Chandler Limited TG12345 Curve Bender Mastering Equalizer

Manley Massive Passive

Το Manley MASSIVE PASSIVE είναι ένα κορυφαίο EQ δύο καναλιών, τεσσάρων περιοχών με πρόσθετα   high pass και low pass φίλτρα.  Το  MASSIVE PASSIVE δεν χρησιμοποιεί ενεργό αλλά παθητικό κύκλωμα ήχου για αυξημένη μουσικότητα καθώς και κορυφαία υλικά. Με μεγάλο ήχο, τεράστια δυναμική περιοχή το πλήρως λαμπάτο αυτό EQ  στα χέρια έμπειρων ηχοληπτών γίνεται ένα δημιουργικό εργαλείο.Με το Massive Passive μπορεί να έχεις απο τις πιο απλές μέχρι τις πιο δραστικές επεμβάσεις  πάντα με μεγάλη μουσικότητα.  Οι καμπύλες του είναι συνδιασμός των καλύτερων στοιχείων ενος Pultec με πολλά νέα χαρακτηριστικά  σε ρυθμίσεις  παραμετρικές και self. Είναι ένα ιδιαίτερο εργαλείο που έχει αποτελέσματα που δεν μπορεί κάποιος εύκολα να πετύχει με άλλα EQ η Plug-In. Χαρακτηριστικά:Perhaps the ultimate studio EQ for tracking instruments, mastering and delivering powerful tonal control with characterAll-Passive tone sculpting circuitryUnique Shelf curves use the "bandwidth" controlOverlapping and Interleaved Frequency choicesEvery band switchable to shelf or bellVacuum tube make-up gain and line driversParallel symmetrical topologyPremium components throughoutHP and LP Filters plus gain trimsEach band can be bypassed or set to boost or cut. This provides twice the control resolution over conventional EQs. It also eliminates the problem of a centre detent not guaranteeing flat responseEach band is capable of 20 dB of boost or cut combined with amazing headroom and freedom from clippingSteep LP and HP filters for maximum effectiveness and achieved passively for minimal coloration. The minimum slope is 18 dB/octave and the 18kHz filter was designed for 60 dB/octaveModular design that allows future upgrades and special functionsTransformer balanced floating outputs for ease of installation and a touch of desirable flavourIns and Outs Balanced XLR and 1/4 inch (accepts unbalanced)Level +4 dBm nominal, internal switches for -10 operationBypass Switch bypasses EQ and tube circuits (not hardwire)44 Frequencies (roughly 1/4 octave spacing)Frequency Range: 22 Hz to 27 kHzEQ Boost/Cut Range : 20 dB boost, 20 dB cutNominal Q range: 1.5 to 3 (uniquely active in shelf modesFrequency Response: +/- 2 dB: 8 Hz to 60 kHzMaximum Output @ 1.5% THD +37 dBv; + 26dBv @ 20 HzTHD and Noise (1kHz @ +4 dBm): 0.06%Noise Floor (referred to + 4dBm): -85 dB (A Weight)Dynamic Range: 120 dBTube Complement: 5751 x 2, 6414 x 4Power Consumption 72 wattsSize (3U): 19 x 5.25 x 10 inchesWeight: Unit 21 lbs. Shipping weight: 27 lbs

6.094 €

SPL Passeq Black

Passive Mastering Equalizer In the PASSEQ we have revived the concept of the passive equalizer that was used in the 50’s and 60’s. The charming sound of this vintage technology combined with the modern 120V technology results in a very special equalizer. Only one filter​ All control functions are part of only one passive filter. There are three frequency ranges: Low Freq / Mid Freq / High Freq Each with a cut control on the left and a boost control on the right. In the middle is the output control. Design A passive filter has no amplification stages. It can therefore only be lowered. If one frequency is to be boosted, all the others must be lowered. Behind the filter there is a stage that makes up for the lowered overall level. Since low noise is particularly important here, since up to 20 dB can be made up for, the 120V technology comes into its own. The entire passive filter (variable resistor, capacitor and coil) provides a very nice sound characteristic. Besides the choice of components, the charging behaviour of the capacitors and the saturation behaviour of the coils play a major role in this. The resulting relative inertia compared to potentially very fast active filters is the reason for a pleasant, musically advantageous sound characteristic. We would choose smoothness and transparency as well as strikingly silky highs and pithy basses as a description that suits our perception. During fine-tuning, through component selection, in countless listening sessions, the emphasis was on achieving the most musical sounding curves possible, which, for example, need fear no comparison with a Pultec EQ from the 1950/60s. Only without all the disadvantages of a 60 year old original, such as the very high background noise, but above all the very limited frequency selection. Another highlight of the PASSEQ is the HF+ band, which has been extended by the frequencies 25 kHz and 35 kHz and sounds so incredibly good that you don’t want to switch it off. Specifications: Analog inputs & output; XLR (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -60 dBu Frequency range (-3 dB): 10 Hz – 200 kHz Crosstalk (1 kHz): -108 dBu THD + N (+30 dBu, 1 kHz): 0.0012 % Noise (A-bewertet): -95.2 dBu Dynamic range: 134.5 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 15 VA Dimensions & Weight W x H x T (W x H x D (width x height x depth) x Höhe x Tiefe): 482 x 132 x 300 mm Unit weight: 10.2 kg Shipping weight (incl. packaging): 14 kg

3.794 €

Bettermaker Mastering Equalizer

Bettermaker Mastering Equalizer for those who seek outstading EQ quality with the convinience of fast and precise recall and automation. MEQ offers 100% signal path,  Passive as well as parametric filters, Highpass filter with changable slope and resonanse, Stereo/Dual mono/MS operation and a metering section with EQ curve representation. All this with mastering grade sound and patentedrecall with a speed of a native plugin.    Mastering Equalizer:  100% analog audio signal path  USB connectivity with MAC/PC  all parameters are digitally controlled via touchscreen and/or DAW (with dedicated plugin)  399 presets with unique names, total recall, A/B comparison  5-inch capacitive touchscreen with backlight, four encoders with push-button action for ease of control  stereo, dual-mono and mid/side operation modes with focus function  stereo 12 or 24dB/oct high-pass filter with adjustable cutoff frequency (10Hz – 240 Hz; extended to 6Hz with the resonance enabled)  four stereo parametric filters with 15dB boost/cut range, variable Q (0.2 – 7):  EQ1: 22Hz – 470Hz (bell/shelf)  EQ2: 90Hz – 2kHz (bell)  EQ3: 480Hz – 10kHz (bell)  EQ4: 1kHz – 23kHz (bell/shelf)  stereo passive equalizer with extended hi-boost section (air bands: 20 and 28 kHz)  stereo, 12dB/oct low-pass filter with adjustable cutoff frequency (2 – 38 kHz)  adjustable output level (+/- 10dB)  Frequency Search, Gain Lock, Note and Auto-Q functions  on-board measurement of PEAK/RMS levels and RTA analyzer  on-screen live representation of the equalization curve Digital Section: The sound of the Mastering Equalizer is of course based on the quality of its analog filters, precisely matched capacitors and inductors. But all the control and user interactions are performed in the digital domain. This allows us to incorporate options and possibilities not found in any standard analog equalizers: Save and recall presets from on-board memory (400 slots available) Instant reset of all parameters Rapid, precise and repeatable adjustments Precisely linked stereo operation with the ease of a single control DAW automation and recall of all available parameters   The digital section of the Mastering Equalizer is based around high speed, 32-bit micro-controller, with dedicated firmware programmed into its memory (with the possibility of updating the firmware via USB connection). It controls the parameters af all analog filters, watches over the user interface, presets management, audio measurement, USB connectivity and other Mastering Equalizer functions. Front panel and LCD touchscreen: The front panel of the Mastering Equalizer is build around big LCD touchscreen, that allows you to control almost all functions available in the device. It will show you live representation of the EQ curve and allow you to adjust filter gain and frequency with the touch and drag of your finger (check unique Frequency Search function!). Apart from that, you can also monitor input/output levels, access the FFT real time analyzer or store and recall presets using on-screen QWERTY keyboard. DAW integration: The Bettermaker Mastering Equalizer can communicate with your DAW via USB connection. The unit appear as a HID device and can be managed via Bettermaker Mastering Equalizer Plugin. Technical specification (all filters enabled, set flat):  Frequency response 20Hz to 20kHz (+/- 0.2 dB)  Dynamic range: 102dB (+23dBu, 22kHz BW)  THD+N: 0.03% @ +4 dBu, 0.06% @ +18 dBu, 20 kHz BW  CMRR: max 85 dB @ 3 kHz, min 52 dB @ 20Hz, 20 kHz BW  Crosstalk: min -100 dB @ 30Hz, max -65 dB @ 20kHz, +18 dBu, 20 kHz BW  balanced stereo input (XLR), 23dBu max input level (THD < 0.2%)  balanced stereo output (XLR), 23dBu max output level (THD < 0.2%)  Operating Level: +4dBu  Input impedance (differential): 48kΩ (for balanced signal)  Output Impedance: 50Ω + 50Ω (electronically balanced)  2U enclosure, 230mm deep  115/230V switch  advanced linear power supply with toroidal AC mains transformer  Maximum power consumption: 20W  Shipping weight: 5.5 kg

3.799 €

Manley Stereo Pultec EQ

Manley’s modern take on the Pultec EQ - in stereo! - with extra frequencies the original never had; a vastly superior power supply and famous Manley line amps complete the package. Magic on drums, killer on guitars.The MANLEY ENHANCED PULTEC EQP-1A is our own interpretation of the historic Pultec Equalizer as originally produced by Pulse Techniques, Inc. We have been building these Manley Pultec EQs since 1990 after we bothered to hunt down Eugene Shenk in New Jersey to ask for his permission and blessings to produce our own version of his classic piece. These Manley Pultec units employ our own simple and clean all-tube make-up gain block to reamplify the signal after the passive EQ circuit. EQ may be set to 'flat' positions or BYPASSED entirely. All BOOST and CUT controls are continuously variable conductive plastic potentiometers for absolutely silent operation and long life. Our single rack unit monoblocks occupy one-third of the space of the 'antique Pultecs', an important consideration for allocation of outboard rack space. And if you notice, we've added a couple extra frequencies too. The rear mounted input switch selects 0 degrees or 180 degrees PHASE INVERT for the balanced gold pin XLR input or the transformerless unbalanced bridging input (1/4" jack) may be selected in that switch's middle position.People often ask us if our Pultec EQ's sound like the old ones to which we reply, "Yes! But better!" The originals had three transformers in the signal path whereas ours can be used completely transformerless. Our Manley Enhanced Pultec has a vastly superior B+ power supply, with regulated and balanced heater supply. Our line amp is known to be killer-sounding. The components we use today just weren't available in the 1960's. So, if you want a project with crackling carbon pots, dirty open frame wafer switches, 5% and 10% tolerance noisy carbon resistors, exposed tubes sticking out the back of the 3U chassis, etc., go pay top dollar for an antique Pultec!The MANLEY PULTEC EQP-1A, available in both single and 2-channel versions, uses 1 x 12AX7WA and 1 x 6414 (or 5965) in our ALL-TUBE single-ended line amplifier for the gain make-up and extra-beefy sound; gain is factory set for unity but additional gain is available by a rear mounted feedback adjustment trimpot. Like our 40dB Mic Preamps, the Manley Pultecs offer both transformer coupled balanced and direct capacitor coupled unbalanced outputs for easy interface and sonic variety. Kick drum? Bring on the Pultecs and all the iron you can muster! You'll soon discover the power and magic of having those individual Low Frequency BOOST and CUT controls in that LF shelf circuit. . . Need a little clarity or extension? Try that middle bell-shaped Boost dialing in the sharpness of the boost on the BANDWIDTH control. Something bugging you? Ease it off with the HF shelf cut. You'll see. There's no substitute for a what a Manley Pultec EQ can do!

5.365 €

API Audio 5500

Το 5500 κατάγεται από το πρώτο 550 equalizer που σχεδιάστηκε από τον Saul Walker, τον ιδρυτή της Automated Processes Inc.  Το 550 σχεδιάστηκε ως equalizer κονσόλας που λόγω της αρχιτεκτονικής της κονσόλας ηχογράφησης, χρησιμοποιεί unbalanced εισόδους. Λόγω του ότι η εργονομία μιας κονσόλας υπαγορεύει ότι τα όργανα ελέγχου πιάνουν πολύ λίγο χώρο, μερικές φορές ο αριθμός λειτουργιών μπορεί να είναι περιορισμένος.  Το 5500 σχεδιάστηκε με σκοπό να απευθυνθεί σε αυτούς τους περιορισμούς. Έχει balanced είσοδο, true straight-wire bypass, ενσωματωμένη παροχή ηλεκτρικού ρεύματος με αθόρυβο muting, και range control που επεκτείνει την μεταβλητότητα του σε mastering εφαρμογές.          ΧΑΡΑΚΤΗΡΙΣΤΙΚΑClassic 550B Equalizer Design 2 Range Switches Individually Alter Gain Steps Useable as a 550B, 550D or 550M Peak/Shelf Switch on HI & Lo bands True Hardwire Bypass Balanced IN and OUT on XLR Unbalanced Input on 1/4" EQ In/Out Switch

3.443 €

Weiss EQ1 LP/DYN

Το απόλυτο ψηφιακό EQ. Διατίθεται σε τέσσερις διαφορετικούς τύπους. Όλοι τους λειτουργούν σε 24/96. Το βασικό μοντέλο είναι το EQ1-MK2, το μοντέλο linear phase είναι το EQ1-LP, το μοντέλο dynamic  είναι το EQ1-DYN. Το EQ1-DYN ενσωματώνει και τις εκδόσεις LP και DYN σε μια μονάδα. Ο τρόπος λειτουργίας (LP ή DYN) μπορεί να επιλεχτεί μετά το άνοιγμα της συσκευής. Όλα τα μοντέλα μπορούν να αναβαθμιστούν από το χρήστη σε οποιαδήποτε απο τις επόμενες εκδόσεις.  Εδώ είναι τα κύρια χαρακτηριστικά γνωρίσματα κοινά και για στα τέσσερα μοντέλα: Επτά πανομοιότυπα παραμετρικά band. Και οι επτά καλύπτουν ολόκληρο το ακουστικό φάσμα συχνότητας. Κάθε band έχει Boost/Cut, Frequency και Q/Slope knobs και λειτουργεί με οποιαδήποτε από τους ακόλουθους τρόπους: High shelving, low shelving, peaking, high cut, low cut, bypass. Επτά σετ ελέγχου για επτά band. H μεγάλη  LCD οθόνη  δείχνει τη συνολική απόκριση συχνότητας και όλες τις χρήσιμες παραμέτρους (που υπολογίζεται σε πραγματικό χρόνο) και τις λεπτομερείς παραμετρικές αξίες σε dB, Hz και Q. Ψηφιακές είσοδοι/ έξοδοι σε AES/EBU και XLR. Dithering σε 16, 20 ή 24 bits. POW-R dithering στα LP, DYN και  DYN-LP μοντέλα.

12.050 €

Thermionic Culture The Swift

Ο "The Swift" έχει επιρροές απο 2 κλασικά σχέδια της χρυσής εποχης των valve ηχογραφήσεων με πολλές βελτιώσεις για να είναι up-to date για σημερινή χρήση. Επίσης έχει πρόσθετα χαρακτηριστικά δικού μας σχεδιασμού.Τα κύρια ηλεκτρονικά είναι βασισμένα στο 1950 αλλα με διευρυμένη ψηλή περιοχή και απόκριση μπάσου. Κρατήσαμε το ΕQ τύπου Baxandall  και προσθέσαμε Presence διακόπτη για να αναβαθμίσουμε τις μεσαίες/ψηλές συχνότητες. Αυτά, βασισμένα στις εφευρέσεις του Vic Keary το 1963.Βασισμένος στον Pultec, ο παθητικός mid lift control λειτουργεί γρήγορα και οικονομικά, με 4 συχνότητες με 3 "Q" ρυθμίσεις. Kάποια ειδικά χαρακτηριστικά είναι το Hi Pass Filter, Mid Cut και "Air" (όλα παθητικά). Πολύ ενδιαφέρον εφέ τύπου Pultec μπορούν να επιτευχθούν σετάροντας το HP FIlter στην τελευταία ρύθμιση του η οποία συνδιάζει shelving bass cut  με φίλτρο πολύ χαμηλής συχνότητας , χρησιμοποιόντας πολύ bass lift στα 50 ή 100 Hz.To Gain είναι στους διακόπτες, για λόγους σύγκρισης. BYPASS διακόπτης αποσυνδέει τα ηλεκτρονικά έτσι ώστε να μπορείτε να ακούσετε  το καθαρό αρχικό σήμα. Δέν παρέχεται Metering καθώς θεωρήσαμε οτι αποσπάει την προσοχή. Το "Τhe Swift" μπορεί να εξάγει έως και +20 dBu χωρίς αισθητή παραμόρφωση και είναι σχεδόν αθόρυβο.Παρόλο που το "The Swift" είναι βασισμένο σε παλαιά σχέδια, η ηλεκτρονική σχεδίαση του έχει μεγάλες βελτιώσεις σε σχέση με τα παλιά. Υπάρχουν μόνο 2 βαλβίδες ανα κανάλι για αποφυγή χρωματισμού. Χρησιμοποιήσαμε μοντέρνους, ειδικά σχεδιασμένους, Sowter μετασχηματιστές και βαλβίδες που δέν έχουν χρησιμοποιηθεί ποτέ ξανά σε αυτού του τύπου κύκλωμα. Ακούγονται πολύ καλύτερα και τα τεχνικά χαρακτηριστικά είναι εξαιρετικά ΧαρακτηριστικάAll-valve signal path using NOS and new production valves;Combines features of the best USA and UK equalisers with Thermionic magic;Quick and easy to operate, clearly labelled front panelShelving Bass and Treble lift /cut Controls at 2 frequencies each;Mid Cut and Lift at 4 Frequencies each with Three ‘Q’ combinations;Our own Presence and Air Controls;A Switchable High Pass Filter with a Special last position which used in conjunction with the Bass lift can be a very interesting combination;Adjustable gain in .75 dB steps;Frequency response from below to well above human hearing with miniscule phase shift;Virtually no distortion unless driven beyond DAW capability and practically noiseless;Typical Thermionic Culture warm, natural sound;Equally superb as mix buss eq and for individual instruments/tracks;Lovingly hand-made and tested in Harlow, England.

4.426 €

Retro Instruments 2A3 Dual EQ

Τα vintage λαμπάτα ενισχυτικά κυκλώματα και οι custom σχεδιασμένοι μετασχηματιστές είναι συστατικά για την “μεγάλη εικόνα” και το παθητικό equalization δημιουργεί όμορφες και μουσικές καμπύλες ισοστάθμισης.Το RETRO 2A3 είναι ένα δυκάναλο equalizer βασισμένο στο -industry standard-Pultec.Τα ηχιτικά του πλεονεκτήματα φτάνουν πέρα από το equalizing. Industry-standard Passive EQ with authentic feel, controls and equalization curves Additional HF Boost Frequencies for more precise control Easily recallable 100-position knob scales on boost and cut controls A ganged interstage-coupled Subsonic High-Pass Filter provides Peaking LF Boosts with alternate tonal characteristics Transformer Balanced and fully-floating 600 Ohm Input and Output to eliminate ground-induced hum and noise LF Boost Settings of 20, 30, 60 and 100 Hz Complementary LF Cut settings of 20, 30, 60 and 100 Hz HF Boost Settings of 1.5 kHz, 3 kHz, 4 kHz, 5 kHz, 6 kHz, 8 kHz, 10 kHz, 12 kHz, 14 kHz and 16 kHz Complementary HF Cut Settings of 5 kHz, 10 kHz and 20 kHz Vintage Class AB tube amplification for unity-gain make-up Equalization Bypass Switches Size 2U Height: 19" wide x 3.5" tall x 9" deep XLR input and output connections IEC power connector 115/230V 50-60 Hz Switchable AC Mains Uses readily available 12AX7(2) and 12AU7(2) electron tubes Tube substitutions are possible with internal unity gain calibration and jumper selectable 6 or 12 volt tube configuration Design minimizes tube heat generation High stability components used throughout Steel Chassis built to last Manufactured in the USA Full factory support Specifications Signal to noise ratio of greater than 76dB Channel Separation greater than 70 dB Frequency response is flat within 1 dB from 20 Hz-20,000 Hz Harmonic Distortion is less than 1% from 20 Hz-20,000 Hz

4.949 €