Presonus

The Speed of SoundWith a barely measurable round-trip latency of less than 1 ms*, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt™ audio interfaces the “fastest audio interfaces on the planet.” Superb high-definition digital conversion and the ultra-transparent analog XMAX mic preamp design mean that your audio will always sound its best—whether you’re recording with or without your favorite plug-ins engaged in real-time. Timeless audioEvery design decision during Quantum 2626 audio interface’s engineering was made with one goal in mind: blazing-fast speed without any sonic compromise. The Quantum-series proprietary Thunderbolt driver was written from the ground up to deliver ultra-low-latency performance while maximizing efficiency. Cutting-edge 24-bit, 192 kHz converters with 115 dB of dynamic range and superior low-jitter clocking—coupled with our ultra-transparent, pure analog XMAX preamps—result in superb audio quality with the lowest round-trip latency of any audio interface available (< 1 ms*). *192 kHz, 64 sample buffer in Studio One 4.5 on a MacBook Pro 2016, 2.7 GHz Intel Core i7 running macOS 10.12.5 Superior SoundAudiophile-grade digital converters, low-jitter clocking, and transparent preamps add up to a superior recording and listening experience. The Quantum 2626 audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our lauded XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings. Expansive audioImpressive speed combined with stunning sound quality means that the Quantum Thunderbolt audio interface is an ideal recording solution for any size of studio. Need more mic preamps? Connect the PreSonus DigiMax DP88 to your Quantum interface’s ADAT/dual S/MUX ports. Once synced, the DigiMax DP88 preamps can be remotely controlled via Studio One or UC Surface. Want to insert your favorite gear? The Quantum 2626 features two direct preamp outputs with dedicated returns, so you can insert your favorite analog compressor and your favorite plug-ins with ease. Award-winning recording software includedWhile compatible with any macOS or Windows recording application, the Quantum 2626 ships as a complete recording studio with Studio One Artist music production software included. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment—including powerful extensions for Studio One like the Presence XT Expansion packs and the PreSonus Channel Strip Collection. The Quantum leap.Industry-leading speed and pristine audio quality combined with jaw-dropping expandability are the hallmarks of the Quantum interface design. Record and monitor from your favorite DAW with any plug-in engaged. Insert your favorite outboard analog gear with ease. Regardless of your studio’s size, Quantum audio interfaces will streamline your recording process—you’ll make better music, faster. Includes Studio Magic Plug-in Suite.This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.

Audio recording made easy. Don’t let the classic analog mixer design fool you—the StudioLive® AR16c was built to record. With a pristine analog front-end, 12 high-gain XMAX mic preamps, and an 18x4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, its hybrid design makes it simple to record studio productions and mix live shows from a single intuitive console. Add in a musical 3-band analog EQ, mic/line boost for low-level vintage synths and broadcast microphones, all-new digital effects with rich reverbs and lush delays, Bluetooth® connectivity, and a stereo SD recorder... and you have a mixing and recording powerhouse that fulfills the needs of both modern musicians and content creators. A full-featured audio interface. The StudioLive AR16c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the 16 inputs, plus the main mix for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks—plus a click. Twelve lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analog mixer front-end makes connecting your gear to your computer intuitive, and creating monitor mixes is quick and easy. With a USB-C™ compatible connection, your StudioLive AR16c is ready to use as an audio interface for nearly any computer. The channel that does it all… even Bluetooth connectivity! The unique Super Channel can handle four stereo sources at once and makes it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the ⅛-inch stereo input to plug-in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making rehearsal a snap. A complete recording solution for studio and stage.  The StudioLive AR16c audio interface and analog mixer is tightly integrated with state-of-the-art recording software to help you realize your creative vision. Record multitrack live performances with one click thanks to PreSonus’ Capture™ live-recording software. Create complete studio productions with our award-winning Studio One® Artist DAW. With two professional recording applications included with your StudioLive AR16c, you’re ready to record right out of the box. Stereo recording without a computer. Imagine you’re rehearsing with your band and want to record your session to analyze later. Or perhaps you’re in the middle of a songwriting session and want to capture your ideas as quickly as they come to you. Either way, the StudioLive AR16c’s stereo SD recorder has you covered. Insert any SD/SDHC card and you’re ready to record your main mix to listen to later, so you’ll never forget a great song idea or an amazing guitar solo. Doing mobile interviews for your podcast? Leave the computer at home and record straight to SD. Effects without latency. Monitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more comfortable while performing. The StudioLive AR16c mixer’s onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too—with or without the dry channels—to blend with your multitrack recording. Experiment in post-production to your heart's content. All the connections you need with a familiar look. Packed with all the connections and controls needed to mix and record in the studio and on the stage, the StudioLive AR16c is the ultimate recording solution. The eight mono channels and four stereo channels include a musical three-band EQ, plus one of PreSonus’ famed XMAX high-gain mic preamps. Two dedicated monitor mixes with balanced outputs provide your musicians the custom mix they need. The USB-C compatible connector ensures your StudioLive AR16c audio interface will be the center of your studio for years to come. And with high-resolution 96 kHz recording, a full complement of connections, and an instantly familiar workflow, the StudioLive AR16c is the perfect recording and mixing solution for the modern musician and content creator.

The StudioLive® 32R Series III stage box and rack mixer is by far the most powerful rackmount digital mixer in its class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.Specifications : Type: Rackmount Digital MixerChannels: 40 x 40 (USB), 55 x 55 (AVB networking)Inputs - Mic Preamps: 32 x XLR-1/4" combo (mic/line)Phantom Power: YesInputs - Other: 1 x Dual RCA StereoOutputs - Main: 2 x XLROutputs - Direct: 16 x 1/4" (mix out)Data I/O: 1 x EtherCon (AVB), 1 x RJ-45 (network control)USB: 1 x Type BComputer Connectivity: USB (40 x 40), Ethernet (AVB, 55 x 55)Headphones: 1 x 1/4" TRSEQ Bands: 4-band/6-band Parametric EQ, 31-band Graphic EQEffects: Studio Magic Plug-in SuiteSignal Processing: Gate, Compressor, LimiterFeatures: Onboard stereo SD recorderSoftware: Studio One Artist, UC Surface Touch, Capture, QMix-UCOS Requirements - Mac: OS X 10.8.5 64-bit or later, Intel Core i3 or higherOS Requirements - PC: Windows 7 SP1 64-bit or later, Intel Core i3 or higherRackmountable: YesPower Source: Standard IEC AC cable

Capture every detail, every time  Designed for musicians and performers who demand outstanding audio quality, the PreSonus PX-1 cardioid condenser microphone is an ideal solution for recording vocals, guitar, podcasts, and much more. A true large-diaphragm condenser microphone, the PX-1 features a 25mm, gold-sputtered capsule designed to provide exceptional clarity throughout its frequency response range. Rugged construction and top-quality performance specifications make the PX-1 large diaphragm microphone an excellent addition for any home recording or streaming studio.

Sonically Matched for Precise Stereo Imaging  Ideal for stereo recordings of acoustic instruments, drum overheads, ensembles and more, the PreSonus PM-2 stereo microphone set provides the tools you need to create professional results. Each PreSonus PM-2 small-diaphragm cardioid condenser microphone is equipped with a ¾” gold-sputtered capsule housed in an ultra-light chassis, making it easier to perfectly position your microphones without fighting gravity. Sold as a sonically matched pair, the PM-2 comes equipped with a stereo bar for XY mic placement. PM-2 microphones can be used together or individually, making them an excellent addition for any home or professional recording environment.     

Eris, Remastered. Eris E8 XT: 2-Way Active Studio Monitors with Wave Guide Our best-selling studio monitors just got better.With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound... it's no wonder that the original Eris®-series studio monitors have been a runaway hit since their introduction. The Eris E8 XT is a substantial update to a lauded classic. Deeper lows and a wider, more controlled sweet spot (thanks to its new EBM wave guide design) mean that our best-selling studio monitors just got even better. Studio speakers with a wide sweet spot.We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modeled) wave guide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-Series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot. It’s ideal for group listening and collaboration—while narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction. Lows that go lower.The familiar woven composite low-frequency driver still offers Eris' signature tight, clear bass; plenty of punch and no flub. Eris E8 XT studio monitors sport a ported enclosure that is larger than that of their predecessors, allowing them to reach down to an astonishing 35 Hz. That's 10 Hz below previous models—with no subwoofer required! Set up your studio monitors for your room.We know modern recording studios can be anywhere from a spare bedroom to a multi-million dollar facility; that's why every studio monitor we make is equipped with controls that ensure the flattest response in your mix environment. Acoustic tuning controls allow you to configure the Eris E8 XT perfectly for your room—you get Low-cut, Mid, and High controls, as well as 3-way acoustic space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner. Studio monitor connections.It’s easy to feed audio to your Eris E8 XT studio monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E8 XT monitors provide balanced XLR, balanced ¼” TRS, and unbalanced RCA line-level inputs. You’ll have no problem hooking your Eris speakers up to virtually anything. Accuracy defined.Suitable for both home recording studios and professional mix engineering, the Eris XT studio monitors combine sterling audio quality with the flexible tuning and connectivity you've come to expect from PreSonus. It’s Eris, remastered. Specifications : Inputs 1- Balanced XLR 1- Balanced ¼” TRS 1- Unbalanced RCA Performance Frequency Response 35 Hz - 20 kHz Crossover Frequency 2.2 kHz LF Amplifier Power 75W HF Amplifier Power 65W Peak SPL (@ 1 meter) 105 dB LF Driver 8” reinforced woofer HF Driver 1.25” silk dome tweeter Input Impedance 10 kΩ Dispersion 100 degrees horizontal by 60 degrees vertical User Controls Volume Range A-type taper MF Control -6, 0, +6 dB HF Control -6, 0, +6 dB Low Cut Flat, 80 Hz, 100 Hz Acoustic Space Flat, -2 dB, -4 dB Protection RF interference Output-current limiting Over-temperature Turn-on/off transient Subsonic filter External mains fuse Power 100-120V ~50/60 Hz or 220-240V ~50/60 Hz Cabinet Vinyl-laminated, medium-density fiberboard Physical Width 9.75” (247.65 mm) Depth 11.5” (292.1 mm) Height 16” (406.4 mm) Weight 23 lbs (10.43 kg)

Eris, Remastered. Eris E5 XT: 2-Way Active Studio Monitors with Wave Guide Our best-selling studio monitors just got better.With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound... it's no wonder that the original Eris®-series studio monitors have been a runaway hit since their introduction. The Eris E5 XT is a substantial update to a lauded classic. Deeper lows and a wider, more controlled sweet spot (thanks to its new EBM wave guide design) mean that our best-selling studio monitors just got even better. Studio speakers with a wide sweet spot.We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modeled) wave guide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-Series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot. It’s ideal for group listening and collaboration—while narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction. Lows that go lower.The familiar woven composite low-frequency driver still offers Eris' signature tight, clear bass; plenty of punch and no flub. Eris E5 XT studio monitors sport a ported enclosure that is larger than that of their predecessors, allowing them to reach down to an astonishing 48 Hz. That's 10 Hz below previous models—with no subwoofer required!Lows that go lower.The familiar woven composite low-frequency driver still offers Eris' signature tight, clear bass; plenty of punch and no flub. Eris E5 XT studio monitors sport a ported enclosure that is larger than that of their predecessors, allowing them to reach down to an astonishing 48 Hz. That's 10 Hz below previous models—with no subwoofer required! Set up your studio monitors for your room.We know modern recording studios can be anywhere from a spare bedroom to a multi-million dollar facility; that's why every studio monitor we make is equipped with controls that ensure the flattest response in your mix environment. Acoustic tuning controls allow you to configure the Eris E5 XT perfectly for your room—you get Low-cut, Mid, and High controls, as well as 3-way acoustic space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner. Studio monitor connections.It’s easy to feed audio to your Eris E5 XT studio monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E5 XT monitors provide balanced XLR, balanced ¼” TRS, and unbalanced RCA line-level inputs. You’ll have no problem hooking your Eris speakers up to virtually anything. Accuracy defined.Suitable for both home recording studios and professional mix engineering, the Eris XT studio monitors combine sterling audio quality with the flexible tuning and connectivity you've come to expect from PreSonus. It’s Eris, remastered. Specifications : Inputs 1- Balanced XLR 1- Balanced ¼” TRS 1- Unbalanced RCA Performance Frequency Response 48 Hz - 20 kHz Crossover Frequency 3 kHz LF Amplifier Power 45W HF Amplifier Power 35W Peak SPL (@ 1 meter) 102 dB LF Driver 5.25” HF Driver 1” silk dome Input Impedance 10 kΩ Dispersion 100 degrees horizontal by 60 degrees vertical User Controls Volume Range A-type taper MF Control -6, 0, +6 dB HF Control -6, 0, +6 dB Low Cut Flat, 80 Hz, or 100 Hz Acoustic Space Flat, -2 dB, or -4 dB Protection RF interference Output-current limiting Over-temperature Turn-on/off transient Subsonic filter External mains fuse Power 100-120V ~50/60 Hz or 220-240V ~50/60 Hz Cabinet Vinyl-laminated, medium-density fiberboard Physical Width 8” (203.2 mm) Depth 9” (228.6 mm) Height 11” (279.4 mm) Weight 11 lbs (4.99 kg)

Designed for live sound reinforcement, live recording, and studio recording applications, the PreSonus StudioLive 32SX is a Series III S 32-channel digital console, recorder, and audio interface in a low-profile, space-saving frame. The mixer features an integrated hardware and software system with a full-color touchscreen, 25 touch-sensitive, motorized faders and 32 recallable XMAX preamps. The powerful dual-core FLEX DSP engine supercharges the mixer with Fat Channel vintage-style EQs and compressors on every channel, plus a four-slot FLEX FX processor that can run heralded digital reverbs and delays. Streamline your workflow with recallable scene presets, virtual sound check, and the supplied software library, which empowers you with remote control from a computer or iPad, remote monitor mixing using a mobile device, and all the software you need to track, edit, mix, and distribute your music. The StudioLive 32SX boasts 16 XLR mic inputs and 16 mic/line inputs via XLR-1/4" combo jacks. Additional inputs include four 1/4" aux inputs and a dedicated XLR talkback mic input with phantom power. The mixer provides a balanced XLR mono output, stereo XLR main outputs, 16 analog FlexMix outputs (12 XLR, four 1/4" TRS), a pair of 1/4" monitor outputs, and a 1/4" headphone port. A digital AES/EBU output of the main mix is available via a rear-panel XLR socket. Additionally, unbalanced stereo RCA tape inputs and outputs are on hand to hookup a house music source and a separate stereo recorder. Record 32 channels and the main stereo mix to a Class 10 U3 SD card (available separately) via the onboard 34-track SD recorder, or stream 128 channels (64 in each direction) over USB 2.0 to and from your computer. You can even record redundantly to an SD card and a USB host computer at the same time. Take advantage of the StudioLive 32SX's built-in AVB networking capabilities for flexible system expansion, digital patching between networked devices, and more. At a Glance 40 mixing channels 26 buses 32 recallable XMAX preamps via 16 XLR inputs and 16 XLR-1/4" combo inputs 25 touch-sensitive motorized faders Fixed input layer Fat Channel Dual-core FLEX DSP mix engine 286 processors in various form factors Low-profile, space-saving frame Powerful Mixing Features Expandable plug-in processing with ten vintage EQ and classic compression options on every input channel and bus Input delay, high-pass filter, gate, compressor, limiter, and parametric 4-band EQ per input channel High-pass filter, compressor, limiter, output delay, and parametric 6-band EQ per bus FLEX FX multi-effects processor with four slots to load legendary reverb emulations anddelays with four dedicated effects buses 16 FlexMixes (aux mixes, subgroups, or matrix mixes) with 12 XLR and four 1/4" TRS mix output jacks Four static subgroup buses with 1/4" outputs Four designated effects buses 24 DCAs to control groups of channels True virtual soundcheck simplifies mix configuration Enhanced scene management with scenes organized into projects, scene lock, and channel safe Password-protected user profiles enable restricting access to specific features Channel scribble strips and input metering Audio Networking Built-in AVB networking allows the creation of a complete ecosystem with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and the SW5E AVB switch (all available separately) Connect NSB-series stage boxes to add remote analog inputs and outputs wherever required Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes Network multiple StudioLive Series III mixers Route audio to and from any device on the AVB network, thanks to the flexibility of digital patching Multichannel Recording Record 34 tracks (32 channels plus a stereo mix) without a computer via the onboard SD card recorder Stream up to 128 channels (64 in, 64 out) of audio to a Mac or Windows computer via USB 2.0 Record to SD card, via USB, or to both simultaneously for safe, redundant live recording Record with PreSonus Capture, PreSonus Studio One, or any recording software that supports ASIO or Core Audio DAW Control Advanced Studio One control integration MCU emulation mode optimized for Logic Pro HUI emulation mode optimized for Pro Tools Complete Software Bundle UC Surface touch-control for Mac, Windows, and iPad Capture recording app with virtual soundcheck for Mac and Windows Studio One Artist DAW for recording, mixing, mastering, sharing, and collaborating on Mac and Windows QMix-UC personal monitor mix control for iPhone, iPod touch, and Android

The Most Formidable StudioLive Yet The StudioLive 64S is a powerhouse — it’s PreSonus’s most formidable offering yet. This 64-channel digital mixer boasts a quad-core FLEX DSP engine with enough muscle to drive 526 simultaneous processors, and then some. What’s more, its FLEX FX multi-effects processor vaunts eight slots of reverb emulations and delays with eight dedicated effects buses. Benefit from easy expandability thanks to built-in AVB networking. Enjoy versatile operation by virtue of the 64S’s 32 Flex Mixes. Shape and polish each channel to perfection courtesy of PreSonus’s lauded Fat Channel processing. The PreSonus StudioLive 64S includes a comprehensive software suite, which enables you to make top-flight recordings right from the get-go. Quad-core FLEX DSP engine boasts impressive processing muscle The StudioLive 64S is packed with serious power. Its quad-core FLEX DSP engine possesses enough processing muscle to run 526 simultaneous processors, 43 mix buses, and 76 mixing channels. And its FLEX FX multi-effects processor includes eight slots of reverb emulations and delays with eight dedicated effects buses. At Sweetwater, we’re impressed by the sheer amount of raw power that’s lurking under the 64S’s hood. Three options for multitrack recording The PreSonus StudioLive 64S gives you three efficient options for multitrack recording. A built-in SD card recorder allows you to record all inputs simultaneously, and you can also play back from the SD card to do virtual soundchecks without a computer. You can also connect to a computer via USB for 64 channels of recording and playback — almost twice that of previous generations. And the StudioLive 64S supports AVB over Ethernet too, enabling you to interface directly with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and SW5E AVB switches. Pristine XMAX preamps for sound reinforcement and recording Simply put, the 32 Class A XMAX preamps onboard the StudioLive 64S sound like they belong in the studio. Their high headroom and low noise floor deliver extremely clean and clear sound you simply wouldn’t expect from a live console. And mic preamp settings are fully recallable, which is a huge time saver when you mix or record the same band or show on a regular basis. Flex Mixes offer a ton of freedom for any mixing application It can be frustrating trying to use the same mixer for many different tasks. Thanks to Flex Mixes, that’s not the case with the PreSonus StudioLive 64S. Flex Mixes can be set up as aux mixes, subgroups, or matrix mixes, depending on what your show demands. Need a ton of different monitor mixes for a large group of musicians? No problem, you can create up to 32 aux sends if you need to. Same with subgroups and matrix mixes — perfect for theater productions and multi-zone venues, respectively. Basically, the 64S’s Flex Mixes allow you to adapt your mixer to the mixing task at hand, instead of adapting your workflow to the limitations of your mixer. Advanced processing for EQ, compression, and effects The StudioLive series of consoles has always been known for outstanding effects and processing capabilities, and the StudioLive 64S takes it even further. Its FLEX FX multi-effects processor supplies you with eight internal effects buses that are loaded with a combination of reverbs, delays, and other effects that you can route any channel through. On top of that, Fat Channel processing offers vintage EQ and compressor models on every channel. And if you crave even more plug-in processing power, you can bolster your 64S with PreSonus’s Fat Channel Collection (sold separately). Includes a plethora of useful software The PreSonus StudioLive 64S is a complete solution. It includes UC Surface mix control software, which enables you to access virtually any aspect of your mix, and with support for up to four screens, you could hardly ask for more comprehensive feedback. Capture live recording software records all 64 channels plus a stereo mix of your choosing via USB, to an SD card, or both for a redundant live recording rig. You also get Studio One Artist — a powerful DAW with smart features aimed at making you a total creative beast. What’s more, the 64S is compatible with the free QMix-UC app, which allows artists to control their own monitor mixes. PreSonus StudioLive 64S Digital Mixer Features: 64-channel digital mixing console with built-in SD card recorder Quad-core FLEX DSP engine possesses enough processing muscle to run 526 simultaneous processors, 43 mix buses, and 76 mixing channels Record and play back up to 64 channels via USB — almost twice that of previous generations Supports AVB over Ethernet for use with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and SW5E AVB switches Built-in SD card support for multitrack recording and virtual soundchecks Main Left, Right, and Mono/Center buses with per-channel mono send level and center divergence control Fully recallable XMAX preamps with ultra-low noise floor 33 touch-sensitive motorized faders allow you to mix with precision 24 DCA groups help you manage complex productions with high channel counts FLEX FX multi-effects processor vaunts 8 slots of reverb emulations and delays with 8 dedicated effects buses Fat Channel processing provides vintage EQ and compression options for each channel Better visual feedback than ever, with full-color touchscreen and channel scribble strips Advanced scene management helps you manage complex mixing tasks more efficiently 32 Flex Mixes can be used as aux mixes, subgroups, or matrix mixes DAW control with advanced Studio One integration, MCU emulation for Logic, and HUI emulation for Pro Tools Software package includes UC Surface 2 touch-control software (Mac/PC/Android/iOS), Capture recording software (Mac/PC), Studio One Artist DAW software (Mac/PC), QMix personal monitoring app (iOS/Android) Compatible with the Fat Channel Collection (sold separately)

Designed for live sound reinforcement, live recording, and studio recording applications, the PreSonus StudioLive 32S is a Series III S 40-channel digital mixing console, recorder, and audio interface in a single enclosure. The mixer features an integrated hardware and software system with a full-color touchscreen, 33 touch-sensitive, motorized faders and 32 recallable XMAX preamps. The powerful dual-core FLEX DSP engine supercharges the mixer with Fat Channel vintage-style EQs and compressors on every channel, plus a four-slot FLEX FX processor that can run heralded digital reverbs and delays. Streamline your workflow with recallable scene presets, virtual sound check, and the supplied software library, which empowers you with remote control from a computer or iPad, remote monitor mixing using a mobile device, and all the software you need to track, edit, mix, and distribute your music. The StudioLive 32S boasts 16 XLR mic inputs and 16 mic/line inputs via XLR-1/4" combo jacks. Additional inputs include four 1/4" aux inputs and a dedicated XLR talkback mic input with phantom power. The mixer provides a balanced XLR mono output, stereo XLR main outputs, 16 analog FlexMix outputs (12 XLR, four 1/4" TRS), a pair of 1/4" monitor outputs, and a 1/4" headphone port. A digital AES/EBU output of the main mix is available via a rear-panel XLR socket. Additionally, unbalanced stereo RCA tape inputs and outputs are on hand for hooking up a house music source and a separate stereo recorder. Alternatively, you can wirelessly stream music from a mobile device to the mixer's built-in Bluetooth receiver. Record 40 channels and the main stereo mix to a Class 10 U3 SD card (available separately) via the onboard 34-track SD recorder, or stream 128 channels (64 in each direction) over USB 2.0 to and from your computer. You can even record redundantly to an SD card and a USB host computer at the same time. Take advantage of the built-in AVB networking capabilities for flexible system expansion, digital patching between networked devices, and more. At a Glance 40 mixing channels 26 buses 32 recallable XMAX preamps via 16 XLR inputs and 16 XLR-1/4" combo inputs 33 touch-sensitive motorized faders Dynamic Fat Channel layout allows access to every Fat Channel parameter and aux send via eight Fat Channel encoders with scribble strips Dual-core FLEX DSP mix engine 286 processors in various form factors Built-in Bluetooth receiver for wireless music streaming Powerful Mixing Features Expandable plug-in processing with ten vintage EQ and classic compression options on every input channel and bus Input delay, high-pass filter, gate, compressor, limiter, and parametric 4-band EQ per input channel High-pass filter, compressor, limiter, output delay, and parametric 6-band EQ per bus FLEX FX multi-effects processor with four slots to load legendary reverb emulations anddelays with four dedicated effects buses 16 FlexMixes (aux mixes, subgroups, or matrix mixes) with 12 XLR and four 1/4" TRS mix output jacks Four static subgroup buses with 1/4" outputs Four designated effects buses 24 DCAs to control groups of channels True virtual soundcheck simplifies mix configuration Enhanced scene management with scenes organized into projects, scene lock, and channel safe Password-protected user profiles enable restricting access to specific features Channel scribble strips and input metering Audio Networking Built-in AVB networking allows the creation of a complete ecosystem with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, and the SW5E AVB switch (all available separately) Connect NSB-series stage boxes to add remote analog inputs and outputs wherever required Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes Network multiple StudioLive Series III mixers Route audio to and from any device on the AVB network, thanks to the flexibility of digital patching Multichannel Recording Record 34 tracks (32 channels plus a stereo mix) without a computer via the onboard SD card recorder Stream up to 128 channels (64 in, 64 out) of audio to a Mac or Windows computer via USB 2.0 Record to SD card, via USB, or both simultaneously for safe, redundant live recording Record with PreSonus Capture, PreSonus Studio One, or any recording software that supports ASIO or Core Audio DAW Control Advanced Studio One control integration MCU emulation mode optimized for Logic Pro HUI emulation mode optimized for Pro Tools Complete Software Bundle UC Surface touch-control for Mac, Windows, and iPad Capture recording app with virtual soundcheck for Mac and Windows Studio One Artist DAW for recording, mixing, mastering, sharing, and collaborating on Mac and Windows QMix-UC personal monitor mix control for iPhone, iPod touch, and Android

Clarify your sound.You’ve invested in a pair of high-quality studio monitor speakers, and you can’t wait to hear what your music really sounds like. So you place the speakers on a desktop, mixer top, or speaker stands and… yikes! Vibrations and resonant energy travel from your monitors to the supporting surface as the speakers and surface acoustically couple, resulting in unwanted coloration and reduced clarity. Fortunately, you can easily fix the problem with a set of PreSonus ISPD-4 isolation pads. These inexpensive foam pads isolate your speakers from their supporting surface, reducing vibration and improving clarity and midrange resolution. One set fits all.Sold in pairs, each PreSonus ISPD-4 isolation pad can be divided into halves and configured in several ways so you can use them with virtually any near-field studio monitors. For small, vertically placed speakers, use half of an isolator per side or employ the full pad, whichever works best. Place two half-pads side-by-side to accommodate larger speakers or horizontal placement.

Small digital mixer. Big power. The StudioLive 32SC is a compact, rack-mountable 32-channel digital mixer that can be quickly and easily scaled for 16-, 24-, and 32-channel applications. Don't let the road-ready size fool you; the StudioLive 32SC sports a dual-core PreSonus FLEX DSP Engine powering 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. With 128 (64x64) channels of USB recording and AVB network audio I/O, flexible routing options, and studio-grade audio quality, the StudioLive 32SC provides all the tools you need—whether you’re building your dream studio or putting together a pro touring rig. The scalable digital mixer. The StudioLive 32SC digital mixer and the complete PreSonus® StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxesto add remote analog inputs and outputs wherever they’re required and complete your 32-channel, 16-bus StudioLive 32SC. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network thanks to the flexibility of Digital Patching on your StudioLive 32SC digital mixer and in UC Surface remote mixer software. Superior sound. We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 32SC digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32SC mic preamps to be remote-controlled with UC Surface software or Studio One®, and when you load a StudioLive 32SC mixer scene, the mic preamp trim values can also be recalled along with the other settings. The mobile music recording studio. PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32SC digital mixer or on your Mac or Windows computer. Record all 32 channels plus a stereo mix of your choosing via USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show. Features: Powered by the new dual-core PreSonus FLEX DSP Engine to provide the most processing of any digital mixer in its class 40 input-channel digital mixer with 17 touch-sensitive motorized faders 16 local digitally controlled XMAX mic/line inputs 16 digital channels (AVB, USB, or SD) 2 balanced stereo aux inputs 1 stereo tape input (RCA, USB, AVB or SD) 4 FLEX FX returns 1 Talkback 26 mix buses 16 FlexMixes (Aux, Subgroup, Matrix) 4 dedicated FLEX FX buses 4 dedicated subgroups Stereo Main bus 286 simultaneous processors HPF Gate / Expander Compressor with Fat Channel plug-in models 4-band/6-band parametric EQ with Fat Channel plug-in models Limiter 31-band Graphic EQ 4 FLEX FX slots featuring legendary classic reverb emulations and delays

Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 1810c will give you clear, clean, ultra-high-def sound in a bus-powered, rugged unit. While it’s a perfect companion for any recording software, the Studio 26c and included Studio One Artist provide you with a complete, affordable, home and mobile recording studio.

World-class recording software included. Seamlessly integrated with the included PreSonus® Studio One Artist music production software, the Studio 68c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment. Take the tour. The 6-in, 6-out Studio 68c audio interface features USB-C computer connectivity and includes 2 combo mic/instrument/line inputs and 2 combo mic/line inputs with +48V phantom power for condenser mics, plus S/PDIF digital I/O. All four ¼-inch TRS, line-level outputs are DC coupled, enabling them to send control voltages. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones—perfect for DJs and to listen in on a performer’s monitor mix. The Studio 68c’s built-in MIDI interface enables connection to a keyboard, sound module, or control surface. ​ Superior sound. The Studio 68c operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and PreSonus’ professional-grade XMAX-L mic preamps capture complex musical harmonics smoothly and naturally, with no audible distortion. Designed for the home recording studio. Built for the road. Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 68c will give you clear, clean, ultra-high-def sound in a bus-powered, rugged unit. While it’s a perfect companion for any recording software, the Studio 26c and included Studio One Artist provide you with a complete, affordable, home and mobile recording studio. Includes Studio Magic Plug-in Suite. This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.

World-class recording software included. Seamlessly integrated with the included PreSonus® Studio One Artist music production software, the Studio 1824c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment. Take the tour. The Studio 1824c audio interface features USB-C computer connectivity and records up to 18 simultaneous inputs, including two combo mic and switchable line/instrument inputs and six mic/line inputs, all with XMAX mic preamps and +48V phantom power. Digital inputs include eight channels of ADAT Optical I/O (four channels at 96 kHz) and stereo S/PDIF I/O. In addition to the main L/R outputs, you get eight DC-coupled line-level outputs that can send control voltages. You also get two headphone outputs. A built-in MIDI interface enables connection to a keyboard, sound module, or control surface. The Studio 1824c’s I/O configuration provides considerable versatility. With 8 channels of ADAT Optical input (4 channels at 96 kHz), you can expand the Studio 1810c with an 8-channel mic preamp with ADAT conversion, such as our premium-quality DigiMax DP88. In addition to L/R main outputs with front-panel Mute and level controls, you get four line outputs for monitor mixing plus stereo S/PDIF digital I/O and two stereo headphone outputs. All line-level outputs are DC coupled, enabling them to send control voltages. The onboard DSP lets you create two stereo near-zero latency monitor mixes using Studio One or UC Surface. And of course the Studio 1810c is a MIDI interface. ​ Superior sound. The Studio 1824c operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and PreSonus’ professional-grade XMAX-L mic preamps capture complex musical harmonics smoothly and naturally, with no audible distortion. Designed for the home recording studio. Built for the road. Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 1824c will give you clear, clean, ultra-high-def sound in a bus-powered, rugged unit. While it’s a perfect companion for any recording software, the Studio 26c and included Studio One Artist provide you with a complete, affordable, home and mobile recording studio. Includes Studio Magic Plug-in Suite. This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.

Whether you’re recording your first album or your hit podcast’s latest episode, the Studio 24c will help you sound your best. With two of PreSonus’ pristine XMAX-L mic preamps for recording vocals; plus high headroom instrument preamps so you can connect your guitar or bass right to your interface; and professional input metering so you can keep track of your recording levels, the Studio 24c delivers amazing sound quality in a rugged, compact form factor. A complete home recording studio right out of the box, the Studio 24c audio interface comes with a complimentary license of PreSonus’ award-winning Studio One® Artist music production software, so you can get recording right away. More than a microphone, Revelator features voice effects to polish your sound—or completely transform it! Professionally-crafted presets make your voice stand out at the press of a button, thanks to the same award-winning sonic enhancement our StudioLive digital mixers provide. Additional effects let you emulate concert halls, AM radio, or space invaders for those times when you don’t want to sound smooth and polished.  

Seamlessly integrated with the included PreSonus® Studio One Artist music production software, the Studio 26c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.Take the tourThe 2-in, 4-out Studio 26c audio interface features USB-C computer connectivity and includes combo mic/instrument/line inputs with +48V phantom power for condenser mics; balanced, ¼-inch TRS, line-level main outputs; and an output level control. All line-level outputs are DC coupled, enabling them to send control voltages. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones—perfect for DJs and to listen in on a performer’s monitor mix. The Studio 26c’s built-in MIDI interface enables connection to a keyboard, sound module, or control surface.​Superior soundThe Studio 26c operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and PreSonus’ professional-grade XMAX-L mic preamps capture complex musical harmonics smoothly and naturally, with no audible distortion.Designed for the home recording studio. Built for the roadWhether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 26c will give you clear, clean, ultra-high-def sound in a bus-powered, rugged unit. While it’s a perfect companion for any recording software, the Studio 26c and included Studio One Artist provide you with a complete, affordable, home and mobile recording studio.​Includes Studio Magic Plug-in SuiteThis suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.

Gig bag / backpack for StudioLive 16.0.2 With outside pocket

AIR15s: Powerful, clear, accurate low end.Designed to complement any full-range PA loudspeaker and a perfect companion for the PreSonus® AIR10, AIR12, and AIR15, the AIR15s subwoofer delivers a powerful, clear, and accurate low-end punch. With its 15-inch low-frequency transducer, driven by 1,200 watts (dynamic) of Class D power, it provides plenty of detailed bottom end—all the way down to 35 Hz. Yet it is portable and well suited for mobile applications, as well as installed systems. Extensive controls enable customized performance.Since each venue has unique acoustics and each application makes different demands on a sound system, we’ve equipped AIR-series subwoofers with easy-to-use controls and signal-processing presets. Set your subwoofers for normal front-of-house use or get an even bigger low-end with the Mo’ Bass preset. Set them to perform in an array. Reverse polarity, use the lowpass filter to set a crossover frequency, adjust the master output level of the power amplifier, even turn the grille LED off for install applications or set it to illuminate only when the protection limiter is engaged—all at the touch of a button. Fast and easy customization.The AIR15 loudspeaker is equipped with an easy-to-use signal processor that makes it simple to customize your loudspeakers with the push of a button. Presets customize the AIR15’s response for use as front-of-house mains; as monitor wedges; for music playback (e.g., for DJs); for enhanced low end and a warmer sound; and for improved speech intelligibility. Treble and bass controls let you boost or cut by 10 dB to compensate for room anomalies. Location presets let you optimize performance for stand and bracket mounting as well as flown installations. Versatile mounting for a variety of applications.The AIR15’s molded plastic cabinet can be mounted in several ways, providing tremendous versatility. The multi-angle enclosure sports nonskid rubber feet on the bottom for upright front-of-house use and nonskid rubber feet on one side for stage monitor applications. Rig the speaker using M10 fly points or ground-stack it for portable applications.Mount it on a tripod or atop an AIR-series subwoofer using an optional sub pole. The integrated dual-position pole mount lets you aim the speaker level or at a 7.5˚ downward tilt. And the AIR15 is easy to transport, thanks to its top-mounted handle. Equally at home in mobile and installed systems.Although it has a rugged, tour-grade birch enclosure, the PreSonus AIR15s is much more compact and lightweight than you’d expect from a subwoofer that can deliver this much power. With integrated provisions for the included castor kit, ground-stacking provisions, and ergonomic handles on both sides, it’s easy to transport for mobile applications, while offering the features and performance needed for demanding installs. The AIR15s sports two combo XLR and ¼” TRS line-level inputs with level control, and throughputs are provided to connect full-range systems or multiple subwoofers in larger systems. You can even defeat the front power-indicator LED for low-visibility installs. Plays well with others.Although we recommend AIR-series full-range loudspeakers, AIR15s subwoofers can be used with virtually any full-range loudspeaker. Whatever full-range speaker you choose, aligning the subwoofer to its full-range companion will yield tighter bass response.AIR15s subwoofers make it easy, with a variable alignment delay that properly aligns your three-way system, whether the full-range loudspeaker is placed atop the subwoofer, using the sub pole, or is placed a few feet away. AIR-series subwoofers also are equipped with a variable lowpass filter that allows you to dial in the best crossover point for your system. Optimized settings are provided for the AIR10, AIR12, and AIR15 full-range loudspeakers. Easily create subwoofer arrays.Most subwoofers are essentially omnidirectional, radiating sound around the entire cabinet, which can cause feedback onstage and make monitoring more difficult. Creating a subwoofer array helps keep excess energy off of the stage and in the audience where it is needed. AIR-series subwoofers provide the tools you need to create these arrays with ease.   Six years of trouble-free performance. Guaranteed.When you choose ULT or AIR loudspeakers, you choose confidence. Rest assured that your new PreSonus speakers are in it for the long haul.We take our build quality seriously, and if anything goes wrong with them in your first six years of ownership (assuming you don't throw them in a swamp or anything like that) the repair or replacement is on us.     Technical Specifications: Acoustic Performance ConfigurationActive vented designFrequency Range (-3 dB)35 Hz to 160 HzMaximum Output126 dB SPLTransducer LF Driver15” (3” voice coil)Amplifier Amplifier TypeClass DTotal System Power1,200W dynamic (600W continuous)Connections and Controls Inputs2 x XLR/TRS line comboOutputs2 x XLR Link Out  

Your AVB Stage-to-Console SolutionA perfect partner for StudioLive Series III consoles.Designed to work seamlessly with PreSonus® StudioLive® Series III console/recorders, the PreSonus NSB 8.8 is an 8-in, 8-out stage box that sets up quickly and easily to route signals from stage to mixer over an AVB network.With AVB networking, all signals flow through one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the NSB 8.8’s inputs, preamps, and phantom power from your networked Series III console or from free PreSonus UC Surface touch-control software. Making connections—lots of them.A stage box is all about analog connectivity, and the NSB 8.8 gives you plenty. You get eight locking combo mic/line inputs equipped with our famous remote-controlled, Class A solid-state XMAX preamps, including gain compensation for shared input scenarios. All line inputs can be controlled from a StudioLive Series III console and from free PreSonus UC Surface software.All eight outputs employ locking XLR jacks. If that’s not enough, a built-in 2-port AVB switch lets you daisy-chain multiple units, giving you enough connections for even the largest shows and installations. What is an AVB network?Audio networking is much more than just a way to connect a digital snake. With an AVB network, you can connect digital audio devices over long distances using CAT5e or CAT6 Ethernet cable and route your audio anywhere on the network with extremely low latency. AVB offers several unique benefits that make it a better choice for audio than other networking protocols.For example, AVB provides a high-precision clock that significantly reduces harmonic distortion and phasing, ensuring your audio stays clear and clean. AVB ensures you always have enough bandwidth to carry your low latency audio—even when your intern starts streaming a movie.These important benefits are an inherent part of AVB; you don’t need to do anything special to your devices or AVB switch. And you can only get them with AVB. Tough enough for the most demanding tours.Even if you baby your equipment, your stage boxes are likely to take a beating, especially on extended tours. But no matter how demanding the conditions, stage box failure is not an option. So we built the NSB 8.8 into a rugged steel chassis designed to survive the rigors of the road, and we equipped it with sturdy handles.Its classic stage box form factor allows the NSB 8.8 to sit well on the stage, or it can be rack mounted with an optional rack-ear kit. The NSB 8.8 also is compatible with stage pockets from Ace Backstage Everything you need...and then some.“StudioLive” doesn’t just mean “digital mixers.” StudioLive Series III is all about top-to-bottom, wall-to-wall mix solutions with a lineup now featuring digital consoles, rack mixers, personal monitoring units and stage boxes. And because Series III has AVB at its core, you get to expand your audio network over time to fit your needs.With Series III, you can track in your home studio on Friday and then mix front of house at a dive bar on Saturday night. You’ll still have what you need to run monitors on Sunday morning. Stay in the PocketThe ACE Backstage #175SLBK Stage Pocket is designed to be permanently installed in the stage floor and is configured to receive PreSonus Networked Stage Boxes (NSB 8.8, NSB 16.8) for portable onstage use and passive storage.One PreSonus NSB slides easily in and out of the ACE Stage Pocket Nesting Frame. The NSB is secure while resting inside the Stage Pocket, allowing I/O cables to egress neatly through Hinged Cable Exits in the Lid, and onto the stage floor. Additional room for a single space rack panel inside the Stage Pocket makes it possible to add additional connectivity at the stage floor. Features :For StudioLive Series III mixing consoles8 Mic / line inputs (combo jacks, XLR / jack)8 Remote-controllable XMAX Class A mic preamps48 Volt phantom power with 8 status LEDsGain compensation for shared use8 Line outputs (XLR)Mute All button2 AVB Ethernet ports with locking RJ45 socketsConnection to the console via a CAT5e or CAT6 cableCascadable via AVB (daisy chain)Can also be operated via control software "UC Surface"Interlocking IEC power socketRobust steel housing

Studio sound. Live performance.StudioLive® 315AI Active Integration loudspeakers deliver studio-monitor accuracy onstage with unprecedented onboard processing and networking features in a compact form factor.PreSonus® Active Integration technology enables wireless and wired networking control for setup, tuning, and monitoring functions, using an iPad®, a Mac® or Windows®laptop, or both. The StudioLive 315AI provides the best imaging and intelligibility in its class, making it an ideal choice for installations and mobile applications where high fidelity matters.Three-way coverage with power to spare.A compact, full-range system that provides plenty of low end, the StudioLive 315AI delivers 3-way coverage, with a 15-inch low-frequency driver and our proprietary 8-inch, CoActual® coaxial speaker for mid- and high-frequency reproduction. These transducers are driven by a hefty 2,000W RMS of triamplified, Class D power, all housed in a compact enclosure.The 315AI is time- and phase-aligned to form a true 4-way system when paired with the StudioLive 18sAI subwoofer, with or without the highpass filter engaged, to provide an optional overlap at 100 Hz for applications that require a little more low-end punch.The CoActual difference.PreSonus’ proprietary CoActual 8-inch, horn-loaded coaxial speaker offers a consistent acoustic center and is responsible for high- and mid-frequency reproduction. The single point source provided by this coaxial design offers unique advantages, thanks to the driver’s symmetrical response. The net result is exceptional 3D imaging and a natural listening experience that reveals the subtlest details.Networkable with Wi-Fi, Ethernet, or Dante.The StudioLive 315AI comes equipped for wireless and wired communications over an Ethernet or Wi-Fi local area network for monitoring and control over custom tuning settings. Better yet, add the SL-Dante-SPK option card to create a Dante™ network and ditch your analog cables in favor of lightweight CAT5e or CAT6 cables.You’re in control—here, there, and everywhere.The StudioLive 315AI features a robust onboard loudspeaker processor that can be accessed and controlled over a standard LAN network. PreSonus’ SL Room Control app for iPad, Mac, and Windows provides rich, easy-to-use system configuration and individual and group control over any StudioLive AI loudspeaker on the network, including alignment delay, parametric EQ, notch filters, group level, and graphic EQ, as well as performance monitoring. SL Room Control makes customizing your speaker system as simple as connecting an Ethernet cable to a wireless router.Flexible connections and mounting capabilities.The rear of the StudioLive 315AI reveals a combo XLR/TRS line input and an XLR microphone input with an XMAX™ Class A mic preamplifier and 12V phantom power, as well as an XLR mix output.In addition to the input mixer, you get speaker level-attenuation control. The lightweight plywood enclosure has two ergonomic side handles, interlocking stacking, and M10 fly points. Dual-position pole mounts allow you to mount the speaker atop a stand or subwoofer at 90 degrees or at a 10-degree downward tilt.Clear, accurate, powerful—and available now.Whether out on tour or installed in a venue, StudioLive 315AI loudspeakers deliver studio-monitor accuracy at incredibly high SPL, with amazing imaging and intelligibility. With extensive software control and wired and wireless networking, it offers advanced capabilities that go well beyond conventional point-source loudspeakers, yet it’s easy to set up and use. Check out the StudioLive 315AI at your favorite PreSonus dealer. Main ComponentsUnique coaxial design integrates a custom-designed, 8-inch, ferrite midrange driver and 1.75-inch titanium compression driver with Temporal Equalization™ and Coaxial Speaker Coherence Alignment15-inch, custom-designed, ferrite, low-frequency transducer2,000 watt, triamped, Class D amplificationLF 2x500 watts / 1x1,000 wattsMF 1x500 wattsHF 1x500 wattsActive Integration 32-bit, 96 kHz DSP with more processing power than three rack speaker processors32-bit floating-point DSP with asymmetric three-way crossover, Temporal Equalization for horn reflection, linear time- and amplitude-anomalies correction, performance contouring, dynamic limiting, and excursion limitingXMAX Class A mic preamp with 12V phantom powerUniversal Switch mode power supply with power-factor correctionControls and Networking4 operation modes optimized for:Normal — live front-of-houseMP3 — music playbackFloor Monitor — stage wedgeUser — customizable presetLine-level input with attenuationSpeaker-attenuation controlBalanced XLR Mix outputExternal Subwoofer mode activates a low-cut filter and alignment delay for combining StudioLive® 18sAI subwoofer with 315AI in a true 4-way systemWireless or wired networking with free SL Room Control software for Mac®, Windows®, and iPad® enables complete setup, tuning, and monitoringNetwork Setup Wizard automatically detects each speaker and allows you to quickly connect to your wireless router networkRemote control over Maximum SPL/output level, high-pass filter, onboard operational modes, performance monitoring, mute, and speaker delay31-band graphic EQ and 8-band parametric EQ (total of 10, including feedback notch filter)Visually display room layout on a laptop or iPad​Edit, save, recall, and share speaker-setup parametersConvenience FeaturesComfortable, ergonomic handlesIntegrated M10 fly points and pole mountsShips with Ethernet connection for wired control; optional Dante™ card

Your AVB Stage-to-Console SolutionA perfect partner for StudioLive Series III consoles.Designed to work seamlessly with PreSonus® StudioLive® Series III console/recorders the PreSonus NSB 16.8 is an 16-in, 8-out stage box that sets up quickly and easily to route signals from stage to mixer over an AVB network.With AVB networking, all signals flow through one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the NSB 16.8’s inputs, preamps, and phantom power from your networked Series III console or from free PreSonus UC Surface touch-control software.Making connections—lots of them.A stage box is all about analog connectivity, and the NSB 16.8 gives you all the I/O you need and then some. You get 16 locking combo mic/line inputs equipped with our famous remote-controlled, Class A solid-state XMAX preamps, including gain compensation for shared input scenarios.All line inputs can be controlled from a StudioLive Series III console and from free PreSonus UC Surface software. All eight outputs employ locking XLR jacks. If that’s not enough, a built-in 2-port AVB switch lets you daisy-chain multiple units, giving you enough connections for even the largest shows and installations.What is an AVB network?Audio networking is much more than just a way to connect a digital snake. With an AVB network, you can connect digital audio devices over long distances using CAT5e or CAT6 Ethernet cable and route your audio anywhere on the network with extremely low latency. AVB offers several unique benefits that make it a better choice for audio than other networking protocols.For example, AVB provides a high-precision clock that significantly reduces harmonic distortion and phasing, ensuring your audio stays clear and clean. AVB ensures you always have enough bandwidth to carry your low latency audio—even when your intern starts streaming a movie. These important benefits are an inherent part of AVB; you don’t need to do anything special to your devices or AVB switch. And you can only get them with AVB.Tough enough for the most demanding tours.Even if you baby your equipment, your stage boxes are likely to take a beating, especially on extended tours. But no matter how demanding the conditions, stage box failure is not an option. So we built the NSB 16.8 into a rugged steel chassis designed to survive the rigors of the road, and we equipped it with sturdy handles.Its classic stage box form factor allows the NSB 16.8 to sit well on the stage, or it can be rack mounted with an optional rack-ear kit. The NSB 16.8 also is compatible with stage pockets from Ace Backstage.Everything you need...and then some.“StudioLive” doesn’t just mean “digital mixers.” StudioLive Series III is all about top-to-bottom, wall-to-wall mix solutions with a lineup now featuring digital consoles, rack mixers, personal monitoring units and stage boxes. And because Series III has AVB at its core, you get to expand your audio network over time to fit your needs.With Series III, you can track in your home studio on Friday and then mix front of house at a dive bar on Saturday night. You’ll still have what you need to run monitors on Sunday morning.Stay in the PocketThe ACE Backstage #175SLBK Stage Pocket is designed to be permanently installed in the stage floor and is configured to receive PreSonus Networked Stage Boxes (NSB 8.8, NSB 16.8) for portable onstage use and passive storage.One PreSonus NSB slides easily in and out of the ACE Stage Pocket Nesting Frame. The NSB is secure while resting inside the Stage Pocket, allowing I/O cables to egress neatly through Hinged Cable Exits in the Lid, and onto the stage floor. Additional room for a single space rack panel inside the Stage Pocket makes it possible to add additional connectivity at the stage floor.Features :For StudioLive Series III mixing consoles16 Mic / line inputs (combo jacks, XLR / jack)16 Remote-controllable XMAX Class A mic preamps48 Volt phantom power with 16 status LEDsGain compensation for shared use8 Line outputs (XLR)Mute All button2 AVB Ethernet ports with locking RJ45 socketsConnection to the console via a CAT5e or CAT6 cableCascadable via AVB (daisy chain)Can also be operated via control software "UC Surface"Interlocking IEC power socketRobust steel housing 

Professional, networked personal monitoring.Designed to work seamlessly with the PreSonus® StudioLive® Series III family of mixers, yet compatible with other AVB-enabled systems, the PreSonus EarMix® 16M personal monitor mixer provides a high-quality, expandable, networked monitoring solution for stage, installed sound systems, and studio recording.We gave EarMix 16M fully professional sound quality, build quality, and features, including a high-performance headphone amplifier, to ensure you have the monitoring you need for any situation. Each EarMix 16M accepts 16 mono channels of input via AVB networking—and you can network multiple units with a StudioLive Series III mixer. Loud, clear, customizable mixes.High-quality monitoring is crucial for artists to deliver their best performance, so we’ve given the EarMix 16M a loud, clear headphone amplifier that can drive low-impedance devices such as professional-caliber in-ear-monitors. We started with a top of the line digital-to-analog converter for the best dynamic range and signal-to-noise ratio.We took special care in the amplifier design to deliver excellent sound with a wide range of in-ear monitors and headphones with different impedances. Controls and inputs can be customized on each unit to allow each musician to create a mix that works best for them. Once you’ve perfected a set of monitor mixes, save the whole scene to internal memory; you can store and recall up to 16 mix scenes locally. What is an AVB network?Audio networking is much more than just a way to connect a digital snake. With an AVB network, you can connect digital audio devices over long distances using CAT5e or CAT6 Ethernet cable and route your audio anywhere on the network with extremely low latency. AVB offers several unique benefits that make it a better choice for audio than other networking protocols.For example, AVB provides a high-precision clock that significantly reduces harmonic distortion and phasing, ensuring your audio stays clear and clean. AVB ensures you always have enough bandwidth to carry your low latency audio—even when your intern starts streaming a movie. These important benefits are an inherent part of AVB; you don’t need to do anything special to your devices or AVB switch. And you can only get them with AVB. PoE: Remote power for networked devices.The EarMix 16M can be powered with its included external power supply but in many cases—such as when it’s difficult to provide power across multiple onstage locations—it’s better to use Power over Ethernet (PoE). PoE is a technology that enables network cables to carry electrical power to compatible devices.With PoE, a single cable delivers both network data, such as digital audio, and electrical power. You can locate a PoE-enabled device anywhere you can run an Ethernet cable because you don’t need a local power source. Moreover, PreSonus’ SW5E five-port AVB switchenables you to connect multiple EarMix 16Ms to the AVB network and provides PoE. A system that can grow with your needs.One EarMix 16M is a beautiful thing but the system really shines when you need monitoring for the whole band. A pair of AVB jacks enable you to chain multiple EarMix 16Ms while also connecting to a StudioLive Series III mixer.You can expand even further by chaining EarMix 16Ms from multiple PreSonus SW5E AVB switches. Once you’ve created your AVB network, setting up EarMix 16M routings from a networked StudioLive Series III console or using free PreSonus UC Surface control software for Mac, Windows, iPad, and Android is fast and easy. ​ Your ears—and bands—will thank you.EarMix 16M’s connectivity, AVB networking with PoE, and PreSonus’ famed hardware/software integration give you all the tools you need to create a truly professional personal monitoring system that can serve even the largest ensembles.We remembered the little things, too, like an optional microphone stand mount. Best of all, thanks to loud, clear headphone amps, high-end converters, and top-quality signal processing, EarMix 16M delivers exceptional sound quality that will further enhance your hard-earned reputation as an audio professional.   Features:Analog Input/Output1/8-inch stereo aux input2 Balanced ¼-inch TRS line outputs¼-inch TRS stereo headphone output with loud, clear headphone amp that can drive low-impedance in-ear monitorsMeters, Controls, and Processing3-band EQ with sweepable mid frequency on all channels and main mixLimiter on all channels and main mixStereo channel linkingChannel groupingSolo and MuteMix scene Store and Recall; store up to 16 mix scenes locally16 Signal present and clip LEDs (one for each input)8-segment stereo output meterChannel Level rotary control with 8-segment level indicatorAux Input level controlIndependent Monitor (line out) and Phones level controlsRouting setup from StudioLive Series III consoles and UC SurfaceDigital16 mono channels of input via AVB networking2 AVB Ethernet ports24 bit, up to 48 kHz operation 

AIR15s: Powerful, clear, accurate low end.Designed to complement any full-range PA loudspeaker and a perfect companion for the PreSonus® AIR10, AIR12, and AIR15, the AIR18s subwoofer delivers a powerful, clear, and accurate low-end punch. With its 18-inch low-frequency transducer, driven by 1,200 watts (dynamic) of Class D power, it provides plenty of detailed bottom end—all the way down to 30 Hz. Yet it is portable and well suited for mobile applications, as well as installed systems. Extensive controls enable customized performance.Since each venue has unique acoustics and each application makes different demands on a sound system, we’ve equipped AIR-series subwoofers with easy-to-use controls and signal-processing presets. Set your subwoofers for normal front-of-house use or get an even bigger low-end with the Mo’ Bass preset. Set them to perform in an array.Reverse polarity, use the lowpass filter to set a crossover frequency, adjust the master output level of the power amplifier, even turn the grille LED off for install applications or set it to illuminate only when the protection limiter is engaged—all at the touch of a button. Equally at home in mobile and installed systems.Although it has a rugged, tour-grade birch enclosure, the PreSonus AIR18s is much more compact and lightweight than you’d expect from a subwoofer that can deliver this much power. With integrated provisions for the included caster kit, ground-stacking provisions, and ergonomic handles on both sides, it’s easy to transport for mobile applications, while offering the features and performance needed for demanding installs. The AIR18s sports two combo XLR and ¼” TRS line-level inputs with level control, and throughputs are provided to connect full-range systems or multiple subwoofers in larger systems. You can even defeat the front power-indicator LED for low-visibility installs. Versatile mounting for a variety of applications.The AIR15’s molded plastic cabinet can be mounted in several ways, providing tremendous versatility. The multi-angle enclosure sports nonskid rubber feet on the bottom for upright front-of-house use and nonskid rubber feet on one side for stage monitor applications. Rig the speaker using M10 fly points or ground-stack it for portable applications.Mount it on a tripod or atop an AIR-series subwoofer using an optional sub pole. The integrated dual-position pole mount lets you aim the speaker level or at a 7.5˚ downward tilt. And the AIR15 is easy to transport, thanks to its top-mounted handle. Equally at home in mobile and installed systems. Although it has a rugged, tour-grade birch enclosure, the PreSonus AIR18s is much more compact and lightweight than you’d expect from a subwoofer that can deliver this much power. With integrated provisions for the included caster kit, ground-stacking provisions, and ergonomic handles on both sides, it’s easy to transport for mobile applications, while offering the features and performance needed for demanding installs. The AIR18s sports two combo XLR and ¼” TRS line-level inputs with level control, and throughputs are provided to connect full-range systems or multiple subwoofers in larger systems. You can even defeat the front power-indicator LED for low-visibility installs.    Plays well with others.Although we recommend AIR-series full-range loudspeakers, AIR18s subwoofers can be used with virtually any full-range loudspeaker. Whatever full-range speaker you choose, aligning the subwoofer to its full-range companion will yield tighter bass response. AIR18s subwoofers make it easy, with a variable alignment delay that properly aligns your three-way system, whether the full-range loudspeaker is placed atop the subwoofer, using the sub pole, or is placed a few feet away. AIR-series subwoofers also are equipped with a variable lowpass filter that allows you to dial in the best crossover point for your system. Optimized settings are provided for the AIR10, AIR12, and AIR15 full-range loudspeakers. Easily create subwoofer arrays.Most subwoofers are essentially omnidirectional, radiating sound around the entire cabinet, which can cause feedback onstage and make monitoring more difficult. Creating a subwoofer array helps keep excess energy off of the stage and in the audience where it is needed. AIR-series subwoofers provide the tools you need to create these arrays with ease.   Six years of trouble-free performance. Guaranteed.When you choose ULT or AIR loudspeakers, you choose confidence. Rest assured that your new PreSonus speakers are in it for the long haul.We take our build quality seriously, and if anything goes wrong with them in your first six years of ownership (assuming you don't throw them in a swamp or anything like that) the repair or replacement is on us.     Technical Specifications: Acoustic Performance ConfigurationActive vented designFrequency Range (-3 dB)30 Hz to 150 HzMaximum Output129 dB SPLTransducer LF Driver18” (3” voice coil) /table>Amplifier Amplifier TypeClass DTotal System Power1,200W dynamic (600W continuous)Connections and Controls Inputs2 x XLR/TRS line comboOutputs1 x XLR Link Out   

AIR10: Versatile, customizable, and easy to transport.Compact and lightweight, AIR12 active loudspeakers provide a rich, extended low-end and natural high-frequency extension in an enclosure that will easily fit in the backseat of a small car. Backed by 1,200W (dynamic) of Class D/Class AB power and enhanced with easy-to-use digital tuning functions, the AIR12 gives you all the power and tools you need for both mobile and installed sound.The best of two worlds.Each type of power amplifier has advantages and disadvantages. By employing different amplifier types for each driver, AIR12 loudspeakers use the respective strengths of Class D and Class A/B amplifiers to provide optimal response throughout the speaker’s frequency range. A 500W (continuous), Class D amplifier powers the 12-inch low-frequency driver, providing efficient, clean power for gut-shaking low end when you need it. A 200W (continuous), Class AB amplifier powers the 1.35-inch high-frequency driver, delivering a natural sounding, "AIR-y" high end. The combination can deliver up to 123 dB SPL of sweet, clear sound between 51 Hz and 20 kHz.Fast and easy customization.The AIR12 loudspeaker is equipped with an easy-to-use signal processor that makes it simple to customize your loudspeakers with the push of a button. Presets customize the AIR12’s response for use as front-of-house mains; as monitor wedges; for music playback (e.g., for DJs); for enhanced low end and a warmer sound; and for improved speech intelligibility. Treble and bass controls let you boost or cut by 10 dB to compensate for room anomalies. Location presets let you optimize performance for stand and bracket mounting as well as flown installations.Versatile mounting for a variety of applications.The AIR12’s molded plastic cabinet can be mounted in several ways, providing tremendous versatility. The multi-angle enclosure sports nonskid rubber feet on the bottom for upright front-of-house use and nonskid rubber feet on one side for stage monitor applications. Rig the speaker using M10 fly points or ground-stack it for portable applications. Mount it on a tripod or atop an AIR-series subwoofer using an optional sub pole. The integrated dual-position pole mount lets you aim the speaker level or at a 7.5˚ downward tilt. And the AIR12 is easy to transport, thanks to its top-mounted handle.You’ll be floored.If you place a loudspeaker against a hard surface such as a wall or floor, the low frequencies emitted from the rear of the enclosure propagate back into the room. This effect, called “half-space loading,” can increase the output of bass frequencies by as much as 6 dB, and it is an unavoidable issue with floor monitors. Most PA speakers in this class simply roll off excess low frequencies with a highpass filter—a half-baked compensation for half-space loading. In contrast, AIR-series full-range loudspeakers offer a Monitor preset that uses DSP to retune the speaker to both compensate for bass buildup and maintain a tight mid-bass response, while suppressing problematic frequencies to reduce feedback.Flexible inputs.AIR-series full-range loudspeakers offer a choice of inputs so you can use them with a variety of sources. You get two combo XLR mic/TRS line inputs, each with a Class A microphone preamplifier and independent gain control. A stereo 1/8” connection admits signals from smartphones, tablets, and other consumer audio devices. These signals can be combined with the AIR12’s internal mixer, and a balanced XLR Mix output lets you send pass the signals to other AIR-series loudspeakers.A sweet-sounding solution.With their “best of both worlds” power-amp configuration, carefully programmed DSP presets, versatile mounting options, flexible inputs with onboard mixing, and other professional features, PreSonus AIR-series loudspeakers are an excellent choice for both mobile and installed sound. You’ll love their easy transportability and their affordability. But the best thing about AIR-series loudspeakers is their clear, natural, “AIR-y” sound. Don’t just take our word for it, though. Check out AIR-series loudspeakers at your favorite PreSonus dealer.Six years of trouble-free performance. Guaranteed.When you choose ULT or AIR loudspeakers, you choose confidence. Rest assured that your new PreSonus speakers are in it for the long haul.We take our build quality seriously, and if anything goes wrong with them in your first six years of ownership (assuming you don't throw them in a swamp or anything like that) the repair or replacement is on us.

AIR10: Versatile, customizable, and easy to transport.Compact and lightweight, AIR10 active loudspeakers provide a rich, extended low-end and natural high-frequency extension in an enclosure that will easily fit in the backseat of a small car. Backed by 1,200W (dynamic) of Class D/Class AB power and enhanced with easy-to-use digital tuning functions, the AIR10 gives you all the power and tools you need for both mobile and installed sound. The best of two worlds.Each type of power amplifier has advantages and disadvantages. By employing different amplifier types for each driver, AIR10 loudspeakers use the respective strengths of Class D and Class A/B amplifiers to provide optimal response throughout the speaker’s frequency range. A 500W (continuous), Class D amplifier powers the 10-inch low-frequency driver, providing efficient, clean low end when you need it. A 200W (continuous), Class AB amplifier powers the 1-inch high-frequency driver, delivering a natural sounding, "AIR-y" high end. The combination can deliver up to 121 dB SPL of sweet, clear sound between 66 Hz and 20 kHz. Fast and easy customization.The AIR10 loudspeaker is equipped with an easy-to-use signal processor that makes it simple to customize your loudspeakers with the push of a button. Presets customize the AIR10’s response for use as front-of-house mains; as monitor wedges; for music playback (e.g., for DJs); for enhanced low end and a warmer sound; and for improved speech intelligibility.Treble and bass controls let you boost or cut by 10 dB to compensate for room anomalies. Location presets let you optimize performance for stand and bracket mounting as well as flown installations. Versatile mounting for a variety of applications.The AIR10’s molded plastic cabinet can be mounted in several ways, providing tremendous versatility. The multi-angle enclosure sports nonskid rubber feet on the bottom for upright front-of-house use and nonskid rubber feet on one side for stage monitor applications.Rig the speaker using M10 fly points or ground-stack it for portable applications. Mount it on a tripod or atop an AIR-series subwoofer using an optional sub pole. The integrated dual-position pole mount lets you aim the speaker level or at a 7.5˚ downward tilt. And the AIR10 is easy to transport, thanks to its top-mounted handle. You’ll be floored. If you place a loudspeaker against a hard surface such as a wall or floor, the low frequencies emitted from the rear of the enclosure propagate back into the room. This effect, called “half-space loading,” can increase the output of bass frequencies by as much as 6 dB, and it is an unavoidable issue with floor monitors. Most PA speakers in this class simply roll off excess low frequencies with a highpass filter—a half-baked compensation for half-space loading. In contrast, AIR-series full-range loudspeakers offer a Monitor preset that uses DSP to retune the speaker to both compensate for bass buildup and maintain a tight mid-bass response, while suppressing problematic frequencies to reduce feedback. Flexible inputs.AIR-series full-range loudspeakers offer a choice of inputs so you can use them with a variety of sources. You get two combo XLR mic/TRS line inputs, each with a Class A microphone preamplifier and independent gain control. A stereo 1/8” connection admits signals from smartphones, tablets, and other consumer audio devices.These signals can be combined with the AIR10’s internal mixer, and a balanced XLR Mix output lets you send pass the signals to other AIR-series loudspeakers. A sweet-sounding solution.With their “best of both worlds” power-amp configuration, carefully programmed DSP presets, versatile mounting options, flexible inputs with onboard mixing, and other professional features, PreSonus AIR-series loudspeakers are an excellent choice for both mobile and installed sound. You’ll love their easy transportability and their affordability.But the best thing about AIR-series loudspeakers is their clear, natural, “AIR-y” sound. Don’t just take our word for it, though. Check out AIR-series loudspeakers at your favorite PreSonus dealer.   Six years of trouble-free performance. Guaranteed.When you choose ULT or AIR loudspeakers, you choose confidence. Rest assured that your new PreSonus speakers are in it for the long haul.We take our build quality seriously, and if anything goes wrong with them in your first six years of ownership (assuming you don't throw them in a swamp or anything like that) the repair or replacement is on us.     Technical Specifications:Acoustic Performance ConfigurationActive 2-wayFrequency Range (-3 dB)66 Hz to 20 kHzFrequency Range (-10 dB)55 Hz to 20 kHzCrossover Frequency2.2 kHzMaximum Output121 dB SPLNominal Dispersion (HxV)90˚x 60˚Transducer LF Driver10” (2” voice coil)HF Driver1” compressionAmplifier Amplifier TypeClass D (LF), Class AB (HF)Total System Power1,200W (Peak)LF Power900WHF Power300WConnections and Controls Inputs2 x XLR/TRS mic/line combo; 1 x 1/8” TRS stereoOutputs1 x XLR Mix Out  

AIR15: Versatile, customizable, and easy to transport.Compact and lightweight, AIR15 active loudspeakers provide a rich, extended low-end and natural high-frequency extension in an enclosure that will easily fit in the backseat of a small car. Backed by 1,200W (dynamic) of Class D/Class AB power and enhanced with easy-to-use digital tuning functions, the AIR15 gives you all the power and tools you need for both mobile and installed sound. The best of two worlds.Each type of power amplifier has advantages and disadvantages. By employing different amplifier types for each driver, AIR15 loudspeakers use the respective strengths of Class D and Class A/B amplifiers to provide optimal response throughout the speaker’s frequency range. A 500W (continuous), Class D amplifier powers the 15-inch low-frequency driver, providing efficient, clean power for gut-shaking low end when you need it. A 200W (continuous), Class AB amplifier powers the 1.35-inch high-frequency driver, delivering a natural sounding, "AIR-y" high end. The combination can deliver up to 124 dB SPL of sweet, clear sound between 47 Hz and 20 kHz. Fast and easy customization.The AIR15 loudspeaker is equipped with an easy-to-use signal processor that makes it simple to customize your loudspeakers with the push of a button. Presets customize the AIR15’s response for use as front-of-house mains; as monitor wedges; for music playback (e.g., for DJs); for enhanced low end and a warmer sound; and for improved speech intelligibility. Treble and bass controls let you boost or cut by 10 dB to compensate for room anomalies. Location presets let you optimize performance for stand and bracket mounting as well as flown installations. Versatile mounting for a variety of applications.The AIR15’s molded plastic cabinet can be mounted in several ways, providing tremendous versatility. The multi-angle enclosure sports nonskid rubber feet on the bottom for upright front-of-house use and nonskid rubber feet on one side for stage monitor applications. Rig the speaker using M10 fly points or ground-stack it for portable applications. Mount it on a tripod or atop an AIR-series subwoofer using an optional sub pole. The integrated dual-position pole mount lets you aim the speaker level or at a 7.5˚ downward tilt. And the AIR15 is easy to transport, thanks to its top-mounted handle. You’ll be floored.If you place a loudspeaker against a hard surface such as a wall or floor, the low frequencies emitted from the rear of the enclosure propagate back into the room.This effect, called “half-space loading,” can increase the output of bass frequencies by as much as 6 dB, and it is an unavoidable issue with floor monitors.Most PA speakers in this class simply roll off excess low frequencies with a highpass filter—a half-baked compensation for half-space loading. In contrast, AIR-series full-range loudspeakers offer a Monitor preset that uses DSP to retune the speaker to both compensate for bass buildup and maintain a tight mid-bass response, while suppressing problematic frequencies to reduce feedback. Flexible inputs.AIR-series full-range loudspeakers offer a choice of inputs so you can use them with a variety of sources. You get two combo XLR mic/TRS line inputs, each with a Class A microphone preamplifier and independent gain control. A stereo 1/8” connection admits signals from smartphones, tablets, and other consumer audio devices. These signals can be combined with the AIR15’s internal mixer, and a balanced XLR Mix output lets you send pass the signals to other AIR-series loudspeakers. A sweet-sounding solution.With their “best of both worlds” power-amp configuration, carefully programmed DSP presets, versatile mounting options, flexible inputs with onboard mixing, and other professional features, PreSonus AIR-series loudspeakers are an excellent choice for both mobile and installed sound. You’ll love their easy transportability and their affordability. But the best thing about AIR-series loudspeakers is their clear, natural, “AIR-y” sound. Don’t just take our word for it, though. Check out AIR-series loudspeakers at your favorite PreSonus dealer.   Six years of trouble-free performance. Guaranteed.When you choose ULT or AIR loudspeakers, you choose confidence. Rest assured that your new PreSonus speakers are in it for the long haul.We take our build quality seriously, and if anything goes wrong with them in your first six years of ownership (assuming you don't throw them in a swamp or anything like that) the repair or replacement is on us.     Technical Specifications:Acoustic Performance ConfigurationActive 2-wayFrequency Range (-3 dB)47 Hz to 20 kHzFrequency Range (-10 dB)40 Hz to 20 kHzCrossover Frequency1.6 kHzMaximum Output124 dB SPLNominal Dispersion (HxV)90˚x 60˚Transducer LF Driver15” (2.5” voice coil)HF Driver1.35” compressionAmplifier Amplifier TypeClass D (LF), Class AB (HF)Total System Power1,200W dynamicLF Power900WHF Power300WConnections and Controls Inputs2 x XLR/TRS mic/line combo; 1 x 1/8” TRS stereoOutputs1 x XLR Mix Out 

The perfect partner for a StudioLive Series III console.The StudioLive 16R Series III rack mixer is a perfect partner for your StudioLive Series III console/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive 16R to a Series III front-of-house console with one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs.You can even remote control the StudioLive 16R’s preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 16R not only serves as an excellent networked stage box, it is a full blown monitor mixer with far more processing and mixing power than any mixer in its class—all packed into just one rackspace. (1U). The most powerful rack mixer in its class.When we say the StudioLive® Series III stage boxes and rack mixers are by far the most powerful rackmount digital mixers in their class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps.Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors.Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio. A third-generation Fat Channel.StudioLive Series III rack mixers boast the same third-generation Fat Channel processing found in StudioLive Series III consoles. Delivering digital precision with the heart and soul of analog, the Series III Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs.In addition to channel processing, all StudioLive Series III mixers offer 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording, mixing monitors, or even running the front-of-house system. Technical Specifications Digital Audio and Control ADC Dynamic Range115 dB (A-wtd, 48 kHz)DAC Dynamic Range115 dB (A-wtd, 48 kHz)USB Recording PortUSB 2.0, Type-BNetwork Control PortRJ-45AVB Audio Network PortLocking XLR EthernetInternal Processing32-bit, floating pointSampling Rate48 kHz (44.1 kHz coming soon)A/D/A Bit Depth24Reference Level for 0 dBFS+18 dBuTotal System Latency1.9 ms (local routing, analog in-analog out, all processing active) Mi​crophone Preamplifier Input TypeCombo locking XLR mic-¼” TRS lineFrequency Response to Main Output (at unity gain)20-20 kHz, ±0.5 dBuInput Impedance1 kΩTHD to Main Output

ATOM: Production and Performance Pad ControllerFast, flexible, and feature-packed.Produce beats, play virtual instruments, and trigger sound effects and loops with unsurpassed expressiveness and flexibility! Both a compact, dynamic performance controller and a tightly integrated production environment, PreSonus®’ ATOM pad controller and included Studio One® Artist production software let you create and perform with ease.The most versatile pad controller in its class, ATOM is compatible with most music software and lets you perform and produce with virtual instruments and trigger samples and loops in real-time, using 16 full-size, velocity- and pressure-sensitive RGB pads and 8 assignable pad banks.Produce quickly and easily in a tightly integrated environment.ATOM connects to your computer via USB and is compatible with most music production and performance software but it is absolutely amazing when used with PreSonus Studio One.ATOM and Studio One integrate tightly so you can create quickly and easily.Enjoy blazingly fast, professional-style workflow with ATOM’s navigation, editing, and loop-point-creation features and transport controls.You’re in control.ATOM puts you in control of your music production software. Trigger loops and effects and play virtual instruments with 16 full-size, velocity- and pressure-sensitive RGB pads.Eight assignable pad banks let you, for example, assign your entire virtual drum rack to each pad within each bank. MIDI Keyboard mode,Note Repeat mode, and Full Velocity mode enable you to custom control your instruments. And with 4 programmable rotary encoders and 20 assignable buttons, you can navigate and set more parameters faster.Bring ATOM out to play for a stunning live show.Sure, ATOM is a great production pad controller but it’s an instrument controller too. Use the velocity- and pressure-sensitive pads to play your virtual instruments live, with incredible expressiveness.Set up pad banks for a full virtual drum set and perform beats that will energize any crowd. Even play multiple ATOMs at once to put on an exciting live show.Everything you need.You’ll love ATOM’s expressive pads and flexible controls. Its tight integration with Studio One will open up your production environment and speed up your workflow, and you get a wealth of virtual instruments, loops, and drum kits with Studio One to fuel your creativity.But we wanted to give you more, so we worked with MVP Loops to deliver a carefully curated loop and one-shot library custom-designed for ATOM. Still not enough? You can buy even more content from the PreSonus Shop. Check out ATOM and Studio One at your favorite PreSonus dealer today!Studio One Artist makes recording a breeze.No other recording and production software is this easy to learn and use, yet is capable of creating studio-quality output. Studio One® Artist lets you work quickly and stay focused on your inspiration and offers unlimited tracks and plug-ins.Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files, and effects by drag-and-drop. Studio One makes it easy! Best of all, ATOM and Studio One integrate tightly so you can enjoy a blazingly fast, professional-style workflow. Features :16 full-size velocity- and pressure-sensitive, RGB LED padsPressure switchable between MIDI aftertouch, channel pressure, and CC messages8 assignable pad banksSelectable pad velocity curves and pad pressure thresholds20 assignable buttons4 endless rotary encodersModes :MIDI "keyboard" modeNote Repeat modeFull Velocity mode (only send velocity 127)Connections :USB 2.0Included Software :Studio One® Artist production software for Mac® and Windows®MVP Loops content custom-designed for ATOMCompatible with most music production and performance software for Mac and WindowsComputer system requirements:Below are the minimum computer-system requirements for ATOM with Studio One 4 or later:MacMac® OS X 10.11 or higher (64-bit only)Intel® Core® 2 Duo processor (Intel Core i3 or better recommended)WindowsWindows® 7 (SP1 + platform update), Windows 8.1, or Windows 10 (64-bit only)Intel Core Duo or AMD® Athlon™ X2 processor (Intel Core 2 Duo or AMD Athlon X4 or better recommended)Mac and Windows Systems :4 GB RAM (8 GB or more recommended)USB 2.0 portInternet connection (needed for software installation and activation)Monitor with 1366 x 768 resolution (high-dpi monitor recommended)40 GB hard-drive spaceUniversal Control 2.9 or later (for firmware updates)Studio One 4.1+ required for native integration Specifications :Input Conection Type : USB 2.0 (bus-powered)Pads, Buttons, and Knobs : 16 full-size velocity- and pressure-sensitive, RGB LED pads - 20 assignable buttons - 4 endless rotary knobs -1 Setup buttonDimensions :Height - 0.82” (20.75 mm)Depth : 7.68” (195 mm)Width : 7.95” (202 mm) Weight : 1 lb. (0.45 kg)

The audio interface for guitarists and songwriters on the go.Inspiration is everywhere for singer/songwriters, so bring your studio with you and record wherever you go. The two-input PreSonus AudioBox® iOne lets you capture your voice and instrument on your Mac, Windows PC, and iPad. Simply plug in your guitar and microphone, and you’re ready to create! USB bus-powered and bundled with powerful, easy-to-use recording software, the AudioBox iOne makes it easy to capture ideas and create professional-quality recordings. Mobile recording made easy.The AudioBox iOne audio interface and its software library make recording your compositions and tracks easy! Record in stereo on your iPad with free Capture™ Duo or record up to 32 tracks with affordable Capture for iPad. Then wirelessly beam your iPad tracks to our award-winning Studio One® recording and production software for Mac or Windows for editing and mixing.Or do the whole project on your laptop with Studio One. Either way, the AudioBox iOne and its software library provide all the tools needed to record on the road and in the studio. Loud and clear.To record great-sounding music, you need outstanding preamps and digital converters. And to hear what you’re doing, you need a headphone amp that keeps up with the rest of the design. The AudioBox iOne audio interface delivers it all! We’re famous for our award-winning microphone preamplifiers, and we’ve equipped the AudioBox iOne with a new, sweet-sounding mic preamp that will capture your voice in all its glory. Clean, clear, 24-bit, 96 kHz digital converters and an ultra-loud, crystal-clear headphone output ensures you hear every detail.   Built to travel.AudioBox iOne is a mobile audio interface in the best sense of the term. It can sit on a tabletop or fit in the pocket of a backpack or laptop bag and works with standard iOS power accessories. Its metal chassis is built like a small tank—yet it weighs just 1.35 pounds (0.63 kg). Wherever your travels take you, whenever your creative muse calls, your AudioBox iOne audio interface will be ready to help you compose and record your masterpiece. Check it out at your favorite PreSonus® dealer. Includes Studio Magic Plug-in Suite.This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes. Features:Core TechnologyBus-powered USB 2.0/iPad audio interface24-bit resolution; 44.1, 48, 88.2, and 96 kHz sampling rateInputs and Outputs1 microphone input with low-noise, high-headroom, Class A mic preamplifier and +48V phantom power1 instrument input2 balanced ¼” TRS main line-level outputsStereo headphone output with independent level controlControlsZero-latency monitoring via internal analog mixer (fixed 50/50 mix via Direct button)Large main volume knobSignal present and clipping LEDsIntegrated SoftwareStudio One® Artist DAW software (Mac/Windows) and 6+ GB of third-party resourcesTransfer files wirelessly from Capture for iPad to Studio OneCompatible with almost all recording software for Mac®, Windows®, and iPad®Studio Magic Plug-in Suite includedConstruction and SecurityKensington lock holeMetal chassis 

Advanced, Innovative DAW Control Don’t kill that mouse—give it a companion. Although a keyboard and mouse are tried-and-true DAW-control devices, they’re far more effective when used in tandem with the FaderPort™’s precise tactile control over mix and automation functions.A superior solution for anyone who mixes in the box, the FaderPort provides a 100 mm touch-sensitive,motorized fader for writing fades and automation in real-time and 24 buttons covering 40 different functions, all in a compact chassis that easily sits on any desk. Quickly zoom in on audio files for editing. Control track levels with the touch of a finger. With the FaderPort, you’ll enjoy the fastest, most efficient workflow you’ve ever experienced. Work smarter. We've incorporated elements from the award-winning FaderPort 8 into our new and improved FaderPort. Rather than forcing you to revise your mixing method, the FaderPort augments the way you currently mix. You still use your faithful keyboard and mouse for things they do well, and the FaderPort handles what you really want to get your fingers on: your mix. This is DAW control the way you always hoped it could be! One-button access to key functions.* The FaderPort's unique Session Navigator provides easy access to eight mission-critical functions for maximum flexibility. Use the large encoder button and companion buttons to edit and mix with greater efficiency and speed. Scroll through your timeline, using the encoder, or work measure by measure with the arrow buttons; zoom in and out on the timeline with the encoder and make your tracks larger or smaller with the arrow buttons; navigate and drop markers; and maintain constant control of your main level. Once you start using the Session Navigator, you’ll wonder how you mixed without it. Universal compatibility and tight Studio One integration. FaderPort’s streamlined workflow and support for the Mackie Control and HUI protocols make it fast and easy to control Logic Pro X, Cubase, Ableton Live, Pro Tools, and more. No driver installation is necessary; just plug the control surface into a USB port and take command of your mix. But the FaderPort is downright magical when used with PreSonus Studio One. (Studio One Artist is included.) You’ll be amazed at how much faster you can work. An amazingly fast, efficient studio workflow awaits you! With the compact, easy-to-use FaderPort, you’ll enjoy the fastest, most efficient workflow and the most session control you’ve ever experienced. But don’t just take our word for it; visit your favorite PreSonus dealer and try the FaderPort for yourself! Features : Single touch-sensitive, 100 mm long-throw, motorized fader Large, 360° button encoder Complete recording-transport controls: Play, Stop, Fast Forward, Rewind, Record, Loop Drop Marker, Next/Prev Marker, Next/Prev Event General session controls: Undo/Redo, Arm All, Solo/Mute Clear, Click On/Off Session Navigator provides quick control over Track Scrolling, Timeline Scrolling, and much more Channel Controls: Level, Pan, Solo, Mute, Rec Arm Automation Controls: Touch, Latch, Trim, Write, Read, Off Mac / Windows compatible with native Studio One support and HUI and Mackie Control Universal emulation Footswitch input for hands-free start/stop (footswitch not included) USB 2.0 connectivity​ Touch-sensitive 100 mm motor fader (10-bit resolution, 1024 steps) Transport buttons with Start / Pause, Record, Stop, Forwards, Rewind, RTZ and Loop Function keys, such as Bypass, Mute, Solo, Automation Touch / Write / Read 360 Degree rotary controller Buttons for channel, panorama, scroll, click, marker, zoom Seamless integration with Studio One Footswitch connector System requirements: Windows 7 x64 / x86 SP1 or higher, macOS 10.8.5 64-bit or higher, Studio One Support and HUI / Mackie Control Universal Emulation Dimensions (W x H x D): 230 x 45 x 140 mm Weight: 0.68 kg Includes external power supply 12 VDC, 1.2A Includes full version Studio One Artist (Download) ​

Warm, clear sound with big bass.Whether you’re monitoring, tracking, mixing, or just listening for pleasure, you can expect impressive sonic performance from these professional-quality headphones. They deliver natural, warm, clear sound and take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies. You’ll enjoy accurate midrange and extended treble response that let you pick out the fine details of a mix or track, along with balanced, yet powerful bass punch. Comfort matters.The lightweight HD7 automatically adjusts to any head size and features comfortable, durable ear pads. The straight, eight-foot cable drops down one side so it doesn’t get in your way. The result is a comfortable listening experience that you’ll continue to enjoy during long sessions. And the HD7 is built tough so you can rely on it wherever your travels take you. Features:High resolution driversPrecision-tuned acoustic chamberExtended bass responseBuilt tough to withstand abuseAuto-fit head padsComfortable and long-lasting ear padsSingle-side cableOptimized pressureLightweight 

The audio interface for producers on the go.An excellent choice for mobile musicians, sound designers, and podcasters, the USB 2.0 bus-powered PreSonus AudioBox® iTwo audio interface provides two combo mic and switchable line/instrument inputs with a high-performance mic preamplifier, so you can record synths, guitars, and anything you can capture with mics.MIDI I/O lets you connect your favorite synth or MIDI controller. The compact, ruggedly built AudioBox iTwo is compatible with Mac®, Windows® PC, and Apple iPad® and is bundled with powerful, easy-to-use recording software, making it a complete, multiplatform recording solution.Mobile recording made easy.The AudioBox iTwo audio interface and its software library make recording your compositions and tracks easy! Record in stereo on your iPad with free Capture™ Duo or record up to 32 tracks with affordable Capture for iPad.Then wirelessly beam your iPad tracks to our award-winning Studio One®recording and production software for Mac or Windows for editing and mixing. Or do the whole project on your laptop with Studio One. Either way, the AudioBox iTwo and its software library provide all the tools needed to record on the road and in the studio.Loud and clear.To record great-sounding music, you need outstanding preamps and digital converters. And to hear what you’re doing, you need a headphone amp that keeps up with the rest of the design. The AudioBox iTwo audio interface delivers it all! We’re famous for our award-winning microphone preamplifiers, and we’ve equipped the AudioBox iTwo with a new, sweet-sounding mic preamp that will capture your voice in all its glory. Clean, clear, 24-bit, 96 kHz digital converters and an ultra-loud, crystal-clear headphone output ensure you hear every detail. Built to travel.AudioBox iTwo is a mobile audio interface in the best sense of the term. It can sit on a tabletop or fit in the pocket of a backpack or laptop bag and works with standard iOS power accessories. Its metal chassis is built like a small tank—yet it weighs just 1.35 pounds (0.63 kg). Wherever your travels take you, whenever your creative muse calls, your AudioBox iTwo interface will be ready to help you compose and record your masterpiece. Check it out at your favorite PreSonus® dealer. Features:Core TechnologyBus-powered USB 2.0/iPad audio interface24-bit resolution; 44.1, 48, 88.2, and 96 kHz sampling rateInputs and Outputs2 microphone inputs with low-noise, high-headroom, Class A mic preamplifiers and +48V phantom power2 switchable line/instrument inputs2 balanced ¼” TRS main line-level outputs1x1 MIDI In/OutStereo headphone output with independent level controlControlsZero-latency monitoring via internal analog mixer (variable mix via Mix knob)Large main volume knobSignal present and clipping LEDsIntegrated SoftwareStudio One® Artist DAW software (Mac/Windows) and 6+ GB of third-party resourcesTransfer files wirelessly from Capture for iPad to Studio OneCompatible with almost all recording software for Mac®, Windows®, and iPad®Studio Magic Plug-in Suite includedConstruction and SecurityKensington lock holeMetal chassis​Technical Specifications:Microphone Preamp Type   XLR female, balancedFrequency Response (±3.0 dB)   20 Hz to 20 kHzInput Impedance (Balanced)   1,200ΩTHD+N (unwtd, 1 kHz @ +4 dBu Output, Unity Gain)   < 0.008%S/N Ratio (Unity Gain, Ref. = +4 dBu, 20 Hz to 22 kHz)   > 95 dBCommon Mode Rejection Ratio (1 kHz, 52 dB Gain)   —Gain Control Range (± 1 dB)   0 dB to 52 dBMax Input Level (Unity Gain, 1 kHz @ 0.5% THD+N)   +10 dBuPhantom Power (±2 VDC)   +48 VDCLine Input Type   ¼" TRS female, balancedInput Impedance   10 kΩInstrument Input Type   ¼" TS female, unbalancedInput Impedance   1 MΩLine Outputs Type   ¼" TRS female, balancedOutput Impedance   51Ω    

Hear for yourself.Mix for everyone.When you need to do serious work without bothering anyone in your living space and without being distracted by outside sound, choose PreSonus® HD9 headphones. They're clean-sounding, extra-comfortable, and offer a broad, transparent frequency response that ensures accurate mixing. Nothing but clear, accurate sound.The HD9’s closed-back acoustic design provides superior listening isolation and reduces headphone bleed, so you hear nothing but music—and your housemates hear nothing at all. Peerless construction, surgical accuracy.The HD9's 45 mm dynamic, neodymium drivers and high power handling (900 mW per channel into 40 ohms) deliver loud, clear, clean audio, minimizing listening fatigue. Best of all, its tailored frequency response extends all the way from 10 Hz to 26 kHz, with accurate bass response, enabling precise mixes. Comfort matters.The lightweight HD9 features an adjustable headband, cups that rotate 180° on two axes, and comfortable, durable ear pads. The straight, ten-foot cable drops down one side so it doesn’t get in your way.The result is a comfortable listening experience that you’ll continue to enjoy during long sessions. And the HD9 is built tough so you can rely on it wherever your travels take you. You listen thoughtfully—so why not think like a listener?The PreSonus HD9s are an invaluable addition to your sonic toolbox. While there will always be a place in the studio for powerful and articulate studio monitors, fact is that more people are choosing portable, personal listening solutions nowadays.As trends in listening shift, it’s wise for you to check your mixes on high-quality headphones as well as on your finely calibrated studio monitors. With the HD9s, you can rest assured that your mixes are translating well across myriad listening environments.And with the HD9’s combination of comfort, adjustability, sturdy construction, and acoustic isolation, you can mix better for longer.  Features:Fit and ComfortTwo-axis, 180° cup rotationLightweightComfortable, long-lasting ear padsAdjustable headbandSoundPrecision-tuned, closed back, circumaural acoustic designTailored frequency response (10 Hz - 26 kHz; ±3 dB)Accurate low-frequency responseHigh-power handling (1,800 mW @ 40Ω, 900 mW per channel)45 mm dynamic, neodymium driversConnection and Storage10 foot (3m), straight, single-sided cable with 1/8 inch connectorGold-plated 1/8 inch-to-¼ inch adapterStorage bag

Our StudioLive™ 24.4.2 and 16.4.2 changed the game, offering amazing performance and ease of use for a great price. Now we’ve packed the same audio quality, performance, seamlessly integrated software (including remote control) into a smaller, even more affordable package. In a “footprint” of less than 2 square feet (0.19 m2), the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX™ Class A solid-state mic preamps. (Well, okay, it actually has 13 XMAX preamps; the Talkback input has one, too.) But don't let its size fool you; the 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters.  8 mono mic/line channel inputs:High-headroom Class A XMAX™ mic preamplifierXLR mic and balanced ¼' line inputs60 mm precision fader4 stereo line channel inputs:High-headroom Class A XMAX™ mic preamplifier (Ch. 9, 11, 13, and 15)XLR mic inputs (Ch. 9, 11, 13, and 15)Balanced ¼' line inputs (Ch. 9-16)Unbalanced RCA line inputs (Ch. 13-16)60 mm precision fader (4 stereo)4 Auxiliary buses (pre/post-fader send)2 Internal FX buses2 stereo 32-bit digital effects processors with customizable reverb and delay presets Fat Channel signal processing on all channels and buses:3-band semi-parametric EQ (individual band on/off)Full-featured compressorStandard downward expanderLimiterPhase reverse (12 mic preamplifiers only)Pan with dedicated 15-LED displayStereo link for input channels and aux busesHigh-pass filter  Computer system requirements:WindowsWindows XP, Vista, Windows 7 (32- and 64-bit)Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 3000+ (Turion) (2.8 GHz or faster recommended)1 GB RAM (2 GB or more recommended)MacintoshMac OS X 10.6 (Snow Leopard) or later (32- and 64-bit)Intel Core 1 Solo 1.5 GHz processor (Intel Core Duo or Intel Xeon processor recommended)1 GB RAM (2 GB or more recommended) Windows and Macintosh SystemsInternet connection recommendedDVD-ROM driveInternal or external 7200 RPM storage drive highly recommended

The PreSonus Sceptre CoActual high-definition studio monitor takes its name from an age-old symbol of royal authority. This 2-way studio monitor will help you to discover the fine nuances of your music that can not be reproduced by conventional desings. The Sceptre&#39;s panoramic soundstage, fine detail, and stunning dynamics will astonish you. This exceptional performance is the result of an advanced coaxial design that works integrally with a 32-bit processor running Fulcrum Acoustic&#39;s TQ Temporal Equalization Technology.PreSonus CoActual technology-the core of every Sceptre-series studio monitor-is the combination of custom transducers in a state-of-the-art coaxial design with heavy-duty DSP running TQ algorithms.The price is per unit.Specifications:Inputs1- Balanced XLR1- Balanced ¼" TRSPerformanceFrequency Response (-3 dB) 46 Hz - 20 kHzFrequency Response (-10 dB) 38 Hz - 23 kHzCrossover Frequency 2.4 kHzLF Amplifier Power ( 4Ω) 90WHF Amplifier Power ( 4Ω) 90WPeak SPL ( 1 meter) 116 dBLF Driver 8" glass-reinforced paperHF Driver 1" diaphragm compression driverInput Impedance 10 kÎUser ControlsVolume Range A-type taperHF Control Flat, +1, -1.5, -4 dBLow Cut Flat, 60, 80 Hz, 100 HzAcoustic Space Flat, -1.5, -3, -6 dBProtectionRF interferenceOver-currentOver-voltageOver-temperatureTurn-on/off transientSubsonic filterExternal mains fusePower100-120V ~50/60 Hz or 220-240V ~50/60 HzCabinetVinyl-laminated, medium-density fiberboardPhysicalWidth 11.4" (290 mm)Depth 11.8" (300 mm)Height 15.75" (400 mm)Weight 24.25 lbs (11 kg)

The PreSonus Sceptre CoActual high-definition studio monitor takes its name from an age-old symbol of royal authority. This 2-way studio monitor will help you to discover the fine nuances of your music that can not be reproduced by conventional desings. The Sceptre&#39;s panoramic soundstage, fine detail, and stunning dynamics will astonish you. This exceptional performance is the result of an advanced coaxial design that works integrally with a 32-bit processor running Fulcrum Acoustic&#39;s TQ Temporal Equalization Technology.PreSonus CoActual technology-the core of every Sceptre-series studio monitor-is the combination of custom transducers in a state-of-the-art coaxial design with heavy-duty DSP running TQ algorithms.The price is per unit.Specifications:Inputs1- Balanced XLR1- Balanced ¼" TRSPerformanceFrequency Response (-3 dB) 52 Hz - 20 kHzFrequency Response (-10 dB) 42 Hz - 23 kHzCrossover Frequency 2.2 kHzLF Amplifier Power ( 4Ω) 90WHF Amplifier Power ( 4Ω) 90WPeak SPL ( 1 meter) 109 dBLF Driver 6.25" glass-reinforced paperHF Driver 1" diaphragm compression driverInput Impedance 10 kΩUser ControlsVolume Range A-type taperHF Control Flat, +1, -1.5, -4 dBLow Cut Flat, 60, 80 Hz, 100 HzAcoustic Space Flat, -1.5, -3, -6 dBProtectionRF interferenceOver-currentOver-voltageOver-temperatureTurn-on/off transientSubsonic filterExternal mains fusePower100-120V ~50/60 Hz or 220-240V ~50/60 HzCabinetVinyl-laminated, medium-density fiberboardPhysicalWidth 9" (230 mm)Depth 10.24" (260 mm)Height 13.2" (335 mm)Weight 18.8 lbs (8.53 kg)

A subwoofer provides the extra-deep low frequencies you need when mixing on relatively small monitors, especially for music that requires serious low-end punch. Powerful and musical,Temblor® T8 active, downward-firing subwoofers are designed to deliver fast and accurate transient response, extending low frequencies without a hint of “tubbiness” or overshoot. This ensures that Temblor-series subwoofers complement full-range monitors without overshadowing them, naturally extending the reach of your full-range system’s low end so that you can produce your best mix from top to bottom.Tight, clean, responsive bass.The Temblor T8’s glass-composite low-frequency driver delivers tight and responsive bass, thanks to its lightweight and rigid cone. This design also provides lower distortion than other materials, ensuring that the sub-bass reproduction in your monitoring system is as coherent and clear as your full-range monitors.A perfect fit with your full-range monitors.Temblor-series subwoofers make integrating a subwoofer into your monitoring setup easy so you can create the most accurate possible response. The Temblor T8 provides a continuously variable lowpass filter (50 Hz to 130 Hz), allowing you to create a seamless crossover transition between your full-range studio monitors and subwoofer for the most accurate listening environment possible.The central hub of your monitoring setup.Temblor subwoofers provide the connections and controls necessary to act as the central hub for a basic monitoring setup. A switchable highpass filter on the full-range outputs helps to avoid frequency cancellation and reinforcement in the subwoofer’s upper range. A polarity invert ensures your system is in phase.Specifications:Down-firing active subwoofer with 200 watt, Class AB amplifier8-inch glass-composite woofer with high-density rubber surroundFrequency response: 30-200 HzVariable lowpass filter control: 50-130 Hz80 Hz highpass filter (with defeat switch) for satellite connectionsFront-ported cabinetPower-down / Standby mode 

The Central Station is the ultimate studio-monitoring interface for the modern digital studio. The Central Station features three sets of stereo analog inputs to switch between input sources such as: DAW, mixer, CD/DAT/Tape player, or keyboards/samplers. Two stereo analog inputs feature TRS balanced and the third stereo input features RCA inputs with trim control for level matching of input signals. In addition, the Central Station will accommodate two digital inputs via S/PDIF or TOSLINK providing D/A conversion up to 24Bit/192kHz. This allows you to monitor DAW and CD/DAT outputs through the same professional quality converter for the most accurate A/B comparison and highest quality monitoring environment. The digital to analog converter offers the highest possible audio quality with over 117dB dynamic range and ultra high quality analog circuitry. The Central Station features three sets of monitor outputs, each with their own set of passive trim controls. The monitoring section also provides MUTE, DIM and MONO switches. In addition, the Central Station includes a set of CUE outputs that can feed headphone amplifiers and a separate stereo MAIN line level output.         FEATURESPassive Audio Path - no op amps or IC's in main audio pathFive stereo inputs (2 digital and 3 analog)24-Bit/192kHz DAC (>117dB dynamic range) via SPDIF and TOSLINKThree sets of monitor outputs; each with passive volume controlTalkback microphone with volume to feed headphone and cue outputAccurate dual 30-segment LED for meteringTwo front panel headphone jacks with separate volume controlMAIN and CUE stereo output have independent input sourceOptional console remote control with input, output, talkback, and volume 

Designed for musicians and performers who demand mobility without compromising audio quality, the HP2 personal headphone amplifier is a great choice for driving wired in-ear monitors (IEMs), as well as headphones. PreSonus HP-series headphone amplifiers have long been popular for their loud, clean, clear sound and roadworthy built quality.The new HP2 delivers these qualities in an easily affordable, stereo device so you’ll hear every note and beat clearly wherever your music takes you.Portable and compact, the HP2 gives you all you need to drive your headphones or in-ears without complicating your setup. It sports two XLR line-level inputs and one stereo 1/8-inch headphone output with volume control. Operation can be switched between stereo and mono, and a Pan knob is provided. Like all PreSonus gear, it’s built to take the rigors of life on the road. And it mounts on a microphone stand or clips to your belt. Simple, easy to use, built to travel, has the right features, sounds great. That’s how we roll at PreSonus.When you’re playing an extra long show or two shows back-to-back, having to stop and change batteries on your headphone amp is a hassle you don’t need. No worries! HP2 stands for “Has Power 2 Spare.” The HP2 can be powered with an external DC power supply or a nine-volt battery that lasts more than seven hours and includes an LED battery indicator. So you can play those extra-long gigs and hear your monitor mix perfectly—all night long.Features:Battery-powered, stereo headphone amplifierVolume control knobPan control knobStereo/mono operation switchBattery-health LED indicatorsBelt clipSpecifications:Inputs: 2 female XLR connectorsOutput: stereo, 1/8” phone connector2m cable (5-pin mini XLR to 2 female XLRs) included9V battery or DC power supply5/8-inch (27 tpi) microphone stand-mount socketConnector Type: 1/8” TRS stereo, FemaleMax. Output Power: 50 mW / channel, 12Ω  

The Eris® E66 delivers an expanded and highly accurate frequency response and the widest stereo field available in its class. Its nested Midwoofer-Tweeter-Midwoofer (MTM, also known as “D’Appolito”) configuration offers improved off-axis response and spatial resolution. The result is a more consistent listening experience, smoother frequency response, and an ultra-wide, detailed stereo soundstage.Consistent listening.Sound waves radiating from the two components in a conventional speaker design can interfere with one another, creating peaks at some frequencies and dips at others, and these will vary depending on where the listener is relative to the speaker. In an MTM/D’Appolito configuration, component interference and the sonic inconsistencies that go with it are minimized. This affords listeners an ultra-wide sweet spot and a more consistent listening experience on- and off-axis.Transparent and cohesive sound.The E66 utilizes a pair of 6.5-inch, custom-woven, Kevlar® low-frequency drivers. This provides a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound. The weave and nature of the dual Kevlar woofers also helps break up reflected energy, so fewer delayed reflections reach the listener’s ear. In conjunction with the MTM/D’Appolito configuration, this helps create a transparent, cohesive sound.Horizontal or vertical—it’s up to you.Many MTM configurations must be arrayed vertically, rather than horizontally, because vertical placement provides a clear, interference-free midrange and treble reproduction to either side, expanding the sweet spot. By bringing the midrange drivers closer together and raising the high-frequency driver, the E44 and E66 are able to perform optimally in both orientations. So, like all Eris speakers, the E44 and E66 let you position your speaker the way that works best for you.You’re in control.Today’s music producers deal with a wide variety of musical genres and often work in more than one location. That’s why Eris-series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor® subwoofer into your monitor setup.Accuracy defined.Like all PreSonus® studio monitors, the Eris E66 offers consistent, accurate listening and extensive user controls. The ultra-wide stereo image afforded by its MTM/D’Appolito design makes it an ideal solution for anyone who requires best-in-class spatial resolution. Hear it at your favorite PreSonus dealer.Specifications:Type: Studio Monitor NearfieldWoofer: 2 x 6.5''Tweeter: 1 x 1.25''Amplifiers Power: 140 WattsInput/Output Plugs: Balanced XLR, Balanced 1/4'' TRS, Unbalanced RCAFrequency Response: 45 Hz - 22 kHzDimensions (W x H x D): 46 x 21.5 x 25 cmWeight: 10.6 kg ​

Only the FaderPort 16 provides 16100 mm touch-sensitive, motorized faders and 89 buttons covering 104 different functions, all in a compact chassis that easily sits on any desk. Quickly zoom in on audio files for editing, modify plug-in parameters, manage aux mixes—and, of course, control track levels with the touch of a finger.Specifications:16 Professional, touch-sensitive 100 mm motor faders (Dual-Servo Drive Belt)High fader resolution: 10 Bits/1,024 steps85 Background and status illuminated buttons104 Controllable functions16 High-resolution LC displays as digital labeling fieldsTimecode and level displaySmall encoder as panpot and other selected parametersLarge data wheel with push button for scrolling, zooming, navigation and much more2 Arrow buttons for step-by-step navigation and settingTransport control, tracking control, automation controlSession Navigator, Fader Modes, Mixer ViewUndo/Redo, click track on/off, tap tempo, set markers, plugin parameters and much more4 Programmable user buttons8 Function buttonsNative Studio One support, HUI and Mackie control selectableCompatible with ProTools, Logic, Cubase, Ableton, Nuendo, Bitwig, Reaper, Digital Performer and othersJack for optional footswitch (start/stop commands)No driver installation necessaryPower supply: External power supply (12 VDC/2 A)Dimensions (W x D x H): approx. 498 x 302 x 53.6 mmWeight: 3.63 kgIncl. full version of Studio One 3 Artist (DAW)System requirements:Mac: OS X 10.8.5 or laterIntel Core 2 Duo (Intel Core i3 or faster recommended)Windows 7 x64/x86 SP1 + platform updateWindows 8.1 x64/x86Windows 10 x64/x86Intel Core 2 Duo (Intel Core i3 or faster recommended)​​

The Eris® E44 delivers an expanded and highly accurate frequency response and the widest stereo field available in its class. Its nested Midwoofer-Tweeter-Midwoofer (MTM, also known as “D’Appolito”) configuration offers improved off-axis response and spatial resolution. The result is a more consistent listening experience, smoother frequency response, and an ultra-wide, detailed stereo soundstage.Consistent listening.Sound waves radiating from the two components in a conventional speaker design can interfere with one another, creating peaks at some frequencies and dips at others, and these will vary depending on where the listener is relative to the speaker. In an MTM/D’Appolito configuration, component interference and the sonic inconsistencies that go with it are minimized. This affords listeners an ultra-wide sweet spot and a more consistent listening experience on- and off-axis.Transparent and cohesive sound.The E44 utilizes a pair of 4.5-inch, custom-woven, Kevlar® low-frequency drivers. This provides a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound. The weave and nature of the dual Kevlar woofers also helps break up reflected energy, so fewer delayed reflections reach the listener’s ear. In conjunction with the MTM/D’Appolito configuration, this helps create a transparent, cohesive sound.Horizontal or vertical—it’s up to you.Many MTM configurations must be arrayed vertically, rather than horizontally, because vertical placement provides a clear, interference-free midrange and treble reproduction to either side, expanding the sweet spot. By bringing the midrange drivers closer together and raising the high-frequency driver, the E44 and E66 are able to perform optimally in both orientations. So, like all Eris speakers, the E44 and E66 let you position your speaker the way that works best for you.You’re in control.Today’s music producers deal with a wide variety of musical genres and often work in more than one location. That’s why Eris-series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor® subwoofer into your monitor setup.Accuracy defined.Like all PreSonus® studio monitors, the Eris E44 offers consistent, accurate listening and extensive user controls. The ultra-wide stereo image afforded by its MTM/D’Appolito design makes it an ideal solution for anyone who requires best-in-class spatial resolution. Hear it at your favorite PreSonus dealer.Specifications:Type: Studio Monitor NearfieldWoofer: 2 x 4.5&#39;&#39;Tweeter: 1 x 1.25&#39;&#39;Amplifiers Power: 90 WattsInput/Output Plugs: Balanced XLR, Balanced 1/4&#39;&#39; TRS, Unbalanced RCAFrequency Response: 55 Hz - 22 kHzDimensions (W x H x D): 36.5 x 18 x 18 cm.Weight: 5.4 kg

The PRM1 Precision Reference Microphone is a special type of condenser microphone that provides an accurate reproduction of a room's sound characteristics for use with audio-analysis tools such as real-time analyzers (RTAs) and spectrographs.A reference, or “measurement,” microphone is condenser microphone that is designed to provide an accurate reproduction of a room's sound characteristics for use with audio-analysis tools, such as real-time analyzers (RTAs) and spectrographs. While measurement microphones can be quite expensive, the affordable PreSonus®PRM1 delivers high-quality results.The PRM1 employs a ¼” pre-polarized electret-condenser capsule and requires phantom power. It has an omnidirectional polar pattern, meaning it is equally sensitive in all directions. This allows the microphone to measure reflections, as well as direct signals, providing an accurate depiction of the room. This mic can handle up to 132 dB SPL and exhibits linear (“flat”) frequency response between 20 Hz and 20 kHz, so it won’t color the sound.Specifications:Type: CondenserPick Up Pattern: Omnidirectional Frequency response: 20 Hz to 20 kHz Sensitivity: -37 dB/Pa (14 mV/Pa) 1 Pa=94 dB SPLΙmpedance: 200ΩDimensions: W21 mm x L192mm Weight: 150g

The PreSonus HP60 6 Channel headphone amp. The ultimate headphone amplification system delivering loud and clear headphone mixes for real-world recording situations.The PreSonus HP60 is one of the most flexible and advanced headphone mixing system available for professional and project recording studios as well as live sound in-ear monitoring systems. Loaded with six independent, loud and clear headphone amplifiers, the HP 60 features dual stereo inputs as well as external input, for each channel allowing you to mix between three stereo audio streams (mix A, mix B, and external input).Stereo output is also available on each channel to send line level headphone channel mixes to additional headphone amplifiers or monitor systems. Each channel features headphone level, mix control between A and B inputs, external input volume, mute and mono. The HP60 also features talkback via external XLR microphone input.A common set up of the HP60 in a recording session is to send the main control room mix to input A. Send the click track to input B. Send the each band member direct recording input to each channelΆs external input (more me). This will allow each band member to create a mix between the main mix, the click track and themselves.The main features of the PreSonus HP60 include:Six independent ultra low noise, high output headphone amplifiers (150 mW per channel)Two sets of stereo inputs (A and B) with balanced TRS connectorsStereo external input point on each channel for “more me” with trim controlMix control between inputs A and BTalkback with external XLR microphone with controlDirect stereo line output on each channelInput A: (2) 1/4 inch TRS balanced 10 OhmsInput B:(2) 1/4 inch TRS balanced 10 OhmsExternal input: TRS stereo unbalanced 10 OhmsHeadphone amplifier output power: 150 mW RMS (60 Ohms) per channelAudio outputs: 1/4 inch TRS stereo unbalanced per channelMaster controls: Talk button, Talkback volume, Input A, Input BChannel controls: Headphone level, Mix A/B control, External input level, Mono, MuteExternal talkback: XLR with TS external control jackPower: IEC 110V-240V internal switching