Beyerdynamic

The new standard for the stage an exceptionally powerful sound that never comes across as obtrusive – that’s the basis of the TG V50d and the TG V50d s. The combination of sleek design and rugged construction that is perfect for the stage, this exceptional sound makes the TG V50d a reliable companion that you will never want to be without. That is the definition of the new standard for the stage.Whether in the rehearsal room or on a stage of any size, the dynamic TG V50d is an excellently tuned live vocal microphone. Especially notable are its balanced sound that is both powerful and natural, its very wide pick-up range thanks to its cardioid polar pattern, and its high feedback rejection; the whole product range is also outstanding in its handling, ruggedness, look and touch. The readiness of the TG V50d is also impressive – plug it in, activate the high-pass filter and it’s ready. It is advantages like these that will win it many fans for use in lead and backing vocals of all music genres as well as by professional rental companies and sound technicians.The TG V50d is also available with a switch as the TG V50d s. The switch, which is embedded in the grip, can be locked and doesn’t emit any ‘clicking’ sound.

Whether it’s the feel or the sound, the dynamic TG V70d live vocal microphone with a hypercardioid polar pattern is sure to impress both on the stage and behind the mixing console – for the singer, the audience and the rental company.The reasons: the powerful, extremely well resolved sound, the excellent feedback reduction and a marked proximity effect with saturated bass to support less powerful voices. Even without help from the tone control of the mixing console, it delivers an impressively rounded and exceptionally powerful sound. In other words: you only have to plug it in and activate the high-pass filter and you’re done. Additional to its great looks, its handling and well-thought-out housing construction with a progressively damped capsule suspension for low handling noises will make it the standard for stage professionals.

Every comparison needs a reference – data, specifications, properties that can be measured against. For the vocal microphones of the Touring Gear series, the TG V96c true condenser microphone – the benchmark for live vocals assumes this role.The strength of the TG V96c lies in its absolutely faithful reproduction - even of the finest nuances and on stage every detail counts. The microphone’s exterior stands out for its sophisticated design, with a special coated surface that is pleasant to the touch. But it is what’s inside that makes the TG V96c into a topclass microphone and makes it stand out with vocalists, professional rental companies and sound technicians: this real condenser microphone shines with a captivatingly natural sound. The subtle treble boost provides an open, finely detailed and nobtrusive sound pattern.Further advantages: the TG V96c can be operated with phantom powering down to 11V without affecting the performance. The 5-layer pop protection made from metal gauze of differing mesh sizes and a sintered plate optimally suppresses plosives while significantly improving the rear-attenuation. The TG V96c is rugged enough for the stage and is supplied with an individual frequency response curve print out.

The TG Drum Sets offer high-performance drum microphones from the Touring Gear series. Two sets are available. The sets include a durable soft bag which can be equipped with four TG D57c (floor drum), four TG D58c (snare, rack toms), one TG D70d (bass drum), one ST 99 (bass drum microphone stand), four TG I53c (hihat, overhead) or MC 930/950 (overhead/ Hihat) and one TG I50d or M 88 TG at maximum. Microphones clamps are included.The key features of the TG Drum Set microphones at a glance:First class sound reproductionEasy mounting of tomclips on nearly every drum rimNaturally sounding condenser microphonesCompact and unobtrusive designMicrophone clampIntegrated pre amplifiers TG Drum Set PRO assortment: 1 x TG D70d (bass drum, dynamic, hypercardioid)1 x ST 99 (bass drum microphone stand)2 x TG D57c (floor drum microphone stand)2 x TG D58c (snare, rack toms, condenser, cardioid, clip-on)2 x TG I 53 c (hihat, overhead, condenser, cardioid)1 x M Bag Drum (durable soft carrying case)

Whether with standing toms, snare drums or percussion instruments - with its patented clip-on mount and integrated pre-amplifier, the TG D57c condenser microphone is mounted and ready in a flash.The expanded frequency range ensures faithful reproduction of all drum types and the 72 mm long flexible gooseneck allows it to be optimally positioned relative to the sound source. An elastic capsule suspension on the capsule housing protects against damage from drumstick strikes. The new electronics provide increased level accuracy and guarantee a very high maximum sound pressure level – even with phantom powering below 44 V.

Another microphone from the "workhorse stable", the M 201 TG preserves its place in history through sheer performance and reliability and we are proud that it has come to feature here with the classics. A truly sensitive dynamic microphone with a range of applications spanning instruments to vocals, being particularly effective when the microphone has to be placed at a distance from the sound source. It incorporates a "hum-buck" coil that rejects mains borne interference introduced when using the microphone close to video monitors or other mains powered devices.Specifications:Universal microphone for instrument mikingIntegrated hum-buck coilSmall dimensions for unobtrusive positioningRugged constructionSupplied with microphone clamp and storage bag

Some products are born classics and the M 88 has to take centre-stage for being far ahead of its time when it was first introduced in the 1960`s. Incorporating a new low-mass diaphragm element, the M 88 TG has earned its place in history in the Kick Drum (for this application, the use of an external popshield like PS 88 or WS 59 is strongly recommended). Sound engineers have found that the lightning-fast transient response of the microphone reproduces the complex sound patterns of this instrument resulting in the tight `thump` without the need for complex signal processing. This characteristic works equally well on other instruments especially where intricate low frequencies and their harmonics need to be captured. The M 88 TG is one of the most frequently specified microphones by sound engineers worldwide and heralded a beyerdynamic contemporary classic as this microphone becomes renown for capturing emotive audio signals. Specifications:Extended frequency range with very soft presence boost and exceptional bass reproductionHigh gain-before-feedbackIntegrated hum-buck coilHigh SPL handling capabilityRugged constructionSupplied with microphone clamp and storage bag

The practical advantages of the patented microphone clamp on the TG D58c condenser microphone are immediately apparent whether when using with rack toms, snare drums or percussion instruments: the microphone can be mounted and positioned quickly and securely.The balanced frequency response also makes it immediately ready for use. Pre-amplifiers are a thing of the past due to the integrated pre-amplifiers with downward-facing standard XLR connections. Its ability to operate at high levels compared to the previous model Opus 88 should also be mentioned, as is the newly designed, low-resonance housing, the elastic capsule suspension, the improved signal-to-noise ratio and technical values that remain valid even with phantom powering below 44 volts.

To pick up sound from brass instruments such as saxophones, trumpets, trombones or horns, a microphone really has to function at a high level, a requirement where the TG I 57c premium clip-on condenser microphone succeeds with flying colours. It can operate at extremely high maximum sound levels and reliably suppresses unwanted noise as a result of its cardioid polar pattern. The easy to mount clamp with gooseneck for optimal positioning protects the instrument’s surface and provides a reliable hold. For wired operation at a phantom powering input, the optional CV 18 is necessary.