SSL Bus Comp Classic

SSL 500-Series Bus Comp. MKIII

Glueing mixes together for 40+ yearsThe legendary sound of the SSL Stereo Bus Compressor has been glueing mixes together for 40+ years. Often imitated but never equaled, the centre section compressor from the 1980's Solid State Logic G-Series analogue console is an audio production legend. It is a simple unit with a simple purpose; it makes complete mixes sound bigger, with more power, punch and drive.FeaturesLegendary SSL G Series Stereo Bus CompressorTHE glue and punch makerAdditional compression ratio settings 1.5 / 3 / 10Renowned ‘Auto’ releaseHPF in sidechain switchable to 30Hz / 60Hz / 106Hz / 125Hz / 185HzSidechain In / Out switchTurns a mix into a recordThe Stereo Bus Compressor brings cohesion and strength to your mix unlike any other processor. To this day it remains a key element of the SSL sound and has become not just a tool for production but a part of top engineers and producers creative process.  

999 €

Warm Audio Bus-Comp

Ο Warm Audio BUS-COMP είναι ένας αναλογικός δικάναλος , στερεοφωνικός VCA κομπρέσορας βασισμένος στα κλασικά κυκλώματα που εξασφαλίζουν μεταξένιο "Smooth Tone" για δεκαετίες.Οι στερεοφωνικοί VCA κομπρέσορες είναι η κορυφαία επιλογή για τον έλεγχο της δυναμικής σε πολλές πηγές, ωστόσο έχουν γίνει ευρέως γνωστοί για το μαγικό τους άγγιγμα που δίνουν άλλο αέρα στα στερεοφωνικά mix.Το BUS-COMP θα αποδίδει καλά σε Stereo Mix , mix τυμπάνων, ακουστικές κιθάρες, πλήκτρα, πιάνο, ορχηστρικά όργανα, φωνητικά και μια σειρά άλλων πηγών. Το BUS-COMP έχει σχεδιαστεί κυρίως για στερεοφωνική χρήση, αλλά μπορεί να χρησιμοποιηθεί εξίσου με επιτυχία και σε μεμονωμένες πηγές.Οι VCA κομπρέσορες αυτού του τύπου έχουν γίνει ευρέως γνωστοί για την ικανότητά τους να ελέγχουν δυναμικά χωρίς Gain, αλλά και για τον πρόσθετο τόνο και το βάθος που προσφέρουν στο σήμα που διέρχεται μέσω αυτών, ακόμα και όταν δεν συμπιέζουν.Μια ματιά στο εσωτερικόΗ επαναδημιουργία της θρυλικής τεχνολογίας συμπιεστών VCA αποτέλεσε το επίκεντρο του σχεδιασμού του BUS-COMP, όμως η προσθήκη επιλογών και βελτιώσεων ήταν εξίσου σημαντική, κατά την ανάπτυξή του. Ένα χαρακτηριστικό που είμαστε περήφανοι είναι η ικανότητα του BUS-COMP να μετατρέπει τους μετασχηματιστές CineMag που έχουν κατασκευαστεί στην Αμερική στη διαδρομή του σήματος, οδηγούμενη από πλήρως διακεκριμένους ενισχυτές. Με ένα πάτημα ενός διακόπτη του μπροστινού πάνελ, αυτοί οι μετασχηματιστές made in USA παρεμβάλλονται στο σήμα παρέχοντας αυξημένο βάθος, τόνο και vibe!Premium ComponentsΌπως συμβαίνει με όλα τα προϊόντα που κατασκευάζουμε στην Warm Audio, το BUS-COMP σχεδιάστηκε με γνώμονα την τιμή. Με τις πιο αποτελεσματικές και σύγχρονες τεχνικές κατασκευής, είμαστε περήφανοι που προσφέρουμε στην αγορά αυτό το προϊόν υψηλής ποιότητας, τον κλασικό κομπρέσορα VCA.Περισσότερα στούντιο από ποτέ θα έχουν τώρα πρόσβαση σε αναλογικής ποιότητας VCA comp.Η επιθυμία μας είναι να ακουστούν όλοι οι μουσικοί με τον τρόπο που θέλουν να ακουστούν και αισθανόμαστε ότι το BUS-COMP είναι το τέλειο εργαλείο για να τελειοποιήσετε κάθε μίξη σας!Τεχνικές προδιαγραφές:VCA COMPRESSORΕπιλογή λειτουργίας με CINEMAG USAHI-PASS Filter : 30, 60, 105, 125, 185 HZΕύκολη επιλογή A/B λειτουργίας για testΜπορεί να χρησιμοποιηθεί σε Stero και Mono πηγέςNoice: + 29DBU, 20HZ - 20KHZDynamic Range:> 120DBFrequency Responce: 18HZ - 22KHZTHD + Noice, 20HZ - 20KHZ, + 20DBU Input:

754 €

Bettermaker Bus Compressor

Bettermaker Bus Compressor is for those who seek high quality stereo VCA compression with the convenience of fast and precise recall and automation. The bus compressor offers 100% analog signal path, Dry/Wet mix, sidechain with HPF, with hardware insert and preview function,  adjustable THD saturation and more.. All this with high analog quality and patented recall with a speed of a native plugin.  Bus Compressor:  advanced analog stereo VCA compressor with PEAK/RMS detection  all parameters are digitally controlled via front panel and/or DAW (with dedicated plugin)  dry/wet MIX control for parallel compression  sidechain high pass filter with hardware insert and preview function  adjustable THD for harmonically rich sound  on-board measurement of PEAK/RMS levels  100% analog audio signal path  total recall and A/B comparison from your favourite DAW  LED matrix display and six encoders with push-button action for ease of control  USB connectivity with MAC/PC   Digital Section: The sound of the Compressor is of course based on the quality of its analog audio path. But all the control and user interactions are performed in the digital domain. This allows us to incorporate options and possibilities not found in any standard analog compressors:  recall last unit state after reboot  Instant reset of all parameters  Rapid, precise and repeatable adjustments  Precisely linked stereo operation with the ease of a single control  DAW automation and recall of all available parameters   The digital section of the Bus Compressor is based around high speed, 32-bit micro-controller, with dedicated firmware programmed into its memory (with the possibility of updating the firmware via USB connection). It's responsible for controlling the VCA, the user interface, presets management, audio measurement, USB connectivity and other Bus Compressor functions.   The use of separate ground planes for analog and digital section results in perfect noise isolation between these two worlds. High quality switching power supply, designed by Bettermaker, was used to provide low hoise, hum free power to all analog and digital components. Front panel: The front panel of the Bus Compressor is build around eye-catching LED matrix display, that allows you to monitor almost all functions available on the device, as well as input/output levels and amount of gain reduction applied by the compressor. Technical specification:  Frequency response 10Hz to 22kHz (+/- 0.2 dB)  Dynamic range: 106dB (+23dBu, 22kHz BW)  S/N ratio: 87dB (A-weighted, +4dBu, 22kHz BW, unity gain)  Crosstalk: -83dB @ 1kHz, +18dBu, channel-to-channel  CMRR: max 85 dB @ 3 kHz, min 52 dB @ 20Hz, 20 kHz BW  THD: 2nd: < 0.06%, 3rd: < 0.01%; 4th: < 0.006%; (+4 dBu, 20-20 kHz, unity gain, THD and CLIP disabled)  balanced stereo input (XLR), 23dBu max input level (THD < 0.2%)  balanced stereo output (XLR), 23dBu max output level (THD < 0.2% into >2kohm)  Input impedance (differential): 48kΩ (for balanced signal)  Output Impedance: 50Ω + 50Ω (electronically balanced)  2U enclosure, 230mm deep (Mastering Compressor)  1U enclosure, 230mm deep (Bus Compressor)  universal 100 – 240V power supply designed by Bettermaker  Maximum power consumption: 25W  Shipping weight: 5.5 kg (Mastering Compressor), 5 kg (Bus Compressor) Threshold: -35dB / +5dB (40dB range) Attack: 0.1 – 60 ms Release: 10 – 2000 ms Ratio: 1.5, 2, 4, 6, 10:1 Knee: 20dB Output: -5dB to +15dB Sidechain HPF: off – 370Hz Sidechain Feed: Forward Sidechain Type: PEAK/RMS

2.399 €

Dangerous Compressor

At War With The Loudness WarWe’re not going to hide our intentions: when we set out to design The Dangerous COMPRESSOR, we spent over two years figuring out how to achieve modern levels of limiting and compression while avoiding the deadening effects of today’s ultra-limited productions. We make gear that helps you deliver the impact, punch and clarity that brings music to life, and when it comes to compression and limiting our answer was not to avoid it like some purists might, but to deliver an audiophile-grade tool that provides powerful compression and limiting without robbing the music of its lifeforce. The Dangerous COMPRESSOR points the way to the future of dynamics. Transparently BeautifulCompressors fall into two basic categories: so-called “color boxes” capable of drastically changing sound, of which there are hundreds available, and the much more difficult to design “transparent units” that control dynamics without introducing obvious sonic artifacts. The Dangerous COMPRESSOR is decidedly in the latter category, delivering crystal clear compression that allows you to easily alter and control dynamics without drastically changing the original sound. But don’t let the word ‘transparency’ trick you into thinking The COMPRESSOR doesn’t sound beautiful – like all Dangerous gear, the low end is big and powerful, the mids maintain texture and detail, and the top-end is open and deeply engaging, even during very active gain reduction. This level of open musicality is unique even among the small field of transparent compressors, putting The COMPRESSOR in a class of its own where sounding transparent and beautiful is no longer a paradox. Beyond VersatilityBecause The Dangerous COMPRESSOR is so transparent and simple to operate, it can handle a wide range of tasks often left to automation and eq during tracking, mixing and mastering. Few compressors are as versatile. Tedious vocal level rides can be handed over to The Dangerous COMPRESSOR’s VCA as if it were a trusted assistant intuitively riding a fader. Use the internal sidechain EQ curves to tame a sibilant vocal or to let deep bass punch through untouched, or both simultaneously. Effortlessly peak-limit a master in the analog realm and dispense with your digital limiter using the unique Smart Dynamics feature. Patch an eq into the  external side chain for dynamic eq across the midrange, or use the two channels as independent mono units, or in series to achieve ultra-transparent “cascaded compression.” Beyond versatility, The Dangerous COMPRESSOR invites you to creatively solve sonic problems without worrying about unwanted sonic artifacts. A No Compromise Design WIth Unique FeaturesHand assembled in the USA, at the heart of The Dangerous COMPRESSOR is a unique and unparalleled audiophile-grade circuit by legendary designer Chris Muth. In typical Dangerous fashion, nothing is sacrificed, and The COMPRESSOR delivers intelligent, innovative, easy-to-use features with unsurpassed sound.Dual Detectors – The COMPRESSOR utilizes two totally independent RMS detectors with a nuanced and sophisticated circuit that governs how the left and right channels work together in stereo. This allows The COMPRESSOR to deliver crystal clear and rock solid stereo imaging when processing a full mix, a drum buss, a finished master or any stereo material. What’s more, you can use each channel as an independent mono compressor – great on kick and snare, for example – or you can “cascade” the two channels into each other for ultra-transparent compression with peak limiting – a great technique for automatically riding a vocal, a spiky lead instrument, or anywhere that powerful and transparent control is needed. Smart Dynamics By engaging “SmartDyn,” you turn on The COMPRESSOR’s unique “dual slope” detector circuits, allowing you to control fast transient peaks without causing average volume levels to drop. This lets you maintain higher average volume levels while avoiding the pumping artifacts commonly incurred when pushing toward the expectations of modern loudness. Smart Dynamics is equally helpful when tracking a dynamic singer or mixing a snappy drum kit, and most users end up leaving the “SmartDyn” button engaged at all times. With its dual detector working in conjunction with Smart Dynamics, The COMPRESSOR’s circuit design is so agile that it seems to possess artificial intelligence. Auto Attack & Release And if it wasn’t already easy enough to get powerful and transparent compression, The COMPRESSOR also includes an automatic attack and release setting that allows you dial in your sound simply using the threshold and make-up gain knobs. If you need more precise settings for attack and release, simply press the “Manual Att/Rel” button and start tweaking. On-Board Side Chain Filters The COMPRESSOR includes two audiophile-grade side-chain EQs that you can turn on and off at the push of a button…no complex patching necessary. Bass Cut turns down low-end below 60Hz, assuring that the detector is not overreacting to low-end content or “breathing” along with the beat. The Sibilance Boost utilizes the BAX EQ’s ultra-linear high-end shelf to push more treble content into the detector, which causes The COMPRESSOR to dynamically attenuate sibilance and other unwanted spikes of high-end like harsh cymbals or erratic acoustic guitar strums – great on vocals during tracking or mixing, or on a whole mix during mastering.VU and LED Metering The dual VU meters can show you gain reduction, input or output levels.   There is a -6dB offset button so that loud material is always hovering in a usable range, perfect for visually monitoring average levels. What VUs can’t show you are the fast transient leaps past threshold, and that’s where the dual LED meters come in. Together, the VU and LED meters provide two important insights into the nuanced inner workings of The COMPRESSOR in action.Audiophile Components Throughout – Chris Muth’s fastidious designs call for only the highest quality components in areas of the circuit that don’t even pass audio. Detector and control voltage circuits (which lie at the heart of any compressor but are not in the audio path) are often built from substandard components in order to cut costs. However, these detector components have a major impact on how any compressor performs, especially with the high standards we set for achieving the nuanced and intelligent compression you’ll get out of The COMPRESSOR. Combine To Taste Whether you’re tracking, mixing or mastering, The Dangerous COMPRESSOR works beautifully with vintage analog gear or patched into today’s cutting-edge digital systems, allowing you to achieve truly modern levels without the undesired artifacts that plague so many modern productions. Combine it with our ultra-transparent BAX EQ for one of the most open EQ/Compressor combinations possible, perfect for mastering or mixing. Place The Dangerous COMPRESSOR after any “color box” — a console, a vintage tube compressor, a funky EQ, or all three together — and you can dial in the exact dynamics you want without having to rely on the often unruly controls of yesteryear’s gear. The World’s Most Intelligent Analog Compressor With its sophisticated dual detector circuit, unique Smart Dynamics section, automatic attack and release function, unmatched versatility and incredibly transparent, audiophile-grade sound, The COMPRESSOR from Dangerous Music is today’s most intelligent analog compressor. Taking modern loudness seriously while prioritizing clear, open sound, The COMPRESSOR is pioneering a new and innovative approach to modern compression for today’s most discriminating tracking, mixing and mastering engineers. Features * Elegant, easy-to-use design with an uncompromising audio circuit by legendary designer Chris Muth.* Unique Smart Dynamics dual-slope detector handles transient peaks without ducking the average level, making modern compression levels easier to achieve and totally transparent.* Auto Attack/Release – achieve excellent results with just the threshold and makeup gain settings.* Two audiophile-grade internal sidechain eq settings.* Hard and soft knee slope selection.* External sidechain routing.* Audiophile-grade VCAs for controlling levels without artifacts.* Stepped ratio settings from 1:1 to 20:1.* Multiple meter modes. Awards * TEC Award (winner)* Rockit Award (winner)* Resolution Award (nominated)* Sound on Sound Awards (nominated)

3.550 €

Bettermaker Mastering Compressor

Bettermaker Mastering Compressor is for those who seek mastering grade compression with the convenience of fast and precise recall and automation. Mastering Compressor offers 100% analog signal path, high class VCA compression with, 3 different compression modes, sidechain with HPF, parametric and LPF section with hardware insert and preview function, Stereo/Dual mono/MS operation, adjustable THD saturation and more.. All this with mastering grade sound and patented recall with a speed of a native plugin.  Mastering Compressor:  advanced analog VCA compressor with PEAK or RMS detection and switchable forward/backward feed  all parameters are digitally controlled via front panel and/or DAW (with dedicated plugin)  stereo, dual-mono and mid/side operation modes with with focus and sidechain preview function  our famous BM, SG and DX modes  adjustable 15 – 30 Hz high pass filter at the compressor input  dry/wet MIX control for parallel compression  HPF, LPF and fully configurable parametric filter in sidechain with option of hardware insert  adjustable drive (for odd/even clipper) and THD function for harmonically rich sound  Range Setting – limit the maximum amount of gain reduction!  on-board measurement of PEAK/RMS levels  100% analog audio signal path  total recall and A/B comparison  five inch capacitive touchscreen with backlight  USB connectivity with MAC/PC Digital Section: The sound of the Compressor is of course based on the quality of its analog audio path. But all the control and user interactions are performed in the digital domain. This allows us to incorporate options and possibilities not found in any standard analog compressors:  Save and recall presets from on-board memory (400 slots available)  Instant reset of all parameters  Rapid, precise and repeatable adjustments  Precisely linked stereo operation with the ease of a single control  DAW automation and recall of all available parameters   The digital section of the Mastering Compressor is based around high speed, 32-bit micro-controller, with dedicated firmware programmed into its memory (with the possibility of updating the firmware via USB connection). It's responsible for controlling the VCA, the user interface, presets management, audio measurement, USB connectivity and other Mastering Compressor functions.   The use of separate ground planes for analog and digital section results in perfect noise isolation between these two worlds. High quality switching power supply, designed by Bettermaker, was used to provide low hoise, hum free power to all analog and digital components. Front panel and LCD touchscreen: The front panel of the Mastering Compressor is build around big LCD touchscreen, that allows you to control almost all functions available in the device. Apart from that, you can also monitor input/output levels, amount of gain reduction applied by the compressor or store and recall presets using on-screen QWERTY keyboard. DAW integration: The Bettermaker Mastering Compressor can communicate with your DAW via USB connection. The unit appear as a HID device and can be managed via Bettermaker Mastering Compressor Plugin. Technical specification:  Frequency response 10Hz to 22kHz (+/- 0.2 dB)  Dynamic range: 106dB (+23dBu, 22kHz BW)  S/N ratio: 87dB (A-weighted, +4dBu, 22kHz BW, unity gain)  Crosstalk: -83dB @ 1kHz, +18dBu, channel-to-channel  CMRR: max 85 dB @ 3 kHz, min 52 dB @ 20Hz, 20 kHz BW  THD: 2nd: < 0.06%, 3rd: < 0.01%; 4th: < 0.006%; (+4 dBu, 20-20 kHz, unity gain, THD and CLIP disabled)  balanced stereo input (XLR), 23dBu max input level (THD < 0.2%)  balanced stereo output (XLR), 23dBu max output level (THD < 0.2% into >2kohm)  Input impedance (differential): 48kΩ (for balanced signal)  Output Impedance: 50Ω + 50Ω (electronically balanced)  2U enclosure, 230mm deep (Mastering Compressor)  1U enclosure, 230mm deep (Bus Compressor)  universal 100 – 240V power supply designed by Bettermaker  Maximum power consumptin: 25W  Shipping weight: 5.5 kg (Mastering Compressor), 5 kg (Bus Compressor) Threshold: -35dB / +5dB (40dB range) Attack: 0.1 – 250 ms Release: 10 – 2000 ms Ratio: Variable 0.7:1 – 10:1 Knee: Variable 0 – 20dB Output: -5dB to +15dB Width (in M/S): -8dB to +8dB Range: Variable 0.1dB – 20dB / off HPF24: Off/15/20/25/30 Hz THD + DRIVE: off/odd/even Sidechain HPF: off – 370Hz Sidechain LPF: 2k – 18k / off SC MF gain: +/- 15dB SC MF freq: 0.5 – 10kHz SC MF Q: 0.2 – 8 Sidechain Feed: Forward/Backward Sidechain Type: RMS/PEAK

2.899 €

RUPERT NEVE DESIGNS Portico 5254 Dual Diode Bridge Compressor

Xαρακτηριστικά  :   Classic Diode Bridge Tone Αποκτήστε τον punchy ήχο ,που χρησιμοποιείται σε αμέτρητες επιτυχίες τα τελευταία 50 χρόνια.   Advanced timing controls Προσαρμόστε το compression envelope σας με τον ενοποιημένο έλεγχο χρονισμού, το οποίο επιτρέπει μεγαλύτερο εύρος απαντήσεων , από ότι σε  vintage μονάδες ή κλώνους.   Custom Transformers και Class-A Line Eνισχυτές Η vintage ζεστασιά συναντά το βελτιωμένο headroom και τις ρυθμίσεις ακριβείας του ανανεωμένου Rupert Neve Line stage μετασχηματιστή .   'Eλεγχος 31- Θέσεων Aκριβής ανάκληση και αντιστοίχηση  ρυθμίσεών  , ταχύτατα και εύστοχα    Eνσωματωμένο parallel compression Eσωτερικό blend control που επιτρέπει , πιο δραματικές ρυθμίσεις του compressor , για την επίτευξη του επιθυμητού  χρώματος   Full-Wave Sidechain Detection Bελτιωμένο από αυτό της vintage συσκευής , half-wave σχέδιο , ο ανανεωμένος sidechain detector προσφέρει εμφανέστατα περισσότερη ακρίβεια .     Stereo Linking Λειτουργήστε τους compressors σας σε mono ή stereo configurations    Eσωτερικό Universal Power Supply Διαθέτει EIC σύνδεση για world-wide AC power από 90-240V ενσωματωμένο στο 1U rack-mountable σασί . Tεχνικά χαρακτηριστικά Aντίσταση εισόδου : 10 kΩ Aντίσταση εξόδου : 40 Ω Maximum Input Level (+4dBu Selected): +26.7 dBu typical Maximum Output Level: +26.7 dBu typical Noise (22 Hz - 22 kHz BW): -104 dBu typical Aπόκριση συχνότητας :  (10 Hz to 120 kHz): +/- 0.25 dB typical THD+N @1 kHz @ Maximum Level (22 Hz - 22 kHz BW): 0.0008% typical Xαρακτηριστικά θορύβου του Compressor Noise @ 0dB Make-Up Gain (22 Hz - 22 kHz BW): -84.5 dBu typical Noise @ +20dB Make-Up Gain (22 Hz - 22 kHz BW): -64.5 dBu typical Xαρακτηριστικά χρονισμού του Compressor   Σημείωση : Oι μετρήσεις χρόνου αναπαριστούν  το πλήρες εύρος που επιτυγχάνεται  μεταξύ 1.5:1 and 8:1 Ratio και  FAST Mode FAST Attack 250μS - 2 mS // Release 100mS - 200mS typical MF (MEDIUM FAST) Attack 1mS - 5mS // Release 100mS - 200mS typical MED (MEDIUM) Attack 3mS - 18mS // Release 350mS - 700mS typical MS (MEDIUM SLOW) Attack 5mS - 40mS // Release 600mS - 1S typical SLOW Attack 10mS - 80 mS // Release 800mS - 1.5S typical AUTO Attack 5mS - 40mS // Release T1 400-900mS, T2 1-2S typical Διαστάσεις :  (Πx B x Y) 48.3 x x 20.9 x 4.2 cm

3.419 ,9 €

Chandler Limited RS124 Compressor

Ο RS124 είναι ένας από τους πιο περιζήτητους compressors με λυχνίες που φτιάχτηκαν ποτέ. Σχεδιάστηκε το 1960 στο Abbey Road από τους Bill Livy, Len Page και Mike Bachelor, με αφετηρία τους Altec 436B που είχε αποκτήσει η EMI στα τέλη του ’50. Βρισκόταν σχεδόν σε κάθε session των Beatles και σε σχεδόν κάθε φωτογραφία control room του Abbey Road εκείνης της εποχής, όμως δεν κυκλοφόρησε ποτέ στο εμπόριο.Η Chandler Limited μελέτησε τις ιστορικές μονάδες του στούντιο και τις χειρόγραφες σημειώσεις τροποποιήσεών τους, για να αποδώσει τον χαρακτήρα τριών αγαπημένων RS124 που χρησιμοποιούνται ακόμη εκεί, με αριθμούς σειράς 60070B, 60050A και 61010B, σε μία μονάδα. Στα κλασικά χειριστήρια Input, Output, Recovery και Hold προστέθηκαν ρυθμιζόμενο attack, επιλογή σύνθετης αντίστασης εξόδου και η λειτουργία SuperFuse.

3.439 €

Shadow Hills Mastering Compressor

Ο  Shadow Hills Mastering Compressor  έχει απίστευτες δυνατότητες, τρομερή λειτουργικότητα  και ταυτόχρονα προσφέρει έλεγχο των δυναμικών σε επίπεδα ποιότητας mastering για ηχογραφήσεις και μίξη. Στην πραγματικότητα είναι 2  compressors ανα κανάλι και δουλεύει stereo η dual mono.  Το σήμα πρώτα περνά απο έναν electro optical compressor και μετά ακολουθεί ένας discrete  compressor-limiter σε τάξη-AΚαι για τα δύο κυκλώματα στην έξοδο υπάρχει η δυνατότητα επιλογής transformers απο Nickel, Iron, and Steel. Με αυτό τον τρόπο υπάρχει τεράστιο headroom και  πολλές επιλογές ηχοχρωμάτων. Στην είσοδο (transformer balanced ) χρησιμοποιεί  τον ελεκτή  T4B όπως και οι  LA2A and LA3A αλλά βελτιωμένο για χρήση mastering.  Ακολουθεί ένα διακριτό κύκλωμα  VCA σε τάξη-A ΧΑΡΑΚΤΗΡΙΣΤΙΚΑ no electrolytic caps or IC chips in the audio path six ratios: 1.2 to 1, 2 to 1, 3 to 1, 4 to 1, 6 to 1, and 10 to 1six attack settings: .1, .5, 1, 5, 10, and 30 millisecondssix release times  .1, .25, .5,8, 1.2, and Autofilter in the side chain to limit pumpingThe first position is Nickel, which is our custom version of a famous L. A. custom consoleNext is Iron. In this mode the signal goes through our op-amp and into a Class-A output stage the last transformer position is Steel.hard-wired bypassThe Magic eye tube follows the output meter to act as a peak meter.17 detented rotary switches are  Εngraved front panel is  Βake-lite  knobs  

8.730 €