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Join the Pros The Oxygen Pro 61 is a powerful, 61-key USB powered MIDI controller that allows you to create the music you want to make even easier! The new Oxygen Pro controllers open up worlds of expression and creativity and make bringing your production ideas to life more seamless than ever. Taking feedback from users and artists alike, these controllers are the ultimate studio and live performance tools, allowing you to keep your focus on creating music—not programming your software. It doesn’t matter if you want to create music on the go or in the studio, the M-Audio Oxygen Pro series is perfectly flexible for your workflow. Seamless DAW & Performance Control with Auto-Mapping Thanks to the easy-to-read screen, it’s simple to use the Oxygen Pro 61 controller with any DAW with the Oxygen Pro’s automatically mapped controls such as Transport, Faders, Channel Controls (Record Arm, Solo, Mute, and Select), Pan controls and more. Whether you use Ableton, Pro Tools, MPC Beats, Cubase, Logic, Studio One or any other major DAW, just select the map in the list and Auto-Mapping will take care of the rest! It also instantly maps to all the virtual instruments included with the Oxygen Pro (Velvet, Mini Grand, Vacuum, Boom, DB33, Xpand!2). These world-class Air Music Tech plugins can be fully controlled by the Oxygen Pro 61 and used in real-time as you create and mix your music. Smart Controls With Smart Chord and Smart Scale technology, creating music and transferring what’s in your imagination to what you hear coming out of your computer has never been easier! With Smart Chord activated, pressing a single key or pad will play a full chord rather than just one note. The key or pad you press will determine the root note in the chord. The rest of the chord’s properties (Major, Minor, and Voicing – 1,3,5; 1,3,7; 1,3,5,7, etc.) are determined by the settings you choose. Smart Chord also has a Custom Mode which lets you to determine the chord structure that will be assigned to each key by manually playing it. For example, if you select Custom Mode, and play a 1-b3-5-b7 chord, every key will then be assigned to play this chord structure. The note of the key you press will serve as the root of the chord and all of the parameters can be edited right on the Oxygen Pro 61! The Oxygen Pro 61 also features intelligent Smart Scale technology. With Smart Scale, you can set the key bed so that only notes in the selected scale are able to be played. This allows you to play within a chosen scale without the risk of playing any “wrong” notes. You can choose from 16 different scale variations when assigning a scale to the keyboard. Smart Scale is easy to activate and deactivate and allows you to set the scale parameters you need to keep you focused on creating. Professional Producer Features Built into the Oxygen Pro 61 are features that are essential to creating modern day pop, electronic, hip hop, and dance music. Note Repeat and the built-in Arpeggiator open up a world of precise music production and live sound techniques to make your music sound professional. Note Repeat allows you to hold down any of the custom-made M-Audio performance pads and you’ll hear a repeated rhythmic pattern at a selectable note division. The Note Repeat feature can be activated momentarily or can be used in Latch mode. If you choose Momentary, holding the Note Repeat button will make the note played by the pad automatically repeat. If you choose Latch, pressing any pad will cause its assigned note to repeat without you having to hold down the Note Repeat button. The built-in Arpeggiator will affect anything you are playing on the keys from any virtual instrument in your DAW. When the Arpeggiator is activated, the keyboard will repeatedly play the pressed keys in sequence. The arpeggiator’s timing and rhythm is based on the keyboard’s time division setting and either the keyboard’s or your DAW’s tempo setting. Each note in the arpeggio will be the length you’ve selected for the time division setting; for example, if you select 1/4, each note in the arpeggio will be a quarter note. This powerful tool can operate in Latch or Momentary mode, making it easy to unleash your creativity. Next-Gen Playability With great feel in a lightweight chassis, the Oxygen Pro 61 controller provides a new level of creative inspiration. The M-Audio PrecisionTouch key bed combines professional semi-weighted action with advanced high-speed key bed scanning technology for an ultra-expressive playing experience. This custom key bed also features Channel Aftertouch, giving users added expression and control. Channel Aftertouch enables you to affect the sound of a virtual instrument plugin by continuously scanning how much pressure you apply to any key after initially pressing it. This makes creating the mood, dynamics and emotion you want to deliver in your music natural and fast. Key Features: Best-in-class, velocity-sensitive, semi-weighted keys with aftertouch and assignable zones (16) RGB, backlit, assignable, velocity-sensitive pads with Note Repeat for beat production, clip launching, and more (8) assignable knobs & buttons for controlling virtual instruments, mix plugins, DAW controls, and more (9) assignable faders for controlling virtual instruments, plugins, DAW faders, and more Preset and DAW buttons for auto-mapped DAW controls & plugin parameters Smart Chord mode enables playing of enharmonic or custom chord voicings Smart Scale mode eliminates wrong notes making it easy to craft a perfect song Arpeggiator with Type, Octave, Gate and Swing controls Ergonomically designed pitch and modulation wheels & 1/4” sustain pedal input USB-MIDI connection and 5-pin MIDI Output for controlling external MIDI gear Intuitive layout featuring an OLED screen for quick control edits Includes MIDI editor software and a complete software production package Premium Software Suite Included Pro Tools | First M-Audio Edition Pro Tools is the industry standard for recording software and the teams at M-Audio and AVID have crafted a version of this terrific collection specifically tailored for M-Audio hardware. This amazing audio and MIDI recording software helps inspire any artist, musician or singer-songwriter to create, record and share all their ideas across the world at any time. Pro Tools | First M-Audio Edition features Unlimited Busses, Elastic Time and Elastic Pitch, Offline Bounce and 1 GB of free cloud storage space for collaboration or accessing your projects from any computer anywhere that is connected to the internet, plus compatibility with all the included AIR Music Tech Virtual Instruments. This truly amazing software recording package is primed to get your ideas out of your imagination and amplified into the world. Enjoy! MPC Beats Whatever you set out to achieve, MPC Beats will get you started. Incorporating the finest parts of the legendary MPC workflow, MPC Beats features all the essential tools for pro production. Edit samples, mixdown your tracks, find any sound with the synth engines found on the legendary MPCs, record audio and much more. MPC Beats will host your AU/VST plugins so as you expand your arsenal, know you’ll have complete compatibility with industry standard virtual studio technology. Ableton Live Lite Ableton Live Lite is one of the most popular performance and production programs available in the world. A powerful music creation tool, Ableton Live Lite enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Explore sonic possibilities in real time whether on stage or in the studio. When you are satisfied with your work, Ableton Live Lite lets you save it or mix it down. AIR Music Technology Hybrid 3 Hybrid 3.0 is the next generation in synthesis. This high-definition virtual synthesizer combines the coveted warmth of analog synths with a full range of futuristic digital manipulation capabilities. The result is the best of both worlds — a virtual instrument with a comprehensive set of precisely adjustable parameters that can sound like a synth you remember or something no one has ever heard before. AIR Music Technology Velvet AIR Music’s Velvet is a virtual electronic piano that combines five legendary electric pianos from the 60s and 70s into one versatile instrument. Based on the Fender Rhodes Suitcase, Fender Rhodes MK I and MK II Stage Pianos, Wurlitzer 200A and Hohner Pianet-T, Velvet accurately emulates the sound quality, response and nuances of each original instrument to bring your piano tracks to life. AIR Music Technology Mini Grand AIR Music’s Mini Grand is a simple-to-use yet powerful virtual piano instrument with seven different acoustic piano sounds to suit a broad range of musical styles and production needs. Combining premium quality piano samples, innovative re-pedaling technology, built-in room simulation and equal and stretched tuning, Mini Grand is the go-to plugin for authentic, emotive piano sounds. AIR Music Technology Vacuum Vacuum Classic is a monophonic vintage synthesizer featuring Vacuum Tube Synthesis with vacuum tube circuit modeling that perfectly captures the crunchy, warm sound of the analog era. With analog oscillators, multiple filters and envelopes and built-in audio effects, Vacuum lets you dive deep into subtractive synthesis to recreate those sought-after analog sounds from the 70s and 80s. Tweak the switches, knobs and dials to program anything from basses, leads, pads or unique sound effects. Vacuum gives you two Vacuum Tube Oscillators. A nice touch with the four available wave shapes is that rather than just picking one, Vacuum lets you 'morph' between them. The output of the oscillators goes through a mixer, where you can apply drive/distortion and ring modulation, before being passed through high- and low pass filters. Included are a wide range of pre-sets designed by highly-acclaimed sound designers Richard Devine and Mark Ovenden. Covering everything from Leads, Pads, Bass, Arpeggios, Percussive, and FX sounds this library provides instant inspiration for anyone to tweak to their contentment. Touch Loops Boom features a slick modern interface that pays homage to the most popular vintage drum machines of the past. Boom has been used on many famous projects since its launch, ranging from hit albums, feature films and radio projects. More and more musicians and producers rely on the incredible sonic firepower of this amazing Drum Machine. Touch Loops DB-33 Tonewheel Organ is a virtual organ that recreates the sounds and controllability of classic tonewheel organs such as the Hammond B3, and the rotary-speaker cabinets they are often played through. It includes 122 preset sounds plus an extra-realistic convolution rotary cabinet and tube overdrive emulation. The rotary-speaker cabinet can also be used as an effect in its own right on an audio track.

The World's First Speakers with Metamaterial Great loudspeakers disappear, leaving just the music. LS50 Meta is such a loudspeaker. The incredibly immersive sound means you lose yourself in your favourite music. Savouring every nuance as layer upon layer of instrumentation is delivered with exceptional acoustic accuracy anywhere in the room. Every spot is the sweet spot  12th generation Uni-Q with MAT Using advanced simulation and analysis tools, our engineers have developed the 12th generation Uni-Q with MAT. This new driver array delivers reduced colouration, less distortion and a sound that is more transparent and life-like than previously possible, all dispersed evenly throughout the room. Enhancement from legendary LS50 Lineage Great loudspeakers disappear, leaving just the music. LS50 Meta is such a loudspeaker, and enhancements over the legendary LS50 include Driver Performance Optimisation and patented off-set flexible port for the best acoustic performance and an incredible immersive sound. Curved for performance LS50 Meta’s low-diffraction, curved baffle is precision modelled around the Uni-Q driver array. Its smooth curved surfaces help radiate sound out across the baffle without any interference from hard edges, which cause diffraction. The result is cleaner, more precise sound. Braced for action LS50 Meta’s baffle is engineered from an injection-moulded Dough Moulding Compound (DMC), while inside the cabinet cross bracing and Constrained Layer Damping (CLD) combine to deaden internal vibrations. The result of such meticulous attention to detail is the lowest colouration of any speaker in its class. Flexible port Using Computational Fluid Dynamics (CFD), the port flare and profile of LS50 Meta’s patented off-set port is calculated to delay the onset of turbulence, and the flexible port walls prevent resonances from colouring the midrange. This leads to improved clarity, with exceptional depth and detail. Design Attention to every detail Every aspect of LS50 Meta has been considered for acoustic benefits and from a design perspective. The low-diffraction curved front baffle is subtly mirrored by the gently radiused rear panel, where both the port exit and speaker terminals have been elegantly recessed and softened visually. Designed for performance LS50 Meta may look sensational, but as a high-performance loudspeaker every aspect of its design is a case of form following function. From the precision modelled curved baffle to the solid, reinforced cabinet, every inch of LS50 Meta has been designed to perform. Finished to perfection LS50 Meta is much more than just a utilitarian loudspeaker; it is a piece of sculpture that livens up your life. This is why we offer a choice of four finishes, Carbon Black, Titanium Grey, Mineral White, and Royal Blue Special Edition.

The World's First Speakers with Metamaterial Great loudspeakers disappear, leaving just the music. LS50 Meta is such a loudspeaker. The incredibly immersive sound means you lose yourself in your favourite music. Savouring every nuance as layer upon layer of instrumentation is delivered with exceptional acoustic accuracy anywhere in the room. Every spot is the sweet spot  12th generation Uni-Q with MAT Using advanced simulation and analysis tools, our engineers have developed the 12th generation Uni-Q with MAT. This new driver array delivers reduced colouration, less distortion and a sound that is more transparent and life-like than previously possible, all dispersed evenly throughout the room. Enhancement from legendary LS50 Lineage Great loudspeakers disappear, leaving just the music. LS50 Meta is such a loudspeaker, and enhancements over the legendary LS50 include Driver Performance Optimisation and patented off-set flexible port for the best acoustic performance and an incredible immersive sound. Curved for performance LS50 Meta’s low-diffraction, curved baffle is precision modelled around the Uni-Q driver array. Its smooth curved surfaces help radiate sound out across the baffle without any interference from hard edges, which cause diffraction. The result is cleaner, more precise sound. Braced for action LS50 Meta’s baffle is engineered from an injection-moulded Dough Moulding Compound (DMC), while inside the cabinet cross bracing and Constrained Layer Damping (CLD) combine to deaden internal vibrations. The result of such meticulous attention to detail is the lowest colouration of any speaker in its class. Flexible port Using Computational Fluid Dynamics (CFD), the port flare and profile of LS50 Meta’s patented off-set port is calculated to delay the onset of turbulence, and the flexible port walls prevent resonances from colouring the midrange. This leads to improved clarity, with exceptional depth and detail. Design Attention to every detail Every aspect of LS50 Meta has been considered for acoustic benefits and from a design perspective. The low-diffraction curved front baffle is subtly mirrored by the gently radiused rear panel, where both the port exit and speaker terminals have been elegantly recessed and softened visually. Designed for performance LS50 Meta may look sensational, but as a high-performance loudspeaker every aspect of its design is a case of form following function. From the precision modelled curved baffle to the solid, reinforced cabinet, every inch of LS50 Meta has been designed to perform. Finished to perfection LS50 Meta is much more than just a utilitarian loudspeaker; it is a piece of sculpture that livens up your life. This is why we offer a choice of four finishes, Carbon Black, Titanium Grey, Mineral White, and Royal Blue Special Edition.

The breathtakingly detailed sound and dynamic feel of the G1 provides the pianist with every possible shade of musical expression. Based on decades of ground breaking piano sound technology from KORG, makers of the award-winning KRONOS, and a precisely engineered keyboard that responds perfectly from gentle pianissimo to powerful fortissimo, KORG have created a unique digital piano. The technology of the G1 is so advanced you can even see it; the beautifully crafted slim-line cabinet of the G1 is a result of KORG’s unique history of musical instrument design and audio technology. Finally, there is no compromise between superb sound and impeccable design. Creating an immersive sound experience from a digital piano as compact and stylish as the G1 is a truly remarkable achievement. When you see it, touch it, and hear it, the KORG G1 will change your perception of digital pianos forever.

The breathtakingly detailed sound and dynamic feel of the G1 provides the pianist with every possible shade of musical expression. Based on decades of ground breaking piano sound technology from KORG, makers of the award-winning KRONOS, and a precisely engineered keyboard that responds perfectly from gentle pianissimo to powerful fortissimo, KORG have created a unique digital piano. The technology of the G1 is so advanced you can even see it; the beautifully crafted slim-line cabinet of the G1 is a result of KORG’s unique history of musical instrument design and audio technology. Finally, there is no compromise between superb sound and impeccable design. Creating an immersive sound experience from a digital piano as compact and stylish as the G1 is a truly remarkable achievement. When you see it, touch it, and hear it, the KORG G1 will change your perception of digital pianos forever.

Whether you’re looking for a USB microphone for vlogging, podcasting, or a simple recording solution for voice-overs–or your home studio–you want a microphone that will make your voice stand out. Revelator is designed to deliver polished, professional-sounding results with ease. Create with confidence right from the start.More than a microphone, Revelator features voice effects to polish your sound—or completely transform it! Professionally-crafted presets make your voice stand out at the press of a button, thanks to the same award-winning sonic enhancement our StudioLive digital mixers provide. Additional effects let you emulate concert halls, AM radio, or space invaders for those times when you don’t want to sound smooth and polished.

Neumann KM184 MT stereo set - 2 KM184 condenser microphones (black), cardioid pattern, 2 x WNS 100 wind shields, 2x SG 21/17 stand adapters.

Your StudioLive 16 Series III Mixer deserves to stay shiny and new all the time. Treat it well with this stylish nylon dust cover.

The newscaster-style ATR3350xiS omnidirectional lavalier microphone is engineered for intelligible, accurate voice reproduction. With its low-profile design and convenient on/off switch, this high-quality condenser is ideal for video use. It is equipped with a dual-mono 3.5 mm (1/8") output plug that, when connected to the 3.5 mm (1/8") stereo input of a video camera, DSLR, or handheld audio recorder, sends audio to both the left and right channels. The ATR3350xiS includes a clothing clip, LR44 battery, foam windscreen, and a mic/headphone adapter for use with tablets, computers, and smartphones that accommodate a 3.5 mm (1/8") headset connection. Features: Newscaster-style miniature mic is perfect for video use Dual-mono 3.5 mm (1/8") output plug connects to a video camera, DSLR, or handheld audio recorder's stereo 3.5 mm (1/8") input, to record audio on both left and right channels Omnidirectional pickup pattern offers full coverage In-line battery pack with on/off switch provides convenient control Includes mic/headphone adapter for use with tablets, computers, and smartphones that accommodate a 3.5 mm (1/8") headset connection Clothing clip, LR44 battery, foam windscreen included

The MB2S XBD is a development of the successful MB2S with increased dynamics and LF performance. The addition of the XBD cabinet containing a second precision 12” Radial™ driver increases the LF headroom by 3dB below 380Hz that allows a larger room to be driven to greater effect. In a surround configuration the added headroom of the XBD allows the .1 surround effects channel to be handled with ease, avoiding the installation of further sub units. The MB2 XBD features in many quality conscious facilities including Studio Hilversum – The Netherlands. The 32 element, 4th order passive crossovers are housed in external enclosures which can be mounted to the rear of the XBD cabinets for improved fidelity. An ideal monitor for all music recording, mastering and post production in either stereo or surround configuration. Technology DEEPER, CLEARER, CLEANER BASS & MORE Greater detail & more natural A full, rich sound at any volume level Deeper bass from a smaller cabinet The source of PMC’s legendary natural, realistic sound is the Advanced Transmission Line (ATL) bass-loading technology, professionally proven all around the world. ATL uses energy generated by the bass unit in a much more intelligent, efficient way than speaker designs based on ported or sealed boxes. Specifications: Available Finishes: Neo Black Crossover Frequency: 380Hz & 3.8kHz Dimensions: H 1740mm 68.50" W 380mm 14.96" D 535mm 21.06" Drive Units: LF x 2 310mm PMC Radial™ driver / MF 75mm PMC fabric dome / HF 27mm PMC fabric soft dome Effective ATL™ Length: 2 x 3m 10ft Frequency Response: 20Hz - 25kHz Impedance: 4 Ohm nominal Input Connectors: 3 Pairs 4mm Sockets (Tri-wire or Tri-amp) sensitivity: 91dB 1W 1m Weight: 88kgs 193.6lbs Amplifier Power per Channel:HF 120W / MF 120W / LF 600W / LF 600W

The MB2S is perfect for mid sized control rooms either soffit mounted or on its custom studio stands. The MB2S allows higher SPL’s without distortion and loss of definition normally associated with a device of its size. The distinctive MB2S includes the PMC 75 mid driver that has taken the limits of soft dome design and construction to its ultimate conclusion. The Radial™ low frequency driver allows massive controlled excursions and avoids the effects of power compression, by cooling via its cast alloy exo-skeleton and new rear vented magnet. As with all PMC models there is matching low profile centre channels (MB2S-C) and subwoofers for use in surround configuration (XB2S). You can find the MB2S in the following studios Advantage Audio. Technology DEEPER, CLEARER, CLEANER BASS & MORE Greater detail & more natural A full, rich sound at any volume level Deeper bass from a smaller cabinet The source of PMC’s legendary natural, realistic sound is the Advanced Transmission Line (ATL) bass-loading technology, professionally proven all around the world. ATL uses energy generated by the bass unit in a much more intelligent, efficient way than speaker designs based on ported or sealed boxes. Specifications: Available Finishes: Neo Black Crossover Frequency: 380Hz & 3.8kHz Dimensions: H 870mm 34.25" W 380mm 14.96" D 535mm 21.06" Drive Units: LF 310mm PMC Radial™ driver / MF 75mm PMC fabric dome / HF 27mm fabric soft dome Effective ATL™ Length: 3m 10ft Frequency Response: 20Hz - 25kHz Impedance: 8 Ohm Nominal Input Connectors: 3 Pairs 4mm Sockets (Tri-wire or Tri-Amp) sensitivity: 91dB 1W 1m Weight: 49kg 108lbs

The VideoMic NTG is a broadcast-grade, feature-packed shotgun microphone optimised for on-camera use. It features the same revolutionary acoustic design as the NTG5 broadcast shotgun microphone, which delivers unmatched transparency and a natural, uncoloured sound. Add to this an incredibly flat frequency response, highly directional supercardioid polar pattern, and very low self-noise, and what you have is a compact on-camera microphone that contends with the world’s best shotgun mics. As well as sounding outstanding, the VideoMic NTG is extremely flexible, with an array of tools and features to help you take on any recording situation. Digital switching gives you access to a high-pass filter, -20dB pad, high frequency boost, and safety channel, plus there is a unique infinitely variable gain control that allows you to precisely tailor the output as you need. Its auto-sensing 3.5mm output detects what device you are connected to (camera or mobile) and switches to accommodate – no more messing around with adaptor cables! There is also a handy new dB peak warning light, so you can always ensure your audio isn’t clipping. The VideoMic NTG is so much more than just an on-camera mic. As well as pairing perfectly with DSLRs, compact cameras, and smartphones – either on-camera, as a boom mic, or on a pistol grip – it is also a fully-featured USB microphone that can be plugged into a computer, tablet, or smartphone. On top of this, the 3.5mm jack doubles as a headphone output for seamless monitoring of audio while using the USB output. The VideoMic NTG is officially MFI-certified (Made for iPhone, iPad & iPod). To connect your VideoMic NTG to Lightning-equipped iOS devices, you’ll need the SC15 cable. Please make sure your VideoMic NTG firmware is up to date to ensure complete compatibility with iOS devices with the SC15. Key features: Revolutionary acoustic design, delivering unmatched acoustic transparency and a natural, uncoloured sound. Highly directional supercardioid polar pattern and very flat frequency response Unique infinitely variable gain control Auto-sensing 3.5mm output interacts seamlessly with both cameras and mobile devices Class-compliant USB-C output with headphone output for seamless audio monitoring Digital switching – controls high-pass filter, pad, high frequency boost, and safety channel dB peak warning light Internal rechargeable lithium-ion battery provides 30+ hours of recording, charges via USB-C High-quality Rycote® Lyre® shock mounting with cable management and a sliding rail to adjust mic placement on a camera cold shoe. Lightweight (94g) and rugged aerospace-grade aluminium construction

The IB2S is based on the hugely successful IB1S with one major change to the driver compliment. The addition of the PMC 75 large soft dome mid range unit increases the definition and clarity to the level of the larger monitors in the range with no increase in cabinet size. Since the launch of the IB2S it has featured worldwide with high profile clients such as Ronald Prent – Galaxy, Kraftwerk – Kling Klang, Teldex – Berlin, JVC – Japan and the list goes on. Its potent performance and unsurpassed definition across the audio spectrum make it the ideal reference monitor for any stereo or surround project. Technology DEEPER, CLEARER, CLEANER BASS & MORE Greater detail & more natural A full, rich sound at any volume level Deeper bass from a smaller cabinet The source of PMC’s legendary natural, realistic sound is the Advanced Transmission Line (ATL) bass-loading technology, professionally proven all around the world. ATL uses energy generated by the bass unit in a much more intelligent, efficient way than speaker designs based on ported or sealed boxes. Specifications: Available Finishes: Neo Black Crossover Frequency: 380Hz & 3.8kHz Dimensions: H 740mm 29.1" W 330mm 13.0" D 465mm 18.3" Drive Units:LF 250mm PMC Carbon Fibre/Nomex™ piston driver / MF 75mm PMC fabric dome / HF 27mm fabric soft dome Effective ATL™ Length: 2.4m 8ft Frequency Response: 25Hz-25kHz Impedance: 4 Ohm nominal Input Connectors: 3 Pairs 4mm Sockets (Tri-wire or Tri-Amp) sensitivity: 89dB 1W 1m Weight: 41kg 90.2lbs

The IB1S is an extremely flexible 3-way monitor, which has found its home in the most varied of environments. Commonly seen in Mastering, Broadcast and Postproduction in either stereo or surround when partnered with its dedicated centre channel and SB100 sub bass system. Its huge popularity in Hollywood film scoring and postproduction is assisted by the option of ‘Film filters’. This gives 2 positions of HF roll off: 1.5dB and 3dB per Oct and Flat position. The IB1S features wide dispersion soft domed fabric mid and high frequency units and the PMC 10" carbon fibre and Nomex™ flat piston low frequency driver. This flat patented driver increases dynamic handling and eliminates distortion that may occur due to cone break up. You can find the IB1S in the following studios: BBC Technologies Headquarters. Technology DEEPER, CLEARER, CLEANER BASS & MORE Greater detail & more natural A full, rich sound at any volume level Deeper bass from a smaller cabinet The source of PMC’s legendary natural, realistic sound is the Advanced Transmission Line (ATL) bass-loading technology, professionally proven all around the world. ATL uses energy generated by the bass unit in a much more intelligent, efficient way than speaker designs based on ported or sealed boxes. Specifications: Available Finishes: Neo Black Crossover Frequency: 380Hz & 3.8kHz Dimensions: H 740mm 29.1" W 330mm 13.0" D 465mm 18.3" Drive Units: LF 250mm PMC Carbon Fibre /Nomex™ piston driver / MF 75mm doped fabric / HF 27mm fabric soft dome Effective ATL™ Length: 2.4m 8ft Frequency Response: 25Hz-25kHz Impedance: 4 Ohm nominal Input Connectors: 3 Pairs 4mm Sockets (Tri-wire or Tri-Amp) sensitivity: 89dB 1W 1m Weight: 36kg 79.2lbs

Αναβαθμίστε τον ήχο σας Είστε δυσαρεστημένοι με την ποιότητα ήχου των ενσωματωμένων ηχείων του υπολογιστή σας; Θέλετε να αποκτήσετε μια καλύτερη εμπειρία ακρόασης για την αγαπημένη σας μουσική, podcast, ζωντανές ροές, βιντεοπαιχνίδια, βιντεοκλήσεις και συνέδρια; Τα ηχεία M-Audio BX3 είναι η τέλεια επιλογή! Μικρά, ελκυστικά και απλά στην εγκατάσταση, τα επιτραπέζια ηχεία BX3 της M-Audio έχουν δημιουργηθεί σχολαστικά για εσάς για μια εμπειρία πολυμέσων όπως ποτέ άλλοτε! Εντυπωσιακή εμπειρία ακρόασης Σχεδιασμένα για live streaming, podcasting, παιχνίδια, παρακολούθηση ταινιών ή ακρόαση της αγαπημένης σας μουσικής, τα μόνιτορ BX3 της M-Audio παρέχουν και εντυπωσιάζουν με 120 Watt κρυστάλλινου ήχου μέσα από ένα ελκυστικό σχεδιασμό. Ο αμφίδρομος σχεδιασμός διαθέτει ένα ακουστικά αδρανές κουτί MDF με bass reflex που διευκολύνει για ομαλά χαμηλά άκρα και "punch" μέσω των drivers χαμηλής συχνότητας Black Kevlar®. Επιπλέον, οι βελτιωμένες πίσω θύρες προσθέτουν εκτεταμένη απόκριση χαμηλών συχνοτήτων, καθιστώντας κάθε βιντεοπαιχνίδι, ταινία ή τραγούδι που παίζετε μια πραγματικά καθηλωτική εμπειρία. Προσθέστε σε αυτό, τα τουίτερ από φυσικό μεταξωτό θόλο βελτιστοποιημένο για υπολογιστές για μια κρυστάλλινη στερεοφωνική εικόνα υψηλής ακρίβειας και το BX3 προσφέρει καθαρή ποιότητα ήχου ιδανική για οποιαδήποτε εφαρμογή πολυμέσων. Τέλειες συνδέσεις Οι πίσω συνδέσεις πάνελ προσφέρουν εισόδους 1⁄4 ιντσών, 1⁄8 ιντσών και RCA, καθιστώντας τις συμβατές με όλο τον εξοπλισμό σας. Υπάρχει ακόμη και είσοδος aux 1 ⁄ ίντσας και σύνδεση ακουστικών στο μπροστινό μέρος του ηχείου για το tablet, τον υπολογιστή ή την κινητή συσκευή σας. Ειδικός ήχος Το BX3 σας προσφέρει την απόλυτη προσαρμοσμένη εμπειρία ακρόασης. Με τα χειριστήρια High-EQ και Low-EQ επιλέγετε τον τέλειο ήχο για το περιβάλλον σας. Ο διακόπτης θέσης ενεργού ηχείου αριστερά / δεξιά σάς επιτρέπει ακόμη και να επιλέξετε ποιο ηχείο είναι η αριστερή ή δεξιά πλευρά - ιδιαίτερα χρήσιμο εάν είστε αριστερόχειρες και θέλετε το ηχείο με τον έλεγχο έντασης του μπροστινού πίνακα στην αριστερή σας πλευρά. Περιλαμβάνεται το Pro Tools | First M-Audio Edition Το ProTools είναι το στάνταρτ στην βιομηχανία του λογισμικού ηχογράφησης. Αυτό το φανταστικό λογισμικό ηχογράφησης Audio και Midi βοηθά στην έμπνευση οποιονδήποτε μουσικό, podcaster, live streamer ή τραγουδιστή για να δημιουργήσει, να ηχογραφήσει και να μοιραστεί όλες τις ιδέες του με όλο τον κόσμο ανά πάσα στιγμή. To Pro Tools | First M-Audio Edition διαθέτει απεριόριστα Busses, Elastic Time και Elastic Pitch, Offline Bounce και 1 GB δωρεάν αποθηκευτικού χώρου cloud για συνεργασία ή πρόσβαση στα έργα σας από οποιονδήποτε υπολογιστή οπουδήποτε και να είναι συνδεδεμένος στο Διαδίκτυο, καθώς και συμβατότητα με όλη τα συμπεριλαμβανόμενα AIR Music Tech Virtual Instruments. Αυτό το πραγματικά καταπληκτικό πακέτο λογισμικού εγγραφής είναι έτοιμο να βγάλει τις ιδέες σας από τη φαντασία σας και να απλωθεί στον κόσμο.

Υamaha’s CLP-735B  Clavinova - Digital Piano features a broad dynamic range and faithful response to every nuance of touch that puts a wide expanse of tone—from delicate to bold—at the pianist’s fingertips. The highly consistent grand piano hammers replicate the pleasing response felt when the hammers strike the strings, enabling precise control of the tone. Enjoy the piano more with Smart Pianist, a dedicated app that adds a beautiful graphic interface and a variety of incredible features to your compatible Yamaha digital piano. Εquipped with the voices of two fortepianos beloved by Mozart and Chopin. Specifications: 88 keys GrandTouch-S™ keyboard: synthetic ebony and ivory keytops, escapement Touch Sensitivity: Hard2/Hard1/Medium/Soft1/Soft2/Fixed 3 pedals : Damper (with half-pedal function), Sostenuto, Soft with functions  Sustain (Switch), Sustain Continuously, Sostenuto, Soft, Pitch Bend Up, Pitch Bend Down, Rotary Speed, Vibe Rotor, Song Play/Pause Play/Pause Display: LCD 128 x 64 dots Tone Generation  Piano Sound: Yamaha CFX, Bosendorfer Imperial , Binaural Sampling with Key-off Samples, Smooth Release, VRM, Grand Expression Modeling Max. Polyphony: 256 votes Number of Voices: 38 Rhythm: 20 Number of Preset Songs: 21 voice demo songs + 50 classics + 303 lesson songs Effects: 6 X Reverb, 3 X Chorus, Brilliance (7+ User), Intelligent Acoustic Control (IAC), Stereophonic Optimizer Functions: Dual/Layers, Split, Duo USB Audio Recorder (Playback / Recording) : .wav (44.1 kHz sample rate, 16-bit resolution, stereo) Metronome (Tempo: 5 – 500) Transpose: -12 - 0 - +12, Tuning: 414.8 - 440.0 - 466.8 Hz (approx. 0.2 Hz increments) Headphones: Standard stereo phone jack (x 2) AUX OUT [L/L+R] [R] AUX IN: Stereo Mini MIDI: [IN] [OUT] [THRU] USB TO DEVICE / USB TO HOST Speakers: 30 W (16 cm)  x 2 Power Supply: 18W  ( AC adaptor YAMAHA PA-300C -included) Dimensions (Width x  Height x Depth): 1461 mm  X 927 mm X   459 mm Weight: 57kg Colour:Dark Rosewood Bench: Not included

CUSTOMIZABLE TONES FOR JAMMING AND PRACTICE With its impressive sound, built-in effects, and the ability to swap COSM amp types via a free app for iOS and Android devices, the CUBE-10GX is the perfect small amp for jamming, bedroom practice, and recording. Built to the respected CUBE standard, the CUBE-10GX delivers big, full tones with its custom 8-inch speaker and heavy-duty cabinet design. Clean, Crunch, and Lead amp types come ready to play from the factory, but you can easily switch them out from your favorite mobile device. The CUBE KIT app includes multiple amps to choose from, including vintage classics, ultra-heavy gain machines, and even amps for bass and acoustic-electric guitar. The compact CUBE-10GX also includes options for shaping your tones even further with three-band EQ and onboard chorus, delay, and reverb effects. Compact 10-watt guitar amp with custom-designed 8-inch speaker Three preset COSM amp types: Clean, Crunch, and Lead Replace preset amps with custom COSM amps via the free CUBE KIT app for iOS and Android devices Three onboard effects: chorus, delay, and reverb (including plate and spring reverb types) Bass, Middle, and Treble tone controls Rec Out/Phones jack provides high-quality direct tones for quiet practice and recording Aux In jack for jamming with an external music player Big Sound, Compact Package Packing versatile amp sounds, simple-yet-powerful tone controls, and high-caliber effects, the CUBE-10GX is ideal for both beginning guitarists and experienced players looking for a great sounding small amp. Renowned CUBE construction quality provides rich, full sound and maximum durability, with a custom-designed 8-inch speaker, ultra-rigid cabinetry, heavy-duty corner protectors, and more. From bedroom practice to jamming with friends to tracking in the studio, the CUBE-10GX delivers top-shelf guitar tones wherever you play. Easily Customize Amp Types from Your Smart Phone or Tablet Out of the box, the CUBE-10GX comes ready to rock with Clean, Crunch, and Lead COSM amp types. But that’s just where the fun starts—using the CUBE KIT app for iOS and Android devices, you can load up those three slots with a variety of different amp types and adapt the sound of the CUBE-10GX for the music you like to play! Available as a free download, CUBE KIT includes seven additional COSM amp types to cover any style, from jazz to classic rock to high-gain metal. For enhanced versatility, there are even amp types designed for bass and acoustic-electric guitar. Simple and intuitive to use, CUBE KIT makes it easy to customize the CUBE-10GX’s sound in seconds. Three-Band EQ, Built-in Effects, and More The CUBE-10GX is equipped with Bass, Middle, and Treble controls for fine-tuning your tone, plus three high-quality effects. Chorus, delay, or reverb can be dialed up easily with a single intuitive knob, and the reverb section offers plate and retro spring variations for a wide range of sound. Via the rear-panel Aux In jack, you can plug in a music player or smart phone and riff along with your favorite tunes. There’s also a Rec Out/Phones jack, which mutes the onboard speaker and provides a direct output complete with COSM speaker modeling. This is a great feature for quiet practice with headphones, and also for tracking the CUBE-10GX’s pro COSM tones directly into your favorite recording devices.

The Simplest Way to Add Four-on-the-Floor Beats and Kick Drums to Your Performances The Roland SPD::ONE KICK is a new type of digital percussion pad, one that allows any musician to add genuine kick drum and percussion sounds to their performances. It contains 22 realistic percussion sounds, including kick drums, stomp box, shakers, cowbells, and more, and you can even import your own original audio data into one of the 12 internal sound banks. Once you’re ready to go, the SPD::ONE KICK’s robust-yet-sensitive pad can be played with sticks, hands, or feet, and trigger threshold settings are easily adjusted with intuitive controls. Powered by batteries or AC, the portable SPD::ONE KICK can be used on the floor or a tabletop, or mounted to any rig or drum setup with the included adapter. Operation is simple, even for those musicians who are not technical; just by using four knobs on the control panel, you can change the sound, volume, balance, and more. Whether you’re a drummer, percussion player, guitarist, DJ, or vocalist, the SPD::ONE KICK is a simple and flexible way to expand your sound palette and invigorate your performances. A Digital Percussion Pad You Can Play with Sticks, Hands, or Feet Every musician is individual, and your instruments need to complement your creativity and performance style. The SPD::ONE KICK lets you play the way you want to; this compact digital percussion pad can be played with drumsticks, hands, or even your feet. What’s more, you can adjust sensitivity and trigger threshold settings in seconds simply by using two control dials on the side of the unit. Drummers and percussionists will love the solid feel and natural rebound, guitarists can confidently stomp on the unit for four-on-the-floor beats, and practically any musician can play sounds by hand without fear of sore palms and fingers at the end of the night. Kick and Stomp Box Sounds Specially Selected for Playing with the Foot The SPD::ONE KICK contains 22 internal sounds, including a variety of kick drums and stomp box sounds, making this the ideal pad in the SPD::ONE range for playing by foot. Adding four-on-the-floor kick patterns to solo guitar or cajon performances has never been easier. Thanks to the variety of onboard sounds and instant tone and effect adjustment using just two knobs, you can switch the sound between songs as your set progresses. It’s not limited to solo performances either; practically any musician, including drummers and DJs, can instantly access kick sounds with the SPD::ONE KICK. Easily Fits Into Any Instrument Setup The SPD::ONE KICK is compact enough to fit into your existing instrument setup without needing to move your other gear. With the included mounting adapter, you can easily clamp the pad to a hi-hat, cymbal, or tom stand,* or even a mic stand. Alternately, the SPD::ONE KICK can be played without mounting it to anything at all—simply place it on the floor, a tabletop, or any solid surface. Portable and Built for the Road You can take the SPD::ONE KICK wherever you want, thanks to its compact size and battery operation. It’s lightweight enough to be dropped into a bag or instrument case, and robust enough to travel thanks to its metal-body construction. You can even play and produce your own sounds on the move via headphones, and include them in your set list that night. Easy Control Using Just Four Knobs Operating the SPD::ONE KICK is very simple. There are no complex submenus or button sequences—just select your sounds by turning the bank selector to any of the 12 positions, and hit the pad to play. With just four main knobs on the front panel, everything you need is at hand, including the ability to customize sounds, adjust overall volume, and balance levels on the fly. Enhance Your Performances with User Sample Import The SPD::ONE KICK is loaded with great sounds, but sometimes you just need to use your own samples. Via USB, you can import WAV audio files up to five seconds long simply by dragging and dropping your files. Your sounds can then be modified just like any of the internal sounds using the tuning and effect control knobs. If you need to use sounds longer than five seconds, check out the dedicated SPD::ONE WAV PAD, which can handle up to 4 GB of WAV audio. Compact MIDI Controller for DAW Music Production Thanks to its built-in USB-MIDI support, the SPD::ONE KICK can be used as a compact digital pad controller for a computer DAW. This provides a great way to play software-based sounds and enhance your productions with realistic MIDI percussion tracks. Specifications: Instruments: 22 User Sample: Number of User Sample: 1 Sound Length: 5seconds Data Format: WAV (44.1 kHz, 16 bits, Mono/Stereo) Controls INST knob [TUNING] knob [FX] knob [VOLUME] knob [INST VARIATION] button [THRES] knob [SENS] knob [POWER] switch Effects: Reverb, Distortion Indicator: TRIG Indicator Connectors: OUTPUT (MONO) jack: 1/4-inch phone type PHONES jack: Stereo 1/4-inch phone type USB port: Micro-B type DC IN jack USB: MIDI Mass Storage Class Power Supply: Rechargeable Ni-MH battery (AA, HR6) x 4 Alkaline battery (AA, LR6) x 4 AC adaptor (DC9V) Current Draw:300 mA (DC IN) *Expected battery life under continuous use Rechargeable Ni-MH battery (AA, HR6): Normal use: Approx. 7 hours, Maximum load use: Approx. 4 hours Alkaline battery (AA, LR6): Normal use: Approx. 6 hours, Maximum load use: Approx. 3 hours *These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use. Accessories: Owner's manual Leaflet "USING THE UNIT SAFELY" Attachment Attachment screws x 2 Holder mounting screws (bolt x 1, nut x 1, washers x 2) *Acceptable rod diameters: 8.0–12.7 mm (3/8–1/2 inches) Alkaline batteries (AA, LR6) x 4 Options (sold separately): AC adaptor: PSA-S series Personal drum monitor: PM-10 Headphones: RH-300V Size and Weight Width: 140 mm, 5-9/16 inches Depth:160 mm,6-5/16 inches Height: 56 mm,2-1/4 inches Weight: 900 g, 2 lbs

Naim Air Plug Z offers custom ohms loading for Superline phono preamp, for the best playback of various cartridges

Your Own Samples, Backing Tracks, and Click Tracks—In the Palm of Your Hand The Roland SPD::ONE WAV PAD is a new type of digital percussion pad, one that allows any musician to perform with their own sounds and samples. Importing audio files is as simple as connecting the SPD::ONE WAV PAD to a PC or Mac and dragging your WAV files into the drive that appears. Whether you need full-length backing tracks or one-shot samples, your sounds can be loaded and played in seconds. Once you’re ready to go, the unit’s robust-yet-sensitive pad can be played with sticks, hands, or feet, and trigger threshold settings are easily adjusted with intuitive controls. Powered by batteries or AC, the portable SPD::ONE WAV PAD can be used on the floor or a tabletop, or mounted to any rig or drum setup with the included adapter. Operation is simple, even for those musicians who are not technical; just by using four knobs on the control panel, you can change the sound, volume, balance, and more. Whether you’re a drummer, percussion player, guitarist, DJ, or vocalist, the SPD::ONE WAV PAD is a simple and flexible way to expand your sound palette and invigorate your performances. Features: Light, compact digital percussion pad that can be played with drumsticks, hands, or feet Import your original WAV sound data by connecting to a computer via USB and dragging and dropping files Internal 4 GB drive can hold up to 360 minutes of stereo audio Edit and control your sounds easily with just four knobs Powered by batteries (4 x AA) or AC adaptor Main stereo output, plus stereo headphones output for monitoring USB-MIDI enables use as a pad controller for music software Can be floor or tabletop mounted, or fitted to drum hardware and mic stands using the included mounting adaptor SPD::ONE WAV PAD Trailer In this video, Roland artist Kaz Rodriguez connects the SPD::ONE WAV PAD to his computer via USB and copies his own click track and backing track directly onto the SPD::ONE WAV PAD drive. We can hear the personal mix that Kaz himself hears via the phones output. While Kaz is performing, we can hear the track being played back from the SPD::ONE WAV PAD via the stereo master output. A Digital Percussion Pad You Can Play with Sticks, Hands, or Feet Every musician is individual, and your instruments need to complement your creativity and performance style. The SPD::ONE WAV PAD lets you play the way you want to; this compact digital percussion pad can be played with drumsticks, hands, or even your feet. What’s more, you can adjust sensitivity and trigger threshold settings in seconds by using two control dials on the side of the unit. Drummers and percussionists will love the solid feel and natural rebound, guitarists can confidently stomp on the unit for four-on-the-floor beats, and practically any musician can play sounds by hand without fear of sore palms and fingers at the end of the night. Import Entire Songs, Backing Tracks, and Clicks The SPD::ONE WAV PAD can import and play WAV audio files.* From backing tracks to individual samples like vocal phrases, drum sounds, and musical sequences, if you can record it, you can load it in the SPD::ONE WAV PAD and play it. Importing audio is very simple: just connect the unit to a PC or Mac via USB, and then drag and drop your files. Samples can then be triggered in different ways using a host of playback options, such as polyphonic, monophonic, or alternate. With the SPD::ONE WAV PAD, playing your own sounds at a gig has never been easier. *Compatible WAV data format: 44.1 kHz, 16-bit, stereo or mono. Play Click Tracks Simultaneously—and In Sync—with Backing Tracks Playing with backing tracks brings studio-level production to the smallest of gigs. And with the SPD::ONE WAV PAD, anything you can record in the studio can be brought onto the live stage. But to stay in time with the backing track, you’ll need a click track, and the SPD::ONE WAV PAD can help. Imported audio click tracks that you create in your DAW to accompany your backing track will play simultaneously. But here’s the clever bit—while the backing track can only be heard via the main and headphones outputs, the click is automatically routed to the headphones only for stage monitoring. As you play, the volume balance between the backing and click tracks can be adjusted using the Balance Mix knob. The headphones output is designed to produce ample volume for monitoring, ensuring you hear the sound even on loud stages. Layer Audio Files and Customize Your Sounds While the SPD::ONE WAV PAD is simple to use, it can also handle some seriously creative setups. Up to three audio files can be layered together, so a single hit can produce three sounds at once. Imagine hearing a deep 808 kick sound combined with a hand clap and vocal phrase—this unique layering function has endless possibilities. You can even trigger different sounds by playing different velocities. For example, when playing hi-hat sounds, you can trigger a closed hi-hat by striking gently and an open hi-hat when you hit harder. The SPD::ONE WAV PAD makes it easy to put on a performance with surprising versatility. Easily Fits Into Your Existing Instrument Setup The SPD::ONE WAV PAD is compact enough to fit into your existing instrument setup without needing to move your other gear. With the included mounting adapter, you can easily clamp the pad to a hi-hat, cymbal, or tom stand,* or even a mic stand. Alternately, the SPD::ONE WAV PAD can be played without mounting it to anything at all—simply place it on the floor, a tabletop, or any solid surface. *Fits percussion stand rod diameters from 8.0-12.7 mm. Portable and Built for the Road You can take the SPD::ONE WAV PAD wherever you want, thanks to its compact size and battery operation. It’s lightweight enough to be dropped into a bag or instrument case, and robust enough to travel thanks to its metal-body construction. You can even play and produce your own sounds on the move via headphones, and include them in your set list that night. Easy Control Using Just Four Knobs Operating the SPD::ONE WAV PAD is very simple. There are no complex submenus or button sequences—just select your sounds by turning the bank selector to any of the 12 positions, and hit the pad to play. With just four main knobs on the front panel, everything you need is at hand, including the ability to customize sounds, adjust overall volume, and balance levels on the fly. Compact MIDI Controller for DAW Music Production Thanks to built-in USB-MIDI support, the SPD::ONE WAV PAD can be used as a compact digital pad controller for a computer DAW. This provides a great way to play software-based sounds and enhance your productions with realistic MIDI percussion tracks. Specifications: Number of Recordable Wave Data: 12, *Layer and Click waves data are excluded Memory: 4 GB (approx. 360 min. in stereo) Data Format: WAV (44.1 kHz, 16 bits, Stereo/Mono) Controls: WAVE knob [PHONES] knob [MIX] knob [MASTER] knob [ALL SOUND OFF] button [THRES] knob [SENS] knob [POWER] switch Indicator:TRIG Indicator Connectors: MASTER OUT (STEREO) jack: Stereo 1/4-inch phone type PHONES jack: Stereo 1/4-inch phone type USB port: Micro-B type DC IN jack USB: Mass Storage Class MIDI Power Supply: Rechargeable Ni-MH battery (AA, HR6) x 4 Alkaline battery (AA, LR6) x 4 AC adaptor (DC9V) Current Draw: 300 mA (DC IN) *Expected battery life under continuous use Rechargeable Ni-MH battery (AA, HR6): Normal use: Approx. 7hours Maximum load use: Approx. 4hours Alkaline battery (AA, LR6): Normal use: Approx. 6hours Maximum load use: Approx. 3hours *These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use. Accessories: Owner's manual Leaflet "USING THE UNIT SAFELY" Attachment Attachment screws x 2 Holder mounting screws (bolt x 1, nut x 1, washers x 2)* *Acceptable rod diameters: 8.0–12.7 mm (3/8–1/2 inch) Alkaline batteries (AA, LR6) x 4 Options (sold separately): AC adaptor: PSA-S series Stereo Split Cable: PCS-31L Personal drum monitor: PM-10 Headphones: RH-300V Size and Weight: Width140 mm 5-9/16 inchesDepth160 mm 6-5/16 inchesHeight56 mm 2-1/4 inchesWeight900 g 2 lbs

TRUE ENTERTAINMENT Immensely improve your TV's sound with The Fives - easy-to-use, powered, high-def speakers that connect directly to your TV - and virtually anything else. TRUE HI-FI The Fives incorporate award-winning, proprietary Klipsch Reference acoustic horn-loaded technology, from dedicated left and right speakers for a big, bold soundstage. Built-in dynamic bass equalization delivers powerful bass at any volume. The Fives also feature 192kHz/24-bit decoding for flawless reproduction of high-resolution audio tracks. TRUE CONNECTIVITY The Fives are the first powered monitors on the market with HDMI-ARC to connect directly to a TV for high-resolution, discrete 2-channel TV sound. The Fives include a phono preamp, Bluetooth® 5, HDMI-ARC, digital optical, analog RCA and USB inputs, and a subwoofer output. Enjoy superior stereo sound from a powerful and beautifully crafted tabletop system. With virtually endless connection possibilities, including HDMI-ARC, The Fives provide a better listening experience than a traditional sound bar with the same easy plug-and-play setup. Award-winning acoustics, state-of-the-art DSP, and tuning alongside discrete left and right channels, the Fives feature removable magnetic grilles, multiple finish options, and a subwoofer output. The Fives are the most versatile speakers on Earth. PREMIUM MATERIALS Handcrafted with real wood finishes alongside premium metal accents and controls. REAL HI-FI SOUND Powered stereo speakers with premium components deliver a wide and immersive soundstage. EASY SETUP Plug-and-play and no receiver needed. Get all-encompassing, room-filling sound from your TV with just one cable.

The three-way IB2S-AII offers discerning users all the attributes of PMC’s large ATL™ reference active monitors but in a more compact form. They are ideal for high-end reference monitoring in both stereo and surround formats. The DSP-controlled, Class-D powered cabinets make use of PMC’s ATL™ (Advanced Transmission Line) bass-loading technology, providing a smoothly controlled, high-resolution low-frequency response. Each cabinet features PMC’s hand-built preparatory drivers - the 10-inch carbon-fibre/Nomex™ piston, 75mm fabricdome mid, and the 34mm soft-dome tweeter. The power is supplied by PMC’s ultra-low distortion devices that are conveniently rack mountable, providing HF 275W, MF 550W and LF 1200W of acoustically transparent power. This single cabinet monitor features user-adjustable HF and LF shelving filters, ±8dB input level trim, and an AES3 digital input, as standard. The input sensitivity of the balanced analogue inputs can also be adjusted from +4dB to +16dB. In addition, the EQ, level trims and analogue/digital input  election settings can be adjusted from a distance using an RJ45-connected remote, which is supplied as standard. Options: Dedicated vertical and horizontal centre channel versions Tailor made, high mass, 33” Studio Frame Stands Specifications: Available Finishes: Studio black Type: 3-way ATL™ active reference monitor Analogue & digital (up 96kHz) inputs Maximum SPL: 125dB Three personal balance presets for multiple users Crossover Frequency: 380Hz & 3.8kHz Dimensions:H 745mm (29.3 inches) W 330mm (12.9 inches) D 564mm (22.2 inches) Drive Units: LF 250mm/ 10” PMC Carbon Fibre/ Nomex™ piston driver,MF PMC hand-built 75mm soft-dome driver,HF PMC 34mm soft-dome tweeter with acoustic radiator Effective ATL™ Length: 2.4m (8ft) Frequency Response: 25Hz - 25kHz Input Connectors: Balanced Analogue Main Input/ Through Sensitivity: Adjustable +4dB to +16dBu Weight: 46.5kg (102.5lbs) each Amplifier Power per Channel: LF 1 x 1200Wrms, MF 1 x 550Wrms, HF 1 x 275Wrms

The result6 provides an introduction to PMC and the huge benefits of ATL™ technology, the proprietary bass-loading system at the heart of all our designs. This active two-way reference monitor offers all the attributes for which PMC is world-renowned: high resolution and detail, accurate, extended bass, consistent tonal balance at all levels, and wide dispersion and sweet spot. With an emphasis on elegant simplicity, this is a compact nearfield that allows you to work faster and more confidently. There are no overly complex DSP-based user options or room profiles; instead, the result6 achieves its characteristically neutral, dependable PMC reference sound solely on the strength of its engineering. Honed to the fundamentals of our design philosophy, it’s devoted to getting you the best sounding results in the shortest possible time.

The CWM663 features a blue Aramid fiber bass/midrange driver housed in a die-cast chassis which provides the extra rigidity to provide a cleaner, faster bass. Its aluminium tweeter also incorporates a Nautilus™ tube to absorb unwanted sonic radiation. The CWM663 also utilises a three-position high frequency switch to fine tune the sound. The speaker is incredibly easy to install incorporating QuickDogs™ and plug-and-play functionality.

See nothing, hear everything The combination of convenience and performance that is a feature of the entire custom installation range is no better demonstrated than by the CCM663SR ceiling speaker. It marries a woven Aramid Fibre coned twin voice-coil 150mm (6in) bass/midrange driver with an offset array of two 25mm (1in) soft dome tweeters. Thanks to its highly accurate and natural sound, Aramid Fibre features on our most advanced high performance hi-fi speakers and it brings the same qualities to the CCM663SR. The twin voice coils and tweeters combine the stereo signal to enable the use of just one ceiling speaker in an installation zone without the loss of one audio channel. The CCM663SR also includes a two-position stereo/surround switch to instantly make the speaker very suitable to be used as a surround channel. Specifications: Description:2-way dual channel in-ceiling system Drive Units:2x ø20mm (1in) soft dome tweeter,1x ø150mm (6in) blue Aramid Fibre cone bass/midrange Frequency Range (-6dB):48Hz – 30kHz Recommended Amp Power:25 – 80w (per channel) Sensitivity SPL (2.83V, 1m):83dB (per channel),89dB (both channels driven) Impedance Nominal (min):8Ω (4Ω) (per channel) Frame diameter:240mm (9.5in) Cut-out diameter:202mm (8in) Depth behind surface:133mm (5.2in) Protrusion:4mm (0.2in) Pre-mount Kit:C6 Back Box:6C

See nothing, hear everything The CCM664SR is a dual, two-way ceiling speaker featuring a 150mm(6in) woven glass fibre cone bass/midrange driver and two offset soft dome tweeters. The twin voice coil bass/midrange driver and tweeters allow a stereo signal to be combined to facilitate the use of just one ceiling speaker in a single installation area without the loss of one audio channel. The CCM664SR also includes a two-position stereo/surround switch to instantly make the speaker very suitable to be used as a surround channel.Incorporating QuickDogs™ and plug-and-play functionality it is quick and easy to install. Specifications: Description: 2-way dual channel in-ceiling system Drive Units:2x ø20mm (1in) soft dome tweeter,1x ø150mm (6in) black glassfibre cone bass/midrange Frequency Range (-6dB):48Hz – 30kHz Recommended Amp Power:25 – 80w (per channel) Sensitivity SPL (2.83V, 1m):82dB (per channel) Impedance Nominal (min):88dB (both channels driven),8Ω (4Ω) (per channel) Frame diameter:240mm (9.5in) Cut-out diameter:202mm (8in) Depth behind surface:133mm (5.2in) Protrusion:4mm (0.2in) Pre-mount Kit:C6 Back Box:6C

See nothing, hear everything The CCM664 is a ceiling speaker distinguished by its adjustable tilt offset 25mm (1in) soft dome tweeter. It brings both a smoother and more detailed high frequency performance to a package that also includes a woven glass fibre150mm (6in) bass/midrange driver and three-position EQ switch for a better off-axis response. CCM664 is a classically simple and cost effective route to high quality ceiling mount sound and is simple and quick to install. Specifications: Description: 2-way in-ceiling system Drive Units:1x ø25mm (1in) soft dome tweeter, 1x ø150mm (6in) black glassfibre cone bass/midrange Frequency Range (-6dB):45Hz – 35kHz Recommended Amp Power:25 – 130w Sensitivity SPL (2.83V, 1m):87dB Impedance Nominal (min):8Ω (4.5Ω) Frame diameter:240mm (9.5in) Cut-out diameter:202mm (8in) Depth behind surface:133mm (5.2in) Protrusion:4mm (0.2in) Pre-mount Kit:C6 Back Box:6C

See nothing, hear everything CCM665 is a high performance ceiling speaker that’s simplicity itself to install and use. A 2-way design, featuring a 150mm (6in) woven glass fibre cone bass/midrange driver and a soft dome tweeter in a neat circular ceiling mount chassis. Incorporating QuickDogs™ and plug and play functionality it is quick and easy to install. A perfect speaker for those indulgent extra locations - the bathroom, the kitchen - that define the real luxury of custom installed audio Specifications: Description:2-way in-ceiling system Drive Units:1x ø25mm (1in) soft dome tweeter,1x ø150mm (6in) black glassfibre cone bass/midrange Frequency Range (-6dB):45Hz – 35kHz Recommended Amp Power:25 – 130w Sensitivity SPL (2.83V, 1m):87dB Impedance Nominal (min):8Ω (4.5Ω) Frame diameter:240mm (9.5in) Cut-out diameter:202mm (8in) Depth behind surface:133mm (5.2in) Protrusion:4mm (0.2in) Pre-mount Kit:C6 Back Box:6C

The CCM663 is a true high performance ceiling-mount speaker. The tweeter has a 25mm (1in) aluminium dome and its housing pivots for adjustable off-axis treble response. The bass/midrange driver’s die-cast chassis provides extra rigidity which results in a cleaner, faster bass, and a three-position EQ switch for a better off-axis response. The Aramid fiber cone means that the unit is well hidden behind the grille but still produces a remarkably clear and dynamic sound. Incorporating QuickDogs™ and plug-and-play functionality it is quick and easy to install. Specifications: Description: 2-way in-ceiling system Drive Units: 1x ø25mm (1in) Nautilus™ swirl loaded aluminium dome tweeter ,1x ø150mm (6in) blue Kevlar® cone bass/midrange Frequency Range (-6dB): 45Hz – 50kHz Recommended Amp Power: 25 – 130w Sensitivity SPL (2.83V, 1m): 88dB Impedance Nominal (min) Frame diameter: 240mm (9.5in) Cut-out diameter: 202mm (8in) Depth behind surface: 133mm (5.2in) Protrusion: 4mm (0.2 in) Pre-mount Kit: C6 Back Box: 6C

See nothing, hear everything The CCM682 is a high performance ceiling-mount speaker that features a 200mm (8in) Aramid Fibre cone bass/midrange driver and an aluminium dome tweeter in a neat circular die-cast chassis. Its 30mm coiland 100mm magnet ensure an incredibly efficient and reliable speaker with outstanding sound quality. The aluminium tweeter’s housing pivots for adjustable off-axis treble response. The speaker also has a three-position EQ switch for a better off-axis response. The bass/midrange driver’s diecast chassis provides extra rigidity which results in a cleaner, faster bass.The blue Aramid Fibre cone means that the unit is well hidden behind the grille but still produces a remarkably clear and dynamic sound. Incorporating QuickDogs™ and plug-and-play functionality it is quick and easy to install. Specifications: Description:2-way in-ceiling system Drive Units:1x ø25mm (1in) Nautilus™ swirl loaded aluminium dome tweeter,1x ø200mm (8in) blue Aramid Fibre cone bass/midrange Frequency Range (-6dB):35Hz – 50kHz Recommended Amp Power:25 – 150w Sensitivity SPL (2.83V, 1m):89dB Impedance Nominal (min):8Ω (4.5Ω) Frame diameter:290mm (11.4in) Cut-out diameter:250mm (9.8in) Depth behind surface:133mm (5.2in) Protrusion:4mm (0.2in) Pre-mount Kit:C8 Back Box:6C

See nothing, hear everything The CCM662 is a true high performance ceiling-mount speaker. The tweeter has a 25mm(1in) aluminium dome tweeter and its housing pivots for adjustable off-axis treble response. The die-cast chassis of the bass/midrange driver provides extra rigidity which results in a cleaner, faster bass and a three-position EQ switch offers a better off-axis response. With superior cross-over components along with gold plated terminals the CCM662 has an impressive maximum amp power of 150W. Its blue Aramid Fibre cone means that the unit is well hidden behind the grille but still produces a remarkably clear and dynamic sound. Incorporating QuickDogs™ and plug-and-play functionality it is quick and easy to install.  Specifications: Description:2-way in-ceiling system Drive Units:1x ø25mm (1in) Nautilus™ swirl loaded aluminium dome tweeter,1x ø150mm (6in) blue Aramid Fibre cone bass/midrange Frequency Range (-6dB):45Hz – 50kHz Recommended Amp Power:25 – 150w Sensitivity SPL (2.83V, 1m):88dB Impedance Nominal (min):8Ω (4.5Ω) Frame diameter:240mm (9.5in) Cut-out diameter:202mm (8in) Depth behind surface:133mm (5.2in) Protrusion:4mm (0.2in) Pre-mount Kit:C6 Back Box:6C

Our entry model into the world of VOLTAiR headphone amplifiers. The Phonitor se has the same audio signal amplification as its bigger brothers Phonitor x and Phonitor xe and therefore offers the same sound experience. The DAC768xs is optionally available. Volume & Source Selection The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. In addition to an analog source, three other digital sources can be connected to the Phonitor se with the optional DAC. Headphone Output with Power The Phonitor se offers a 6.35 mm jack for connecting headphones with jack plug. Up to 2 x 5 watts of output power is available at this socket. This allows even very power-hungry headphones such as magnetostats or electrostats to be driven effortlessly. The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, that allows you to listen to music through headphones with the sound experience of listening through speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation and effects are a thing of the past. Enjoy your music without fatigue and exactly as it should be heard. The Phonitor Matrix in its largest expansion stage has three setting parameters: Crossfeed, Speaker Angle and Center Level.In Phonitor se the Center Level is preset to -1 dB and the speaker placement Angle to 30°. These are the most common values. The Crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the Crossfeed. Connections The Phonitor se is equipped with gold-plated RCA sockets for the analog input. The optional DAC768xs adds three more digital sources: USB Coax and Optical. The Optional DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  Specifications: Analog input: RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

All essential functions in a stylish, slim housing. The Phonitor e offers Phonitor Matrix, volume remote control, connection also for balanced headphones, DA converter option and the all superior VOLTAiR technology. For all headphones The Phonitor e offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the high output power, all headphones are driven effortlessly. Volume with remote control The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. The volume can be adjusted with any infrared remote control. The Phonitor e learns their commands. To do this, press the IR programming button on the back and then the buttons for louder and softer. Source selection A total of five sources can be connected to Phonitor e: XLR, Cinch, USB, Coax, and Optical Phonitor e is equipped with RCA connectors and balanced XLR connectors for the analog inputs. The optional DAC768xs adds three more digital sources: USB, Coax and Optical. The optional DAC768xs The converter chip used in the optional digital-to-analog converter is the highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, thanks to which you can listen to music with headphones as if you are listening to speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation rooms and effects are a thing of the past. Enjoy your music without tiring and exactly as it should be heard. The Phonitor Matrix, in its largest expansion stage, has three adjustment parameters: Crossfeed, Speaker Angle and Center Level. In Phonitor e the center level is preset to -1 dB and the speaker angle to 30°. These are the most common values. The crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the crossfeed. Specifications:   Analog Inputs: XLR (balanced), RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

All essential functions in a stylish, slim housing. The Phonitor e offers Phonitor Matrix, volume remote control, connection also for balanced headphones, DA converter option and the all superior VOLTAiR technology. For all headphones The Phonitor e offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the high output power, all headphones are driven effortlessly. Volume with remote control The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. The volume can be adjusted with any infrared remote control. The Phonitor e learns their commands. To do this, press the IR programming button on the back and then the buttons for louder and softer. Source selection A total of five sources can be connected to Phonitor e: XLR, Cinch, USB, Coax, and Optical Phonitor e is equipped with RCA connectors and balanced XLR connectors for the analog inputs. The optional DAC768xs adds three more digital sources: USB, Coax and Optical. The optional DAC768xs The converter chip used in the optional digital-to-analog converter is the highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, thanks to which you can listen to music with headphones as if you are listening to speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation rooms and effects are a thing of the past. Enjoy your music without tiring and exactly as it should be heard. The Phonitor Matrix, in its largest expansion stage, has three adjustment parameters: Crossfeed, Speaker Angle and Center Level. In Phonitor e the center level is preset to -1 dB and the speaker angle to 30°. These are the most common values. The crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the crossfeed. Specifications:   Analog Inputs: XLR (balanced), RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Our Frame 8 rack is handmade in the EU employing the same exact ISEP mechanical components used in the Series 80 consoles. Aluminium rails, guides, etc. This will ensure your vintage modules, as well as any of the currently made, will fit like a glove. Every channel has its own output control as well as illuminated phantom switch. Also, the Frame 8 is ready for linking up to 8 2264 compressors in 2 busses, A or B. Back panel features Neutrik gold plated XLR connectors for Mic and Line inputs, as well as outputs. External Power Supply Unit is connected via Neutrik gold plated 4-pin XLRs. It is configurable for 220-240v or 110v. Power supply is included.

The 8173 module is a Heritage Audio´s new design, which has been engineered to fill input module slots in the restoration process of vintage 80 Series sound mixing consoles. It is also compatible with the Heritage Audio Frame 8 and Rack 2 powered enclosures. The 8173 could be easily described as a 1073 with the mid bands of a 1081. We´ve decided to keep the 1073 Baxandall shelving lo and hi eq bands as they sound amazing, but have implemented a choice of 3 hi shelving frequencies, a la 1084. Special care has been taken in sourcing the correct components that ensure performance will be as close to a 1070s unit as it is possible nowadays. Custom polystyrene and film tone capacitors have been developed to closely match the Siemens Styroflex and Mullard Mustard types of the late 60s and early 70s. Custom input transformers have also been co designed with Carnhill Transformers´ Oxford factory to our special requirements. The Heritage Audio 8173 is entirely handmade in our facilities in Spain, employing the same old-fashioned wiring and soldering techniques of the 70s. All its circuitry is held into five plug in cards. Specifications: Microphone input impedance: HI, 1200 Ohm minimum, LO, 300 Ohm minimum. Higher gain positions gradually have greater impedances, optimum for lo gain ribbon mics. Input is transformer balanced and floating. Line input impedance: 10KOhms bridging, transformer balanced and floating. Output impedance: Less than 75 Ohms, transformer balanced and floating, to drive a load of 600 Ohms. Maximum output: Greater than +26dBu into 600 Ohms, THD: Less than 0.025% at 1Khz, Less than 0.05% at 100Hz. Frequency response :20Hz (+0.3dB) to 20Khz (-0.2dB). Maximum Gain: Slightly greater than 80dB. Noise: Less than -100dBu. Power consumption: Less than 110 mA @24VDC.

The Heritage Audio 2264E compressor limiter is a diode bridge based dynamics module, engineered to be used in the restoration process of vintage 80 Series consoles. It can also be installed in the Heritage Audio Frame 8 and Rack 2, where there is provision for linking up to 8 units in 2 different buses. It is fully Class A, including the same output stage found in the HA1073, which reacts in a much nicer way to compression than class A/B amplifiers. It is completely handmade and wired in the same fashion as the rest of the Heritage Audio 80 Series modules. Specifications: Line input impedance: 10KOhms bridging, transformer balanced and floating. Output impedance: Less than 75 Ohms, transformer balanced and floating, 600 Ohms terminated. Maximum output: Greater than +26dBu, 600 Ohms terminated. THD: Less than 0.025% at 1Khz, Less than 0.05% at 100Hz, at no gain reduction. Frequency response : 20Hz (+0.3dB) to 20Khz (-0.2dB). Maximum Gain: 20dB. Maximum Power consumption: Less than 120 mA @+24VDC.

Possibly the best value in the business! The Vintech Audio X73i is a class A, all discrete, transformer balanced microphone preamplifier with equalizer both based on the classic Neve 1073 module. It is constructed utilizing modern manufacturing techniques which allow us to offer this product at an incredible value. Now practically anyone can record with the classic sound of vintage modules without having to deal with inflated vintage prices.  The X73i features the same class A mic pre as the X73 with all of the same eq parameters plus additional mid-range frequencies, selectable input impedance, 1/4 inch D.I. on front panel, transformer balanced mic and line inputs, phase reverse, phantom power switch, eq switch, 70db of gain, quality Grayhill rotary switches, custom machined aluminum knobs, plus many other features.  FEATURES: Class-A output amplifier that uses a 2N3055 NPN power transistor  One rack space 16-gauge, all-steel Chassis  St. Ives output transformer  Hand wired Elma rotary input gain switch  Circuit board mounted rotary switches  Gold contacts  1,200 OR 300 ohm input impedance  Rear Neutrik XLR in/out, TRS out  Rear 1/4" TRS balanced line input  1/4" direct instrument input on the front panel  TUBE OR SOLID STATE: Solid State CHANNELS: Single-Channel CHASSIS: 19-inch Rack-mount RACK SPACES: 1u DIRECT INPUT: Yes DIGITAL I/O: No EACH UNIT INCLUDES: Low shelving  Fixed Hi EQ  Variable Low EQ  Variable Mid EQ frequencies  Input gain control  Output level control  Phase reverse switch  +48-Volt phantom power switch  EQ in/out switch  Power indicator LED  Note: This unit requires the Vintech Power Supply.

The  6673 module is a Heritage Audio´s new design which has been engineered to fill input module slots in the restoration process of vintage 80 Series sound mixing consoles. It is also compatible with the Heritage Audio Frame 8 and Rack 2 powered enclosures. The 6673 is a 4 band equalizer in a 1073 sized module, combining the mid band of the vintage 1066 module and an expanded 1073 mid band. This fact allows a more complex equalizing whilst at the same time maintaining the same sonic qualities. Vintage connoisseurs already know how sweet the 1066 mid band sounds and how well it complements the 1073´s one. Additionally the 6673 features three frequency´s options for the high shelf, as opposed to the fixed ones on both the 1073 and 1066, covering both. Special care has been taken in sourcing the correct components that ensure performance will be as close to a 1070s unit as it is possible nowadays. Custom polystyrene and film tone capacitors have been developed to closely match the Siemens Styroflex and Mullard Mustard types of the late 60s and early 70s. Custom input transformers have also been co designed with Carnhill Transformers´ Oxford factory to our special requirements. The Heritage Audio 6673 is entirely handmade in our facilities in Spain, employing the same old-fashioned wiring and soldering techniques of the 70s. All its circuitry is held into five plug in cards. Specifications: Microphone input impedance: HI, 1200 Ohm minimum, LO, 300 Ohm minimum. Higher gain positions gradually have greater impedances, optimum for lo gain ribbon mics. Input is transformer balanced and floating. Line input impedance: 10KOhms bridging, transformer balanced and floating. Output impedance: Less than 75 Ohms, transformer balanced and floating, to drive a load of 600 Ohms. Maximum output: Greater than +26dBu into 600 Ohms, THD: Less than 0.025% at 1Khz, Less than 0.05% at 100Hz. Frequency response :20Hz (+0.3dB) to 20Khz (-0.2dB). Maximum Gain: Slightly greater than 80dB. Noise: Less than -100dBu. Power consumption: Less than 110 mA @24VDC.

The Heritage Audio 1084 has been engineered to fill input module slots in the restoration process of vintage 80 Series sound mixing consoles. It is also compatible with the Heritage Audio Frame 8 and Rack 2 powered enclosures. Special care has been taken in sourcing the correct components that ensure performance will be as close to a 1070s unit as it is possible nowadays. Custom polystyrene and film tone capacitors have been developed to closely match the Siemens Styroflex and Mullard Mustard types of the late 60s and early 70s. Custom input transformers have also been co designed with Carnhill Transformers´ Oxford factory to our special requirements. The Heritage Audio 1084 is entirely handmade in our facilities in Spain, employing the same old-fashioned wiring and soldering techniques of the 70s. All its circuitry is held into five plug in cards. Specifications: Microphone input impedance: HI, 1200 Ohm minimum, LO, 300 Ohm minimum. Higher gain positions gradually have greater impedances, optimum for low gain ribbon mics. Input is transformer balanced and floating. Line input impedance: 10KOhms bridging, transformer balanced and floating. Output impedance: Less than 75 Ohms, transformer balanced and floating, to drive a load of 600 Ohms. Maximum output: Greater than +26dBu into 600 Ohms, THD: Less than 0.025% at 1Khz, Less than 0.05% at 100Hz. Frequency response :20Hz (+0.3dB) to 20Khz (-0.2dB). Maximum Gain: Slightly greater than 80dB. Noise: Less than -100dBu. Power consumption: Less than 110 mA @24VDC.

The Heritage Audio 1073 has been engineered to fill input module slots in the restoration process of vintage 80 Series sound mixing consoles. In case outboard fitting is preferred, the HA1073 can be installed into the Heritage Audio Frame 8 and Rack 2 powered enclosures. Special care has been taken in sourcing the correct components that ensure performance will be as close to a 1070s unit as it is possible nowadays. Custom polystyrene and polypropylene film tone capacitors have been developed to closely match the Siemens Styroflex and Mullard Mustard types of the late 60s and early 70s. Custom input transformers have also been co designed with Carnhill Transformers´ Oxford factory to our special requirements, which ensure correct harmonic distortion content and saturation points. The Heritage Audio 1073 is entirely handmade in our facilities in Spain, employing the same old-fashioned wiring and soldering techniques of the 70s. Manufacturing a single module takes several days of one of our master builders. All its circuitry is held into four plug-in cards. Specifications: Microphone input impedance: HI, 1200 Ohm minimum, LO, 300 Ohm minimum. Higher gain positions gradually have greater impedances, optimum for low gain ribbon mics. Input is transformer balanced and floating. Line input impedance: 10KOhms bridging, transformer balanced and floating. Output impedance: Less than 75 Ohms, transformer balanced and floating, to drive a load of 600 Ohms. Maximum output: Greater than +26dBu into 600 Ohms, THD: Less than 0.025% at 1Khz, Less than 0.05% at 100Hz. Frequency response :20Hz (+0.3dB) to 20Khz (-0.2dB). Maximum Gain: Slightly greater than 80dB. Noise: Less than -100dBu. Power consumption: Less than 110 mA @24VDC.

Finally an analog crossover again It is difficult to optimally integrate subwoofers. At present, there are almost only digital crossovers for this purpose. But who wants to convert back and forth? You don’t need to anymore. Our Crossover sets the crossovers anew. Crossing over The crossover is divided into two section: The Low section for the subwoofer (mono or stereo) and the Mid-Hi section for the top/main speakers. The crossover frequencies for Low and Mid-Hi can be set individually from 50 Hz to 120 Hz in 6 positions. The Low filter has a slope of 24 dB per octave. The slope of the MID-HI filter can be switched from 12 dB (Butterworth) to 24 dB (Linkwitz/Riley). In Phase Audio signals should come from the speakers and subwoofers in phase. The crossover offers variable phase control for this purpose. Use the toggle switch to activate the phase control (phase 0° or phase -180°) and use the control to establish simultaneousness. If the phase control is not required, it can be switched off and thus disappears completely from the signal path. One or two? If you want to connect two subwoofers (one for L and one for R), this switch should be set to stereo. If you only use one subwoofer, switch to mono. The crossover creates a mono signal of the Low frequencies and outputs it to both Low outputs (L + R). On or off? If you prefer to run the top/main speakers full-range, you can switch off the MID-Hi filter. Get rid off it With the Low Cut filter all frequencies below 20 Hz can be filtered out with a 6dB roll-off. This way, no inaudible low frequencies get into the power amplifier, which relieves it a lot. As long as you're having fun The output volume of the subwoofer can be varied from -10 dB to +10 dB. In addition to the purely corrective adjustment of the speaker system, you can add more bass into recordings that lack low end.  It’s like saying, “Happiness is when the bass kicks in.” Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Sources The Elector offers both balanced inputs with XLR sockets and standard inputs with gold-plated RCA sockets. Low & Mid-Hi On the output side, the power amplifiers or active loudspeakers or subwoofers are connected to the Low & Mid-Hi output sockets by means of balanced XLRs. This means that even long cable runs to e.g. mono power amps placed next to the speaker are possible without the risk of interference. AMP CTL Practical are the AMP CTL sockets, to which up to four power amplifiers with 12 V trigger inputs can be connected to switch them on and off together with the crossover. The crossover itself can also be switched on by a preamplifier like the Director Mk2 or Phonitor x. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dB Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -70 dBu THD (0 dBu, 1 kHz, MID-Hi filter on): 0.0008 % THD (0 dBu, 30 Hz, LOW filter on): 0.0014 % Noise (A-weighted, MID-HI output): -106 dBu Noise (A-weighted, LOW output): -104,9 dBu Dynamic range (MID-HI output): 138 dB Dynamic range (LOW output): 136.9 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 50 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 5,4 kg Shipping weight (incl. packaging): 7,0 kg

Finally an analog crossover again It is difficult to optimally integrate subwoofers. At present, there are almost only digital crossovers for this purpose. But who wants to convert back and forth? You don’t need to anymore. Our Crossover sets the crossovers anew. Crossing over The crossover is divided into two section: The Low section for the subwoofer (mono or stereo) and the Mid-Hi section for the top/main speakers. The crossover frequencies for Low and Mid-Hi can be set individually from 50 Hz to 120 Hz in 6 positions. The Low filter has a slope of 24 dB per octave. The slope of the MID-HI filter can be switched from 12 dB (Butterworth) to 24 dB (Linkwitz/Riley). In Phase Audio signals should come from the speakers and subwoofers in phase. The crossover offers variable phase control for this purpose. Use the toggle switch to activate the phase control (phase 0° or phase -180°) and use the control to establish simultaneousness. If the phase control is not required, it can be switched off and thus disappears completely from the signal path. One or two? If you want to connect two subwoofers (one for L and one for R), this switch should be set to stereo. If you only use one subwoofer, switch to mono. The crossover creates a mono signal of the Low frequencies and outputs it to both Low outputs (L + R). On or off? If you prefer to run the top/main speakers full-range, you can switch off the MID-Hi filter. Get rid off it With the Low Cut filter all frequencies below 20 Hz can be filtered out with a 6dB roll-off. This way, no inaudible low frequencies get into the power amplifier, which relieves it a lot. As long as you're having fun The output volume of the subwoofer can be varied from -10 dB to +10 dB. In addition to the purely corrective adjustment of the speaker system, you can add more bass into recordings that lack low end.  It’s like saying, “Happiness is when the bass kicks in.” Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Sources The Elector offers both balanced inputs with XLR sockets and standard inputs with gold-plated RCA sockets. Low & Mid-Hi On the output side, the power amplifiers or active loudspeakers or subwoofers are connected to the Low & Mid-Hi output sockets by means of balanced XLRs. This means that even long cable runs to e.g. mono power amps placed next to the speaker are possible without the risk of interference. AMP CTL Practical are the AMP CTL sockets, to which up to four power amplifiers with 12 V trigger inputs can be connected to switch them on and off together with the crossover. The crossover itself can also be switched on by a preamplifier like the Director Mk2 or Phonitor x. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dB Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -70 dBu THD (0 dBu, 1 kHz, MID-Hi filter on): 0.0008 % THD (0 dBu, 30 Hz, LOW filter on): 0.0014 % Noise (A-weighted, MID-HI output): -106 dBu Noise (A-weighted, LOW output): -104,9 dBu Dynamic range (MID-HI output): 138 dB Dynamic range (LOW output): 136.9 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 50 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 5,4 kg Shipping weight (incl. packaging): 7,0 kg

Finally an analog crossover again It is difficult to optimally integrate subwoofers. At present, there are almost only digital crossovers for this purpose. But who wants to convert back and forth? You don’t need to anymore. Our Crossover sets the crossovers anew. Crossing over The crossover is divided into two section: The Low section for the subwoofer (mono or stereo) and the Mid-Hi section for the top/main speakers. The crossover frequencies for Low and Mid-Hi can be set individually from 50 Hz to 120 Hz in 6 positions. The Low filter has a slope of 24 dB per octave. The slope of the MID-HI filter can be switched from 12 dB (Butterworth) to 24 dB (Linkwitz/Riley). In Phase Audio signals should come from the speakers and subwoofers in phase. The crossover offers variable phase control for this purpose. Use the toggle switch to activate the phase control (phase 0° or phase -180°) and use the control to establish simultaneousness. If the phase control is not required, it can be switched off and thus disappears completely from the signal path. One or two? If you want to connect two subwoofers (one for L and one for R), this switch should be set to stereo. If you only use one subwoofer, switch to mono. The crossover creates a mono signal of the Low frequencies and outputs it to both Low outputs (L + R). On or off? If you prefer to run the top/main speakers full-range, you can switch off the MID-Hi filter. Get rid off it With the Low Cut filter all frequencies below 20 Hz can be filtered out with a 6dB roll-off. This way, no inaudible low frequencies get into the power amplifier, which relieves it a lot. As long as you're having fun The output volume of the subwoofer can be varied from -10 dB to +10 dB. In addition to the purely corrective adjustment of the speaker system, you can add more bass into recordings that lack low end.  It’s like saying, “Happiness is when the bass kicks in.” Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Sources The Elector offers both balanced inputs with XLR sockets and standard inputs with gold-plated RCA sockets. Low & Mid-Hi On the output side, the power amplifiers or active loudspeakers or subwoofers are connected to the Low & Mid-Hi output sockets by means of balanced XLRs. This means that even long cable runs to e.g. mono power amps placed next to the speaker are possible without the risk of interference. AMP CTL Practical are the AMP CTL sockets, to which up to four power amplifiers with 12 V trigger inputs can be connected to switch them on and off together with the crossover. The crossover itself can also be switched on by a preamplifier like the Director Mk2 or Phonitor x. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dB Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -70 dBu THD (0 dBu, 1 kHz, MID-Hi filter on): 0.0008 % THD (0 dBu, 30 Hz, LOW filter on): 0.0014 % Noise (A-weighted, MID-HI output): -106 dBu Noise (A-weighted, LOW output): -104,9 dBu Dynamic range (MID-HI output): 138 dB Dynamic range (LOW output): 136.9 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 50 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 5,4 kg Shipping weight (incl. packaging): 7,0 kg

Mastering Compressor As a mastering compressor, IRON is inspired by the legendary vintage tube compressors à la Fairchild, Collins or Gates and has been developed in a way to give modern productions more energy and power with the advantages of the 120V technology. Input & Output Input and output levels are switchable in a control range of +/- 12dB. An increase of the input level leads to more intensive compression. When mastering full scale material, the reduction can be useful. The output is used to adjust the level ratios of input and output. Attack & Release The time parameters Attack and Release are switchable in six steps from Slow to Fast. The times vary depending on the rectifier circuit selected. Side Chain EQs With the side chain EQs, compression can be focused on frequency ranges. In addition to an inserted EQ, there are four internal EQ presets with a partly complex frequency response. Rectifier The tube stage is controlled by a rectifier circuit. There are six diode control characteristics generated by germanium, silicon and LED diodes or combinations thereof. Variable-Bias Limiter/Compressor The IRON Mastering Compressor is a variable-bias (variable µ) limiter/compressor from the basic concept. IRON works on the principle of the bias controlled remote cutoff tube. Parallel to this, a medium-variable-bias triode (sharp-cutoff tube) with a steeper characteristic is connected. The tube bias voltage (BIAS) can be adjusted in three steps. The tubes are integrated into special Lundahl manufactured balanced high-level double core mu-metal-iron transformers. AirBass & Tape Roll-Off The compressor is followed by a passive filter network with two equalizer presets: AirBass and Tape Roll-off. The AirBass filter boosts low and high frequencies by about 1.5 dB and the Tape Roll-Off filter emulates the typical frequency response of a tape machine. Link All functions can be set via switches and the threshold via a rasterized potentiometer which makes recall easy. The settings of Threshold, Bias, Attack, Release, Rectifier and Side-Chain-EQs are transferred from the right side (channel 2) to the left side in Link Mode, in which the compressor operates with summed control signals. Auto-Bypass Channels 1 and 2 are activated with the large illuminated IDEC switches. In Auto Bypass mode, the channels are automatically switched on and off, which leads to a more objective assessment. The Interval control is used to adjust the time window continuously between two and 20 seconds. Specifications: Analog inputs & output; XLR (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Frequency range (-3 dB): 10 Hz – 40 kHz Common mode rejection (0dBu, 1kHz): > 80 dB Crosstalk (1 kHz): -108 dBu THD (+10 dBu): 0.002 % Noise (A-weighted): -98 dBu Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 1 A Fuse for 115 V: T 2 A Power consumption: max. 40 VA Dimensions & Weight W x H x D (width x height x depth): 482 x 132 x 300 mm Unit weight: 11 kg Shipping weight (incl. packaging): 14 kg