Music Software

Bring studio-quality sound to your final masters. Experience an unprecedented level of detail and spaciousness from instruments and vocals! Listen for yourself how soundBlade provides exceptional sound along with the most comprehensize set of tools for mastering and delivery of 44.1K and newer high-resolution formats. With soundBlade you can burn CDRs and equally important create the industry’s most compliant DDP image files, a surefire method for error–free manufacture of great sounding tracks.All of the power of soundBlade SE plus...8/16-track recording editing and deliveryFull 4-band Sonic EQ with 14 topologiesSupports most AU/VST PluginsQuickTime interlockTrio DynPEQ PluginSuperb SoundListen to your music with increased clarity and spaceUse's Sonic Studio Engine (SSE) for best sound possibleImprove the sound of your final masterEdit & ProcessFast intuitive editingInfinitely adjustable 64 bit real-time FadesAcclaimed Sonic EQ - 3-band minimal phaseiZotope 64 bit Sample Rate ConversionAdvanced Sonic TPDF and iZotope mBit+ ditherExport & DeliverUse Mark Info Window for specification and creation of DDPs and CDRsExport tracks or entire albums as AIFF or BWF (with metadata)10x CD-R Burn and DDP Delivery and Export

NoNOISE is an award winning complete restoration suiteu sed by professionals worldwide for the best recording and restoration possible.NoNOISE II SR is the ultimate restoration available: Manual Declick :: Surgical Restoration Type A & C - Pitched, General, Left & Right Type D - DeClicker Type E - DeCrackler (adjustable & fixed) • Broadband DeNoise :: Mono / Stereo / Multi-channel Audio Unit Plugin (available Q1 2012)

The Sonnox Fraunhofer Pro-Codec Plug-In is designed for the real-time auditioning, encoding and decoding of audio signals using Fraunhofer codecs. In the past it has not been possible to critically audition and then encode multiple formats in real time within a host DAW environment. The revolutionary Sonnox Fraunhofer Pro-Codec now makes this possible, and includes extensive monitoring tools and built-in encoding/decoding features. Using this plug-in mix engineers may produce mixes optimised towards specific target codecs, thereby ensuring maximum fidelity. Similarly, Mastering engineers may audition in the final format and produce compensated masters for final encoding and distribution. Features Supported Codecs: - mp3, mp3 Surround, AAC-LC, HE-AAC, and HE-AAC v2 - mp3-HD and HD-AAC (Lossless Codecs) Ability to select up to five codecs for simultaneous export, in real time, to encoded files Comprehensive auditioning with glitchless switching Ability to audition the difference between input signal and codec output AB auditioning in real time between codecs, or between codec and input signal ABX mode for blind statistical testing Graphical displays include: - High resolution display of the Input signal and Diff signal. - Indication of the audibility of audio removed by the encoding process - Bitstream levels and ability to compensate for overloads - Indication of filesize or datastream compression - Phase metering Off-line encoding and decoding Compatible with many digital audio workstation applications, such as: - Pro Tools, Logic, Cubase, Nuendo, Sequoia and Wavelab. (Mac and PC)

Sonnox Restore is a suite of three plug-ins designed to accurately restore audio that is impaired. Its advanced algorithms and novel features allow fast and extremely effective removal of pops, clicks, crackles, scratches, hum, buzzes and extraneous background noise from virtually any recording.Contains: Oxford DeClicker, Oxford DeBuzzer and Oxford DeNoiser (Native format only - RTAS, AU or VST)

A well defined toolbox with a selection of Flux:: dynamic processing plug-ins and eq. providing a versatile and comprehensive set of precision tools for your everyday recording and mixing session work giving you the best processor for each task within the range of dynamics and equalization processing. Epure II is our State-Of-The-Art Equalizer, a five-band equalizer using one of our most complex proprietary algorithms ensuring the superior quality ever for a digital equalizing processor.  Each section provides- An individual bypass- Filter type that can be set to low cut, low shelving, peak, hi shelving or hi cut- Gain control with the range -24 dB to +24 dB- Frequency range covering the whole bandwidth- Q factor adjustable from 0.1 to 100   To match the perfection of the sound quality a range of user interface functions to improve the workflow are provided- Copy A and Copy B duplicate the twenty settings of one slot to the other with a single click- Morphing A/B allowing for ultra fast and precise operation- X2 and /2 affect the gain value for each equalizer section- Invert, to turn the positive gain values to negative ones and vice versa Pure Compressor produces a wide range of compressions from ultra clean subtle compressions to classic heavy pumping ones. It's up to your artistic choices not to the technology limitations.

 Pure DCompressor allows you to restore the original dynamic of a sound. The DCompressor is superior for heavily compressed signal adding some of that natural feeling to the sound.Pure Expander produces a wide range of expansion process from subtle expansions to hard noise-gate.
 Using Flux:: proprietary Angel's Share and Hysteresis algorithms Pure Expander allows you to remove unwanted noises or reverberation without adding a processed character to your sound.Pure DExpander enhances the low levels of the sound, magnifies the spatialization information and is also very useful when you want a compact expander sound. The Angel's Share algorithm permits some heavy processing though still keeping an organic character with the soundPure Limiter is using exquisite proprietary Flux:: algorithms generating a release-envelope producing no artifacts on the processed sound achieving a transparent limiting. A dramatic increase of the average audio level is easily achieved without damaging the perceived audio quality of the material.

This is the ultimate Vienna Symphonic Library anthology, from A to Z. 23 Collections, covering the symphonic orchestra and a lot more. This package includes every Vienna Instruments DVD Collection the Vienna Symphonic Library has ever released, except the Vienna Special Edition. With its unsurpassed number of over one million pristine sound recordings, this tour de force is by far the largest compilation of samples on the planet. And still, the power of Vienna Instruments lies in its simplicity, giving quick and easy access to this wealth of instruments and articulations, and rendering authentic results at the simple touch of a key. Includes: Solo Strings I Solo strings II Chamber Strings I Chamber Strings II Orchestral Srings I Orchestral Srings II Appassionata Strings I Appassionata Strings II Harps Woodwinds I Woodwinds II Special Woodwinds Brass I Brass II Special Brass Vienna Dimension Brass Saxophones Percussion Elements Vienna Imperial Konzerthaus Organ Special Keyboards Vienna Choir I

This is the ultimate Vienna Symphonic Library anthology, from A to Z. 23 Collections, covering the symphonic orchestra and a lot more. This package includes every Vienna Instruments DVD Collection the Vienna Symphonic Library has ever released, except the Vienna Special Edition. With its unsurpassed number of over one million pristine sound recordings, this tour de force is by far the largest compilation of samples on the planet. And still, the power of Vienna Instruments lies in its simplicity, giving quick and easy access to this wealth of instruments and articulations, and rendering authentic results at the simple touch of a key. Includes: Solo Strings I Solo strings II Chamber Strings I Chamber Strings II Orchestral Srings I Orchestral Srings II Appassionata Strings I Appassionata Strings II Harps Woodwinds I Woodwinds II Special Woodwinds Brass I Brass II Special Brass Vienna Dimension Brass Saxophones Percussion Elements Vienna Imperial Konzerthaus Organ Special Keyboards Vienna Choir I

This is the ultimate Vienna Symphonic Library anthology, from A to Z. 23 Collections, covering the symphonic orchestra and a lot more. This package includes every Vienna Instruments DVD Collection the Vienna Symphonic Library has ever released, except the Vienna Special Edition. With its unsurpassed number of over one million pristine sound recordings, this tour de force is by far the largest compilation of samples on the planet. And still, the power of Vienna Instruments lies in its simplicity, giving quick and easy access to this wealth of instruments and articulations, and rendering authentic results at the simple touch of a key.Includes: Solo Strings ISolo strings IIChamber Strings IChamber Strings IIOrchestral Srings IOrchestral Srings IIAppassionata Strings IAppassionata Strings IIHarpsWoodwinds IWoodwinds IISpecial WoodwindsBrass IBrass IISpecial BrassVienna Dimension BrassSaxophonesPercussionElementsVienna ImperialKonzerthaus OrganSpecial KeyboardsVienna Choir I

Ircam HEar v3 provides faithful reproduction of a stereo or surround mix with a pair of conventional stereo headphones. It relies on proven technology to model the various phenomena that occur when playing back audio material through a loudspeaker system.This allows monitoring a full surround mix in situations when a surround-capable environment is not available or practical. Another typical use of HEar is doing precise checking of a mix, which is convenient with headphones as these provide a ‘surgical’ and very detailed, microscope-like rendering of the audio. HEar can also prove very useful in a project studio context, and whenever noise isolation is a concern, as it helps achieving a more realistic sound environment.Binaural technology Binaural technology encompasses methods for recording, processing, synthesizing and reproducing sound that are specifically designed to preserve tridimensional localisation properties.In order to mimic the impression of a sound originating from a given incidence, it is sufficient to filter a mono signal, which on its own lacks any kind of spatial information, with both left and right HRTF filters. This constitutes the foundation of binaural synthesis.Please note that the resulting signal is only meant to be listened to with headphones, and isn’t designed for a conventional stereo loudspeaker setup.

VERB Session is based on the same fine technology used in the acclaimed IRCAM VERB algorithmic room acoustics and reverberation processor, with a modular construction employing a recursive filtering reverb engine, reproducing and synthesizing the specific acoustical characteristics of any spatial sound environment, developed utilizing the results of over a decade of intense research by the Acoustic and Cognitive Spaces Team at the IRCAM R&D centre in Paris.Tailored for simplicity, with a fast paced workflow well-suited for situations where the perfect result has to be achieved within seconds, VERB Session presents the ultimate solution whether you are a seasoned session engineer or a demanding broadcast and post-production mixer.

A suite of no less than three ingenious processors using advanced technology, developed during the last decades, by the sound analysis/synthesis team at IRCAM. These precision tools provide truly innovative signal transformation algorithms allowing the user to alter sound characteristics such as; pitch, timbre and duration, using a highly intuitive user interface.Transformer - Real-time Voice and Sonic Modelling ProcessorTRAX Transformer v3 is based on an augmented phase vocoder technology and a cutting edge transformation algorithm, allowing for manipulating characteristic properties of a voice such as gender, age and breath, and on any other sound; expression, formant and pitch.Cross Synthesis - Spectral Envelope Morphing ProcessorTRAX Cross Synthesis v3 utilizes a phase vocoder (the amplitude and the frequency/phase spectra), to morph the spectral characteristics of two sounds. The amplitude and frequency/phase spectra can be blended continuously and since the features that are used here are strongly nonlinear, the sound morphing is nonlinear as well, offering a way to create a wide range of new exciting and unusual sound effects.Source Filter - Enhanced Sound FilteringTRAX Source Filter v3 is based on a signal model decomposing the signal into a time envelope describing the energy/loudness contour of the sound, and a spectral envelope describing the spectral colour of the sound timbre. The energy contour and the spectral colour of the source sound, can be continuously blended with the spectral colour and energy contour of an arbitrary filtrating sound, allowing transformation that extend well beyond the more common source filter morphing effect.Specifications:Availability The Ircam Trax v3 plug-ins are available in the following configurations:Native - AU / VST / AAX NativeProcessing Specifications The TRAX v3 plug-ins, as all Flux:: plug-ins, provideUp to 8 channels Input/Output.64-bits internal floating point processing.Sampling rate up to 384 kHz DXD (Pyramix DSP based).Sampling rate up to 384 kHz for Native (AU/VST/AAX).Compatibility Windows - Vista, 7 and 8 all in both 32 and 64 bits*. (XP v.2.4 / 32 bit only)VST (2.4)AAX NativeMac OS X (Intel) - 10.7, 10.8 and 10.9 in both 32 and 64 bits.VST (2.4)AUAAX Native

Room Acoustics and ReverberationVERB is an algorithmic room acoustics and reverberation processor. It has a modular construction, employing a recursive filtering reverb engine, reproducing and synthesizing the specific acoustical characteristics of any spatial sound environment.Following a decade of intense research by the Acoustic and Cognitive Spaces Team at IRCAM, the IRCAM VERB introduce state of the art techniques for room acoustics simulation utilising advanced perceptive models, concealing the complexity behind the actual reverb algorithms and allowing for a flexible and intuitive experience for the user. The IRCAM VERB provides eight input and output channels, presenting the option for reverberation processing in multi-channel and surround formats. A built in Input/Output (I/O) routing matrix provides instant flexibility when setting up the I/O in relation to the physical audio monitoring in the control room.Signal Processing Features Input/Output gain controls for adjusting the levels before and after processing.Dry Mix control (Dry/Wet with gain compensation) allowing for parallel processing or for blending some of the original "peak" into the processed signal.Preset/Parameter slotsTo enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a "Global Preset" containing both the A and B settings, and the position of the "Morphing Slider", can be saved.Parameter Morphing Slider with AutomationThe Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.Processing Specifications Verb, as all Flux:: plug-ins, provideUp to 8 channels Input/Output.64-bits internal floating point processing.Sampling rate up to 384 kHz DXD (Pyramix DSP based).Sampling rate up to 384 kHz for native (AU/RTAS/VST). Compatibility  Windows - XP, Vista, 7 all in both 32 and 64 bits.VST (2.4)RTAS*Mac OS X - 10.4, 10.5, 10.6 in 32 bits.VST (2.4)AURTAS**The RTAS version requires ProTools 7 or later.

Flux / IRCAM next generation audio tools: IRCAM SPAT - The complete Room Acoustics Simulation and Localisation Solution With more than a decade of research performed by the Acoustic and Cognitive Spaces Team at IRCAM, being at the forefront of scientific and technological innovations, the SPAT is the most advanced and sophisticated tool for room acoustics simulation and localisation ever designed, managing both spatialisation (source localisation) and room acoustic simulation in a truly consistent and visually logical way. SPAT introduce state of the art techniques for room acoustics simulation utilizing advanced perceptive models, concealing the complexity behind the actual algorithms, allowing for intuitive and accommodating user interaction capabilities. Designed for surround and multi-channel use, SPAT presents the option to setup the output arrangements providing a variety of stereo and surround configurations, including subwoofer configuration. With eight input and output channels available in SPAT, configurations up to 7.1 and 8.0 are feasible. IRCAM VERB - Room Acoustics and Reverberation VERB is an algorithmic room acoustics and reverberation processor. It has a modular construction, employing a recursive filtering reverb engine, reproducing and synthesizing the specific acoustical characteristics of any spatial sound environment. Following a decade of intense research by the Acoustic and Cognitive Spaces Team at IRCAM, the IRCAM VERB introduce state of the art techniques for room acoustics simulation utilising advanced perceptive models, concealing the complexity behind the actual reverb algorithms and allowing for a flexible and intuitive experience for the user. The IRCAM VERB provides eight input and output channels, presenting the option for reverberation processing in multi-channel and surround formats. A built in Input/Output (I/O) routing matrix provides instant flexibility when setting up the I/O in relation to the physical audio monitoring in the control room. Transformer - Real-time Voice and Sonic Modelling Processor TRAX Transformer is based on an augmented phase vocoder technology, and a cutting edge transformation algorithm, allowing for manipulating characteristic properties of a voice such as gender, age and breath, and on any other sound; expression, formant and pitch. These voice transformation algorithms have already been used, with great success, in international and French cinema productions. (Farinelli, Vatel, Tirιsia, Les amours d'Astrιe and Cιladon). Cross Synthesis - Spectral Envelope Morphing Processor TRAX Cross Synthesis utilizes a phase vocoder (the amplitude and the frequency/phase spectra), to morph the spectral characteristics of two sounds. The amplitude and frequency/phase spectra can be blended continuously and since the features that are used here are strongly nonlinear, the sound morphing is nonlinear as well, offering a way to create a wide range of new exciting and unusual sound effects. Source Filter - Enhanced Sound Filtering Processor TRAX Source Filter is based on a signal model decomposing the signal into a time envelope describing the energy/loudness contour of the sound, and a spectral envelope describing the spectral colour of the sound timbre. The energy contour and the spectral colour of the source sound, can be continuously blended with the spectral colour and energy contour of an arbitrary filtrating sound, allowing transformation that extend well beyond the more common source filter morphing effect.

Be it a serious problem with the dynamics in a mix, a delicate mastering assignment, or a situation with complicated dynamics, Alchemist provides everything you need in order to accomplish. Designed with professional mastering and re-mastering applications in mind, the intricate design, superior workflow, and sound perfection, makes Alchemist tailored for the high demands of today’s music and pro-audio industry.ProcessingAlchemist operates as a single broadband processor or as a full-scale multiband processor offering up to five individual bands. Each band presents a complete dynamic processing section including; compressor, expander, de-compressor and de-expander, all working in parallel employing independent Angel’s share and Hysteresis parameters for each section.Angel's share and Hysteresis are key features of all Flux:: dynamic processors, using the dynamic range content of the signal and not just the signal levels as standard processors do. Angel’s share controls the amount of auto-ratio determined by the signal dynamics and by the manual ratio setting. Hysteresis controls the amount of auto-threshold determined by the signal dynamics and by the manual threshold value.Specifications:Availability Alchemist v3 is available in the following configurations:Native - AU / VST / AAX NativeMerging VS3 MassCore/NativeProcessing Specifications Alchemist v3, as all Flux:: plug-ins, provideUp to 8 channels Input/Output.64-bits internal floating point processing.Sampling rate up to 384 kHz DXD (Pyramix & Ovation MassCore/Native)Sampling rate up to 384 kHz for Native (AU/VST/AAX).Compatibility Windows - XP, Vista, 7, 8 and 8,1 all in both 32 and 64 bits.VST (2.4)AAX NativeMerging VS3 (Only in Windows 7 32/64 bits)Mac OS X (Intel) - 10.7, 10.8 and 10.9 in both 32 and 64 bits.VST (2.4)AUAAX Native

Where sound becomes music! The Epure II is a five-band equalizer with an algorithm designed to deliver the most superior quality achievable in digital equalizing processing today. The logical and comprehensive user interface includes a range of quick "shortcut" functions to enhance and simplify the user workflow, allowing for ultra fast and precise operation.For surround/multichannel operation up to eight channels of I/O, four MS decoders/encoders and internal processing groups are provided, all routable using the built in routing matrix.A powerful go-to processor for your day-to-day session work, and a sharp-edged surgical precision tool for the most demanding equalizingtasks conceivable  TDM/Venue version available.For the full feature set, hover your mouse over the small images to the right above.  Epure II Band Features   Each of the five band-sections providesFilter type selectionlow cutlow shelvingpeakhi shelvinghi cutFrequency range covering the whole bandwidthQ factor adjustable (from 1.00 to 100.00)Gain control (ranged -24 dB to +24 dB)BypassEpure II User Interface Features    To match the perfection of the sound quality of the Epure II, we have provided a range of user interface functions to improve the workflow.Multiply gain (x2) affecting the gain value of the band-section.Divide gain (/2) affecting the gain value of the band-section.Invert, converting the band-section positive values to negative and vice versa. Signal Processing Features Master gain control.Bypass routes the incoming signal direct to the output for a true smooth transition between processed and clean signal. Preset and Parameter Handling Preset/Parameter slotsTo enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a "Global Preset" containing both the A and B settings, and the position of the "Morphing Slider", can be saved. Parameter Morphing Slider with AutomationThe Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.Processing Specifications Epure II, as all Flux:: plug-ins, provideUp to 8 channels Input/Output.64-bits internal floating point processing.Sampling rate up to 384 kHz DXD (Pyramix DSP based).Sampling rate up to 384 kHz for native (AU/RTAS/VST).Compatibility All major native formats and TDM (Venue D-Show compatible)* are supported.Windows - XP, Vista, 7 all in both 32 and 64 bits.VST (2.4)RTAS*Mac OS X - 10.4, 10.5, 10.6 in 32 bits.VST (2.4)AURTAS**The TDM/RTAS version requires ProTools 7 or later.

The complete dynamic processing solution for superior sonic quality and distortion free operation within all fields of demanding audio processing. Primarily designed for mastering and re-mastering applications, making it a really versatile workhorse in the studio.Four dynamic sections work in parallel, compressor, de-compressor, expander and de-expander. Three release modes (manual, auto, and advanced) are available. In advanced mode the minimum and maximum release values are user adjustable. An Auto Delay function allows zero attack times by introducing a delay line in the processed signal. The side chain features a three-band equalizer to generate frequency sensitive processing. Angel's Share is the parameter controlling the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. Hysteresis is the parameter controlling the amount of auto-threshold determined by the signal dynamics and the manual threshold value. Angel's Share and Hysteresis are key features of all Flux:: dynamic processors because they make use of the dynamic range content of the signal, and not just the signal levels as standard processors do.Many new functions have been added to the original Solera. External side chain inputs are now available. New dynamic detection algorithms are available. The Hysteresis and Angel's Share parameters are now independent for each dynamic section. Each dynamic section now has a Hold parameter and a Threshold for Hysteresis. Classic modes and Feedback modes are now available for signal level detection, completing the legacy Solera mode. A Maximum mode can be engaged on the Hysteresis control, allowing processing that takes into account maximum values of both the standard and the Hysteresis detection schemes.Our exclusive A / B morphing system, allows instant and efficient global control of processing. The preset manager allows you to save global presets made up of two different presets including the A / B morphing slider position. Note also that factory presets are provided for every plug-in.  Solera II manages digital audio up to 384 KHz, and up to 8 channels. This is the native version of the plug-in for AU, RTAS and VST.The DSP based Pyramix version is available from the Merging Technologies sale network.For the full feature set, hover your mouse over the small images to the right above. Signal Processing Features Input/Output gain controls for adjusting the levels before and after processing.Phase invert of the processed signal.Dry Mix control (Dry/Wet with gain compensation) allowing for parallel processing or for blending some of the original "peak" into the processed signal.Clipper, a discrete peak limiter at the very last stage of the processing chain rounding off the peaks smooth and musically.Bypass routes the incoming signal direct to the output for a true smooth transition between processed and clean signal.Preset and Parameter Handling Preset/Parameter slotsTo enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a "Global Preset" containing both the A and B settings, and the position of the "Morphing Slider", can be saved. Parameter Morphing Slider with AutomationThe Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation. Processing Specifications Solera II, as all Flux:: plug-ins, provideUp to 8 channels Input/Output.64-bits internal floating point processing.Sampling rate up to 384 kHz DXD (Pyramix DSP based).Sampling rate up to 384 kHz for native (AU/RTAS/VST). Compatibility All major native formats are supported Windows - XP, Vista, 7 all in both 32 and 64 bits.VST (2.4)RTAS*Mac OS X - 10.4, 10.5, 10.6 in 32 bits.VST (2.4)AURTAS**The RTAS version requires ProTools 7 or later.

When we started sketching our new plug-in project, our aim was to create a versatile and truly musical dynamics processor, which handles the dynamics in a way that allows you to be creative, without a complicated user interface.The result is Syrah, a new generation dynamics processor utilizing real time dynamic detection and level dependent processing, providing adaptive dynamic capabilities, which mean that Syrah is always trying to adapt to the music and to the beat of the material.Using parts of our exquisite ‘BitterSweet’ technology, our new adaptive-dynamics technology, and our well-recognized level independent dynamics processing, Syrah will be well suited as a creative versatile processor for recording and mixing, as well as for delicate and demanding mastering tasks.User Interface and WorkflowAs you may notice, the controls are not the usual suspects found on a dynamics processor, instead, the controls provided typically affect more than one parameter in the underlying algorithms, with everything carefully tweaked allowing for creative processing still ensuring the finest sound achievable.The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other. even during playback. Except for only A/B comparing two set of parameters, the morphing slider will allow for mixing them, and if desired, record the morph with the host automation.With the built in preset manager, you can save a complete snapshot (called a Global Preset) with all the settings from both of the preset slots, as well as the position of the preset morphing slider, allowing for instant recall of your morphing set.Specifications:Availability Syrah v3 is available in the following configurations:Native - AU / VST / AAX Native+AAX DSP - AU / VST / AAX Native / AAX DSPMerging VS3 MassCore/NativeProcessing Specifications Syrah v3, as all Flux:: plug-ins, provideUp to 8 channels Input/Output.64-bits internal floating point processing.Sampling rate up to 384 kHz DXD (Pyramix & Ovation MassCore/Native)Sampling rate up to 384 kHz for native (AU/VST/AAX).Compatibility Windows - XP, Vista, 7, 8 and 8,1 all in both 32 and 64 bits.VST (2.4)AAX Native/DSPMerging VS3 (Only in Windows 7 32/64 bits)Mac OS X (Intel) - 10.7, 10.8 and 10.9 in both 32 and 64 bits.VST (2.4)AUAAX Native/DSP

Altiverb 7 Regular is the Post and music production industry standard stereo convolution reverb. It comes with the renowned full library of impulse responses. Below you can click through pictures that reveal most of Altiverb's features at a glance. Read on to find out about the features that are not visible in the interface.Altiverb 7 RegularWindows: VST, RTAS and Audio Suite.Mac OS X: MAS, Audio Unit, RTAS and Audio Suite, Universal Binaries for both Power PC and Mac-IntelPower PC VSTThe Full Altiverb Impulse Response libraryFull parameter automationan impulse response browser that replaces the impulse response popup menu.mono to mono, mono to stereo, and stereo to stereo channel configurations.supported sample rates up to and including 96 kHz.40 automation preset memories for total-recall via parameter automation.iLok or Challenge-Response authorization.Sample your own spaces or gear (Mac only)

A bad GSM connection on a busy sidewalk, a bullhorn with feedback and a helicopter overhead, or a 1952 rockabilly guitar amp in a recording studio live room: The Speakerphone audio plug-in gives you authentic speakers of any size together with their natural environments.All the walkie-talkies, distant transistor radios, upstairs TV sets, bullhorns, cell phones and guitar cabinets you will ever need. Speakerphone (Mac , Windows, iLok or challenge response) will add dial tones, operator, static, and you can select from a wealth of ambiences on either the caller or receiver's end.400 speaker impulse responses, 23 microphones, 106 'Covers' (from blankets to car trunks), 53 Altiverb rooms and outdoor spaces, 5 gigabyte of ambiences and sound FX, and 12 DSP modules from Leslie to GSM compression, conveniently presented to you in well over 500 presets.Take the tours by clicking the movies on the right.

With its comprehensive design, Trilian brings many different types of Bass together into one extraordinary-sounding virtual instrument. Trilian is designed from the ground up to be the most versatile bass virtual instrument available today with a new level of expressive, real-time performance for acoustic and electric basses – plus cutting-edge synth bass tones with powerful editing and extraordinary sound quality. Trilian is the successor to Spectrasonics’ award-winning Trilogy bass instrument, offering deeper control of musical expression and much greater flexibility of sound shaping. Trilian’s 34GB library is 10-times the size of Trilogy and features all new acoustic, electric and synth basses. Powered by next generation STEAM Engine technology, Trilian is the first instrument to feature core library integration with Spectrasonics flagship Omnisphere® synth – allowing Trilian’s sounds to be used within the Omnisphere environment for further sound design and keyboard/bass splits. “At Spectrasonics, we’ve always loved Bass sounds.” notes Eric Persing, Founder and Creative Director. “When we started 15 years ago, our very first product was the best-selling Bass Legends sample library. Then in 2002, we introduced Trilogy – the world’s first Bass Virtual Instrument. Now we are very pleased to release Trilian, which represents a whole new generation of our Bass development. Trilian is built on the STEAM Engine that powers Omnisphere, which has allowed us to create the most expressive and flexible Bass module we’ve ever made.” PERFORMANCE The new acoustic and electric basses in Trilian are sampled at an extremely high level of detail. The combination of the software’s intuitive, automatic selection of legato and release articulations as the user plays - and the extensive ‘Round-Robin’ variations introduced for natural sounding bass lines with repeated notes - create a more dynamic and subtle playing experience. Newly developed multisampled dynamic slides let notes realistically slide from one to another. Each of the new basses feature multi-channel mixing between phase-locked microphone/amplifier and direct outputs of each bass. BASS INSTRUMENTS Over sixty different 4, 5, 6 and 8 string Electric basses are presented in fingered, picked, fretless, slapped, tapped, and muted technique variations – providing a huge variety of sounds for any musical genre. Highlights of the new Electric Basses include a Music Man™ 5-string Studio Bass, Chapman Stick®, Lakland™ Rock P-Bass, Clean Fender® Jazz Bass, a Hardcore Rock Bass, a Retro 1960’s Epiphone® Viola Bass and much more. Trilian’s stunning new Acoustic Bass is the most detailed instrument Spectrasonics has ever released, with 4 audio channels and over 21,000 samples to create this single instrument! All this combined with Trilian’s high-resolution streaming of the sounds puts a depth of realism into performances that is truly inspiring. SOUND CREATION For Synth sounds, Trilian features newly-developed 4-Pole “Juicy” and “Power” Filter algorithms with oscillating resonance that are ideal for electronic bass. Hundreds of synth soundsources were created using over 30 of the most exotic and coveted hardware synthesizers – from the original Moog® Taurus Pedals to the latest boutique analog modular synthesizers. A multitude of extremely powerful editing controls are available for sound design – including the “FlexMod” modulation system, Dual Filters with more than 19 filter types, 6 multistage looping envelopes, 6 full-featured LFOs, dual morphing modulation, modulatable FX racks and much more. Trilian’s FX racks include all of the renowned FX processors from Omnisphere and Stylus RMX – including a wide variety of amp and speaker models, distortions, dynamics processors, equalizers, chorus, phasers, flangers, delays, reverbs, unique specialty FX and more. LEGACY As Spectrasonics' next-generation bass instrument, Trilian includes enhanced, remastered versions of Trilogy’s core library – taking it to a new level of sound and expression. As a special bonus, Spectrasonics’ original “Bass Legends” multisamples have also been remastered and included in the Trilian library, featuring Marcus Miller, John Patitucci, and Abraham Laboriel (bass sounds which some hardware synth users may remember from popular Roland Xpansion boards and the classic MBD-1 rack bass module). INTEGRATION Trilian is the first virtual instrument to feature core library integration with Spectrasonics award-winning, flagship Omnisphere synthesizer. Trilian’s complete sound library can be opened within Omnisphere for further synthesis and expanded performance possibilities. Trilian’s Arpeggiator features the “Groove Lock” technology Spectrasonics pioneered in Omnisphere and Stylus RMX’s Time Designer – which means that with a simple drag and drop action, the feel of bass patterns created with Trilian’s Arpeggiator can be perfectly synchronized between all three of Spectrasonics instruments. INTERFACE The new Custom Controls interface on the Main page of each patch brings out the most useful and interesting sound modification controls for that specific patch, and a single control can even modify numerous parameters to create unique FX. The Custom Controls are all MIDI Learnable, Automatable and users can create their own configurations of Custom Controls. COMPATIBILITY Trilian is cross-platform compatible with Apple Macintosh OS X 10.4.9 and higher as a native Universal Binary for Intel-Macs and Macintosh G5, and also with Microsoft Windows 7/Vista and XP SP2 and later. 32-bit Audio Units, VST, and RTAS plug-in formats are supported for compatibility with all major host software.

BackBeat Live Studio Drum Grooves. Awesome Live Acoustic Drum Grooves . Authentic Feel and Hi-Fi Sound. Multiple world-class Drummers, Studios and Engineers Newly developed Multi patches take full advantage of new S.A.G.E.™ (Spectrasonics Advanced Groove Engine) technology with multitrack grooves which show the full potential of BackBeat with Stylus RMX. Essential Styles for Rock and Pop production Transitional Song Construction Elements and Fills Ultra-Wide Sonic Variety Unprecedented Control with SAGE-based Groove Control™ Special Bonus Section includes grooves from Bizarre Guitar, Vocal Planet, Distorted Reality and more!Live drumming at its purest with astounding flexibility. Four world-class drummers contributed their vast talents in some of the most famous recording studios in the world. The result is a state-of-the-art,"super Hi-Fi" sound that adds a whole new dimension to what Stylus RMX can do. The featured players include: Gregg Bissonette (Santana, Joe Satriani, Don Henley) Bob Wilson (Liquid Grooves, George Benson, The Crusaders) John Ferraro (Larry Carlton, David Benoit, Albert Lee, Aaron Neville) Eric Boseman (Liquid Grooves, James Newton-Howard) Dont miss this this best-selling Xpander if you're looking for inspiring "straight-ahead" drum grooves that aren't overplayed!

Burning Grooves. Live Hardcore Drum Grooves Maximum Impact Live Drum Grooves Aggressive Sound, Feel & Style Featuring Abe Laboriel Jr! Newly developed Multi patches take full advantage of new S.A.G.E.™ (Spectrasonics Advanced Groove Engine) technology with multitrack grooves which show the full potential of Burning Grooves with Stylus RMX. High Energy Styles that work across a wide musical spectrum No Kick and No Snare versions Large quantity of diverse grooves Rare Tom-Tom and Sidestick grooves! Different time signature grooves (3/4, 5/4, 6/8, 7/8, 12/8) Brand-New "Acoustic Groove Elements" category! Unprecedented Control with SAGE based Groove Control Special Bonus Section includes grooves from Bizarre Guitar, Vocal Planet, Distorted Reality and more!Blazing live drum grooves with extreme remixes by producer Eric Persing. A diverse selection of unrelenting alternative, power funk, progressive soul, rock & roll and grungehead loops in a wide variety of tempos and different time signatures puts this collection in a class by itself. Featuring legendary drummer Abe Laboriel Jr. (Paul McCartney, Sting, Seal, Chris Isaak, Steve Vai, k.d.lang, Jeff Beck, Joe Sample, Scritti Politti) If you're looking for attitude, search no further. Where there's smoke, there's fire! Review Quotes: "A slammin' combination of loops....Sizzling cymbals and punchy drums are the name of the game...not just natural sounds...I would definitely use these grooves not only because the playing is good, but because I like the modern sound design....top honors for providing one new mix after another...killer beats throughout...Rock-solid playing...Excellent." - KEYBOARD magazine 5 star review "Discs like Burning Grooves have raised the standard of drumming CDs so highly that in order to make their mark these days drumming CDs have to offer more than just expert solo drum performances...The quality of both the playing and recording is first class...the rhythms are straight 'on-the-money', and very usable...they sound extremely natural with an impressive degree of dynamic responsiveness." - SOUND ON SOUND review"The collection will appeal to just about anyone who is looking to add a live drum loop to a track, the extra processing that the collection has undergone adds an extra element of interest, but without drifting too far from the core theme. Thoroughly recommended." - Sounduser.com website review

Liquid Grooves. Unique Acoustic Remix Grooves One-of-a-kind Acoustic Drum & Percussion Grooves Highly Creative Sound, Feel & Style Ethnic grooves with unique processing Newly developed Multi patches take full advantage of new S.A.G.E.™ (Spectrasonics Advanced Groove Engine) technology with multitrack grooves which show the full potential of Liquid Grooves with Stylus RMX. Korg Wavedrum grooves and Remixes Useful Styles that work across the whole musical spectrum Multitrack style elements ideal for remixing Unprecedented Control with SAGE-based Groove Control Special Bonus Section includes grooves from Bizarre Guitar, Vocal Planet, Distorted Reality and more!Quite possibly the most versatile Xpander ever! The critically-acclaimed Liquid Grooves with SAGE technology provides an endless amount of possibilities that will be inspiring for years to come. Fluid rhythms forged by a synthesis propelling live drum grooves, unusual, organic live percussion loops and unique ethnic sources. Works extremely well with Chaos Designer! The new Multis have to be heard to be believed!The featured players include: Bob Wilson (Backbeat, George Benson, The Crusaders) Eric Boseman (Backbeat, James Newton-Howard) An inspiring, one-of-a-kind collection from producer Eric Persing. Review Quotes: "Sampling's finest hour....A masterpiece of layering, effecting and processing...a hugely atmospheric feel...the rhythms are musically useful, and virtually all of them spark compositional ideas...all the elements of every full mix and remix are available individually to give the user maximum flexibility...Eric Persing at his creative best.." -5 stars SOUND ON SOUND review "...Truly inspiring...expertly performed and recorded, and the sound quality is uniformly excellent...The basic grooves are very interesting...The heavily effected versions are striking in their attitude and atmosphere. ...producer Eric Persing has outdone himself with creative processing...Although all of the loops start out as acoustic performances, by the time he has finished with the remix variations they're perfect for trip-hop, lo-fi, or acid jazz tracks...good use of the Korg Wavedrum; perfect for the other-worldly vibe of this disc...Musical, grooving, clever ... aw, these loops just plain sound great...played right in the pocket..the recording quality and performances are first-class...If these loops don't inspire you, hang it up." -KEYBOARD magazine (rated Outstanding)"The Groove Control feature really highlights the power of modern samplers and sequencers, all together giving the user a very powerful and flexible tool." -Sounduser.com website review For more SAGE Xpanders check out Retro Funk, Burning Grooves, Backbeat and Metamorphosis!

Metamorphosis. 21st Century Grooves Huge variety of remix elements to explore Useful across a wide musical spectrum Unprecedented Control with SAGE-based Groove Control Newly developed Multi patches take full advantage of new S.A.G.E.™ (Spectrasonics Advanced Groove Engine) technology with multitrack grooves which show the full potential of Metamorphosis Grooves with Stylus RMX. Special Bonus Section includes grooves from Bizarre Guitar, Vocal Planet, Distorted Reality and more!Extraordinary 21st Century Grooves from acclaimed producer Eric Persing. The award-winning Metamorphosis features a vast array of highly creative remix grooves that defy description. Great for any projects that require cutting edge sound, yet timeless grooves. Mixes very well with the Stylus RMX core library and has a large selection of suites to build your own remixes. Like his famous Distorted Reality series, Metamorphosis is a testament to Persing's inimitable style!Review Quotes:"Persing has done it again... hundreds of remix grooves ranging from airy, pulsing blobs to woofer-wrenching club destroyers. If you're looking for cutting-edge remixology, check out Metamorphosis!" -Harmony Central NAMM "Hot Pick" award"Amazing, description-defying sounds on this bases-loaded, outta-the-park home run collection...scandalously creative sound design...everything from sizzling electronic and ethnic-sounding percussion loops to gut-busting kicks that thump out of the speakers with all the angst of an Outkast cut. The sound quality is top-notch throughout...The loops are not only impressive from a production standpoint, they're incredibly musical and inspirational, which is why we've given Metamorphosis a Key Buy." -Keyboard magazine Key Buy and NAMM "Top 20" product award "We are already TOTALLY digging Metamorphosis!" -Mark Isham (film composer, recording artist) "There's far more here than just a collection of gritty, scratchy old funk rhythms with a slight swing. There's distortion, filtering, extreme effects and synthesized sound — the list of gear used in the creation of the samples extends to two pages of hardware and software. This is not a night out with an HR16 and a Quadraverb! The degree and type of processing varies enormously throughout the library, but at no point are the loops rendered unusable through over-zealous mangling. The loops really groove nicely, while the processing gives them character and depth that would be very hard to find from any other source." -Sound on Sound magazine Five Star review "The important thing about Metamorphosis is that the loops work, they sound fantastic and if used properly, they don't overwhelm. Metamorphosis is another superb effort by the Spectrasonics team that should most certainly be in any electronic composers' creative sound palette." -Sonic Control FIVE STAR review "Absolutely brilliant...I was looking for some loop-based material to make a song backing track more dramatic and interesting. Within 10 minutes of working with 'Metamorphosis', I'd found three or four loops that exactly fitted the bill. After an hour, I'd found so much useable material that my mind was beginning to boggle! I really like the way Eric Persing uses distortion and phasing, but somehow manages to maintain the loop's sonic integrity. The end result is exactly to my taste, powerful without being overpowering, funky without being clichιd. I don't know exactly how he does it, but I do know it would take me weeks to get anywhere near the same effect! My congratulations for making the world of sampling inspirational again." -English keyboard legend Dave Stewart "Awesome...so many great ideas..thanks!" -Robbie Buchanan (producer, keyboardist) "Persing has set the standard for how groove libraries should be done....Inspiring." -Bruce Richardson, Pro-Rec web site For more SAGE Xpanders check out Retro Funk, Burning Grooves, Liquid Grooves and Backbeat!

Retro Funk. Live Vintage Drum Grooves Awesome Live Acoustic Drum & Percussion Grooves Authentic Vintage Sound, Feel & Style Multiple world-class Drummers, Studios and Engineers Newly developed Multi patches take full advantage of new S.A.G.E.™ (Spectrasonics Advanced Groove Engine) technology with multitrack grooves which show the full potential of Retro Funk with Stylus RMX. Essential Styles that work across the whole musical spectrum Transitional Song Construction Elements and Fills Ultra-Wide Sonic Variety Unprecedented Control with SAGE based Groove Control Special Bonus Section includes grooves from Bizarre Guitar, Vocal Planet, Distorted Reality and more!Killer variety and groove factor from the same team of talent behind BackBeat. Presented in the same song construction format as BackBeat, but with a dryer and more classic sound. Very versatile in many styles (not only Funk and Soul) and works incredible well with the Stylus RMX Chaos Designer! Intros, Fills, Fill Bars, Breakdowns and separate Claps, Cymbals & live percussion loops too!The featured players include: Gregg Bissonette (Santana, Joe Satriani, Don Henley) Bob Wilson (Liquid Grooves, George Benson, The Crusaders) John Ferraro (Larry Carlton, David Benoit, Albert Lee, Aaron Neville) Eric Boseman (Liquid Grooves, James Newton-Howard) If you're a fan of classic live drumming like BackBeat... Retrofunk is the essential companion!Review Quotes: " This is a release that deals in sheer quality. Top LA session drummers focusing on laid-back and super-cool funk drumming...more than enough authentically '70s drumming sounds and styles to keep retro-heads happy. Provides all the flavor and spirit of retro soul/funk while at the same time fusing it with a 'must-sample' sound quality and an infectiously musical groove. There is a fantastically wide range of drum sounds used in the grooves...amazingly tight and powerful funk-rock kit sounds that would give even hard rockers a run for their money...Ultimately, Retrofunk's flair, precision, musicianship and sheer usefulness certainly rate it as one of the best drumming discs. -Sound on Sound 5 Star review For more SAGE Xpanders check out Backbeat, Burning Grooves, Liquid Grooves and Metamorphosis!

Stylus RMX is a completely new groove-based virtual instrument plug-in for Macintosh and Windows. Stylus RMX is the first product to offer the combined power of Groove Control™ with Spectrasonics Advanced Groove Engine (S.A.G.E.™) technology giving users dramatic new control over groove production and performance. Spectrasonics’ in-house development team created the new instrument from the ground up, with dozens of new features including the ground-breaking Chaos Designer™, a completely redesigned multi-page user interface, a new core library of sounds, all with a focus on realtime groove creation and performance.“Xpandable” Stylus RMX marks Spectrasonics’ first expandable virtual instrument, with a series of five new “S.A.G.E. Xpanders” for Stylus RMX at $99US retail each. Stylus RMX also can be expanded with existing Groove Control CD-ROM libraries and even REX files – which opens the door for musicians to utilize their own audio loops within the powerful S.A.G.E. Environment.Chaos Designer™ Of the many new capabilities in Stylus RMX, possibly the most innovative feature is the Chaos Designer™. With simple controls, the user can introduce musical Chaos into the groove, which allows it to have constantly evolving variations— giving the impression that the audio grooves are improvising. The results can be subtle or extreme by setting the simple to use controls. A Capture feature allows the spontaneous audio chaos patterns to be made into a MIDI file, dragged and dropped into the host sequencer, and played back again for further editing by the user.

With more than a decade of research performed by the Acoustic and Cognitive Spaces Team at Ircam, being at the forefront of scientific and technological innovations, Spat v3 is the most advanced and sophisticated tool for room acoustics simulation and localisation ever designed, managing both spatialisation (source localisation) and room acoustic simulation in a truly consistent and visually logical way.Designed for surround and multi-channel use, Spat v3 presents the option to setup the output arrangements providing a variety of stereo and surround configurations, including subwoofer configuration. With eight input and output channels available in SPAT, configurations up to 7.1 and 8.0 are feasible.Each of the up to eight incoming audio channels is internally mapped to a range of Virtual Sources localized in a 3D space, and connected to a room (a reverb). Up to 3 rooms in parallel are provided, presenting the option to simulate complex spaces (coupled room acoustics).Spat v3 introduce state of the art techniques for room acoustics simulation utilizing advanced perceptive models, concealing the complexity behind the actual algorithms, allowing for intuitive and accommodating user interaction capabilities.Specifications:Availability Ircam Spat v3 is available in the following configurations:Native - AU / VST / AAX NativeProcessing Specifications Ircam Spat v3, as all Flux:: plug-ins, provideUp to 8 channels Input/Output.64-bits internal floating point processing.Sampling rate up to 384 kHz for Native (AU/VST/AAX).Compatibility Windows - XP, Vista, 7, 8 and 8,1 all in both 32 and 64 bits.VST (2.4)AAX NativeMac OS X (Intel) - 10.7, 10.8 and 10.9 in both 32 and 64 bits.VST (2.4)AUAAX Native

The Oxford Dynamics plug-in is modeled on the extremely flexible and capable unit used in the OXF-R3 professional mixing console. Resulting from many years research into professional dynamics applications, it offers separate Compress, Limit, Expand, Gate and side chain EQ functions, with full independent control of all parameters. Features such as selectable time constant curves and variable soft compress functions allow the user to confidently tackle all common uses of compression, from subtle unobtrusive level control and mastering functions to the production of great artistic effects. The use of a feed-forward architecture with logarithmic side chain processing, making use of look-ahead techniques, ensures exemplary sonic characteristics and dynamic accuracy, with an artistic capability simply unavailable from other single units, analogue or digital. This highly sophisticated and professional product has the power and flexibility to obviate the need for many of the separate applications most users keep for specific uses.         FEATURES Channel Dynamics with separately controlled sections for Compressor, Limiter, Gate and Expander. Channel Dynamics includes fully featured 2 Band side chain EQ which can also be used in signal path. Separate Bus Compressor / Limiter with surround multi-format support and selectable Sub channel filtering and gain contribution control. Selectable linear and exponential time constant curves. Highly accurate logarithmic side chain processing. Fully variable soft ratio function for extreme programme tolerance and highly musical compression. Variable harmonic enhancement for extra loudness, presence and 'punch'. Selectable re-dithering function for word length reduction in mastering situations. Extremely low signal path noise and distortion, below -130dBr. All functions are fully automated.

The Oxford Dynamics plug-in is modeled on the extremely flexible and capable unit used in the OXF-R3 professional mixing console. Resulting from many years research into professional dynamics applications, it offers separate Compress, Limit, Expand, Gate and side chain EQ functions, with full independent control of all parameters. Features such as selectable time constant curves and variable soft compress functions allow the user to confidently tackle all common uses of compression, from subtle unobtrusive level control and mastering functions to the production of great artistic effects. The use of a feed-forward architecture with logarithmic side chain processing, making use of look-ahead techniques, ensures exemplary sonic characteristics and dynamic accuracy, with an artistic capability simply unavailable from other single units, analogue or digital. This highly sophisticated and professional product has the power and flexibility to obviate the need for many of the separate applications most users keep for specific uses.         FEATURES Channel Dynamics with separately controlled sections for Compressor, Limiter, Gate and Expander. Channel Dynamics includes fully featured 2 Band side chain EQ which can also be used in signal path. Separate Bus Compressor / Limiter with surround multi-format support and selectable Sub channel filtering and gain contribution control. Selectable linear and exponential time constant curves. Highly accurate logarithmic side chain processing. Fully variable soft ratio function for extreme programme tolerance and highly musical compression. Variable harmonic enhancement for extra loudness, presence and 'punch'. Selectable re-dithering function for word length reduction in mastering situations. Extremely low signal path noise and distortion, below -130dBr. All functions are fully automated.

The Oxford Dynamics plug-in is modeled on the extremely flexible and capable unit used in the OXF-R3 professional mixing console. Resulting from many years research into professional dynamics applications, it offers separate Compress, Limit, Expand, Gate and side chain EQ functions, with full independent control of all parameters. Features such as selectable time constant curves and variable soft compress functions allow the user to confidently tackle all common uses of compression, from subtle unobtrusive level control and mastering functions to the production of great artistic effects. The use of a feed-forward architecture with logarithmic side chain processing, making use of look-ahead techniques, ensures exemplary sonic characteristics and dynamic accuracy, with an artistic capability simply unavailable from other single units, analogue or digital. This highly sophisticated and professional product has the power and flexibility to obviate the need for many of the separate applications most users keep for specific uses.         FEATURES Channel Dynamics with separately controlled sections for Compressor, Limiter, Gate and Expander. Channel Dynamics includes fully featured 2 Band side chain EQ which can also be used in signal path. Separate Bus Compressor / Limiter with surround multi-format support and selectable Sub channel filtering and gain contribution control. Selectable linear and exponential time constant curves. Highly accurate logarithmic side chain processing. Fully variable soft ratio function for extreme programme tolerance and highly musical compression. Variable harmonic enhancement for extra loudness, presence and 'punch'. Selectable re-dithering function for word length reduction in mastering situations. Extremely low signal path noise and distortion, below -130dBr. All functions are fully automated.

The EQ plug-in is based on the OXF-R3 EQ section. It is a fully functional 5-band application with selectable shelf settings on LF and HF sections. Additionally, separate variable slope low pass and high pass filters are provided. The EQ also features 4 different selectable EQ types that cover most of the EQ styles currently popular amongst professional users, including some legacy styles which are renowned for their artistic capability. The use of novel coefficient generation and intelligent processing design provides unparalleled performance that surpasses analogue EQ in both sound quality and artistic freedom. This plug-in may well provide all the EQ you ever needed.         FEATURES Five band parametric design Selectable shelf settings on LF and HF sections LF and HF Filters providing up to 36dB/Octave slope Four selectable EQ types Fully decramped HF response Support for sample rates up to and including 192kHz(96kHz on Demo version) Fully automatable (including separate automation for A and B settings) Includes six plugins in total for optimal DSP usage(Mono and Stereo versions of EQ, Filters, and EQ and Filters)

The EQ plug-in is based on the OXF-R3 EQ section. It is a fully functional 5-band application with selectable shelf settings on LF and HF sections. Additionally, separate variable slope low pass and high pass filters are provided. The EQ also features 4 different selectable EQ types that cover most of the EQ styles currently popular amongst professional users, including some legacy styles which are renowned for their artistic capability. The use of novel coefficient generation and intelligent processing design provides unparalleled performance that surpasses analogue EQ in both sound quality and artistic freedom. This plug-in may well provide all the EQ you ever needed.         FEATURES Five band parametric design Selectable shelf settings on LF and HF sections LF and HF Filters providing up to 36dB/Octave slope Four selectable EQ types Fully decramped HF response Support for sample rates up to and including 192kHz(96kHz on Demo version) Fully automatable (including separate automation for A and B settings) Includes six plugins in total for optimal DSP usage(Mono and Stereo versions of EQ, Filters, and EQ and Filters)

The EQ plug-in is based on the OXF-R3 EQ section. It is a fully functional 5-band application with selectable shelf settings on LF and HF sections. Additionally, separate variable slope low pass and high pass filters are provided. The EQ also features 4 different selectable EQ types that cover most of the EQ styles currently popular amongst professional users, including some legacy styles which are renowned for their artistic capability. The use of novel coefficient generation and intelligent processing design provides unparalleled performance that surpasses analogue EQ in both sound quality and artistic freedom. This plug-in may well provide all the EQ you ever needed.         FEATURES Five band parametric design Selectable shelf settings on LF and HF sections LF and HF Filters providing up to 36dB/Octave slope Four selectable EQ types Fully decramped HF response Support for sample rates up to and including 192kHz(96kHz on Demo version) Fully automatable (including separate automation for A and B settings) Includes six plugins in total for optimal DSP usage(Mono and Stereo versions of EQ, Filters, and EQ and Filters)

The Inflator is a unique process that can provide an increase in the apparent loudness of almost any programme, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal. The inflator process can also bring power, presence and warmth to programme material and even provide headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems. Use the Inflator to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes.          FEATURES Increases the loudness of almost any programme material. Creates warmth, character and dynamic excitement, similar to that of analogue systems. Provides virtual headroom above digital maximum to allow percussive peaks to pass without causing signal overload. Creates artistic effects ranging from subtle tube-like harmonic characteristics for warmth, presence and 'in your face' fatness, to outright saturation distortion modelling. Features two modes of operation - direct and band split - for maximum flexibility and artistic creativity. These two modes also ensure optimal DSP usage. Digidesign Pro Tools HD, Mix compatible (RTAS version also included)

The Inflator is a unique process that can provide an increase in the apparent loudness of almost any programme, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal. The inflator process can also bring power, presence and warmth to programme material and even provide headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems. Use the Inflator to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes.          FEATURES Increases the loudness of almost any programme material. Creates warmth, character and dynamic excitement, similar to that of analogue systems. Provides virtual headroom above digital maximum to allow percussive peaks to pass without causing signal overload. Creates artistic effects ranging from subtle tube-like harmonic characteristics for warmth, presence and 'in your face' fatness, to outright saturation distortion modelling. Features two modes of operation - direct and band split - for maximum flexibility and artistic creativity. These two modes also ensure optimal DSP usage. Digidesign Pro Tools HD, Mix compatible (RTAS version also included)

The Inflator is a unique process that can provide an increase in the apparent loudness of almost any programme, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal. The inflator process can also bring power, presence and warmth to programme material and even provide headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems. Use the Inflator to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes.          FEATURES Increases the loudness of almost any programme material. Creates warmth, character and dynamic excitement, similar to that of analogue systems. Provides virtual headroom above digital maximum to allow percussive peaks to pass without causing signal overload. Creates artistic effects ranging from subtle tube-like harmonic characteristics for warmth, presence and 'in your face' fatness, to outright saturation distortion modelling. Features two modes of operation - direct and band split - for maximum flexibility and artistic creativity. These two modes also ensure optimal DSP usage. Digidesign Pro Tools HD, Mix compatible (RTAS version also included)

The Sonnox Transient Modulator is an application that allows dynamic level of signals to be modified by the transients in the programme material over time. The effect is to bring transient events in the programme forwards, or push them into to the background, such that the attacks of instruments can be accentuated or softened depending on settings.        FEATURES Radically changes the dynamics of instruments. Accentuates or flattens attacks and transients. Brings sounds forward or push them back. Increases or reduces the effects of ambience. Produces rounded and dynamic percussive effects. Hardens up and give life to dull or flat-sounding recordings and mixes, without the unwanted changes in overall timbre associated with multi-band compression techniques. Variable harmonic enhancement for extra loudness, presence and 'punch'. Increases overall modulation potential by the reduction of very short peaks.

The Sonnox Transient Modulator is an application that allows dynamic level of signals to be modified by the transients in the programme material over time. The effect is to bring transient events in the programme forwards, or push them into to the background, such that the attacks of instruments can be accentuated or softened depending on settings.        FEATURES Radically changes the dynamics of instruments. Accentuates or flattens attacks and transients. Brings sounds forward or push them back. Increases or reduces the effects of ambience. Produces rounded and dynamic percussive effects. Hardens up and give life to dull or flat-sounding recordings and mixes, without the unwanted changes in overall timbre associated with multi-band compression techniques. Variable harmonic enhancement for extra loudness, presence and 'punch'. Increases overall modulation potential by the reduction of very short peaks.

The Sonnox Transient Modulator is an application that allows dynamic level of signals to be modified by the transients in the programme material over time. The effect is to bring transient events in the programme forwards, or push them into to the background, such that the attacks of instruments can be accentuated or softened depending on settings.        FEATURES Radically changes the dynamics of instruments. Accentuates or flattens attacks and transients. Brings sounds forward or push them back. Increases or reduces the effects of ambience. Produces rounded and dynamic percussive effects. Hardens up and give life to dull or flat-sounding recordings and mixes, without the unwanted changes in overall timbre associated with multi-band compression techniques. Variable harmonic enhancement for extra loudness, presence and 'punch'. Increases overall modulation potential by the reduction of very short peaks.