Αναζήτηση

Mastering M/S Processor Gemini is the first mid/side processor in 120V technology. In mastering, M/S processing is often the best way to get targeted access to individual elements of a mix. M/S ? The decomposition of the stereo signal in mid (voice, snare, bass …) and side (guitars, pads, cymbals …) allows their separate processing. The center signal (Mid) is the sum of the left and right channel of the stereo signal (L+R), i.e. the “in phase” part of the stereo signal. The side signal (Side) is the difference of the left and right channels of the stereo signal (L-R), i.e. the “out-of-phase” part of the stereo signal. Gemini can also be used to enlarge or reduce the stereo image. An elliptical filter for shifting the low frequency component from the side to the mid is also on board. The Mid When the M/S button is activated, the input signal (L/R stereo) is split into a mid and side signals. The exact center position can be adjusted with the Balance control and the exact level with the Trim control. Both functions are switchable to be in the signal path only when in use. Exclusive monitoring of the center is possible when the solo function is activated. Processors can be inserted to process the mid signal and activated with the Insert button.  The Side The side signal also has a solo function and a switchable insert for external processing.  In addition, the elliptical filter can be used to shift the bass frequencies from the side to the mid. This improves the punch and precision of low frequencies. The Stereo Width control changes the level of the side signal, with a level increase broadening the stereo image. These two functions can also be switched on to be in the signal path only when used.  I/Os and Inserts All inputs and outputs as well as sends and returns are balanced using Neutrik XLR connectors. Processors can be connected to the inserts for external processing. Especially interesting is the integration of the Gemini into the Hermes Mastering Router. In this way, processing chains can be created that combine classic L/R processing with M/S processing. Gemini & Hermes The M/S encoder and decoder stages of the Gemini can each be connected to an insert of the Hermes and freely positioned within the processing chain. Processors that are in a chain between M/S encoder and decoder process the mid/side signal. These processors can also easily be mono devices. In the example above, Insert Send A is routed to Gemini for M/S encoding. The mid/side sends of the Gemini go back to Return A of the Hermes. Send B goes from Hermes back to the Gemini to be encoded back to L/R, which flows from the output of the Gemini back to Return B of Hermes.  For example, it is possible (see figure above) to place the M/S encoder at processing position 3, an equalizer at processing position 4 for separate processing of the mid and side signals, and then the M/S decoder stage of the Gemini at processing position 5 to generate an L/R stereo signal again. If a compressor is now to be used as an additional device for M/S processing, it can simply be set to processing position 5 in the chain, and the M/S decoder stage would move to processing position 6 accordingly. Specifications: Analog inputs & output: XLR (balanced) Maximum input & output gain: 32,5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -79 dBu Frequency range (-3 dB): 10 Hz – 150 kHz Crosstalk (1 kHz): -108 dBu THD + N (0 dBu, 1 kHz): -110 dBu Noise (A-weighted), all stages active): -98,2 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 40 VA Dimensions & Weight W x H x D (width x height x depth): 482 x 44 x 300 mm Unit weight: 5 kg Shipping weight (incl. packaging): 8,1 kg

FULL HD STREAMER/RECORDER AV Over IP Encoder and Decoder Appliance for Full HD Live Streaming VS-R264 Full HD Over IP Live Streaming Encoder The VS-R264 is a Full HD AV over IP streaming encoder and decoder that simultaneously records, encodes, streams, and decodes Full HD video streams (1920x1080) using H.264 long GOP encoding with bit rates up to 30 megabits over standard networks suitable for 100Mbps or 1Gbps. The VS-R264—A Stand-Alone Encoder and Decoder For Live Streaming The VS-R264 live stream encoder addresses the growing demand for an external stand-alone YouTube encoder in live streaming environments. Additionally, the VS-R264 provides Full HD streaming to popular Content Delivery Networks (CDNs) including Wowza, Ustream, AWS Elemental MediaLive and CloudFront, to name a few. The half-rack size VS-R264 functions as a stand-alone unit—no external computer is needed for recording or streaming. Professional Audio and Video Streaming In AV over IP Applications Balanced analog Euroblock/Phoenix low voltage wire connectors and unbalanced analog 1/8" (3.5mm) mini-stereo jacks provide versatile audio I/O connections for a wide range commercial AV over IP environments, including corporate, education, house of worship, government, industrial and security. TASCAM Professional Audio Integration With Streaming Video Audio can be embedded from analog sources and de-embedded to drive networked audio playback for ceiling speakers, or digital audio within the HDMI I/O can be used. An integrated installed output level configuration function and reference level switching function (up to +20dBu) allows reliable and flexible system structuring when streaming video. Compliant With Standard Live Streaming Protocols The VS-R264 live streaming encoder is compatible with popular standard streaming protocols, including HLS, RTMP, RTP/RTSP, Multicast, Unicast—all with RESTful API for integration into control systems in commercial AV installations. Simultaneous Recording and Archiving Via SD and USB The VS-R264 can record directly to USB connected media or SD cards via a front panel loading slot. Create, Archive and Backup Files Automatically Via FTP Recorded files can be automatically uploaded to an FTP server automatically for creating back-up copies, editing, or repurposing to the web. TASCAM DISCOVERY App and Web-GUI allow easy remote management of multiple VS-R unit systems The Mac/Windows "TASCAM DISCOVERY" app allows multiple VS-R units connected to the network to be managed from a simple Web-browser based GUI. All configuration settings are saved within the VS-R devices, so that in normal operation no computer is needed for streaming or recording. No AC Adaptor Required for Commercial AV Installations PoE+ functionality eliminates the need for AC adaptors in AV installations. Optional TASCAM AC power supply sold separately where external AC power is required. TASCAM PS-P1220E Power supply also can be done by the optional AC adapter (TASCAM PS-P1220E; sold separately) Features at a glance: Full HD AV over IP streaming media encoder and decoder for live video streaming. Simultaneously records, encodes, streams, and decodes Full HD video streams. Functions as an external stand-alone YouTube encoder for live Full HD streaming environments. Provides Full HD live video streaming (1920x1080) to Content Delivery Networks (CDNs) including Wowza, Ustream, AWS Elemental MediaLive and CloudFront, etc. H.264 long GOP encoding with bit rates up to 30 megabits over standard networks suitable for 100Mbps or 1Gbps. Versatile audio I/O connections via balanced analog Euroblock/Phoenix low-voltage wire connectors and unbalanced analog 1/8" (3.5mm) mini-stereo jacks. Perfect for a wide range of live streaming AV installations and environments, including corporate, education, house of worship, government, industrial installations and security. Audio can be embedded from analog sources and de-embedded to drive networked audio playback for ceiling speakers. Provides digital audio embedded within the HDMI I/O. Installed output level configuration function and reference level switching function (up to +20dBu) allows reliable and flexible system structuring. Compatible with popular standard streaming protocols, including HLS, RTMP, RTP/RTSP, Multicast, Unicast. Offers RESTful API for integration into control systems in commercial AV installations. Ability to record directly to USB connected media or SD cards via a front panel loading slot. Recorded files can easily be uploaded to an FTP server automatically for creating back-up copies or repurposing to the web. With the optional rack-mountable shelf AK-RS1, up to two VS-R units can be installed in a 19 inch rack space. Support PoE+ for power supply in addition to the optional AC adapter (TASCAM PS-P1220E; sold separately) Specifications: Video   HDMI IN Connector: HDMI v1.4a (Type A) HDMI OUT Connector: HDMI v2.0 (Type A) Input Resolutions 1080p: 60 / 59.94 / 50 / 30 / 29.97 / 25 / 24 / 23.98 fps 720p: 60 / 59.94 / 50 fps 576p: 50 fps 480p: 60 / 59.94 fps Frame Rate Limit: on/off Encode Scalling Resolutions:Passthru / 1920x1080p / 1280x720p / 950x540p / 720x576p / 720x480p / 640x360p / 480x270p / 320x180p Encode Format:H.264 (Baseline / Main/High) Encode bitrates: 500k to 30M bps Bitrate Control: Variable / Constant key frame interva: 0.25-1.00-16.5(sec) or 3-1000(frame) Audio   Analog Audio inputs (UNBALANCED) Connector: 3.5mm Stereo mini jack Nominal output level: -10dBV (0.316Vrms) Maximum output level: +6dBV (2.0Vrms) Analog Audio outputs (BALANCED)   Connector Euroblock (balanced): 3.81 mm pitch Nominal output level: +4dBu(1.23Vrms) Maximum output level:+15dBu(4.36Vrms, Ref.Level -9dBFS), +18dBu(6.16Vrms, Ref.Level -14dBFS), +20dBu(7.75Vrms, Ref.Level -16dBFS) Output Volume: -∞, -72 to +6dB (1dB step) Audio Codec: AAC, 64k to 512k bps, 32k/44.1k/48k Hz Storage   Storage Media: USB Drive, SD/SDHC card USB Connection: USB3.0 A-type Record Bit Rates: 500k to 30M bps Stream   Video Transport Protocols: RTMP / RTSP / HLS / Unicast / Multicast Simultaneous Streaming: 1 x RTMP / 2 x Unicast / 1 x Multicast Stream Bit Rates: 500k to 30M bps Network   Network Connectivity: 1Gb Ethernet Full-featured web browser based UI: Designed for tablets and desktops Encoder and decoder configuration for unicast, multicast and RTMP IP Address: DHCP (Default) / Static Command and Control: HTTP Auto-detect and discover other TASCAM encoder and decoder units on subnet. Other   Power: PoE+,TASCAM PS-P1220E AC adapter (sold separately) Dimensions: 214(W) × 44.5(H) × 136.1(D)mm (including protrusions) Weight: 0.85kg Operating temperature range: 0 to 40 °C Included items: Installation brackets, Euroblock plugs, Cable band kit, USB memory(including Discovery app, reference Manual), Quick Start guide, warranty

4K/UHD STREAMER/RECORDER AV Over IP Encoder and Decoder Appliance for 4K Live Streaming VS-R265 4K/UHD AV Over IP Live Streaming Encoder The VS-R265 is a 4K/UHD AV over IP streaming encoder and decoder that simultaneously records, encodes, streams, and decodes 4K video streams (3840x2160) using High Efficiency Video Coding (HEVC), a high efficiency coding scheme that delivers H.264 video quality at half the bit rate. Professional Audio and Video Streaming For 4K AV over IP Applications Balanced analog Euroblock/Phoenix low voltage wire connectors and unbalanced analog 1/8" (3.5mm) mini-stereo jacks provide versatile audio I/O connections for a wide range commercial AV over IP environments, including corporate, education, house of worship, government, industrial and security. TASCAM Professional Audio Integration With Streaming Video Audio can be embedded from analog sources and de-embedded to drive networked audio playback for ceiling speakers, or digital audio within the HDMI I/O can be used. An integrated installed output level configuration function and reference level switching function (up to +20dBu) allows reliable and flexible system structuring when streaming video. Simultaneous Recording and Archiving Via SD and USB The VS-R265 can record directly to USB connected media or SD cards via a front panel loading slot. Create, Archive and Backup Files Automatically Via FTP Recorded files can be automatically uploaded to an FTP server automatically for creating back-up copies, editing, or repurposing to the web. TASCAM DISCOVERY App and Web-GUI allow easy remote management of multiple VS-R unit systems The Mac/Windows "TASCAM DISCOVERY" app allows multiple VS-R units connected to the network to be managed from a simple Web-browser based GUI. All configuration settings are saved within the VS-R devices, so that in normal operation no computer is needed for streaming or recording. No AC Adaptor Required for Commercial AV Installations PoE+ functionality eliminates the need for AC adaptors in AV installations. Optional TASCAM AC power supply sold separately where external AC power is required. TASCAM PS-P1220E Power supply also can be done by the optional AC adapter (TASCAM PS-P1220E; sold separately) Features at a glance: 4K/UHD AV over IP streaming media encoder and decoder for live video streaming. Simultaneously records, encodes, streams, and decodes 4K video streams. Functions as an external stand-alone YouTube encoder for HD streaming to YouTube and other popular CDNs, including Wowza, Ustream, AWS Elemental MediaLive and CloudFront, etc. Uses High Efficiency Video Coding (HEVC), a high efficiency coding scheme that delivers H.264 video quality via 4K content at half the bit rate. Versatile audio I/O connections via balanced analog Euroblock low-voltage wire connectors and unbalanced analog 1/8" (3.5mm) mini-stereo jacks. Perfect for a wide range of 4K live streaming AV installations and environments, including corporate, education, house of worship, government, industrial installations and security. Audio can be embedded from analog sources and de-embedded to drive networked audio playback for ceiling speakers. Provides digital audio embedded within the HDMI I/O. Installed output level configuration function and reference level switching function (up to +20dBu) allows reliable and flexible system structuring. Compatible with popular standard streaming protocols, including HLS, RTMP, RTP/RTSP, Multicast, Unicast. Offers RESTful API for integration into control systems in commercial AV installations. Ability to record directly to USB connected media or SD cards via a front panel loading slot. Recorded files can easily be uploaded to an FTP server automatically for creating back-up copies or repurposing to the web. With the optional rack-mountable shelf AK-RS1, up to two VS-R units can be installed in a 19 inch rack space. Support PoE+ for power supply in addition to the optional AC adapter (TASCAM PS-P1220E; sold separately) Specifications: Video   HDMI IN Connector: HDMI v1.4a (Type A) HDMI OUT Connector: HDMI v2.0 (Type A) Input Resolutions 2160p: 30/ 29.97/ 25 / 24 / 23.98 fps 1080p: 60 / 59.94 / 50 / 30 / 29.97 / 25 / 24 / 23.98 fps 720p: 60 / 59.94 / 50 fps 576p: 50 fps 480p: 60 / 59.94 fps Frame Rate Limit: on/off Encode Scalling Resolutions:Passthru / 3840x2160p / 1920x1080p / 1280x720p / 950x540p / 720x576p / 720x480p / 640x360p / 480x270p / 320x180p Encode Format:H.264 / H.265 Encode bitrates: 500k to 30M bps Bitrate Control: Variable / Constant key frame interva: 0.25-1.00-16.5(sec) or 3-1000(frame) Audio   Analog Audio inputs (UNBALANCED) Connector: 3.5mm Stereo mini jack Nominal output level: -10dBV (0.316Vrms) Maximum output level: +6dBV (2.0Vrms) Analog Audio outputs (BALANCED)   Connector Euroblock (balanced): 3.81 mm pitch Nominal output level: +4dBu(1.23Vrms) Maximum output level:+15dBu(4.36Vrms, Ref.Level -9dBFS), +18dBu(6.16Vrms, Ref.Level -14dBFS), +20dBu(7.75Vrms, Ref.Level -16dBFS) Output Volume: -∞, -72 to +6dB (1dB step) Audio Codec: AAC, 64k to 512k bps, 32k/44.1k/48k Hz Storage   Storage Media: USB Drive, SD/SDHC card USB Connection: USB3.0 A-type Record Bit Rates: 500k to 30M bps Stream   Video Transport Protocols: RTMP / RTSP / HLS / Unicast / Multicast Simultaneous Streaming: 1 x RTMP / 2 x Unicast / 1 x Multicast Stream Bit Rates: 500k to 30M bps Network   Network Connectivity: 1Gb Ethernet Full-featured web browser based UI: Designed for tablets and desktops Encoder and decoder configuration for unicast, multicast and RTMP IP Address: DHCP (Default) / Static Command and Control: HTTP Auto-detect and discover other TASCAM encoder and decoder units on subnet. Other   Power: PoE+,TASCAM PS-P1220E AC adapter (sold separately) Dimensions: 214(W) × 44.5(H) × 136.1(D)mm (including protrusions) Weight: 0.85kg Operating temperature range: 0 to 40 °C Included items: Installation brackets, Euroblock plugs, Cable band kit, USB memory(including Discovery app, reference Manual), Quick Start guide, warranty

Elipson Chroma Carbon turntable joins the latest range of turntables by Elipson. Exclusive to the Carbon models is a carbon covered chassis and Ortofon 2M Red cartridge. SUPERB VINYL REPRODUCTION The Chroma series is the product of 4 years of research and development into finding the best components for superb vinyl reproduction. This series is a step up to the Omega and Alpha 100 turntables and now features a new engine, engine suspension, rotary table axis system and revamped. CARBON COVERING The Carbon turntable is constructed using PMMA acrylic for the chassis and then covered in a carbon coating which is subtle yet makes a statement. It also features the addition of a lift arm, which is a key feature on the Chroma models, and the Carbon turntable features the fantastic Ortofon 2M red cartridge.

Analytical ear pads for DT 1990 PRO Coolmax (Velour) sourface black filled with Visco foam / back side grey  Foam pads incl.  Fits: DT 1990 PRO

Elipson Chroma 200 Turntable is the entry level model in the new Chroma series of turntables. This matte black turntable has a sleek and minimal design that would blend seamlessly into any living environment. IMPROVED AESTHETICS Made in France, the Chroma turntables succeed the prior Alpha and Omega models with major technological advancements and new aesthetic features. This model now features a lift arm, new tray material, graduation on the counterweight alongside a free mechanical scale. NEW ENGINE The new engine and modified engine suspension represent over four years of research and development to ensure the optimum technical performance and sound quality. As well as this, the Chroma has an additional rotary table axis system for smoother listening.   KEY FEATURES: Auto speed control Lift Arm Ortofon OM10 cartridge PVC Chassis Polyamid Centraliser Matt finisH

The headphone monitoring amp and preamplifier with Phonitor Matrix. Phonitor 2 is the ultimate headphone amplifier for sound and mastering engineers who also mix and master on headphones. Speakers can also be connected, making Phonitor 2 a full-fledged monitor controller. Milled from the solid aluminum is the 45mm large volume knob. Its mass in combination with the motorized Alps RK27 “Big Blue” potentiometer further enhances the “spoon in honey” turning feeling. Remote control The volume can be adjusted with any infrared remote control, which Phonitor 2 simply learns. Just press the IR programming button on the back and then the buttons for louder and softer. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume. Monitor Controller Features Sources: 2x XLR, 1x RCA Solo L/R Phase reversal for L and R Output switchable to headphones or speakers  Mute Phonitor Matrix with crossfeed, speaker angle and center level (the latter can be switched off) To The Power Amp or to the active loudspeakers it goes symmetrically via XLR sockets. Slave Thru The volume control can be switched off by means of a dip-switch on the bottom of the unit.  The Sources Two balanced and one unbalanced stereo sources can be connected to Phonitor 2. If a CD player or other HiFi equipment is connected to the RCA jacks, the consumer level can be raised from -10 dBV to 0 dBu using a dip switch on the bottom of the unit. In this way the sources are comparable in level. Mechanical VU Meter visualize the input levels, which can be switched in sensitivity with the VU Cal switch. Laterality By its very nature, hearing can be directed more to the left or more to the right. This is particularly evident when listening with headphones. That’s why Phonitor 2 has the finely resolved Laterality control. With it the center can be set perfectly. The Revolution in the headphone amplifier is the Phonitor Matrix, thanks to which you can create and evaluate your production through headphones in the same way as through speakers.  To achieve this, the super stereo effect must be corrected. It makes the placement of voices and instruments in the stereo image appear to be more widely distributed and effects like reverb and delays are overdone. 

Monitor & Talkback Controller The MTC is the complete monitoring solution. Source and loudspeaker selection, mono, dim and mute switching functions, talkback with built-in talkback microphone up to the creation of a headphone mix for the artist. Inputs The MTC offers six stereo inputs. The Musician input should preferably contain the musician’s signal, so that this signal is also available at the Musician control in the Cue Mix section. The Mix input is then intended for the DAW’s master output. Musician and Mix and 2TrA and 2TrB are balanced input stages. A mono signal should always be fed into the left channel to be heard on both channels in the phantom center. 2Tr C and 2Tr D are unbalanced and have RCA connectors. HiFi equipment can also be connected here. All inputs are additive! The MTC mixes all input signals together. The slave out stereo output always carries out the selected input signal(s) (except Musician) unprocessed. Among other things, metering can be connected here. Cue Mix As an individual mix of Musician signal and Mix signal, an analog, latency-free Cue Mix can be created for the musician. For each of the three artist statements: “I can’t hear myself”, “The mix is too loud” and “I can’t hear anything”, there is a dedicated control as an answer. At the back, the Cue Mix can be sent to a headphone amplifier in the vocal booth. Talkback A built-in electret microphone is available for talkback communication, which can either be activated with the Talk button or remotely controlled via a foot switch. The level control sets the correct level for the microphone signal. At the Talk Out output only the talkback microphone signal is send out via a balanced jack socket. The sound engineer can thus speak directly to the speakers or musicians via an active loudspeaker placed in the recording room. Control Room Three pairs of loudspeakers can also be operated in parallel on the MTC. The volume is controlled by an analog potentiometer and a 45mm full aluminium knob. With the Source Blend control an optimal monitor mix can be created quickly. The headphone output can be used to listen in parallel to the selected speaker pair.  The headphones are switched on or off with the HP On switch, so that they can remain plugged in even if they are to be muted. Specifications Analog inputs & outputs: XLR & TRS Jack (balanced), RCA: Maximum input gain (XLR, Jack): 21 dBu Maximum input gain (RCA): 19 dBu Input impedance (Jack): 50 kΩ Input impedance (RCA): 10 kΩ Output impedance (XLR): 100 Ω Common mode rejection (1 kHz): 70 dB Frequency range (-3 dB): 10 Hz – 100 kHz THD +N (10 Hz – 22 kHz, 0 dBu): 0.005 % Noise (A-weighted): -89.4 dBu Dynamic range (XLR, Jack): 110.4 dB Dynamic range (RCA): 108.4 dB Internal Linear Power Supply with Toroidal Transformer: Operating voltage for analog audio: +/- 15 V Operating voltage for relays and LEDs: +12 V Mains Power Supply: Mains voltage (selectable): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 315 mA Fuse for 115 V: T 630 mA Power consumption: max. 10 W Dimensions & Weight: W x H x D (width x height x depth): 272 x 91 x 220 mm Unit weight: 2.3 kg Shipping weight (incl. packaging): 4.4 kg

USB / MADI Interface Madicon is a MADI digital audio interface that connects up to 64 input and 64 output channels to the computer via USB. USB Audio Interface Maximum 64 input and 64 output channels via MADI Additional optical stereo output (Ch1/2) 24 bit / up to 192 kHz Hi-Speed USB with detector LED USB bus powered Internal/External Clock Switch External Clock Lock LED Windows & Mac Zero-latency monitoring (FPGA Monitoring Mixer) SmartMADI MADI becomes more user-friendly, simple and modern SPL’s Madicon and Madisons can now be connected in series (daisy chaining) like Audio-Over-IP devices, and are easier to configure and more reliable. An additional MADI Router for more than two MADI devices is not necessary The sample rate is now transmitted via the MADI stream and Madisons follow automatically – very handy Monitor Mixer Control Room Mixer and six additional individual headphone mixers Intuitive and fast workflow Talkback 128-channel MADI stream metering MADI splitter – one signal can be distributed to 63 other channels Record without a DAW – directly to the hard disk! Automatic arming Displaying the remaining recording time Automatic naming of the files Solo auditions MADI Train & Device IDs This drawing explains the device ID settings when up to four Madison with SmartMADI are connected to the Madicon and a DAW in a daisy-chain connection at single, double and quadruple sample rates. Specifications: Inputs & outputs; MADI, USB, Toslink Optical MADI port: Standard 64/High Optical Toslink port (F06): Max. 192 kHz USB 2.0 High Speed, Bus-Powered, Power consumption (max): 2.5 W Dimensions & Weight W x H x D (width x height x depth): 100 x 42 x 108 mm Unit weight: 0.2 kg Shipping weight (incl. packaging): 0.45 kg

See nothing, hear everything  RD stands for Reduced Depth – so this speaker will fi t into tighter spaces than the standard CCM663. A shallower cone and a redesign of the easy-fi t QuickDogs™ frame reduce depth to a more usable 92mm, while retaining everything that makes the CCM663 such a great inceiling speaker. The familiar, yet discreet, dark blue Aramid Fibre cone of the bass/midrange driver delivers a stunningly clean, detailed response. This, combined with the pivoting aluminium dome tweeter for adjustable offaxis treble response and three-position EQ, make this one of the most versatile custom speakers around. If preferred, the supplied round grille can be replaced with an optional, square CCM663 grille. Technical Specifications: Description:2-way in-ceiling system Drive Units:1x Ø25mm (1 in) Nautilus™ swirl loaded aluminium dome tweeter,1x Ø150mm (6 in) blue Aramid Fibre cone bass/midrange Frequency range (-6dB): 35Hz – 50kHz Recommended Amplifi er Power::25W – 100W Sensitivity:86dB (2.83V, 1m) Nominal Impedance:8Ω (4.8Ω minimum) Frame:Ø240mm (9.4 in) Cut-out:Ø202mm (8 in) Depth behind surface:92mm (3.6 in) Protrusion: 7mm (0.3 in) Net weight:2.3kg (5 lb)Pre-mount Kit:PMK C6 Back Box: BB6W or BB125C 

This Bowers & Wilkins architectural monitor is designed to be used anywhere: it's perfect for use around the pool or mounted outdoors year-round, thanks to its weather resistance. Sound anywhere Flexible, durable and great-sounding. The easy-install bracket allows the AM-1 to be mounted vertically or horizontally, for total flexibility of installation. Better bass, sealed tight AM-1 needs a sealed enclosure to shrug off the rain and splashes, but that's not great for solid, powerful bass. So Bowers & Wilkins engineers designed this clever auxiliary bass radiator to give extra low-end punch from a compact enclosure. Sound where you want it We wanted to keep the AM-1 small, yet tough and flexible, so the combination of a slender wall-bracket, a clever one-plug mounting system and 220 degree rotation means we can deliver your music wherever you want it – indoors or out. Technical features: Nautilus™ tube loaded aluminum dome tweeter Glassfiber cone bass/midrange Auxiliary Bass Radiator (ABR)  Specifications: Description: 2-way system with Auxiliary Bass Radiator (ABR)  Drive units: 1x ø25mm (1in) aluminum dome high-frequency 1x ø130mm (5in) glassfibre cone bass/midrange  Frequency range: -6dB at 46Hz and 50kHz (wall mounted)  Frequency response: 51Hz - 22kHz on reference axis (wall mounted)  Sensitivity: 86dB (2.83V, 1m)  Total harmonic distortion: 

This Bowers & Wilkins architectural monitor is designed to be used anywhere: it's perfect for use around the pool or mounted outdoors year-round, thanks to its weather resistance. Sound anywhere Flexible, durable and great-sounding. The easy-install bracket allows the AM-1 to be mounted vertically or horizontally, for total flexibility of installation. Better bass, sealed tight AM-1 needs a sealed enclosure to shrug off the rain and splashes, but that's not great for solid, powerful bass. So Bowers & Wilkins engineers designed this clever auxiliary bass radiator to give extra low-end punch from a compact enclosure. Sound where you want it We wanted to keep the AM-1 small, yet tough and flexible, so the combination of a slender wall-bracket, a clever one-plug mounting system and 220 degree rotation means we can deliver your music wherever you want it – indoors or out. Technical features: Nautilus™ tube loaded aluminum dome tweeter Glassfiber cone bass/midrange Auxiliary Bass Radiator (ABR)  Specifications: Description: 2-way system with Auxiliary Bass Radiator (ABR)  Drive units: 1x ø25mm (1in) aluminum dome high-frequency 1x ø130mm (5in) glassfibre cone bass/midrange  Frequency range: -6dB at 46Hz and 50kHz (wall mounted)  Frequency response: 51Hz - 22kHz on reference axis (wall mounted)  Sensitivity: 86dB (2.83V, 1m)  Total harmonic distortion: 

Το B&W (Bowers & Wilkins) MT-50 ειναι συστημα οικιακου κινηματογραφου 5.1 (5x sat M1 new και 1x sub ASW608). Χαρακτηριστικά: Model M-1 Drive units 1x ø25mm (1in) metal dome high-frequency,1x ø100mm (4in) woven glass fibre cone bass/midrange Sensitivity: 85dB spl (2.83V, 1m) Nominal impedance: 8Ω (minimum 4Ω) Crossover frequency: 4kHz Recommended amplifier power: 20W – 100W into 8Ω on unclipped programme Height: 248mm (9.8in) Width: 114mm (4.5in) Depth: 162mm (6.4in) Net weight: 2.3kg (5lb) including table stand Model ASW608 Drive unit: 200mm (8in) paper / Kevlar® cone long-throw Power output: 200W Rated power consumption: 40W Standby power consumption: 0.5W Input impedance: 33k Signal / noise: >90dB Functions Volume: level – line in Volume level – speaker in Low-pass filter frequency Low-pass filter bypass (line in only) Bass extension Bass roll-off alignment Auto sense on/standby Phase switch Inputs Stereo: Line In (RCA Phono),Speaker In (Binding post),12v trigger (3.5mm jack) Height: 260mm (10.2in) not including feet Width: 260mm (10.2in) Depth: 330mm (13in) including grille and controls Net weight: 8.85kg (19.5lb)

Home theatre system So you've gone Ultra HD and want sound to match? Bringing together the sleek M-1 speakers and compact but powerful ASW608 ensures Bowers & Wilkins expertise will make your movies magic – in any room. Small speakers – big, big sound Combining the clean, crisp M-1 speakers with the powerful, weighty ASW608 subwoofer guarantees an immersive, thrilling cinema experience. Designed to be discreet Every element of the MT-50 is aimed at making it easy on the eye, from the choice of white or black finishes to the clever way the cables are hidden away in the structure of the speakers and their stands. Nautilus™ inside The same Nautilus tapered tube technology you'll find in our flagship speakers is also used in the MT-50's little M-1 speakers, guaranteeing precision and clarity for all that dialogue and sound effects. Built to shake the room Compact it may be, but the ASW608 subwoofer used in the MT-50 system packs a mighty punch, thanks to an advanced composite driver and a seriously powerful amplifier.

Home theatre system Combine our clever little M-1 speakers with the explosive power of the PV1D subwoofer, and you have our flagship MT-60D Mini Theatre system. Don't let the compact size fool you – it means business! Hear every word The same Nautilus™ tapered tube technology you’ll find in our flagship speakers is also used in the MT-60D’s little M-1 speakers. Feel the force The MT-60D's 'pressure vessel™' PV1D subwoofer is all about turning on the thunder, while keeping things tight and exciting: that ultra-rigid shape and opposed drivers means all its energy is dedicated to shaking your world. Complete control With its digital signal processing, PV1D is all about delivering the cleanest possible integration with the M-1 speakers for a seamless sound. Its simple touch-panel puts you in complete control.

Home theatre system Combine our clever little M-1 speakers with the explosive power of the PV1D subwoofer, and you have our flagship MT-60D Mini Theatre system. Don't let the compact size fool you – it means business! Hear every word The same Nautilus™ tapered tube technology you’ll find in our flagship speakers is also used in the MT-60D’s little M-1 speakers. Feel the force The MT-60D's 'pressure vessel™' PV1D subwoofer is all about turning on the thunder, while keeping things tight and exciting: that ultra-rigid shape and opposed drivers means all its energy is dedicated to shaking your world. Complete control With its digital signal processing, PV1D is all about delivering the cleanest possible integration with the M-1 speakers for a seamless sound. Its simple touch-panel puts you in complete control.

Compact centre speaker Powerful and dynamic, the HTM2 D3 is the ideal centre speaker for use with the smaller 800 Series Diamond speakers. Compact Diamond centre More compact than the HTM1 D3, this is the ideal speaker to partner with the smaller 800 Series Diamond models. Hear small details in a big way Mounted atop the main enclosure, the Diamond dome tweeter in its solid aluminum housing delivers space, ambience and precise soundstage imaging. Truly amazing sound Voices and instruments are delivered with purity and precision, thanks to the smooth, accurate Continuum™ cone mid/bass driver. Nimble and powerful Solid, dramatic bass is delivered through the rigidity and lightness of the uniquely-shaped, variable thickness Aerofoil™ cone. Technical features: Diamond tweeter     Continuum™ Cone FST™     Anti-Resonance plug     Aerofoil™ cone bass units     Flowport™     Optimised Matrix     Solid body tweeter     Tweeter-on-Top   Specifications:              Description: 3-way vented-box system         Drive units: 1x ø25mm (1 in) Diamond dome high-frequency     1x ø130mm (5 in) Continuum™ cone FST™ midrange     2x ø165mm (6.5 in) Aerofoil™ cone bass units                 Frequency range: 33Hz to 35kHz             Frequency response (+/-3dB from reference axis): 45Hz to 28kHz                     Sensitivity (1m on axis at 2.83Vrms): 90dB     Harmonic distortion: 2nd and 3rd harmonics (90dB, 1m on axis)    

Compact centre speaker Powerful and dynamic, the HTM2 D3 is the ideal centre speaker for use with the smaller 800 Series Diamond speakers. Compact Diamond centre More compact than the HTM1 D3, this is the ideal speaker to partner with the smaller 800 Series Diamond models. Hear small details in a big way Mounted atop the main enclosure, the Diamond dome tweeter in its solid aluminum housing delivers space, ambience and precise soundstage imaging. Truly amazing sound Voices and instruments are delivered with purity and precision, thanks to the smooth, accurate Continuum™ cone mid/bass driver. Nimble and powerful Solid, dramatic bass is delivered through the rigidity and lightness of the uniquely-shaped, variable thickness Aerofoil™ cone. Technical features: Diamond tweeter     Continuum™ Cone FST™     Anti-Resonance plug     Aerofoil™ cone bass units     Flowport™     Optimised Matrix     Solid body tweeter     Tweeter-on-Top   Specifications:              Description: 3-way vented-box system         Drive units: 1x ø25mm (1 in) Diamond dome high-frequency     1x ø130mm (5 in) Continuum™ cone FST™ midrange     2x ø165mm (6.5 in) Aerofoil™ cone bass units                 Frequency range: 33Hz to 35kHz             Frequency response (+/-3dB from reference axis): 45Hz to 28kHz                     Sensitivity (1m on axis at 2.83Vrms): 90dB     Harmonic distortion: 2nd and 3rd harmonics (90dB, 1m on axis)    

For big sound in smaller spaces, you can’t beat ASW608, the most compact of the 600 Series subwoofers. Features :   Volume level – line in Volume level – speaker in Low-pass filter frequency Low-pass filter bypass (line in only) Bass extension Bass roll-off alignment Auto sense on / standby Phase switch Specfications: Model: ASW608 Drive unit : 200mm (8in) paper / Aramid fibre cone long-throw Power output: 200W Rated power consumption: 40W Standby power consumption: 0.5W Input impedance: 33kΩ Signal / noise: >90dB Inputs     Stereo line in (RCA Phono) Speaker in (Binding post) 12v trigger (3.5mm jack) Dimensions: Height: 260mm (10.2in) not including feet or spikes,272mm (10.7in) including feet,288mm (11.3in) including spikes Width: 260mm (10.2in) Depth: 305mm (11.99in) not including grilles,330mm (13in) including grilles and controls Net weight: 8.85kg (19.5lb)

For big sound in smaller spaces, you can’t beat ASW608, the most compact of the 600 Series subwoofers. Features :   Volume level – line in Volume level – speaker in Low-pass filter frequency Low-pass filter bypass (line in only) Bass extension Bass roll-off alignment Auto sense on / standby Phase switch Specfications: Model: ASW608 Drive unit : 200mm (8in) paper / Aramid fibre cone long-throw Power output: 200W Rated power consumption: 40W Standby power consumption: 0.5W Input impedance: 33kΩ Signal / noise: >90dB Inputs     Stereo line in (RCA Phono) Speaker in (Binding post) 12v trigger (3.5mm jack) Dimensions: Height: 260mm (10.2in) not including feet or spikes,272mm (10.7in) including feet,288mm (11.3in) including spikes Width: 260mm (10.2in) Depth: 305mm (11.99in) not including grilles,330mm (13in) including grilles and controls Net weight: 8.85kg (19.5lb)

Using the same 10-in drivers found in the flagship 800 D3 speakers and a high-efficiency 1000 watt amplifier, DB2D uses intelligent DSP to optimise bass in any room. Power and control The DB2D's digital signal processing ensures punch and control for scintillating movie effects – and to make more of your music. Nimble and powerful Solid, dramatic bass is delivered through the rigidity and lightness of the uniquely-shaped, variable thickness Aerofoil™ cone. A question of balance The back-to-back (opposed) drivers cancel out cabinet resonances, ensuring all that power is used to create room-shaking bass, not wasted vibrations. The digital advantage Digital amplification is cool-running and energy efficient, even when working hard, while Dynamic EQ and Room EQ ensure a precise sound for music and movies. Take control By placing control in the palm of your hand, our subwoofer app not only makes our DB Series subwoofers a snap to set up, it also helps maximise your sound quality. Specfications: Model: DB2D Description: DB Series subwoofer Technical features: 1000w Class D Hypex amplifier 2 x 250mm (10in) Aerofoil™ cone drive units in a balanced configuration Digital preamplifier with Dynamic EQ App-based set-up and BT-LE control Drive units: 2 x 250mm (10in) Aerofoil™ cone drive units in a balanced configuration Frequency range (-6dB): 8.5Hz - 500Hz Frequency response -3dB (centered on level at 100Hz): 10Hz - 350Hz Max power output: 1000W Inputs 2 x XLR 2 x RCA 2 x 3.5mm 12V trigger RS-232 - 9-pin D connector Dimensions: Height: 430mm (16.9in) Width: 377mm (14.8in) Depth: 360mm (14.2in) Net weight: 36kg

Using the same 10-in drivers found in the flagship 800 D3 speakers and a high-efficiency 1000 watt amplifier, DB2D uses intelligent DSP to optimise bass in any room. Power and control The DB2D's digital signal processing ensures punch and control for scintillating movie effects – and to make more of your music. Nimble and powerful Solid, dramatic bass is delivered through the rigidity and lightness of the uniquely-shaped, variable thickness Aerofoil™ cone. A question of balance The back-to-back (opposed) drivers cancel out cabinet resonances, ensuring all that power is used to create room-shaking bass, not wasted vibrations. The digital advantage Digital amplification is cool-running and energy efficient, even when working hard, while Dynamic EQ and Room EQ ensure a precise sound for music and movies. Take control By placing control in the palm of your hand, our subwoofer app not only makes our DB Series subwoofers a snap to set up, it also helps maximise your sound quality. Specfications: Model: DB2D Description: DB Series subwoofer Technical features: 1000w Class D Hypex amplifier 2 x 250mm (10in) Aerofoil™ cone drive units in a balanced configuration Digital preamplifier with Dynamic EQ App-based set-up and BT-LE control Drive units: 2 x 250mm (10in) Aerofoil™ cone drive units in a balanced configuration Frequency range (-6dB): 8.5Hz - 500Hz Frequency response -3dB (centered on level at 100Hz): 10Hz - 350Hz Max power output: 1000W Inputs 2 x XLR 2 x RCA 2 x 3.5mm 12V trigger RS-232 - 9-pin D connector Dimensions: Height: 430mm (16.9in) Width: 377mm (14.8in) Depth: 360mm (14.2in) Net weight: 36kg

Using the same 10-in drivers found in the flagship 800 D3 speakers and a high-efficiency 1000 watt amplifier, DB2D uses intelligent DSP to optimise bass in any room. Power and control The DB2D's digital signal processing ensures punch and control for scintillating movie effects – and to make more of your music. Nimble and powerful Solid, dramatic bass is delivered through the rigidity and lightness of the uniquely-shaped, variable thickness Aerofoil™ cone. A question of balance The back-to-back (opposed) drivers cancel out cabinet resonances, ensuring all that power is used to create room-shaking bass, not wasted vibrations. The digital advantage Digital amplification is cool-running and energy efficient, even when working hard, while Dynamic EQ and Room EQ ensure a precise sound for music and movies. Take control By placing control in the palm of your hand, our subwoofer app not only makes our DB Series subwoofers a snap to set up, it also helps maximise your sound quality. Specfications: Model: DB2D Description: DB Series subwoofer Technical features: 1000w Class D Hypex amplifier 2 x 250mm (10in) Aerofoil™ cone drive units in a balanced configuration Digital preamplifier with Dynamic EQ App-based set-up and BT-LE control Drive units: 2 x 250mm (10in) Aerofoil™ cone drive units in a balanced configuration Frequency range (-6dB): 8.5Hz - 500Hz Frequency response -3dB (centered on level at 100Hz): 10Hz - 350Hz Max power output: 1000W Inputs 2 x XLR 2 x RCA 2 x 3.5mm 12V trigger RS-232 - 9-pin D connector Dimensions: Height: 430mm (16.9in) Width: 377mm (14.8in) Depth: 360mm (14.2in) Net weight: 36kg

Despite its compact dimensions, DB3D delivers astonishingly powerful, controlled bass thanks to its twin 8in Aerofoil™ drivers, 1000 watt amplifier and digital signal processing. More bass, less space Compact model packs a mighty punch. Controllable, dramatic bass from a subwoofer so small it fits almost anywhere: DB3D is a space-saving high-performance design. Nimble and powerful Solid, dramatic bass is delivered through the rigidity and lightness of the uniquely-shaped, variable thickness Aerofoil™ cone. A question of balance The back-to-back (opposed) drivers cancel out cabinet resonances, ensuring all that power is used to create room-shaking bass, not wasted vibrations. The digital advantage Digital amplification is cool-running and energy efficient, even when working hard, while Dynamic EQ and Room EQ ensure a precise sound for music and movies. Take control By placing control in the palm of your hand, our subwoofer app not only makes our DB Series subwoofers a snap to set up, it also helps maximise your sound quality. Specifications: Model: DB3D Description: DB Series subwoofer Technical features: 1000w Class D Hypex amplifier 2 x 200mm (8in) Aerofoil™ cone drive units in a balanced configuration Digital preamplifier with Dynamic EQ App-based set-up and BT-LE control Drive units: 2 x 200mm (8in) Aerofoil™ cone drive units in a balanced configuration Frequency range (-6dB): 8.5Hz - 500Hz Frequency response -3dB (centered on level at 100Hz): 10Hz - 350 Hz Max power output: 1000W Inputs: 2 x XLR 2 x RCA 2 x 3.5mm 12V trigger RS-232 - 9-pin D connector Dimensions: Height: 360mm (14.1in) Width: 320mm (12.6in) Depth: 300mm (11.8in) Net weight: 25kg

Despite its compact dimensions, DB3D delivers astonishingly powerful, controlled bass thanks to its twin 8in Aerofoil™ drivers, 1000 watt amplifier and digital signal processing. More bass, less space Compact model packs a mighty punch. Controllable, dramatic bass from a subwoofer so small it fits almost anywhere: DB3D is a space-saving high-performance design. Nimble and powerful Solid, dramatic bass is delivered through the rigidity and lightness of the uniquely-shaped, variable thickness Aerofoil™ cone. A question of balance The back-to-back (opposed) drivers cancel out cabinet resonances, ensuring all that power is used to create room-shaking bass, not wasted vibrations. The digital advantage Digital amplification is cool-running and energy efficient, even when working hard, while Dynamic EQ and Room EQ ensure a precise sound for music and movies. Take control By placing control in the palm of your hand, our subwoofer app not only makes our DB Series subwoofers a snap to set up, it also helps maximise your sound quality. Specifications: Model: DB3D Description: DB Series subwoofer Technical features: 1000w Class D Hypex amplifier 2 x 200mm (8in) Aerofoil™ cone drive units in a balanced configuration Digital preamplifier with Dynamic EQ App-based set-up and BT-LE control Drive units: 2 x 200mm (8in) Aerofoil™ cone drive units in a balanced configuration Frequency range (-6dB): 8.5Hz - 500Hz Frequency response -3dB (centered on level at 100Hz): 10Hz - 350 Hz Max power output: 1000W Inputs: 2 x XLR 2 x RCA 2 x 3.5mm 12V trigger RS-232 - 9-pin D connector Dimensions: Height: 360mm (14.1in) Width: 320mm (12.6in) Depth: 300mm (11.8in) Net weight: 25kg

Despite its compact dimensions, DB3D delivers astonishingly powerful, controlled bass thanks to its twin 8in Aerofoil™ drivers, 1000 watt amplifier and digital signal processing. More bass, less space Compact model packs a mighty punch. Controllable, dramatic bass from a subwoofer so small it fits almost anywhere: DB3D is a space-saving high-performance design. Nimble and powerful Solid, dramatic bass is delivered through the rigidity and lightness of the uniquely-shaped, variable thickness Aerofoil™ cone. A question of balance The back-to-back (opposed) drivers cancel out cabinet resonances, ensuring all that power is used to create room-shaking bass, not wasted vibrations. The digital advantage Digital amplification is cool-running and energy efficient, even when working hard, while Dynamic EQ and Room EQ ensure a precise sound for music and movies. Take control By placing control in the palm of your hand, our subwoofer app not only makes our DB Series subwoofers a snap to set up, it also helps maximise your sound quality. Specifications: Model: DB3D Description: DB Series subwoofer Technical features: 1000w Class D Hypex amplifier 2 x 200mm (8in) Aerofoil™ cone drive units in a balanced configuration Digital preamplifier with Dynamic EQ App-based set-up and BT-LE control Drive units: 2 x 200mm (8in) Aerofoil™ cone drive units in a balanced configuration Frequency range (-6dB): 8.5Hz - 500Hz Frequency response -3dB (centered on level at 100Hz): 10Hz - 350 Hz Max power output: 1000W Inputs: 2 x XLR 2 x RCA 2 x 3.5mm 12V trigger RS-232 - 9-pin D connector Dimensions: Height: 360mm (14.1in) Width: 320mm (12.6in) Depth: 300mm (11.8in) Net weight: 25kg

Combining 2000 watts of digital amplification with twin balanced Aerofoil™ drivers for incredible low-end power and speed, DB1D is the best Bowers & Wilkins subwoofer. A smarter approach to bass DB1D's 2000 Watt amplifier and 12-inch drivers are controlled by intelligent processing for best-in-class bass delivery. Nimble and powerful Solid, dramatic bass is delivered through the rigidity and lightness of the uniquely-shaped, variable thickness Aerofoil™ cone. A question of balance The back-to-back (opposed) drivers cancel out cabinet resonances, ensuring all that power is used to create room-shaking bass, not wasted vibrations. The digital advantage Digital amplification is cool-running and energy efficient, even when working hard, while Dynamic EQ and Room EQ ensure a precise sound for music and movies. Take control By placing control in the palm of your hand, our subwoofer app not only makes our DB Series subwoofers a snap to set up, it also helps maximise your sound quality. Specifications: Model: DB1D Description: DB Series Subwoofer Technical features: 2000w Class D Hypex amplifier 2 x 300mm (12in) Aerofoil-cone drive units in a balanced configuration Digital preamplifier with Dynamic EQ App-based set-up and BT-LE control Drive units: 2 x 300mm (12in) Aerofoil-cone drive units in a balanced configuration Frequency range (-6dB): 8.5Hz - 500Hz Frequency Response -3dB (centered on level at 100Hz): 10Hz - 350 Hz Max Power output: 2000W Inputs: 2 x XLR 2 x RCA 2 x 3.5mm 12V trigger RS-232 - 9-pin D connector Dimensions: Height: 460mm (18.1in) Width: 429mm (16.9in) Depth: 410mm (16.1in) Net weight: 43kg

Combining 2000 watts of digital amplification with twin balanced Aerofoil™ drivers for incredible low-end power and speed, DB1D is the best Bowers & Wilkins subwoofer. A smarter approach to bass DB1D's 2000 Watt amplifier and 12-inch drivers are controlled by intelligent processing for best-in-class bass delivery. Nimble and powerful Solid, dramatic bass is delivered through the rigidity and lightness of the uniquely-shaped, variable thickness Aerofoil™ cone. A question of balance The back-to-back (opposed) drivers cancel out cabinet resonances, ensuring all that power is used to create room-shaking bass, not wasted vibrations. The digital advantage Digital amplification is cool-running and energy efficient, even when working hard, while Dynamic EQ and Room EQ ensure a precise sound for music and movies. Take control By placing control in the palm of your hand, our subwoofer app not only makes our DB Series subwoofers a snap to set up, it also helps maximise your sound quality. Specifications: Model: DB1D Description: DB Series Subwoofer Technical features: 2000w Class D Hypex amplifier 2 x 300mm (12in) Aerofoil-cone drive units in a balanced configuration Digital preamplifier with Dynamic EQ App-based set-up and BT-LE control Drive units: 2 x 300mm (12in) Aerofoil-cone drive units in a balanced configuration Frequency range (-6dB): 8.5Hz - 500Hz Frequency Response -3dB (centered on level at 100Hz): 10Hz - 350 Hz Max Power output: 2000W Inputs: 2 x XLR 2 x RCA 2 x 3.5mm 12V trigger RS-232 - 9-pin D connector Dimensions: Height: 460mm (18.1in) Width: 429mm (16.9in) Depth: 410mm (16.1in) Net weight: 43kg

Combining 2000 watts of digital amplification with twin balanced Aerofoil™ drivers for incredible low-end power and speed, DB1D is the best Bowers & Wilkins subwoofer. A smarter approach to bass DB1D's 2000 Watt amplifier and 12-inch drivers are controlled by intelligent processing for best-in-class bass delivery. Nimble and powerful Solid, dramatic bass is delivered through the rigidity and lightness of the uniquely-shaped, variable thickness Aerofoil™ cone. A question of balance The back-to-back (opposed) drivers cancel out cabinet resonances, ensuring all that power is used to create room-shaking bass, not wasted vibrations. The digital advantage Digital amplification is cool-running and energy efficient, even when working hard, while Dynamic EQ and Room EQ ensure a precise sound for music and movies. Take control By placing control in the palm of your hand, our subwoofer app not only makes our DB Series subwoofers a snap to set up, it also helps maximise your sound quality. Specifications: Model: DB1D Description: DB Series Subwoofer Technical features: 2000w Class D Hypex amplifier 2 x 300mm (12in) Aerofoil-cone drive units in a balanced configuration Digital preamplifier with Dynamic EQ App-based set-up and BT-LE control Drive units: 2 x 300mm (12in) Aerofoil-cone drive units in a balanced configuration Frequency range (-6dB): 8.5Hz - 500Hz Frequency Response -3dB (centered on level at 100Hz): 10Hz - 350 Hz Max Power output: 2000W Inputs: 2 x XLR 2 x RCA 2 x 3.5mm 12V trigger RS-232 - 9-pin D connector Dimensions: Height: 460mm (18.1in) Width: 429mm (16.9in) Depth: 410mm (16.1in) Net weight: 43kg

A unique take on subwoofer design, PV1D uses two opposed drivers in a super-rigid enclosure to deliver fast, clean, firm solid bass for music and movies. Turn up the pressure Bring all the power of those big action movies home with the high-intensity stealth subwoofer. More bass, much less shake Along with its ultra-rigid enclosure, PV1D uses horizontally-opposed bass drivers, working back-to-back. That spreads the bass better, and also makes the whole assembly self-damping, keeping it stable and inert.  Take control The simple, intuitive touch-control panel lets you 'dial in' PV1D for use with everything from little satellite speakers to big floorstanding models: behind it is advanced digital processing to make the most of all the bass on offer. PV = Pressure Vessel™ PV1D takes its style from the inherently strong form of diving spheres and other pressure vessels: simply, it was the only shape able to handle all that power. Specfications: Model: PV1D Functions 5 Presets Input sensitivity (analogue) Gain (digital) Low-pass filter frequency Low-pass filter slope Low-pass filter phase Auto on / standby Trigger on / standby Trigger preset switching RS-232 automation control Drive units: 2x 200mm (8in) Paper-Kevlar® / Aluminum cone long-throw Power output: 400W Rated power consumption: 150W Standby power consumption: 100dB Inputs:  Stereo line in (2x RCA Phono) Speaker level in (5m cable supplied) Height: 342mm (13.5in) Width: 270mm (10.6in) Depth: 358mm (14.1in) Net weight: 18.7kg (41lb)

A unique take on subwoofer design, PV1D uses two opposed drivers in a super-rigid enclosure to deliver fast, clean, firm solid bass for music and movies. Turn up the pressure Bring all the power of those big action movies home with the high-intensity stealth subwoofer. More bass, much less shake Along with its ultra-rigid enclosure, PV1D uses horizontally-opposed bass drivers, working back-to-back. That spreads the bass better, and also makes the whole assembly self-damping, keeping it stable and inert.  Take control The simple, intuitive touch-control panel lets you 'dial in' PV1D for use with everything from little satellite speakers to big floorstanding models: behind it is advanced digital processing to make the most of all the bass on offer. PV = Pressure Vessel™ PV1D takes its style from the inherently strong form of diving spheres and other pressure vessels: simply, it was the only shape able to handle all that power. Specfications: Model: PV1D Functions 5 Presets Input sensitivity (analogue) Gain (digital) Low-pass filter frequency Low-pass filter slope Low-pass filter phase Auto on / standby Trigger on / standby Trigger preset switching RS-232 automation control Drive units: 2x 200mm (8in) Paper-Kevlar® / Aluminum cone long-throw Power output: 400W Rated power consumption: 150W Standby power consumption: 100dB Inputs:  Stereo line in (2x RCA Phono) Speaker level in (5m cable supplied) Height: 342mm (13.5in) Width: 270mm (10.6in) Depth: 358mm (14.1in) Net weight: 18.7kg (41lb)

ASW610's long-throw 250mm driver allows it to move the large volumes of air needed for high-quality low-frequency output, and its audiophile-standard 200W Class D amplifier keeps the compact unit running cool. Highly capable in a hi-fi or home theatre set-up Specfications: Features: Input level (line in) Input level (speaker in) Low-pass filter bypass Bass extension Bass roll-off alignment Auto sense on / standby Phase switch Description: Active closed-box subwoofer system Drive unit: ø250mm (10 in) paper / Aramid fibre cone long-throw Frequency range: -6dB at 20Hz and 25 / 140Hz adjustable (EQ at A) Frequency response: ±3dB 27Hz – 40 / 140Hz adjustable (EQ at A) Bass extension     -6dB at 20Hz (position A) -6dB at 25Hz (position B) -6dB at 30Hz (position C) Power output: 200W Rated power consumption: 40W / 0.5W standby Input impedance: 33kΩ Signal / noise: >90dB Inputs: Line in (RCA Phono) Speaker in (Binding post) 12v trigger (3.5mm jack) Low-pass filter Active 4th-order, variable cut-off frequency Dimensions:     Height: 310mm (12.2 in) not including feet or spikes, 322mm (12.7in) including feet, 338mm (13.3in) including spikes Width: 310mm (12.2 in) Depth: 347mm (13.66in) not including grilles,375mm (14.8 in) including grilles and controls Net weight: 12.5kg (27.6 lb)

ASW610's long-throw 250mm driver allows it to move the large volumes of air needed for high-quality low-frequency output, and its audiophile-standard 200W Class D amplifier keeps the compact unit running cool. Highly capable in a hi-fi or home theatre set-up Specfications: Features: Input level (line in) Input level (speaker in) Low-pass filter bypass Bass extension Bass roll-off alignment Auto sense on / standby Phase switch Description: Active closed-box subwoofer system Drive unit: ø250mm (10 in) paper / Aramid fibre cone long-throw Frequency range: -6dB at 20Hz and 25 / 140Hz adjustable (EQ at A) Frequency response: ±3dB 27Hz – 40 / 140Hz adjustable (EQ at A) Bass extension     -6dB at 20Hz (position A) -6dB at 25Hz (position B) -6dB at 30Hz (position C) Power output: 200W Rated power consumption: 40W / 0.5W standby Input impedance: 33kΩ Signal / noise: >90dB Inputs: Line in (RCA Phono) Speaker in (Binding post) 12v trigger (3.5mm jack) Low-pass filter Active 4th-order, variable cut-off frequency Dimensions:     Height: 310mm (12.2 in) not including feet or spikes, 322mm (12.7in) including feet, 338mm (13.3in) including spikes Width: 310mm (12.2 in) Depth: 347mm (13.66in) not including grilles,375mm (14.8 in) including grilles and controls Net weight: 12.5kg (27.6 lb)

EXCLUSIVE FORMATION® WIRELESS TECHNOLOGY Creates perfected in-room speaker synchronisation, providing the ultimate listening experience. Hear every detail in perfect harmony. PERFECTED SPEAKER SYNCHRONISATION An industry-defining, completely immersive soundstage experience, due to an imperceptible in-room 1 microsecond sync between speakers. PATENTED ROBUST MESH NETWORK Developed to run independently from your home WiFi network to ensure high-resolution audio performance throughout your home. HIGH FIDELITY STREAMING 96/24 Bit Audio Resolution streaming with twice the fidelity than the leading wireless speaker brand for the purest and clearest audio experience. QUICK & EASY SET UP Streamlined user interface takes just moments to set up and start playing. Specifications: Formation Bass Add a deeper depth of bass to your music and movies Opposed Dual Driver technology reduces distortion Powerful Class D amplifier delivers exacting performance Dynamic EQ optimises performance in real time Features Formation® Wireless Technology Sets up in moments Wirelessly connects with Formation speakers Model: Formation Bass Description: Wireless Subwoofer Technical features: Digital Signal Processing (DSP) Digital amplifier  Dynamic EQ Drive units: 2 x 165mm (6½ in) long throw bass unit  Frequency response: 20Hz to 150Hz   Amplifier power output: 250W Input voltage:100V – 240V – 50/60Hz  Power consumption Below 6 Watts  (Sleep)* Connections Network (RJ45 Ethernet or WiFi) USB – service only  Dimensions Height: 234mm (9.2 in) Width: 281mm (11.1 in) Depth: 240mm (9.4 in) Weight: 12.1kg (26.7lb) AirPlay 2 compatibility iPhone, iPad, and iPod touch with iOS 11.4 or later, Apple TV 4K or Apple TV (4th Generation) with tv OS 11.4 or later, Mac or PC with iTunes 12.8 or later.   *Formation devices have multiple radios and therefore are compliant for the ERP requirements for a HiNA device

Subwoofer Give your home cinema set-up the bass impact it deserves with DB4S – a powerful, classically styled single driver subwoofer that's a perfect match for the 700 Series. Nimble and powerful Solid, dramatic bass is delivered through the rigidity and lightness of the uniquely-shaped, variable thickness Aerofoil™ cone. Powerful amplification Thanks to 1000w of digital amplification, DB4S delivers all the precision, control and authority you could ask for. Digital preamplifier DB4S uses a digital preamplifier featuring Dynamic EQ, for optimized audio performance across the available frequency range.  Control app  Adjust calibration and correction easily using DB4S dedicated smartphone app. Specifications: Technical features: 1000W Class D Hypex amplifier Aerofoil™ bass cone Digital preamplifier with Dynamic EQ App-based set-up and BT-LE control Description: Active closed-box subwoofer system Drive units:1x ø250mm (10in) Aerofoil™ cone bass Frequency range: -6dB at 8.5Hz and 500Hz Frequency response: 10Hz – 350Hz -3dB (centred on level at 100Hz) Max power output: 1000W Rated power consumption at 1/8th of rated power: 195W Standby power consumption:

A high resolution DAP Designed and engineered for audiophiles, the M6 (21) adopts a dual ESS ES9038Q2M DAC to independently process the audio streams of each channel. It also supports high-resolution files up to PCM 32bit 768kHz and DSD256, as well as MQA. Each DAC is associated with a low noise KDS clock and is filtered by an FPGA chip specifically programmed by Shanling for the M6 (21). Balanced & Single-ended outputs The Shanling M6 (21) amplification stage is not to be outdone since it benefits from two independent amplifiers to feed the balanced outputs while ensuring a very low noise level. A third amplifier feeds the single-ended output in order to take full advantage of the dual DAC. The M6 (21) offers 3 headphone outputs: 2 balanced outputs in 2.5mm and 4.4mm jack format and a single-ended output in 3.5mm jack. The developed power is 350mW under 32Ω on the balanced outputs and 160mW under 32Ω for the single-ended output. WiFi & Bluetooth The Shanling M6 (21) is equipped with a WiFi controller, allowing you to transfer your music wirelessly or even to play files stored on your network directly, in DLNA. This also allows the M6 (21) to have access to many music streaming services, like Qobuz, Deezer or Spotify. The M6 (21) also includes a Bluetooth chip for receiving and transmitting audio data to Bluetooth headphones or earphones. This Bluetooth chip supports AAC, aptX HD, LDAC and HWA codecs for maximum compatibility. Touch screen Dressed in an aluminum chassis, the M6 (21) is light and robust on which rests a large touch screen of 11cm diagonal. This one allows an intuitive navigation in the menus of the DAP and within your audio files. These files can be stored on the 32GB internal memory of the player or on an external Micro SD card (not included). The DAP is powered by a Lithium-Polymer battery capable of providing an autonomy of up to 12 hours in single-ended or 9 hours in balanced.

Shanling M6 Pro 21 DAP Digital Audio Player HiFi 64Go DAC 2x ES9068AS 32bit 768kHz DSD256 Shanling offers with the M6 Pro 21 an updated and improved version of its M6 Pro player. This one now integrates a double DAC ESS ES9068AS, an amplification stage with a bigger power reserve, an Octa-Core Snapdragon processor, the integration of the AGLO technology or 3 independent outputs, balanced and unbalanced. The M6 Pro 21 is also a model of connectivity since it has both Bluetooth and WiFi. In general, the Shanling DAP is a little jewel of technology, ideal for all music lovers wishing to enjoy their music in optimal conditions, whether at home or on the move. Dual ESS ES9068AS DAC To ensure a rich, accurate and transparent sound reproduction, the M6 Pro 21 incorporates two ESS ES9068AS DAC chips. These high quality converters support high resolution audio streams up to 32bit 768kHz PCM and DSD256. The DAP also supports MQA (Master Quality Authenticated) files for a reproduction as close as possible to the original recording. Full balanced amplifier stage The M6 Pro 21 incorporates a fully symmetrical 4-channel amplifier stage, using low-pass technology with constant phase over the entire frequency range. This particular structure allows to reach a higher power, while offering better measurements and a high quality sound. CPAF Technology In order to solve the group delay problem of traditional low-pass filtering, Shanling engineers have designed a new audio circuit, based on advanced mathematical models, using Constant Phase in All Frequencies (CPAF) technology. OPA2211 In this new version of the M6 Pro, the low pass filter uses better AOP from Texas Instruments, OPA2211, for a perfect association with ESS DACs. ADA4610-2 The ADA4610-2 dual channel JFET amplifier from Analog Devices achieves very low noise and distortion while providing high output current. BUF634A The amplification stage of the DAP integrates 4 Texas Instruments BUF634A high speed buffers, significantly improving the output current. Custom FPGA The FPGA algorithm has been improved to achieve a higher level of clock accuracy for drastically reduced jitter and better playback performance in both PCM and DSD. High power & Low noise With three gain settings, the M6 Pro 21 can accompany many, many models of headphones and earphones on the market. Able to deliver up to 760mW of power at 32Ω, it will work with the most demanding headphones without difficulty. It also adopts low dropout regulators, ideal for more sensitive headphones. Total MQA support The M6 Pro 21's ESS DACs are designed to natively support the playback of Master Quality Authenticated (MQA) files, up to MQA 16x. So you can enjoy high quality sound. Equalizers & Digital Filters In order to fine-tune the sound reproduction according to your taste and your listening equipment, the M6 Pro 21 offers three different digital filters as well as a software equalizer within the Shanling Music application. The 3 available digital filters are as follows: Linear Phase Fast Roll-off Minimum Phase Slow Roll-off Hybrid Fast Roll-off 3 output modes The M6 Pro 21 offers 3 different outputs to adapt to all uses. There is an unbalanced output on 3.5mm jack and two balanced outputs on 2.5mm jack and 4.4mm jack. Android OS Shanling's DAP is based on the Android operating system, allowing for a smooth experience and access to your favorite streaming apps but also DLNA streaming. A seamless experience Thanks to the use of a powerful octa-core Snapdragon 430 processor, combined with 4GB of RAM, the M6 Pro 21 offers a smooth experience, without any slowdown. It also comes with 64GB of storage space, expandable via Micro SD card. AGLO Technology The M6 Pro 21 uses Shanling AGLO, Android Global Lossless Output technology. This allows all audio streams, regardless of the source, to be processed at the highest level of quality, without degradation caused by the Android sample rate converter. Shanling Music app The default player for the M6 Pro 21 is the Shanling Music application. It offers a quick and easy user experience with many options to suit your listening style. With you all day long With an improved autonomy, thanks to the use of a 4000mAh battery, the M6 Pro 21 can accompany you for no less than 16h in unbalanced and single DAC mode. The load is also very fast, thanks to the Quick Charge 3.0 technology. WiFi Streaming The M6 Pro 21 benefits from WiFi connectivity supporting 2.4G and 5G bands, allowing for fast and stable transmission. This WiFi connectivity also makes it easy to perform DAP updates when available. Bi-directional Bluetooth WiFi connectivity is complemented by bi-directional Bluetooth 4.2. You can easily connect the M6 Pro 21 to headphones or speakers that also have Bluetooth connectivity. In addition, it supports aptX, aptX HD and LDAC codecs for enhanced wireless sound quality. The M6 Pro 21 can also receive audio streams via Bluetooth, for example from a smartphone, allowing the DAP to be used as a HiFi amplifier. Bi-directional USB connection The USB-C connection of the M6 Pro 21 is also bi-directional. It can therefore work as an excellent DAC / amplifier with any computer or smartphone. It is also possible to connect a USB DAC, turning the M6 Pro 21 into a digital interface. Sharp HD IPS display The M6 Pro 21 is equipped with a beautiful 4.7" Sharp HD IPS touch screen. This one allows an intuitive navigation. It is also protected by tempered glass and covered with an oleophobic coating.

Multi-channel power amplifier 6 channels - 3 in stereo (total power 480W @ 4 Ohms) 3 Zones2 Bus inputs 2 Bus outputs for connecting other A680 multi-channel amplifiers - Perfect flexibility for the audio input signals: Switch to select the common audio signal (Bus) or the individual stereo channel (line) of each zone 6 individual adjustments for the input voltage - Trigger mode / automatic mode / automatic standby mode Stereo / bridge mode (up to 3 x 150 W @ 8 Ohms)

P1 is a top of the range preamplifier. An audiophile model capable of sublimating all your music while maintaining an optimal signal-to-noise ratio and a distortion reduced to the strict minimum. The product is not fixed in time, its optional input cards and its modularity allow it to easily follow the market's evolutions. The MPH II and MDAC I modules are provided in the P1 FULL version. Equipped with line inputs in its original configuration, it can in fact be completed by optional slot cards: one for the Phono RIAA MM/MC stages, as well as another module offering three digital inputs with a resolution of up to 32 bits sampled at 384 kHz. This modularity, for both the analogue and digital parts, is supported by internal software that can be upgraded by the user via an easily accessible USB socket. Elipson P1 is thus a device of the present turned towards the future. Elegant and sober at the same time, the P1 is totally transparent thanks to the care taken with its circuits, allowing extremely low noise and distortion. Complete with multiple possibilities, its interface via the front screen offers you a perfect comfort of use, completed by its personalized and elegant remote control. The result is a reproduction of the smallest details, an airy spatialization and a perfect respect of silences. Our range is entirely manufactured in France in our Burgundy factory.

The A2700 power amplifier is the perfect partner for the P1 pre-amplifier. The Elipson A2700 power amplifier is a high-end model capable of delivering a high power output of 400 W RMS under 8 ohms in stereo mode or 1400 W RMS under 8 ohms in mono mode. The Elipson A2700 power amp is thus able to give life and energy to any pair of floorstanding or bookshelf speakers. Its association with a preamplifier is also facilitated by its unbalanced RCA and balanced XLR inputs. It amplifies any signal in its entirety with disconcerting ease thanks to its high amplification capacity: 400 W RMS under 8 Ohms, 700 W RMS under 4 Ohms and especially 900W in impulse mode under 2 Ohms. Modular, it can be bridged in mono and offer 1400 W RMS (2500 W peak) under 8 Ohms, and this, without thermal runaway So this amplifier can drive all the speakers of the market. Beyond its power and its modularity, it is also the techniques used that impress: oriented towards the minimisation of background noise and distortion, as these are essential elements in the respect of the intensity of the notes in the service of musicality. An iron fist in a velvet glove, that's really what characterizes our amplifier, allowing you to find the live experience of a concert in all its complexity and finesse. Our range is entirely made in France in our Burgundy factory.

A compact center-channel speaker, the Prestige Facet 11C offers a subtle and realistic reproduction of dialogues. High-precision dialogues: The Elipson Prestige Facet 11C speaker introduces a host of innovative technologies which allow it to offer a realistic and detailed reproduction of dialogues for your movies. The most visible is undeniably the ring of sculpted facets surrounding each driver, which gives the range its name. A rigorous design process ensures optimal acoustic performance, while an elegant finish allows the speaker to blend in harmoniously with your interior decor. The Prestige Facet 11C is availble in black, walnut and white. A black or white lacquer is applied to the double-layer front panel. This center-channel speaker is fitted with a pair of 14 cm drivers featuring bullet-shaped phase plugs to limit vibrations and, consequently, reduce distortion. It can reproduce frequencies as low as 55 Hz and has a continuous power rating of 120 W. A 25 mm soft dome tweeter reproduces highs with finesse and precision. The multifaceted, sculpted silicone surround rings encircling each driver reduce the baffle effect and limit diffractions. The result is an extremely precise reproduction of dialogues. Extra attention has been paid to the speaker's cabinet. The lacquered front panel is composed of two dense, thick materials and strengthened by several internal brackets. The speaker's steep-slope filter relies on highly efficient, audiophile-grade components. As for the finish quality, it is not overlooked and offers benefits such as premium-quality vinyl and a lacquered front panel. At Elipson, the back counts as much as the front. Our designers have created rounded, high-end dual speaker terminals which offer the possibility of biwiring and biamplifying while benefiting from silver-plated contacts to maximize signal transmission. Banana plugs may also be connected to the terminals. The Prestige Facet 11C's high sensitivity (92 dB) allows it to be paired with any home cinema receiver. When combined with the rest of the Prestige Facet family, you will obtain a homogeneous ensemble capable of reproducing the soundstage in an optimized manner during your viewing sessions.

A compact center-channel speaker, the Prestige Facet 11C offers a subtle and realistic reproduction of dialogues. High-precision dialogues: The Elipson Prestige Facet 11C speaker introduces a host of innovative technologies which allow it to offer a realistic and detailed reproduction of dialogues for your movies. The most visible is undeniably the ring of sculpted facets surrounding each driver, which gives the range its name. A rigorous design process ensures optimal acoustic performance, while an elegant finish allows the speaker to blend in harmoniously with your interior decor. The Prestige Facet 11C is availble in black, walnut and white. A black or white lacquer is applied to the double-layer front panel. This center-channel speaker is fitted with a pair of 14 cm drivers featuring bullet-shaped phase plugs to limit vibrations and, consequently, reduce distortion. It can reproduce frequencies as low as 55 Hz and has a continuous power rating of 120 W. A 25 mm soft dome tweeter reproduces highs with finesse and precision. The multifaceted, sculpted silicone surround rings encircling each driver reduce the baffle effect and limit diffractions. The result is an extremely precise reproduction of dialogues. Extra attention has been paid to the speaker's cabinet. The lacquered front panel is composed of two dense, thick materials and strengthened by several internal brackets. The speaker's steep-slope filter relies on highly efficient, audiophile-grade components. As for the finish quality, it is not overlooked and offers benefits such as premium-quality vinyl and a lacquered front panel. At Elipson, the back counts as much as the front. Our designers have created rounded, high-end dual speaker terminals which offer the possibility of biwiring and biamplifying while benefiting from silver-plated contacts to maximize signal transmission. Banana plugs may also be connected to the terminals. The Prestige Facet 11C's high sensitivity (92 dB) allows it to be paired with any home cinema receiver. When combined with the rest of the Prestige Facet family, you will obtain a homogeneous ensemble capable of reproducing the soundstage in an optimized manner during your viewing sessions.

A compact center-channel speaker, the Prestige Facet 11C offers a subtle and realistic reproduction of dialogues. High-precision dialogues: The Elipson Prestige Facet 11C speaker introduces a host of innovative technologies which allow it to offer a realistic and detailed reproduction of dialogues for your movies. The most visible is undeniably the ring of sculpted facets surrounding each driver, which gives the range its name. A rigorous design process ensures optimal acoustic performance, while an elegant finish allows the speaker to blend in harmoniously with your interior decor. The Prestige Facet 11C is availble in black, walnut and white. A black or white lacquer is applied to the double-layer front panel. This center-channel speaker is fitted with a pair of 14 cm drivers featuring bullet-shaped phase plugs to limit vibrations and, consequently, reduce distortion. It can reproduce frequencies as low as 55 Hz and has a continuous power rating of 120 W. A 25 mm soft dome tweeter reproduces highs with finesse and precision. The multifaceted, sculpted silicone surround rings encircling each driver reduce the baffle effect and limit diffractions. The result is an extremely precise reproduction of dialogues. Extra attention has been paid to the speaker's cabinet. The lacquered front panel is composed of two dense, thick materials and strengthened by several internal brackets. The speaker's steep-slope filter relies on highly efficient, audiophile-grade components. As for the finish quality, it is not overlooked and offers benefits such as premium-quality vinyl and a lacquered front panel. At Elipson, the back counts as much as the front. Our designers have created rounded, high-end dual speaker terminals which offer the possibility of biwiring and biamplifying while benefiting from silver-plated contacts to maximize signal transmission. Banana plugs may also be connected to the terminals. The Prestige Facet 11C's high sensitivity (92 dB) allows it to be paired with any home cinema receiver. When combined with the rest of the Prestige Facet family, you will obtain a homogeneous ensemble capable of reproducing the soundstage in an optimized manner during your viewing sessions.

The W35 Wall Mount is specially designed for wall mounting of the Elipson W35 connected loudspeaker. This bracket allows a simple and discreet installation of your speaker. Thanks to this wall mount, you can very easily orientate your speaker from top to bottom and left to right for optimal listening comfort.

Get inspired, then refine your mix — all in a singular workflow. Digital Performer 11 delivers inspirational features devised to ignite your creative muse, combined with state-of-the-art studio production technologies engineered for the most demanding, world-class recording and production environments. Articulation Maps Articulation maps allow you to dynamically apply variation to the output of a MIDI track using remote triggers that affect the output of the track. For example, you could create an articulation map called Basic Articulations with separate triggers for Legato, Staccato and Marcato, and then expressively switch among them, on the fly, as you record or play the track. You can import or create custom maps for many popular orchestra sound libraries. Articulation symbols appear in the QuickScribe Editor, linked to their articulation map, where they can be further edited and inserted. You can also edit articulations for a track in lanes in the Graphic Editor and QuickScribe Editor. Audio Retrospective Record DP11 adds audio to its Retrospective Recording capabilities. Now, DP always listens to both MIDI and audio input sources, capturing everything, even if you’re not recording. Like magic, you can immediately recall any audio or MIDI material you’ve recently played. For both MIDI and audio input, Digital Performer frees your creativity and ensures you'll never lose that precious, fleeting creative moment. Clip Triggering With NovationTM and AkaiTM Pad Controllers Gain complete hands-on control of DP’s extensive Clips window with a pad controller like the NovationTM LaunchpadTM Pro mk3 or AkaiTM APC-40. Trigger individual clips or entire scenes (sections of songs). Apply filter sweeps and other effects processing as you go: Digital Performer is now a powerhouse live performance platform that can take your shows wherever you can imagine. Live Performance Mode When performing live, you want all effects processing to be done in real time, rather than pre- generated, for instant responsiveness. Live Performance Mode ensures that your computer feels like an extension of your hands. Chunk Folders and Playlists DP’s unique Chunks feature allows you to create and manage multiple sequences, songs and V-Racks in a single DP project file, from cues for a movie score to set lists for live shows. In DP11, you can now organize your chunks into folders and playlists. Folders are for perfect for organizing your chunks, while playlists serve perfectly as set lists for your next live show. Chunks List Split View Split the chunk list in two sections for improved chunk list management. For example, you could search for a chunk in one list section and then drag it into a folder or playlist in the other. Managing your chunks has never been easier. Multi-channel MIDI Tracks You can now record and play multiple channels of MIDI data in a single track. When setting MIDI track input and output assignments, instead of choosing a specific channel, you can choose ‘any.’ When you choose any for input, you can record all 16 MIDI channels into the track at once. The channels are stored with the MIDI events in the track. When you choose ‘any’ in the track's output assignment, the events will be played out on the same channel they were recorded. Enhanced View Filtering Show and hide individual MIDI channel data using new ‘Channel Selection’ section in the Track Selector. Use the ‘Event Type Selector’ section to show and hide specific event types. Support for MPE and Per-Note CCs MIDI Polyphonic Expression (MPE) is here! In DP 11, you can record multi-channel output from an MPE controller — such as a RoliTM SeaboardTM — as regular MIDI notes containing MPE expression data. Instead of a slew of note and controller data splayed across dozens of tracks, you see a single stream of normal MIDI notes that each contain their own note-specific controllers, for easy and intuitive editing. Hide and show the contained per-note controller and pitch-change events in DP’s familiar piano roll. Zoom in the note grid for finer detail. Zoom per- note data independently of the notes that contain them. Select a number of notes and simply drag vertically on their per-note data with the new "Scale" tool to increase or reduce the amount of expression. MPE-enabled virtual synths The following virtual synth instruments that are included with DP support MPE: Bassline,Modulo, MX4, Nanosampler 2.0, Polysynth and Proton. Per-note Expression Data Lanes Add separate lanes in the Sequence Editor to view and edit per-note MPE expression data with DP’s familiar and powerful continuous controller (CC) editing tools. A check box in each lane allows you to easily toggle the lane between track data and per-note data. With zero learning curve, you’ll master the editing of per-note expression data. New Scale Tool Quickly scale per-note expression data by simply dragging vertically with the new Scale Tool. New Control Surface plug-ins for Native InstrumentsTM and IconTM DP 11 includes new control surface plug-ins for the current Native InstrumentsTM Komplete KontrolTM lineup, including the M32, A-Series, and S-Series MK2 controller lines, and the hot new iCON ControlTM mixing worksurfaces like the QConTM Pro G2/EX, Pro X/XS, Platform Nano and Platform M/X series. These state-of-the-art control surfaces empower your DP workflow so you can work faster and more intuitively. Enhanced AvidTM EuConTM Support DP’s EuCon plug-in has been substantially updated, including support for the Avid S6TM console. In addition, you can now use your EuCon worksurface with DP running on Windows 10. Enhanced Support for MCU and HUI-compatible Control Surfaces A new plug-in called “MCU Compatible” improves support for third-party control surfaces that are Mackie Control Universal-compatible. Substantial improvements have been made to DP’s Mackie Control Universal (MCU) and HUI control surface plug-ins, which can be used with any control surface that supports those protocols, including improved automation toggling, scrub modes, send mode, loop toggle and much more. More Control Surface Enhancements For all control surfaces that support these features: V-Racks can now be displayed on all control surfaces. New track pinning modes (Pin to Mixer, Pin to Focus Window and All Tracks) significantly improve the way corresponding tracks are displayed in DP and on the control surface, so that you always see the tracks you need. New track indicator lights in the Sequence Editor and Mixing Board show which tracks are currently active on any control surface. Track and Clip Effects Every audio track, MIDI track and clip now has a basic transpose setting that you can use to transpose the content of that track or clip by an interval on playback, leaving the original data unaffected. You can conveniently change the setting at any time. MIDI tracks and clips also have a quantize setting, in addition to transpose. Intelligent Audio Interface Selection On macOS, if you haven’t yet selected the audio hardware you wish to use with DP, DP finds the best option for you. If you have a MOTU interface, or other professional interface, DP uses it. If not, DP uses whatever input and output devices you have selected in the System Preferences Sound Panel, and will follow your selection there if you change it. Of course, if you do choose an interface from within DP, DP uses it. Clips Window Enhancements The new ‘Empty Clips Scene’ command makes a new scene and fills it with new empty clips. The ‘Double Clip Loop’ feature doubles the length of the looped portion in a clip and repeats the material to fill the new loop, so you can easily creates changes that you hear every other time through the looped material. List Font Scaling Now you can resize the text in DP’s list windows, independent of the scaling for the rest of the UI. Control three new font size preferences: List, Project Notes and Lyrics. Text Rendering and dialog box scaling on Windows Taking advantage of the latest text rendering engine in Windows 10, DP’s text appears significantly crisper. Numerous additional text alignment tweaks improve DP’s look on Windows. DP now also uses Windows 10's DPI-awareness setting, allowing DP to resize system dialogs and menus appropriately for the size and resolution of your computer screen. Dynamically Resizable Channel Strips DP's faders resize when you make the Mixing Board and Channel Strip windows taller (or shorter). Support for macOS Big Sur and Apple silicon Macs DP11 is fully qualified for macOS Big Sur (11.x) and the latest generation Apple silicon Macs. DP’s audio engine is fully optimized for multi-core performance on Apple silicon, prioritizing audio threads on high-speed cores and reserving CPU bandwidth for critical, time-sensitive processing. ‘Transpose Exclude’ option A new track setting (column) in the Track List allows you to exclude tracks from the Transpose region command. There are also new commands to turn it on and off.