MENU
We will notify you as soon as the product is in stock in our warehouse! The orders will be placed in priority order and we do not guarantee that the price will remain the same.
PMC 6
SKU: APA2024-00296
-
Free Shipping -
36 Instalments
-
2 Years Warranty
The PMC6 is packed with innovation and providing the same sonic signature as our renowned larger monitors, it’s ideal for smaller control rooms or for use in larger immersive systems, where its astounding resolution allows critical mix decisions to be made with absolute confidence.With 20mm of excur...more
-
Free Shipping
-
36 Instalments
-
2 Years Warranty
6.590 €
VAT included and Free Shipping
Upon Order
Notify me when the product is available
Add to cart
Add to Wishlist
Related products
Focal Solo 6
Made in France the new Solo6 is a 2-way monitor offering unrivalled transparency, definition control, dynamics and soundstage precision. Thanks to its full-range Focus Mode, Solo6 forms two monitors in one, preserving the sweet spot during the mix, saving space on the console and simplifying cabling and monitor changes.
1.154 €
New
Focal Shape 50
Focal leads the way in affordable nearfield monitors by combining breakthrough designs with technologies they first developed for high-end models such as their successful SM series. This Shape 50 is the 5" model in the Shape series, which brings top-quality Focal reference monitoring to your studio, editing suite, songwriting workstation, or any other application where your space may be limited but your need for accurate monitoring isn't. A cutting-edge flax-sandwich cone, M-shaped inverted-dome driver, innovative acoustics, and ideal electronics all add up to a speaker that's extremely linear and free from distortion, offering clear midrange intelligibility and imaging. And thanks to its dual-passive-radiator design, you can comfortably place your Shape 65s near walls,while enjoying extended low end that's still tight, controlled, and accurate.Raising the bar on glass speaker conesFocal first introduced their glass-fiber speaker cones in their SM series, where the extraordinary definition provided by their lightweight rigidity made them an instant hit among professional mix engineers. Focal's Shape series takes this speaker design one step further by introducing a layer of flax fiber, which is significantly more rigid and twice as light as glass fiber. They sandwiched this flax layer between layers of glass fiber, resulting in a piston-like low-frequency action and increased dampening. You'll be astonished by the low-frequency accuracy and midrange clarity these speakers offer. You couldn't ask for better compact nearfield monitors when it comes to critical mixing applications. Revolutionary M-shaped inverted-dome tweeter The Shape series introduces another major design upgrade to Focal's nearfield monitor technology by reimagining their already impressive aluminum-magnesium dome tweeter. For starters, the M shape itself provides increased rigidity, which offers many of the same advantages as the increased rigidity of their flax fiber cones: greater definition with lower distortion.The M-shaped dome works with its own dedicated TMD surround for an impressively linear response below 6kHz. This horn also comes outfitted with housing that provides equal horizontal and vertical directivity, and a less-directional profile overall. Finally, the magnetic component, which features a Kapton former in the voice coil, offers a lower high-frequency distortion than Focal has previously achieved in an affordable nearfield monitor. TMD surround ensures total midrange neutralityBeneath the elegant walnut veneer and meticulously calculated MDF enclosure, each Shape series studio monitor features a number of technologies that give them uniquely linear frequency responses. One of these is the TMD surround ringing either speaker. Strangely enough, this stabilization element comes from special architecture found at the top of skyscrapers such as Taipei 101. These suspended harmonic absorbers promote a more piston-like action that targets specific frequencies. In the Shape series, these surrounds produce a remarkably flat frequency response around 1kHz–2kHz, resulting in astonishing neutrality with virtually no measurable distortion. Double passive-radiators ensure low-end stabilityOne of the technologies Focal popularized in their previous generation upper-end monitors was the use of passive radiators. Just as they did in the SMseries, these passive radiators provide the Shape series reference monitors with an extended low-frequency response that goes far beyond what the seasoned studio engineers at Sweetwater expect from modest-sized nearfields.By balancing low-frequency harmonics with the dual surrounds highlighted above, these passive radiators accomplish what ports simply can't, providing you with low-frequency tuning that extends bass clarity and allows you to position your monitors closer to walls, without compromising accuracy. This detail makes them an ideal choice for small studios and editing suites. Next-generation amplification and electronicsIt's impossible to overstate how important a role the amplifier plays in the function of precision reference monitors such as Focal's Shape series, both in terms of pairing the appropriate electronics with the acoustic elements and in providing you with the flexibility needed to tailor the sound to your control room. Regardless of other settings, Shape series studio monitors provide a stable tonal balance at any volume, a key element in creating mixes that translate well outside the studio. At the same time, you can easily adjust your Shape studio monitors to your room, thanks to the tunable shelving filters and 160Hz crossover slope. There's also an adjustable highpass filter onboard, so you can cut out serious low-frequency problems or accommodate specific subwoofer setups.
475 €
Focal Alpha 50 Evo
The Alpha 50 despite the fact that is the "small" monitor of the Alpha range performs very well with instrumental music and electronic music, and is characterised by its great versatility. This model is composed of a 5” woofer/ midrange speaker with a Polyglass cone loaded in a large laminar port associated to a 35W amplifier and of a 1" (25mm) aluminum inverted dome tweeter (20W amplifier). Alpha 50 has a frequency response of 45Hz to 22kHz (+/- 3dB).Features:Low directivity: keeps the same sound throughout the room Damping and rigidity: neutrality, no distortion Tonal balance is identical at low and high volumes; low sensitivity to wall effectsConnect up to 2 audio sourcesOptimal acoustic integrationReduced power consumption
243 €
Presonus Eris E5 XT
Eris, Remastered.
Eris E5 XT: 2-Way Active Studio Monitors with Wave Guide
Our best-selling studio monitors just got better.With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound... it's no wonder that the original Eris®-series studio monitors have been a runaway hit since their introduction. The Eris E5 XT is a substantial update to a lauded classic. Deeper lows and a wider, more controlled sweet spot (thanks to its new EBM wave guide design) mean that our best-selling studio monitors just got even better.
Studio speakers with a wide sweet spot.We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modeled) wave guide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-Series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot. It’s ideal for group listening and collaboration—while narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction.
Lows that go lower.The familiar woven composite low-frequency driver still offers Eris' signature tight, clear bass; plenty of punch and no flub. Eris E5 XT studio monitors sport a ported enclosure that is larger than that of their predecessors, allowing them to reach down to an astonishing 48 Hz. That's 10 Hz below previous models—with no subwoofer required!Lows that go lower.The familiar woven composite low-frequency driver still offers Eris' signature tight, clear bass; plenty of punch and no flub. Eris E5 XT studio monitors sport a ported enclosure that is larger than that of their predecessors, allowing them to reach down to an astonishing 48 Hz. That's 10 Hz below previous models—with no subwoofer required!
Set up your studio monitors for your room.We know modern recording studios can be anywhere from a spare bedroom to a multi-million dollar facility; that's why every studio monitor we make is equipped with controls that ensure the flattest response in your mix environment. Acoustic tuning controls allow you to configure the Eris E5 XT perfectly for your room—you get Low-cut, Mid, and High controls, as well as 3-way acoustic space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner.
Studio monitor connections.It’s easy to feed audio to your Eris E5 XT studio monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E5 XT monitors provide balanced XLR, balanced ¼” TRS, and unbalanced RCA line-level inputs. You’ll have no problem hooking your Eris speakers up to virtually anything.
Accuracy defined.Suitable for both home recording studios and professional mix engineering, the Eris XT studio monitors combine sterling audio quality with the flexible tuning and connectivity you've come to expect from PreSonus. It’s Eris, remastered.
Specifications :
Inputs
1- Balanced XLR
1- Balanced ¼” TRS
1- Unbalanced RCA
Performance
Frequency Response 48 Hz - 20 kHz
Crossover Frequency 3 kHz
LF Amplifier Power 45W
HF Amplifier Power 35W
Peak SPL (@ 1 meter) 102 dB
LF Driver 5.25”
HF Driver 1” silk dome
Input Impedance 10 kΩ
Dispersion 100 degrees horizontal by 60 degrees vertical
User Controls
Volume Range A-type taper
MF Control -6, 0, +6 dB
HF Control -6, 0, +6 dB
Low Cut Flat, 80 Hz, or 100 Hz
Acoustic Space Flat, -2 dB, or -4 dB
Protection
RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter
External mains fuse
Power
100-120V ~50/60 Hz or 220-240V ~50/60 Hz
Cabinet
Vinyl-laminated, medium-density fiberboard
Physical
Width 8” (203.2 mm)
Depth 9” (228.6 mm)
Height 11” (279.4 mm)
Weight 11 lbs (4.99 kg)
121 €
Focal Sub One
The Focal Sub One design leverages cutting-edge materials and engineering to advance the state of the art in studio monitoring. This compact twin active subwoofer employs dual 8-inch woofers with Slatefiber cones developed and handcrafted in Focal’s Saint-Étienne, France-based facility. Powered by 200 watts of optimized Class D bi-amplification and engineered to deliver flat tonal balance and outstanding dynamic range, the Sub One is a versatile, robust subwoofer that will complement your modern production environment and provide the honest, accurate monitoring, high SPL, and deep low-end extension you need to produce world-class results.
799 €
New
Focal Twin 6
Made in France the new Twin6 is a 2.5-way monitor offering unrivaled transparency, definition level, dynamics, and soundstage precision. It's Focus Mode uses a two-way configuration, preserving the sweet spot when mixing, saving space on the console and simplifying cabling and monitor changes.
1.999 €
New
Focal Shape Twin
This standard bearer of the Shape series features two passive radiators, woofers equipped with a new Flax cone, and the latest “M”-shaped Aluminium/Magnesium inverted dome tweeter. Perfect weapon of mass production for professionals. Shape Twin is made in France, just like Shape 40, 50 and 65. Designed to meet the needs of nearfield monitoring, these monitors combine an ingenuous design and numerous settings optimised for the acoustics of small listening rooms. Shape Twin stands out through its excellent rendering over the whole audio spectrum, its broad frequency response in the low end, and its high SPL considering its size. The compact design makes it easy to integrate even into the most cramped of rooms. Finally, its 2.5-way design gives it a real advantage when it comes to controlling the bass and lower mid-range registers which are the hardest to control in small rooms. Shape Twin’s five innovations present a remarkable tonal balance, with very wide and precise stereo imaging. The low frequencies are well defined as well as controlled. The low-mid and mid ranges provide a true neutral sound.Features:Tweeter with very low directivity for a flexible sweet spotDesigned without a port (double passive radiator) allowing it to be placed near a wall2.5 channels to provide optimal control of bass and low mid-range registersNumerous settings for optimal integrationAccurate control, even in the very high frequenciesFlax sandwich cone: controlled and articulated bass, natural and detailed lower mid-range and uppermid-range registersFastening mechanisms for mounting to the ceiling or a wall (fastening accessories not supplied)
760 €
World-Class PMC Monitoring
The PMC6 is packed with innovation and providing the same sonic signature as our renowned larger monitors, it’s ideal for smaller control rooms or for use in larger immersive systems, where its astounding resolution allows critical mix decisions to be made with absolute confidence.
With 20mm of excursion, the bespoke 6-inch bass driver is designed specifically to integrate with our latest ATL™ bass-loading and Laminair™ airflow technologies. The combination outperforms most 8-inch monitors, offering unparalleled bass extension, headroom, dynamics, and low distortion at all levels. The high end is courtesy of a one-inch precision-built fabric soft-dome tweeter, with a shallow waveguide that creates wide, tonally consistent dispersion and rock-solid imaging. Both the bass and treble drivers are precisely and individually controlled by a pair of 200W ultra-low-distortion, high-damping-factor Class-D amplifiers.
Portrait or Lanscape
The distinctive, finned HF driver surround on the result6 are known as D-Fins and they deliver major sonic benefits by widening the stereo sweet spot . The result is an excellent off axis response over a wider area. The D-Fins also eradicate the cabinet edge effects, ensuring high-frequency sound remains razor-sharp and unsmeared.
You can change your listening position as you work without adversely affecting what you hear, and that the frequency response remains flat and natural-sounding.
With twin low-distortion, (HF 65W, LF 100W) amps, ATL™ bass loading and a plethora major innovations the result6 lets you achieve exactly what you need, quicker.
ATL Tecnology
- Active 2-way nearfield reference monitor with ATL™ bass loading
- Frequency response: 39Hz - 25kHz (- 3dB @1m full space, on-axis)
- Max. cont. SPL: 106dB @1m (half space value calculated as +3dB from full space measurement.
- Un-weighted input,20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration)
- State-of-the-art Class-D amplifiers: HF 200W, LF 200W
- Analogue/AES3 digital input (16/24-bit, 18 -192kHz sample rate)
- Digital ‘through’ output (AES3 24-bit 96kHz)
- SoundAlign™ network control interface for single or group EQ & settings
- Sophisticated DSP crossover, driver protection, EQ, and delay/polarity options
- Automatic portrait/landscape placement DSP correction
- PMC6 + PMC8 SUB creates PMC6 XBD, with LF down to 25Hz
- Ceiling-mount yoke allows suspension in multi-channel or immersive systems
Specifications
- 6" (150 mm) bass driver, 200 Watts RMS
- 27 mm soft dome tweeter, 200 Watts RMS
- Frequency response: 39 - 25,000 Hz (- 3 dB @ 1 metre)
- Class-D amplifier
- Maximum level: 118 dB @ 1 metre
- Sensitivity: +4 dBu, input signal = 98 dB SPL @ 1 metre
- Gain adjustable -10 dB to +10 dB
- ATL technology (Advanced Transmission Line bass-loading)
- Horizontally and vertically adjustable
- High-pass filter (20 - 200 Hz, 12 dB / oct.)
- Delay (0 - 30 mS)
- Phase (normal or inverted)
- LF & HF shelving filter (20 - 20,000 kHz, +/- 10 dB, Q 0.707)
- Parametric EQ (5 bands, 20 - 20,000 kHz, +/- 10 dB)
- User presets can be stored
- LCD display
- Built-in power supply 100 - 240 VAC (automatic switching), 50 - 60 Hz (IEC C14)
- Input: XLR, switchable between analogue and digital AES3 (up to 24-bit / 192 kHz)
- Digital AES3 output: XLR (24-bit / 96 kHz fixed)
- RJ-45 network connector (for PMC SoundAlign web interface)
- Dimensions per monitor (W x H x D): 215 x 400 x 372 mm
- Weight per monitor: 11.1 kg
- Quantity: 2 units
Write your Review
How would you rate this product?
Follow us on Social Media
Don't miss out on new products and events by Athens Pro Audio.
Stock Notice
PMC 6
