being routed as an insert into a recording device. This is useful for using the WA12 as an “analog plug-in” or insert for mix-down. The recording device is feeding the WA12 with a balanced 1/4” cable via a line output. Then, the recording device is capturing the WA12 MKII via a LINE LEVEL input. Note: It is important to use a line level input on your recording device as opposed to a microphone or instrument level input.If you are looking for a preamp to improve and shape your signal you will most definitely love the WA12 MKII. The WA12 MKII is designed to transform plain instruments and vocals into exciting tone.  If your mixes lack depth, struggle to sound alive, or are just missing that professional touch you’ve always wanted, there is a good chance you will love the WA12 MKII. Specifications: Utilizes premium grade input and output USA CineMag transformers. 71db of Gain, fully discrete signal path. Utilizes a discrete 6-pin socketed 1731 style opamp.  Can be replaced with other 6-pin "2520 foot-print" opamps for varying tone/flavor. TONE button – Switches the input impedance from 600 ohms to 150 ohms.  Changes the tone of both the mic and HI-Z inputs. 2 Meg Ohm True HI-Z input on front panel. Sends instrument signal through entire circuit including both Cinemag Transformers and the discrete opamp. Great for guitars, bass, keyboards and other instruments that have a 1/4″ output jack. Mic level balanced input: XLR. Balanced outputs: XLR and 1/4″/TRS. 48 volt Phantom Power. Output attenuation control (after the CineMag output transformer) allows for driving the preamp and transformers into saturation. LED Meter gain indication. 20db pad. External power plug. ​​

INTRODUCING AN UPDATED AND UPGRADED '87 STYLE FET CONDENSER MICROPHONE WA-87 R2: Updated And Upgraded In 2016, we at Warm Audio introduced one of the most talked-about 87-style FET condenser microphones in the industry with the release of the WA-87, and at just $599 USD it made the looks and authentic vintage sonics of this style of mic affordable to customers for the very first time. Simply put, the release of the WA-87 changed the industry’s perception of what could be achieved at an affordable price.  Based on classic 60s circuitry, the WA-87’s rich sound became a favorite of countless producers, engineers, and home recordists everywhere.  It was our first microphone and a verifiable hit, and in recent years we’ve followed it with many other successful and ground-breaking designs. Since the release of the WA-87 in 2016 we’ve learned a bunch more about microphone manufacturing, and we’ve proven that we can shatter the industry’s quality expectations at affordable prices. That experience drove us to see if we could improve the WA-87 in tangible ways without having to raise the price, and the result is the new WA-87 R2 (Revision 2). We’ve used everything we’ve learned about recreating vintage microphones in the last five years to bring it even closer to the sound, vibe and performance of the original 60s classic we all know and love. We’re ecstatic to bring you the result – in short, the new WA-87 R2 is bigger, bolder and just plain better! A Faithful Reproduction With Top-Shelf Components The WA-87 is based on a classic 60s circuit that is widely considered to be one of the greatest studio microphones ever designed. We spent countless hours trying to get even closer to the sound of the vintage version than we had with the WA-87, so the new WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. We also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics. The result is an incredibly accurate sonic replica of arguably the widest-used studio microphone in popular recording history! The Most Versatile Mic In Your Locker Just like the vintage microphone, the WA-87 R2 excels at recording virtually anything. Three polar patterns (cardioid, omni, and figure 8) make sure you’re covered for a wide variety of applications, and an 80Hz high pass filter reduces low-frequency rumble if needed. The switchable -10dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics. The WA-87 R2 works brilliantly on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings, and more. Not only that, it’s the same price as the original WA-87, so you can afford to have several in your mic locker! Stunning In Sound And Appearance The WA-87 R2 is now encased in a heavier, stronger and larger nickel-plated brass body, and the new rounded head basket shape adds additional space around the capsule for a more pleasing sonic signature. With authentic vintage warmth and a smooth detailed top end, we truly believe this mic performs on par with microphones costing five times as much or more. No matter what else you’ve got in your mic locker, the WA-87 R2 is sure to become one of your favorite go-to microphones! Technical Specifications: LARGE DIAPHRAGM STUDIO CONDENSER MICROPHONE, WITH A FAITHFUL REPRODUCTION OF THE ORIGINAL VINTAGE 87-STYLE CIRCUIT ALL DISCRETE PREMIUM COMPONENTS, INCLUDING A NOS FAIRCHILD TRANSISTOR AND WIMA/NICHICON CAPACITORS CUSTOM CINEMAG USA OUTPUT TRANSFORMER WA-87-B-50V CAPSULE—REPRODUCTION OF CLASSIC DUAL BACKPLATE (FOUR-WIRE TERMINATION) K87 CAPSULE NICKEL-PLATED BRASS BODY THREE POLAR PATTERNS: CARDIOID, FIGURE-OF-EIGHT, AND OMNIDIRECTIONAL  -10DB PAD AND 80HZ HIGH PASS FILTER FREQUENCY RESPONSE: 20HZ – 20KHZ SPL: .5% THD @ 125DB (WITHOUT PAD), 132DB DIAPHRAGM: 6-MICRON THICKNESS, GOLD-SPUTTERED MEMBRANE, NOS MYLAR (PET FILM) NOISE: -117DB INCLUDED ACCESSORIES: WOODEN STORAGE CASE, HARD MOUNT, AND SHOCK MOUNT (OPTIONAL FLIGHT CASE AVAILABLE) WEIGHT (FULLY BOXED): 6.5 LBS / 3 KG COLOR: AVAILABLE IN NICKEL OR BLACK FINISH

INTRODUCING AN UPDATED AND UPGRADED '87 STYLE FET CONDENSER MICROPHONE WA-87 R2: Updated And Upgraded In 2016, we at Warm Audio introduced one of the most talked-about 87-style FET condenser microphones in the industry with the release of the WA-87, and at just $599 USD it made the looks and authentic vintage sonics of this style of mic affordable to customers for the very first time. Simply put, the release of the WA-87 changed the industry’s perception of what could be achieved at an affordable price.  Based on classic 60s circuitry, the WA-87’s rich sound became a favorite of countless producers, engineers, and home recordists everywhere.  It was our first microphone and a verifiable hit, and in recent years we’ve followed it with many other successful and ground-breaking designs. Since the release of the WA-87 in 2016 we’ve learned a bunch more about microphone manufacturing, and we’ve proven that we can shatter the industry’s quality expectations at affordable prices. That experience drove us to see if we could improve the WA-87 in tangible ways without having to raise the price, and the result is the new WA-87 R2 (Revision 2). We’ve used everything we’ve learned about recreating vintage microphones in the last five years to bring it even closer to the sound, vibe and performance of the original 60s classic we all know and love. We’re ecstatic to bring you the result – in short, the new WA-87 R2 is bigger, bolder and just plain better! A Faithful Reproduction With Top-Shelf Components The WA-87 is based on a classic 60s circuit that is widely considered to be one of the greatest studio microphones ever designed. We spent countless hours trying to get even closer to the sound of the vintage version than we had with the WA-87, so the new WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. We also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics. The result is an incredibly accurate sonic replica of arguably the widest-used studio microphone in popular recording history! The Most Versatile Mic In Your Locker Just like the vintage microphone, the WA-87 R2 excels at recording virtually anything. Three polar patterns (cardioid, omni, and figure 8) make sure you’re covered for a wide variety of applications, and an 80Hz high pass filter reduces low-frequency rumble if needed. The switchable -10dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics. The WA-87 R2 works brilliantly on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings, and more. Not only that, it’s the same price as the original WA-87, so you can afford to have several in your mic locker! Stunning In Sound And Appearance The WA-87 R2 is now encased in a heavier, stronger and larger nickel-plated brass body, and the new rounded head basket shape adds additional space around the capsule for a more pleasing sonic signature. With authentic vintage warmth and a smooth detailed top end, we truly believe this mic performs on par with microphones costing five times as much or more. No matter what else you’ve got in your mic locker, the WA-87 R2 is sure to become one of your favorite go-to microphones! Technical Specifications: LARGE DIAPHRAGM STUDIO CONDENSER MICROPHONE, WITH A FAITHFUL REPRODUCTION OF THE ORIGINAL VINTAGE 87-STYLE CIRCUIT ALL DISCRETE PREMIUM COMPONENTS, INCLUDING A NOS FAIRCHILD TRANSISTOR AND WIMA/NICHICON CAPACITORS CUSTOM CINEMAG USA OUTPUT TRANSFORMER WA-87-B-50V CAPSULE—REPRODUCTION OF CLASSIC DUAL BACKPLATE (FOUR-WIRE TERMINATION) K87 CAPSULE NICKEL-PLATED BRASS BODY THREE POLAR PATTERNS: CARDIOID, FIGURE-OF-EIGHT, AND OMNIDIRECTIONAL  -10DB PAD AND 80HZ HIGH PASS FILTER FREQUENCY RESPONSE: 20HZ – 20KHZ SPL: .5% THD @ 125DB (WITHOUT PAD), 132DB DIAPHRAGM: 6-MICRON THICKNESS, GOLD-SPUTTERED MEMBRANE, NOS MYLAR (PET FILM) NOISE: -117DB INCLUDED ACCESSORIES: WOODEN STORAGE CASE, HARD MOUNT, AND SHOCK MOUNT (OPTIONAL FLIGHT CASE AVAILABLE) WEIGHT (FULLY BOXED): 6.5 LBS / 3 KG COLOR: AVAILABLE IN NICKEL OR BLACK FINISH