Recording Studio Magic!

Barefoot Sound’s new Footprint line of powered near-field monitors delivers the company’s uncompromising audio performance and build quality to engineers, producers, composers and musicians working in smaller spaces and with smaller budgets.The new line launches with the Barefoot Footprint01, an active 3-way speaker that shares the same Thomas Barefoot signature designs — Dual-Force™ technology opposing subwoofers, dual ring radiator tweeter and Multi-Emphasis Monitor Emulation™ technology — as the MicroMain and MasterStack monitor lines. Footprint01 features dual opposing 8-inch paper cone subwoofers, a 4-inch aluminum cone midrange driver and a 1-inch dual ring radiating tweeter, components that all share a lineage with Barefoot’s other products.The 2-way DSP crossover feeds dual Class D amplifier modules that drive the subwoofers with 500 W of power and deliver 150 W to the mid- and high-frequency drivers. There is a passive crossover network between the midrange driver and the tweeter. The midrange woofer is positioned above the tweeter in an unusual speaker geometry that creates the acoustic focus in the center of the cabinet.Thomas Barefoot’s approach to reference monitor speaker design has always been to provide audio professionals with exemplary sound quality, wide dynamic range and bass extension at every stage of the audio production process, from re cording through mixing to mastering. But not every project begins or ends in a high-end studio that offers Barefoot MicroMain or MasterStack monitors. The new Footprint01 model is Barefoot Sound’s response to evolving modern workflows, making the company’s ultra-high performance technologies available to audio professionals working in home-based facilities, smaller writing, editing or post production rooms, or on the road. Now, composers, songwriters, musicians, beat- makers, post production specialists and others can benefit from the Barefoot sound, whatever their work environment.Just like every other Barefoot monitor, Footprint01 allows you to preview your mix as it would sound through three alternate reference speakers through Barefoot’s revolutionary Multi-Emphasis Monitor Emulation™ technology. MEME™ uses sophisticated DSP modeling to mimic the frequency, phase, transient response, dynamic compression and distortion characteristics of a variety of classic near-field studio monitors. Many people still like to reference their work on old, familiar speakers to check how their mixes will translate or to focus on a specific aspect. But in smaller workspaces there may be no room for even a second set of reference speakers. Barefoot’s powerful MEME technology effectively helps overcome that challenge through its four-in-one solution. Specifications: Description: 3-way active monitor with MEME voice emulationControls: Input level stepped attenuator, MEME voice selectAudio Input: Balanced XLR, 50 kOhm ImpedanceSensitivity: 90 dB @ 1 meter with -15 dBV input signal (level control set to 0 dB)Frequency Response: 36 Hz – 45 kHz (±3 dB), 45 Hz – 40 kHz (± 1dB)Bass Response: -3 dB @ 36 Hz, Q = 0.707, Slope = 18 dB/octaveCabinet: 18 liters total internal volume, sealed woofer and midrange enclosures, machined aluminum baffle plate, long fiber wool acoustic damping throughoutCrossover Frequencies: 250 / 3600 Hz (Passive crossover between Midrange and Tweeter)Tweeter: 1″ ring radiator, low distortion motor, rear waveguide chamberMidrange: 4.0″ aluminum cone, aluminum phase plug, low distortion motor, ±3.5 mm linear excursionWoofers: 8″ paper cone, ±9.5 mm linear excursionHigh Frequency Amplifier: 150WLow Frequency Amplifier: 500 WAC Mains Power Input: 85 VAC to 265 VACPower Consumption: Idle: 2 W, Maximum: 765 WWeight: Speaker: 35 lb each (16 kg)Shipping: 44.5 lb each (20.2 kg)Dimensions H x W x D: Cabinet: 14 x 9.5 x 13.0 in (356 x 241 x 330 mm)Overall: 14 x 10.25 x 13.6 in (356 x 260 x 345 mm)

Lyra represents the pinnacle of compact audio interfaces. Packing Prism Sounds trusted, uncompromising AD/DA conversion into a compact chassis perfect for use in the studio or on the road. Based on the Orpheus’ audio path and clock circuitry, Lyra is ideal for those who don’t require a large I/O count, but do demand the highest quality and most transparent AD/DA available. RENOWNED AD/DA CONVERSION Lyra cuts no corners in its design and boasts the same trusted Prism Sound convertors used on countless hit records. It’s ultra-transparent characteristic means what you put into the Lyra is exactly what you get out of it. PRISTINE PRE-AMPLIFICATION Featuring a single class-A microphone preamp, Lyra 2 guarantees superbly clean, detailed recordings that capture a performance the way it was intended. SOFT-CLIP LIMITING (OVERKILLER) Lyra's analogue input channels include a switchable Prism Sound 'Overkiller' circuit. This soft-clip limiter gently absorbs transients and allows signal levels to be pushed to their limits without risk. QUALITY SUPPORT Prism Sound's reputation for audio excellence has been matched only by its top quality after-sales support and technical advice. The longevity of a Prism Sound product is a testament to the dedicated team behind it. Specifications: Dimensions: 1U 19inch rack mountable 2/3 width (rack ears available as an option) Table top (inc feet): W: 285mm D: 242mm H: 50mm Rack-mount (inc ears):W: 483mm D: 242mm H: 44.5mm Power: 90-250VAC, 50/60Hz internal power supply IEC 6A connector 15W 0.5A(T) 20mm ceramic fuse Inputs: 2 x XLR sockets 2 x 6.3mm TRS jack sockets (balanced or unbalanced) 1 x TOSLINK for S/PDIF or ADAT Optical input Outputs: 2 x 6.3mm TRS jack sockets (balanced or unbalanced) 4 x 6.3mm TRS jack sockets (balanced or unbalanced) 1 x TOSLINK for S/PDIF or ADAT Optical output

Aperta, the stylish and sleek new line of sculpted aluminum acoustic isolation stands designed for medium-sized professional studio monitors and speakers. Aperta, the Italian word for "open," describes the stands' stylized design that creates open space and compliments its surroundings, as well as the spatial openness in sound and the crystal clarity in music that they deliver.The artistically designed Aperta stands raise the bar to set a new standard for remarkable acoustic isolation and performance. As with all IsoAcoustics award-winning isolation stands, Aperta provides an aesthetically pleasing and cost-effective means to markedly enhance the sound clarity and transparency of medium sized speakers, using the patented "floating design"" that this company has become famous for.The new IsoAcoustics Aperta stands feature a unique integrated tilt adjustment that enables the user to dial-in the optimum tilt angle, with fine gradation markings provided to ensure the precision of the angle adjustments. With an overall size of 6.1"(w) x 7.5"(d), the Aperta stands complement medium size studio monitors and speakers weighing up to 35 lbs.

IsoAcoustics ISO-PUCK’s provide an innovative new approach in isolating studio monitors, guitar amps and other systems.  This unique design provides a high degree of isolation while resisting lateral movement and oscillations, which results in greater sound clarity and focus. Possibly the most versatile isolation tool available for the studio, live stage or home as you can place them as needed to improve the clarity and performance of your pro equipment and monitors.  This low-profile design makes the ISO-PUCK the ideal solution for studio monitors placed on meter bridges, floor stands, consoles, desktops, millwork, or soffit mounted.  These isolators decouple studio monitors from the supporting surface to eliminate the transfer of energy and the resulting sound smearing and coloration. Even studio monitors placed on the most solid steel stands, millwork or heavy granite surfaces will greatly benefit from the ISO-PUCK’s as the internal reflections coming back up from the supporting surface are attenuated to eliminate the smear and provide greater sound clarity and open up the stereo image. This small, compact design makes the ISO-PUCK the ideal speaker isolation solution to carry with you from studio to studio, session to session or anywhere you want to improve the sound clarity or your studio monitors.  ISO-PUCK’s are sold in packages of 2, with cartons available as a convenient way to take ISO-PUCK’s to your next session. IsoAcoustics ISO-PUCK’s provide improved isolation and performance for guitar and bass amplifiers.  For home, studio or stage the ISO-PUCK’s decouple amplifiers from the floor or stage which results in remarkable sound clarity and openness with tighter bass and greater detail.  Discover improved isolation with greater punch and clarity when practicing at home, or tracking in the studio.  Musicians often struggle to maintain “their sound” as they move from one “boomy” stage to the next.   ISO-PUCK’s provide a consistent isolation support to preserve your sound in any situation and are great for amps, cabinets, stage monitors subwoofers and more.

Focal leads the way in affordable nearfield monitors by combining breakthrough designs with technologies they first developed for high-end models such as their successful SM series. This Shape 40 is the 4" model in the Shape series, which brings top-quality Focal reference monitoring to your studio, editing suite, songwriting workstation, or any other application where your space may be limited but your need for accurate monitoring isn't. A cutting-edge flax-sandwich cone, M-shaped inverted-dome driver, innovative acoustics, and ideal electronics all add up to a speaker that's extremely linear and free from distortion, offering clear midrange intelligibility and imaging. And thanks to its dual-passive-radiator design, you can comfortably place your Shape 65s near walls,while enjoying extended low end that's still tight, controlled, and accurate.Raising the bar on glass speaker conesFocal first introduced their glass-fiber speaker cones in their SM series, where the extraordinary definition provided by their lightweight rigidity made them an instant hit among professional mix engineers. Focal's Shape series takes this speaker design one step further by introducing a layer of flax fiber, which is significantly more rigid and twice as light as glass fiber. They sandwiched this flax layer between layers of glass fiber, resulting in a piston-like low-frequency action and increased dampening. You'll be astonished by the low-frequency accuracy and midrange clarity these speakers offer. You couldn't ask for better compact nearfield monitors when it comes to critical mixing applications. Revolutionary M-shaped inverted-dome tweeter The Shape series introduces another major design upgrade to Focal's nearfield monitor technology by reimagining their already impressive aluminum-magnesium dome tweeter. For starters, the M shape itself provides increased rigidity, which offers many of the same advantages as the increased rigidity of their flax fiber cones: greater definition with lower distortion.The M-shaped dome works with its own dedicated TMD surround for an impressively linear response below 6kHz. This horn also comes outfitted with housing that provides equal horizontal and vertical directivity, and a less-directional profile overall. Finally, the magnetic component, which features a Kapton former in the voice coil, offers a lower high-frequency distortion than Focal has previously achieved in an affordable nearfield monitor.     TMD surround ensures total midrange neutralityBeneath the elegant walnut veneer and meticulously calculated MDF enclosure, each Shape series studio monitor features a number of technologies that give them uniquely linear frequency responses. One of these is the TMD surround ringing either speaker. Strangely enough, this stabilization element comes from special architecture found at the top of skyscrapers such as Taipei 101. These suspended harmonic absorbers promote a more piston-like action that targets specific frequencies. In the Shape series, these surrounds produce a remarkably flat frequency response around 1kHz–2kHz, resulting in astonishing neutrality with virtually no measurable distortion.  Double passive-radiators ensure low-end stabilityOne of the technologies Focal popularized in their previous generation upper-end monitors was the use of passive radiators. Just as they did in the SMseries, these passive radiators provide the Shape series reference monitors with an extended low-frequency response that goes far beyond what the seasoned studio engineers at Sweetwater expect from modest-sized nearfields.By balancing low-frequency harmonics with the dual surrounds highlighted above, these passive radiators accomplish what ports simply can't, providing you with low-frequency tuning that extends bass clarity and allows you to position your monitors closer to walls, without compromising accuracy. This detail makes them an ideal choice for small studios and editing suites.     Next-generation amplification and electronicsIt's impossible to overstate how important a role the amplifier plays in the function of precision reference monitors such as Focal's Shape series, both in terms of pairing the appropriate electronics with the acoustic elements and in providing you with the flexibility needed to tailor the sound to your control room. Regardless of other settings, Shape series studio monitors provide a stable tonal balance at any volume, a key element in creating mixes that translate well outside the studio. At the same time, you can easily adjust your Shape studio monitors to your room, thanks to the tunable shelving filters and 160Hz crossover slope. There's also an adjustable highpass filter onboard, so you can cut out serious low-frequency problems or accommodate specific subwoofer setups.      

This standard bearer of the Shape series features two passive radiators, woofers equipped with a new Flax cone, and the latest “M”-shaped Aluminium/Magnesium inverted dome tweeter. Perfect weapon of mass production for professionals. Shape Twin is made in France, just like Shape 40, 50 and 65. Designed to meet the needs of nearfield monitoring, these monitors combine an ingenuous design and numerous settings optimised for the acoustics of small listening rooms. Shape Twin stands out through its excellent rendering over the whole audio spectrum, its broad frequency response in the low end, and its high SPL considering its size. The compact design makes it easy to integrate even into the most cramped of rooms. Finally, its 2.5-way design gives it a real advantage when it comes to controlling the bass and lower mid-range registers which are the hardest to control in small rooms. Shape Twin’s five innovations present a remarkable tonal balance, with very wide and precise stereo imaging. The low frequencies are well defined  as well as controlled. The low-mid and mid ranges provide a true neutral sound.Features:Tweeter with very low directivity for a flexible sweet spotDesigned without a port (double passive radiator) allowing it to be placed near a wall2.5 channels to provide optimal control of bass and low mid-range registersNumerous settings for optimal integrationAccurate control, even in the very high frequenciesFlax sandwich cone: controlled and articulated bass, natural and detailed lower mid-range and uppermid-range registersFastening mechanisms for mounting to the ceiling or a wall (fastening accessories not supplied)  

Essentially, the Trio6 Be is a three-way speaker with a 1” tweeter, a 5” woofer, and an 8” subwoofer. Yet, switching to FOCUS mode reconfigures Trio6 Be in two-way monitor.The Trio6 Be was designed to meet the standards of the most demanding engineers. This dual monitor is the new reference in its price range owing to its extreme neutrality, its precise stereophonic imaging, and its ability to resolve the most minute sonic details, while its Class G amplifiers deliver SPL levels to suit all musical styles.When utilised to its full potential, the Beryllium tweeter reaches up to 40kHz and the 8” subwoofer extends low frequencies down to 35Hz. This offers engineers complete control of the audio signal. The 8” W composite sandwich cone subwoofer is complemented by its large port integrated into the front baffle, making it easy to position the monitor near the front wall without saturating the ports and maintaining excellent low-frequency linearity. Its large front port guaranties consistent performance regardless of SPL levels. It also allows a positioning closed to a wall without wall boost effect, allowing an easy integration even in small rooms.The 5” W composite sandwich cone woofer is installed in an isolated chamber within the cabinet that prevents the sympathetic activation of its other speakers while optimising its acoustic performance. Two front-facing ports provide bass reflex, enabling the woofer to perform identically in both two-way (90Hz – 2.5kHz) and three-way (250Hz – 2.5kHz) configurations. The 1” pure Beryllium inverted dome tweeter provides numerous advantages, including wide dispersion, amazing frequency response linearity, quick dynamics, and unrivaled impulse response. As a two-way speaker, Trio6 Be employs only the 5” woofer and the tweeter, limiting frequencies to between 90Hz and 20kHz. This configuration provides the perfect compromise when checking the quality of the mix for playback systems with limited frequency response, such as TVs, PCs, cars, and portable speaker systems. The frequency response curve of the two-way configuration is identical, though less extended, to its three-way curve, allowing for a perfect comparison that preserves the stereo image. Focusing on this critical middle frequency range facilitates a good mix and enables the engineer to ensure that the levels are just right. A footswitch (not included) activates this configuration remotely from the listening position.A ¼” input jack on the rear panel receives the trigger signal from a remote pedal, while a ¼” output sends a link to the input on a paired monitor.(Most singlebutton guitar amplifier footswitches are compatible)Rotating baffle Trio6 Be may be used vertically or horizontally to optimise positioning thanks to an adjustable aluminum baffle housing the woofer and tweeter.This rotating baffle is capable of rotating 360° in 90° increments, making it one of the most versatile speakers to position.Key pointsTwo monitors in one with remote switching: a quick and effective way to compare the mix translated to a compromised speaker systemWide uncompromised dynamics, linearity, and wide dispersion produced by Beryllium inverted dome tweeter: state-of-the-art speaker design and material Neutral, distortion-free sound thank to W composite sandwich cone Rotating baffle: facilitates both horizontal and vertical setupsSimplified room integration, thank to LF and HF shelving, 160Hz EQ High SPL accommodates all musical styles (115dB peak @ 1m)FOCUS mode (two-way or three-way configuration): Remote pedal (not supplied)Low and high frequencies & 160Hz notch adjusting: three control knobs  

Focal leads the way in affordable nearfield monitors by combining breakthrough designs with technologies they first developed for high-end models such as their successful SM series. This Shape 50 is the 5" model in the Shape series, which brings top-quality Focal reference monitoring to your studio, editing suite, songwriting workstation, or any other application where your space may be limited but your need for accurate monitoring isn't. A cutting-edge flax-sandwich cone, M-shaped inverted-dome driver, innovative acoustics, and ideal electronics all add up to a speaker that's extremely linear and free from distortion, offering clear midrange intelligibility and imaging. And thanks to its dual-passive-radiator design, you can comfortably place your Shape 65s near walls,while enjoying extended low end that's still tight, controlled, and accurate.Raising the bar on glass speaker conesFocal first introduced their glass-fiber speaker cones in their SM series, where the extraordinary definition provided by their lightweight rigidity made them an instant hit among professional mix engineers. Focal's Shape series takes this speaker design one step further by introducing a layer of flax fiber, which is significantly more rigid and twice as light as glass fiber. They sandwiched this flax layer between layers of glass fiber, resulting in a piston-like low-frequency action and increased dampening. You'll be astonished by the low-frequency accuracy and midrange clarity these speakers offer. You couldn't ask for better compact nearfield monitors when it comes to critical mixing applications. Revolutionary M-shaped inverted-dome tweeter The Shape series introduces another major design upgrade to Focal's nearfield monitor technology by reimagining their already impressive aluminum-magnesium dome tweeter. For starters, the M shape itself provides increased rigidity, which offers many of the same advantages as the increased rigidity of their flax fiber cones: greater definition with lower distortion.The M-shaped dome works with its own dedicated TMD surround for an impressively linear response below 6kHz. This horn also comes outfitted with housing that provides equal horizontal and vertical directivity, and a less-directional profile overall. Finally, the magnetic component, which features a Kapton former in the voice coil, offers a lower high-frequency distortion than Focal has previously achieved in an affordable nearfield monitor.     TMD surround ensures total midrange neutralityBeneath the elegant walnut veneer and meticulously calculated MDF enclosure, each Shape series studio monitor features a number of technologies that give them uniquely linear frequency responses. One of these is the TMD surround ringing either speaker. Strangely enough, this stabilization element comes from special architecture found at the top of skyscrapers such as Taipei 101. These suspended harmonic absorbers promote a more piston-like action that targets specific frequencies. In the Shape series, these surrounds produce a remarkably flat frequency response around 1kHz–2kHz, resulting in astonishing neutrality with virtually no measurable distortion.  Double passive-radiators ensure low-end stabilityOne of the technologies Focal popularized in their previous generation upper-end monitors was the use of passive radiators. Just as they did in the SMseries, these passive radiators provide the Shape series reference monitors with an extended low-frequency response that goes far beyond what the seasoned studio engineers at Sweetwater expect from modest-sized nearfields.By balancing low-frequency harmonics with the dual surrounds highlighted above, these passive radiators accomplish what ports simply can't, providing you with low-frequency tuning that extends bass clarity and allows you to position your monitors closer to walls, without compromising accuracy. This detail makes them an ideal choice for small studios and editing suites.     Next-generation amplification and electronicsIt's impossible to overstate how important a role the amplifier plays in the function of precision reference monitors such as Focal's Shape series, both in terms of pairing the appropriate electronics with the acoustic elements and in providing you with the flexibility needed to tailor the sound to your control room. Regardless of other settings, Shape series studio monitors provide a stable tonal balance at any volume, a key element in creating mixes that translate well outside the studio. At the same time, you can easily adjust your Shape studio monitors to your room, thanks to the tunable shelving filters and 160Hz crossover slope. There's also an adjustable highpass filter onboard, so you can cut out serious low-frequency problems or accommodate specific subwoofer setups.      

A Symphony of Speaker InnovationFocal leads the way in affordable nearfield monitors by combining breakthrough designs with technologies they first developed for high-end models such as their successful SM series. This Shape 65 is the 6.5" model in the Shape series, which brings top-quality Focal reference monitoring to your studio, editing suite, songwriting workstation, or any other application where your space may be limited but your need for accurate monitoring isn't. A cutting-edge flax-sandwich cone, M-shaped inverted-dome driver, innovative acoustics, and ideal electronics all add up to a speaker that's extremely linear and free from distortion, offering clear midrange intelligibility and imaging. And thanks to its dual-passive-radiator design, you can comfortably place your Shape 65s near walls,while enjoying extended low end that's still tight, controlled, and accurate.Raising the bar on glass speaker conesFocal first introduced their glass-fiber speaker cones in their SM series, where the extraordinary definition provided by their lightweight rigidity made them an instant hit among professional mix engineers. Focal's Shape series takes this speaker design one step further by introducing a layer of flax fiber, which is significantly more rigid and twice as light as glass fiber. They sandwiched this flax layer between layers of glass fiber, resulting in a piston-like low-frequency action and increased dampening. You'll be astonished by the low-frequency accuracy and midrange clarity these speakers offer. You couldn't ask for better compact nearfield monitors when it comes to critical mixing applications. Revolutionary M-shaped inverted-dome tweeter The Shape series introduces another major design upgrade to Focal's nearfield monitor technology by reimagining their already impressive aluminum-magnesium dome tweeter. For starters, the M shape itself provides increased rigidity, which offers many of the same advantages as the increased rigidity of their flax fiber cones: greater definition with lower distortion.The M-shaped dome works with its own dedicated TMD surround for an impressively linear response below 6kHz. This horn also comes outfitted with housing that provides equal horizontal and vertical directivity, and a less-directional profile overall. Finally, the magnetic component, which features a Kapton former in the voice coil, offers a lower high-frequency distortion than Focal has previously achieved in an affordable nearfield monitor.     TMD surround ensures total midrange neutralityBeneath the elegant walnut veneer and meticulously calculated MDF enclosure, each Shape series studio monitor features a number of technologies that give them uniquely linear frequency responses. One of these is the TMD surround ringing either speaker. Strangely enough, this stabilization element comes from special architecture found at the top of skyscrapers such as Taipei 101. These suspended harmonic absorbers promote a more piston-like action that targets specific frequencies. In the Shape series, these surrounds produce a remarkably flat frequency response around 1kHz–2kHz, resulting in astonishing neutrality with virtually no measurable distortion.  Double passive-radiators ensure low-end stabilityOne of the technologies Focal popularized in their previous generation upper-end monitors was the use of passive radiators. Just as they did in the SMseries, these passive radiators provide the Shape series reference monitors with an extended low-frequency response that goes far beyond what the seasoned studio engineers at Sweetwater expect from modest-sized nearfields.By balancing low-frequency harmonics with the dual surrounds highlighted above, these passive radiators accomplish what ports simply can't, providing you with low-frequency tuning that extends bass clarity and allows you to position your monitors closer to walls, without compromising accuracy. This detail makes them an ideal choice for small studios and editing suites.     Next-generation amplification and electronicsIt's impossible to overstate how important a role the amplifier plays in the function of precision reference monitors such as Focal's Shape series, both in terms of pairing the appropriate electronics with the acoustic elements and in providing you with the flexibility needed to tailor the sound to your control room. Regardless of other settings, Shape series studio monitors provide a stable tonal balance at any volume, a key element in creating mixes that translate well outside the studio. At the same time, you can easily adjust your Shape studio monitors to your room, thanks to the tunable shelving filters and 160Hz crossover slope. There's also an adjustable highpass filter onboard, so you can cut out serious low-frequency problems or accommodate specific subwoofer setups.