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2-Way 4" Active Monitor The SC204 are the smallest speakers in our studio monitors line. And they were built with quality in mind. If you are working at home, or in a music or post-production studio, a small pair of monitors should not compromise the quality of your results. It should serve as a second pair of ears. The SC204 may have a small footprint. But don’t let their size deceive you, these monitors sound bigger than many monitors twice their size! The SC204 also have the convenience of threaded screw inserts on the bottom and the back. That way, you can mount your SC204 on a regular microphone or speaker stand, or use the back plate for different wall mounting options available on the market. Tech Talk The SC204 uses a 4" SilverCone woofer with honeycomb structured diaphragm, driven by a sophisticated magnet system with a 1" voice coil responsible for creating a greater linear excursion. This produces a bigger dynamic than one would assume in a monitor of such small proportions. As a result, in addition to the unsurpassed audio transparency of our proprietary AMT tweeter and PWM amplifier combination, this SC204 will surprise you with a very powerful, tight and precise low end. Our AMT tweeter is our own proprietary technology that follows the rule of no off-the-shelf components in order to achieve superior results. The preciseness and detail of the high frequency range of EVE monitors, coupled with the general tightness of the bass and mid-range, make the SC204 a superb speaker that is easily used on the road (due to its reduced size) or as a second pair of speakers for your main setup. DSP With every EVE Audio speaker, you also get high resolution DSP electronics. One push knob operation and you will have access to accurate volume control and several different filter settings that will help you tailor your monitors to the way you work. And if you always avoid digital processing, we've got you covered. The DSP engine is supported with a high quality A/D converter from Burr-Brown, which delivers a pristine signal to the DSP section. And since the PWM amplifiers are directly connected to the DSP, no additional conversion is necessary. Please visit our DSP page to learn more about our DSP philosophy. Bass Port Design It's all in the geometry. One of the downside effects of port compression is bass distortion. As you turn up the volume, the efficiency of the port reduces and distortion will increase. We opted for a large rear rectangular port with no hard edges for our bass port designs. That's one of the reasons EVE monitors have a high efficiency on the lower frequencies. The results? High sound pressures with tight and punchy bass frequencies that don't cause port distortion. Crank up the volume, and EVE will deliver a round bass. With no holes to look at every time you glance at your speakers. The price is referred to one unit. Price per unit.
2-Way 8" Active MonitorDo you need to hear a tight and full frequency bass in your mixes but don't want to invest in a subwoofer just yet? Then the SC208 is probably for you. It's the last in our two-way system series, starting with the smaller SC204. It features the same ease of use and detailed timbre reproduction of all other two-way monitors. But with a larger woofer and more powerful amplifiers, the SC208 will probably be used as a main speaker in a lot of professional and home-studios. If you're looking for a capable and detailed set of above-average size monitors try the SC208. You will probably be surprised. Tech TalkWith the SC208, you will be able to extend your bass frequency response down to 36 Hz. Our custom-made 8" SilverCone woofer driven by our 1.5" voice coil will guarantee that you will not run out of bass response when it comes to the critical listening and comparison of your mixes. The result is a very tight and dynamic bass, along with the usual greater linear excursion provided in every other EVE Audio model. Our PWM amplifier, with protection-limiting, is able to deliver a short-term output power of 150W for a maximum output level of 112 dB (SPL @ 1m). So you can be sure that there will be plenty of power to make critical and precise judgements over your mixes. The SC208 also uses our proprietary AMT (Air Motion Transformer) RS2. The RS2 stands for Ribbon System 2, meaning it has a bigger front plate and a larger magnet driving the motion with the utmost efficiency. As with every other EVE Audio speaker, you get both balanced XLR inputs and unbalanced RCA inputs for greater convenience. DSPWith every EVE Audio speaker, you also get high resolution DSP electronics. One push knob operation and you will have access to accurate volume control and several different filter settings that will help you tailor your monitors to the way you work. If you always avoid digital processing, we've got you covered. The DSP engine is supported with a high quality A/D converter from Burr-Brown, which delivers a pristine signal to the DSP section. And since the PWM amplifiers are directly connected to the DSP, no additional conversion is necessary. Please visit our DSP page to learn more about our DSP philosophy. Bass Port DesignIt's all in the geometry. One of the downside effects of port compression is bass distortion. As you turn up the volume, the efficiency of the port reduces and distortion will increase. We opted for a large rear rectangular port with no hard edges for our bass port designs. That's one of the reasons EVE monitors have a high efficiency on the lower frequencies. The results? High sound pressures with tight and punchy bass frequencies that don't cause port distortion. Crank up the volume, and EVE will deliver a round bass. And with no holes to look at every time you glance at your speakers. The price is referred to one unit. Price per unit.
Active nearfield monitor - 6.7" low frequency driver (50W), voice coil diameter: 1.25" (25W). Materials and construction: 3/4" (19mm) thick MDF cabinet construction with internal bracing. Die-cast aluminum exponential wave guide for controlled, wide dispersion from high-frequency driver and 'Zero Edge Baffle' to minimize diffraction around the cabinet edges. Open cell adiabatic "foam fill" acoustical damping material absorbs internal reflections, preventing delayed sound colouration. Frequency range: 45Hz-22kHz. Balanced XLR and 1/4" jack inputs. Piano black gloss finish. Dimensions (H x W x D): 33.3 x 21.9 x 26.2 cm
2 way active nearfield monitor - 8.75 inch high-precision, low-distortion LF transducer, 1 inch titanium dome, ferrofluid cooled tweeter, twin FR series amps (150watt LF/100watt HF), passive radiator provides tight, articulate bass extension down to 35Hz, balanced XLR/TRS and unbalanced RCA inputs. (Each).
2-Way 7" Active Monitor The SC207 is our mid-range two-way monitor speaker. The SC207 will be attractive to a large range of listeners, as its size and form factor make them appropriate for a lot of different rooms. Are you a home recording musician or producer? Not a problem. The SC207 has great power efficiency that will let you clearly examine what's happening in your music. Are you a post production professional working in a tight or smaller room? Not a problem. The modest and elegant size of the SC207, along with its quality precision, will make it great in your setup without overwhelming your working area. Whatever you're doing, the SC207 will be there for you. Tech Talk With the SC207, you will get an extended bass frequency response (down to 44 Hz), courtesy of our 6.5" SilverCone honeycomb structured woofer and driven by our 1.5" voice coil. The result is a very tight and dynamic bass, along with the usual greater linear excursion. A PWM amplifier, with protection-limiting and capable of delivering a short-term output power of 100W, guarantees that the SC207 will never run out of juice. And with a maximum output level of 106 dB (SPL @ 1m), you can be sure that there is plenty of power to make critical and precise judgements over your mixes. The SC207 is also the first EVE model monitor that uses our proprietary AMT (Air Motion Transformer) RS2. That means it can deliver a higher output level that is due to a bigger magnet system inside. As with every other EVE Audio speaker, you get both balanced XLR inputs and unbalanced RCA inputs for greater convenience. DSP With every EVE Audio speaker, you also get high resolution DSP electronics. One push knob operation and you will have access to accurate volume control and several different filter settings that will help you tailor your monitors to the way you work. And if you always avoid digital processing, we've got you covered. The DSP engine is supported with a high quality A/D converter from Burr-Brown, which delivers a pristine signal to the DSP section. And since the PWM amplifiers are directly connected to the DSP, no additional conversion is necessary. Please visit our DSP page to learn more about our DSP philosophy. Bass Port Design It's all in the geometry. One of the downside effects of port compression is bass distortion. As you turn up the volume, the efficiency of the port reduces and distortion will increase. We opted for a large rear rectangular port with no hard edges for our bass port designs. That's one of the reasons EVE monitors have a high efficiency on the lower frequencies. The results? High sound pressures with tight and punchy bass frequencies that don't cause port distortion. Crank up the volume, and EVE will deliver a round bass. And with no holes to look at every time you glance at your speakers. The price is referred to one unit. Price per unit.
Boasting performance comparable to much larger systems, but in a compact package, the bi-amplified 8040A is ideal for use in many situations where a wide frequency response is needed but space is limited. Uses include nearfield monitoring, project/home studios, workstations, broadcast and TV control rooms and mobile production vehicles. Color Black. The ingenious, flow optimized, reflex port achieves clear deep bass articulation with no compression or port noises. Combined with the advanced Genelec Directivity Control Waveguide™ (DCW™) and the rounded edges and gently curved front and sides of the MDE™ (Minimum Diffraction Enclosure™) enclosure, the result is an astoundingly wide, flat frequency response both on and off axis. Other benefits include superb imaging qualities and less listening fatigue. Carefully designed crossover filters with steep roll-off feed dedicated amplifiers for each of the low distortion drivers. The 8040A includes magnetic shielding, overload protection circuitry and versatile room response controls as standard. Each 8040A comes with an Iso-Pod™ (Isolation Positioner/Decoupler™) which eliminates coloration of the sound by decoupling the monitor from its mounting surface. The Iso-Pod™ also allows the speaker to be angled so that its acoustic axis points directly at the listener. For ideal mounting in differing environments, the 8040A includes integrated rear support points for floor and wall stands, with an additional M10 threaded mounting hole on the enclosure base. Price Per Unit
Capable of producing peak SPL of over 120dB per pair, and with a low frequency response extending down to 35Hz, the 8050A is a powerful wideband bi-amplified monitoring system. It is an excellent tool for large recording studios, broadcast and surround installations, mastering suites and TV and post-production houses. Color Black. The sophisticated low level active crossover has versatile controls for matching the monitor to difficult acoustic environments. Dedicated very low distortion amplifiers power the drivers, with overload protection for each driver. The stiff, volume efficient MDE™ (Minimum Diffraction Enclosure™) enclosure and long, curved, flow optimized reflex port combined with low distortion drivers provide solid, clear, low frequencies with a minimum of compression, distortion and port noise artefacts. The gently curved sided and front MDE™ enclosure and advanced Genelec Directivity Control Waveguide™ (DCW™) provide exceptionally smooth on and off axis frequency responses, precise imaging and optimal directivity across the whole audio spectrum. Mounting of the 8050A is easy using the included Iso-Pod™(Isolation Positioner/Decoupler™) which eliminates coloration of the sound by decoupling the monitor from its mounting surface. The monitor can be tilted on the Iso-Pod™ to point the acoustic axis directly at the listening position. Other mounting options are possible using the integrated mounting point on the rear of the enclosure, or the M10 threaded hole on its base. Price Per Unit
DPA 3511A Stereo Kit. Contains:2 x 4011A Cardioid Microphone2 x UA0897 Shock Mount2 x UA0896 Foam Windscreen2 x UA0961 Microphone Holder1 x DUA0019 Spacer for Stereo Boom1 x UA0836 Stereo Boom with Holders
Like the API 3124+, the 3124V is a high quality, compact, 4-channel mic preamp. It is equipped with the RE-115 K mic input transformer and the proprietary output transformer found in all API mic pres and throughout the API product line. Additionally, the 3124V offers Variable Output Level Control and switchable 3:1 output transformer selection. The unit has an internal 48-volt phantom power supply, which is switchable for each channel, as well as -20dB pad switches that affect both the mic and Hi-Z instrument inputs, both located on the front panel.The 3124V also features up to 65dB of gain. Additionally, the Hi-Z front panel inputs feed directly to the op amps, which allow a low level input such as a guitar or bass to be amplified without a matching transformer or direct box. These Hi-Z inputs can take levels as high as +20dBu, making them perfect for keyboards and other high level devices. The mic preamp outputs are on rear panel male XLR connectors.Features:Classic API Circuit DesignUses API 2520 Op AmpsVariable Output Level Control3:1 Output Transformer Tap SelectionFour female XLR mic inputsFour front panel 1/4" Hi Z instrument inputsFront panel polarity switchesFront panel -20dB pad switchesFront panel mic/instrument switchesFront panel 48V power switches
New Manhattan DAC II features include:World's highest performance 130dB Sabre 9038 DAC chipset.32 bit integer Class 2 USB2 driverless audio interfaceWorld class transparent analog preamp attenuatorsRoon Ready optional network cardMQA ® hardware decoder Improved optional phono preamplifier card New, easy to navigate menu system The Manhattan DAC II design uses the same chassis, same power supply, and front panel circuits as the original Manhattan. It uses a completely new, redesigned main board. This offers a substantial sound quality upgrade. Significantly better detail and resolution, and state of the art transparent analog preamplifier performance.Existing Manhattan DAC I owners are eligible for Manhattan DAC II upgrade.Original Manhattan owners are encouraged to upgrade to Manhattan DAC II for a very reasonable upgrade fee. Upgrade includes replacement of the motherboard and will be performed in the US by Mytek Brooklyn office, in Europe, by Mytek Warsaw office and overseas by authorized Mytek dealer.Femto Clock TechnologyMytek's new Femto Clock that's incorporated into our C777 Clocking architecture pushes jitter and the noise floor below measurable levels.Highest Resolution SupportModern high resolution audio formats support for PCM 32 bit 384 kHz DXD to Quad DSD256 11.2 MHz.Discrete Analog & Digital Power SuppliesTwo separate isolated power supplies for the analog and digital stages that lower noise and crosstalk while increasing power and consistency.SPECIFICATIONSCONVERSION: PCM up to 384k, 32bit, MQA ®, native DSD up to DSD256, DXD, 130dB Dynamic Range.MQA Hi-Res DECODER: built in certified hardware MQA ® decoderDIGITAL INPUTS: USB2 Class2 (OSX, Linux driverless, all formats), AES/EBU (PCM up to 384k, up to DSD128 DOP), 3x S/PDIF (PCM up to 192k, up to DSD128 DoP), Toslink, SDIF3 DSD up to DSD256ANALOG INPUTS: RCA Line In switchable to Phono with Optional Phono Card insterted, second pair of RCA Line In, third pair XLR Balanced Line In. Analog inputs are router through minimalpath state of the art analog attenuator directly to analog and headphone outputs.ANALOG OUTPUTS: RCA, balanced XLR, simultaneous, 50 Ohm impedanceHEADPHONE OUTPUTS: Reference High Current, High transient Headphone Amp, 500mA, 6 Watts, 0 Ohm out impedance. Dual headphone jacks, designed to drive demanding headphones. Balanced operation w/optional Mytek adapter.BUILT-IN ATTENUATOR: Choice of 1dB step analog attenuator for main out and headphones, 1dB step digital 32bit attenuator or purist relay bypass.CLOCK: “Mytek Femtoclock Generator (tm)” 0.82ps internal jitter, Wordclock Input and Output (allows stacking multiple units for multichannel operation, includes mch DSD)AUDIO RECORDING FUNCTION FOR DIGITAL SOURCES: All digital inputs can be routed into computer via USB2. Allows connection of external digital sources such as CD Players and digitizing ADCs.REMOTE: Included, universal remote capableFIRMWARE: Upgradable via USB Control Panel App (Win and Mac)OPTIONAL PRECISION PHONO ANALOG PREAMP CARDHigh End M/M, M/C Phono Preamplifier with custom nickel core step up transformer , relay switchable and tunable. Input impedances, transformer ratio, RIAA curves and choice of gain can be changed within the menu or using the remote via relay switches. Optional card is sold separately and is user installable.OPTIONAL "ROON READY" NETWORK CARD: Turns the Manhattan II into network streamer with 24/192k and DSD64 maximum throughput. Compatible w/ Roon, DLNA/UpnPPOWER SUPPLY: Switchable 115/230VAC (100V Japanese version available)DIMENSIONS: WxDxH=17"x10.5"x1.95"=432x267x50mmWEIGHT: 16lbs, 8kgWARRANTY: 2 years
Ιn 2000, the model 101 helped fuel a revolution. When people took professional recording into their own hands, it was there with all of the quality and performance of a high-end mic preamplifier, but with a price that made it available to the masses. 8 years later, and the cause moves forward with the newly redesigned m101.With its impressive list of new features, the m101 is ready to give any mic preamplifier a run for its money. Consider the new audio signal path with 0.5% precision metal film resistors, 12 position gold plated rotary gain switch, a built-in universal AC input module, or our exclusive RIBBON mic mode - and the picture becomes clear: This is now a fully professional, state of the art precision mic preamp that roundly outperforms anything in its class. All this at the same affordable price of the original model 101. From podcast to concert hall, the m101 brings the build quality, refinement and performance to revolutionize any recording facility Fast and musical transimpedance architectureUpdated audio path with 0.5% precision metal film resistors New 12 position gold plated rotary gain switchHigh performance output line driver amplifier and HPF amplifierNew Ribbon mic mode (also great for dynamic mics)- Relay bypass of phantom power decoupling capacitors, increased input impedance, and 48V lockoutWider 10-75dB gain range Enhanced RFI interference suppression Three output connectors: XLR balanced, TRS balanced and Ό” unbalancedBombproof laser-etched black anodized frontpanelSealed gold contact relay for Hi-Z input switching Built in power supply / no wall-wart! Led indicators for +48V, Ribbon mode, and HPFFive year warranty on parts and labor Made in the USA
The Elipson IC4 in-ceiling speaker is part of the Architect IN range, a collection of visually discreet audio system components. This 2-way compact speaker is compatible with most hi-fi amplifiers and home theater receivers on today's market.It handles immersive, multichannel formats while adding a vertical dimension to your home theater installation.The in-wall and in-ceiling speakers in Elipson's IN range have been designed for both private and public spaces. They are a testament to Elipson's commitment to offering breathtaking audio quality.The IC4 may be used in a variety of settings: conference rooms, shopping malls, amphitheatres, restaurants, stores, hotels, offices, private screening rooms, schools, private home theaters, integrated hi-fi systems...The Elipson IC4 in-ceiling speaker features a 2-way coaxial low-mid driver (10 cm) composed of cellulose fibre and two silk dome tweeters (19 mm) which can be adjusted in order to direct sound waves toward the listening area.The speaker's white, magnetic grille may be painted to ensure perfect integration with your interior decor.The IC4 speaker has a sensitivity rating of 84 dB and a maximum power handling of 80 W. With a frequency response ranging from 85 Hz to 20 kHz, this model is an ideal surround speaker solution for a home theater installation. Specifications:Speaker: In-CeilingNumber of way: 2Tweeter: 1" silk dome, orientation 35 to 40° in all directionsWoofer: 4" paper cone, rubber edgeRecommended amplifier: 80 WFrequency Response (±3 dB): 85 Hz - 20 kHzCrossover frequency: 2400 HzSensitivity: 84 dB / 1W / 1mImpedance: 8 OhmsDimensions: 181 x P92 mmCut-out dimension: 138mmWeight: 1,1 kgDimensions packaging (W x H x D): 222 x 236 x 120 mmWeight with packaging, unit: 2,75 kgDimensions packaging, x8 (W x H x D): 456 x 496 x 252 mmWeight with packaging, x8: 11,5 kg
The compact DM16 honours your stage or studio desktop space, while providing incredible sonic performance, amazing versatility – and an unheard of level of affordability.What is the secret behind DM16’s superb, studio-quality sound? The DM16 features 12 award-winning, MIDAS microphone preamplifiers with true +48 V Phantom Power, acclaimed by audio engineers the world over for their transparency and nuanced low noise, high-headroom design. Add to this TRS Line Inputs on all 16 channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ with mid-frequency sweep, 2 switchable pre/post-fader aux sends, 2 monitor outs and 2-track RCA I/O, and you have an analogue work of art – the fully featured DM16!Features:Live performance and studio recording analogue mixer with 16 input channels12 mono input channels with award-winning MIDAS microphone preamplifiers2 electronically-balanced stereo line input channels on 1/4" TRS connectors3 band EQ on mono channels with swept mid band2 aux sends with pre/post fader switching60 mm precision long-life fadersRugged chassis construction for durability in portable applicationsAuto-ranging universal switch-mode power supply10-Year Warranty Program*Designed and engineered in the U.K.
The Notepad-5 mixer makes it easy to get legendary Soundcraft sound for your music, podcasts or videos. The Notepad-5 combines professional-grade analog components and a built-in USB audio interface to use with your favorite Mac or PC editing software. Whether you’re a singer-songwriter or a podcaster, Notepad mixers offer best-in-class features like renowned Soundcraft mic preamps, so you can bring a level of polish to your creative productions that’s sure to impress.For over 40 years, audio professionals have trusted Soundcraft mixing solutions for pristine sound quality and reliable performance. Notepad series mixers continue this tradition with professional-grade Soundcraft microphone preamps, convenient XLR and 1/4” connectors, and durable metal enclosures built to stand the test of time.You’ll find yourself right at home with Notepad’s traditional channel strip layout. Two EQ controls per channel give you a level of convenience often reserved for larger consoles. A rotary headphone volume fader makes it easy to adjust your personal listening level, while a master level with LED metering provides precise control over your master output signal. Designed for home studios, rehearsals, live performances, and podcast production, the Notepad series provides a layout that’s familiar to audio professionals yet easy to grasp for beginners.Features:Get legendary Soundcraft quality from professional microphone preampsEasily record, edit and playback from your Mac and PC with an integrated USB audio interface—simply plug-and-play with your Mac*Getting a great mix is easy with a familiar channel strip layout that includes EQ, aux send, master level and rotary headphone volume controlDurable metal enclosure that’s built-to-last
The Notepad-12FX 12-channel mixer makes it easy to get legendary Soundcraft sound for your music, podcasts or videos. The Notepad-12FX combines professional-grade analog components, renowned HARMAN digital signal processing and a built-in USB audio interface to use with your favorite Mac or PC editing software. Whether you’re a singer-songwriter or a podcaster, the Notepad-12FX mixer offers best-in-class features like Lexicon® effects, so you can bring a level of polish to your creative productions that’s sure to impress.For over 40 years, audio professionals have trusted Soundcraft mixing solutions for pristine sound quality and reliable performance. Notepad series mixers continue this tradition with professional-grade Soundcraft microphone preamps, convenient XLR and 1/4” connectors, and durable metal enclosures built to stand the test of time.Features:Get legendary Soundcraft quality from professional microphone preampsEasily record, edit and playback from your Mac and PC with an integrated USB audio interface—simply plug-and-play with your Mac*Sweeten your mix with HARMAN digital signal processing including iconic Lexicon reverb, echo and delayGetting a great mix is easy with a familiar channel strip layout that includes EQ, aux send, master fader level and rotary headphone volume controlDurable metal enclosure that’s built-to-last
The Notepad-8FX 8-channel mixer makes it easy to get legendary Soundcraft sound for your music, podcasts or videos. The Notepad-8FX combines professional-grade analog components, renowned HARMAN digital signal processing and a built-in USB audio interface to use with your favorite Mac or PC editing software. Whether you’re a singer-songwriter or a podcaster, Notepad-8FX offers best-in-class features like Lexicon® effects, so you can bring a level of polish to your creative productions that’s sure to impress.For over 40 years, audio professionals have trusted Soundcraft mixing solutions for pristine sound quality and reliable performance. Notepad series mixers continue this tradition with professional-grade Soundcraft microphone preamps, convenient XLR and 1/4” connectors, and durable metal enclosures built to stand the test of time.Features:Get legendary Soundcraft quality from professional microphone preampsEasily record, edit and playback from your Mac and PC with an integrated USB audio interface—simply plug-and-play with your Mac*Sweeten your mix with HARMAN digital signal processing including iconic Lexicon reverb, echo and delayGetting a great mix is easy with a familiar channel strip layout that includes EQ, aux send, master fader level and rotary headphone volume controlDurable metal enclosure that’s built-to-last
Sopra n°2 clearly inaugurates a new era for the “Premium High End” by taking into account new performance criteria. Compact, modern, a pure design, character... all these are essential factors to ensure perfect integration into your interior.It features "NIC" magnetic circuit, TDM"" surrounds for the midrange woofer and Infinite Horn Loading (IHL) of the tweeter. It is a true "demonstrator", corroborating the contribution of the new technologies implemented on Sopra.First, the very low distortion gives it incredible clarity and very high definition combined with the spectacular spatialisation typical of bookshelf loudspeakers... Beyond this attractive first impression, what's astonishing is the texture and smoothness of its sound. It provides a solid, "fleshy" sound with full and articulated bass. Precious is by no means artificial, nor is the limited to the treble. The overall coherence and harmonic richness gives the listener a surprising understanding of the music.The Sopra line is destined for the most passionate sound enthusiasts. Its design favours performance, whilst bringing together the qualities expected of an object which will be integrated into very elegant interiors and décors. Lacquered or bloodwood finishes are associated to noble materials to create an elegant line. Substantial efforts were made to give the front a tidy appearance, particularly around the speaker drivers, to iron out any aspects which could afflict the acoustics or the appearance. Ideal for small rooms up to 270ft2 (25m2), Sopra n°1 is also ideal for spaces up to 550ft2 (50m2). Providing high sensitivity and excellent power handling, Sopra N°1 is a true little monitor for the home. Sopra N°1 is supplied with a special stand which has been designed to expel interfering vibrations from the enclosure towards the floor to avoid any colouration. The steel frame inside the floorstander, coupled with the 03⁄4" (19mm) thick glass base using four adjustable stainless steel spikes, provides very high transmission speeds. This is what guarantees an extremely sharp reproduction.NIC (Neutral Inductance Circuit)Since the beginning, we have always had a great interest in the magnetic circuit, an essential aspect of a speaker drive unit. The precision and detail of audio reproduction depends on the stability of the magnetic field. After having pushed back the limits in electromagnetic technology with the Grande Utopia EM and the Stella Utopia EM, our engineer discovered that the magnetic field varies regardless of its intensity. Indeed, it is not stable because it is modulated by three factors: the movement of the voice coil (Lenz's law), the current passing through it (Foucault current) and the frequency. Consequently, the voice coil, the moving part, is in the magnetic field which becomes too variable, and this leads to loss of precision.The NIC technology lies in a Faraday ring whose dimensions, materials and positioning we were able to optimise to make the magnetic field be no longer affected by the position of the voice coil, by the amperage or the frequency of the current passing through it. This solution permits to control the magnetic field to decrease the effects of distortion and give the sound a very high-definition and an unprecedented dynamic.TMD (Tuned Mass Damper)The midrange register is no doubt the most complicated to control in a sound system.Thanks to the power of finite element analysis, our teams have revealed resonances which alter definition in the suspension which connects the cone to the basketThe solutions already known for increasing the damping properties of the suspension all result in an increase of the mass which consequently alters definition. The answer came from a technology used in earthquake-resistant skyscrapers and which is also used for the suspension on racing cars. This technology is called a " Tuned MAss Damper" : an additional mass oscillates in opposition to the resonance frequency to control it.Our Tuned Mass Damper consists in simply two tubular rings on the suspension to avoid deformation of the cone without afflicting the dynamics. It reduces drastically the distortion and increase the definition.IHL (Infinite Horn Loading)Our Beryllium tweeter features an incredibly light and extremely rigid dome, that deliver a transparent and dynamic sound. Its main limitation comes from the compression of air in the cavity behind it, that create interference with the incredible definition. To overcome this, the ideal would be to have a nearly infinite volume. But the requirement for Sopra to be compact meant that as much of the cabinet as possible had to be used for the bass. We had to explore other options for loading the tweeter, which led us to come up with the IHL system.The rear of the Beryllium tweeter is loaded via a small cavity which is connected to the exterior of the enclosure by a horn. whom inside is filled with a damping material. Sound waves from the rear of the tweeter are delicately and gradually absorbed. Its acoustic impedance approaches zero so that no resistance alters the movement of the dome. This reduces distortion by 30% and pushes definition to its maximum.
The MGP24X features: 16 Mic Inputs with 48V Phantom Power and HPF per Channel, 24 Line Inputs (16 mono and 4 stereo), 6 AUX Sends + 2 FX Sends, 4 GROUP Buses + ST Bus, 2 Matrix out, and 1 Mono out. Great sounding microphone preamps, detailed EQ, quality digital effects and broad digital connectivity.Features:16 Mic Inputs with 48V Phantom Power and HPF per Channel24 Line Inputs (16 mono and 4 stereo)6 AUX Sends + 2 FX Sends4 GROUP Buses + ST Bus2 Matrix outMixing capability:Mixing channels: 24 Line Inputs (16 mono and 4 stereo)GROUP: 4 GROUP Buses + ST BusAUX: 6 AUX Sends + 2 FX SendsMATRIX: 1 Matrix outOn-board processors:L FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control)I/O:Mic inputs: MIC: 16 (INPUTS HPF: 100Hz 12dB/oct)Phantom power: 48V phantom power per channelLine inputs: LINE: 16 mono + 4 stereo, CH INSERT: 24 RETURN: 1 stereoDigital I/O: USB Device, iPod / iPhoneSpecifications:Total harmonic distortion: 0.02% (20Hz-20kHz@ +14dBu)Frequency response: +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHzEquivalent input noise: -128 dBu Equivalent Input NoiseResidual output noise: -94 dBu Residual Output NoiseCrosstalk: -74dB @ 1kHzPower requirements: 100-240V 50Hz/60HzPower consumption: 86W maxDimensions, W x H x D: 819mm x169mm x 565mmNet weight: 15.5kg
The MGP32X is a 32-channel mixing console with iPhone/iPod connectivity, compression and digital effects. This mixer is appropriate to a wide range of professional applications from portable P.A. to fixed installation.The MGP32X features: 24 Mic Inputs with 48V Phantom Power and HPF per Channel, 32 Line Inputs (24 mono and 4 stereo), 6 AUX Sends + 2 FX Sends, 4 GROUP Buses + ST Bus, 2 Matrix out, and 1 Mono out. Great sounding microphone preamps, detailed EQ, quality digital effects and broad digital connectivity.Features:24 Mic Inputs with 48V Phantom Power and HPF per Channel32 Line Inputs (24 mono and 4 stereo)6 AUX Sends + 2 FX Sends4 GROUP Buses + ST Bus2 Matrix outMixing capability:Mixing channels: 32 Line Inputs (24 mono and 4 stereo)GROUP: 4 GROUP Buses + ST BusAUX: 6 AUX Sends + 2 FX SendsMATRIX: 1 Matrix outOn-board processors:L FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control)I/O:Mic inputs: MIC: 24 (INPUTS HPF: 100Hz 12dB/oct)Phantom power: 48V phantom power per channelLine inputs: LINE: 24 mono + 4 stereo, CH INSERT: 24 RETURN: 1 stereoDigital I/O: USB Device, iPod / iPhoneSpecifications:Total harmonic distortion: 0.02% (20Hz-20kHz@ +14dBu)Frequency response: +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHzEquivalent input noise: -128 dBu Equivalent Input NoiseResidual output noise: -94 dBu Residual Output NoiseCrosstalk: -74dB @ 1kHzPower requirements: 100-240V 50Hz/60HzPower consumption: 86W maxDimensions, W x H x D: : 1027mm x169mm x 565mmNet weight: 19kg
ZED-6 has been created for musicians, singer / songwriters and venues seeking Allen & Heath’s renowned build and audio quality in a compact, portable format. Whether it’s bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZED-6 is a versatile companion for every step of the creative journey. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. Guitarists will be pleased to know that ZED-6 comes with a pair of Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.Specifications:2 Mic / Line Inputs with separate XLR and TRS jack sockets2 Stereo Inputs with TRS jack sockets2 Guitar DI high impedance inputs, eliminating the need for DI boxesLo-cut filter for cleaning up unwanted low frequency noise2 band EQ for easy creative and corrective tonal shaping60mm smooth travel fader on main mixXLR main outputsFlexible signal monitoring8 LED signal metering48V Phantom Power for condenser micsRobust internal power supply
ZEDi-8 offers the best of both worlds, incorporating a studio quality 2 in / 2 out, 24-bit/96kHz USB audio interface for hassle-free recording and playback to/from a Mac or PC, or to an iOS device using the iOS camera kit. The USB output source can be set up in several different ways to match your workflow. ZEDi-8 is class compliant with Mac and iOS.ZEDi-8 comes with the acclaimed Cubase LE software. Cubase LE offers powerful yet easy-to-use software tools for audio recording, editing, MIDI sequencing and mixing. Its vast range of proven editing and sequencing tools can be used for a large range of music styles and areas of application. From singers and songwriters recording vocal lines to rock bands jamming in their rehearsal room, Cubase LE is as easy as it gets – with outstanding audio quality as well as time-saving recording and editing functionality.The mixer also comes bundled with the Cubasis LE app. Cubasis LE is the compact version of Steinberg’s streamlined, multitouch sequencer for the iPad, providing the same look and feel of its bigger brother Cubasis. Specially designed for quick and easy operation, Cubasis LE makes recording, editing and mixing a breeze.Features:2 in, 2 out USB Audio Interface (24-bit/96kHz)Cubase LE Software includedCubasis LE App included2 Mic / Line Inputs with separate XLR and TRS jack sockets2 Stereo Inputs with TRS jack sockets2 Guitar DI high impedance inputs, eliminating the need for DI boxesLo-cut filter for cleaning up unwanted low frequency noise2 band EQ for easy creative and corrective tonal shaping60mm smooth travel fader on main mixXLR main outputsFlexible signal monitoring8 LED signal metering48V Phantom Power for condenser micsRobust internal power supply
ZEDi-10FX combines the robustness and hands-on control of an analogue mixer with a high quality 4 x 4 USB interface and an outstanding multi-model FX unit, making it a perfect all-round choice for musicians, recording artists and venues. Whether it’s bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZEDi-10FX is a versatile companion for every step of the creative journey.The studio quality, 24-bit / 96kHz, 4×4 USB interface makes it easy to capture stunning multitrack recordings direct from the mixer to a Mac or PC without the need for any extra equipment. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. ZEDi-10FX includes a specially created suite of studio quality reverbs, delays and special multi-model FX, crafted by Allen & Heath’s acclaimed in-house effects aficionados. Guitarists will be pleased to know that two of ZEDi-10FX’s mono channels feature Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.Features:4 in, 4 out USB Audio Interface (24-bit/96kHz)Cubase LE Software includedCubasis LE App included4 Mic / Line Inputs with separate XLR and TRS jack sockets2 Stereo Inputs with TRS jack sockets2 Guitar DI high impedance inputs, eliminating the need for DI boxesInternal FX Engine with Tap TempoLo-cut filter for cleaning up unwanted low frequency noise3 band EQ for easy creative and corrective tonal shapingAux out for connecting a monitor speaker or in-ear / headphone monitoring60mm smooth travel fader on main mixXLR main outputsFlexible signal monitoring8 LED signal metering48V Phantom Power for condenser micsRobust internal power supply
ZED-6FX features an exceptional new preamp design, created by analogue guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath’s analogue range is famous for. For tonal shaping, the precise MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source.ZED-6FX boasts a brand new suite of studio quality reverbs and delays, painstakingly crafted to enhance your recordings and performances. Special multi-model effects provide uniquely dynamic combinations of reverbs and delays.All ZED mixers are designed and built to Allen & Heath’s legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.Features:2 Mic / Line Inputs with separate XLR and TRS jack sockets2 Stereo Inputs with TRS jack sockets2 Guitar DI high impedance inputs, eliminating the need for DI boxesInternal FX engine with tap tempoLo-cut filter for cleaning up unwanted low frequency noise2 band EQ for easy creative and corrective tonal shaping60mm smooth travel fader on main mixXLR main outputsFlexible signal monitoring8 LED signal metering48V Phantom Power for condenser micsRobust internal power supply
ZEDi-10 combines the robustness and hands-on control of an analogue mixer with a high quality 4 x 4 USB interface, making it a perfect all-round choice for musicians, recording artists and venues. Whether it’s bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZEDi-10 is a versatile companion for every step of the creative journey.The studio quality, 24-bit / 96kHz, 4×4 USB interface makes it easy to capture stunning multitrack recordings direct from the mixer to a Mac or PC without the need for any extra equipment. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. Guitarists will be pleased to know that two of ZEDi-10’s mono channels feature Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.Features:4 in, 4 out USB Audio Interface (24-bit/96kHz)Cubase LE Software includedCubasis LE App included4 Mic / Line Inputs with separate XLR and TRS jack sockets2 Stereo Inputs with TRS jack sockets2 Guitar DI high impedance inputs, eliminating the need for DI boxesLo-cut filter for cleaning up unwanted low frequency noise3 band EQ for easy creative and corrective tonal shapingFX out for connecting external effects unitsAux out for connecting a monitor speaker or in-ear / headphone monitoring60mm smooth travel fader on main mixXLR main outputsFlexible signal monitoring8 LED signal metering48V Phantom Power for condenser micsRobust internal power supply
The MicroMain27 Gen2 is a 3.5-way active system with 5 drive units housed in sealed enclosures spanning 30Hz to 45kHz with vanishingly low distortion, breathtaking dynamic range and ultra-fast transient response. The ring radiator tweeter is incredibly detailed and produces very wide dispersion out to its highest frequencies. The new 5.25″ midbass features a phalanx of advanced technology, yielding midrange detail that rivals any driver on the planet. Barefoot has teamed up with the brilliant Bruno Putzeys of Hypex to develop the powerful and completely transparent amplifier stage of the MM27 Gen2. Melding the system together is a groundbreaking new DSP crossover that has taken Thomas Barefoot more than 4 years to develop. With beautifully designed high end converts and cutting edge proprietary filtering techniques the MM27 Gen2 sound stage is seamlessly coherent and deeply revealing. MEME™ Technology: Despite the advantages of high resolution monitors, Thomas Barefoot realizes that many engineers still use their NS10M’s † and mix cubes as secondary references. These speakers have long traditions and people find them familiar and useful for focusing in on certain aspects of their mix. However, crowding one’s console with those extra boxes degrades the sound field of the primary reference monitors. Not to mention, they are no longer manufactured, they need amplifiers, cable runs, and they consume more studio space. The solution is to make the MM27 sound and translate like those speakers. With the turn of a knob one can switch from the MicroMain27′s brutally revealing “Flat” response to the warmer and sweeter “Hi-Fi” setting, generically emulating the sound of some high end consumer audio gear. More specifically the “Old School” setting closely emulates the sound of the NS10M nearfield, while the “Cube” setting emulates the mid-centric sound of classic mix cubes The idea is not to perfectly replicate every subtle quirk of these venerable old speakers. That would be impossible. But the MM27 Gen2 can capture the essence of how they behave and translate, modeling their frequency, phase and transient responses, dynamic compression and even specific distortion components. If you know how to work on these speakers you will feel very comfortable working on the new MM27′s emulation settings. MicroMain27 Gen2 features: 3.5-way active studio monitor with integral subwoofers Four-setting DSP voice emulation Analog and AES3 digital inputs Hypex amplification Tweeter - 1" ring radiator with Advanced neodymium motor Rear waveguide chamber. Amplifier: 250W Hypex Midbass 1 - 5.25" poly/paper cone with Advanced neodymium motor , with +/- 5 mm linear excursion. Amplifier: 250W Hypex Midbass 2 - 5.25" poly/paper cone with Advanced neodymium motor, with +/- 5 mm linear excursion. Amplifier: 250W Hypex Subwoofers - 2 x 10" aluminum cone with high linearity motor, with +/- 13 mm linear excursion. Amplifier: 500W Hypex Crossover Frequencies: 100 / 600 / 3000 Hz Cabinet Dimensions: 20.5" x 9.5" x 15.5" Overall Dimensions: 20.5" x 10.4" x. 17.4"
Nordost's original Flatline loudspeaker cable introduced the audio world to an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, the Red Dawn LS takes the benefits even further. By reducing dielectric effects still further as well as optimizing the physical spacing of the 20 heavy-gauge 26 AWG, silver-plated OFC solid core conductors, we have produced a cable capable of phenomenal phase accuracy and detail, speed and dynamic range. From the quietest, most delicate note to the power of a thundering orchestral crescendo or driving rock track, the Red Dawn LS Speaker Cable spans the range with effortless grace and deft control, allowing music to seduce when it wants to, or be savage when it must. Sitting at the top of the Leif Series, Red Dawn LS bears comparison with competing cables irrespective of price. The Red Dawn Speaker Cable yields the best performance possible from a speaker cable without using Micro Mono-Filament/TSC cable design.Specifications:Termination: Single-wired spades or bananas Insulation: Fluorinated Ethylene Propylene (FEP) Construction: 20 conductors 12 AWG Conductors: Silver-plated 99.9999 OFC solid-core Capacitance: 10.0pF/ft Inductance: 0.155uH/ft
Nordost's original Flatline loudspeaker cable introduced the audio world to an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, the Red Dawn LS takes the benefits even further. By reducing dielectric effects still further as well as optimizing the physical spacing of the 20 heavy-gauge 26 AWG, silver-plated OFC solid core conductors, we have produced a cable capable of phenomenal phase accuracy and detail, speed and dynamic range. From the quietest, most delicate note to the power of a thundering orchestral crescendo or driving rock track, the Red Dawn LS Speaker Cable spans the range with effortless grace and deft control, allowing music to seduce when it wants to, or be savage when it must. Sitting at the top of the Leif Series, Red Dawn LS bears comparison with competing cables irrespective of price. The Red Dawn Speaker Cable yields the best performance possible from a speaker cable without using Micro Mono-Filament/TSC cable design.Specifications:Termination: Single-wired spades or bananas Insulation: Fluorinated Ethylene Propylene (FEP) Construction: 20 conductors 12 AWG Conductors: Silver-plated 99.9999 OFC solid-core Capacitance: 10.0pF/ft Inductance: 0.155uH/ft
Nordost's original Flatline loudspeaker cable introduced the audio world to an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, the Red Dawn LS takes the benefits even further. By reducing dielectric effects still further as well as optimizing the physical spacing of the 20 heavy-gauge 26 AWG, silver-plated OFC solid core conductors, we have produced a cable capable of phenomenal phase accuracy and detail, speed and dynamic range. From the quietest, most delicate note to the power of a thundering orchestral crescendo or driving rock track, the Red Dawn LS Speaker Cable spans the range with effortless grace and deft control, allowing music to seduce when it wants to, or be savage when it must. Sitting at the top of the Leif Series, Red Dawn LS bears comparison with competing cables irrespective of price. The Red Dawn Speaker Cable yields the best performance possible from a speaker cable without using Micro Mono-Filament/TSC cable design.Specifications:Termination: Single-wired spades or bananas Insulation: Fluorinated Ethylene Propylene (FEP) Construction: 20 conductors 12 AWG Conductors: Silver-plated 99.9999 OFC solid-core Capacitance: 10.0pF/ft Inductance: 0.155uH/ft
Nordost's original Flatline loudspeaker cable introduced the audio world to an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, the Red Dawn LS takes the benefits even further. By reducing dielectric effects still further as well as optimizing the physical spacing of the 20 heavy-gauge 26 AWG, silver-plated OFC solid core conductors, we have produced a cable capable of phenomenal phase accuracy and detail, speed and dynamic range. From the quietest, most delicate note to the power of a thundering orchestral crescendo or driving rock track, the Red Dawn LS Speaker Cable spans the range with effortless grace and deft control, allowing music to seduce when it wants to, or be savage when it must. Sitting at the top of the Leif Series, Red Dawn LS bears comparison with competing cables irrespective of price. The Red Dawn Speaker Cable yields the best performance possible from a speaker cable without using Micro Mono-Filament/TSC cable design.Specifications:Termination: Single-wired spades or bananas Insulation: Fluorinated Ethylene Propylene (FEP) Construction: 20 conductors 12 AWG Conductors: Silver-plated 99.9999 OFC solid-core Capacitance: 10.0pF/ft Inductance: 0.155uH/ft
Nordost's original Flatline loudspeaker cable introduced the audio world to an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, the Red Dawn LS takes the benefits even further. By reducing dielectric effects still further as well as optimizing the physical spacing of the 20 heavy-gauge 26 AWG, silver-plated OFC solid core conductors, we have produced a cable capable of phenomenal phase accuracy and detail, speed and dynamic range. From the quietest, most delicate note to the power of a thundering orchestral crescendo or driving rock track, the Red Dawn LS Speaker Cable spans the range with effortless grace and deft control, allowing music to seduce when it wants to, or be savage when it must. Sitting at the top of the Leif Series, Red Dawn LS bears comparison with competing cables irrespective of price. The Red Dawn Speaker Cable yields the best performance possible from a speaker cable without using Micro Mono-Filament/TSC cable design.Specifications:Termination: Single-wired spades or bananas Insulation: Fluorinated Ethylene Propylene (FEP) Construction: 20 conductors 12 AWG Conductors: Silver-plated 99.9999 OFC solid-core Capacitance: 10.0pF/ft Inductance: 0.155uH/ft
Nordost's original Flatline loudspeaker cable introduced the audio world to an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, the Red Dawn LS takes the benefits even further. By reducing dielectric effects still further as well as optimizing the physical spacing of the 20 heavy-gauge 26 AWG, silver-plated OFC solid core conductors, we have produced a cable capable of phenomenal phase accuracy and detail, speed and dynamic range. From the quietest, most delicate note to the power of a thundering orchestral crescendo or driving rock track, the Red Dawn LS Speaker Cable spans the range with effortless grace and deft control, allowing music to seduce when it wants to, or be savage when it must. Sitting at the top of the Leif Series, Red Dawn LS bears comparison with competing cables irrespective of price. The Red Dawn Speaker Cable yields the best performance possible from a speaker cable without using Micro Mono-Filament/TSC cable design.Specifications:Termination: Single-wired spades or bananas Insulation: Fluorinated Ethylene Propylene (FEP) Construction: 20 conductors 12 AWG Conductors: Silver-plated 99.9999 OFC solid-core Capacitance: 10.0pF/ft Inductance: 0.155uH/ft
Prodipe Pro 10S V3, A professional 150 Watt RMS 10" subwoofer designed to work alongside any of Prodipe’s studio monitors.Our Pro10S speakers are in constant evolution, and it gives us great pleasure to present our all new version 3: Fibreglass cone woofers. New amplification electronics for more dynamism and accuracy.Features:The woofer cones are now in fibreglass. Using fibreglass in all our speakers means that we’ve been able to increase performance and dynamism, the frequency response is even more linear and the quality of the listening is wonderfully natural.The transducer magnets are shielded by anodised steel covers.The active filtering has been completely overhauled to ensure that the crossover frequency doesn’t suffer from any accidents or bumps, and that the subwoofer phase reversal and low-cut are adjustable.The casing is made of high density wood to give the sound a high level of consistency and to eliminate any unwanted vibration.Unlike many of the other manufacturers, we made the decision to put the bass reflex port at the front of the subwoofer to improve the decompression on the bass response. This makes it much easier to find the best position for the speaker.There are ample connectors for an all-round use: XLR/TRS 6.35 Jack for a balanced connection, and Cinch (RCA) for an unbalanced connection.A compact, elegant design with a well-finished exterior.Specifications:Woofer: 10” fibreglass coneFrequency Response: 36Hz—150HzRating power: 150W RMSInput:XLR (3-pin),RCA & 1/4" TRS - 10k OhmBalanced / UnbalancedAmplication: Bi-ampDimension: 383(H)×355(W)×398(D) mmN.W.: 18 kgs
Drawing on over 40 years experience in live sound mixing, the Signature Multi-Track mixers bring together an ultra-low latency USB recording interface, a superb analogue mixer and the unrivalled British sound of Soundcraft. Whether you're recording a live gig or a studio rehearsal, mixing a band, or producing a demo, Signature Multi-Track mixers deliver great sounding results thanks to high-grade Ghost preamps, the most musical EQ in the business, pristine Lexicon effects and powerful dbx dynamics - all designed to let you discover your Signature sound. Specifications:Channels: 12Preamps: 8 x Ghost Equalization: Soundcraft Sapphyre EQ: 3-band (1 band of swept mids)Input Limiter: dbx: 2 Effects: Lexicon: Single engine USB Interface: 14-in/12-outAuxiliary: 3Subgroup Outputs: 2 mono/1stereoFaders: 2" (60 mm) Weight: 5.86kg
High-Performance 22-input small format analogue mixer with onboard effects and multi-track USB recording and playback 24-in/22-out ultra-low latency USB playback and recording interface Iconic Soundcraft Ghost mic preamps with ultra-low noise performance.Renowned Soundcraft Sapphyre British EQ with sweepable mid-bands per channel Lexicon Effects Engine featuring award-winning Reverbs, Delays, Choruses and Modulations dbx Limiters (High-ratio Compressors) on input channels Switchable Hi-Z inputs for guitars, basses and other instruments Hi-Pass Filters (low-cut) and 48V Phantom Power on all mic channels Comprehensive Soundcraft GB series audio routing.Specifications:Channels: 22Preamps: 16 x Ghost Equalization: Soundcraft Sapphyre EQ: 4-band (2 band of swept mids)Input Limiter: dbx: 8Effects: Lexicon: Dual engine USB Interface: 24-in/22-outAuxiliary: 5Subgroup Outputs: 4 mono/2stereoFaders: 100 mmWeight: 11.36kg
The Signature 10 from Soundcraft is a 10-input analog mixer with onboard effects. The Signature 10 features faders with GB Series audio routing, flexible pre/post switching on each Aux, routing and switching options, and dedicated outputs. Housed in a robust metal construction and equipped with an internal universal power supply, this mixer is recommended for use by musicians and bands, in music venues and theaters, for tour sound, houses of worship, and more.Inbuilt Ghost microphone preamps deliver high-quality audio with a wide dynamic range, clarity, and a high level of headroom. Additionally, the mixer uses Sapphyre Assymetric EQ for equalizing every vocal and instrumental element in a mix, and GB Series audio routing technology. The mixer provides a wide variety of built-in Lexicon studio-grade effects including reverb, chorus, and modulation, as well as dbx limiters on the input channels. XLR and switchable Hi-Z inputs enable guitars, basses, and other instruments to be connected directly. Features:High-Performance 10-input small format analog mixer with onboard effectsGhost mic preamps with low noise performanceSapphyre British EQ with sweepable mid-bands per channelLexicon effects engine featuring reverbs, delays, choruses, and modulationsdbx limiters (high-ratio compressors) on input channels2-in/2-out USB audio playback and recordingSwitchable Hi-Z inputs for guitars, basses, and other instrumentsHi-Pass filters (low-cut) and 48V phantom power on all mic channelsComprehensive GB Series audio routingSmooth fadersRobust metal construction for tour-grade build quality and reliabilityInternal universal power supplySpecifications:Channels: 10 Preamps: 6 x Ghost Equalization: Soundcraft Sapphyre EQ: 3-band (1 band of swept mids)Input Limiter: dbx: 2 Effects: Lexicon: Single engine USB Interface: 2 x input, 2 x output Auxiliary: 3Subgroup Outputs: 0Faders: 2" (60 mm)
The Signature 12 is a high-performance 12-input small format analogue mixers with onboard effects. It features smooth, premium-quality faders with GB Series audio routing with flexible pre/post switching on each Aus, and subgroups with powerful routing and switching options as well as dedicated outputs. The console is built using tour-grade robust metal construction and top-quality components and have an internal universal power supply. Specifications:Channels: 12Preamps: 8 x Ghost Equalization: Soundcraft Sapphyre EQ: 3-band (1 band of swept mids)Input Limiter: dbx: 2 Effects: Lexicon: Single engine USB Interface: 2 x input, 2 x output Auxiliary: 3Subgroup Outputs: 2 mono/1stereoFaders: 2" (60 mm) Weight: 5.66kg
The Signature 16 is a high-performance 16-input small format analogue mixers with onboard effects. It features smooth, premium-quality faders with GB Series audio routing with flexible pre/post switching on each Aus, and subgroups with powerful routing and switching options as well as dedicated outputs. The console is built using tour-grade robust metal construction and top-quality components and have an internal universal power supply. Specifications:Channels: 16Preamps: 12 x Ghost Equalization: Soundcraft Sapphyre EQ: 4-band (2 band of swept mids)Input Limiter: dbx: 4Effects: Lexicon: Single engine USB Interface: 2-in/2-outAuxiliary: 4Subgroup Outputs: 4 mono/2stereoFaders: 100 mmWeight: 8.66kg
Mixing console, 16 mono, 4 stereo, 4 group, 4 band EQ, direct outputs, 100mm faders, 6 AUX.
The MG12 from Yamaha is a compact mixer capable of twelve simultaneous inputs that is ideal for performances, recordings lectures and more. The mixer features four mono mic/line combo input channels, two stereo line input channels that can also be used as mono mic or line inputs (XLR and stereo 1/4" inputs), and two stereo line inputs with 1/4" and RCA jacks.Channels 1-8 are each equipped with D-PRE mic preamps, 3-band EQ, pan control and a high pass filter. The D-PRE mic preamps feature an inverted Darlington circuit and switchable 48V phantom power for use with dynamic and condenser microphones. Channels 1-4 each also feature 26dB attenuation switches for use with loud sound sources such as guitar amplifiers and drums. The MG12 mixer has XLR and TRS stereo outs for connecting to your PA system or monitor speakers. It also has a 1/4" headphone output with level control for personal monitoring, as well as additional TRS 1/4" stereo monitor outs for sending to powered speakers, amplifiers or devices such as digital recorders.
Now in its third incarnation, the MG Series embodies the pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. The MG06X is the six-channel version of the series, with two mono XLR and 1/4" hybrid inputs along with two stereo line inputs.The MG06X boasts an intuitive interface with capacities suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability that has made it a leader in its class.Features:Outstanding microphone preampsSwitchable Phantom Power & PAD SwitchEQ and High-pass FiltersAUX / Effect Sends / GroupLED level meteringBuilt-in SPX Digital EffectsMetal ChassisSpecifications:On-board processors : SPX algorithm: 24 programsPhantom power: +48 VInput Channels: 2 Mono[MIC/LINE], stereo[LINE]: 2Output Channels: STEREO OUT: 2PHONES: 1Bus: Stereo: 1Input Channel FunctionPAD: 26 dB (Mono)HPF: 80 Hz, 12 dB/oct (Mono)EQ HIGH: Gain: +15 dB/-15 dB, Frequency: 10 kHz shelvingEQ LOW: Gain: +15 dB/-15 dB, Frequency: 100 Hz shelvingPEAK LED: LED turns on when post EQ signal reaches 3 dB below clippingLevel Meter: 2 x 7 -segment LED meter [PEAK, +10, +6, 0, -6, -10, -20 dB
The MG16 from Yamaha is a compact mixer capable of sixteen simultaneous inputs and is ideal for performances, recordings lectures and more. The mixer features eight mono mic/line combo input channels, two stereo line input channels that can also be used as mono mic or line inputs (XLR and stereo 1/4" inputs), and two stereo line inputs with 1/4" and RCA jacks.Channels 1-12 are each equipped with D-PRE mic preamps, 3-band EQ, pan control and a high-pass filter. The D-PRE mic preamps feature an inverted Darlington circuit and switchable 48V phantom power for use with dynamic and condenser microphones. Channels 1-8 each also feature 26dB attenuation switches for use with loud sound sources such as guitar amplifiers and drums.The MG16 mixer has XLR and TRS stereo outs for connecting to your PA system or monitor speakers. It also has a 1/4" headphone output with level control for personal monitoring, as well as additional TRS 1/4" stereo monitor outs for sending to powered speakers, amplifiers or devices such as digital recorders.
Now in its third incarnation, the MG Series embodies the pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. The Yamaha MG20 is a 20-Channel Mixing Console with 16 mic (XLR hybrid) and 20 Line Inputs (12 mono + 4 stereo), four GROUP Buses + one Stereo Bus, and four AUX sends.With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.Features:20-Channel Mixing ConsoleMax. 16 Mic / 20 Line Inputs (12 mono + 4 stereo)4 GROUP Buses + 1 Stereo Bus4 AUX (incl. FX)“D-PRE” mic preamps with an inverted Darlington circuit1-Knob compressorsPAD switch on mono inputs+48V phantom powerXLR balanced outputsInternal universal power supply for world-wide useRack Mount Kit IncludedMetal chassisSpecifications:On-board processors : SPX algorithm: 24 programsPhantom power: +48 VInput Channels: 12 Mono[MIC/LINE], stereo[LINE]: 4Output Channels: STEREO OUT: 2MONITOR OUT: 1PHONES: 1AUX SEND: 1Bus: Stereo: 1, GROUP: 4, AUX[FX]: 4Input Channel FunctionPAD: 26 dB (Mono)HPF: 80 Hz, 12 dB/oct (Mono)COMP: 1-knob compressor Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB, Attack time: approx. 25 msec, Release time: approx. 300 msecEQ HIGH: Gain: +15 dB/-15 dB, Frequency: 10 kHz shelvingEQ MID: Gain: +15 dB/-15 dB, Frequency: 2.5kHz peakingEQ LOW: Gain: +15 dB/-15 dB, Frequency: 100 Hz shelvingPEAK LED: LED turns on when post EQ signal reaches 3 dB below clippingLevel Meter: 2 x 12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -20, -25, -30 dB
Now in its third incarnation, the MG Series embodies the pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. The Yamaha MG10 is a 10-Channel Mixing Console with four mic (XLR hybrid) and 10 Line Inputs (4 mono + 3 stereo), one Stereo Bus, and one AUX send.With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.Features:10-Channel Mixing ConsoleMax. 4 Mic / 10 Line Inputs (4 mono + 3 stereo)1 Stereo Bus1 AUX (incl. FX)“D-PRE” mic preamps with an inverted Darlington circuit1-Knob compressorsPAD switch on mono inputs+48V phantom powerXLR balanced outputsMetal chassisSpecifications:On-board processors : SPX algorithm: 24 programsPhantom power: +48 VInput Channels: 4 Mono[MIC/LINE], stereo[LINE]: 3Output Channels: STEREO OUT: 2MONITOR OUT: 1PHONES: 1AUX SEND: 1Bus: Stereo: 1, AUX[FX]: 1Input Channel FunctionPAD: 26 dB (Mono)HPF: 80 Hz, 12 dB/oct (Mono)COMP: 1-knob compressor Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB, Attack time: approx. 25 msec, Release time: approx. 300 msecEQ HIGH: Gain: +15 dB/-15 dB, Frequency: 10 kHz shelvingEQ MID: Gain: +15 dB/-15 dB, Frequency: 2.5kHz peakingEQ LOW: Gain: +15 dB/-15 dB, Frequency: 100 Hz shelvingPEAK LED: LED turns on when post EQ signal reaches 3 dB below clippingLevel Meter: 2 x 12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -20, -25, -30 dB
The new Yamaha MG12XU USB mixing desk has a full array of features for the discerning band or music producer. Boasting 12 channels, a group of 24 effects, internal USB interface and a bus group, this Yamaha mixer has everything you could need. Featuring faders instead of knobs of other versions, this MG12XU is more visual and easier to control. The included Cubase AI software also enables studio production straight out of the box.Specifications:Inputs: 12, 6 Combo Channels + 2 Stereo Jack or 4 Combo Channels + 4 Stereo Jack ChannelsOutputs: Stereo XLR Out, Stereo Jack out, Stereo Jack Monitor, Phones Out, Group OutPhantom Power: Yes, Channels 1-8Chassis: Impact Resistant MetalEQ: 3 Band + HPF (Channel 1-8), 2 band + HPF (Channel 9-12)Preamps: Studio-grade class-A discrete "D-PRE"FX Send: Yes, Yes, Individual Channel ControlPanning: Yes, All ChannelsCompression: Yes, Channels 1-4USB Compatibility: Yes, In and OutEffects: 24
Now in its third incarnation, the MG Series embodies the pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. The MG16XU is the 16-channel version of the series, with eight mono XLR and 1/4" hybrid inputs along with two mono/stereo [MIC/LINE] inputs and two stereo line inputs.The MG16XU boasts an intuitive interface with capacities suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability that has made it a leader in its class.Features:Outstanding microphone preampsSwitchable Phantom Power & PAD Switch1-knob CompressorsEQ and High-pass FiltersAUX / Effect Sends / GroupLED level meteringBuilt-in SPX Digital EffectsMetal ChassisUSBSpecifications:On-board processors : SPX algorithm: 24 programs, PARAMETER control:1, FOOT SW:1 (FX RTN CH on/off)Phantom power: +48 VDigital I/O: USB Audio Class 2.0 compliant, Max 192 kHz, 24-bitInput Channels: 8 Mono[MIC/LINE], 2 Mono/Stereo[MIC/LINE], stereo[LINE]: 2Output Channels: STEREO OUT: 2MONITOR OUT: 1PHONES: 1AUX SEND: 4GROUP OUT: 4Bus: Stereo: 1, GROUP, AUX: 4Input Channel FunctionPAD: 26 dB (Mono)HPF: 80 Hz, 12 dB/oct (Mono)COMP: 1-knob compressor Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB, Attack time: approx. 25 msec, Release time: approx. 300 msecEQ HIGH: Gain: +15 dB/-15 dB, Frequency: 10 kHz shelvingEQ MID: Gain: +15 dB/-15 dB, Frequency: 2.5kHz peakingEQ LOW: Gain: +15 dB/-15 dB, Frequency: 100 Hz shelvingPEAK LED: LED turns on when post EQ signal reaches 3 dB below clippingLevel Meter: 2 x 12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB
