Instrument Mics

The PGA56 is designed for clear reproduction of the sound source in close-miking percussion applications. Available with and without a cable. Specifications:PG Alta SeriesFor snare, toms, percussionCardioid50 - 15,000 Hz200 OhmSensitivity t 1 kHz: -57 dBV/Pa (1.45 thomann mV)Metal housingColour: BlackWeight: 287 gIncluded: 4.5 m XLR cable, drum clip and bag

The D112 MkII can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 MkII is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 MkII features an integrated hum-compensation coil that keeps noise to an absolute minimum. In addition to being an exceptional bass drum mic on stage and in the studio, the D112 MkII is an excellent choice for miking electric bass cabinets and trombones.

The TG D70d dynamic large-diaphragm microphone is exceptionally reliable for the transmission of sound from low-frequency instruments – the best friend of every bass drum, djembe and bass amplifier.Despite its bulky appearance, it can be easily positioned in the resonant head, even in bass drums with very tiny holes. The mass-reduced special membrane delivers exceptional impulse fidelity and the hypercardioid polar pattern ensures excellent feedback reduction. For each switch a specially equalised frequency response curve can be set, which delivers brilliant sound even without making complicated settings on the mixing console; or a linear frequency response curve can be set, which transmits the natural bass drum sound which can then be acoustically tuned via the mixing console.

To pick up sound from brass instruments such as saxophones, trumpets, trombones or horns, a microphone really has to function at a high level, a requirement where the TG I 57c premium clip-on condenser microphone succeeds with flying colours. It can operate at extremely high maximum sound levels and reliably suppresses unwanted noise as a result of its cardioid polar pattern. The easy to mount clamp with gooseneck for optimal positioning protects the instrument’s surface and provides a reliable hold. For wired operation at a phantom powering input, the optional CV 18 is necessary.

Whether with standing toms, snare drums or percussion instruments - with its patented clip-on mount and integrated pre-amplifier, the TG D57c condenser microphone is mounted and ready in a flash.The expanded frequency range ensures faithful reproduction of all drum types and the 72 mm long flexible gooseneck allows it to be optimally positioned relative to the sound source. An elastic capsule suspension on the capsule housing protects against damage from drumstick strikes. The new electronics provide increased level accuracy and guarantee a very high maximum sound pressure level – even with phantom powering below 44 V.

The practical advantages of the patented microphone clamp on the TG D58c condenser microphone are immediately apparent whether when using with rack toms, snare drums or percussion instruments: the microphone can be mounted and positioned quickly and securely.The balanced frequency response also makes it immediately ready for use. Pre-amplifiers are a thing of the past due to the integrated pre-amplifiers with downward-facing standard XLR connections. Its ability to operate at high levels compared to the previous model Opus 88 should also be mentioned, as is the newly designed, low-resonance housing, the elastic capsule suspension, the improved signal-to-noise ratio and technical values that remain valid even with phantom powering below 44 volts.

With robust construction and unobtrusive appearance, the PRO45 and PRO45W offer versatile sound-reinforcement solutions for speech, theater, orchestra and choir sound reinforcement and recording. The microphones high-SPL handling is perfect for suspension over choirs and orchestras. Available in two colors: Black (PRO45), white (PRO45W).Specifications:Element: Fixed-charge back plate, permanently polarized condenserPolar Pattern: CardioidFrequency Response: 70-16,000 HzOpen Circuit Sensitivity: -37 dB (14.1 mV) re 1V at 1 PaImpedance: 100 ohmsMaximum Input Sound Level: 134 dB SPL, 1 kHz at 1% T.H.D.Dynamic Range: 106 dB, 1 kHz at Max SPLSignal to Noise Ratio: 66 dB, 1 kHz at 1 PaPhantom Power Requiremens: 9-52V DC, 2 mA typicalWeight: 0.5 oz (15 g)Dimensions: 2.24" (56.9 mm) long, 0.47" (12.0 mm) head diameterOutput Connector: 3-pin XLRM-type on cableCable: 25' (7.6 m) long, permanently attached

Delivers a warm low-frequency response with excellent presence. Hypercardioid polar pattern improves isolation of desired sound source. Superior off-axis rejection for maximum gain before feedback. Versatile mounting options and effective dampening of mechanical noise thanks to included AT8471 isolation clamp. Rugged design and construction for reliable performance.Features:Dynamic elementHypercardioid pattern30-12,000Hz frequency responseIsolation clamp5/8" to 3/8" threaded adapterSpecifications:Open Circuit Sensitivity: -54 dB (1.9 mV) re 1V at 1 Pa600 ohms impedance8.1 oz.XLRM-type output connector.

With robust construction and unobtrusive appearance, the PRO45 and PRO45W offer versatile sound-reinforcement solutions for speech, theater, orchestra and choir sound reinforcement and recording. The microphones high-SPL handling is perfect for suspension over choirs and orchestras. Available in two colors: Black (PRO45), white (PRO45W).Specifications:Element: Fixed-charge back plate, permanently polarized condenserPolar Pattern: CardioidFrequency Response: 70-16,000 HzOpen Circuit Sensitivity: -37 dB (14.1 mV) re 1V at 1 PaImpedance: 100 ohmsMaximum Input Sound Level: 134 dB SPL, 1 kHz at 1% T.H.D.Dynamic Range: 106 dB, 1 kHz at Max SPLSignal to Noise Ratio: 66 dB, 1 kHz at 1 PaPhantom Power Requiremens: 9-52V DC, 2 mA typicalWeight: 0.5 oz (15 g)Dimensions: 2.24" (56.9 mm) long, 0.47" (12.0 mm) head diameterOutput Connector: 3-pin XLRM-type on cableCable: 25' (7.6 m) long, permanently attached

The Audio-Technica PRO 35 clip-on microphone is designed for sax, brass, toms, and percussion. The PRO35 is a cardioid condenser mic that excels in high-SPL (sound pressure level) applications and is ideal for active stage performances. Its extended frequency response captures subtle nuances of the performance. The included UniMount clip permits accurate positioning and provides shock resistance while protecting the element. The microphone's cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of the desired sound source. Features:Ideal for sax, toms, brass and percussionExcels in high-SPL applicationsIdeal for active stage performancesUniMount clip permits accurate positioning, provides shock resistance and protects elementCardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound sourceExtended frequency response captures subtle nuances of the performance6' (1.8 m) cable permanently attached between microphone and power module

The ATM250DE dual-element instrument microphone features cardioid condenser and hypercardioid dynamic capsules combined in a single housing. Audio-Technica’s innovative use of two polar patterns is ideal for kick drum: the hypercardioid dynamic element focuses tightly on the aggressive attack of the beater, while the condenser captures the round tonalities of the shell. The elements are positioned in a perfect phase relationship, something practically impossible to achieve with two separate microphones. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise. Specifications:Elements: Condenser, dynamicPolar Patterns: Cardioid (condenser), Hypercardioid (dynamic)Frequency Response: 40-20,000 Hz (condenser), 40-15,000 Hz (dynamic)Low Frequency Roll-Off: 80 Hz, 12 dB/octave (condenser)Open Circuit Sensitivity: –49 dB (3.5 mV) re 1V at 1 Pa (condenser), –53 dB (2.2 mV) re 1V at 1 Pa (dynamic)Impedance: 50 ohms (condenser), 600 ohms (dynamic)Maximum Input Sound Level: 148 dB SPL, 1 kHz at 1% T.H.D. (condenser)Dynamic Range (typical): 122 dB, 1 kHz at Max SPL (condenser)Signal-To-Noise Ratio: 68 dB, 1 kHz at 1 Pa (condenser)Phantom Power Requirements: 11-52V DC, 3.5 mA typical (condenser)Switches: Flat, roll-off; 10 dB pad (condenser only)Weight: 320 g (11.3 oz)Dimensions: 143.6 mm (5.65") long, 55.0 mm (2.17") diameterOutput Connector: Integral 5-pin XLRM-typeCable: 5.0 m (16.5') dual shielded, 8-conductor cable, 5-pin XLRF-type connector at microphone, two 3-pin XLRM-type output connectors

The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.Features:Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound sourceDurable performance for professional applicationsSpecial dual-wall floating construction reduces handling noise and assures consistent performance from mic to micHi-ENERGY neodymium magnet for improved output and transient responseMulti-stage flat grille design is engineered to enable easy placement as close as possible to sound sourceCorrosion-resistant contacts from gold-plated XLRM-type connectorRugged, all-metal design and construction for years of trouble-free useSpecifications:Element: DynamicPolar Pattern: HypercardioidFrequency Response: 80-17,000 HzOpen Circuit Sensitivity: —56 dB (1.5 mV) re 1V at 1 PaImpedance: 300 ohmsWeight: 279 g (9.8 oz)Dimensions: 164.2 mm (6.46") long, 38.8 mm (1.53") diameterOutput Connector: Integral 3-pin XLRM-typeAudio-Technica Case Style: T5

Ultra-light condenser cardioid instrumental miniature mic for accodeon and speakers with mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.

The Legendary Shure "Green Bullet" Harmonica Microphone!Here's the Shure 520DX, dubbed the "Green Bullet" - a legend in its own right! This famous harmonica microphone is the perfect tool for live performers. The Shure 520 DX "Green Bullet" boasts a handy volume control knob at the base of the microphone so it's easy to adjust your levels mid-peformance. And, the 520DX's attached cable offers a standard 1/4-inch phone plug so you can connect your harp mic to whatever high impedance device your needs require. A favorite of harmonica players around the world, take the stage confidently with the Shure 520DX "Green Bullet" harmonica microphone.A trusted harmonica legendThe Shure 520DX, known affectionately as the "Green Bullet," has seen countless stages across the world. In fact, it's already a legend among harmonica players - especially among blues players. Its signature green and chrome die-cast casing was countoured to fit perfectly between your harmonica and your hands. And, true to Shure form, you can bet the 520DX Green Bullet sounds great, too.Handy volume knob on base of microphoneBuilt for the stage, the Shure 520DX has a convenient volume level control built right into it. That way, it's easy to make quick level adjustments mid-performance without taking your mind off your performance or your hands off your harp.

The MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels. Surface: all metal body with black leatherette finish, sound inlet basket: nickel plated. Pick-up pattern : super-cardioidSensitivity in free field, no load : (1kHz) 1,8 mV/Pa +- 2 dBNominal impedance : 200 OhmMin. terminating impedance : 1000 OhmDimensions : 270 x 33 x 36 mmWeight : 450 g

The MD 421 II continues the tradition of the MD 421 which has been one of Sennheiser's most popular dynamic mics for over 35 years. The large diaphragm, dynamic element handles high sound pressure levels, making it a natural for recording guitars and drums. The MD 421's full-bodied cardioid pattern, and five-position bass control make it an excellent choice for most instruments, as well as group vocals, or radio broadcast announcers. One listen and you'll know why it's a classic. Pick-up pattern : cardioidSensitivity in free field, no load : (1kHz) 2 mV/Pa +- 3 dBNominal impedance : 200 OhmMin. terminating impedance : 200 OhmDimensions : 215 x 46 x 49 mmWeight : 385 gFrequency response (microphone) : 30.....17000 Hz

DPA IMK 4061 - miniature microphone set (Type 4061-BM),Includes 1 x 4061 microphone, 1 x XLR adapter (Type DAD6001), includes holders for strings, universal surface mounts with double sided tape, a magnet mount and foam windscreens.

The legendary Shure SM57 microphone is exceptional for musical instrument pickup and vocals. With its bright, clean sound and contoured frequency response, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. The SM57’s outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers worldwide. SM57-LCE :  Without Cable

The Shure Beta 56A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise. A built–in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom–toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.         FEATURESTailored frequency response provides drums, amplified instruments, and horns with studio quality sound Built–in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound Compact design reduces stage clutter Hardened steel mesh grille resists wear and abuse Neodymium magnet for high signal–to–noise ratio output Minimally affected by varying load impedance Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration Legendary Shure quality and reliability

Supplied with Audio-Technica's versatile UniMount® clip and new violin mount, the low-profile ATM350 is an exceptional cardioid condenser microphone designed to clip to brass, reeds, piano, snare, toms, and violin. The microphone offers a crisp, clear, well-balanced response, even at high SPLs. It features an integral 80 Hz hi-pass filter and is also equipped with a new in-line power module. Its cardioid polar pattern reduces pickup of sounds from the side and rear for effective protection against feedback.Features:Low-profile design for minimum visibilityUniMount® clip permits accurate positioning, provides shock resistance and protects elementUnique violin mount permits unobtrusive placement of microphone between the instrument's bridge and tailpieceCrisp, clear, well-balanced response, even at high SPLsCardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound sourceInterchangeable elements available for hypercardioid and omnidirectional polar patternsCorrosion-resistant contacts from gold-plated XLRM-type connectorRugged, all-metal design and construction for years of trouble-free use Specifications:Element: Fixed-charge back plate permanently polarized condenserPolar Pattern: CardioidFrequency Response: 40-20,000 HzLow Frequency Roll Off: 80 Hz, 12 dB/octaveOpen Circuit Sensitivity: 49 dB (3.5 mV) re 1V at 1 PaImpedance: 50 ohmsMaximum Input Sound Level: 149 dB SPL, 1 kHz at 1% T.H.D.Dynamic Range: 122 dB, 1 kHz at Max SPLSignal to Noise Ratio: 67 dB, 1 kHz at 1 PaPhantom Power Requiremens: 11-52V DC, 3.5 mA typicalSwitch: Flat, roll-offCable: 4.0 m (13.1') long (permanently attached to microphone), 3.2 mm (0.13") diameter, 2-conductor shielded cable with TA3F-type connectorAccessories: AT8542 power module; AT8418 UniMount® microphone instrument mount; AT8468 violin mount; soft protective pouch 

A totally new range of instrument mic systems for on stage recording of all your acoustic instruments.We have perfected an electret capsule that can take up to 140dB. At that level of performance the capsule will preserve the full harmonic envelope, which adds warmth to the sound of your instrument.The GL21 Lanen Acoustic guitar & Ukulele has been designed for guitars, ukuleles, mandolins and banjos.For the clamp, we chose to develop two sizes of clip, rather than one single adaptable clip: The first type is for guitars with a thick soundboard or internally strengthened near the sound hole, The second clip is smaller and curved in shape - the mic can be positioned on guitars or ukuleles whose soundboard ribs are near the sound hole towards the neck side. Specifications:Sensitivity: -47dB ±3dB (0dB=1V/Pa to 1KHz)Max SPL (140 dB)Impedance: 2.2 KΩDirectivity: unidirectionalS/N Ratio: 68dBFrequency Response: 50Hz to 20KHzCable lenght: 1 m