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Coveted & Rare. Until Now.The WA-CX12 is a faithful recreation of the most natural and balanced tube mic of all time, lauded for its organic tone and pleasing top end. The original AKG C12 was produced in Austria from 1953 - 1963 and is the definitive version of the 12-style mic. The WA-CX12 sound profile and circuit design is inspired by the original production run of only 2500 mics, which are highly coveted for their ability to capture the natural beauty of vocal performances, room sounds, and other far miking techniques. The list of famous recording artists who have never used a 12-style microphone is likely shorter than the list of those who have. Some of the most notable artists to create music with the original includeThe Beatles, Lupe Fiasco, Tom Petty, Michael Jackson, Alanis Morissette, and Taylor Swift, just to name a few. The WA-CX12 cuts no corners in achieving the highly coveted open, airy, and natural sound profile used over and over again by some of the world’s most recognized engineers and artists.No-Compromise ComponentsThe WA-CX12 is a professional large-diaphragm tube microphone with premium components, elite build quality, and is hand-inspected in Austin, Texas. The circuit design of the WA-CX12 is faithful to the original production run from 1953-1963, and serves as the basis for the historically accurate sound profile. Like the original, the WA-CX12 tone is mostly flat until a slight dip at 2kHz with a gradual boost between 5-10kHz. At the beginning of the chain, the CX12 has an edge-terminated, all-brass CK12-style capsule, that stays true to the frequency response of the original-run 12-style microphones.This capsule allows the WA-CX12 to have 9 polar patterns with the typical cardioid, omni, and figure-8, in addition to 6 intermediate patterns. . Moving down from the capsule, the WA-CX12 uses a premium 12AY7 vacuum tube for added warmth. At the end of the circuit, the WA-CX12 uses a custom TAB-Funkenwerk (AMI) USA Output Transformer, which gives the WA-CX12 a very full, wide, and open sound, getting the most out of the capsule and additional circuit components. The WA-CX12 has premium capacitors throughout, and a no-solder mask board for the lowest noise possible. As with all Warm Audio products, we focus heavily on quality components to ensure we release the best sounding product possible.True To Legacy, True To SoundThe WA-CX12 sound profile is known for capturing the real sound of a performance. Designed to provide clarity in the midrange and smooth out any high end harshness, the WA-CX12 delivers professional solo vocals, intricate piano performances, and epic, natural room sounds.VocalsThe gently tuned 5-10kHz boost of the WA-CX12 accentuates and smoothes out the upper register in many vocal performances.PianoOne of the more popular studio uses for the original 12-style microphone is as a stereo pair on grand piano. Because of the mic’s relatively flat frequency at 0dB until the top-end boost kicks in, the WA-CX12 adds just the right amount of pristine high end to a piano performance.Room SoundsWhether it’s room reflections, splashy cymbals, or guitar & bass cabinets - mixing in a distant WA-CX12 can bring a natural “live” sound to professional recordings.Premium Components - Elite Build Quality - Superior SoundWA-12-B-60V CEK12-Style CapsuleThe WA-12-B-60V CK12-style capsule accurately matches the frequency response of the original capsule found in vintage C12 mics. This capsule captures incredible detail across the 30Hz-20kHz frequency response. With a remarkably flat response until the top-end boost starts to hit around 3k, the capsule inside the WA-CX12 will help you capture natural sounds with some added top-end smoothness before the pleasant 19kHz rolloff.AMI USA-MADE Output TransformerThe history of TAB-Funkenwerk (AMI) transformers goes all the way back to the founding of the most sought-after German analog audio innovations. The TAB (AMI) transformer in the WA-CX12 is American-made with large-core German laminations and built to exacting standards as designed by Oliver Archut. The custom transformer drives the full natural sound captured by the capsule delivering that renowned Austrian sound.Premium Tubes, Capacitors, & BoardsThe WA-CX12 uses a premium 12AY7 vacuum tube that adds warmth and depth to the microphone’s signal. Like all Warm Audio products, we use premium capacitors in the circuit for ideal signal transfer. The PCB board in the WA-CX12 does not have solder masks which allows for the lowest noise floor possible, preventing crosstalk from added capacitance.Authentic Appearance, Elite Build Quality, Premium AccessoriesThe WA-CX12 is encased in an ultra-durable nickel-plated brass body. Every WA-CX12 comes with a custom tweed carrying case housing the mic, wood mic case, premium Gotham 7-pin cable, IEC cable, shockmount, and external power supply. Every WA-CX12 is meticulously hand-inspected at Warm HQ in Austin,TX by real musicians and engineers with a passion for superior sound.
The Nektar NP-1 universal foot switch pedals are solid, rugged and ideal for both studio and stage. Rubber gripping keep them in place during performances and polarity switching ensures they work with any keyboard or electronic product, requiring a foot switch. Specifications:Heavy duty solid metal enclosureBottom rubber surface for solid floor-gripRubber contact surface Polarity switch - works with all keyboards6ft cable with 1/4" TS jack plugWeight: 0.7 lbs
The PRM1 Precision Reference Microphone is a special type of condenser microphone that provides an accurate reproduction of a room's sound characteristics for use with audio-analysis tools such as real-time analyzers (RTAs) and spectrographs.A reference, or “measurement,” microphone is condenser microphone that is designed to provide an accurate reproduction of a room's sound characteristics for use with audio-analysis tools, such as real-time analyzers (RTAs) and spectrographs. While measurement microphones can be quite expensive, the affordable PreSonus®PRM1 delivers high-quality results.The PRM1 employs a ¼” pre-polarized electret-condenser capsule and requires phantom power. It has an omnidirectional polar pattern, meaning it is equally sensitive in all directions. This allows the microphone to measure reflections, as well as direct signals, providing an accurate depiction of the room. This mic can handle up to 132 dB SPL and exhibits linear (“flat”) frequency response between 20 Hz and 20 kHz, so it won’t color the sound.Specifications:Type: CondenserPick Up Pattern: Omnidirectional Frequency response: 20 Hz to 20 kHz Sensitivity: -37 dB/Pa (14 mV/Pa) 1 Pa=94 dB SPLΙmpedance: 200ΩDimensions: W21 mm x L192mm Weight: 150g
Yes! Manley Mastering Version Massive Passive Stereo Tube EQ WE CAME UP WITH A CLEVER WAY TO PULL THIS OFF...WITHOUT breaking your bank account thanks to these interesting mechanically detented knobs for the GAIN and BANDWIDTH controls! These knobs are of our own design. They are a clever two-part metal design using a ball and spring detent system. They ensure repeatability and a good, positive feel, without the incredible cost and space problems tons of Grayhill switches would have caused.Some notes pertinent to the Mastering Version:The Massive Passive is a passive design and not a "true parametric". A true parametric implies non-interacting controls. In the Massive Passive, the "GAIN" and "BANDWIDTH" controls DO interact (on purpose). We cannot create a "GAIN" switch that is set up for "consistent" 1/2 dB steps. When you change the "BANDWIDTH" the step size must and will change. On the regular version, you get a full 20dB boost or cut only when: the bandwidth is fully clockwise (narrow) in bell mode or fully counter-clockwise in shelf mode. Here on the Mastering Version, this maximum boost or cut is 11dB. Conversely at the widest bell, the maximum boost or cut is 6dB and the narrowest shelf maxes out at 12 dB. A similar situation is also true for the bandwidth detents. So in this new Mastering Version, do not expect a certain dB change per step as it will vary according to where the bandwidth is set. But whatever the step sizes are, they will be repeatably 16 steps. The FREQUENCY select is already detented as it is and always has been a Grayhill switch. It also interacts in shelf mode.On a similar note, the Massive Passive is a "parallel design" and not the conventional "series design". This means the bands interact with each other too. It is possible, to set a band to boost 20 dB but if another band is boosting near or at that frequency, very little will happen. On a conventional EQ the two bands "add" and you would be boosting 40 dB into clipping. Because the bands interact, predictable step sizes are unrealistic, however, with the Mastering Version, you will be able to repeat settings (if you log them of course). The price paid for interacting bands, is a better sounding EQ and bizarre looking settings (on purpose).Unlike virtually every other EQ, the Massive Passive allows much more EQ without sounding "processed". Where 5 or 6 dB is about all one could attempt with other EQs in mastering, the Massivo amazes engineers with how much EQ they can do and get more "natural" results at the same time. We could have squeezed 11 position Grayhill switches in the modules if we had wanted 1/2 dB steps but then the maximum range would have become only 5.5 dB. Remembering what we stated above, the minimum range would then become about 1.5 dB with approximately 0.2 dB steps. This approach would have essentially thrown away most of the useful range the unit is capable of. Going with these special mechanically detented knobs which use the same pots underneath that the normal Massivo uses, we get nearly all the range of the normal version, but with the repeatability of the detents.We have also custom tailored the FILTERS in the Mastering Version specifically for Mastering purposes, moving them lower and higher than the normal version, with mastering engineers specifically in mind. If you are looking for drastic effects (like telephone sounds) then get the normal version. These filters are really geared for mastering engineers.Additionally, the Master Gain Trim controls in the Mastering Version are true 11 position 1/2 dB stepped Grayhill switches set up for a range between -2.5 to +2.5 dB of master gain trim. This allows more confidence in left/right matching and calibration.The best advice is, before you decide, or even form an opinion about whether to go with a normal or mastering version Massivo, is to use a regular Massive Passive for a session or two in your own room. We have seen in the past that the only engineers who have asked about a mastering version had yet to try the Massive. Using your previous extensive and intensive experience with other EQs may be a mistake, especially if you expect the Massive Passive to be roughly similar to them. It isn't. Please, try it first, then decide.There are 5 High Pass Passive Filters and bypass, plus 5 Low Pass Passive Filters with bypass. We made them extra steep. Why? So you can remove the garbage and not mess up your music. The way these filters interface with the parametric EQ bands simply sound beautiful. The mastering version filters go higher and lower compared to the regular Massive Passive filters.High Pass Filters: OFF, 12, 16, 23, 30, 39 HzLow Pass Filters: OFF, 52kHz, 40kHz, 27kHz, 20kHz, 15 kHzThe Mastering Version filters are tuned specifically for mastering where they will be used to fix problems in the low and high extremes rather than to make effects in the mid-band. The slopes are all 18dB per octave on the mastering filters except for the highest 52kHz Low Pass filter which has a 30 dB/octave slope.Features:All-Passive tone sculpting circuitryUnique Shelf curves use the "bandwidth" controlOverlapping and Interleaved Frequency choicesEvery band switchable to shelf or bellVacuum tube make-up gain and line driversParallel symmetrical topologyPremium components throughoutHP and LP Filters plus gain trimsMetal Manley mechanically detented GAIN and BANDWIDTH control knobsSpecifications:Ins & Outs Balanced XLR & 1/4" (accepts unbalanced)Level +4 dBu nominal, internal switches for -10 operationBypass Switch bypasses EQ & tube circuits (not hardwire)44 Frequencies (roughly 1/4 octave spacing)Frequency Range: 22 Hz to 27 kHzEQ Boost/Cut Range : Maximum 11dB boost or cutNominal Q range: 1.5 to 3 (uniquely active in shelf modes)Frequency Response: ±2 dB: 8 Hz to 60 KHzMaximum Output @ 1.5% THD +37 dBv; +26dBv @ 20 HzTHD & Noise (1KHz @ +4 dBu): 0.06%Noise Floor (referred to +4dBu): -85 dB (A Weight)Dynamic Range: 120 dBTube Complement: 2 x 12AU7, 4 x 6414Power Consumption (120/240VAC): 72 wattsUnit is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.Operating Mains Voltage changeable with power transformer changeover switch and fuse value change.Mains Voltage Frequency: 50~ 60HzSize (3U): 19" x 5.25" x 10"Weight: Unit 21 lbs. Shipping Weight: 27 lbs.
PreSonus’ popular Class A XMAX preamps are widely lauded for their clarity and transparency. Our tube preamps are beloved for their warm, smooth sound. With the Blue Tube DP V2 dual-path mic/instrument preamp, you get both types of high-quality sound in one unit.Now we’ve improved on the classic unit with the BlueTube DP V2. The solid-state path now feeds PreSonus’ top-of-the-line Class A XMAX™ mic preamplifier with 80 dB of variable gain—an upgrade from the original BlueTube DP’s solid-state stage.You still get all the secondary features you expect in a professional-grade preamp: 48V phantom power, an 80 Hz high-pass filter, -20 dB pad to control hot input signals, and a polarity-reverse switch. Each channel has an illuminated VU meter so you can visually monitor your input levels.A Tube Drive control provides a wide range of sounds: when it’s clicked off, you’re using the solid-state preamp for quiet, transparent amplification; when it’s engaged, your signals flow through the tube preamp, and you can achieve anything from gentle warmth to edgy distortion.Specifications:2 input channels, each with:High-headroom Class A XMAX™ mic preamplifier with 80 dB gain range12AX7 vacuum tube gain stageTube Drive tube-saturation control48V phantom power80 Hz high-pass filter-20 dB pad to reduce hot input levelsPolarity-reverse switchIlluminated analog VU input-level meterInput/Output2 balanced combo mic/unbalanced instrument inputs2 balanced XLR main (L/R) line outputs2 unbalanced ¼” main (L/R) line outputsPhysicalCompact 1/2U chassisExternal 12 VDC, 1A power supply
Warm Audio's WA-2A set its target high: the most iconic tube compressor in history. How does Warm do it? Through economies of scale, mostly. They don't cut corners on components (the WA-2A employs a custom optical photocell and genuine US-made Cinemag transformers), but they do order parts and build in quantity, which keeps costs down. Like the classic unit, the WA-2A gives you a completely discrete signal path and the same arrangement of controls. And yes, it replicates the original's coveted warm sound and forgiving nature. Elevate your studio to the next level - with the Warm Audio WA-2A.What can the WA-2A do for you?Every studio needs a good compressor, and the Warm Audio WA-2A is designed after the mother of all compressors - the legendary LA-2A Leveling Amplifier. With its euphonic, fluid, forgiving sonics and all-discrete, all-tube signal path, the WA-2A is your go-to device for everything from caressingly warm dynamics control to full-tilt squashfest. It's fabulous on bass, kick drum, vocals - you name it. It's lovely for punchy parallel processing on drums, and if you have two of them, the possibilities become even greater.Top-tier performance - and a stunning valueAt Sweetwater, we're all about performance and value, and that's what the WA-2A gives you. At this amazing price, you can double your value and get two. With a pair of these in your rack, you can make that stereo piano sit proudly in the track. Punch up your toms. Strap them across your stereo bus for some mastering magic, and fortify your mix with serious slam factor.Warm Audio WA-2A Features:Faithful re-creation of the iconic LA-2A Leveling Amplifier in a 2RU chassisCompletely discrete, all-tube signal path:Historically accurate 4-tube circuitUS-made Cinemag input and output transformersCustom optical photocellWarm Audio's 1-year warranty
IsoAcoustics ISO-PUCK’s provide an innovative new approach in isolating studio monitors, guitar amps and other systems. This unique design provides a high degree of isolation while resisting lateral movement and oscillations, which results in greater sound clarity and focus. Possibly the most versatile isolation tool available for the studio, live stage or home as you can place them as needed to improve the clarity and performance of your pro equipment and monitors. This low-profile design makes the ISO-PUCK the ideal solution for studio monitors placed on meter bridges, floor stands, consoles, desktops, millwork, or soffit mounted. These isolators decouple studio monitors from the supporting surface to eliminate the transfer of energy and the resulting sound smearing and coloration. Even studio monitors placed on the most solid steel stands, millwork or heavy granite surfaces will greatly benefit from the ISO-PUCK’s as the internal reflections coming back up from the supporting surface are attenuated to eliminate the smear and provide greater sound clarity and open up the stereo image. This small, compact design makes the ISO-PUCK the ideal speaker isolation solution to carry with you from studio to studio, session to session or anywhere you want to improve the sound clarity or your studio monitors. ISO-PUCK’s are sold in packages of 2, with cartons available as a convenient way to take ISO-PUCK’s to your next session. IsoAcoustics ISO-PUCK’s provide improved isolation and performance for guitar and bass amplifiers. For home, studio or stage the ISO-PUCK’s decouple amplifiers from the floor or stage which results in remarkable sound clarity and openness with tighter bass and greater detail. Discover improved isolation with greater punch and clarity when practicing at home, or tracking in the studio. Musicians often struggle to maintain “their sound” as they move from one “boomy” stage to the next. ISO-PUCK’s provide a consistent isolation support to preserve your sound in any situation and are great for amps, cabinets, stage monitors subwoofers and more.
The StudioLive® 32R Series III stage box and rack mixer is by far the most powerful rackmount digital mixer in its class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.Specifications : Type: Rackmount Digital MixerChannels: 40 x 40 (USB), 55 x 55 (AVB networking)Inputs - Mic Preamps: 32 x XLR-1/4" combo (mic/line)Phantom Power: YesInputs - Other: 1 x Dual RCA StereoOutputs - Main: 2 x XLROutputs - Direct: 16 x 1/4" (mix out)Data I/O: 1 x EtherCon (AVB), 1 x RJ-45 (network control)USB: 1 x Type BComputer Connectivity: USB (40 x 40), Ethernet (AVB, 55 x 55)Headphones: 1 x 1/4" TRSEQ Bands: 4-band/6-band Parametric EQ, 31-band Graphic EQEffects: Studio Magic Plug-in SuiteSignal Processing: Gate, Compressor, LimiterFeatures: Onboard stereo SD recorderSoftware: Studio One Artist, UC Surface Touch, Capture, QMix-UCOS Requirements - Mac: OS X 10.8.5 64-bit or later, Intel Core i3 or higherOS Requirements - PC: Windows 7 SP1 64-bit or later, Intel Core i3 or higherRackmountable: YesPower Source: Standard IEC AC cable
Nektar products are synonymous with DAW integration and the Impact GX49 & GX61 are no exception.The compact design is comfortable in front of a computer and delivers powerful functionality not even found on more comprehensive controllers. When inspiration strikes, the Impact GX 49 & 61 delivers the control needed to capture ideas while they are fresh. Compact. Powerful. Control.The Impact GX49 and GX61 are dynamic and expressive instruments, tailored to composition & performance with your computer music system. The no-fuss interface is a great entry into the world of Nektar controllers. Featuring a 49-note (4 octave) or 61-note (5 octave) keyboard, pitch-bend wheel, modulation wheel and foot switch socket. Two multi-colored octave buttons enable shifting the keyboard range up or down -3/+4 octaves with the LED colors changing to show the exact status, Impact GX are well equipped to deliver a great workflow. Dedicated transpose buttons allow you to shift the keyboard range up to +/- 12 semi tones. The buttons can quickly be re-purposed to change the Global MIDI Channel or send Program messages. Additionally an assignable potentiometer provides control over any MIDI parameter, by default controls mixer volume. Nektar DAW Integration for many of the most commonly used DAWs makes it easy to get going, and a pleasure to use. With Impact GX49 your controller keyboard is part of your system, giving you the creative freedom to compose, perform and play, without having to reach for your mouse constantly.Eight buttons intended for DAW control, are at the center of the Impact GX. Essential tasks like transport activation or navigating tracks are highly repetitive and reaching for the mouse every time, can kill any seed of inspiration. Used with Nektar DAW integration, the 8 buttons extend functionality to include control over transport and a host of other important DAW functions, right from Impact GX. The buttons can also be assigned to MIDI messages for use with any MIDI software that's not supported by Nektar DAW Integration. A primary and a secondary message can be programmed for each of 7 buttons, delivering 14 programmable options total.Nektar DAW integration is carefully crafted to give the best experience with your Nektar hardware. It delivers the freedom to create, instead of having to reach for the mouse constantly when you are in the middle of capturing an idea.With Nektar DAW integration, the hard work is done, so you don't have to. Once installation is complete, Impact GX offers an extended feature set, normally unavailable on a compact controller. Transport control with ability to goto and set locators, track navigation, volume control, launching windows and patch navigation is all available right from Impact GX. Check out the function overview chart below and see how the Impact GX ticks all the right boxes.Impact GX is a MIDI controller as well as a DAW controller. If you use MIDI software that's not supported by Nektar DAW Integration, a host of options are available for you to set up MIDI control yourself. Each of the 14 assignable MIDI buttons, the modulation wheel, foot switch and of course the big control knob, can be assigned to send out MIDI cc messages. The assignable buttons (14) can in addition be configured to send out Program message or MMC transport control. MMC (MIDI Machine Control) is often supported by DAWs that don't allow for advanced integration, so with this option Impact GX covers all the bases. The Setup menu also enables Program messages, Bank LSB/MSB to be sent out on the fly as well as settings for selecting one of the 4 velocity curves, setting the Global MIDI Channel and assigning the transpose buttons. As a low powered USB device, Impact GX works with all USB devices that feature a Class compliant MIDI driver. That includes all version of Windows from XP and higher, Apple OS X 10.5 and higher plus Linux (as long as a USB MIDI driver package is installed). And if you are often on the move you can easily hook your Impact GX keyboard to an Apple iPad using the iPad’s optional USB camera connection kit (optional). Of course the Impact GX is powered by the iPad so you can work away for as long as your iPad remains charged.Specifications:Keyboard49-or 61 note full-sized velocity sensitive keyboard4 velocity curves + 3 fixedControlsOctave up/down buttons with LED indicatorsTranspose up/down buttons with LED indicators (assignable to send Global MIDI Channel or Program)7 x Transport buttons with secondary level for 14 MIDI controls.Pitch bend wheelModulation wheel (MIDI assignable )Potentiometer / control knob (MIDI assignable)Power on/off switch (back)Connections1/4” TS jack foot switch input (MIDI Assignable)USB port on rear panel, and USB bus poweredConnects to iPad via Apple Camera Connection Kit (not supplied) System RequirementsUSB Class compliant, no driver is needed for:Apple iOS, Apple OSX, Windows XP, or higher, Linux (MIDI driver software required) Nektar DAW IntegrationMac OS X 10.7 or higher, Windows Vista, 7 & 8 or higher Impact GX49:Dimensions: 31 5/8"(L) x 7 3/4"(D) 2 3/4 "(H)Weight: 4.8 Lbs Impact GX61:Dimensions: 38"(L) x 7 3/4"(D) 2 3/4"(H)Weight: 6 Lbs
This standard bearer of the Shape series features two passive radiators, woofers equipped with a new Flax cone, and the latest “M”-shaped Aluminium/Magnesium inverted dome tweeter. Perfect weapon of mass production for professionals. Shape Twin is made in France, just like Shape 40, 50 and 65. Designed to meet the needs of nearfield monitoring, these monitors combine an ingenuous design and numerous settings optimised for the acoustics of small listening rooms. Shape Twin stands out through its excellent rendering over the whole audio spectrum, its broad frequency response in the low end, and its high SPL considering its size. The compact design makes it easy to integrate even into the most cramped of rooms. Finally, its 2.5-way design gives it a real advantage when it comes to controlling the bass and lower mid-range registers which are the hardest to control in small rooms. Shape Twin’s five innovations present a remarkable tonal balance, with very wide and precise stereo imaging. The low frequencies are well defined as well as controlled. The low-mid and mid ranges provide a true neutral sound.Features:Tweeter with very low directivity for a flexible sweet spotDesigned without a port (double passive radiator) allowing it to be placed near a wall2.5 channels to provide optimal control of bass and low mid-range registersNumerous settings for optimal integrationAccurate control, even in the very high frequenciesFlax sandwich cone: controlled and articulated bass, natural and detailed lower mid-range and uppermid-range registersFastening mechanisms for mounting to the ceiling or a wall (fastening accessories not supplied)
Nektar products are synonymous with DAW integration and the Impact GX49 & GX61 are no exception.The compact design is comfortable in front of a computer and delivers powerful functionality not even found on more comprehensive controllers. When inspiration strikes, the Impact GX 49 & 61 delivers the control needed to capture ideas while they are fresh. Compact. Powerful. Control.The Impact GX49 and GX61 are dynamic and expressive instruments, tailored to composition & performance with your computer music system. The no-fuss interface is a great entry into the world of Nektar controllers. Featuring a 49-note (4 octave) or 61-note (5 octave) keyboard, pitch-bend wheel, modulation wheel and foot switch socket. Two multi-colored octave buttons enable shifting the keyboard range up or down -3/+4 octaves with the LED colors changing to show the exact status, Impact GX are well equipped to deliver a great workflow. Dedicated transpose buttons allow you to shift the keyboard range up to +/- 12 semi tones. The buttons can quickly be re-purposed to change the Global MIDI Channel or send Program messages. Additionally an assignable potentiometer provides control over any MIDI parameter, by default controls mixer volume. Nektar DAW Integration for many of the most commonly used DAWs makes it easy to get going, and a pleasure to use. With Impact GX49 your controller keyboard is part of your system, giving you the creative freedom to compose, perform and play, without having to reach for your mouse constantly.Eight buttons intended for DAW control, are at the center of the Impact GX. Essential tasks like transport activation or navigating tracks are highly repetitive and reaching for the mouse every time, can kill any seed of inspiration. Used with Nektar DAW integration, the 8 buttons extend functionality to include control over transport and a host of other important DAW functions, right from Impact GX. The buttons can also be assigned to MIDI messages for use with any MIDI software that's not supported by Nektar DAW Integration. A primary and a secondary message can be programmed for each of 7 buttons, delivering 14 programmable options total.Nektar DAW integration is carefully crafted to give the best experience with your Nektar hardware. It delivers the freedom to create, instead of having to reach for the mouse constantly when you are in the middle of capturing an idea.With Nektar DAW integration, the hard work is done, so you don't have to. Once installation is complete, Impact GX offers an extended feature set, normally unavailable on a compact controller. Transport control with ability to goto and set locators, track navigation, volume control, launching windows and patch navigation is all available right from Impact GX. Check out the function overview chart below and see how the Impact GX ticks all the right boxes.Impact GX is a MIDI controller as well as a DAW controller. If you use MIDI software that's not supported by Nektar DAW Integration, a host of options are available for you to set up MIDI control yourself. Each of the 14 assignable MIDI buttons, the modulation wheel, foot switch and of course the big control knob, can be assigned to send out MIDI cc messages. The assignable buttons (14) can in addition be configured to send out Program message or MMC transport control. MMC (MIDI Machine Control) is often supported by DAWs that don't allow for advanced integration, so with this option Impact GX covers all the bases. The Setup menu also enables Program messages, Bank LSB/MSB to be sent out on the fly as well as settings for selecting one of the 4 velocity curves, setting the Global MIDI Channel and assigning the transpose buttons. As a low powered USB device, Impact GX works with all USB devices that feature a Class compliant MIDI driver. That includes all version of Windows from XP and higher, Apple OS X 10.5 and higher plus Linux (as long as a USB MIDI driver package is installed). And if you are often on the move you can easily hook your Impact GX keyboard to an Apple iPad using the iPad’s optional USB camera connection kit (optional). Of course the Impact GX is powered by the iPad so you can work away for as long as your iPad remains charged.Specifications:Keyboard49-or 61 note full-sized velocity sensitive keyboard4 velocity curves + 3 fixedControlsOctave up/down buttons with LED indicatorsTranspose up/down buttons with LED indicators (assignable to send Global MIDI Channel or Program)7 x Transport buttons with secondary level for 14 MIDI controls.Pitch bend wheelModulation wheel (MIDI assignable )Potentiometer / control knob (MIDI assignable)Power on/off switch (back)Connections1/4” TS jack foot switch input (MIDI Assignable)USB port on rear panel, and USB bus poweredConnects to iPad via Apple Camera Connection Kit (not supplied) System RequirementsUSB Class compliant, no driver is needed for:Apple iOS, Apple OSX, Windows XP, or higher, Linux (MIDI driver software required) Nektar DAW IntegrationMac OS X 10.7 or higher, Windows Vista, 7 & 8 or higher Impact GX49:Dimensions: 31 5/8"(L) x 7 3/4"(D) 2 3/4 "(H)Weight: 4.8 Lbs Impact GX61:Dimensions: 38"(L) x 7 3/4"(D) 2 3/4"(H)Weight: 6 Lbs
Focal leads the way in affordable nearfield monitors by combining breakthrough designs with technologies they first developed for high-end models such as their successful SM series. This Shape 50 is the 5" model in the Shape series, which brings top-quality Focal reference monitoring to your studio, editing suite, songwriting workstation, or any other application where your space may be limited but your need for accurate monitoring isn't. A cutting-edge flax-sandwich cone, M-shaped inverted-dome driver, innovative acoustics, and ideal electronics all add up to a speaker that's extremely linear and free from distortion, offering clear midrange intelligibility and imaging. And thanks to its dual-passive-radiator design, you can comfortably place your Shape 65s near walls,while enjoying extended low end that's still tight, controlled, and accurate.Raising the bar on glass speaker conesFocal first introduced their glass-fiber speaker cones in their SM series, where the extraordinary definition provided by their lightweight rigidity made them an instant hit among professional mix engineers. Focal's Shape series takes this speaker design one step further by introducing a layer of flax fiber, which is significantly more rigid and twice as light as glass fiber. They sandwiched this flax layer between layers of glass fiber, resulting in a piston-like low-frequency action and increased dampening. You'll be astonished by the low-frequency accuracy and midrange clarity these speakers offer. You couldn't ask for better compact nearfield monitors when it comes to critical mixing applications. Revolutionary M-shaped inverted-dome tweeter The Shape series introduces another major design upgrade to Focal's nearfield monitor technology by reimagining their already impressive aluminum-magnesium dome tweeter. For starters, the M shape itself provides increased rigidity, which offers many of the same advantages as the increased rigidity of their flax fiber cones: greater definition with lower distortion.The M-shaped dome works with its own dedicated TMD surround for an impressively linear response below 6kHz. This horn also comes outfitted with housing that provides equal horizontal and vertical directivity, and a less-directional profile overall. Finally, the magnetic component, which features a Kapton former in the voice coil, offers a lower high-frequency distortion than Focal has previously achieved in an affordable nearfield monitor. TMD surround ensures total midrange neutralityBeneath the elegant walnut veneer and meticulously calculated MDF enclosure, each Shape series studio monitor features a number of technologies that give them uniquely linear frequency responses. One of these is the TMD surround ringing either speaker. Strangely enough, this stabilization element comes from special architecture found at the top of skyscrapers such as Taipei 101. These suspended harmonic absorbers promote a more piston-like action that targets specific frequencies. In the Shape series, these surrounds produce a remarkably flat frequency response around 1kHz–2kHz, resulting in astonishing neutrality with virtually no measurable distortion. Double passive-radiators ensure low-end stabilityOne of the technologies Focal popularized in their previous generation upper-end monitors was the use of passive radiators. Just as they did in the SMseries, these passive radiators provide the Shape series reference monitors with an extended low-frequency response that goes far beyond what the seasoned studio engineers at Sweetwater expect from modest-sized nearfields.By balancing low-frequency harmonics with the dual surrounds highlighted above, these passive radiators accomplish what ports simply can't, providing you with low-frequency tuning that extends bass clarity and allows you to position your monitors closer to walls, without compromising accuracy. This detail makes them an ideal choice for small studios and editing suites. Next-generation amplification and electronicsIt's impossible to overstate how important a role the amplifier plays in the function of precision reference monitors such as Focal's Shape series, both in terms of pairing the appropriate electronics with the acoustic elements and in providing you with the flexibility needed to tailor the sound to your control room. Regardless of other settings, Shape series studio monitors provide a stable tonal balance at any volume, a key element in creating mixes that translate well outside the studio. At the same time, you can easily adjust your Shape studio monitors to your room, thanks to the tunable shelving filters and 160Hz crossover slope. There's also an adjustable highpass filter onboard, so you can cut out serious low-frequency problems or accommodate specific subwoofer setups.
A Symphony of Speaker InnovationFocal leads the way in affordable nearfield monitors by combining breakthrough designs with technologies they first developed for high-end models such as their successful SM series. This Shape 65 is the 6.5" model in the Shape series, which brings top-quality Focal reference monitoring to your studio, editing suite, songwriting workstation, or any other application where your space may be limited but your need for accurate monitoring isn't. A cutting-edge flax-sandwich cone, M-shaped inverted-dome driver, innovative acoustics, and ideal electronics all add up to a speaker that's extremely linear and free from distortion, offering clear midrange intelligibility and imaging. And thanks to its dual-passive-radiator design, you can comfortably place your Shape 65s near walls,while enjoying extended low end that's still tight, controlled, and accurate.Raising the bar on glass speaker conesFocal first introduced their glass-fiber speaker cones in their SM series, where the extraordinary definition provided by their lightweight rigidity made them an instant hit among professional mix engineers. Focal's Shape series takes this speaker design one step further by introducing a layer of flax fiber, which is significantly more rigid and twice as light as glass fiber. They sandwiched this flax layer between layers of glass fiber, resulting in a piston-like low-frequency action and increased dampening. You'll be astonished by the low-frequency accuracy and midrange clarity these speakers offer. You couldn't ask for better compact nearfield monitors when it comes to critical mixing applications. Revolutionary M-shaped inverted-dome tweeter The Shape series introduces another major design upgrade to Focal's nearfield monitor technology by reimagining their already impressive aluminum-magnesium dome tweeter. For starters, the M shape itself provides increased rigidity, which offers many of the same advantages as the increased rigidity of their flax fiber cones: greater definition with lower distortion.The M-shaped dome works with its own dedicated TMD surround for an impressively linear response below 6kHz. This horn also comes outfitted with housing that provides equal horizontal and vertical directivity, and a less-directional profile overall. Finally, the magnetic component, which features a Kapton former in the voice coil, offers a lower high-frequency distortion than Focal has previously achieved in an affordable nearfield monitor. TMD surround ensures total midrange neutralityBeneath the elegant walnut veneer and meticulously calculated MDF enclosure, each Shape series studio monitor features a number of technologies that give them uniquely linear frequency responses. One of these is the TMD surround ringing either speaker. Strangely enough, this stabilization element comes from special architecture found at the top of skyscrapers such as Taipei 101. These suspended harmonic absorbers promote a more piston-like action that targets specific frequencies. In the Shape series, these surrounds produce a remarkably flat frequency response around 1kHz–2kHz, resulting in astonishing neutrality with virtually no measurable distortion. Double passive-radiators ensure low-end stabilityOne of the technologies Focal popularized in their previous generation upper-end monitors was the use of passive radiators. Just as they did in the SMseries, these passive radiators provide the Shape series reference monitors with an extended low-frequency response that goes far beyond what the seasoned studio engineers at Sweetwater expect from modest-sized nearfields.By balancing low-frequency harmonics with the dual surrounds highlighted above, these passive radiators accomplish what ports simply can't, providing you with low-frequency tuning that extends bass clarity and allows you to position your monitors closer to walls, without compromising accuracy. This detail makes them an ideal choice for small studios and editing suites. Next-generation amplification and electronicsIt's impossible to overstate how important a role the amplifier plays in the function of precision reference monitors such as Focal's Shape series, both in terms of pairing the appropriate electronics with the acoustic elements and in providing you with the flexibility needed to tailor the sound to your control room. Regardless of other settings, Shape series studio monitors provide a stable tonal balance at any volume, a key element in creating mixes that translate well outside the studio. At the same time, you can easily adjust your Shape studio monitors to your room, thanks to the tunable shelving filters and 160Hz crossover slope. There's also an adjustable highpass filter onboard, so you can cut out serious low-frequency problems or accommodate specific subwoofer setups.
Active loudspeaker with highest reproduction quality. WLAN, Bluetooth, LAN and AirPlay 2. Integrated bass reflex technology. Operation on device or via Revox app.Sometimes the A100 is a solo artist, sometimes it is a band leader with its fellow players P100, B100 and S100.Thanks to its built-in rechargeable battery, it delivers seven hours of music enjoyment. It plays studio sound quality via WiFi, Bluetooth and Apple AirPlay. It understands your music collection, but also iRadio, Spotify, Tidal and Deezer.
GND control. Take out speaker hum. Ground control to Major components. The optimum configuration for each system is one Ground/Earth for the whole system. If a system has multiple Grounds/Earths, then it often creates unwanted ground loops. These systems will then have an annoying low-frequency hum (emitted from the speakers). Current solutions either jeopardise (i) both safety and EMI shielding (e.g. cheater plug), or (ii) EMI shielding. And most are single country (US) uses only. The GND Defender in the correct way, intelligently detects a ground loop and will cut the ground for that component. AI ground detection. With a GND Defender at the IEC power input, it will intelligently detect and remove the ground loop at the component. Behind this, the GND Defender: Intelligently breaks DC ground loops to eliminate ground loop hum EMI shielding is retained Equipment Safety is unaffected (not a ground lift – so maintains equipment safety ground) If multiple ground loops exist, more than one GND Defender may be required. The GND Defender is smarter than the average ground lift. By a long way. Battleship build. The GND Defender is not only at the cutting-edge in terms of technology but also safety: High-performance glass passivated semiconductor High Case Dielectric Strength of 1500VRMS UL Listed X7R Capacitor High-temperature stability Flame resistant IEC socket/connector/chassis Fireproof polymers UL94-V0 Remember that best practice is to always keep at least one direct power cable connection.
DescriptionDesigned and manufactured in Japan, the powerful AVC-X4800H drives 9.4 channels of amplification. With Dolby Atmos and DTS:X, plus IMAX Enhanced and Auro-3D, the AVC-X4800H envelops larger living spaces in breathtaking 3D audio. With HEOS® Built-In, wirelessly stream your favourite music.Enveloping 3D audioFeel like you're in the centre of the action with enveloping 3D sound.Expert readyTake advantage of the wide variety of configuration options to best fit your space.Denon craftsmanshipDesigned and manufactured at Denon facilities in Japan and tuned by the Denon Sound Master.Optimize your roomEnhance performance with room correction options from Audyssey (installed) or Dirac Live (optional).
Get serious home cinema with only two speakers. All the technology found in full-size surround sound AV receivers in a slimline, stereo receiver. 75-watts-per-channel, with 8K HDMI, subwoofer output, and streaming built-in.75 Watts Per ChannelThe fully discrete stereo amplifier produces clear, detailed, warm, spacious, and dynamic sound from only source.8K HDMISix HDMI inputs (3x 8K) are compatible with streamers, game consoles, Blu-Ray players and more. HDMI-ARC enables simple connection to your TV or projector.Dual Subwoofer OutputsAdd deep and impactful bass with two subwoofer outputs. Tune bass to perfection using extensive speaker and subwoofer configuration options accessible through the menu.Pre-Amp OutputLeverage pre-amp mode to connect to an external amplifier for even higher sound quality and more power should you decide to upgrade later.Home Cinema from Only Two ChannelsSTEREO 70s merges the flexibility and features found in our CINEMA Series AVRs into a slim and simple 2 channel receiver. 8K HDMI plus ARC facilitates connection of smart TVs, game consoles and streaming systems. On screen display uses your TV screen to assist with setup. Support for up to 2 subwoofers means plenty of deep bass even when using small bookshelf speakers.High Resolution AudioCarefully engineered with specially chosen components, STEREO 70s unveils the natural immersiveness and power of sound. Crystal clear digital decoding of up to 192 kHz 24-bit audio and DSD opens a new world of high resolution music with depth, breadth, and clarity not available with lossy files.Slim and ElegantMarantz design is timelessly elegant—an expression of the musical soundscapes the products create. Our philosophy of balance and symmetry is evident in our sound and our designs. Meticulously engineered in a compact chassis, STEREO 70s fits where standard equipment cannot.HEOS® Built-in Multi-Room StreamingHEOS® Built-in technology lets you enjoy your favorite music in any room of your home for a wireless, whole-home audio experience. Play the same song in every room or select a different song for each connected room—the choice is yours.
Highlights:• Klipsch Connect App with many features.• Preset 3-band EQ and Night Mode.• Access to customer support.• Powerful sound performance of 103 DB.• Compact design, ideal for any room.• Unique aesthetics with updated design.Description:With the Klipsch Connect App you are assured of constant connection and a treasure trove of features await you, including Preset 3-band EQ and Night Mode. This app provides over-the-air updates and gives you easy access to customer service. Surprise yourself with the incredible sound quality from the speaker, which performs at a whopping 103 DB. Although compact, its sound is anything but small. It is designed to fit perfectly into any room in your home, without taking up too much space. The One Plus, with its beautifully rounded edges, is not just a speaker, but a work of art. Its elegant control panel and authentic wood veneer finish highlight its mid-century charm in the best possible way.
Highlights:• Powerful 2.1 stereo system with biamplified• Luxurious details with real wood veneer• Bluetooth 5.3 for simple streaming up to 12 meters away• Connect and control with the Klipsch Connect App• Wireless Broadcast Mode connection of over 10 speakers• Compact size with modern design• USB-C connection for playback and reverse chargingThe Three Plus from Klipsch:An excellent blend of classic design and modern technology. With its biamplified 2.1 stereo system professionally tuned by Klipsch's acousticians, it delivers crystal clear sound with deep bass.The elegant design with real wood veneer and tactile buttons compliments any decor. Enjoy easy streaming via the latest Bluetooth 5.3 technology and connect your favorite devices via USB-C. Experience vintage vibes by connecting your turntable to the Phono/RCA inputs. With the Klipsch Connect App, you can customize EQ settings and keep your speaker up to date. Whether you need music in the kitchen or entertainment in the living room, The Three Plus offers a versatile and powerful sound experience.
Simply Analog slip mat Special edition από φελλό και καουτσούκ νιτριλίου που βοηθά στην απορρόφηση δονήσεων και την αποφυγή συντονισμού, κατάλληλο για όλους τους τύπους των πικάπ. Επιπλέον βοηθά στην αποφυγή του στατικού φορτίου κατά την ακρόαση, είναι κατασκευασμένο στην E.E και σε επίπεδη συσκευασία για την αποφυγή φθοράς.Διάμετρος: 298mmΠάχος: 1.5mm
Elipson Chroma 400 turntable is inspired by the Alpha 100 and Omega 100 models. This turntable comes in black, red and white finishes and features a new lift arm, engine and suspension system. CHROMA RANGE The Chroma 400 model is one of the mid-range models in this new range from Elipson. It features a new lift arm, a key feature in the upgraded Chroma design. In the 400 line, this tonearm is made from high quality carbon. The turntable also has auto-speed control and includes an Ortofon OM10 cartridge. NEW COMPONENTS Elipson have made slight changes to the aesthetics of the Chroma models, changing the tray material whilst keeping its elegant, modern looks. The technical components have also been updated with the inclusion of a new lift arm, new engine, suspension and rotary system and improved electronic card. KEY FEATURES: Auto speed control Lift Arm Carbon Tonearm Ortofon OM10 cartridge Lacquered PMMA Chassis Aluminium Centraliser
No model in REL’s long history has sold more units nor engendered more affection than our T/5. Here reimagined in a modern, elegant, new form factor, T/5x’s mission remains the same: make remarkable bass far beyond its modest size, do so in a way that complements every interior’s style, and eliminate all visual distraction. Mission Accomplished.Designed for Elegance- Stunningly Simple Perfect for small and medium rooms, T/5x seats perfectly into any décor. Floor-firing is part of its secret; bass energy strikes the floor and spreads uniformly throughout the space making it perform like a larger model. For those picky about style, the hidden bonus is this design eliminates even the grill, rendering it the purest of forms. Slightly larger in volume than its predecessor, it actually appears to be smaller due subtle design changes to minimize it’s visual presence. Finally, 5 hand polished coats of lacquer in your choice of High Gloss White or Piano Black add luster to the softly rounded cabinetry. Many don’t realize the intense linkage between performance and design here at REL. Performance is everything to us and so it drives physical design revisions. Our engineers, recognizing the need for greater acoustic volume to achieve the goals of greater fluidity and power, turn to the designer who works dimensions to fool the eye into seeing a smaller, more compact footprint even though cabinet volume increases. Using gently rounded corner radii that allows the eye to flow over and see less visual mass. The result is both modern and familiar with no unnecessary adornment.T/5x borrows a single longthrow 8” (200mm) bass engine from its elder sibling, T/7x. Developed using a composite of aluminum and light paper, this cone captures details that will amaze, while supplying sufficient energy to plumb deeper than one would expect for its size. In T/5x, its throw–the ability to play louder–has been increased. Internally, the suspension received numerous upgrades akin to transforming the handling of a car from a family sedan to a true sports car. More power, greater finesse.T/5x builds on its predecessor’s reliable, expensive 125 W Class A/B amplifiers. Internally, key items significant to upgrading transparency and speed have been upgraded at no cost to REL’s legendary reliability. Separate inputs for High Level Inputs, Low Level Input (necessary for the increasing number of powered active speakers emerging on the market) allow for a natural, perfect transition from speaker to subwoofer. And in theater a separate, dedicated .1/LFE Input for Theatre performance permits automatic transition between music in high end 2-channel applications and home theater without needing to change a single setting. Magic? No, superior engineering. Standby Mode switch is only included on 220V units.
