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Artists, engineers, and content creators like you are more innovative than ever, and we know how much you rely on your gear to express your creativity. MR Series monitors bring you closer to your music and your mix than ever before to deliver professional results without breaking the bank. With an all-new design, MR Series monitors utilize our proven technology and acoustic tuning to deliver incredible accuracy and clarity. The logarithmic waveguide provides an ultra-wide listening sweet spot and enhanced stereo imaging while the Acoustic Space Control allows you to adjust the frequency response of the monitor to match your studio. Whether it’s dialogue, hip-hop, rock, and beyond, you can listen with confidence knowing your mix will sound great anywhere.The MR524 has been designed with flexibility in mind, featuring XLR, TRS and RCA monitor inputs. The speaker has been housed in an all-wood cabinet that has been treated with acoustic absorption material for a tighter response. Additionally, the MRS10 studio subwoofer can be added for a more powerful, extended low end.Specifications:Equipment: 5.25 "woofer and 1" tweeter50 watt bi-amplified Class A / B amplifierFrequency range: 45 - 20000 HzLow and high thomann frequency 3-stage adjustableConnections: XLR, jack, RCADimensions (H x W x D): 282 x 180 x 221 mmWeight: 4.6 kg
An industry standard from the time this speaker cable was introduced. 8TC is a great solution for longer runs, tough speaker loads or internal biwire applications. Often regarded as a neutral cable able to deliver accurate dynamics and large soundstage. 2 x 9 awg conductors.Features:Low loss fluorocarbon dielectric16 wire counter opposed helixVariStrand copper conductorsNitrogen assisted hand soldered termination
An industry standard from the time this speaker cable was introduced. 8TC is a great solution for longer runs, tough speaker loads or internal biwire applications. Often regarded as a neutral cable able to deliver accurate dynamics and large soundstage. 2 x 9 awg conductors.Features:Low loss fluorocarbon dielectric16 wire counter opposed helixVariStrand copper conductorsNitrogen assisted hand soldered termination
An industry standard from the time this speaker cable was introduced. 8TC is a great solution for longer runs, tough speaker loads or internal biwire applications. Often regarded as a neutral cable able to deliver accurate dynamics and large soundstage. 2 x 9 awg conductors.Features:Low loss fluorocarbon dielectric16 wire counter opposed helixVariStrand copper conductorsNitrogen assisted hand soldered termination
An industry standard from the time this speaker cable was introduced. 8TC is a great solution for longer runs, tough speaker loads or internal biwire applications. Often regarded as a neutral cable able to deliver accurate dynamics and large soundstage. 2 x 9 awg conductors.Features:Low loss fluorocarbon dielectric16 wire counter opposed helixVariStrand copper conductorsNitrogen assisted hand soldered termination
An industry standard from the time this speaker cable was introduced. 8TC is a great solution for longer runs, tough speaker loads or internal biwire applications. Often regarded as a neutral cable able to deliver accurate dynamics and large soundstage. 2 x 9 awg conductors.Features:Low loss fluorocarbon dielectric16 wire counter opposed helixVariStrand copper conductorsNitrogen assisted hand soldered termination
The Dôme Focal stands are available in pair in order to install your Dôme loudspeakers in stereo or Home Cinema configuration.Features:High BrillianceLarge base for stabilityAluminum StructureAvailable in pairHeight: 33inchesWeight: 8lb
The KH 80 DSP two-way active bi-amplified monitor features a DSP engine with network control, a Mathematically Modeled Dispersion™ Waveguide (MMD™), an analogue input and an extensive range of mounting hardware. This allows the loudspeaker to be used in diverse acoustical conditions, with any source equipment and in a wide variety of physical locations. The KH 80 represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible. The KH 80 DSP is designed for use as a near-field monitor, as a front loudspeaker in small multi-channel systems, or as a rear loudspeaker in a compact multi-channel systems. It can be used in project and music studios, broadcast centers, OB vans, and post production studios for tracking, mixing, and mastering. It is also well suited for use in domestic environments.Specifications:Type: 2 way, ActiveWoofer: 4’’Tweeter: 1’’Amplifiers Power: LF 90 W, 120 W και HF 50 W, 70 W (THD+N, 0.1%, 10%)Frequency Response: -6 dB free field frequency response 53 Hz … 22 kHz, ± 6 dBDimensions (W x H x D): 233 x 154 x 194 mmWeight: 3.4 kg
2-way bass-reflex bi-amplified nearfield studio monitor with 8' cone woofer and 1' dome tweeter.Features:2-way bass-reflex bi-amplified nearfield studio monitor with 8" cone woofer and 1" dome tweeter38Hz - 30kHz frequency response75W LF plus 45W HF bi-amp system for high-performance 120W power amplificationROOM CONTROL and HIGH TRIM response controlsXLR and TRS phone jack inputs accept balanced or unbalanced signalsSpecifications:Speaker type: 2-way bi-amp powered studio monitorFrequency range: (-10dB) 38Hz - 30kHzComponents: LF 8" cone-HF 1" domeCrossover: 2kHzOutput power: 120W (LF:75W, HF:45W)I/O connectors: XLR3-31 type (balanced), PHONE (balanced)Power consumption: 60WShape: Bass-reflex typeCabinet material: MDFDimensions: W 250mm (9.8")H 390mm (15.4") D 334mm (13.1")Net weight: 10.2kg (22.5 lbs.)Others: LEVEL control (+4dB/center click) , EQ: HIGH TRIM switch (+/- 2dB at HF) / ROOM CONTROL switch (0/-2/-4 dB under 500Hz)
2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter. Specifications:2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeterFrequency response: 54Hz - 30kHz45W LF plus 25W HF bi-amp system for high-performance 70W power amplificationRoom control and high trim response controlsXLR and TRS phone jack inputs accept balanced or unbalanced signalsDimensions (W x H x D): 170mm x 285mm x 222mmWeight: 5.3KgOthers: Level control (+4dB/center click) , EQ: High trim switch (+/- 2dB at HF) / Room control switch (0/-2/-4 dB under 500Hz)
The Genelec 8010A is an ultra-compact, portable active studio monitor designed for broadcast, music and post-production where space is at the premium.The Genelec 8010A delivers the trusted sound and accurate monitoring associated with the 8000 series in a portable format ideal for when on the road, OB vans, small studios and mobile production work in general.The 8010 features 3? bass driver and ?? tweeter and an efficient Class D amplification system for each driver delivering a powerful sound with far higher SPL than expected from monitors this size. Just like all monitors in the 8000 series the 8010 includes Genelec’s Intelligent Signal Sensing ISS circuitry to save energy by switching the speaker in sleep mode when no signal is detected for a while. When signal is detected, the monitor wakes up automatically with no pops. For application where such circuitry could be a hindrance, a bypass function is also included.The Genelec 8010 has an XLR input and a worldwide figure of eight power supply input allowing you to use your speakers anywhere. A full range of accessories are also available covering all mounting requirements such as the L-shaped table stand to optimise the monitor orientation.Genelec 8010A Active Studio Speaker Overview:Excellent response and SPL (96dB) despite size of cabinet (195 x 121 x 116mm)8000-series standard room calibration controlsAluminium chassis, protected driversBi-Amplified w/efficient Class D power amplifiersIntelligent Signal Sensing? circuitry fitted, which can be bypassed if desiredCompatible with a wide variety of Genelec mounting accessoriesUniversal input voltage for traveling audio professionalsBalanced XLR input Compatible with 7050 Subwoofer
2-way bass-reflex bi-amplified nearfield studio monitor with 6.5" cone woofer and 1" dome tweeter.Specifications:2-way bass-reflex bi-amplified nearfield studio monitor with 6.5" cone woofer and 1" dome tweeterFrequency response: 43Hz - 30kHz60W LF plus 35W HF bi-amp system for high-performance 95W power amplificationRoom control and high trim response controlsXLR and TRS phone jack inputs accept balanced or unbalanced signalsDiamensions (W x H x D): 210mm x 332mm x 284mmWeght: 8.2KgOthers: Level control (+4dB/center click) , EQ: High Trim switch (+/- 2dB at HF) / Room control switch (0/-2/-4 dB under 500Hz)
Pair cables 4TC 2x2.60m. With bananas Kimber.(Cp) parallel capacitance: 362.0 pF 20 kHz(Ls) series inductance: 0.715 µH 20 kHz(Rdc) dc loop resistance: 0.038 Ω(Xt) total reactance: 0.071 Ω 20 kHzFrequency response ± 0.5 dB: dc - 500 kHz
These stands were designed specifically for Planet L speakers and Music Center by the Elipson team of designers. A route of cables has been plannedwithin its elegant structure in brushed steel (15 kg each) . It is a real must have.Specifications:Overall dimensions (W x H x D): 350 x 830 x 350 mmOne pair of speaker stand for the Elipson Planet LQuantity/box: 2Dimensions (W x H x D): 850 x 95 x 415 mmGross weight: 31 kgNet weight: 12.5 kg
The first in JBL’s new 7 Series line, the 705i and 708i models answer the call for next generation multi-channel monitoring in post rooms, broadcast facilities and trucks. Leveraging patented technologies developed for our flagship M2 Master Reference Monitor, 7 Series Studio Monitors deliver detailed imaging, extended frequency response and remarkable output from compact enclosures. Centrally amplified and tuned, and easily installed, 705i and 708i Studio Monitors are the heart of an elegant, scalable system for broadcast and post facilities working in immersive audio formats. Features:Next Generation Systems for Post and Broadcast Production in Control Rooms and TrucksNext Generation Driver TechnologyPatent Pending Image Control WaveguideCompact, Install Friendly EnclosuresSpecifications:Frequency Response -1.5 dB 48 – 23kHzFrequency Range 39Hz – 36 kHzMax SPL (80 Hz – 20 kHz) >101 dB SPL / 1mMaximum Peak SPL (80 Hz – 20 kHz) >107 dB SPL / 1mHF Driver 2409HLF Driver 725GDividing NetworkTransition Frequency 1.9 kHzInput Types Phoenix Terminals accept 12 gauge speaker wireDimensions (HxWxD) 10.5 x 5.875 x 8.125 in (267 x 149 x 206 mm)Weight Each 9.0 lb (4.08 kg)
The first in JBL’s new 7 Series line, the 705i and 708i models answer the call for next generation multi-channel monitoring in post rooms, broadcast facilities and trucks. Leveraging patented technologies developed for our flagship M2 Master Reference Monitor, 7 Series Studio Monitors deliver detailed imaging, extended frequency response and remarkable output from compact enclosures. Centrally amplified and tuned, and easily installed, 705i and 708i Studio Monitors are the heart of an elegant, scalable system for broadcast and post facilities working in immersive audio formats. Features:Next Generation Systems for Post and Broadcast Production in Control Rooms and TrucksNext Generation Driver TechnologyPatent Pending Image Control WaveguideCompact, Install Friendly EnclosuresSpecifications:Frequency Response -1.5 dB 45 – 23kHzFrequency Range 35Hz – 36 kHzMax SPL (80 Hz – 20 kHz) >108 dB SPL / 1mMaximum Peak SPL (80 Hz – 20 kHz) >114 dB SPL / 1mHF Driver 2409HLF Driver 728GDividing NetworkTransition Frequency 1.7 kHzInput Types Phoenix Terminals accept 12 gauge speaker wireDimensions (HxWxD) 17.25 x 9.75 x 14 in (438 x 248 x 356 mm)Weight Each 27.0 lb (12.3 kg)
The SC305 is the first model of our three-way system monitors, which was carefully designed to be equally comfortable and precise in a stereo or surround set up. In the latter case, the SC305 will work perfectly as a center channel, if we're talking about a smaller system.The SC305 combines the power from three different amplifiers to deliver a very efficient, dynamic and low noise sound reproduction. Our three-way systems are developed for critical and detailed listening, not just to deliver power and thunderous bass (although they can do it very well too). With its moderate size and superb technical characteristics, the SC305 model has virtually no competition on the market today. Don't miss the chance and check them out for yourself!Our three-way systems are designed around the concept to distribute the frequencies properly between all individual components and raise the efficiency of your speakers effectively. With the SC305 one of the woofers is delivering sound only up to 350 Hz, functioning as a kind of "bass woofer". The other woofer gives you a fuller range up to the 3000 Hz crossover frequency as a bass-midrange driver.This means less effective physical work being made by each individual woofer, which in turn will result in less mechanical inertia and a more efficient sound transmission. Both woofers consist of our proprietary 5" SilverCone, the same that is used in the smaller SC205 model. However, due to the fact that two of these woofers are being used simultaneously, you get a bigger frequency response - down to 50 Hz.The SC305 also makes use of the proprietary AMT RS3 tweeter, which uses a bigger front plate and a bigger internal magnet to drive the AMT tweeter with greater efficiency. The three 50 W PWM power amplifiers won't leave you lacking any power either. All in all, the SC305 will probably be regarded as the single most detailed three-way monitor speaker in the market for its specific size and price range.And no worries determining how to place the SC305 in your room or studio properly. Our DSP section will assist you in choosing the speaker for left and right hand side. So you will always get proper symmetry between your speakers, instead of having to move them around as usual. With a DIP switch, located on rear of the speakers these settings for room adaption can be temporarly locked. As with every other EVE Audio speaker, you get both balanced XLR inputs and unbalanced RCA inputs for greater convenience.With every EVE Audio speaker, you also get high resolution DSP electronics. One push knob operation and you will have access to accurate volume control and several different filter settings that will help you tailor your monitors to the way you work. And if you always avoid digital processing, we've got you covered. The DSP engine is supported with a high quality A/D converter (24bit/192kHz) from Burr-Brown, which delivers a pristine signal to the DSP section. And since the PWM amplifiers are directly connected to the DSP, no additional conversion is necessary.It's all in the geometry. One of the downside effects of port compression is bass distortion. As you turn up the volume, the efficiency of the port reduces and distortion will increase. We opted for a large rear rectangular port with no hard edges for our bass port designs. That's one of the reasons EVE monitors have a high efficiency on the lower frequencies.
The SC307 is the second model in our three-way system monitor range. This powerful monitor is perfectly suited for both near- and midfield monitoring. And, in surround set ups, the SC307 will work excellently as a center channel too.The SC307 combines the power from three different amplifiers to deliver a very efficient, dynamic and low noise sound reproduction. Our three-way systems are developed for critical and detailed listening. Although they will be able to provide lots of power and thunderous bass frequencies, they will also excel if you're looking for a precise and very detailed pair of speakers. Our three-way systems are designed around the concept to distribute the frequencies properly between all individual components and raise the efficiency of your speakers effectively.In our three-way systems, each driver (woofers or tweeter) gets its own amplifier. One of the woofers serves frequencies up to 300 Hz as a kind of "bass" whilst the other woofer gives you a fuller range as a bass-midrange driver, up to the 3000 Hz crossover frequency. From that frequency on, our AMT tweeter takes over. This minimizes interference between the drivers and also allows the SC307 to deliver a very efficient and dynamic sound reproduction.What this design philosophy means is that less effective physical work is being made by each individual woofer, as the band of frequencies to be reproduced are divided between both woofers. This in turn will result in less mechanical inertia and a more efficient sound transmission. Both woofers consist of our proprietary 6.5" SilverCone, the same which is used in our two-way system, the SC207. However, due to the fact that two of these woofers are being used simultaneously, you get a bigger frequency response down to 40 Hz.The SC307 also makes use of the proprietary AMT RS2 tweeter, which uses a bigger front plate, and a bigger internal magnet to drive the AMT tweeter with greater efficiency. The three 100 W PWM power amplifiers won't leave you lacking any power either, as the maximum sound pressure level of 114 dB (SPL 1m) will attest.And no worries determining how to place the SC307 in your room or studio properly. Our DSP section will assist you in choosing the speaker for left and right hand side. So you will always get proper symmetry between your speakers, instead of having to move them around as usually. With a DIP switch located, on the rear of speakers these settings for room adaption can be temporarly locked. As with every other EVE Audio speaker, you get both balanced XLR inputs and unbalanced RCA inputs for greater convenience.With every EVE Audio speaker, you also get high resolution DSP electronics. One push knob operation and you will have access to accurate volume control and several different filter settings that will help you tailor your monitors to the way you work. And if you always avoid digital processing, we've got you covered. The DSP engine is supported with a high quality A/D converter (24bit/192kHz) from Burr-Brown, which delivers a pristine signal to the DSP section. And since the PWM amplifiers are directly connected to the DSP, no additional conversion is necessary.It's all in the geometry. One of the downside effects of port compression is bass distortion. As you turn up the volume, the efficiency of the port reduces and distortion will increase. We opted for a large rear rectangular port with no hard edges for our bass port designs. That's one of the reasons EVE monitors have a high efficiency on the lower frequencies.
The ultra-compact XB-10 is perfect for small radio or internet broadcast studios, college and university radio stations, podcasting, content creation and more.Despite its tiny footprint, XB-10 is packed with the kinds of specialised broadcast features that normally come at a much higher price. Radio-friendly tools include a telephone communication (telco) channel, mic channel ON switch sensing, stereo channel start/cue outputs for CD deck transport control and automatic muting of speaker outputs. A separate monitor mix can be created for operator and guest or presenter, and the operator can speak off-air to the studio or telephone callers using the ‘Talk’ feature.XB-10’s preamps use low noise discrete transistor circuitry to achieve high gain and excellent linearity. Each mic channel comes equipped with our innovative CompACT compressor to keep the dynamic range of a presenter microphone under control. A variable limiter on the main output ensures that the final mix to air does not saturate expensive broadcast equipment. The plug-n-play USB connection can be used for VoIP telephone calls, recording program material, playing jingles and more.Features:3 mic/line and 3 stereo inputsTelco channel with optional USB routing for VoIPCompACT compressors on mic channelsON switch logic on mic and telco channelsStart/cue logic outputs on stereo channelsSeparate headphones mix and outputsAuto mutes on control room outputsRemote mute facility on mic channelsResponsive 3-band, swept mid EQ with MusiQConfigurable USB stereo audio in/outXLR main outputs with inserts and variable limiterAux / Alt bus for external processing, recording or auditioning
Designed as a uniquely versatile live sound mixer, WZ4 14:4:2 is equally at home at Front of House, on Monitors, or doubling up to fill both roles at once. WZ4 14:4:2 features our acclaimed 4 band EQ with 2 sweepable mids, high quality 100mm faders, 6 aux sends, 12 segment bargraph metering and our unique QCC connector system for easy desktop, rack or flightcase mounting.This 4th generation MixWizard console now has the option to fit a multichannel USB interface with high quality 16 channel soundcard for easy multitrack recording and 2-track playback. If you’re looking for professional grade, all-purpose analogue mixers in a compact, rack mountable frame, the MixWizards continue to set the bar.Features:19″ Rack mountable10 mic/line inputs with balanced XLR/TRS jack, insert and direct output100mm fadersReverse switches swap the function of the group and aux masters in Monitor or Dual Mode applications6 Aux sends – switchable pre/post fade4 Audio groups2 Dual Stereo inputs with separate gain and ‘ON’ switches allowing inputs to be selected independently or mixed together4 band EQ with 2 swept mids6×2 Matrix for providing feeds for in ear monitors, delay speakers, video, broadcast and moreOscillator and Pink Noise generator for line-up and speaker testingTri-colour, 12 segment bargraph metering+48V Phantom PowerSignal and Peak LEDsTalkback Mic XLR with trimLamp socketSB multitrack recording option
Compact, cost effective and versatile… the XB-14 is designed for a broad range of applications from small radio or internet broadcast studios, to larger studios with multiple rooms, hospital radio, university radio and community radio. The XB-14 is equipped with a wealth of features specifically for broadcasters, including telephone communication modules for telephone callers, mic fader start sensing for external connection and internal automatic muting of the speaker outputs, stereo channel start/cue outputs for CD deck transport control, separate headphones mix & outputs for guests, an audition bus, and much more!Mic/Line Pre-amps The XB-14’s two stage pre-amp design, offers an expansive and controlled gain range (69dB). Most of the gain comes from the first stage, so unwanted noise is kept to a minimum, and the second stage is padless, with line level signals simply plugged in using the input jack socket, which means lower noise when using the line input.EQThe XB-14 is equipped with a 3-band equaliser circuit on each mono input and a 2-band EQ on the Telco and stereo channels. The frequency and response of each has been carefully chosen to give the maximum performance when using the EQ on a variety of sources.AUX Bus and MIX B stereo BusXB-14 has a single Auxiliary bus that can be used for external processing, effects, recording or auditioning. A separate stereo mix bus is provided for recording an independent mix to the main program mix, or creating a clean feed source with selected channels.Remote ControlThe mono mic/line channels have fader start logic switching, enabling them to control external equipment or automatically mute the speaker outputs to prevent acoustic feedback in localised or self operated applications. The stereo channels have ‘start & cue’ logic outputs to connect to external equipment such as CD players. There are also options to mute the mono inputs remotely using an external “cough” switch or similar.USBGetting audio to and from a computer easily is essential for music and broadcast production, so the XB-14 is super-flexible and super-easy! Just plug in a USB lead and select the USB routing to enable quality audio to and from your PC or Mac.Self or Producer OperatedSeparate monitor mixes can be created for operator, guests or presenter so the engineer can check levels and cue sources while the presenter or guest can listen to a different source. The engineer/producer can communicate to the studio using the ‘Talk’ feature, or off-air to telephone callers.Features:Audition/clean feed bus3-band EQ on mono channels4 mic/line and 4 stereo channels2-band EQ on Telco/stereo channels2 stage, padless pre-amp designFader start sensing on mono channelsStart/cue logic on stereo channel switches2 Telco telephone communication channelsUSB connectivity to interface with PC/MACSeparate headphones mix for engineer/producer and 2 guestsVertically-mounted PCB construction with nutted rotary potsAux and separate stereo busses for processing/recordingControl room outputs with auto and remote mutesRemote mute facility on mic channelsBalanced main outputs with insertsInput signal and peak metering
2-way bass-reflex bi-amplified nearfield studio monitor with 6.5" cone woofer and 1" dome tweeter. Specifications:2-way bass-reflex bi-amplified nearfield studio monitor with 6.5" cone woofer and 1" dome tweeterFrequency response: 43Hz - 30kHz60W LF plus 35W HF bi-amp system for high-performance 95W power amplificationRoom control and high trim response controlsXLR and TRS phone jack inputs accept balanced or unbalanced signalsDiamensions (W x H x D): 210mm x 332mm x 284mmWeght: 8.2KgOthers: Level control (+4dB/center click) , EQ: High Trim switch (+/- 2dB at HF) / Room control switch (0/-2/-4 dB under 500Hz)
The KH 310 three-way active tri-amplified monitor features a Mathematically Modeled Dispersion™ Waveguide (MMD™), flexible acoustical controls, various input options and an extensive range of mounting hardware. This allows the loudspeaker to be used in diverse acoustical conditions, with any source equipment and in a wide variety of physical locations. The KH 310 represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible. The KH 310 is designed for use as a near-field monitor, as a front loudspeaker in mid-sized multi-channel systems, or as a rear loudspeaker in a larger multi-channel system. It can be used in project, music, broadcast centers, OB vans, and post production studios for tracking, mixing, and mastering. Specifications: Type Studio monitor Woofer 8 1/4' Midrange 3' Tweeter 1'' Amplifiers Power 300 W Input/Output Plugs XLR Frequency Response 34 Hz - 21 kHz, ± 3 dB ΕqualizerYes, 3 Band Dimensions (W x H x D) 383mm x 253mm x 292 mm Weight 13.0 kg
2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter. Specifications:2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeterFrequency response: 54Hz - 30kHz45W LF plus 25W HF bi-amp system for high-performance 70W power amplificationRoom control and high trim response controlsXLR and TRS phone jack inputs accept balanced or unbalanced signalsDimensions (W x H x D): 170mm x 285mm x 222mmWeight: 5.3KgOthers: Level control (+4dB/center click) , EQ: High trim switch (+/- 2dB at HF) / Room control switch (0/-2/-4 dB under 500Hz)
Features:2-way bass-reflex bi-amplified nearfield studio monitor with 8' cone woofer and 1' dome tweeter38Hz - 30kHz frequency response75W LF plus 45W HF bi-amp system for high-performance 120W power amplificationROOM CONTROL and HIGH TRIM response controlsXLR and TRS phone jack inputs accept balanced or unbalanced signals Price per Unit .Specifications:TypeStudio monitor nearfieldWoofer8''Midrange-Tweeter1' domeAmplifiers Power120W (LF:75W, HF:45W)Input/Output PlugsXLR3-31 type (balanced), PHONE (balanced)Frequency Response38Hz - 30kHzΕqualizerYesDimensions (W x H x D)250mm x 390mm x 334mmWeight10.2kg
The Avantone ACTIVE MIXCUBE, Pair, Black Powered Full-Range Mini Reference Monitors. Active recording / mixdown monitors for the new millennium.The Avantone ACTIVE MIXCUBE is designed to be high resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full range transducer. Studios primarily use 2-way and 3-way large monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in the newly developing age of High Definition Audio, there is still a need to hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, ipod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers.Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing.More than twelve months of R&D, comparative listening and tweaking went into the voicing of the AVANTONE Active MixCubes. The result is a very smooth sounding, full range upgrade from those old familiar 5C Sound Cubes engineers were so fond of in the 1980’s-1990’s. Listening tests reveal that the MixCubes have a smoother midrange, more accurate, transparent top end response with extended bass while maintaining the basic characteristics of those original little cubes Cabinet Design.The AVANTONE Active MixCubes are constructed of non-layered, high rigidity MDF board due to its natural low-resonance characteristics. All cabinet edges are radiused with an elegant polyurethane high gloss “Butter-Cream” finish. 7mm thick neoprene pad embedded into the base of the cabinet serves as a skid-resistant acoustic isolator. For creative mounting situations, there is a useful, industry standard 5/8 inch -27 mic stand mount in the base. The paper cone, (chosen for its musical character) was custom designed utilizing the latest in FEA modeling and “old-school” speaker design artistry. The finest New Zealand pulp material is blended with mica fibers for rigidity and longevity.The cloth surround material is made in Japan and has unique damping characteristics, enabling a predictable compliance over the lifespan of the driver. The motor structure is made of certified 1008 low carbon steel by Sumitomo. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High-power/low-distortion motor structure. Avantone's proprietary 5.25 inch die-cast aluminum frame supports the driver/cone minimizing mechanical transfers. The outer mounting face of the aluminum frame is polished for an elegant appearance. The Active MixCubes each contain a separate 35-watt Class A/B amplifier with cooling handled by Convection/Heat Sink-Aluminum Fins.The main features of the Avantone ACTIVE MIXCUBE include:Black finishPowered Full-Range Mini Reference Monitors for the new millenniumSYSTEM TYPE: Active (Self-Powered) shielded full-range stereoFREQUENCY RESPONSE: 90Hz-17,000Hz (Accessible musical range)SPL/SENSITIVITY: 94db @1w/1 meterPOWER: 35 watts RMS Class A/BCOOLING: Convection / Heat Sink-Aluminum FinsDRIVER: 8 ohm 5.25” Cast Aluminum Frame / Paper ConeCABINET: Sealed design /18mm MDF/ with Dacron Acoustical stuffingINPUTS: XLR & TRS +4/Balanced & RCA/-10 UnbalancedCABINET DIMENSIONS: 165mm X 165mm X 206mm ( 6.5 x 6.5 x 8.125 inches) cabinet depth // 165mm X 165mm X 241mm ( 6.5 x 6.5 x 9.5 inches) overall depthCABINET WEIGHT: 4kg / 8.8 Lbs (each)
Soundcraft GB2R 12CH. Sound console with preamplifiers GB30. 12 mono inputs (mic) with 4 band EQ, 2 stereo inputs with 4 band EQ, 4 group, 6 AUX. Μatrix 6x2, direct outpurs in every mono input. Internal power supply.
Soundcraft GB2R 16CH. Sound console with preamplifiers GB30. 16 mono inputs (mic) with 4 band EQ, 2 stereo inputs with 4 band EQ, 4 group, 6 AUX. Μatrix 6x2, direct outputs in every mono input. Internal power supply.
Soundcraft GB8 48CH. Sound console with preamplifiers GB30, front of house or stage monitor. 48 mono inputs (mic), 4 band EQ, 4 stereo inputs with 4 band EQ, 8 group, 8 AUX, SWAP between AUX 1-8 & group. 8 mute groups, matrix 7x5, direct outputs in every mono input.
Soundcraft GB8 40CH. Sound Console with GB30 preamplifiers, for front of house or stage monitor. 40 mono inputs (mic) with 4 band EQ, 4 stereo inputs with 4 band EQ, 8 group, 8 AUX, SWAP between AUX 1-8 & group, 8 mute groups, matrix 7x5, direct outputs in every mono input.
Soundcraft GB2 16CH. Sound Console with GB30 preamplifiers, 16 mono inputs (mic), 4 band EQ, 2 stereo inputs with 4 band EQ, 4 group, 6 AUX. Μatrix 6x2, direct outputs in every mono input.
Soundcraft GB2 24CH. Sound Console with GB30 preamplifiers, 24 mono inputs (mic), 4 band EQ 4, 2 stereo inputs with 4 band EQ, 4 group, 6 AUX. Μatrix 6x2, direct outputs in every mono input.
Soundcraft GB2 32CH. Sound Console with GB30 preamplifiers, 32 mono inputs (mic), 4 band EQ, 2 stereo inputs with 4 band EQ, 4 group, 6 AUX. Μatrix 6x2, direct outputs in every mono input.
Soundcraft GB4 16CH. Sound Console with GB30 preamplifiers, for front of house or stage monitor. 16 mono inputs (mic) with 4 band EQ, 2 stereo inputs with 4 band EQ, 4 group, 8 AUX, SWAP between AUX 1-4 & group. 4 mute groups, matrix 7x5, direct outputs in every mono inoput.
Soundcraft GB4 24CH. Sound Console with GB30 preamplifiers, for front of house or stage monitor. 24 mono inputs (mic) with 4 band EQ, 2 stereo inputs with 4 band EQ, 4 group, 8 AUX, SWAP between AUX 1-4 & group. 4 mute groups, matrix 7x5, direct outputs in every mono input.
Soundcraft GB4 32CH. Sound Console with GB30 preamplifiers, for front of house or stage monitor. 32 mono inputs (mic) with 4 band EQ, 2 stereo inputs with 4 band EQ, 4 group, 8 AUX, SWAP between AUX 1-4 & group. 4 mute groups, matrix 7x5, direct output in every mono input.
Soundcraft GB8 32CH. Sound Console with GB30 preamplifiers, for front of house or stage monitor. 32 mono inputs (mic) with 4 band EQ, 4 stereo inputs with 4 band EQ, 8 group, 8 AUX, SWAP between AUX 1-8 & group, 8 mute groups, matrix 7x5, direct outputs in every mono input.
For applications calling for extraordinary imaging, extended frequency response, short to medium listening distance or long, fatigue-free working hours, The Ones - 8331, 8341 and 8351 - are in an elite league of their own. All being ultimate point source monitors, they combine a number of unique Genelec innovations with sustainable manufacturing, but without a single compromise on sound.The Ones not only promote faster and more consistent production decision making, but also longer listening time than traditional loudspeakers, because unnatural imaging, a main contributor to listener fatigue, is minimized. Dispersion is controlled over an unusually wide frequency range thanks to the large integrated waveguide (DCW™) with the hidden dual woofers; and orientation may be either horizontal or vertical. Their looks are striking too, either way you turn them.The final touch when positioning mics, mixing or mastering is the most demanding. For such critical tasks, even when performed in small rooms or in ultra near field applications, 8331 offers an outstanding solution where none existed before. With the latest SAM technology included, 8331 always makes the best of the room and monitor placement. Use the Genelec GLM application and its auto-calibration function, based on experience from thousands of studios around the world, to compensate for detrimental room influence and delay, regardless if you work in mono, stereo or immersive formats.Specifications:Speaker System: Three WayMid Speaker Size: 3.5"High Speaker Size: 3/4"Low Speaker Size: 2x5"Freq From (Hz): 45Freq Up to (Hz): 37000Shell Material: AluminiumPower Rating Continuous Watt/Ohm: 144Max SPL Output (dB): 104Amplifier Design: Class DSpeaker Type: ActiveDepth (cm): 21.2Width (cm): 18.9High (cm): 30.5Weight (Kg): 6.7Color: Black
3" Master/Slave system. When a small footprint – but a big sound! – is what you're looking for, the SC203 becomes one of those few examples where small also means powerful. It took a very diligent work by our team of EVE Audio engineers, along with the best high quality components, to guarantee the best performance and high resolution from such a small profile set of speakers.The SC203 is the perfect solution for professional desktops with a limited amount of physical space, and also for discerning home and gaming users.To further extend its flexibility, each speaker is provided with the FlexiPad, a v-notch shaped orange rubberized pad that allows you to decouple the speaker from its base and angle it precisely at 0°, 7,5° or 15°.Accessories include our SC203 Mounting Adapter, which enables you to mount your speaker directly on any microphone or speaker stand that features a 3/8" thread.And why not combine it with our threaded wall mount adapter, and place your speaker directly on a wall, where it may be more convenient for your own space?The SC203 Mounting Adapter even makes good use of the included FlexiPad: by placing the FlexiPad between the speaker and the mounting adapter you are further decoupling unwanted resonances, and can even better arrange orientation for upright positioning at 0°.As expected, all necessary mounting screws are included.
Yamaha's 'STUDIO' series monitors have been designed with serious monitoring in mind. Emphasis is on reference-quality reproduction precision that lets you hear sonic details, rather than flattering sound. They carry on in the tradition of the venerable NS10M STUDIO monitor speaker, which was the definitive near-field speaker monitor in an overwhelming majority of professional studios throughout the world for many years from the 80s onward. But technology has evolved dramatically right throughout the audio chain, and speakers must follow suit.The new top-of-the-line MSP7 STUDIO Powered Monitor Speaker is capable of delivering consistent quality and performance that you can rely on in modern production environments that handle any combination of digital and analog sources as well as stereo and surround formats.
The AM series of analog mixers are compact and versatile with anywhere between 5 and 24 mono Mic/Line and stereo inputs. Ultra low noise pre-amps ensure high quality sound when used in project studios or sound reinforcement. Low-cut filters on mono channels eliminate unwanted sounds like stage rumble, P-pops, wind noise and low frequency recording studio room resonances. The multi-band EQ on mono channels gives you total control over your mix. The AM series also makes monitoring the mix easy with its dual multi-segment LED level meters and high volume headphone outputs. Technical Specifications: 4 mono mic/line channels4 stereo channelsAUX sends on each channel75Hz low-cut filter on mono channel3-band EQ on each channel+48V phantom power on mic channelsControl room/Phones source matrix for maximum monitor flexibilityEFX/AUX send cue for monitoring individual channelBalanced main outputs with 60mm fader
2-Way 5" Active Monitor Second in line in our studio monitors is the SC205. Like the name implies, it's a SilverCone two-way system with a 5" woofer. But don't let your eyes deceive you. The SC205 might seem like a small speaker, but it definitely packs a punch. With an extended bass frequency response and an astounding output level, the SC205 will easily fill your room with exceptional sound. The SC205 also comes with the convenience of threaded screw inserts on the bottom and the back. That way, you can mount your SC205 on a regular microphone or speaker stand, or use the back plate for different wall mounting options available on the market. Tech Talk The SC205 uses our 5" SilverCone woofer for an extended bass response. This very stiff diaphragm is honeycomb structured and glass fibre coated. Like in other models, such as the smaller SC204, the SC205 is driven by a sophisticated magnet system that uses a 1" voice coil responsible for delivering a greater linear excursion. All in all, this produces a bigger dynamic range than you would naturally assume from a speaker of these proportions. The result is an unsurpassed audio transparency that, when coupled with our proprietary AMT tweeter and PWM amplifier, will surprise you with a very powerful and precise low end. Our AMT (Air Motion Transformer) tweeter is our own proprietary technology that follows the rule of not using "off-the-shelf" components when looking for the best possible results. The preciseness and detail in the high frequency, along with the general tightness of the bass and mid-range frequencies, will make the SC205 equally adequate for use on the road or in studio. DSP With every EVE Audio speaker, you also get high resolution DSP electronics. One push knob operation and you will have access to accurate volume control and several different filter settings that will help you tailor your monitors to the way you work. And if you always avoid digital processing, we've got you covered. The DSP engine is supported with a high quality A/D converter from Burr-Brown, which delivers a pristine signal to the DSP section. And since the PWM amplifiers are directly connected to the DSP, no additional conversion is necessary. Please visit our DSP page to learn more about our DSP philosophy. Bass Port Design It's all in the geometry. One of the downside effects of port compression is bass distortion. As you turn up the volume, the efficiency of the port reduces and distortion will increase. We opted for a large rear rectangular port with no hard edges for our bass port designs. That's one of the reasons EVE monitors have a high efficiency on the lower frequencies. The results? High sound pressures with tight and punchy bass frequencies that don't cause port distortion. Crank up the volume, and EVE will deliver a round bass. With no holes to look at every time you glance at your speakers. The price is referred to one unit. Price per unit.
2-Way 4" Active Monitor The SC204 are the smallest speakers in our studio monitors line. And they were built with quality in mind. If you are working at home, or in a music or post-production studio, a small pair of monitors should not compromise the quality of your results. It should serve as a second pair of ears. The SC204 may have a small footprint. But don’t let their size deceive you, these monitors sound bigger than many monitors twice their size! The SC204 also have the convenience of threaded screw inserts on the bottom and the back. That way, you can mount your SC204 on a regular microphone or speaker stand, or use the back plate for different wall mounting options available on the market. Tech Talk The SC204 uses a 4" SilverCone woofer with honeycomb structured diaphragm, driven by a sophisticated magnet system with a 1" voice coil responsible for creating a greater linear excursion. This produces a bigger dynamic than one would assume in a monitor of such small proportions. As a result, in addition to the unsurpassed audio transparency of our proprietary AMT tweeter and PWM amplifier combination, this SC204 will surprise you with a very powerful, tight and precise low end. Our AMT tweeter is our own proprietary technology that follows the rule of no off-the-shelf components in order to achieve superior results. The preciseness and detail of the high frequency range of EVE monitors, coupled with the general tightness of the bass and mid-range, make the SC204 a superb speaker that is easily used on the road (due to its reduced size) or as a second pair of speakers for your main setup. DSP With every EVE Audio speaker, you also get high resolution DSP electronics. One push knob operation and you will have access to accurate volume control and several different filter settings that will help you tailor your monitors to the way you work. And if you always avoid digital processing, we've got you covered. The DSP engine is supported with a high quality A/D converter from Burr-Brown, which delivers a pristine signal to the DSP section. And since the PWM amplifiers are directly connected to the DSP, no additional conversion is necessary. Please visit our DSP page to learn more about our DSP philosophy. Bass Port Design It's all in the geometry. One of the downside effects of port compression is bass distortion. As you turn up the volume, the efficiency of the port reduces and distortion will increase. We opted for a large rear rectangular port with no hard edges for our bass port designs. That's one of the reasons EVE monitors have a high efficiency on the lower frequencies. The results? High sound pressures with tight and punchy bass frequencies that don't cause port distortion. Crank up the volume, and EVE will deliver a round bass. With no holes to look at every time you glance at your speakers. The price is referred to one unit. Price per unit.
2-Way 8" Active MonitorDo you need to hear a tight and full frequency bass in your mixes but don't want to invest in a subwoofer just yet? Then the SC208 is probably for you. It's the last in our two-way system series, starting with the smaller SC204. It features the same ease of use and detailed timbre reproduction of all other two-way monitors. But with a larger woofer and more powerful amplifiers, the SC208 will probably be used as a main speaker in a lot of professional and home-studios. If you're looking for a capable and detailed set of above-average size monitors try the SC208. You will probably be surprised. Tech TalkWith the SC208, you will be able to extend your bass frequency response down to 36 Hz. Our custom-made 8" SilverCone woofer driven by our 1.5" voice coil will guarantee that you will not run out of bass response when it comes to the critical listening and comparison of your mixes. The result is a very tight and dynamic bass, along with the usual greater linear excursion provided in every other EVE Audio model. Our PWM amplifier, with protection-limiting, is able to deliver a short-term output power of 150W for a maximum output level of 112 dB (SPL @ 1m). So you can be sure that there will be plenty of power to make critical and precise judgements over your mixes. The SC208 also uses our proprietary AMT (Air Motion Transformer) RS2. The RS2 stands for Ribbon System 2, meaning it has a bigger front plate and a larger magnet driving the motion with the utmost efficiency. As with every other EVE Audio speaker, you get both balanced XLR inputs and unbalanced RCA inputs for greater convenience. DSPWith every EVE Audio speaker, you also get high resolution DSP electronics. One push knob operation and you will have access to accurate volume control and several different filter settings that will help you tailor your monitors to the way you work. If you always avoid digital processing, we've got you covered. The DSP engine is supported with a high quality A/D converter from Burr-Brown, which delivers a pristine signal to the DSP section. And since the PWM amplifiers are directly connected to the DSP, no additional conversion is necessary. Please visit our DSP page to learn more about our DSP philosophy. Bass Port DesignIt's all in the geometry. One of the downside effects of port compression is bass distortion. As you turn up the volume, the efficiency of the port reduces and distortion will increase. We opted for a large rear rectangular port with no hard edges for our bass port designs. That's one of the reasons EVE monitors have a high efficiency on the lower frequencies. The results? High sound pressures with tight and punchy bass frequencies that don't cause port distortion. Crank up the volume, and EVE will deliver a round bass. And with no holes to look at every time you glance at your speakers. The price is referred to one unit. Price per unit.
Active nearfield monitor - 6.7" low frequency driver (50W), voice coil diameter: 1.25" (25W). Materials and construction: 3/4" (19mm) thick MDF cabinet construction with internal bracing. Die-cast aluminum exponential wave guide for controlled, wide dispersion from high-frequency driver and 'Zero Edge Baffle' to minimize diffraction around the cabinet edges. Open cell adiabatic "foam fill" acoustical damping material absorbs internal reflections, preventing delayed sound colouration. Frequency range: 45Hz-22kHz. Balanced XLR and 1/4" jack inputs. Piano black gloss finish. Dimensions (H x W x D): 33.3 x 21.9 x 26.2 cm
