Digital Mixers

Allen & Heath SQ Dante 32 x 32, provides any SQ mixer or AHM processor with a full 32?32 channel, 96kHz or 48kHz interface to a Dante network. An SQ or AHM unit fitted with the Dante option card can seamlessly connect to DT expanders, wireless systems, amplifiers, preamps and any other devices on your Dante network, making full use of high-resolution 96kHz audio. The SQ Dante card can be switched between 96kHz or 48kHz to accommodate Dante networks running at either sample rate. In addition to facilitating system integration, the card also enables digital splits and affordable multitrack recording direct to a computer.

StudioLive® Series III SE digital mixers go beyond delivering pristine studio sound quality and processing to give front-of-house engineers and integrators the industry-leading recording, playback, and streaming capabilities needed to meet today's demands.

Our 40-channel, 26-bus digital mixer with 25 motorized faders, a 64x64 USB Audio Interface, and Milan-certified AVB Audio Networking.Designed to inspire and built to perform, StudioLive SE delivers pristine, ultra-low noise studio-quality sound to the stage in a compact, rack-mountable frame. Dial in your mix with an arsenal of audio processors and effects, including meticulous digital models of coveted EQs, compressors, limiters, and reverb.But live sound for touring, installations, and houses of worship demands more than pristine audio and powerful effects. With the StudioLive SE 24, you get access to capabilities beyond any solution in its class—like seamless multitrack recording, playback and streaming with integrated Studio One Pro and Capture software, remote access mix, console management, and one-click virtual soundcheck.Expand your system and stay industry-ready—StudioLive SE connects effortlessly to networked StudioLive Stage Boxes and any Milan-compatible I/O, while its sleek design, intuitive layout, ergonomic feel, and high-contrast UI maximize comfort and streamline workflow during long sessions.FeaturesIntegrated Multitrack RecordingRecord every channel and mix with the onboard SD recorder or 64x64 USB audio interfaceOne-click Virtual Soundcheck with CaptureSeamless compatibility with Studio One Pro and leading DAWsPristine Studio Sound on Stage33 XMAX-Remote preamps for transparent analog tone and digital recall32-bit floating-point DSP processing115 dB A/D–D/A converters with ultra-low jitter clockingExpanded Routing and I/O16 FlexMixes configurable as auxes, subgroups, or matrix mixesAVB networking with StudioLive Stage Boxes and Milan-compatible gearFour dedicated effects buses, four subgroups, and 24 DCAsAdvanced Fat Channel ProcessingDynamic Fat Channel design with 8 scribble strip displays for fast visual access and customizationAll 7 EQs and 8 Compressors from the Fat Channel Collection includedModeled after iconic hardware: Brit Comp, FC-670, Tube EQ, and moreExtended reverb parameters: Diffusion, Predelay, Room Size, and advanced dampingMetro™ Remote Access and Universal ControlControl every aspect of your mix remotely—from routing to effectsProvide technical support and reconfiguration remotelyUse QMix®-UC for personal monitor mixing from mobile devicesMixing Comfort and Control25 touch-sensitive motorized faders deliver smooth automation and tactile mixingErgonomic flat screen and redesigned fader caps for maximum visibility and comfort

40-channel, 26-bus digital mixer with 17 motorized faders, a 64x64 USB Audio Interface, and Milan-certified AVB Audio Networking.Designed to inspire and built to perform, StudioLive SE delivers pristine, ultra-low noise studio-quality sound to the stage in a unique split-fader frame. Dial in your mix with an arsenal of audio processors and effects, including meticulous digital models of coveted EQs, compressors, limiters, and reverb.But live sound for touring, installations, and houses of worship demands more than pristine audio and powerful effects. With the StudioLive SE 16, you get access to capabilities beyond any solution in its class—like seamless multitrack recording, playback and streaming with integrated Studio One Pro and Capture software, remote access mix, console management, and one-click virtual soundcheck.Expand your system and stay industry-ready—StudioLive SE connects effortlessly to networked StudioLive Stage Boxes and any Milan-compatible I/O, while its sleek design, intuitive layout, ergonomic feel, and high-contrast UI maximize comfort and streamline workflow during long sessions.FeaturesIntegrated Multitrack RecordingRecord every channel and mix with the onboard SD recorder or 64x64 USB audio interfaceOne-click Virtual Soundcheck with CaptureSeamless compatibility with Studio One Pro and leading DAWsPristine Studio Sound on Stage17 XMAX-Remote preamps for transparent analog tone and digital recall32-bit floating-point DSP processing115 dB A/D–D/A converters with ultra-low jitter clockingExpanded Routing and I/O16 FlexMixes configurable as auxes, subgroups, or matrix mixesAVB networking with StudioLive Stage Boxes and Milan-compatible gearFour dedicated effects buses, four subgroups, and 24 DCAsAdvanced Fat Channel ProcessingDynamic Fat Channel design with 8 scribble strip displays for fast visual access and customizationAll 7 EQs and 8 Compressors from the Fat Channel Collection includedModeled after iconic hardware: Brit Comp, FC-670, Tube EQ, and moreExtended reverb parameters: Diffusion, Predelay, Room Size, and advanced dampingMetro™ Remote Access and Universal ControlControl every aspect of your mix remotely—from routing to effectsProvide technical support and reconfiguration remotelyUse QMix®-UC for personal monitor mixing from mobile devicesMixing Comfort and Control17 touch-sensitive motorized faders deliver smooth automation and tactile mixingErgonomic flat screen and redesigned fader caps for maximum visibility and comfort

Designed in conjunction with mixer design legends Greg Mackie and Peter Watts. SoundLink mixers just look like conventional 16 and 24-channel mixersUse a SoundLink and you discover all the typical Greg Mackie features and ideas that make you think "why don't other mixers have that?”; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years. Let’s just say, he’s picked up a few ideas over that time. Many of which are incorporated into SoundLink.New HiVolt microphone preamps actually deliver on the usual “low noise, high headroom” mixer claimWhen you listen to the “White Album,” Rhianna’s “Rated R” and “Loud”, “Goodbye Yellow Brick Road” and literally hundreds of other familiar albums, you’re listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical.Not just effects. KORG effectsInstead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg’s multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate “WARM” version – a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that’s another SoundLink exclusive in a mixer in this price range.Rack-mount studio-grade DSP you can reach easilyDigital processing and effects are frustrating if they’re buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink’s Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can’t handle.A mixer should not only sound good. It should be very easy to use.Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. Both the 24- and 16-channel models give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition — paired with the power of high-quality digital where it counts.The massively powerful processing allows for running up to 10 effects at a time for total mixing control. Korg's amazing 32-bit effects and signal processing combine with the premium analog mixer components and design for a truly flexible hybrid analog and digital mixer. The 16 channels and 8-bus system make the SoundLink 1608 the most versatile mixer its size.16 channel hybrid analog/digital mixerPowerful digital processing for up to 10 effects at a timeKorg's renowned high-quality 32 bit effects, as found in KronosTrue 8-bus configuration with group outputsPremium analog components and designDesigned with Greg Mackie and Peter Watts

A mixer should not only sound good. It should be very easy to use.Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. Both the 24- and 16-channel models give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition — paired with the power of high-quality digital where it counts.True hybrid design developed with mixer design legends Greg Mackie and Peter Watts24 x 8 x 2 or 16 x 8 x 2 models feature practical design structure and ingenious features that make mixing unpredictable live performances easy even for novicesPeter Watts-designed HiVolt mic preamps, with the most headroom of any comparably-priced analog or digital mixerUnique Musician’s Phones Monitor Section for fast, one-knob boost of a musician’s mix without having to change Aux or Main mixOnly mixer in its class with Mute Groups to create various input combinations of musicians or parts of a church serviceTrue 8-bus configuration makes SoundLink perfect for recording as well as live mixing musicians, different parts of a church service, or cues during a theater productionPeter Watts’ refined, studio-grade, one-knob Compressor on all mic channelsSuper-useful touches such as best-in-class Feedback control system, all-XLR speaker outputs, 31-band Spectrum Analyzer, and enhanced Break system20 of Korg’s renowned 32-bit digital effects — 10 at once with recallable parametersPremium components including Velvet Sound™ A/D & D/A converters and silky-smooth, long-life ALPS® faders and rotary controlsDesigned in conjunction with mixer design legends Greg Mackie and Peter Watts. SoundLink mixers just look like conventional 16 and 24-channel mixersUse a SoundLink and you discover all the typical Greg Mackie features and ideas that make you think "why don't other mixers have that?”; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years. Let’s just say, he’s picked up a few ideas over that time. Many of which are incorporated into SoundLink.New HiVolt microphone preamps actually deliver on the usual “low noise, high headroom” mixer claimWhen you listen to the “White Album,” Rhianna’s “Rated R” and “Loud”, “Goodbye Yellow Brick Road” and literally hundreds of other familiar albums, you’re listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical.You can tell SoundLink was designed by practical musiciansIt’s is the only small mixer that has Mute Groups. They let you instantly call up different combinations of channels for various groups on stage, different songs, sound checks, a solo acoustic number, a drum solo or different parts of a church service (choir, praise band, pastor. You get four Group options, each easily programmable and recallable.Have it their waySome musicians want to hear more of their own instrument or voice in their in-ear or floor monitor, a process that is complicated to change on other mixers. SoundLink’s Musician’s Phone feature provides one-knob boost of the complete left/right mix into the musician’s individual track. Instead of having to change main mix settings or take up a bus, you have dedicated knobs for two Musician’s monitor mixes. A SoundLink exclusive!Not just effects. KORG effectsInstead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg’s multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate “WARM” version – a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that’s another SoundLink exclusive in a mixer in this price range.Rack-mount studio-grade DSP you can reach easilyDigital processing and effects are frustrating if they’re buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink’s Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can’t handle.

Mix big in any spaceGet the unparalleled speed, rich visual feedback, and software integration of Avid’s high-end consoles in a slimline surface that’s an easy fit for any space or budget. Avid S1 gives you deep hands-on control of your favorite audio and video software, including Pro Tools, Media Composer, Logic Pro X, Cubase, Nuendo, and Premiere Pro. Together with the free Avid Control app on your iPad or Android tablet, it provides great ergonomic efficiency, easy touch workflows, and Avid S6-style metering and processing views, so you can mix more intuitively and turn around better sounding mixes fast.Get massive power in a mini surfaceWhile Avid S1 fits easily between your display and keyboard, it packs a lot of mixing power into its small surface. From motorized faders and knobs that respond to your touch, to fast-access touchscreen workflows and Soft Keys that enable you to perform complex tasks with a single press, S1 provides the speed and versatility to accelerate any music, audio post, or video project.Get unmatched software integrationS1 is powered by EUCON, Avid’s high-speed Ethernet control protocol that delivers deep hardware/software integration, giving you full touch and tactile access to a host of Avid and third-party software functions and controls. You can even switch between multiple applications—and workstations—at the touch of a button, providing the most fluid editing and mixing experience.Gain extensive insight into your mixS1 not only features high-resolution OLED displays, it integrates with the free Avid Control app on your tablet, providing rich visual feedback to enhance your workflow. From track names, parameter values, and automation, to S6-style monitoring, metering, and channel processing views, you get the comprehensive feedback of a high-end console in a versatile surface for the budget-minded.Scale the surface to your needsNeed more faders? Connect multiple S1 units together to create an extended, fully integrated control surface that provides more tactile control to handle larger mixes. You can even seamlessly connect Avid Dock to S1 to have dedicated transport controls, a jog wheel, focus fader, and more at your fingertips.

The perfect partner for a StudioLive Series III console.The StudioLive 16R Series III rack mixer is a perfect partner for your StudioLive Series III console/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive 16R to a Series III front-of-house console with one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs.You can even remote control the StudioLive 16R’s preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 16R not only serves as an excellent networked stage box, it is a full blown monitor mixer with far more processing and mixing power than any mixer in its class—all packed into just one rackspace. (1U). The most powerful rack mixer in its class.When we say the StudioLive® Series III stage boxes and rack mixers are by far the most powerful rackmount digital mixers in their class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps.Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors.Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio. A third-generation Fat Channel.StudioLive Series III rack mixers boast the same third-generation Fat Channel processing found in StudioLive Series III consoles. Delivering digital precision with the heart and soul of analog, the Series III Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs.In addition to channel processing, all StudioLive Series III mixers offer 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording, mixing monitors, or even running the front-of-house system. Technical Specifications Digital Audio and Control ADC Dynamic Range115 dB (A-wtd, 48 kHz)DAC Dynamic Range115 dB (A-wtd, 48 kHz)USB Recording PortUSB 2.0, Type-BNetwork Control PortRJ-45AVB Audio Network PortLocking XLR EthernetInternal Processing32-bit, floating pointSampling Rate48 kHz (44.1 kHz coming soon)A/D/A Bit Depth24Reference Level for 0 dBFS+18 dBuTotal System Latency1.9 ms (local routing, analog in-analog out, all processing active) Mi​crophone Preamplifier Input TypeCombo locking XLR mic-¼” TRS lineFrequency Response to Main Output (at unity gain)20-20 kHz, ±0.5 dBuInput Impedance1 kΩTHD to Main Output

Our StudioLive™ 24.4.2 and 16.4.2 changed the game, offering amazing performance and ease of use for a great price. Now we’ve packed the same audio quality, performance, seamlessly integrated software (including remote control) into a smaller, even more affordable package. In a “footprint” of less than 2 square feet (0.19 m2), the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX™ Class A solid-state mic preamps. (Well, okay, it actually has 13 XMAX preamps; the Talkback input has one, too.) But don't let its size fool you; the 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters.  8 mono mic/line channel inputs:High-headroom Class A XMAX™ mic preamplifierXLR mic and balanced ¼' line inputs60 mm precision fader4 stereo line channel inputs:High-headroom Class A XMAX™ mic preamplifier (Ch. 9, 11, 13, and 15)XLR mic inputs (Ch. 9, 11, 13, and 15)Balanced ¼' line inputs (Ch. 9-16)Unbalanced RCA line inputs (Ch. 13-16)60 mm precision fader (4 stereo)4 Auxiliary buses (pre/post-fader send)2 Internal FX buses2 stereo 32-bit digital effects processors with customizable reverb and delay presets Fat Channel signal processing on all channels and buses:3-band semi-parametric EQ (individual band on/off)Full-featured compressorStandard downward expanderLimiterPhase reverse (12 mic preamplifiers only)Pan with dedicated 15-LED displayStereo link for input channels and aux busesHigh-pass filter  Computer system requirements:WindowsWindows XP, Vista, Windows 7 (32- and 64-bit)Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 3000+ (Turion) (2.8 GHz or faster recommended)1 GB RAM (2 GB or more recommended)MacintoshMac OS X 10.6 (Snow Leopard) or later (32- and 64-bit)Intel Core 1 Solo 1.5 GHz processor (Intel Core Duo or Intel Xeon processor recommended)1 GB RAM (2 GB or more recommended) Windows and Macintosh SystemsInternet connection recommendedDVD-ROM driveInternal or external 7200 RPM storage drive highly recommended

The StudioLive® 32R Series III stage box and rack mixer is by far the most powerful rackmount digital mixer in its class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.Specifications : Type: Rackmount Digital MixerChannels: 40 x 40 (USB), 55 x 55 (AVB networking)Inputs - Mic Preamps: 32 x XLR-1/4" combo (mic/line)Phantom Power: YesInputs - Other: 1 x Dual RCA StereoOutputs - Main: 2 x XLROutputs - Direct: 16 x 1/4" (mix out)Data I/O: 1 x EtherCon (AVB), 1 x RJ-45 (network control)USB: 1 x Type BComputer Connectivity: USB (40 x 40), Ethernet (AVB, 55 x 55)Headphones: 1 x 1/4" TRSEQ Bands: 4-band/6-band Parametric EQ, 31-band Graphic EQEffects: Studio Magic Plug-in SuiteSignal Processing: Gate, Compressor, LimiterFeatures: Onboard stereo SD recorderSoftware: Studio One Artist, UC Surface Touch, Capture, QMix-UCOS Requirements - Mac: OS X 10.8.5 64-bit or later, Intel Core i3 or higherOS Requirements - PC: Windows 7 SP1 64-bit or later, Intel Core i3 or higherRackmountable: YesPower Source: Standard IEC AC cable