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Το M-Audio Oxygen Pro 61 είναι ένας ισχυρός ελεγκτής USB MIDI με 61 πλήκτρα, πλήρης με ένα οπλοστάσιο απαραίτητων εργαλείων παραγωγής για τον εξορθολογισμό της δημιουργικής σας διαδικασίας. Εξερευνήστε τους κόσμους της ελεύθερης έκφρασης και της δημιουργικότητας, ζωντανέψτε εύκολα τις ιδέες παραγωγής σας. Εστιάστε στη δημιουργία μουσικής - όχι στον προγραμματισμό του λογισμικού σας. Όλα όσα απαιτεί ο δημιουργός της σύγχρονης μουσικής είναι εδώ, σχεδιασμένα για να θέσουν τη δημιουργικότητά σας σταθερά στο κάθισμα οδήγησης. Δεν έχει σημασία αν θέλετε να δημιουργήσετε μουσική εν κινήσει ή στο στούντιο, η σειρά M-Audio Oxygen Pro είναι απόλυτα ευέλικτη για οποιαδήποτε ροή εργασίας. Συνδυάζοντας 61 κορυφαία στην κατηγορία, ευαίσθητα στην ταχύτητα, ημιβαθμισμένα πλήκτρα με aftertouch και αναθέσιμες ζώνες με ενσωματωμένο arpeggiator, 16 ευαίσθητα στην ταχύτητα RGB pads, οπίσθιο φωτισμό, αναθέσιμα, με Note Repeat, 8 ρυθμιζόμενα κουμπιά και 9 αναθέσιμα faders, το Oxygen Pro 61 συνοδεύεται από όλα όσα χρειάζεστε για να αξιοποιήσετε στο έπακρο τη συλλογή εικονικών οργάνων και το DAW.USB MIDI Controller 61 πλήκτρων με έξυπνα χειριστήρια και αυτόματη χαρτογράφηση (Auto-Mapping) Με την ευανάγνωστη οθόνη OLED, η διαμόρφωση του Oxygen Pro 61 με οποιοδήποτε mainstream DAW δεν θα μπορούσε να είναι πιο απλή. Είτε χρησιμοποιείτε Pro Tools, MPC Beats, Ableton Live, Cubase, Logic, Studio One ή οποιαδήποτε άλλη πλατφόρμα δημιουργίας μουσικής, απλά επιλέξτε τον χάρτη και η αυτόματη χαρτογράφηση θα αναλάβει τα υπόλοιπα. Απελευθερώστε τον πλήρη έλεγχο του DAW σας με αυτόματα αντιστοιχισμένες λειτουργίες, συμπεριλαμβανομένων των Transport, Faders, Pan και άλλων, απευθείας στα χειριστήρια του Oxygen Pro 61. Επιπλέον, το Oxygen Pro 61 χαρτογραφεί άμεσα (Auto-Mapping) όλα τα εικονικά Air Music Tech παγκόσμιας κλάσης όργανα που περιλαμβάνονται στη σειρά Oxygen Pro (Hybrid 3, Velvet, Mini Grand, Vacuum, Boom, DB-33) για έναν άνευ προηγουμένου βαθμό ελέγχου σε πραγματικό χρόνο καθώς δημιουργείτε και συνδυάζετε τη μουσική σας. Με την τεχνολογία Smart Chord και Smart Scale, το Oxygen Pro 61 καταργεί τυχόν εμπόδια στην παραγωγή σας. Με το Smart Chord ενεργοποιημένο, το πάτημα ενός πλήκτρου ή ενός πλήκτρου θα παίξει μια πλήρη συγχορδία με εύχρηστες επιλογές για να ορίσετε ιδιότητες χορδής και προσαρμοσμένες προόδους κατά μήκος του πληκτρολογίου. Με την έξυπνη κλίμακα, το πληκτρολόγιο Oxygen Pro 61 μπορεί να διαμορφωθεί σε μία από τις 16 παραλλαγές κλίμακας, επομένως αναπαράγονται μόνο οι σημειώσεις στην επιλεγμένη κλίμακα. Το αποτέλεσμα: Ξοδεύετε λιγότερο χρόνο αποφεύγοντας τεχνικά εμπόδια και περισσότερο χρόνο πραγματοποιώντας το δημιουργικό σας όραμα.

The World's First Speakers with Metamaterial Great loudspeakers disappear, leaving just the music. LS50 Meta is such a loudspeaker. The incredibly immersive sound means you lose yourself in your favourite music. Savouring every nuance as layer upon layer of instrumentation is delivered with exceptional acoustic accuracy anywhere in the room. Every spot is the sweet spot  12th generation Uni-Q with MAT Using advanced simulation and analysis tools, our engineers have developed the 12th generation Uni-Q with MAT. This new driver array delivers reduced colouration, less distortion and a sound that is more transparent and life-like than previously possible, all dispersed evenly throughout the room. Enhancement from legendary LS50 Lineage Great loudspeakers disappear, leaving just the music. LS50 Meta is such a loudspeaker, and enhancements over the legendary LS50 include Driver Performance Optimisation and patented off-set flexible port for the best acoustic performance and an incredible immersive sound. Curved for performance LS50 Meta’s low-diffraction, curved baffle is precision modelled around the Uni-Q driver array. Its smooth curved surfaces help radiate sound out across the baffle without any interference from hard edges, which cause diffraction. The result is cleaner, more precise sound. Braced for action LS50 Meta’s baffle is engineered from an injection-moulded Dough Moulding Compound (DMC), while inside the cabinet cross bracing and Constrained Layer Damping (CLD) combine to deaden internal vibrations. The result of such meticulous attention to detail is the lowest colouration of any speaker in its class. Flexible port Using Computational Fluid Dynamics (CFD), the port flare and profile of LS50 Meta’s patented off-set port is calculated to delay the onset of turbulence, and the flexible port walls prevent resonances from colouring the midrange. This leads to improved clarity, with exceptional depth and detail. Design Attention to every detail Every aspect of LS50 Meta has been considered for acoustic benefits and from a design perspective. The low-diffraction curved front baffle is subtly mirrored by the gently radiused rear panel, where both the port exit and speaker terminals have been elegantly recessed and softened visually. Designed for performance LS50 Meta may look sensational, but as a high-performance loudspeaker every aspect of its design is a case of form following function. From the precision modelled curved baffle to the solid, reinforced cabinet, every inch of LS50 Meta has been designed to perform. Finished to perfection LS50 Meta is much more than just a utilitarian loudspeaker; it is a piece of sculpture that livens up your life. This is why we offer a choice of four finishes, Carbon Black, Titanium Grey, Mineral White, and Royal Blue Special Edition.

The World's First Speakers with Metamaterial Great loudspeakers disappear, leaving just the music. LS50 Meta is such a loudspeaker. The incredibly immersive sound means you lose yourself in your favourite music. Savouring every nuance as layer upon layer of instrumentation is delivered with exceptional acoustic accuracy anywhere in the room. Every spot is the sweet spot  12th generation Uni-Q with MAT Using advanced simulation and analysis tools, our engineers have developed the 12th generation Uni-Q with MAT. This new driver array delivers reduced colouration, less distortion and a sound that is more transparent and life-like than previously possible, all dispersed evenly throughout the room. Enhancement from legendary LS50 Lineage Great loudspeakers disappear, leaving just the music. LS50 Meta is such a loudspeaker, and enhancements over the legendary LS50 include Driver Performance Optimisation and patented off-set flexible port for the best acoustic performance and an incredible immersive sound. Curved for performance LS50 Meta’s low-diffraction, curved baffle is precision modelled around the Uni-Q driver array. Its smooth curved surfaces help radiate sound out across the baffle without any interference from hard edges, which cause diffraction. The result is cleaner, more precise sound. Braced for action LS50 Meta’s baffle is engineered from an injection-moulded Dough Moulding Compound (DMC), while inside the cabinet cross bracing and Constrained Layer Damping (CLD) combine to deaden internal vibrations. The result of such meticulous attention to detail is the lowest colouration of any speaker in its class. Flexible port Using Computational Fluid Dynamics (CFD), the port flare and profile of LS50 Meta’s patented off-set port is calculated to delay the onset of turbulence, and the flexible port walls prevent resonances from colouring the midrange. This leads to improved clarity, with exceptional depth and detail. Design Attention to every detail Every aspect of LS50 Meta has been considered for acoustic benefits and from a design perspective. The low-diffraction curved front baffle is subtly mirrored by the gently radiused rear panel, where both the port exit and speaker terminals have been elegantly recessed and softened visually. Designed for performance LS50 Meta may look sensational, but as a high-performance loudspeaker every aspect of its design is a case of form following function. From the precision modelled curved baffle to the solid, reinforced cabinet, every inch of LS50 Meta has been designed to perform. Finished to perfection LS50 Meta is much more than just a utilitarian loudspeaker; it is a piece of sculpture that livens up your life. This is why we offer a choice of four finishes, Carbon Black, Titanium Grey, Mineral White, and Royal Blue Special Edition.

Ψηφιακό πιάνο με 88 βαρυκεντρισμένα πλήκτρα (RH-3 Real Hammer Action 3). 5 διαφορετικά επίπεδα ευαισθησίας, transpose, master tuning, 120 νότες πολυφωνία, 29 ήχοι +3 bass sounds, 3 ψηφιακά εφέ. Ενσωματωμένο sequencer 2 καναλιών, 50 κομμάτια επίδειξης, μετρονόμος και 3 πετάλια. Διαθέτει λειτουργία Bluetooth (A2DP Sink) σύνδεση με smartphones για ασύρματη αναπαραγωγή μουσικών κομματιών μετατρέποντας το πιάνο σε ένα ισχυρό ηχείο ακρόασης μουσικής. Στη συσκευασία περιλαμβάνεται το αναλόγιο και το τροφοδοτικό.

Ψηφιακό πιάνο με 88 βαρυκεντρισμένα πλήκτρα (RH-3 Real Hammer Action 3). 5 διαφορετικά επίπεδα ευαισθησίας, transpose, master tuning, 120 νότες πολυφωνία, 29 ήχοι +3 bass sounds, 3 ψηφιακά εφέ. Ενσωματωμένο sequencer 2 καναλιών, 50 κομμάτια επίδειξης, μετρονόμος και 3 πετάλια. Διαθέτει λειτουργία Bluetooth (A2DP Sink) σύνδεση με smartphones για ασύρματη αναπαραγωγή μουσικών κομματιών μετατρέποντας το πιάνο σε ένα ισχυρό ηχείο ακρόασης μουσικής. Στη συσκευασία περιλαμβάνεται το αναλόγιο και το τροφοδοτικό.

Είτε αναζητάτε ένα μικρόφωνο USB για vlogging ,podcasting ή απλή λύση για εγγραφή voice over, είτε απλά για το στούντιο στο σπίτι σας, θέλετε ένα μικρόφωνο που θα κάνει την φωνή σας να ξεχωρίζει. Το revelator είναι σχεδιασμένο για να αποδίδει «καλογυαλισμένα», επαγγελματικά ηχητικά αποτελέσματα με  ευκολία . Δημιουργήστε με αυτοπεποίθηση από την αρχή!. Το Revelator διαθέτει ειδικά σχεδιασμένα εφέ για την φωνή για να την αναδείξει ,η ακόμα και να την μεταμορφώσει τελείως! Οι επαγγελματικά σχεδιασμένες προεπιλογές κάνουν τη φωνή σας να ξεχωρίζει με το πάτημα ενός κουμπιού χάρη στην ίδια βραβευμένη ηχητική βελτίωση που παρέχουν οι ψηφιακές κονσόλες StudioLive. Τα πρόσθετα εφέ σας επιτρέπουν να προσομοιάσετε αίθουσες συναυλιών, ραδιόφωνο AM ή διαστημικές εισβολές για εκείνες τις στιγμές που δεν θέλετε να ακούγονται όλα απαλά και γυαλισμένα.

Ζέυγος μικροφώνων (πουράκια) πυκνωτικά καρδιοειδή ειδικά για  stereo ηχογραφήσεις.

Your StudioLive 16 Series III Mixer deserves to stay shiny and new all the time. Treat it well with this stylish nylon dust cover.

Για συσκευές iOS και Android.Το ATR3350 πανκατευθυντικό μικρόφωνο πέτου (ψείρα) της Audio-Technica έχει σχεδιαστεί για κατανοητή, ακριβή αναπαραγωγή φωνής. Αυτό το υψηλής ποιότητας πυκνωτικό μικρόφωνο είναι ιδανικό για χρήση βίντεο, και είναι μια αγαπημένη επιλογή για αεροβική γυμναστική / χορό / εκπαιδευτές σπορ. Σχεδίαση χαμηλού προφίλ διασφαλίζει την ελάχιστη ορατότητα. Features: Newscaster-style miniature mic is perfect for video use Dual-mono 3.5 mm (1/8") output plug connects to a video camera, DSLR, or handheld audio recorder's stereo 3.5 mm (1/8") input, to record audio on both left and right channels Omnidirectional pickup pattern offers full coverage In-line battery pack with on/off switch provides convenient control Includes mic/headphone adapter for use with tablets, computers, and smartphones that accommodate a 3.5 mm (1/8") headset connection Clothing clip, LR44 battery, foam windscreen included

The MB2S XBD is a development of the successful MB2S with increased dynamics and LF performance. The addition of the XBD cabinet containing a second precision 12” Radial™ driver increases the LF headroom by 3dB below 380Hz that allows a larger room to be driven to greater effect. In a surround configuration the added headroom of the XBD allows the .1 surround effects channel to be handled with ease, avoiding the installation of further sub units. The MB2 XBD features in many quality conscious facilities including Studio Hilversum – The Netherlands. The 32 element, 4th order passive crossovers are housed in external enclosures which can be mounted to the rear of the XBD cabinets for improved fidelity. An ideal monitor for all music recording, mastering and post production in either stereo or surround configuration. Technology DEEPER, CLEARER, CLEANER BASS & MORE Greater detail & more natural A full, rich sound at any volume level Deeper bass from a smaller cabinet The source of PMC’s legendary natural, realistic sound is the Advanced Transmission Line (ATL) bass-loading technology, professionally proven all around the world. ATL uses energy generated by the bass unit in a much more intelligent, efficient way than speaker designs based on ported or sealed boxes. Specifications: Available Finishes: Neo Black Crossover Frequency: 380Hz & 3.8kHz Dimensions: H 1740mm 68.50" W 380mm 14.96" D 535mm 21.06" Drive Units: LF x 2 310mm PMC Radial™ driver / MF 75mm PMC fabric dome / HF 27mm PMC fabric soft dome Effective ATL™ Length: 2 x 3m 10ft Frequency Response: 20Hz - 25kHz Impedance: 4 Ohm nominal Input Connectors: 3 Pairs 4mm Sockets (Tri-wire or Tri-amp) sensitivity: 91dB 1W 1m Weight: 88kgs 193.6lbs Amplifier Power per Channel:HF 120W / MF 120W / LF 600W / LF 600W

The MB2S is perfect for mid sized control rooms either soffit mounted or on its custom studio stands. The MB2S allows higher SPL’s without distortion and loss of definition normally associated with a device of its size. The distinctive MB2S includes the PMC 75 mid driver that has taken the limits of soft dome design and construction to its ultimate conclusion. The Radial™ low frequency driver allows massive controlled excursions and avoids the effects of power compression, by cooling via its cast alloy exo-skeleton and new rear vented magnet. As with all PMC models there is matching low profile centre channels (MB2S-C) and subwoofers for use in surround configuration (XB2S). You can find the MB2S in the following studios Advantage Audio. Technology DEEPER, CLEARER, CLEANER BASS & MORE Greater detail & more natural A full, rich sound at any volume level Deeper bass from a smaller cabinet The source of PMC’s legendary natural, realistic sound is the Advanced Transmission Line (ATL) bass-loading technology, professionally proven all around the world. ATL uses energy generated by the bass unit in a much more intelligent, efficient way than speaker designs based on ported or sealed boxes. Specifications: Available Finishes: Neo Black Crossover Frequency: 380Hz & 3.8kHz Dimensions: H 870mm 34.25" W 380mm 14.96" D 535mm 21.06" Drive Units: LF 310mm PMC Radial™ driver / MF 75mm PMC fabric dome / HF 27mm fabric soft dome Effective ATL™ Length: 3m 10ft Frequency Response: 20Hz - 25kHz Impedance: 8 Ohm Nominal Input Connectors: 3 Pairs 4mm Sockets (Tri-wire or Tri-Amp) sensitivity: 91dB 1W 1m Weight: 49kg 108lbs

Πυκνωτικό πολυ-κατευθυντικό μικρόφωνο Shotgun.

The IB2S is based on the hugely successful IB1S with one major change to the driver compliment. The addition of the PMC 75 large soft dome mid range unit increases the definition and clarity to the level of the larger monitors in the range with no increase in cabinet size. Since the launch of the IB2S it has featured worldwide with high profile clients such as Ronald Prent – Galaxy, Kraftwerk – Kling Klang, Teldex – Berlin, JVC – Japan and the list goes on. Its potent performance and unsurpassed definition across the audio spectrum make it the ideal reference monitor for any stereo or surround project. Technology DEEPER, CLEARER, CLEANER BASS & MORE Greater detail & more natural A full, rich sound at any volume level Deeper bass from a smaller cabinet The source of PMC’s legendary natural, realistic sound is the Advanced Transmission Line (ATL) bass-loading technology, professionally proven all around the world. ATL uses energy generated by the bass unit in a much more intelligent, efficient way than speaker designs based on ported or sealed boxes. Specifications: Available Finishes: Neo Black Crossover Frequency: 380Hz & 3.8kHz Dimensions: H 740mm 29.1" W 330mm 13.0" D 465mm 18.3" Drive Units:LF 250mm PMC Carbon Fibre/Nomex™ piston driver / MF 75mm PMC fabric dome / HF 27mm fabric soft dome Effective ATL™ Length: 2.4m 8ft Frequency Response: 25Hz-25kHz Impedance: 4 Ohm nominal Input Connectors: 3 Pairs 4mm Sockets (Tri-wire or Tri-Amp) sensitivity: 89dB 1W 1m Weight: 41kg 90.2lbs

The IB1S is an extremely flexible 3-way monitor, which has found its home in the most varied of environments. Commonly seen in Mastering, Broadcast and Postproduction in either stereo or surround when partnered with its dedicated centre channel and SB100 sub bass system. Its huge popularity in Hollywood film scoring and postproduction is assisted by the option of ‘Film filters’. This gives 2 positions of HF roll off: 1.5dB and 3dB per Oct and Flat position. The IB1S features wide dispersion soft domed fabric mid and high frequency units and the PMC 10" carbon fibre and Nomex™ flat piston low frequency driver. This flat patented driver increases dynamic handling and eliminates distortion that may occur due to cone break up. You can find the IB1S in the following studios: BBC Technologies Headquarters. Technology DEEPER, CLEARER, CLEANER BASS & MORE Greater detail & more natural A full, rich sound at any volume level Deeper bass from a smaller cabinet The source of PMC’s legendary natural, realistic sound is the Advanced Transmission Line (ATL) bass-loading technology, professionally proven all around the world. ATL uses energy generated by the bass unit in a much more intelligent, efficient way than speaker designs based on ported or sealed boxes. Specifications: Available Finishes: Neo Black Crossover Frequency: 380Hz & 3.8kHz Dimensions: H 740mm 29.1" W 330mm 13.0" D 465mm 18.3" Drive Units: LF 250mm PMC Carbon Fibre /Nomex™ piston driver / MF 75mm doped fabric / HF 27mm fabric soft dome Effective ATL™ Length: 2.4m 8ft Frequency Response: 25Hz-25kHz Impedance: 4 Ohm nominal Input Connectors: 3 Pairs 4mm Sockets (Tri-wire or Tri-Amp) sensitivity: 89dB 1W 1m Weight: 36kg 79.2lbs

Αναβαθμίστε τον ήχο σας Είστε δυσαρεστημένοι με την ποιότητα ήχου των ενσωματωμένων ηχείων του υπολογιστή σας; Θέλετε να αποκτήσετε μια καλύτερη εμπειρία ακρόασης για την αγαπημένη σας μουσική, podcast, ζωντανές ροές, βιντεοπαιχνίδια, βιντεοκλήσεις και συνέδρια; Τα ηχεία M-Audio BX3 είναι η τέλεια επιλογή! Μικρά, ελκυστικά και απλά στην εγκατάσταση, τα επιτραπέζια ηχεία BX3 της M-Audio έχουν δημιουργηθεί σχολαστικά για εσάς για μια εμπειρία πολυμέσων όπως ποτέ άλλοτε! Εντυπωσιακή εμπειρία ακρόασης Σχεδιασμένα για live streaming, podcasting, παιχνίδια, παρακολούθηση ταινιών ή ακρόαση της αγαπημένης σας μουσικής, τα μόνιτορ BX3 της M-Audio παρέχουν και εντυπωσιάζουν με 120 Watt κρυστάλλινου ήχου μέσα από ένα ελκυστικό σχεδιασμό. Ο αμφίδρομος σχεδιασμός διαθέτει ένα ακουστικά αδρανές κουτί MDF με bass reflex που διευκολύνει για ομαλά χαμηλά άκρα και "punch" μέσω των drivers χαμηλής συχνότητας Black Kevlar®. Επιπλέον, οι βελτιωμένες πίσω θύρες προσθέτουν εκτεταμένη απόκριση χαμηλών συχνοτήτων, καθιστώντας κάθε βιντεοπαιχνίδι, ταινία ή τραγούδι που παίζετε μια πραγματικά καθηλωτική εμπειρία. Προσθέστε σε αυτό, τα τουίτερ από φυσικό μεταξωτό θόλο βελτιστοποιημένο για υπολογιστές για μια κρυστάλλινη στερεοφωνική εικόνα υψηλής ακρίβειας και το BX3 προσφέρει καθαρή ποιότητα ήχου ιδανική για οποιαδήποτε εφαρμογή πολυμέσων. Τέλειες συνδέσεις Οι πίσω συνδέσεις πάνελ προσφέρουν εισόδους 1⁄4 ιντσών, 1⁄8 ιντσών και RCA, καθιστώντας τις συμβατές με όλο τον εξοπλισμό σας. Υπάρχει ακόμη και είσοδος aux 1 ⁄ ίντσας και σύνδεση ακουστικών στο μπροστινό μέρος του ηχείου για το tablet, τον υπολογιστή ή την κινητή συσκευή σας. Ειδικός ήχος Το BX3 σας προσφέρει την απόλυτη προσαρμοσμένη εμπειρία ακρόασης. Με τα χειριστήρια High-EQ και Low-EQ επιλέγετε τον τέλειο ήχο για το περιβάλλον σας. Ο διακόπτης θέσης ενεργού ηχείου αριστερά / δεξιά σάς επιτρέπει ακόμη και να επιλέξετε ποιο ηχείο είναι η αριστερή ή δεξιά πλευρά - ιδιαίτερα χρήσιμο εάν είστε αριστερόχειρες και θέλετε το ηχείο με τον έλεγχο έντασης του μπροστινού πίνακα στην αριστερή σας πλευρά. Περιλαμβάνεται το Pro Tools | First M-Audio Edition Το ProTools είναι το στάνταρτ στην βιομηχανία του λογισμικού ηχογράφησης. Αυτό το φανταστικό λογισμικό ηχογράφησης Audio και Midi βοηθά στην έμπνευση οποιονδήποτε μουσικό, podcaster, live streamer ή τραγουδιστή για να δημιουργήσει, να ηχογραφήσει και να μοιραστεί όλες τις ιδέες του με όλο τον κόσμο ανά πάσα στιγμή. To Pro Tools | First M-Audio Edition διαθέτει απεριόριστα Busses, Elastic Time και Elastic Pitch, Offline Bounce και 1 GB δωρεάν αποθηκευτικού χώρου cloud για συνεργασία ή πρόσβαση στα έργα σας από οποιονδήποτε υπολογιστή οπουδήποτε και να είναι συνδεδεμένος στο Διαδίκτυο, καθώς και συμβατότητα με όλη τα συμπεριλαμβανόμενα AIR Music Tech Virtual Instruments. Αυτό το πραγματικά καταπληκτικό πακέτο λογισμικού εγγραφής είναι έτοιμο να βγάλει τις ιδέες σας από τη φαντασία σας και να απλωθεί στον κόσμο.

To ηλεκτρικό πιάνο  YAMAHA CLP-735B  Clavinova  παρέχει εξαιρετική απόκριση και αφή ενώ παράλληλα διακρίνεται για τον κορυφαίο ήχο πιάνου ο οποίος προέρχεται από τα διάσημα πιάνα κονσέρτου με ουρά Yamaha CFX και Bosendorfer Imperial. Με τεχνολογία GrandTouch-S™ στα πλήκτρα προσφέρει μοναδικές εκτελεστικές δυνατότητες στον μουσικό. Διαθέτει ήχους fortepiano,  προκατόχου του σύγχρονου πιάνου,  οι οποίοι ήταν αγαπημένοι των Μότσαρτ και Σοπέν. Συμβατό με τη δωρεάν εφαρμογή ΥΑΜΑΗΑ "Smart Pianist" για το iPhone / iPad / Android (απαιτείται πρόσθετο καλώδιο σύνδεσης ή συσκευή YAMAHA MD-BT-01 Bluetooth Midi Adaptor, δεν περιλαμβάνονται). Xαρακτηριστικά: 88 βαρυκεντρισμένα πλήκτρα με τεχνολογία GrandTouch-S ™:  Μαύρα πλήκτρα από συνθετικό έβενο και άσπρα πλήκτρα με επιφάνεια ivory Ρυθμιζόμενή ευαισθησία πλήκτρων: Hard2/Hard1/Medium/Soft1/Soft2/Fixed 3 πεντάλ: Damper (με λειτουργία half-pedal ), Sostenuto, Soft και επιπλέον λειτουργίες Pitch Bend Up, Pitch Bend Down, Rotary Speed, Vibe Rotor, Song Play/Pause Oθόνη: LCD  128 x 64 dots Μηχανή παραγωγής ήχου πιάνου: Yamaha CFX, Bosendorfer Imperial με δειγματοληψία Binaural και εφέ Key-off Samples, Smooth Release, VRM, Grand Expression Modeling Πολυφωνία: 256 νότες 38 ήχοι 20 ρυθμοί Αριθμός προεπιλεγμένων τραγουδιών: 21 τραγούδια voice demo + 50 κλασικά + 303 τραγούδια εκμάθησης Εφέ: 6 X Reverb, 3 X Chorus, Brilliance (7+ User), Intelligent Acoustic Control (IAC), Stereophonic Optimizer Λειτουργίες: Dual/Layers, Split, Duo USB Audio Recorder και Audio Player: .wav (44.1 kHz sample rate, 16-bit resolution, stereo) Μετρονόμος (Tempo: 5 – 500) Transpose: -12 - 0 - +12 και δυνατότητα χορδίσματος 414.8 - 440.0 - 466.8 Hz (~ 0.2 Hz ) 2 x είσοδοι για ακουστικά  (Standard stereo jack ) Eίσοδος AUX IN  ( Stereo Mini jack) 2 x έξοδοι AUX OUT [L/L+R] [R] MIDI : [IN] [OUT] [THRU] USB TO DEVICE / USB TO HOST Ηχεία : 30 W (16 cm)  x 2 Τροδοφοδοσία 18 W με εξωτερικό τροφοδοτικό (Περιλαμβάνεται το ΥΑΜΑΗΑ PA-300C) Διαστάσεις (Πλάτος x  Ύψος x Bάθος): 1461 mm  X 927 mm X   459 mm Βάρος: 57 kg Χρώμα:Dark Rosewood Δεν περιλαμβάνεται κάθισμα.

CUSTOMIZABLE TONES FOR JAMMING AND PRACTICE With its impressive sound, built-in effects, and the ability to swap COSM amp types via a free app for iOS and Android devices, the CUBE-10GX is the perfect small amp for jamming, bedroom practice, and recording. Built to the respected CUBE standard, the CUBE-10GX delivers big, full tones with its custom 8-inch speaker and heavy-duty cabinet design. Clean, Crunch, and Lead amp types come ready to play from the factory, but you can easily switch them out from your favorite mobile device. The CUBE KIT app includes multiple amps to choose from, including vintage classics, ultra-heavy gain machines, and even amps for bass and acoustic-electric guitar. The compact CUBE-10GX also includes options for shaping your tones even further with three-band EQ and onboard chorus, delay, and reverb effects. Compact 10-watt guitar amp with custom-designed 8-inch speaker Three preset COSM amp types: Clean, Crunch, and Lead Replace preset amps with custom COSM amps via the free CUBE KIT app for iOS and Android devices Three onboard effects: chorus, delay, and reverb (including plate and spring reverb types) Bass, Middle, and Treble tone controls Rec Out/Phones jack provides high-quality direct tones for quiet practice and recording Aux In jack for jamming with an external music player Big Sound, Compact Package Packing versatile amp sounds, simple-yet-powerful tone controls, and high-caliber effects, the CUBE-10GX is ideal for both beginning guitarists and experienced players looking for a great sounding small amp. Renowned CUBE construction quality provides rich, full sound and maximum durability, with a custom-designed 8-inch speaker, ultra-rigid cabinetry, heavy-duty corner protectors, and more. From bedroom practice to jamming with friends to tracking in the studio, the CUBE-10GX delivers top-shelf guitar tones wherever you play. Easily Customize Amp Types from Your Smart Phone or Tablet Out of the box, the CUBE-10GX comes ready to rock with Clean, Crunch, and Lead COSM amp types. But that’s just where the fun starts—using the CUBE KIT app for iOS and Android devices, you can load up those three slots with a variety of different amp types and adapt the sound of the CUBE-10GX for the music you like to play! Available as a free download, CUBE KIT includes seven additional COSM amp types to cover any style, from jazz to classic rock to high-gain metal. For enhanced versatility, there are even amp types designed for bass and acoustic-electric guitar. Simple and intuitive to use, CUBE KIT makes it easy to customize the CUBE-10GX’s sound in seconds. Three-Band EQ, Built-in Effects, and More The CUBE-10GX is equipped with Bass, Middle, and Treble controls for fine-tuning your tone, plus three high-quality effects. Chorus, delay, or reverb can be dialed up easily with a single intuitive knob, and the reverb section offers plate and retro spring variations for a wide range of sound. Via the rear-panel Aux In jack, you can plug in a music player or smart phone and riff along with your favorite tunes. There’s also a Rec Out/Phones jack, which mutes the onboard speaker and provides a direct output complete with COSM speaker modeling. This is a great feature for quiet practice with headphones, and also for tracking the CUBE-10GX’s pro COSM tones directly into your favorite recording devices.

The Simplest Way to Add Four-on-the-Floor Beats and Kick Drums to Your Performances The Roland SPD::ONE KICK is a new type of digital percussion pad, one that allows any musician to add genuine kick drum and percussion sounds to their performances. It contains 22 realistic percussion sounds, including kick drums, stomp box, shakers, cowbells, and more, and you can even import your own original audio data into one of the 12 internal sound banks. Once you’re ready to go, the SPD::ONE KICK’s robust-yet-sensitive pad can be played with sticks, hands, or feet, and trigger threshold settings are easily adjusted with intuitive controls. Powered by batteries or AC, the portable SPD::ONE KICK can be used on the floor or a tabletop, or mounted to any rig or drum setup with the included adapter. Operation is simple, even for those musicians who are not technical; just by using four knobs on the control panel, you can change the sound, volume, balance, and more. Whether you’re a drummer, percussion player, guitarist, DJ, or vocalist, the SPD::ONE KICK is a simple and flexible way to expand your sound palette and invigorate your performances. A Digital Percussion Pad You Can Play with Sticks, Hands, or Feet Every musician is individual, and your instruments need to complement your creativity and performance style. The SPD::ONE KICK lets you play the way you want to; this compact digital percussion pad can be played with drumsticks, hands, or even your feet. What’s more, you can adjust sensitivity and trigger threshold settings in seconds simply by using two control dials on the side of the unit. Drummers and percussionists will love the solid feel and natural rebound, guitarists can confidently stomp on the unit for four-on-the-floor beats, and practically any musician can play sounds by hand without fear of sore palms and fingers at the end of the night. Kick and Stomp Box Sounds Specially Selected for Playing with the Foot The SPD::ONE KICK contains 22 internal sounds, including a variety of kick drums and stomp box sounds, making this the ideal pad in the SPD::ONE range for playing by foot. Adding four-on-the-floor kick patterns to solo guitar or cajon performances has never been easier. Thanks to the variety of onboard sounds and instant tone and effect adjustment using just two knobs, you can switch the sound between songs as your set progresses. It’s not limited to solo performances either; practically any musician, including drummers and DJs, can instantly access kick sounds with the SPD::ONE KICK. Easily Fits Into Any Instrument Setup The SPD::ONE KICK is compact enough to fit into your existing instrument setup without needing to move your other gear. With the included mounting adapter, you can easily clamp the pad to a hi-hat, cymbal, or tom stand,* or even a mic stand. Alternately, the SPD::ONE KICK can be played without mounting it to anything at all—simply place it on the floor, a tabletop, or any solid surface. Portable and Built for the Road You can take the SPD::ONE KICK wherever you want, thanks to its compact size and battery operation. It’s lightweight enough to be dropped into a bag or instrument case, and robust enough to travel thanks to its metal-body construction. You can even play and produce your own sounds on the move via headphones, and include them in your set list that night. Easy Control Using Just Four Knobs Operating the SPD::ONE KICK is very simple. There are no complex submenus or button sequences—just select your sounds by turning the bank selector to any of the 12 positions, and hit the pad to play. With just four main knobs on the front panel, everything you need is at hand, including the ability to customize sounds, adjust overall volume, and balance levels on the fly. Enhance Your Performances with User Sample Import The SPD::ONE KICK is loaded with great sounds, but sometimes you just need to use your own samples. Via USB, you can import WAV audio files up to five seconds long simply by dragging and dropping your files. Your sounds can then be modified just like any of the internal sounds using the tuning and effect control knobs. If you need to use sounds longer than five seconds, check out the dedicated SPD::ONE WAV PAD, which can handle up to 4 GB of WAV audio. Compact MIDI Controller for DAW Music Production Thanks to its built-in USB-MIDI support, the SPD::ONE KICK can be used as a compact digital pad controller for a computer DAW. This provides a great way to play software-based sounds and enhance your productions with realistic MIDI percussion tracks. Specifications: Instruments: 22 User Sample: Number of User Sample: 1 Sound Length: 5seconds Data Format: WAV (44.1 kHz, 16 bits, Mono/Stereo) Controls INST knob [TUNING] knob [FX] knob [VOLUME] knob [INST VARIATION] button [THRES] knob [SENS] knob [POWER] switch Effects: Reverb, Distortion Indicator: TRIG Indicator Connectors: OUTPUT (MONO) jack: 1/4-inch phone type PHONES jack: Stereo 1/4-inch phone type USB port: Micro-B type DC IN jack USB: MIDI Mass Storage Class Power Supply: Rechargeable Ni-MH battery (AA, HR6) x 4 Alkaline battery (AA, LR6) x 4 AC adaptor (DC9V) Current Draw:300 mA (DC IN) *Expected battery life under continuous use Rechargeable Ni-MH battery (AA, HR6): Normal use: Approx. 7 hours, Maximum load use: Approx. 4 hours Alkaline battery (AA, LR6): Normal use: Approx. 6 hours, Maximum load use: Approx. 3 hours *These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use. Accessories: Owner's manual Leaflet "USING THE UNIT SAFELY" Attachment Attachment screws x 2 Holder mounting screws (bolt x 1, nut x 1, washers x 2) *Acceptable rod diameters: 8.0–12.7 mm (3/8–1/2 inches) Alkaline batteries (AA, LR6) x 4 Options (sold separately): AC adaptor: PSA-S series Personal drum monitor: PM-10 Headphones: RH-300V Size and Weight Width: 140 mm, 5-9/16 inches Depth:160 mm,6-5/16 inches Height: 56 mm,2-1/4 inches Weight: 900 g, 2 lbs

Naim Air Plug Z offers custom ohms loading for Superline phono preamp, for the best playback of various cartridges

Your Own Samples, Backing Tracks, and Click Tracks—In the Palm of Your Hand The Roland SPD::ONE WAV PAD is a new type of digital percussion pad, one that allows any musician to perform with their own sounds and samples. Importing audio files is as simple as connecting the SPD::ONE WAV PAD to a PC or Mac and dragging your WAV files into the drive that appears. Whether you need full-length backing tracks or one-shot samples, your sounds can be loaded and played in seconds. Once you’re ready to go, the unit’s robust-yet-sensitive pad can be played with sticks, hands, or feet, and trigger threshold settings are easily adjusted with intuitive controls. Powered by batteries or AC, the portable SPD::ONE WAV PAD can be used on the floor or a tabletop, or mounted to any rig or drum setup with the included adapter. Operation is simple, even for those musicians who are not technical; just by using four knobs on the control panel, you can change the sound, volume, balance, and more. Whether you’re a drummer, percussion player, guitarist, DJ, or vocalist, the SPD::ONE WAV PAD is a simple and flexible way to expand your sound palette and invigorate your performances. Features: Light, compact digital percussion pad that can be played with drumsticks, hands, or feet Import your original WAV sound data by connecting to a computer via USB and dragging and dropping files Internal 4 GB drive can hold up to 360 minutes of stereo audio Edit and control your sounds easily with just four knobs Powered by batteries (4 x AA) or AC adaptor Main stereo output, plus stereo headphones output for monitoring USB-MIDI enables use as a pad controller for music software Can be floor or tabletop mounted, or fitted to drum hardware and mic stands using the included mounting adaptor SPD::ONE WAV PAD Trailer In this video, Roland artist Kaz Rodriguez connects the SPD::ONE WAV PAD to his computer via USB and copies his own click track and backing track directly onto the SPD::ONE WAV PAD drive. We can hear the personal mix that Kaz himself hears via the phones output. While Kaz is performing, we can hear the track being played back from the SPD::ONE WAV PAD via the stereo master output. A Digital Percussion Pad You Can Play with Sticks, Hands, or Feet Every musician is individual, and your instruments need to complement your creativity and performance style. The SPD::ONE WAV PAD lets you play the way you want to; this compact digital percussion pad can be played with drumsticks, hands, or even your feet. What’s more, you can adjust sensitivity and trigger threshold settings in seconds by using two control dials on the side of the unit. Drummers and percussionists will love the solid feel and natural rebound, guitarists can confidently stomp on the unit for four-on-the-floor beats, and practically any musician can play sounds by hand without fear of sore palms and fingers at the end of the night. Import Entire Songs, Backing Tracks, and Clicks The SPD::ONE WAV PAD can import and play WAV audio files.* From backing tracks to individual samples like vocal phrases, drum sounds, and musical sequences, if you can record it, you can load it in the SPD::ONE WAV PAD and play it. Importing audio is very simple: just connect the unit to a PC or Mac via USB, and then drag and drop your files. Samples can then be triggered in different ways using a host of playback options, such as polyphonic, monophonic, or alternate. With the SPD::ONE WAV PAD, playing your own sounds at a gig has never been easier. *Compatible WAV data format: 44.1 kHz, 16-bit, stereo or mono. Play Click Tracks Simultaneously—and In Sync—with Backing Tracks Playing with backing tracks brings studio-level production to the smallest of gigs. And with the SPD::ONE WAV PAD, anything you can record in the studio can be brought onto the live stage. But to stay in time with the backing track, you’ll need a click track, and the SPD::ONE WAV PAD can help. Imported audio click tracks that you create in your DAW to accompany your backing track will play simultaneously. But here’s the clever bit—while the backing track can only be heard via the main and headphones outputs, the click is automatically routed to the headphones only for stage monitoring. As you play, the volume balance between the backing and click tracks can be adjusted using the Balance Mix knob. The headphones output is designed to produce ample volume for monitoring, ensuring you hear the sound even on loud stages. Layer Audio Files and Customize Your Sounds While the SPD::ONE WAV PAD is simple to use, it can also handle some seriously creative setups. Up to three audio files can be layered together, so a single hit can produce three sounds at once. Imagine hearing a deep 808 kick sound combined with a hand clap and vocal phrase—this unique layering function has endless possibilities. You can even trigger different sounds by playing different velocities. For example, when playing hi-hat sounds, you can trigger a closed hi-hat by striking gently and an open hi-hat when you hit harder. The SPD::ONE WAV PAD makes it easy to put on a performance with surprising versatility. Easily Fits Into Your Existing Instrument Setup The SPD::ONE WAV PAD is compact enough to fit into your existing instrument setup without needing to move your other gear. With the included mounting adapter, you can easily clamp the pad to a hi-hat, cymbal, or tom stand,* or even a mic stand. Alternately, the SPD::ONE WAV PAD can be played without mounting it to anything at all—simply place it on the floor, a tabletop, or any solid surface. *Fits percussion stand rod diameters from 8.0-12.7 mm. Portable and Built for the Road You can take the SPD::ONE WAV PAD wherever you want, thanks to its compact size and battery operation. It’s lightweight enough to be dropped into a bag or instrument case, and robust enough to travel thanks to its metal-body construction. You can even play and produce your own sounds on the move via headphones, and include them in your set list that night. Easy Control Using Just Four Knobs Operating the SPD::ONE WAV PAD is very simple. There are no complex submenus or button sequences—just select your sounds by turning the bank selector to any of the 12 positions, and hit the pad to play. With just four main knobs on the front panel, everything you need is at hand, including the ability to customize sounds, adjust overall volume, and balance levels on the fly. Compact MIDI Controller for DAW Music Production Thanks to built-in USB-MIDI support, the SPD::ONE WAV PAD can be used as a compact digital pad controller for a computer DAW. This provides a great way to play software-based sounds and enhance your productions with realistic MIDI percussion tracks. Specifications: Number of Recordable Wave Data: 12, *Layer and Click waves data are excluded Memory: 4 GB (approx. 360 min. in stereo) Data Format: WAV (44.1 kHz, 16 bits, Stereo/Mono) Controls: WAVE knob [PHONES] knob [MIX] knob [MASTER] knob [ALL SOUND OFF] button [THRES] knob [SENS] knob [POWER] switch Indicator:TRIG Indicator Connectors: MASTER OUT (STEREO) jack: Stereo 1/4-inch phone type PHONES jack: Stereo 1/4-inch phone type USB port: Micro-B type DC IN jack USB: Mass Storage Class MIDI Power Supply: Rechargeable Ni-MH battery (AA, HR6) x 4 Alkaline battery (AA, LR6) x 4 AC adaptor (DC9V) Current Draw: 300 mA (DC IN) *Expected battery life under continuous use Rechargeable Ni-MH battery (AA, HR6): Normal use: Approx. 7hours Maximum load use: Approx. 4hours Alkaline battery (AA, LR6): Normal use: Approx. 6hours Maximum load use: Approx. 3hours *These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use. Accessories: Owner's manual Leaflet "USING THE UNIT SAFELY" Attachment Attachment screws x 2 Holder mounting screws (bolt x 1, nut x 1, washers x 2)* *Acceptable rod diameters: 8.0–12.7 mm (3/8–1/2 inch) Alkaline batteries (AA, LR6) x 4 Options (sold separately): AC adaptor: PSA-S series Stereo Split Cable: PCS-31L Personal drum monitor: PM-10 Headphones: RH-300V Size and Weight: Width140 mm 5-9/16 inchesDepth160 mm 6-5/16 inchesHeight56 mm 2-1/4 inchesWeight900 g 2 lbs

TRUE ENTERTAINMENT Immensely improve your TV's sound with The Fives - easy-to-use, powered, high-def speakers that connect directly to your TV - and virtually anything else. TRUE HI-FI The Fives incorporate award-winning, proprietary Klipsch Reference acoustic horn-loaded technology, from dedicated left and right speakers for a big, bold soundstage. Built-in dynamic bass equalization delivers powerful bass at any volume. The Fives also feature 192kHz/24-bit decoding for flawless reproduction of high-resolution audio tracks. TRUE CONNECTIVITY The Fives are the first powered monitors on the market with HDMI-ARC to connect directly to a TV for high-resolution, discrete 2-channel TV sound. The Fives include a phono preamp, Bluetooth® 5, HDMI-ARC, digital optical, analog RCA and USB inputs, and a subwoofer output. Enjoy superior stereo sound from a powerful and beautifully crafted tabletop system. With virtually endless connection possibilities, including HDMI-ARC, The Fives provide a better listening experience than a traditional sound bar with the same easy plug-and-play setup. Award-winning acoustics, state-of-the-art DSP, and tuning alongside discrete left and right channels, the Fives feature removable magnetic grilles, multiple finish options, and a subwoofer output. The Fives are the most versatile speakers on Earth. PREMIUM MATERIALS Handcrafted with real wood finishes alongside premium metal accents and controls. REAL HI-FI SOUND Powered stereo speakers with premium components deliver a wide and immersive soundstage. EASY SETUP Plug-and-play and no receiver needed. Get all-encompassing, room-filling sound from your TV with just one cable.

The three-way IB2S-AII offers discerning users all the attributes of PMC’s large ATL™ reference active monitors but in a more compact form. They are ideal for high-end reference monitoring in both stereo and surround formats. The DSP-controlled, Class-D powered cabinets make use of PMC’s ATL™ (Advanced Transmission Line) bass-loading technology, providing a smoothly controlled, high-resolution low-frequency response. Each cabinet features PMC’s hand-built preparatory drivers - the 10-inch carbon-fibre/Nomex™ piston, 75mm fabricdome mid, and the 34mm soft-dome tweeter. The power is supplied by PMC’s ultra-low distortion devices that are conveniently rack mountable, providing HF 275W, MF 550W and LF 1200W of acoustically transparent power. This single cabinet monitor features user-adjustable HF and LF shelving filters, ±8dB input level trim, and an AES3 digital input, as standard. The input sensitivity of the balanced analogue inputs can also be adjusted from +4dB to +16dB. In addition, the EQ, level trims and analogue/digital input  election settings can be adjusted from a distance using an RJ45-connected remote, which is supplied as standard. Options: Dedicated vertical and horizontal centre channel versions Tailor made, high mass, 33” Studio Frame Stands Specifications: Available Finishes: Studio black Type: 3-way ATL™ active reference monitor Analogue & digital (up 96kHz) inputs Maximum SPL: 125dB Three personal balance presets for multiple users Crossover Frequency: 380Hz & 3.8kHz Dimensions:H 745mm (29.3 inches) W 330mm (12.9 inches) D 564mm (22.2 inches) Drive Units: LF 250mm/ 10” PMC Carbon Fibre/ Nomex™ piston driver,MF PMC hand-built 75mm soft-dome driver,HF PMC 34mm soft-dome tweeter with acoustic radiator Effective ATL™ Length: 2.4m (8ft) Frequency Response: 25Hz - 25kHz Input Connectors: Balanced Analogue Main Input/ Through Sensitivity: Adjustable +4dB to +16dBu Weight: 46.5kg (102.5lbs) each Amplifier Power per Channel: LF 1 x 1200Wrms, MF 1 x 550Wrms, HF 1 x 275Wrms

The result6 provides an introduction to PMC and the huge benefits of ATL™ technology, the proprietary bass-loading system at the heart of all our designs. This active two-way reference monitor offers all the attributes for which PMC is world-renowned: high resolution and detail, accurate, extended bass, consistent tonal balance at all levels, and wide dispersion and sweet spot. With an emphasis on elegant simplicity, this is a compact nearfield that allows you to work faster and more confidently. There are no overly complex DSP-based user options or room profiles; instead, the result6 achieves its characteristically neutral, dependable PMC reference sound solely on the strength of its engineering. Honed to the fundamentals of our design philosophy, it’s devoted to getting you the best sounding results in the shortest possible time.

Ηχεία 2 δρόμων για τοποθέτηση σε τοίχο.Woofer/midrange blue Kevlar 150mm,tweeter Nautilus θόλου αλουμινίου 25mm.Διακόπτης ισοστάθμισης 3 θέσεων. Ευαισθησία88 dB. Μέγιστη ισχύς ενισχυτού 25-150 W.

Το Bowers & Wilkins  CCM-663-SR ειναι ηχείo 2 δρόμων, 2 καναλιών για τοποθέτηση σε οροφή. Woofer/midrange blue Kevlar 150mm, 2 tweeter θόλου 20mm. Ευαισθησία 89 dB (οδήγηση 2ch), 83 dB (ανά κανάλι). Συνιστώμενη ισχύς ενισχυτού 25-80 W (ανά κανάλι). Χαρακτηριστικά: Description:2-way dual channel in-ceiling system Drive Units:2x ø20mm (1in) soft dome tweeter,1x ø150mm (6in) blue Aramid Fibre cone bass/midrange Frequency Range (-6dB):48Hz – 30kHz Recommended Amp Power:25 – 80w (per channel) Sensitivity SPL (2.83V, 1m):83dB (per channel),89dB (both channels driven) Impedance Nominal (min):8Ω (4Ω) (per channel) Frame diameter:240mm (9.5in) Cut-out diameter:202mm (8in) Depth behind surface:133mm (5.2in) Protrusion:4mm (0.2in) Pre-mount Kit:C6 Back Box:6C

Το Bowers & Wilkins CCM-664-SR ειναι ηχείο 2 δρόμων, 2 καναλιών για τοποθέτηση σε οροφή. Woofer/midrange black glass fiber 150mm, 2 tweeter θόλου 20mm. Ευαισθησία 88 dB (οδήγηση 2ch), 82 dB (ανά κανάλι). Συνιστώμενη ισχύς ενισχυτού 25-80 W. Χαρακτηριστικά: Description: 2-way dual channel in-ceiling system Drive Units:2x ø20mm (1in) soft dome tweeter,1x ø150mm (6in) black glassfibre cone bass/midrange Frequency Range (-6dB):48Hz – 30kHz Recommended Amp Power:25 – 80w (per channel) Sensitivity SPL (2.83V, 1m):82dB (per channel) Impedance Nominal (min):88dB (both channels driven),8Ω (4Ω) (per channel) Frame diameter:240mm (9.5in) Cut-out diameter:202mm (8in) Depth behind surface:133mm (5.2in) Protrusion:4mm (0.2in) Pre-mount Kit:C6 Back Box:6C

Τα Bowers & Wilkins CCM-664 ειναι ηχεία 2 δρόμων για τοποθέτηση σε οροφή. Woofer/midrange black Glass Fiber 150mm, tweeter θόλου 25mm ρυθμιζόμενης γωνίας. Διακόπτης ισοστάθμισης 3 θέσεων. Ευαισθησία 87 dB. Συνιστώμενη ισχύς ενισχυτού 25-130 W.  Χαρακτηριστικά: Description: 2-way in-ceiling system Drive Units:1x ø25mm (1in) soft dome tweeter, 1x ø150mm (6in) black glassfibre cone bass/midrange Frequency Range (-6dB):45Hz – 35kHz Recommended Amp Power:25 – 130w Sensitivity SPL (2.83V, 1m):87dB Impedance Nominal (min):8Ω (4.5Ω) Frame diameter:240mm (9.5in) Cut-out diameter:202mm (8in) Depth behind surface:133mm (5.2in) Protrusion:4mm (0.2in) Pre-mount Kit:C6 Back Box:6C

Τα Bowers & Wilkins CCM-665 ειναι ηχεία 2 δρόμων για τοποθέτηση σε οροφή. Woofer/midrange black Glass Fiber 150mm, tweeter θόλου 25mm. Ευαισθησία 87 dB. Συνιστώμενη ισχύς ενισχυτού 25-130 W. Χαρακτηριστικά: Description:2-way in-ceiling system Drive Units:1x ø25mm (1in) soft dome tweeter,1x ø150mm (6in) black glassfibre cone bass/midrange Frequency Range (-6dB):45Hz – 35kHz Recommended Amp Power:25 – 130w Sensitivity SPL (2.83V, 1m):87dB Impedance Nominal (min):8Ω (4.5Ω) Frame diameter:240mm (9.5in) Cut-out diameter:202mm (8in) Depth behind surface:133mm (5.2in) Protrusion:4mm (0.2in) Pre-mount Kit:C6 Back Box:6C

Τα Bowers & Wilkins CCM-663 ειναι ηχεία 2 δρόμων για τοποθέτηση σε οροφή. Woofer/midrange blue Kevlar 150mm, tweeter Nautilus θόλου αλουμινίου 25mm ρυθμιζόμενης γωνίας. Διακόπτης ισοστάθμισης 3 θέσεων. Ευαισθησία 88 dB. Συνιστώμενη ισχύς ενισχυτού 25-130 W.  Χαρακτηριστικά: Description: 2-way in-ceiling system Drive Units: 1x ø25mm (1in) Nautilus™ swirl loaded aluminium dome tweeter ,1x ø150mm (6in) blue Kevlar® cone bass/midrange Frequency Range (-6dB): 45Hz – 50kHz Recommended Amp Power: 25 – 130w Sensitivity SPL (2.83V, 1m): 88dB Frame diameter: 240mm (9.5in) Cut-out diameter: 202mm (8in) Depth behind surface: 133mm (5.2in) Protrusion: 4mm (0.2 in) Pre-mount Kit: C6 Back Box: 6C

Τα Bowers & Wilkins CCM-682 ειναι ηχεία 2 δρόμων για τοποθέτηση σε οροφή. Woofer/midrange blue Kevlar 200mm, tweeter Nautilus θόλου αλουμινίου 25mm ρυθμιζόμενης γωνίας. Διακόπτης ισοστάθμισης 3 θέσεων. Ευαισθησία 89 dB. Συνιστώμενη ισχύς ενισχυτού 25-150 W. Χαρακτηριστικά: Description:2-way in-ceiling system Drive Units:1x ø25mm (1in) Nautilus™ swirl loaded aluminium dome tweeter,1x ø200mm (8in) blue Aramid Fibre cone bass/midrange Frequency Range (-6dB):35Hz – 50kHz Recommended Amp Power:25 – 150w Sensitivity SPL (2.83V, 1m):89dB Impedance Nominal (min):8Ω (4.5Ω) Frame diameter:290mm (11.4in) Cut-out diameter:250mm (9.8in) Depth behind surface:133mm (5.2in) Protrusion:4mm (0.2in) Pre-mount Kit:C8 Back Box:6C

Τα Bowers & Wilkins CCM-662 ειναι ηχεία 2 δρόμων για τοποθέτηση σε οροφή. Woofer/midrange blue Kevlar 150mm, tweeter Nautilus θόλου αλουμινίου 25mm ρυθμιζόμενης γωνίας. Διακόπτης ισοστάθμισης 3 θέσεων. Ευαισθησία 88 dB. Συνιστώμενη ισχύς ενισχυτού 25-150 W. Χαρακτηριστικά: Description:2-way in-ceiling system Drive Units:1x ø25mm (1in) Nautilus™ swirl loaded aluminium dome tweeter,1x ø150mm (6in) blue Aramid Fibre cone bass/midrange Frequency Range (-6dB):45Hz – 50kHz Recommended Amp Power:25 – 150w Sensitivity SPL (2.83V, 1m):88dB Impedance Nominal (min):8Ω (4.5Ω) Frame diameter:240mm (9.5in) Cut-out diameter:202mm (8in) Depth behind surface:133mm (5.2in) Protrusion:4mm (0.2in) Pre-mount Kit:C6 Back Box:6C

Our entry model into the world of VOLTAiR headphone amplifiers. The Phonitor se has the same audio signal amplification as its bigger brothers Phonitor x and Phonitor xe and therefore offers the same sound experience. The DAC768xs is optionally available. Volume & Source Selection The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. In addition to an analog source, three other digital sources can be connected to the Phonitor se with the optional DAC. Headphone Output with Power The Phonitor se offers a 6.35 mm jack for connecting headphones with jack plug. Up to 2 x 5 watts of output power is available at this socket. This allows even very power-hungry headphones such as magnetostats or electrostats to be driven effortlessly. The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, that allows you to listen to music through headphones with the sound experience of listening through speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation and effects are a thing of the past. Enjoy your music without fatigue and exactly as it should be heard. The Phonitor Matrix in its largest expansion stage has three setting parameters: Crossfeed, Speaker Angle and Center Level.In Phonitor se the Center Level is preset to -1 dB and the speaker placement Angle to 30°. These are the most common values. The Crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the Crossfeed. Connections The Phonitor se is equipped with gold-plated RCA sockets for the analog input. The optional DAC768xs adds three more digital sources: USB Coax and Optical. The Optional DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  Specifications: Analog input: RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

All essential functions in a stylish, slim housing. The Phonitor e offers Phonitor Matrix, volume remote control, connection also for balanced headphones, DA converter option and the all superior VOLTAiR technology. For all headphones The Phonitor e offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the high output power, all headphones are driven effortlessly. Volume with remote control The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. The volume can be adjusted with any infrared remote control. The Phonitor e learns their commands. To do this, press the IR programming button on the back and then the buttons for louder and softer. Source selection A total of five sources can be connected to Phonitor e: XLR, Cinch, USB, Coax, and Optical Phonitor e is equipped with RCA connectors and balanced XLR connectors for the analog inputs. The optional DAC768xs adds three more digital sources: USB, Coax and Optical. The optional DAC768xs The converter chip used in the optional digital-to-analog converter is the highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, thanks to which you can listen to music with headphones as if you are listening to speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation rooms and effects are a thing of the past. Enjoy your music without tiring and exactly as it should be heard. The Phonitor Matrix, in its largest expansion stage, has three adjustment parameters: Crossfeed, Speaker Angle and Center Level. In Phonitor e the center level is preset to -1 dB and the speaker angle to 30°. These are the most common values. The crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the crossfeed. Specifications:   Analog Inputs: XLR (balanced), RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

All essential functions in a stylish, slim housing. The Phonitor e offers Phonitor Matrix, volume remote control, connection also for balanced headphones, DA converter option and the all superior VOLTAiR technology. For all headphones The Phonitor e offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the high output power, all headphones are driven effortlessly. Volume with remote control The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. The volume can be adjusted with any infrared remote control. The Phonitor e learns their commands. To do this, press the IR programming button on the back and then the buttons for louder and softer. Source selection A total of five sources can be connected to Phonitor e: XLR, Cinch, USB, Coax, and Optical Phonitor e is equipped with RCA connectors and balanced XLR connectors for the analog inputs. The optional DAC768xs adds three more digital sources: USB, Coax and Optical. The optional DAC768xs The converter chip used in the optional digital-to-analog converter is the highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, thanks to which you can listen to music with headphones as if you are listening to speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation rooms and effects are a thing of the past. Enjoy your music without tiring and exactly as it should be heard. The Phonitor Matrix, in its largest expansion stage, has three adjustment parameters: Crossfeed, Speaker Angle and Center Level. In Phonitor e the center level is preset to -1 dB and the speaker angle to 30°. These are the most common values. The crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the crossfeed. Specifications:   Analog Inputs: XLR (balanced), RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Ένα 5U ρακ που μπορεί να πάρει μέχρι και οκτώ μονάδες της σειράς 80. Διαθέτει διακόπτες phantom power και ποντεσιόμετρα για κάθε μια από τις οκτώ μονάδες που μπορεί να πάρει. Το Frame 8 είναι χειροποίητο στην ΕΕ που χρησιμοποιεί τα ίδια ακριβή μηχανικά εξαρτήματα ISEP που χρησιμοποιούνται στις κονσόλες Series 80. Αλουμινένιες ράγες, οδηγοί κλπ. Αυτό θα εξασφαλίσει ότι τα παλαιότερα vintage modules σας, καθώς και οποιαδήποτε από τα τρέχοντα, θα ταιριάζουν σαν γάντι. Κάθε κανάλι έχει το δικό του έλεγχο εξόδου καθώς και φωτιζόμενο διακόπτη phantom. Επίσης, το Frame 8 είναι έτοιμο για τη σύνδεση μέχρι 8 2264 συμπιεστών σε 2 busses, A ή B Το πίσω μέρος διαθέτει υποδοχές XLR Neutrik με επιχρυσωμένο XLR για είσοδο Mic και Line, καθώς και εξόδους. Η εξωτερική μονάδα τροφοδοσίας συνδέεται μέσω XLRs με 4 ακίδες Neutrik. Είναι διαμορφωμένο για 220-240v ή 110v. Η τροφοδοσία ρεύματος περιλαμβάνεται.

Το 8173 είναι ένα νέο μοντέλο της Heritage Audio, το οποίο έχει σχεδιαστεί για να χρησιμοποιηθεί στη διαδικασία αποκατάστασης των κονσολών μίξης ήχου vintage 80 Series. Επίσης μπορεί να τοποθετηθεί στα κουτιά Heritage Audio Frame 8 και Rack 2. Το 8173 θα μπορούσε εύκολα να περιγραφεί ως 1073 με τις μεσαίες μπάντες ενός 1081. Διατηρεί τις περιοχές του 1073 (Baxandall shelving), που ακούγονται καταπληκτικά, αλλά έχει προστεθεί μια επιλογή για 3 συχνότητες hi shelving, όπως στο 1084. Ιδιαίτερη προσοχή έχει δοθεί στην προμήθεια των σωστών εξαρτημάτων που εξασφαλίζουν ότι η απόδοση θα είναι όσο το δυνατόν πιο κοντά σε μια μονάδα 1070s (όσο είναι σήμερα δυνατό). Οι προσαρμοσμένοι πυκνωτές πολυστυρενίου και πολυπροπυλενίου έχουν αναπτυχθεί για να ταιριάζουν με τους τύπους Siemens Styroflex και Mullard Mustard από τα τέλη της δεκαετίας του '60 και τις αρχές της δεκαετίας του '70. Οι προσαρμοσμένοι μετασχηματιστές εισόδου έχουν επίσης σχεδιαστεί σε συνεργασία με το εργοστάσιο της Carnhill Transformers, ώστε να εξασφαλίζουν τις ιδιαίτερες απαιτήσεις της Heritage Audio. Το Heritage Audio 8173 είναι χειροποίητο και κατασκευάζεται αποκλειστικά στις εγκαταστάσεις της Heritage Audio στην Ισπανία, χρησιμοποιώντας τις ίδιες παλιομοδίτικες τεχνικές καλωδίωσης και συγκόλλησης της δεκαετίας του '70. Όλα τα κυκλώματά βρίσκονται σε πέντε κάρτες plug-in. Χαρακτηριστικά: Αντίσταση εισόδου μικροφώνου: HI, ελάχιστο 1200 Ohm, LO, ελάχιστο 300 Ohm. Οι υψηλότερες θέσεις στάθμης σταδιακά έχουν μεγαλύτερες αντιστάσεις, είναι βέλτιστες για τη χρήση μικροφώνων ribbon. Στην είσοδο υπάρχει ο μετασχηματιστής Carnhill (balanced και floating) Αντίσταση εισόδου γραμμής: γεφύρωση 10K Ohms, μετασχηματιστής Carnhill (balanced και floating) Αντίσταση εξόδου: Λιγότερο από 75 Ohms, με το μετασχηματιστή Carnhill (balanced και floating), για να οδηγήσει φορτίο 600 ohms (εργοστασιακά τερματισμένο) Μέγιστη έξοδος: Περισσότερο από + 26 dBm σε 600 ohm Απόκριση συχνότητας: 20Hz (+ 0.3dB) έως 20Khz (-0.2dB) Μέγιστο κέρδος: Ελαφρώς μεγαλύτερο από 80dB Θόρυβος: Λιγότερο από -100dBm.

Ο compressor/limiter Heritage Audio 2264E είναι μια μονάδα δυναμικής που βασίζεται στη γέφυρα με δίοδο (diode bridge) και έχει σχεδιαστεί για να χρησιμοποιηθεί στη διαδικασία αποκατάστασης των κονσολών μίξης ήχου vintage 80 Series. Μπορεί επίσης να εγκατασταθεί στο Heritage Audio Frame 8 και στο Rack 2, όπου προβλέπεται η σύνδεση έως 8 μονάδων σε 2 διαφορετικά buses. Είναι Class A, συμπεριλαμβανομένου του ίδιου σταδίου εξόδου που βρίσκεται στο HA1073, το οποίο αντιδρά πολύ καλύτερα με τη συμπίεση από τους ενισχυτές κατηγορίας Α/Β. Είναι απόλυτα χειροποίητο και καλωδιωμένο με τον ίδιο τρόπο όπως και τα υπόλοιπα μοντέλα της σειράς Heritage Audio 80 Series. Χαρακτηριστικά: Αντίσταση γραμμής εισόδου: γεφύρωση 10K Ohms, με μετασχηματιστή (balanced και floating) Αντίσταση εξόδου: Λιγότερο από 75 Ohms, με μετασχηματιστής (balanced και floating), για να οδηγήσει φορτίο 600 ohms (εργοστασιακά τερματισμένο) Αρμονική Παραμόρφωση (THD): Λιγότερο από 0,025% σε 1 Khz, λιγότερο από 0,05% στα 100Hz (χωρίς gain reduction) Maximum Gain: 20dB Μέγιστη κατανάλωση ενέργειας: Λιγότερο από 120 mA @ + 24VDC

Possibly the best value in the business! The Vintech Audio X73i is a class A, all discrete, transformer balanced microphone preamplifier with equalizer both based on the classic Neve 1073 module. It is constructed utilizing modern manufacturing techniques which allow us to offer this product at an incredible value. Now practically anyone can record with the classic sound of vintage modules without having to deal with inflated vintage prices.  The X73i features the same class A mic pre as the X73 with all of the same eq parameters plus additional mid-range frequencies, selectable input impedance, 1/4 inch D.I. on front panel, transformer balanced mic and line inputs, phase reverse, phantom power switch, eq switch, 70db of gain, quality Grayhill rotary switches, custom machined aluminum knobs, plus many other features.  FEATURES: Class-A output amplifier that uses a 2N3055 NPN power transistor  One rack space 16-gauge, all-steel Chassis  St. Ives output transformer  Hand wired Elma rotary input gain switch  Circuit board mounted rotary switches  Gold contacts  1,200 OR 300 ohm input impedance  Rear Neutrik XLR in/out, TRS out  Rear 1/4" TRS balanced line input  1/4" direct instrument input on the front panel  TUBE OR SOLID STATE: Solid State CHANNELS: Single-Channel CHASSIS: 19-inch Rack-mount RACK SPACES: 1u DIRECT INPUT: Yes DIGITAL I/O: No EACH UNIT INCLUDES: Low shelving  Fixed Hi EQ  Variable Low EQ  Variable Mid EQ frequencies  Input gain control  Output level control  Phase reverse switch  +48-Volt phantom power switch  EQ in/out switch  Power indicator LED  Note: This unit requires the Vintech Power Supply.

Το 6673 είναι ένα νέο μοντέλο της Heritage Audio, το οποίο έχει σχεδιαστεί για να χρησιμοποιηθεί στη διαδικασία αποκατάστασης των κονσολών μίξης ήχου vintage 80 Series. Επίσης μπορεί να τοποθετηθεί στα κουτιά Heritage Audio Frame 8 και Rack 2. Το 6673 είναι ένας ισοσταθμιστής 4 ζωνών σε μια μονάδα μεγέθους 1073, που συνδυάζει τη μεσαία ζώνη της μονάδας vintage 1066 και μια ενισχυμένη μεσαία ζώνη 1073. Το γεγονός αυτό επιτρέπει μια πιο σύνθετη εξισορρόπηση ενώ παράλληλα διατηρεί τις ίδιες ηχητικές ιδιότητες. Επιπλέον, το 6673 διαθέτει τρεις επιλογές συχνότητας για high shelf, σε αντίθεση με τις σταθερές τιμές που έχουν τα 1073 και 1066, καλύπτοντας και τα δύο. Ιδιαίτερη προσοχή έχει δοθεί στην προμήθεια των σωστών εξαρτημάτων που εξασφαλίζουν ότι η απόδοση θα είναι όσο το δυνατόν πιο κοντά σε μια μονάδα 1070s (όσο είναι σήμερα δυνατό). Οι προσαρμοσμένοι πυκνωτές πολυστυρενίου και πολυπροπυλενίου έχουν αναπτυχθεί για να ταιριάζουν με τους τύπους Siemens Styroflex και Mullard Mustard από τα τέλη της δεκαετίας του '60 και τις αρχές της δεκαετίας του '70. Οι προσαρμοσμένοι μετασχηματιστές εισόδου έχουν επίσης σχεδιαστεί σε συνεργασία με το εργοστάσιο της Carnhill Transformers, ώστε να εξασφαλίζουν τις ιδιαίτερες απαιτήσεις της Heritage Audio. Το Heritage Audio 6673 είναι χειροποίητο και κατασκευάζεται αποκλειστικά στις εγκαταστάσεις της Heritage Audio στην Ισπανία, χρησιμοποιώντας τις ίδιες παλιομοδίτικες τεχνικές καλωδίωσης και συγκόλλησης της δεκαετίας του '70. Όλα τα κυκλώματά βρίσκονται σε πέντε κάρτες plug-in. Χαρακτηριστικά: Αντίσταση εισόδου μικροφώνου: HI, ελάχιστο 1200 Ohm, LO, ελάχιστο 300 Ohm. Οι υψηλότερες θέσεις στάθμης σταδιακά έχουν μεγαλύτερες αντιστάσεις, είναι βέλτιστες για τη χρήση μικροφώνων ribbon. Στην είσοδο υπάρχει ο μετασχηματιστής Carnhill (balanced και floating) Αντίσταση εισόδου γραμμής: γεφύρωση 10K Ohms, μετασχηματιστής Carnhill (balanced και floating) Αντίσταση εξόδου: Λιγότερο από 75 Ohms, με το μετασχηματιστή Carnhill (balanced και floating), για να οδηγήσει φορτίο 600 ohms (εργοστασιακά τερματισμένο) Μέγιστη έξοδος: Περισσότερο από + 26 dBm σε 600 ohm Αρμονική Παραμόρφωση (THD): Λιγότερο από 0,025% σε 1 Khz, λιγότερο από 0,05% στα 100Hz Απόκριση συχνότητας: 20Hz (+ 0.3dB) έως 20Khz (-0.2dB) Μέγιστο κέρδος: Ελαφρώς μεγαλύτερο από 80dB Θόρυβος: Λιγότερο από -100dBm

Το Heritage Audio 1084 έχει σχεδιαστεί για να χρησιμοποιηθεί στη διαδικασία αποκατάστασης των κονσολών μίξης ήχου vintage 80 Series. Επίσης μπορεί να τοποθετηθεί στα κουτιά Heritage Audio Frame 8 και Rack 2. Ιδιαίτερη προσοχή έχει δοθεί στην προμήθεια των σωστών εξαρτημάτων που εξασφαλίζουν ότι η απόδοση θα είναι όσο το δυνατόν πιο κοντά σε μια μονάδα 1070s (όσο είναι σήμερα δυνατό). Οι προσαρμοσμένοι πυκνωτές πολυστυρενίου και πολυπροπυλενίου έχουν αναπτυχθεί για να ταιριάζουν με τους τύπους Siemens Styroflex και Mullard Mustard από τα τέλη της δεκαετίας του '60 και τις αρχές της δεκαετίας του '70. Οι προσαρμοσμένοι μετασχηματιστές εισόδου έχουν επίσης σχεδιαστεί σε συνεργασία με το εργοστάσιο της Carnhill Transformers, ώστε να εξασφαλίζουν τις ιδιαίτερες απαιτήσεις της Heritage Audio. Το Heritage Audio 1084 είναι χειροποίητο και κατασκευάζεται αποκλειστικά στις εγκαταστάσεις της Heritage Audio στην Ισπανία, χρησιμοποιώντας τις ίδιες παλιομοδίτικες τεχνικές καλωδίωσης και συγκόλλησης της δεκαετίας του '70. Η κατασκευή μιας μόνο μονάδας διαρκεί αρκετές μέρες από έναν από τους κύριους κατασκευαστές μας. Όλα τα κυκλώματά βρίσκονται σε πέντε κάρτες plug-in. Χαρακτηριστικά: Διακόπτης Hi Q για τη μεσσαία περιοχή. Αντίσταση εισόδου μικροφώνου: HI, ελάχιστο 1200 Ohm, LO, ελάχιστο 300 Ohm. Οι υψηλότερες θέσεις στάθμης σταδιακά έχουν μεγαλύτερες αντιστάσεις, είναι βέλτιστες για τη χρήση μικροφώνων ribbon. Στην είσοδο υπάρχει ο μετασχηματιστής Carnhill (balanced και floating). Αντίσταση εισόδου γραμμής: γεφύρωση 10K Ohms, μετασχηματιστής Carnhill (balanced και floating). Αντίσταση εξόδου: Λιγότερο από 75 Ohms, με το μετασχηματιστή Carnhill (balanced και floating), για να οδηγήσει φορτίο 600 ohms (εργοστασιακά τερματισμένο). Μέγιστη έξοδος: Περισσότερο από + 26 dBm σε 600 ohm. Αρμονική Παραμόρφωση (THD): Λιγότερο από 0,025% σε 1 Khz, λιγότερο από 0,05% στα 100Hz. Απόκριση συχνότητας: 20Hz (+ 0.3dB) έως 20Khz (-0.2dB). Μέγιστο κέρδος: Ελαφρώς μεγαλύτερο από 80dB. Θόρυβος: Λιγότερο από -100dBm.

Το Heritage audio 1073 κατασκευάζεται αποκλειστικά στις εγκαταστάσεις της Heritage στην Ισπανία, με τον παραδοσιακό τρόπο των 70s. Κάθε μονάδα απαιτεί αρκετές μέρες για να ολοκληρωθεί από τους τεχνικούς και όλα τα κυκλώματα βρίσκονται σε τέσσερις κάρτες. Το Heritage Audio 1073 έχει σχεδιαστεί για να χρησιμοποιηθεί στη διαδικασία αποκατάστασης των κονσολών μίξης ήχου vintage 80 Series. Επίσης μπορεί να τοποθετηθεί στα κουτιά Heritage Audio Frame 8 και Rack 2. Ιδιαίτερη προσοχή έχει δοθεί στην προμήθεια των σωστών εξαρτημάτων που εξασφαλίζουν ότι η απόδοση θα είναι όσο το δυνατόν πιο κοντά σε μια μονάδα 1070s (όσο είναι σήμερα δυνατό). Οι προσαρμοσμένοι πυκνωτές πολυστυρενίου και πολυπροπυλενίου έχουν αναπτυχθεί για να ταιριάζουν με τους τύπους Siemens Styroflex και Mullard Mustard από τα τέλη της δεκαετίας του '60 και τις αρχές της δεκαετίας του '70. Οι προσαρμοσμένοι μετασχηματιστές εισόδου έχουν επίσης σχεδιαστεί σε συνεργασία με το εργοστάσιο της Carnhill Transformers, ώστε να εξασφαλίζουν σωστό περιεχόμενο αρμονικής παραμόρφωσης και σημεία κορεσμού. Το Heritage Audio 1073 είναι χειροποίητο και κατασκευάζεται αποκλειστικά στις εγκαταστάσεις της Heritage Audio στην Ισπανία, χρησιμοποιώντας τις ίδιες παλιομοδίτικες τεχνικές καλωδίωσης και συγκόλλησης της δεκαετίας του '70. Η κατασκευή μιας μόνο μονάδας διαρκεί αρκετές μέρες από έναν από τους κύριους κατασκευαστές μας. Όλα τα κυκλώματά βρίσκονται σε τέσσερις κάρτες plug-in. Χαρακτηριστικά: Αντίσταση εισόδου μικροφώνου: HI, ελάχιστο 1200 Ohm, LO, ελάχιστο 300 Ohm. Οι υψηλότερες θέσεις στάθμης σταδιακά έχουν μεγαλύτερες αντιστάσεις, είναι βέλτιστες για τη χρήση μικροφώνων ribbon. Στην είσοδο υπάρχει ο μετασχηματιστής Carnhill (balanced και floating). Αντίσταση εισόδου γραμμής: γεφύρωση 10K Ohms, μετασχηματιστής Carnhill (balanced και floating). Αντίσταση εξόδου: Λιγότερο από 75 Ohms, με το μετασχηματιστή Carnhill (balanced και floating), για να οδηγήσει φορτίο 600 ohms (εργοστασιακά τερματισμένο). Μέγιστη έξοδος: Περισσότερο από + 26 dBm σε 600 ohm. Αρμονική Παραμόρφωση (THD): Λιγότερο από 0,025% σε 1 Khz, λιγότερο από 0,05% στα 100Hz. Απόκριση συχνότητας: 20Hz (+ 0.3dB) έως 20Khz (-0.2dB). Μέγιστο κέρδος: Ελαφρώς μεγαλύτερο από 80dB. Θόρυβος: Λιγότερο από -100dBm.

Finally an analog crossover again It is difficult to optimally integrate subwoofers. At present, there are almost only digital crossovers for this purpose. But who wants to convert back and forth? You don’t need to anymore. Our Crossover sets the crossovers anew. Crossing over The crossover is divided into two section: The Low section for the subwoofer (mono or stereo) and the Mid-Hi section for the top/main speakers. The crossover frequencies for Low and Mid-Hi can be set individually from 50 Hz to 120 Hz in 6 positions. The Low filter has a slope of 24 dB per octave. The slope of the MID-HI filter can be switched from 12 dB (Butterworth) to 24 dB (Linkwitz/Riley). In Phase Audio signals should come from the speakers and subwoofers in phase. The crossover offers variable phase control for this purpose. Use the toggle switch to activate the phase control (phase 0° or phase -180°) and use the control to establish simultaneousness. If the phase control is not required, it can be switched off and thus disappears completely from the signal path. One or two? If you want to connect two subwoofers (one for L and one for R), this switch should be set to stereo. If you only use one subwoofer, switch to mono. The crossover creates a mono signal of the Low frequencies and outputs it to both Low outputs (L + R). On or off? If you prefer to run the top/main speakers full-range, you can switch off the MID-Hi filter. Get rid off it With the Low Cut filter all frequencies below 20 Hz can be filtered out with a 6dB roll-off. This way, no inaudible low frequencies get into the power amplifier, which relieves it a lot. As long as you're having fun The output volume of the subwoofer can be varied from -10 dB to +10 dB. In addition to the purely corrective adjustment of the speaker system, you can add more bass into recordings that lack low end.  It’s like saying, “Happiness is when the bass kicks in.” Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Sources The Elector offers both balanced inputs with XLR sockets and standard inputs with gold-plated RCA sockets. Low & Mid-Hi On the output side, the power amplifiers or active loudspeakers or subwoofers are connected to the Low & Mid-Hi output sockets by means of balanced XLRs. This means that even long cable runs to e.g. mono power amps placed next to the speaker are possible without the risk of interference. AMP CTL Practical are the AMP CTL sockets, to which up to four power amplifiers with 12 V trigger inputs can be connected to switch them on and off together with the crossover. The crossover itself can also be switched on by a preamplifier like the Director Mk2 or Phonitor x. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dB Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -70 dBu THD (0 dBu, 1 kHz, MID-Hi filter on): 0.0008 % THD (0 dBu, 30 Hz, LOW filter on): 0.0014 % Noise (A-weighted, MID-HI output): -106 dBu Noise (A-weighted, LOW output): -104,9 dBu Dynamic range (MID-HI output): 138 dB Dynamic range (LOW output): 136.9 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 50 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 5,4 kg Shipping weight (incl. packaging): 7,0 kg

Finally an analog crossover again It is difficult to optimally integrate subwoofers. At present, there are almost only digital crossovers for this purpose. But who wants to convert back and forth? You don’t need to anymore. Our Crossover sets the crossovers anew. Crossing over The crossover is divided into two section: The Low section for the subwoofer (mono or stereo) and the Mid-Hi section for the top/main speakers. The crossover frequencies for Low and Mid-Hi can be set individually from 50 Hz to 120 Hz in 6 positions. The Low filter has a slope of 24 dB per octave. The slope of the MID-HI filter can be switched from 12 dB (Butterworth) to 24 dB (Linkwitz/Riley). In Phase Audio signals should come from the speakers and subwoofers in phase. The crossover offers variable phase control for this purpose. Use the toggle switch to activate the phase control (phase 0° or phase -180°) and use the control to establish simultaneousness. If the phase control is not required, it can be switched off and thus disappears completely from the signal path. One or two? If you want to connect two subwoofers (one for L and one for R), this switch should be set to stereo. If you only use one subwoofer, switch to mono. The crossover creates a mono signal of the Low frequencies and outputs it to both Low outputs (L + R). On or off? If you prefer to run the top/main speakers full-range, you can switch off the MID-Hi filter. Get rid off it With the Low Cut filter all frequencies below 20 Hz can be filtered out with a 6dB roll-off. This way, no inaudible low frequencies get into the power amplifier, which relieves it a lot. As long as you're having fun The output volume of the subwoofer can be varied from -10 dB to +10 dB. In addition to the purely corrective adjustment of the speaker system, you can add more bass into recordings that lack low end.  It’s like saying, “Happiness is when the bass kicks in.” Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Sources The Elector offers both balanced inputs with XLR sockets and standard inputs with gold-plated RCA sockets. Low & Mid-Hi On the output side, the power amplifiers or active loudspeakers or subwoofers are connected to the Low & Mid-Hi output sockets by means of balanced XLRs. This means that even long cable runs to e.g. mono power amps placed next to the speaker are possible without the risk of interference. AMP CTL Practical are the AMP CTL sockets, to which up to four power amplifiers with 12 V trigger inputs can be connected to switch them on and off together with the crossover. The crossover itself can also be switched on by a preamplifier like the Director Mk2 or Phonitor x. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dB Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -70 dBu THD (0 dBu, 1 kHz, MID-Hi filter on): 0.0008 % THD (0 dBu, 30 Hz, LOW filter on): 0.0014 % Noise (A-weighted, MID-HI output): -106 dBu Noise (A-weighted, LOW output): -104,9 dBu Dynamic range (MID-HI output): 138 dB Dynamic range (LOW output): 136.9 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 50 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 5,4 kg Shipping weight (incl. packaging): 7,0 kg

Finally an analog crossover again It is difficult to optimally integrate subwoofers. At present, there are almost only digital crossovers for this purpose. But who wants to convert back and forth? You don’t need to anymore. Our Crossover sets the crossovers anew. Crossing over The crossover is divided into two section: The Low section for the subwoofer (mono or stereo) and the Mid-Hi section for the top/main speakers. The crossover frequencies for Low and Mid-Hi can be set individually from 50 Hz to 120 Hz in 6 positions. The Low filter has a slope of 24 dB per octave. The slope of the MID-HI filter can be switched from 12 dB (Butterworth) to 24 dB (Linkwitz/Riley). In Phase Audio signals should come from the speakers and subwoofers in phase. The crossover offers variable phase control for this purpose. Use the toggle switch to activate the phase control (phase 0° or phase -180°) and use the control to establish simultaneousness. If the phase control is not required, it can be switched off and thus disappears completely from the signal path. One or two? If you want to connect two subwoofers (one for L and one for R), this switch should be set to stereo. If you only use one subwoofer, switch to mono. The crossover creates a mono signal of the Low frequencies and outputs it to both Low outputs (L + R). On or off? If you prefer to run the top/main speakers full-range, you can switch off the MID-Hi filter. Get rid off it With the Low Cut filter all frequencies below 20 Hz can be filtered out with a 6dB roll-off. This way, no inaudible low frequencies get into the power amplifier, which relieves it a lot. As long as you're having fun The output volume of the subwoofer can be varied from -10 dB to +10 dB. In addition to the purely corrective adjustment of the speaker system, you can add more bass into recordings that lack low end.  It’s like saying, “Happiness is when the bass kicks in.” Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Sources The Elector offers both balanced inputs with XLR sockets and standard inputs with gold-plated RCA sockets. Low & Mid-Hi On the output side, the power amplifiers or active loudspeakers or subwoofers are connected to the Low & Mid-Hi output sockets by means of balanced XLRs. This means that even long cable runs to e.g. mono power amps placed next to the speaker are possible without the risk of interference. AMP CTL Practical are the AMP CTL sockets, to which up to four power amplifiers with 12 V trigger inputs can be connected to switch them on and off together with the crossover. The crossover itself can also be switched on by a preamplifier like the Director Mk2 or Phonitor x. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dB Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -70 dBu THD (0 dBu, 1 kHz, MID-Hi filter on): 0.0008 % THD (0 dBu, 30 Hz, LOW filter on): 0.0014 % Noise (A-weighted, MID-HI output): -106 dBu Noise (A-weighted, LOW output): -104,9 dBu Dynamic range (MID-HI output): 138 dB Dynamic range (LOW output): 136.9 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 50 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 5,4 kg Shipping weight (incl. packaging): 7,0 kg

Mastering Compressor As a mastering compressor, IRON is inspired by the legendary vintage tube compressors à la Fairchild, Collins or Gates and has been developed in a way to give modern productions more energy and power with the advantages of the 120V technology. Input & Output Input and output levels are switchable in a control range of +/- 12dB. An increase of the input level leads to more intensive compression. When mastering full scale material, the reduction can be useful. The output is used to adjust the level ratios of input and output. Attack & Release The time parameters Attack and Release are switchable in six steps from Slow to Fast. The times vary depending on the rectifier circuit selected. Side Chain EQs With the side chain EQs, compression can be focused on frequency ranges. In addition to an inserted EQ, there are four internal EQ presets with a partly complex frequency response. Rectifier The tube stage is controlled by a rectifier circuit. There are six diode control characteristics generated by germanium, silicon and LED diodes or combinations thereof. Variable-Bias Limiter/Compressor The IRON Mastering Compressor is a variable-bias (variable µ) limiter/compressor from the basic concept. IRON works on the principle of the bias controlled remote cutoff tube. Parallel to this, a medium-variable-bias triode (sharp-cutoff tube) with a steeper characteristic is connected. The tube bias voltage (BIAS) can be adjusted in three steps. The tubes are integrated into special Lundahl manufactured balanced high-level double core mu-metal-iron transformers. AirBass & Tape Roll-Off The compressor is followed by a passive filter network with two equalizer presets: AirBass and Tape Roll-off. The AirBass filter boosts low and high frequencies by about 1.5 dB and the Tape Roll-Off filter emulates the typical frequency response of a tape machine. Link All functions can be set via switches and the threshold via a rasterized potentiometer which makes recall easy. The settings of Threshold, Bias, Attack, Release, Rectifier and Side-Chain-EQs are transferred from the right side (channel 2) to the left side in Link Mode, in which the compressor operates with summed control signals. Auto-Bypass Channels 1 and 2 are activated with the large illuminated IDEC switches. In Auto Bypass mode, the channels are automatically switched on and off, which leads to a more objective assessment. The Interval control is used to adjust the time window continuously between two and 20 seconds. Specifications: Analog inputs & output; XLR (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Frequency range (-3 dB): 10 Hz – 40 kHz Common mode rejection (0dBu, 1kHz): > 80 dB Crosstalk (1 kHz): -108 dBu THD (+10 dBu): 0.002 % Noise (A-weighted): -98 dBu Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 1 A Fuse for 115 V: T 2 A Power consumption: max. 40 VA Dimensions & Weight W x H x D (width x height x depth): 482 x 132 x 300 mm Unit weight: 11 kg Shipping weight (incl. packaging): 14 kg