ATC SCM300ASL Pro (Pair)

ATC SCM150ASL Pro (Pair)

The ATC SCM150ASL Pro are active 3-way monitors with a 15″ woofer for high-output monitoring in larger control rooms, as mid-field or main monitors. They combine bass down to 25 Hz with the clarity of the ATC midrange dome.15″ Super Linear wooferThe 375 mm woofer, built to full ATC SL specification, reaches 25 Hz (-6 dB) with 117 dB maximum continuous SPL and low distortion even at high levels.«Super Dome» midrange and «S-Spec» tweeterThe 75 mm soft-dome midrange covers 380 Hz to 3.5 kHz and the 25 mm dual-suspension tweeter extends to 25 kHz, with ±80° horizontal dispersion.350 W tri-ampThe built-in amplifier delivers 200 W to the bass, 100 W to the mid and 50 W to the high section. LF EQ adds up to +6 dB at 40 Hz and input sensitivity is adjustable from 0 to -6 dB, with overload protection and a front-panel warning. 6-year warranty.

23.700 €

ATC SCM50ASL Pro (Pair)

The ATC SCM50ASL Pro are active 3-way monitors for reference monitoring in medium-sized rooms, as near-field or mid-field monitors. They combine a 9″ Super Linear woofer, the ATC 75 mm midrange dome and a dual-suspension tweeter with a built-in 350 W tri-amp pack.9″ Super Linear wooferThe 234 mm woofer is built to ATC full SL specification for low distortion and high power handling. Bass extends to 38 Hz (-6 dB) and maximum continuous SPL reaches 112 dB.75 mm «Super Dome» midrangeThe 75 mm SM75-150S soft-dome midrange is one of the defining ATC drive units. It covers the vocal and instrumental range from 380 Hz to 3.5 kHz with clarity and low distortion.350 W tri-amp with bass controlThe built-in amplifier delivers 200 W to the woofer, 100 W to the midrange and 50 W to the tweeter. A rear-panel LF EQ adds up to +6 dB at 40 Hz and input sensitivity is adjustable from 0 to -6 dB. Protection momentarily reduces gain on overload, with a front-panel warning. 6-year warranty.

17.900 €

ATC SCM45A Pro (Pair)

The ATC SCM45A Pro are mid-size active 3-way monitors in a horizontal cabinet. They are designed for critical near-field monitoring in any control room, LCR monitoring in medium rooms and surround channels in medium to large rooms.Twin 6.5″ woofersBass comes from two hand-built 164 mm short-coil woofers with carbon-paper cones. Response extends to 42 Hz (-6 dB) with up to 112 dB continuous SPL, from a cabinet that fits on the console.75 mm midrange dome and «S-Spec» tweeterThe ATC 75 mm soft-dome midrange sits at the centre of the cabinet with the 25 mm dual-suspension «S-Spec» tweeter. The symmetrical layout gives consistent ±80° horizontal dispersion and a clear centre image.MOSFET class A/B tri-ampThe built-in amplifier delivers 150 W to the bass, 60 W to the mid and 25 W to the high section. 4th-order filters at 380 Hz and 3.5 kHz include phase compensation. Rear-panel controls adjust input sensitivity (0 to -6 dB) and bass boost (0 to +3 dB at 40 Hz).

13.100 €

ATC SCM25A Pro mk II (Pair)

The ATC SCM25A Pro Mk2 are compact active 3-way studio monitors for demanding near-field monitoring. They deliver clear midrange, high output and extended bass from a cabinet that fits on a desk or console.3-way design with the ATC midrange domeThe SM75-150 soft-dome midrange handles the critical 380 Hz to 3.5 kHz region where voices and most instruments sit. The 164 mm woofer extends bass to 47 Hz (-6 dB), and a pair reaches 109 dB continuous and 115 dB peak SPL.New tweeter in the Mk2The Mk2 adds the ATC SH25-76S dual-suspension tweeter, extending response to 25 kHz and reducing distortion. Wide dispersion keeps the stereo image stable across a large listening area.MOSFET class A/B amplificationThe built-in MOSFET class A/B amplifier delivers 150 W to the bass, 60 W to the mid and 32 W to the high section, with THD+N below 0.003%. 4th-order Linkwitz-Riley filters include all-pass phase compensation. Input sensitivity and bass lift (0 to +3 dB) are adjustable. Hand-built in England with a 6-year warranty.

10.500 €

Focal Utopia Main 112 (Pair)

UTOPIA MAIN 112 is a studio monitor that sets an unmatched standard for recording, mixing and mastering. Innovative drivers, patented Focal technologies, power, accuracy and on-site fine tuning; this monitor redefines the landscape of main monitoring.

26.000 €

Focal Utopia Main 212 (Pair)

Utopia Main 212 is the ultimate studio monitor. With two brand new 5'' midranges, a brand-new Beryllium tweeter and patented remote amplification, it is the dual-driver configuration of the UTOPIA MAIN 112 and embodies the best of the Focal Professional division. Innovative drivers, top-of-the-range cabinet design, power and exceptional precision; UM 212 ensures an unparalleled monitoring experience for reference-recording, mixing and mastering.

46.000 €

PMC 6-2

The PMC6-2 provides main-monitor scale, depth, and dynamics, and allows mix decisions to be made quickly, with absolute certainty and without fatigue.This 3-way active monitor speaker combines two custom 6-inch ultra-long-throw bass-drivers with our radically engineered PMC55 2-inch soft-dome mid-range unit and a precision-built one-inch soft-dome tweeter. The PMC55’s distinctive ‘N-compass’ waveguide enhances the wide dispersion and remarkable mid-range projection of the driver; in combination with the high performance of the tweeter, the result is an ultra-wide and stable image, with a smooth and natural in-room response. Each bass driver is individually powered by a cutting-edge 400W Class-D amplifier and seamlessly integrated by our sophisticated, highly accurate DSP-based crossovers. As with the PMC6, the monitor is configured using rear-panel controls or the browser-based SoundAlign™ software, with comprehensive boundary and EQ options.

12.240 €

Grimm Audio LS1 V2 Black (Pair)

The Grimm Audio  LS1 is the most technologically advanced loudspeaker system ever!A good monitor combines a high degree of accuracy with untrammeled musicality. There aren't many of those around - common wisdom has it that you can have one or the other but never both. The LS1 is the first monitor to prove conventional wisdom wrong.By integrating top quality digital signal processing, converters and amplifiers in one of the speakers' legs, Grimm Audio was able to apply technical strategies no one had used before. As a consequence, the LS1 is not just a loudspeaker, but a complete audio system that only needs an analog or digital line source to perform.“This speaker is explicitly for those who want the most neutral and transparent sound reproduction, no corners were cut.”True accuracy is about getting all the bits in the right place: not losing anything, not adding anything either. The LS1 offers this accuracy, reproducing a truly musical recording accurately, with all beauty intact. At the same time, the LS1 will also reproduce any imperfection, giving you all the information you need to get it right. These qualities make the LS1 an ideal monitor for both mastering and mixing.Don't let the stylish industrial design and finish fool you: the shape of this loudspeaker is the outcome of thorough psychoacoustical and acoustical research. Its small sealed box (14 litres) is much wider than it is deep, is designed to provide an effective baffle down to around 250 Hz.That way, the LS1 achieves a reasonable constant directivity in 2π space above 250 Hz (with a natural and progressive “narrowing” of its high frequency off-axis response) minimizing many of the listening room’s detrimental effects (Psychoacoustics tells us that below about 300 Hz the ear will no longer clearly discern direct sound, first reflections or reverberant sound), while below 250 Hz the speaker gradually transitions to omnidirectional.“The wide baffle halves the volume into which the sound is radiated, thereby halving room problems as well. The cylindrical sides eliminate the classical "big box" colouration that is caused by edge diffractions.”The LS1 is suspended between two half cylinders that combat diffraction and function as an integral two-legged floor stand. An 8" magnesium woofer and a 1" dome tweeter divide the work between them. Smart use of DSP linearizes the frequency response and allows for a controlled bass response down to 35 Hz.Housed in one of the two legs are a 48/76-bit DSP, digital I/O, AD/DA converters, the same clock circuit as Grimm’s own CC1 master clock and the drive electronics, encompassing two 180W Class D power amplifiers of the groundbreaking Hypex NCore type.The concept of the LS1 draws maximum benefit from intelligent application of DSP technology. An IIR crossover imposes exact LR4 acoustic slopes crossing at 1550 Hz, and the phase is subsequently corrected using an idealised inverted all-pass filter, resulting in a maximally linear phase response without any pre-echo’s. This removes the “digital loudspeaker sound signature” typical of the more ubiquitous impulse inverted FIR designs.“The waveguide tweeter, the perfectly pistonic woofer (both by the world famous Seas company) and the very low crossover frequency insure that the sound is radiated in an unusually wide and even manner.Grimm LS1’s carefully controlled acoustics form the basis for the active DSP based filter which welds the driver responses together into the most even-handed frequency response and the fastest impulse response you'll ever hear.”The LS1 is also a very practical loudspeaker. Its digital input allows them to be connected without further ado to network players like Squeezebox or Sonos, or to a Mac or PC using the included USB converter. The pictures on the right hand show a few options.Despite their compact size, these floor standing speakers are clearly intended as main monitors in mastering studios and mixing rooms that have space to put free-standing speakers. The DSP controlled analog subwoofer output allows for easy integration with stereo subwoofers, for those that need high SPL performance below 40 Hz.By selecting Grimm’s own LS1s subwoofers, perfect integration with the main system is obtained, effectively turning the LS1 into a threeway system.More info can be found at the LS1 remote and the LS1s subwoofer page.For Measurement Charts (both in-house and third party – German Audio Magazine’s May 2013 issue) and photos of the LS1 please refer to the pictures section of this page.Features:Unidirectional down to 250 HzDSP controlled frequency curveWell-behaved off-axis responseDigital and analog audio inputsFiltered analog subwoofer outputFail safe due to excursion and thermal limiterMidi control of volume and settingsSuper low distortion NCore class D power ampsAudiophile quality Seas driversRemote control optionDifferent color scheme options Specifications:·         Frequency response: 55Hz-30kHz +/-0.5dB. 45Hz-40kHz -3dB(Low corner is user-settable between 35 Hz and 100 Hz, Q=0.7 or 0.5)With the addition of the LS1s Subwoofers, the LS1 can perform almost down to the infrasonic range·         Deviation from minimum phase +/-2°·         Amplifier power: 2x180W·         Max SPL: 109dB/1m·         SNR: 114dB (unweighted)·         Crossover function: 1.55 kHz LR4, sum corrected to minimum phase.·         Latency: 2ms·         Internal volume: 14 litres·         Height: 1150mm, 1450mm - available on demand.·         Width, depth: 520mm X 160mmFurther Resources:·         Download the LS1 PC remote software

19.990 €