Korg

Beatlab support arm.

Chromatic tuner. Embodied mic for tuning.

Digital metronome.

Portable digital recorder, 4-channels with embodied digital effects, storing in compact flash, embodied tuner and microphone, XLR/line inputs , PCM rythms.

Monophonic Analog Synthesizer. The classic MS-20, recreated in mini size! An analog synthesizer featuring the original circuitry from 1978. Korg’s MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg’s MS-20 plug-in synth, or the iMS-20 iPad app. Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that’s been shrunk to 86% of the original size, yet retains the distinctive look of the original.  The MS-20 mini will amaze you with its absolutely authentic analog synth sound. Highlights:Overseen by the engineers of the original MS-20, a complete replication of the original analog circuitry2VCO / 2VCA / 2VCF / 2EG / 1LFO structureSelf-oscillating high-pass/low-pass filters with distinctive distortionExternal signal processor (ESP)Extremely flexible patching systemMiniature MS-20 that's 86% of the original sizeMIDI IN and USB connectorReplicates every detail of the original, down to the package binding and the included manual 

Korg Monotron Duo, Analog Ribbon Synthesizer, two analogue VCO΄s, Cross-Modulation circuit, from the Korg Mono/Poly, original Analog Filter circuit from the MS-10/MS-20, Ribbon controller, aux input (stereo mini-jack), headphone output (stereo mini-jack). Power supply: 2x AAA alkaline. Dimensions: 120 x 72 x 28mm. Weight: 95g.

Korg's monotron DELAY is a fun-size analog ribbon synthesizer with a live, ready-to-be tweaked front panel offering five knobs and a single switch. Its Space Delay gives you echo effects that harken the early days of synth, and its simple operation and ease invites hours of enjoyment and musical exploration - all in the palm of your hand. DJs and established musicians can also use the monotron DELAY to add some dazzling sound effects or pump some analog muscle into their performance. The possibilities are virtually endless. Classic Analog Synth / Space Delay CombinationA good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The monotron DELAY is an analog synthesizer optimized for sound effects.

Korg analog modelling synth:4 voices2 oscillators + noise generatorvocoder (8 bands)FX: modulation (3 types), delay (3 types), EQ, arpeggiator (6 types)37 velocity sensitive micro keysaudio input, stereo output, MIDI in/out/thru,

The Korg MR-2000S Studio Recorder - designed from the ground up to bring that same 1-Bit sonic performance home for use in any studio environment.The Korg MR-2000S adds a number of new features to meet the requirements of the most demanding studio, yet retains a sleek, single rack-space profile.All of KorgΆs MR Series recorders feature the 1-Bit/2.8224 MHz format used in creating the SACD (Super Audio Compact Disc). The MR-2000S goes above and beyond this industry standard to provide 1-Bit/5.6448 MHz recording. At such accelerated sampling rates, the entire sound stage is faithfully captured, even during the softest passages.The MR-2000S uses the highest-quality components available - the CS4398 Digital to Analog Converter from Cirrus Logic and the Burr-Brown PCM4202 Analog to Digital Converter from Texas Instruments Corporation - minimizing any possible degradation of the audio signal.In addition to the aforementioned 2.8 MHz and 5.6 MHz 1-Bit formats (DSDIFF, WSD and DSF formats are supported), the MR2000S is ready to record in any of the current 16-Bit and 24-Bit formats (from 44.1 kHz up to 192 kHz) directly, in BWF (Broadcast WAV) format.The XLR analog inputs feature a selectable -12dB, -14dB -16 dB, -18dB or -20 dB reference level, insuring the proper level match with nearly any audio source. XLR analog outputs are also provided. In addition, the Korg MR-2000S is equipped with analog RCA style inputs and outputs for maximum flexibility.On the digital side, coaxial S/P DIF digital I/O provides smooth integration into any 16-Bit or 24-Bit digital studio environment – from the music workshop to the broadcast studio. The MR-2000S also provides word clock I/O for reliable digital synchronization between various digital audio equipment or even between two MR-2000S Studio Recorders.Even at the highest resolution (1-Bit/5.6 MHz), the 80 GB internal hard drive provides a generous 14 hours of stereo recording time.The included AudioGate software let you transform the data into multiple format masters. Adjust the left/right balance, enter locate points numerically from the keyboard, and link individual mono files into a single stereo song. Support for importing new file formats - AAC, Apple Lossless, WMA and even MP3 – has been added as well.Korg MR-2000S main features include:2 tracks simultaneous playback/2 tracks simultaneous recordingRecording formats: -PCM audio format: BWF (extension .wav) 44.1 kHz @ 16/24 bit, 48 kHz @ 16/24 bit, 88.2 kHz @ 24 bit, 96 kHz @ 24 bit,176.4 kHz @ 24 bit, 192 kHz @ 24 bit-1-bit audio format: 2.8 MHz @ 1-bit, 5.6 MHz @ 1-bit, DSDIFF format (extension .dff), DSF (extension .dsf), WSD (extension .wsd)Maximum approximately: 120 hours at 44.1 kHz/16 bit, 14.5 hours at 5.6 MHz/1- bit (for 80 Gbyte hard disk), Maximum continuous recording 6 hoursConnect to computer via USB 2.0, usable as FAT32 USB external driveDisplay: 160 x 104 pixel, LCD with backlightLevel meter: – 54 dB...+ 3 dB, L and R each provide, 23-step LED + peak LEDS/N: 103 dB (typical) @ IHF-ATHD+N: 0.005% (typical), 20 Hz ... 20 kHzDimensions/Weight: 482mm(W) x 220mm(D) x 45mm(H) / 2.8kgKorg MR-2000S system requirements for the AudioGate Software:Win XP Home Edition/Professional Edition Service Pack 1 or later, Microsoft Windows Vista, CPU: Intel Pentium III /1 GHz or better, RAM: 256 MB or more, A USB port that meets the operating requirements of Microsoft Windows XP/VistaMac OS X 10.3.9 or later, CPU: Apple G4/800 MHz or better, Intel Mac is supported, RAM: 256 MB or more, a USB port that meets the operating requirements of Mac OS X

The most dazzling and expansive collection of sounds ever put into a Korg synthesizer NAUTILUS pushes the boundaries of what a performance synth and workstation is capable of. With the power of nine engines to drive a new approach to sounds, plentiful sampling, audio recording, effects, and processing power, there is simply no other synth that delivers more to explore sonically, with the workflow to get you there faster than ever. Korg spent years refining all our digital, analog, processing, and hardware technologies and delivering them in a way that helps the musician connect with their instrument. The result is the incredibly powerful, one-of-a-kind NAUTILUS. Nine different sound engines offer massive expressive power The NAUTILUS features nine dedicated sound engines to realistically reproduce sounds such as pianos, electric pianos, organs and more. To start, the enhanced SGX-2 piano sound generator offers delicate expressiveness to capture all the nuances of the acoustic piano, and NAUTILUS features the most piano libraries ever put into one product; with 12-step velocity-switched sound, string resonance and more. The EP-1 electric piano sound generator realistically reproduces seven different famous electric piano sounds. The CX-3 engine – the heart of our sought-after CX-3 reissue -covers the distinct sound of classic tonewheel organs. Add to that MOD-7 VPM/FM synthesis, the PolysixEX and MS-20EX for analog modeling, and the STR-1 for physical modeling, and you have essentially an engine for any type of sound you’re looking to get. Used together in Program or Combination mode, these distinctive engines create completely new timbres. New sounds offered over three broad categories The approach to the included sound on NAUTILUS, started with Korg setting aside our preconceptions of what sound should be like on a conventional music workstation, and instead focused on pushing the boundaries of sampling and programming to create a brand-new classifications of programs that we divide into three groups: “Unique” sounds: The NAUTILUS brings you distinctive sounds including phrase loops, prepared pianos, found percussion and more. Many seldom heard-of musical instruments found in different regions around the world can be difficult to play, but distinctive phrases played on these instruments are featured on the NAUTILUS. Use these phrases as-is in your songs—let your imagination be your guide. The NAUTILUS features sounds that were sampled for the first time just for this instrument, including prepared piano sounds created by placing different objects between piano strings and recording samples, or “found percussion” sounds made by turning ordinary items into instruments to be struck. Not only do these novel and mysterious sounds provide an unexpected flavor to your songs, they offer broad possibilities for sound effects used in film and TV music as well. “Current” sounds: The NAUTILUS also offers the freshest sounds that blend in well with today's music scene, including synths, drum kits, special effects and more. For synths, be sure to check out the EDM, electro and chiptune sounds for starters. Also, the NAUTILUS features more than 50 kinds of drum kits—sounds that most strongly reflect the changes in music over time. The special effect sounds offer useful material like drums added to dance music to create beats—sounds that you can put to use right away. Standard sounds: We’ve brought together all of the most important sounds a workstation needs including piano, electric piano, guitar, bass guitar and more, covering all genres. For the newly sampled piano sound, we’ve also recorded the lovely sonic ambience of the studio, and you can mix the piano and ambience sound as you like with the new ambience sound. A new electric piano model with a characteristic thick sound has been added, which works great for funky playing styles. We’ve also added many phrases that let you play back actual performances of guitar and bass parts that keyboardists will find useful. The DYNAMICS knob makes delicate expression possible With the DYNAMICS knob, you can instantly control the changes in volume and tone in response to how hard you play the keyboard (velocity); and you can customize this knob in real time to match the keyboard playing feel required for each style and song. Even when playing the same sound, you can turn this knob to get the feeling of playing a completely different sound. By finding just the right setting for your playing style, you'll uncover even more of the possibilities that the NAUTILUS offers. When you activate the DYNAMICS knob and turn it to the left, the keyboard responds more softly to your playing, giving you a wide range of dynamics. This allows for delicate, expressive playing when accompanying a piano solo or vocals, which directly reflects the dynamics of your performance. On the other hand, turning the knob to the right gives a stronger, more flat dynamic response. This brings out the sound when you’re playing in a band or ensemble, which works best when performing with a more even feel. Make intuitive changes to sounds with the Realtime knobs The six RT (real-time) knobs at the top left of the panel give you direct control over changes to the PROG and COMBI sounds. A variety of functions are assigned to each knob that lets you enjoy making changes to sounds, such as the filter cutoff and effect depth, the gate time, tempo and swing of the arpeggiator or drum track, the type of snare drum and more. In COMBI mode, you can group timbres and control their levels with the knobs. Further, you can press these knobs into the panel to lock them in place, preventing them from being accidentally changed while you’re playing. For instance, you could use this to enable only the knobs you often use onstage and push the ones in that you do not need. A user interface designed for easy operation For the NAUTILUS, we have completely rethought the user interface, considering that panel controls tend to become denser as more functions are added. The interface of the NAUTILUS lets users find just the things they’re looking for once they understand the principles. The MODE button lets you see what you’ve selected in each mode on a single screen, from PROG and COMBI to the set list, sampling, sequence and global modes. Each mode has tabs for each function, and the PAGE buttons offer more detailed editing with consistent operations. With the user-friendly navigation of the NAUTILUS, you can press the MODE button at any time to return to the start if you get lost. A dark mode is available for the display, using black as the primary color to reduce eye fatigue. Six quick access buttons are also available as shortcut buttons. The NAUTILUS further offers four templates as a continuation of the previous user-friendly features, which can be used to select modes like PROG and COMBI, as transport buttons for sequencer playback and recording and so on. You can also select your own settings as you like. What’s more, you can freely assign functions you frequently use and save them in one of four sets. Convenient arpeggiator and drum track functions Four scenes of arpeggio patterns and drum track sets are made available that perfectly match each PROG and COMBI preset sound. These are useful for switching between scenes while they’re played, for use when improvising during performance, or for expanding your vision when composing music starting from a sound. Color TouchView Display The nerve center of the NAUTILUS is KORG’s enormous eight-inch (800 x 480 pixel) WVGA color TouchView display. In addition to simply selecting a sound or choosing a parameter with the touch of a finger, the enhanced Touch-Drag ability allows more detailed control of parameter values. Interactive instruments and panel graphics provide the ability to do everything from adjusting the lid of a grand piano to connecting patch cable on a semi-modular synthesizer model. The TouchView display also hosts a convenient new Search Function, allowing you to search for (and preview) sounds based on their titles. Set list mode that demonstrates its power in live performances NAUTILUS can organize all of the resources you need to get through a song—or a set—using the Set List mode. Using the Set List mode, the TouchView display can host 16 color-coded touch-screen buttons; each one can instantly call up the appropriate Preset, Combination, or Sequence—regardless of mode! You can also select different button colors, such as when you want to change the colors within a song while playing live. This is a powerful feature for situations that require quick and accurate control. The Set List mode even adds a nine-band graphic EQ, allowing the overall tone to be tweaked to match the venue. Open Sampling System Using KORG’s Open Sampling System, NAUTILUS can quickly sample an external audio source, regardless of whether NAUTILUS is in the Program, Combination, or Sequencer modes. The Open Sampling Mode can even resample the performance of the NAUTILUS itself. The user sample bank, which extends the convenience of the EXs sample library to user samples, allows custom samples to be loaded and played, taking advantage of the gigantic SSD capacity. AIFF, WAV, SoundFont 2.0, and AKAI S1000/3000 format samples can be loaded into memory via USB memory. Additionally, you can use a USB Ethernet adapter to exchange large amounts of sample data with your computer at high speed. Instruments or samples that you've previously created on your PC can be used to construct a music production setup based on just the NAUTILUS itself. 16-Track MIDI Sequencer / 16-Track Audio Recorder NAUTILUS features a sequencer/recording section that offers both 16 MIDI tracks plus 16 audio tracks; a great resource for putting together a dazzling performance or a brilliant production. MIDI sequencing makes it easy to capture ideas, inspiration, and pro-quality phrases using the Drum Track, or RPPR (Realtime Pattern Play/Recording) functions. The 16-track audio recorder simultaneously captures up to four tracks of 16-bit/24-bit uncompressed data at a sampling rate of 48 kHz. Play along with recorded tracks, add effects, and then resample the NAUTILUS itself and place the resampled WAV files directly in a track. When polishing your tracks, feel free to use mixer automation and editing functions such as copy, paste, and normalize to get the results you want. 16 Onboard Effect Processors NATILUS provides 16 internal effects to add impact to your sonic creations. Each of the 12 Insert effects can be applied to individual or multiple timbres in a combination, or to individual or multiple tracks of the sequencer. In addition, two Master effects can be applied to sends 1/2, and two Total effects can be applied to all tracks at the final stage of the sound. A separate three-band EQ is provided for every timbre, for every sequencer track, and for every audio track for adjusting subtle tonal balances or for creatively modifying the overall sound. USB / MIDI Host Ports Accommodate MIDI Control Surfaces Any class-compliant USB-MIDI controller can be connected directly to the NAUTILUS. Assign functions to a Korg USB MIDI controller with pads (nanoPAD, nanoPAD2, padKONTROL) to play drum parts. Smooth sound transitions that eliminate dropouts when changing sounds, regardless of the mode you're in When you switch program sounds during a performance to get ready for the next section, or when you switch from Program mode to Combi mode, the sound that's currently being output is always given priority and its effects are maintained during the program change, ensuring a seamless transition with no dropouts. This function has also earned extremely high praise from pro musicians.