Sennheiser

The e 902 is a dynamic cardioid instrument microphone, which was designed for lowest bass signals with very high sound pressure levels.It is suitable for kick drums, bass guitar-amps, tuba, and other bass instruments. Pick-up pattern : cardioidFrequency response : 20...18000 HzSensitivity in free field, no load : (1kHz) 0,2 mV/Pa; (@ 60 Hz): 0,6 mV/PaNominal impedance : 350 OhmMin. terminating impedance : 1000 OhmDimensions : 128,5 x 60 mmWeight : 440 gFrequency Response : 

By virtue of its design and features, the MD 431 II ranks amongst SennheiserΆs most exceptional microphones and is suitable for vocal, speech and broadcasting applications. Colour: black, sound inlet basket: refined steel. Pick-up pattern : super-cardioid Sensitivity in free field, no load : (1kHz) 2,0 mV/Pa +- 3 dB Nominal impedance : 250 Ohm Min. terminating impedance : 1000 Ohm Dimensions : d 49 x 200 mm, Griff d 31 mm Weight :ca. 250 g

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The e 914 is a high grade condenser microphone for very demanding applications. Its outstanding sound properties qualify the e 914 for highly sophisticated tasks.The e 914 is a perfect microphone for ambitious recordings and live performances.Its main areas of application are acoustic guitars, cymbals, percussion, overhead, orchestras, grand pianos etc Pick-up pattern : cardioid Frequency response : 20...20 000 Hz Sensitivity in free field, no load : (1kHz) 7 mV/Pa Equivalent noise level : 19 dB(A) Attenuation : 0, -10, -20 dB Max. Sound pressure level (aktiv) : 137, 147, 157 dB Nominal impedance : 100 Ohm Min. terminating impedance : 1000 Ohm Dimensions : 24 x 157 mm Weight : 198 g Polar Diagramm :   Frequency Response : 

Earphones for Wireless Monitor applications. The IE 4 reproduces an outstanding sound quality and high dynamic. It is equipped with exchangeable ear sleeves, which gives an optimum fit to different ear cannels. The results are high isolation against environmental noise as well as a very good bass response. Technical SpecificationsTransducer principle: dynamicColour: blackNominal impedance: 16 OhmSound pressure level (SPL): 106 dB(SPL) (1mW)Ear coupling: In-The EarJack plug: 3,5 mm stereoCable length: ca. 1.4 m

Versatile wireless systems for those who sing, speak or play instruments with up to 42 MHz tuning bandwidth in a stable UHF range and fast, simultaneous setup of up to 12 linked systems.For hands-free operation during performances and speeches: Robust bodypack transmitter and feedback resistant headmic ME 3-II with high speech intelligibility for daily use on stage.Engineered for professional live sound: Rugged all-in-one wireless system for singers and presenters.Robust bodypack transmitter and feedback resistent headmic ME 3-II with high speech intelligibility for daily use on stageTrue diversity half-rack receiver in a full-metal housing with intuitive LCD display for full controlEasy and flexible wireless synchronization between transmitter and receiver via infraredFast frequency allocation for up to 12 receivers via new linking functionalityUp to 20 compatible channelsUp to 42 MHz bandwidth with 1680 selectable frequencies, fully tunable in a stable UHF rangeTransmission Range: up to 100 meters / 300 feetHigh RF output power (up to 30 mW) depending on country regulationsReliability and performanceWhen taking any stage, large or small, a presenter needs to have just as much confidence in their equipment as they do in themselves. The ability to rely on technology is just as much a factor as the content itself when it comes to delivering a message to an audience. Enter the evolution wireless G4 100 Series—a wireless system built on the need for dependability that continues to deliver for presenters and A/V technicians time and time again.Feature-rich and built to lastThe evolution wireless G4 100 Series is packed with features that make it possible to get you up and running fast and efficiently. Use the Easy Setup function to automatically scan and select the best frequencies around you and take full advantage of the UHF spectrum. With up to 100 meters of range and a battery life of 8 hours, it’s easy to see how the durably constructed ewG4 transmitters and receivers will perform when you need them to.Differences between the setsThe ME2, ME3 and ME4 are all great set options and vary depending on your needs. While the EW 100 G4-ME2 features our classic ME 2-II omnidirectional lavalier microphone, the ME4 offers a cardioid lavalier microphone in its place. The ME3 features the ME 3-II cardioid head-worn microphone which is ideal for getting the microphone capsule closer to the sound source in noisy or reverberant rooms. Lastly, the ME2/835-S is a combo set for those that need to switch between an omnidirectional lavalier and a cardioid handheld microphone depending on their application.

Hands-free performance. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 HEADMIC SET is an easy to use all-in-one wireless system for singers and presenters, excellent for live sound that involves dancing and singing all at the same time. The set includes an intuitive stationary receiver for quick setup and hassle-free handling, as well as a compact bodypack transmitter and a lightweight headset microphone.Features:Lightweight headmic and compact bodypack transmitterAntenna-switching diversity receptionIntegrated antennasAutomatic frequency management and synchronization via remote channel for easy setupSelectable UHF frequencies within a large bandwidthUp to 10 compatible channelsWhat's in the box?1 receiver EM-XSW 11 headset microphone ME 3-II1 bodypack transmitter SK-XSW1 power supply NT 12-5 CW2 AA batteries 

The ME 34 is a permantly polarized condenser microphone head for use with Sennheiser MZH goosenecks. This cardioid capsule is suitable for a very wide range of applications including: presentation, conference, public address, studio, broadcast, video and others.Features:Cardioid capsule for a wide range of applicationsLow noise and large transponse rangeFor use with Sennheiser MZH goosenecksCorrosion resistant gold plated contact pointsSmooth response across all frequencies

The MZH 3040 is a metal gooseneck for use with the ME 34, ME 35 and ME 36 microphone heads. The rugged gooseneck is fitted with a balanced, floating XLR-3 output, enabling the microphone to be powered from 12 - 48 V phantom power and has a length of 400 mm.Features:Sturdy and elegant metal gooseneck for unobtrusive mikingFor ME 34, ME 35, ME 36 microphone capsulesRF shielding against intermodulation from wireless equipment/devicesL-version with red light ring​

The MZH 3042 is a metal gooseneck with two flexible sections for use with the ME 34, ME 35 and ME 36 microphone heads. The rugged gooseneck is fitted with a balanced, floating XLR-3 output, enabling the microphone to be powered from 12 - 48 V phantom power and has a length of 400 mm.Features:Sturdy and elegant metal gooseneck for unobtrusive mikingFor ME 34, ME 35, ME 36 microphone capsulesRF shielding against intermodulation from wireless equipment/devicesL-version with red light ring

A solid choice for brass and woodwind players. With its flexible gooseneck, the e 608 snuggles right up to the instrument, while the multifunctional clip lets it find an optimal position on every instrument. The shock-mounted capsule reliably protects against structure-borne noise. When something is in the air – it doesn't get lost here. The e 608 comes closer to the heart of each instrument and transmits its character in soft, warm tones.Features:Dynamic microphone with gooseneckLow sensitivity to structure-borne noiseExtremely rugged fiberglass housing with tear-resistant cable (XLR connector)Simple handling and flexible positioningHum compensating coilHighly effective shock mountSpecifications:Frequency response: 40 - 16000 HzSensitivity: 0,8 mV/PaΙmpedance: 250 OhmDimensions: 17 x 185 mmWeight: 20 gr

The MEG 14-40-L features a made in Germany quality gooseneck microphone on an attractive price. A lightring indicates the spokesperson that is allowed to take the floor. It features a Sennheiser KE 10 microphone capsule with cardioid directivity for universal miking. The flexible element of the streamlined 40 cm gooseneck ensures precise alignment of the microphone. A XLR 5M connector delivers power for the red LED ring and connects the microphone signal.Features:Gooseneck with integrated Sennheiser KE10 microphone capsuleRF shielding against intermodulation from wireless devicesStreamlined design for seamless integrationPremium quality made in GermanySpecifications:Type: Condenser Pick Up Pattern: Cardioid Frequency response: 50Hz - 20 kHz Ιmpedance: < 100 Ohm Dimensions: L 450 mmWeight: 147 g

Reach for the Sennheiser e600 Drum Pack when you need to effectively mic up a a drum kit. Everything you need is inside the custom slim-line aluminum case with custom-cut foam, which provides a great way to safely transport your mics to and from the gig, the studio, or wherever! Inside the e600 Drum Pack you'll find a mic tuned specifically for low frequencies, a quartet of tom- and snare-friendly mics, and a pair of condensers for overheads and cymbals. In all, you get seven mics, each specifically chosen for the e600 Drum Pack to handle a specific task.To handle the kick drum, there's the Sennheiser e602 II, a cardioid instrument mic especially suited for use with bass drums, bass guitar cabs, tubas and other low frequency instruments. The e614's supercardioid pattern, in combination with a neutral response and moderate sensitivity, insures optimum isolation from other instruments on stage. Unobtrusive for precise placement and powered by external phantom power, the e614 tolerates extremely high SPLs, precisely capturing cymbals and hi-hats like no other mic in its price range.Toms and snare need more midrange and high-frequency content to really punch through, and the e604 delivers. The e604 is a high-SPL handling (more than 150dB) cardioid microphone, optimized for use on drum sets and other percussion miking applications. The e604 microphone actually comes with an integrated, pivoting mount that can screw directly onto mic stands or attach to the rim of a drum, making setup very efficient. A balanced, clear, low-distortion signal from the e604 is similar to a high-end studio condenser microphone. A lightweight voice coil provides extended high frequency and rapid transient response. This quality drum mic is housed in a tough, reinforced glass fiber body designed to suppress impact noise. If you're looking to mic your toms or snare, the e604 is a dynamic mic ready for the job.

The MKE 2-4 Gold-C is a high-quality, sub-miniature clip-on lavalier microphone which is suitable for both speech and instrument miking applications in all areas of live work. It fulfils the most stringent demands on sound quality and is extremely rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold against sweat and moisture, making it an ideal choice for theatrical productions. Colour: matt black. * Features * New Umbrella Diaphragm™ protects the mic against sweat * Very high sound pressure handling capability * Versatile attachment due to an extensive range of accessories

The MKE 2 Gold sub-miniature omni directional lavalier is ideal for television broadcast and theatrical productions. Its accurate frequency response produces natural, uncolored sound. A unique Umbrella Diaphragm™ delivers moisture-resistant performance with the identical high audio quality of the industry standard MKE 2 lavalier. Its size makes it not only unobtrusive and easy to conceal, but also affords a textbook perfect omni directional polar pattern.  An extremely thin (0.000014”) low mass diaphragm exhibits extraordinary transient response. The microphone also comes with two additional sound inlet caps to tailor the high frequency as needed. Color: matte black. Dual-diaphragm design virtually eliminates “sweat-outs” Stranded, stainless-steel reinforced cable provides maximum strength and low contact noise Acoustical equalization via supplied end caps Successor to the “Broadway-proven” MKE 2 Red Dot 1-year warranty

 Clip-on microphone with cardioid pattern. Can be used together with evolution wireless bodypack transmitters or with MZA 900P phantom power adaptor for wired applications.Frequency response : 40...20.000 HzMaximum sound pressure level (passiv) : 118 dB (k=1%)Pick-up pattern : cardioidDimensions : d=12mm, l=26mmPolar Diagramm :  Frequency Response : 

The MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels. Surface: all metal body with black leatherette finish, sound inlet basket: nickel plated. Pick-up pattern : super-cardioidSensitivity in free field, no load : (1kHz) 1,8 mV/Pa +- 2 dBNominal impedance : 200 OhmMin. terminating impedance : 1000 OhmDimensions : 270 x 33 x 36 mmWeight : 450 g

The half-cardioid e 901 is the perfect condenser microphone for kick drum. It is highly robust and step-resistant. It benefits from an integrated preamp.Pick-up pattern : half-cardioidFrequency response : 20...20 000 HzSensitivity in free field, no load : (1kHz) 0,5 mV/PaMax. Sound pressure level (aktiv) : 154 dB / SPLPhantom powering : 48 V / 1,1 mANominal impedance : < 100 OhmMin. terminating impedance : 1000 OhmDimensions : 126,5 x 105 x 26,5 mmWeight : ca. 550 gPolar Diagramm :   Frequency Response : 

The e 965 is a hand-held vocal microphone with true condenser capsule in large-diaphragm technology. It combines the best available features of a stage microphone with Sennheiser’s pioneering experience in the field of acoustics. Able to cut through high on-stage levels the e 965 is the top model of the award-winning evolution 900 Series.Features Switchable pick-up pattern (cardioid/super-cardioid)Low cut switchSwitchable preattenuation (-10 dB)Highly effective, integral acoustic pop and windshieldEffective protection against moistureShock-mounted capsule provides excellentsuppression of handling noiseDelivery Includes 1 e 965MZQ 800 microphone clampPouchUser manualDocument of WarrantyTechnical Data : Transducer principle (Microphone)externally polarized dual diaphragm AF condenser microphoneDiameter of diaphragm25.4 mm/1&#39;Frequency response40 - 20.000 HzPick-up patterncardioid/super-cardioid, switchableSensitivity in free field, no load (1kHz)7 mV/Pa (2,3 mV/Pa) (with preattenuation)Nominal impedance50 OhmMin. terminating impedance1 kOhmMaximum sound pressure level (passiv)142 dB (152 dB) (with preattenuation)Equivalent noise level21 dBPhantom powering48 V/ 3,5 mAConnector MicrophonesXLR-3Operating temperature0°C - +40°CWeight396 gDiameter48 mmOverall depth199 mm 

High-quality permanently polarized condenser headmic with cardioid pick-up pattern, designed for professional “hands-free” applications. The adjustable neckband is visually unobtrusive and very comfortable to wear. The twelve available HSP 4 variants differ in color, size and connector. Pick-up pattern : cardioid Frequency response : 40...20 000 Hz Nominal impedance : (@ 1 kHz) 1000 Ohm Sensitivity in free field, no load : (1kHz) 4 mV/Pa Maximum sound pressure level (passiv) : 150 dB Equivalent noise level : 37 dB(A) Current consumption : 250 µA Operating voltage (stand alone) : 4,5-15 V Cable length : 1,6 m Diameter microphone head : 8,4 mm Diameter boomarm : 2,4 mm Weight : 9,2 g (without cable) Polar Diagramm :  Frequency Response :