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Now in its third incarnation, the MG Series embodies the pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. The Yamaha MG20 is a 20-Channel Mixing Console with 16 mic (XLR hybrid) and 20 Line Inputs (12 mono + 4 stereo), four GROUP Buses + one Stereo Bus, and four AUX sends.With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.Features:20-Channel Mixing ConsoleMax. 16 Mic / 20 Line Inputs (12 mono + 4 stereo)4 GROUP Buses + 1 Stereo Bus4 AUX (incl. FX)“D-PRE” mic preamps with an inverted Darlington circuit1-Knob compressorsPAD switch on mono inputs+48V phantom powerXLR balanced outputsInternal universal power supply for world-wide useRack Mount Kit IncludedMetal chassisSpecifications:On-board processors : SPX algorithm: 24 programsPhantom power: +48 VInput Channels: 12 Mono[MIC/LINE], stereo[LINE]: 4Output Channels: STEREO OUT: 2MONITOR OUT: 1PHONES: 1AUX SEND: 1Bus: Stereo: 1, GROUP: 4, AUX[FX]: 4Input Channel FunctionPAD: 26 dB (Mono)HPF: 80 Hz, 12 dB/oct (Mono)COMP: 1-knob compressor Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB, Attack time: approx. 25 msec, Release time: approx. 300 msecEQ HIGH: Gain: +15 dB/-15 dB, Frequency: 10 kHz shelvingEQ MID: Gain: +15 dB/-15 dB, Frequency: 2.5kHz peakingEQ LOW: Gain: +15 dB/-15 dB, Frequency: 100 Hz shelvingPEAK LED: LED turns on when post EQ signal reaches 3 dB below clippingLevel Meter: 2 x 12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -20, -25, -30 dB
Now in its third incarnation, the MG Series embodies the pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. The Yamaha MG10 is a 10-Channel Mixing Console with four mic (XLR hybrid) and 10 Line Inputs (4 mono + 3 stereo), one Stereo Bus, and one AUX send.With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.Features:10-Channel Mixing ConsoleMax. 4 Mic / 10 Line Inputs (4 mono + 3 stereo)1 Stereo Bus1 AUX (incl. FX)“D-PRE” mic preamps with an inverted Darlington circuit1-Knob compressorsPAD switch on mono inputs+48V phantom powerXLR balanced outputsMetal chassisSpecifications:On-board processors : SPX algorithm: 24 programsPhantom power: +48 VInput Channels: 4 Mono[MIC/LINE], stereo[LINE]: 3Output Channels: STEREO OUT: 2MONITOR OUT: 1PHONES: 1AUX SEND: 1Bus: Stereo: 1, AUX[FX]: 1Input Channel FunctionPAD: 26 dB (Mono)HPF: 80 Hz, 12 dB/oct (Mono)COMP: 1-knob compressor Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB, Attack time: approx. 25 msec, Release time: approx. 300 msecEQ HIGH: Gain: +15 dB/-15 dB, Frequency: 10 kHz shelvingEQ MID: Gain: +15 dB/-15 dB, Frequency: 2.5kHz peakingEQ LOW: Gain: +15 dB/-15 dB, Frequency: 100 Hz shelvingPEAK LED: LED turns on when post EQ signal reaches 3 dB below clippingLevel Meter: 2 x 12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -20, -25, -30 dB
The new Yamaha MG12XU USB mixing desk has a full array of features for the discerning band or music producer. Boasting 12 channels, a group of 24 effects, internal USB interface and a bus group, this Yamaha mixer has everything you could need. Featuring faders instead of knobs of other versions, this MG12XU is more visual and easier to control. The included Cubase AI software also enables studio production straight out of the box.Specifications:Inputs: 12, 6 Combo Channels + 2 Stereo Jack or 4 Combo Channels + 4 Stereo Jack ChannelsOutputs: Stereo XLR Out, Stereo Jack out, Stereo Jack Monitor, Phones Out, Group OutPhantom Power: Yes, Channels 1-8Chassis: Impact Resistant MetalEQ: 3 Band + HPF (Channel 1-8), 2 band + HPF (Channel 9-12)Preamps: Studio-grade class-A discrete "D-PRE"FX Send: Yes, Yes, Individual Channel ControlPanning: Yes, All ChannelsCompression: Yes, Channels 1-4USB Compatibility: Yes, In and OutEffects: 24
Now in its third incarnation, the MG Series embodies the pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. The MG16XU is the 16-channel version of the series, with eight mono XLR and 1/4" hybrid inputs along with two mono/stereo [MIC/LINE] inputs and two stereo line inputs.The MG16XU boasts an intuitive interface with capacities suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability that has made it a leader in its class.Features:Outstanding microphone preampsSwitchable Phantom Power & PAD Switch1-knob CompressorsEQ and High-pass FiltersAUX / Effect Sends / GroupLED level meteringBuilt-in SPX Digital EffectsMetal ChassisUSBSpecifications:On-board processors : SPX algorithm: 24 programs, PARAMETER control:1, FOOT SW:1 (FX RTN CH on/off)Phantom power: +48 VDigital I/O: USB Audio Class 2.0 compliant, Max 192 kHz, 24-bitInput Channels: 8 Mono[MIC/LINE], 2 Mono/Stereo[MIC/LINE], stereo[LINE]: 2Output Channels: STEREO OUT: 2MONITOR OUT: 1PHONES: 1AUX SEND: 4GROUP OUT: 4Bus: Stereo: 1, GROUP, AUX: 4Input Channel FunctionPAD: 26 dB (Mono)HPF: 80 Hz, 12 dB/oct (Mono)COMP: 1-knob compressor Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB, Attack time: approx. 25 msec, Release time: approx. 300 msecEQ HIGH: Gain: +15 dB/-15 dB, Frequency: 10 kHz shelvingEQ MID: Gain: +15 dB/-15 dB, Frequency: 2.5kHz peakingEQ LOW: Gain: +15 dB/-15 dB, Frequency: 100 Hz shelvingPEAK LED: LED turns on when post EQ signal reaches 3 dB below clippingLevel Meter: 2 x 12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB
ZED-18 has an incredibly advanced feature-set for a mixer at this level – it gives musicians, venues and hire companies access to 10 full mono channels and 4 stereo channels in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings. Features:10 mono channelsNeutrik mic XLRNeutrik 1/4 inch jacksChannel insertSuper wide gain ‘DuoPre’ mic line input3 band EQ with MusiQ4 auxesIlluminated muteSound image panIlluminated PFL & peak warning indicatorALPS 100mm faders4 stereo channels with 2-band EQStereo returns & playbackAll inputs with level control12 bar metersMono/stereo function on auxes 1&2Monitor output sectionAlt stereo output sourceConfigurable USB stereo audio in/outGlobal +48V phantom powerCakewalk SONAR LE bundled with mixerRack ears available
Soundcraft Spirit LX7 32CH MKII. Mixing console 32 mono, 4 stereo, 4 group, 4 band EQ, direct outputs, 100mm faders, 6 AUX. for: live p.a. / home studio usage.
Mixing console, 24 mono, 4 stereo, 4 group, 4 band EQ, direct outputs, 100mm faders, 6 AUX.
Nordost's original Flatline loudspeaker cable introduced the audio world to both an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, by re-examining the geometry of each cable, we have reduced dielectric effects still further as well as optimizing the physical spacing of the conductors. This results in significant musical gains, increasing musical flow, dynamics and expressive range. Compared to the White Lightning Anniversary, the Purple Flare's increased number and gauge of conductors allow it to deliver greater weight and dynamic range, for even greater musical involvement, drama and impact.Specifications:Termination: Single-wired spades or bananasInsulation: Fluorinated Ethylene Propylene (FEP)Construction: 14 conductors 15 AWGConductors: Silver-plated 99.9999 OFC solid-coreCapacitance: 9.25pF/ftInductance: 0.17uH/ft
Nordost's original Flatline loudspeaker cable introduced the audio world to both an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, by re-examining the geometry of each cable, we have reduced dielectric effects still further as well as optimizing the physical spacing of the conductors. This results in significant musical gains, increasing musical flow, dynamics and expressive range. Compared to the White Lightning Anniversary, the Purple Flare's increased number and gauge of conductors allow it to deliver greater weight and dynamic range, for even greater musical involvement, drama and impact.Specifications:Termination: Single-wired spades or bananasInsulation: Fluorinated Ethylene Propylene (FEP)Construction: 14 conductors 15 AWGConductors: Silver-plated 99.9999 OFC solid-coreCapacitance: 9.25pF/ftInductance: 0.17uH/ft
Nordost's original Flatline loudspeaker cable introduced the audio world to both an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, by re-examining the geometry of each cable, we have reduced dielectric effects still further as well as optimizing the physical spacing of the conductors. This results in significant musical gains, increasing musical flow, dynamics and expressive range. Compared to the White Lightning Anniversary, the Purple Flare's increased number and gauge of conductors allow it to deliver greater weight and dynamic range, for even greater musical involvement, drama and impact.Specifications:Termination: Single-wired spades or bananasInsulation: Fluorinated Ethylene Propylene (FEP)Construction: 14 conductors 15 AWGConductors: Silver-plated 99.9999 OFC solid-coreCapacitance: 9.25pF/ftInductance: 0.17uH/ft
Nordost's original Flatline loudspeaker cable introduced the audio world to both an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, by re-examining the geometry of each cable, we have reduced dielectric effects still further as well as optimizing the physical spacing of the conductors. This results in significant musical gains, increasing musical flow, dynamics and expressive range. Compared to the White Lightning Anniversary, the Purple Flare's increased number and gauge of conductors allow it to deliver greater weight and dynamic range, for even greater musical involvement, drama and impact.Specifications:Termination: Single-wired spades or bananasInsulation: Fluorinated Ethylene Propylene (FEP)Construction: 14 conductors 15 AWGConductors: Silver-plated 99.9999 OFC solid-coreCapacitance: 9.25pF/ftInductance: 0.17uH/ft
Nordost's original Flatline loudspeaker cable introduced the audio world to both an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, by re-examining the geometry of each cable, we have reduced dielectric effects still further as well as optimizing the physical spacing of the conductors. This results in significant musical gains, increasing musical flow, dynamics and expressive range. Compared to the White Lightning Anniversary, the Purple Flare's increased number and gauge of conductors allow it to deliver greater weight and dynamic range, for even greater musical involvement, drama and impact.Specifications:Termination: Single-wired spades or bananasInsulation: Fluorinated Ethylene Propylene (FEP)Construction: 14 conductors 15 AWGConductors: Silver-plated 99.9999 OFC solid-coreCapacitance: 9.25pF/ftInductance: 0.17uH/ft
Nordost's original Flatline loudspeaker cable introduced the audio world to both an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, by re-examining the geometry of each cable, we have reduced dielectric effects still further as well as optimizing the physical spacing of the conductors. These advantageous electrical characteristics, combined with the intrinsic geometrical accuracy of the ribbon configuration deliver unprecedented dynamic response, phase accuracy and detail, providing a place for everything and make sure that everything arrives in that proper place. The result is a combination of natural, unfettered dynamics and clarity that make your music and movies more accessible, more involving and more lifelike.The original Blue Heaven was a hard act to follow, but the LS version easily exceeds the performance of its renowned predecessor, bringing even budget electronics and speakers to life.Specifications:Termination: Single-wired spades or bananasInsulation: Fluorinated Ethylene Propylene (FEP)Construction: 14 conductors 14 AWGConductors: Silver-plated 99.9999 OFC solid-coreCapacitance: 9.6pF/ftInductance: 0.16uH/ft
Nordost's original Flatline loudspeaker cable introduced the audio world to both an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, by re-examining the geometry of each cable, we have reduced dielectric effects still further as well as optimizing the physical spacing of the conductors. These advantageous electrical characteristics, combined with the intrinsic geometrical accuracy of the ribbon configuration deliver unprecedented dynamic response, phase accuracy and detail, providing a place for everything and make sure that everything arrives in that proper place. The result is a combination of natural, unfettered dynamics and clarity that make your music and movies more accessible, more involving and more lifelike.The original Blue Heaven was a hard act to follow, but the LS version easily exceeds the performance of its renowned predecessor, bringing even budget electronics and speakers to life.Specifications:Termination: Single-wired spades or bananasInsulation: Fluorinated Ethylene Propylene (FEP)Construction: 14 conductors 14 AWGConductors: Silver-plated 99.9999 OFC solid-coreCapacitance: 9.6pF/ftInductance: 0.16uH/ft
Nordost's original Flatline loudspeaker cable introduced the audio world to both an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, by re-examining the geometry of each cable, we have reduced dielectric effects still further as well as optimizing the physical spacing of the conductors. These advantageous electrical characteristics, combined with the intrinsic geometrical accuracy of the ribbon configuration deliver unprecedented dynamic response, phase accuracy and detail, providing a place for everything and make sure that everything arrives in that proper place. The result is a combination of natural, unfettered dynamics and clarity that make your music and movies more accessible, more involving and more lifelike.The original Blue Heaven was a hard act to follow, but the LS version easily exceeds the performance of its renowned predecessor, bringing even budget electronics and speakers to life.Specifications:Termination: Single-wired spades or bananasInsulation: Fluorinated Ethylene Propylene (FEP)Construction: 14 conductors 14 AWGConductors: Silver-plated 99.9999 OFC solid-coreCapacitance: 9.6pF/ftInductance: 0.16uH/ft
Nordost's original Flatline loudspeaker cable introduced the audio world to both an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, by re-examining the geometry of each cable, we have reduced dielectric effects still further as well as optimizing the physical spacing of the conductors. These advantageous electrical characteristics, combined with the intrinsic geometrical accuracy of the ribbon configuration deliver unprecedented dynamic response, phase accuracy and detail, providing a place for everything and make sure that everything arrives in that proper place. The result is a combination of natural, unfettered dynamics and clarity that make your music and movies more accessible, more involving and more lifelike.The original Blue Heaven was a hard act to follow, but the LS version easily exceeds the performance of its renowned predecessor, bringing even budget electronics and speakers to life.Specifications:Termination: Single-wired spades or bananasInsulation: Fluorinated Ethylene Propylene (FEP)Construction: 14 conductors 14 AWGConductors: Silver-plated 99.9999 OFC solid-coreCapacitance: 9.6pF/ftInductance: 0.16uH/ft
Nordost's original Flatline loudspeaker cable introduced the audio world to both an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, by re-examining the geometry of each cable, we have reduced dielectric effects still further as well as optimizing the physical spacing of the conductors. These advantageous electrical characteristics, combined with the intrinsic geometrical accuracy of the ribbon configuration deliver unprecedented dynamic response, phase accuracy and detail, providing a place for everything and make sure that everything arrives in that proper place. The result is a combination of natural, unfettered dynamics and clarity that make your music and movies more accessible, more involving and more lifelike.The original Blue Heaven was a hard act to follow, but the LS version easily exceeds the performance of its renowned predecessor, bringing even budget electronics and speakers to life.Specifications:Termination: Single-wired spades or bananasInsulation: Fluorinated Ethylene Propylene (FEP)Construction: 14 conductors 14 AWGConductors: Silver-plated 99.9999 OFC solid-coreCapacitance: 9.6pF/ftInductance: 0.16uH/ft
Nordost's original Flatline loudspeaker cable introduced the audio world to both an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, by re-examining the geometry of each cable, we have reduced dielectric effects still further as well as optimizing the physical spacing of the conductors. These advantageous electrical characteristics, combined with the intrinsic geometrical accuracy of the ribbon configuration deliver unprecedented dynamic response, phase accuracy and detail, providing a place for everything and make sure that everything arrives in that proper place. The result is a combination of natural, unfettered dynamics and clarity that make your music and movies more accessible, more involving and more lifelike.The original Blue Heaven was a hard act to follow, but the LS version easily exceeds the performance of its renowned predecessor, bringing even budget electronics and speakers to life.Specifications:Termination: Single-wired spades or bananasInsulation: Fluorinated Ethylene Propylene (FEP)Construction: 14 conductors 14 AWGConductors: Silver-plated 99.9999 OFC solid-coreCapacitance: 9.6pF/ftInductance: 0.16uH/ft
Nordost's original Flatline loudspeaker cable introduced the audio world to both an entirely new level of performance and a unique production technique. Our proprietary, extruded FEP cables, with their thin, flat profile don't just look different - their deceptive simplicity is a uniquely elegant answer to the conflicting requirements for low resistance, capacitance and inductance that limit the performance of more conventional cable configurations. Now, by re-examining the geometry of each cable, we have reduced dielectric effects still further as well as optimizing the physical spacing of the conductors. This results in significant musical gains, increasing musical flow, dynamics and expressive range. Compared to the White Lightning Anniversary, the Purple Flare's increased number and gauge of conductors allow it to deliver greater weight and dynamic range, for even greater musical involvement, drama and impact.Specifications:Termination: Single-wired spades or bananasInsulation: Fluorinated Ethylene Propylene (FEP)Construction: 14 conductors 15 AWGConductors: Silver-plated 99.9999 OFC solid-coreCapacitance: 9.25pF/ftInductance: 0.17uH/ft
ZED-420 is excellent for bands, houses of worship, theatres or AV applications. It has a truly professional feature set, which will fit any sound reinforcement application and professional PA hire stock. ZED-420 has Configurable USB audio in/out makes it easy to capture stereo recordings, 16 mic or line inputs plus 2 dual stereo inputs, 4-band EQ with MusiQ, 4 sub-groups, 6 auxiliary sends and a 7x2 matrix.Specifications:16 mono channels2 dual stereo inputs with 4-band EQChannel insertSuper wide gain ‘DuoPre’ mic line input4-band EQ with 2 swept mids and in/out switchIlluminated PFL & peak warning indicator6 auxiliary sends (2 pre, 2 post, 2 pre/post)4 sub groups fed from each channelAll inputs with level control12 bar meters2 matrix sections available; can send output to USBIndividual channel 48V phantom powerDirect output on every mono channelPeak and signal indication on every channelConfigurable USB stereo audio in/outMaster level controls on all outputsEasy to use layout – all connections and controls on top surfaceUSB audio flexibilityGetting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:Send options:Main Mix Left + Right (Post-fade)Main Mix Left + Right (Pre-Fade)Auxes 1-2Auxes 5-6Matrix 1-2.Return options:To Playback inputTo Stereo 3 channel
ZED-436 is excellent for bands, houses of worship, theatres or AV applications. It has a truly professional feature set, which will fit any sound reinforcement application and professional PA hire stock. ZED-436 has Configurable USB audio in/out makes it easy to capture stereo recordings, 32 mic or line inputs plus 2 dual stereo inputs, 4-band EQ with MusiQ, 4 sub-groups, 6 auxiliary sends and a 7x2 matrix.
ZED-24 has an incredibly advanced feature-set for a mixer at this level – it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, Configurable USB audio in/out makes it easy to capture stereo recordings, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you’d think it would cost much, much more!
ZED-22FX is ideal for groups who need to travel light. Featuring configurable USB audio in/out makes it easy to capture stereo recordings. The ZED-22FX easily accommodates vocals, drums, guitar, bass and keys whilst also providing a dedicated FX bus and 16 internal time-delay effects – giving the whole mix extra ambience.16 mono channels16 internal time-delay effectsNeutrik mic XLRNeutrik 1/4 inch jacksChannel insertSuper wide gain ‘DuoPre’ mic line input3 band EQ with MusiQ4 auxesIlluminated muteSound image panIlluminated PFL & peak warning indicatorALPS 100mm faders4 stereo channels with 2-band EQ and inputs for extra sourcesStereo returns & playbackAll inputs with level control12 bar metersMono/stereo function on auxes 1&2Monitor output sectionAlt stereo output sourceConfigurable USB stereo audio in/outCakewalk SONAR LE bundled with mixerRack ears available
ZED-10 is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordingsGuitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards.Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. ZED-10 is bundled with IK Multimedia’s AmpliTube X-GEAR software, giving access to superbly modelled amps and effects.
ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in/out makes it easy to capture stereo recordings.6 mono channels16 internal time-delay effectsNeutrik mic XLRNeutrik 1/4 inch jacksChannel insertSuper wide gain ‘DuoPre’ mic line input3 band EQ with MusiQ4 auxesIlluminated muteSound image panIlluminated PFL & peak warning indicatorALPS 100mm faders4 stereo channels with 2-band EQ and inputs for extra sourcesStereo returns & playbackAll inputs with level control12 bar metersMono/stereo function on auxes 1&2Monitor output sectionAlt stereo output sourceConfigurable USB stereo audio in/outCakewalk SONAR LE bundled with mixerRack ears available
ZED-14 is a fantastic entry-level mixer for small bands, solo performers or AV applications. Its comprehensive feature set, compact size and fine lines combine to make it one of the best small mixers around. Provided with configurable USB audio in/out makes it easy to capture stereo recordings, 6 mic or line inputs, 4 stereo inputs with EQ, there are an incredible 157 controls on the front panel of the ZED-14.This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It’ll be equally happy running your gig on stage, recording live or mixing down in your studio at home.We’ve teamed up with major software supplier, Cakewalk, to bundle its SONAR LE music creation and audio production software with ZED, giving you a fantastic, high spec digital audio workstation.
ZED-10 FX is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordingsGuitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards.Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. ZED-10 FX is bundled with IK Multimedia’s AmpliTube X-GEAR software, giving access to superbly modelled amps and effects.
ZED-428 is excellent for bands, houses of worship, theatres or AV applications. It has a truly professional feature set, which will fit any sound reinforcement application and professional PA hire stock. ZED-428 has Configurable USB audio in/out makes it easy to capture stereo recordings, 24 mic or line inputs plus 2 dual stereo inputs, 4-band EQ with MusiQ, 4 sub-groups, 6 auxiliary sends and a 7x2 matrix. Features:24 Channel4-band EQ with 2 swept mids and in/out switch6 auxiliary sends (2 pre, 2 post, 2 pre/post)4 sub groups fed from each channelL, R and M main mix outputsIndividual channel 48V phantom powerDirect output on every mono channel2 dual stereo inputs with 4-band EQPeak and signal indication on every channel2 matrix sections available; can send output to USBConfigurable USB stereo audio in/outMaster level controls on all outputsEasy to use layout - all connections and controls on top surfaceCakewalk SONAR LE bundled with mixer
The Soundcraft GB-8 (8-bus) 24 Channel Console is packed with the features you need to create a memorable FOH and monitor mix. Combining totally re-engineered circuit topology with the ground-breaking GB30 mic preamp and EQ designs to deliver a sonic performance rivalling many high-end consoles. The Soundcraft GB8 24 Channel Console has plenty of bus power for sophisticated mixing applications. All eight Aux master controls can be swapped with eight Groups, and all Auxes are pre/post switchable globally per Aux bus from the Master Section. In addition to the eight Groups, the GB8 has L/C/R and eight Aux busses. Four mute groups provide quick and easy muting of groups of channels, ideal for scene changes or where groups of instruments need to be silenced. And the output matrix is essential when different zones in a venue require specifically tailored mixes, enabling the operator to create sub-mixes of the Group, L-R mix and C (mono) busses. Unlike other mixers in their class, GB Series consoles are built to last with a rigid steel chassis, high quality vertically mounted fibreglass PCB channel strips and individually nutted potentiometers ensuring reliability in both fixed installations and on the road. YouΆll find an intuitive control surface and a conveniently angled rear connector panel, so you can do all your patching without ever leaving the mix position. The Soundcraft GB-8 (8-bus) 24 Channel Console Main Features Include: 24 channel frame sizes 19 busses 4 full feature stereo channels 4 stereo returns 8 Aux sends (all are pre/post switchable) 8 sub groups (SWAP with all 8 Auxes) 11x4 output matrix Record output with limiter Alternate stereo output with limiter 1kHz oscillator Meterpod with 3 high definition LED VU meters (L/C/R) Internal jumpers switch pre-fade Aux sends to pre-EQ GB30 mic preamp and precision equalisation circuitry Direct outputs on every channel Talkback facility 100mm faders Switchable 48V phantom powering on every channel 18dB/octave high pass filter 4 mute groups 12-segment LED metering Width: 1208mm (47.56") Weight: 30kg (66.1lbs)
The Soundcraft EFX12 Mixer. Low-cost, high-performance, multi-purpose mixer with Lexicon effects.The Soundcraft EFX12 combines all the features of the popular Soundcraft EPM mixer with a built-in 24-bit, digital Lexicon effects processor, expanding the Soundcraft low-cost, multipurpose compact range. The Soundcraft EFX12 mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level. The Effects section fits neatly into the mixers compact framework which is in a 12 mono input form with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility. The emphasis with the Soundcraft EFX 12 is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX12 uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the company’s 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX12 also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and 1/4 inch metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone output. The Soundcraft EFX12 will find itself in many applications including live music, recording, houses of worship and multi-speaker installations. The main features of the Soundcraft EFX12 include: Low-cost, high-performance, multi-purpose mixer with Lexicon effects32 FX settingsTap Tempo and FX setting store function1 FX send on each channel1 configurable auxiliary busXLR-type and 1/4 inch metal jack connector socketsRCA phono stereo playback inputs and record outputs3-band EQ with a swept mid on mono inputs3-band EQ on stereo inputsTRS insert sockets and inserts on all mono inputsTen-segment LED output meteringIntuitive and comprehensive solo systemHeadphone outputEasily rack mountable
The Soundcraft EPM6 is a 6x2 frame size mixer that places emphasizes on quality, audio performance, and an easy to understand, uncluttered control surface. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly transparent GB30 mic preamps-designed by Graham Blyth and used on the larger LX7ii and GB Series consoles-feature high-resolution adjustment over a wide gain range of 55dB, and provide a stunning +22dB headroom through the console. True professional 48-volt phantom power caters to condenser microphones of all types. Unique signal monitoring watches for overload in several channel strip locations and illuminates the LED more brightly as the signal approaches peak. 60mm high-quality faders are used. The monitor and headphone outputs work in parallel so that performers can listen on phones while an engineer listens to studio monitors. Soundcraft EPM6 6-Channel Multi-Format Mixer Features: 6x2 frame size2 configurable auxiliary busesXLR-type and 1/4" metal jack connector socketsRCA phono stereo playback inputs and record outputs3-band EQ with a swept mid on mono inputs2-band EQ on stereo inputsTRS insert sockets and inserts on all mono inputs and mix output10-segment LED output meteringIntuitive and comprehensive solo systemHeadphone outputEasily rack mountable
The Soundcraft EPM12 is a 12x2 frame size mixer that places emphasizes on quality, audio performance, and an easy to understand, uncluttered control surface. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly transparent GB30 mic preamps-designed by Graham Blyth and used on the larger LX7ii and GB Series consoles-feature high-resolution adjustment over a wide gain range of 55dB, and provide a stunning +22dB headroom through the console. True professional 48-volt phantom power caters to condenser microphones of all types. Unique signal monitoring watches for overload in several channel strip locations and illuminates the LED more brightly as the signal approaches peak. 60mm high-quality faders are used. The monitor and headphone outputs work in parallel so that performers can listen on phones while an engineer listens to studio monitors. Soundcraft EPM12 12-Channel Multi-Format Mixer Features:12x2 frame size2 configurable auxiliary busesXLR-type and 1/4" metal jack connector socketsRCA phono stereo playback inputs and record outputs3-band EQ with a swept mid on mono inputs2-band EQ on stereo inputsTRS insert sockets and inserts on all mono inputs and mix output10-segment LED output meteringIntuitive and comprehensive solo systemHeadphone outputEasily rack mountable
The Soundcraft EFX8 not only provides a versatile, feature-filled mixing platform with plenty of I/O options that make it great for stage, studio, or house of worship applications, it also includes a stellar onboard 24-bit effects processor to make your sound even better! The EFX8 includes eight premium preamps, 32 effects settings, 3-band EQ (with swept mids on the mono channels), an effects send on each channel, and more! You'll be amazed at the great sound and performance you get from the ultra-portable 8-channel mono/2-channel stereo EFX8!Soundcraft EFX8 8-channel Compact Mixer with Effects at a Glance:Premium effects onboardEasy to useGreat componentsPremium effects onboardThe Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.The effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.Easy to useThe emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the company's 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).Great componentsThe Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and 1/4" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone output.Soundcraft EFX8 8-channel Compact Mixer with Effects Features:8+2 channel frame sizeBuilt-in 24 bit Lexicon digital effects processor32 effects settingsTap tempo and effects setting store functionOne effects send on each channelOne configurable auxiliary busXLR-type and 1/4" metal jack connector socketsRCA phono stereo playback inputs and record outputs3-band EQ with a swept mid on mono inputs3-band EQ on stereo inputsTRS insert sockets and inserts on all mono inputsTen-segment LED output meteringIntuitive and comprehensive solo systemHeadphone outputEasily rackmountable
The Central Station is the ultimate studio-monitoring interface for the modern digital studio. The Central Station features three sets of stereo analog inputs to switch between input sources such as: DAW, mixer, CD/DAT/Tape player, or keyboards/samplers. Two stereo analog inputs feature TRS balanced and the third stereo input features RCA inputs with trim control for level matching of input signals. In addition, the Central Station will accommodate two digital inputs via S/PDIF or TOSLINK providing D/A conversion up to 24Bit/192kHz. This allows you to monitor DAW and CD/DAT outputs through the same professional quality converter for the most accurate A/B comparison and highest quality monitoring environment. The digital to analog converter offers the highest possible audio quality with over 117dB dynamic range and ultra high quality analog circuitry. The Central Station features three sets of monitor outputs, each with their own set of passive trim controls. The monitoring section also provides MUTE, DIM and MONO switches. In addition, the Central Station includes a set of CUE outputs that can feed headphone amplifiers and a separate stereo MAIN line level output. FEATURESPassive Audio Path - no op amps or IC's in main audio pathFive stereo inputs (2 digital and 3 analog)24-Bit/192kHz DAC (>117dB dynamic range) via SPDIF and TOSLINKThree sets of monitor outputs; each with passive volume controlTalkback microphone with volume to feed headphone and cue outputAccurate dual 30-segment LED for meteringTwo front panel headphone jacks with separate volume controlMAIN and CUE stereo output have independent input sourceOptional console remote control with input, output, talkback, and volume
The quality of speaker cables plays a major role in delivering music signal from your source to your loudspeakers. The Classic line uses ultra pure (Oxygen Free Copper 99.99%) copper in a black outer jacket. Polarity can easily be recognized thanks to the outer jacket geometry (round and square). The Classic B150 is ideal to connect small floorstanders, bookshelves and surround speakers in hi-fi or home-theatre systems for length up to 10 meters.Price per meter Specifications:Conductor: OFCResistance: 0.013 ΩCapacitance: 60.270 pF/m
The Stylum line of speaker stands has been designed by audio specialists for audio fanatics. Their common structure is really functional.The adjustable spikes, located on both the top and bottom plates, ensure ideal adjustment for a perfect stability of the installation.The anti-vibration system guarantees the best performances from your speakers. Features:Cable management systemAdjustable spikes and counter spikesSkidproof rubber padsSpikes on top plate Specifications:Plate 1 (W x D): 200 x 165 mm Thickness: 3 mm Maximum load: 50 kgPlate 2 (W x D): 250 x 220 mm Thickness: 3 mmDelivered disassembled with screws kit, mounting instructions and tools.Dimensions (W x H x D): 250 x 500 x 220 mmGross weight: 9 kgNet weight: 8.4 kg2 years WarrantyQuantity/box: 2Design: Powder Coated White, Powder Coated Silver, Powder Coated Black
The Stylum line of speaker stands has been designed by audio specialists for audio fanatics.Their common structure is really functional. The adjustable spikes, located on both the top and bottom plates, ensure ideal adjustment for a perfect stability of the installation.The anti-vibration system guarantees the best performances from your speakers. Features:Cable management systemAdjustable spikes and counter spikesSkidproof rubber padsSpikes on top plate Specifications:Plate 1: (W x D): 165 x 220 mm Thickness: 3 mm Maximum load: 50 kgPlate 2: (W x D): 250 x 250 mm Thickness: 3 mmDelivered disassembled with screws kit, mounting instructions and tools.Dimensions (W x H x D): 250 x 600 x 250 mmGross weight: 11.7 kgNet weight: 0.9 kg2 years WarrantyQuantity/box: 2
Esse stand is the perfect speaker stand to complement the esse range. The Esse stand retains the same frame stucture ans colours, both the trendy finishes will blend in any kind of conventional or more contemporary home design. Technical Specifications:Overall dimensions (W x H x D): 9.1 x 24 x 9.8" / 230 x 610 x 250 mmPlate 1 (W x D): 9.1 x 9.8" / 230 x 250 mm, Thickness: 0.3" / 8 mm, Maximum load: 75 lbs / 34 kgPlate 2 (W x D): 5.9 x 6.7" / 150 x 170 mm, Thickness: 0.1" / 2 mm, Maximum load: 75 lbs / 34 kg
UHF B210 DSP SoloUse the new UHF B210 DSP bodypacks to reproduce the musicality of your instruments and turn wireless into wired!We've added a new, high performing Digital Signal Processor (DSP) to manage the frequencies in all our wireless systems.DSP technology gives greater wireless stability and precision, practically matching the type of sound quality you would expect from a wired system. Relish the uncompromising sound balance when you sing or play in wireless.SB21 Sax & Bass Lanen: the SB21 Lanen Sax & Brass has been designed for alto saxophones, tenor saxophones, trumpets, trombones, tubas, French horns et all other brass instruments. Features:Excellent natural sound.Very high acceptable sound pressure level (140 dB).UHF compatibleFlexible gooseneck for fast, easy mounting.Very high level of protection from instrument vibration.Mini XLR to XLR connector adaptor ensures that the mic lead is properly positioned on your instrument (48V phantom power supply required for wired connection). Specifications:SB21 Sax & Brass mic:Kind of microphone : CondenserDirectivity : CardioidOutput impedance : 2.2 KΩSensitivity : -47dB ±3dB (0dB=1V/Pa at 1KHz)Pression max. SPL : 140dBSignal - noise : 68dBFrequency response : 50Hz - 20KHzSystem - principal fonctions:Transmission type: UHFBandwith: 630 - 680MHzFrequencies: 2 x 100Dynamic: >90dBHarmonic distorsion: 96dBUnbalanced audio output: 1 x Jack 6.35 mmBalanced audio output: 1 x XLR
The 100ICLCR5 in-ceiling loudspeakers can be highlighted for their acoustics performances and compact design. Here is the masterpiece for your Home Cinema system (in dedicated rooms or living rooms), installed in the ceiling which reinforces classic Hi-Fi loudspeakers or in-wall loudspeakers. It is also ideal for very large rooms without any rear wall nearby. Five possible applications: front left, center or right channels, rear left and rear right channels. This in-ceiling loudspeaker has a new aluminum inverted dome adjustable tweeter, more compact, improving the sound dispersion. Its two drive units are also equipped with a new Polyglass cone (5” – 13 cm). A new crossover improves the off-axis listening and avoids the “shower effect”. Its three position switch allows choosing the left, center or right channels to adjust the treble level.This product can be installed everywhere thanks to a compact design with the speaker driver’s basket and chassis being redesigned as one only piece, frameless square and circular front grilles.The 100 Series brings an unexpected musicality to your home with ease. Let yourself be surprised by the technology behind this product, an efficient design and ideal features for an easy use at this price.Specifications:Type 2-way in-ceilingDrivers 2 x 5" (13cm) Polyglass woofers, 1" (25mm) inverted dome tweeter, 8" (21cm) Polyglass passive radiatorSensitivity (2.83V/1m) 92dBFrequency response (+/-3dB) 65Hz - 23kHzLow frequency point (-6dB) 55HzNominal impedance 8 ΩMinimal impedance 4.6 ΩRecommended amplifier power 25 - 120WExternal dimensions (HxWxD) 1315/16" x 1315/16" x 55/16" (354 x 354 x 150mm)Cut-Out diameter (HxW) 1215/16" x 1215/16" (328 x 328mm)Depth from wall 6" (152mm)Net weight (with front grille) 11.6lbs (5.3kg)Packing dimensions (WxDxH) 161/16" x 161/16" x 71/2" (408 x 408 x 190mm)Total weight (with packaging) 15.8 lbs (7.2kg)
In-wallI/In-Ceiling Loudspeakers with a 4" flax woofer.The 300 ICW 4 is an in-wall/in-ceiling loudspeaker which blends in perfectly with your décor. It is ideal for listening to stereo sound or for enjoying your favourite film soundtracks as part of a home cinema system. It is also appropriate for reproducing surround sound or even as part of a multi-channel system (5.1, 7.1, 5.1.2 etc.). Thanks to the natural and well-defined mid-range of these loudspeakers, they really enhance the voice of singers and film dialogues.The 300 ICW 4 In-wall/In-ceiling loudspeaker is the most compact model in the 300 Series line. Its discreet design gives it a great size/sensitivity ratio.This 2-way component loudspeaker is composed of a 4″ (10cm) woofer with a Flax cone and an aluminium/magnesium alloy inverted dome tweeter. Focal’s exclusive Flax technology is based on a flax-based eco-textile. The Flax cone is composed of a flax structure sandwiched between two sheets of glass fibres, giving it impressive rigidity considering its lightness. They’re worthy of the famous W cones used in the Utopia III, Sopra and Electra 1000 Be 2 lines, and produce sound with remarkable neutrality and definition. Technical Specifications:Type 2-WayDrivers 4" (10cm) Flax Mid-bass1" (25mm) Al/Mg inverted dome TweeterSensitivity (2.83 V/1m) 88dBFrequençy response (+/-3dB) 80Hz - 28kHzLow frequençy point (-6dB) 72HzNominal impedance 8 OhmsMinimal impedance 4.5 OhmsRecommended amplifier power 25 - 100WDimensions (Ø/Depth) 79⁄16 x 355/64" (192x98mm)Cut-Out diameter 627/64" (163mm)Depth behind surface 321⁄32" (93mm)Net weight (with grille) 2.6 lbs (1.3kg)Box dimensions (WxDxH) 1015⁄64 x 1015⁄64 x 927⁄32" (260x260x250mm)Total weight in box 5.07 lbs (2.3kg)
This microphone shockmount is designed to absorb vibrations from the floor and air, allowing a cleaner reproduction of sound. Suits medium diameter condenser microphones (often long / pencil style) with a diameter between 19 mm and 54mm. Attaches to any regular Mic Stand,Features:Studio quality shockmountHigh performance ABS plasticUniversal design, suitable for most mic modelsFits all standard microphone stands and booms
Thanks to MOTU’s Hybrid interface technology, the Audio Express connects to any current Mac or PC via FireWire or high-speed USB 2.0. Connect your mic, guitar, keyboard, and digital input, and you are ready to make pro-quality recordings in your personal studio.Quickly balance the levels of your mic, guitar, keyboard, and a S/PDIF device, right from the front panel. Each instrument has its own volume control. Route inputs directly to any output pair, each with its own unique mix: main outs, line outs, S/PDIF out, and phones.Connect your powered speakers. Plug in your instruments. Adjust their volumes with the front panel knobs. Double-click to install the drivers. What could be easier? The Audio Express is designed to be simple to use, so you can focus on your music and performance.The Audio Express delivers MOTU’s renowned, award-winning audio interface technology to your personal studio with the pristine audio quality, advanced engineering, and rock-solid performance that MOTU interfaces are known for worldwide.Features:6-input, 6-output audio interface for Mac and Windows.6 x 8 physical input/output channels — all channels are available simultaneously and operate independently.Hybrid FireWire/USB 2.0 connectivity — connect to your Mac or PC via either bus-powered Firewire or hi-speed USB2.8-bus digital mixer — routes and mixes all six inputs to any output pair.Four separate mixes — each output pair (main outs, line outs, S/PDIF out, and phones) can have a completely different mix of all six inputs, with or without computer tracks.Two mic/guitar combo jacks — provide hi-Z 1/4” guitar input or XLR mic input with phantom power, 20 dB pad, Precision Digital Trim™, and plenty of gain.Stereo analog inputs — on line-level, balanced TRS quarter-inch jacks. Great for keyboards or other line level-input signals.Stereo main outs — on balanced TRS quarter-inch jacks. Connect directly to powered speakers (or other line-level analog destination).Stereo 24-bit 96kHz S/PDIF digital in/out.Stereo headphone output on quarter-inch jack with independent volume control.Support for standard sample rates up to 96 kHz.Precision Digital Trim™ — digitally controlled analog trim on all inputs provides adjustments in approximately 1 dB increments. Fine-tune the balance of your inputs and then save/recall trim configurations.Front-panel mixing and control — each input has its own dedicated volume knob. Control multiple mixes with clear feedback from front panel LEDs and metering.CueMix FX cross-platform mixing software — attractive on-screen graphic mixing with an instrument tuner and audio analysis tools including real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.Stand-alone operation — bring the Audio Express to your gig, with or without a computer. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Just turn the front-panel knobs.Front panel volume control of main outs and headphone jack.Expandable — add additional interfaces for more I/O as your needs grow.Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the Audio Express is resolved to an external clock source via SMPTE time code.Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.Foot switch input — connect a standard foot pedal switch (sold separately) for hands-free punch-in and punch-out while recording. Or map the pedal to any keystroke function in your host software.DC-coupled TRS outputs — can be used with Volta (sold separately) to manipulate and sequence voltage-controlled modular synthesizers from a host DAW.Plug-and-play operation with your Mac or PC via FireWire or USB2 — compatible with all current and recent generation Macs and PCs.Includes native 32- and 64-bit drivers for Mac OS X and Windows 8/7/Vista, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.100% compatible with all host-based effects processing in today's popular audio programs.Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 × 7 × 1.75 inches (24.13 × 17.78 × 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
The Reference Cardioid Microphone shares the same electronic attributes as the Gold Reference Series, but has a center-fixed cardioid-only capsule with a thicker gauge (6 micron) gold sputtered diaphragm. With the similar film thickness and construction, similar high frequency resonance (a little edge), similar proximity effect and pretty good immunity from pops and sibilance problems, our Reference Cardioid more closely recalls how many of the vintage European tube mics such as the beloved U47 sounded like when they were new. Its rich tonal balance and liquid character is consistently admired for instruments such as guitars, drum overheads, saxophone, and especially vocals. With your present mic, if you find yourself leaning on your compressors and boosting 5 or 10K to score a bit more testosterone, then the Reference Cardioid just might be the mic you’re looking for to cure what ails ya. If you seem to be constantly boosting 12-18K and trying to get a clean, intimate sound, then probably the Reference Gold would be the safest bet. Specifications:All-Tube triode design 12AT7 (2011 build. Previous versions used 12AX7 and 6072.)-10 dB switchable padFrequency response: 10Hz-30KHzSensitivity: 17mV/PaNoise typically -120dB EINMax SPL: 150dBActual output impedance 200 OhmsWeight: 2.25 lbs (mic)Weight: 2.5 lbs (PSU)Size: 4.5" x 9.7" x 4.5" (mic)Size: 5" x 8.2" x 3.4" (PSU)Shipping weight: 15 lbsSelected matched pairs availableOutboard Power Supply is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.Operating Mains Voltage changeable with power transformer re-wiring via internal jumpers and fuse value change.Mains Voltage Frequency: 50~ 60HzMains Fuse: 250mA @ 100~120V; 125mA @ 220~240V operationPower Consumption: 70mA @ 120V = 8.4 Watts
Barefoot Sound’s new Footprint line of powered near-field monitors delivers the company’s uncompromising audio performance and build quality to engineers, producers, composers and musicians working in smaller spaces and with smaller budgets.The new line launches with the Barefoot Footprint01, an active 3-way speaker that shares the same Thomas Barefoot signature designs — Dual-Force™ technology opposing subwoofers, dual ring radiator tweeter and Multi-Emphasis Monitor Emulation™ technology — as the MicroMain and MasterStack monitor lines. Footprint01 features dual opposing 8-inch paper cone subwoofers, a 4-inch aluminum cone midrange driver and a 1-inch dual ring radiating tweeter, components that all share a lineage with Barefoot’s other products.The 2-way DSP crossover feeds dual Class D amplifier modules that drive the subwoofers with 500 W of power and deliver 150 W to the mid- and high-frequency drivers. There is a passive crossover network between the midrange driver and the tweeter. The midrange woofer is positioned above the tweeter in an unusual speaker geometry that creates the acoustic focus in the center of the cabinet.Thomas Barefoot’s approach to reference monitor speaker design has always been to provide audio professionals with exemplary sound quality, wide dynamic range and bass extension at every stage of the audio production process, from re cording through mixing to mastering. But not every project begins or ends in a high-end studio that offers Barefoot MicroMain or MasterStack monitors. The new Footprint01 model is Barefoot Sound’s response to evolving modern workflows, making the company’s ultra-high performance technologies available to audio professionals working in home-based facilities, smaller writing, editing or post production rooms, or on the road. Now, composers, songwriters, musicians, beat- makers, post production specialists and others can benefit from the Barefoot sound, whatever their work environment.Just like every other Barefoot monitor, Footprint01 allows you to preview your mix as it would sound through three alternate reference speakers through Barefoot’s revolutionary Multi-Emphasis Monitor Emulation™ technology. MEME™ uses sophisticated DSP modeling to mimic the frequency, phase, transient response, dynamic compression and distortion characteristics of a variety of classic near-field studio monitors. Many people still like to reference their work on old, familiar speakers to check how their mixes will translate or to focus on a specific aspect. But in smaller workspaces there may be no room for even a second set of reference speakers. Barefoot’s powerful MEME technology effectively helps overcome that challenge through its four-in-one solution. Specifications: Description: 3-way active monitor with MEME voice emulationControls: Input level stepped attenuator, MEME voice selectAudio Input: Balanced XLR, 50 kOhm ImpedanceSensitivity: 90 dB @ 1 meter with -15 dBV input signal (level control set to 0 dB)Frequency Response: 36 Hz – 45 kHz (±3 dB), 45 Hz – 40 kHz (± 1dB)Bass Response: -3 dB @ 36 Hz, Q = 0.707, Slope = 18 dB/octaveCabinet: 18 liters total internal volume, sealed woofer and midrange enclosures, machined aluminum baffle plate, long fiber wool acoustic damping throughoutCrossover Frequencies: 250 / 3600 Hz (Passive crossover between Midrange and Tweeter)Tweeter: 1″ ring radiator, low distortion motor, rear waveguide chamberMidrange: 4.0″ aluminum cone, aluminum phase plug, low distortion motor, ±3.5 mm linear excursionWoofers: 8″ paper cone, ±9.5 mm linear excursionHigh Frequency Amplifier: 150WLow Frequency Amplifier: 500 WAC Mains Power Input: 85 VAC to 265 VACPower Consumption: Idle: 2 W, Maximum: 765 WWeight: Speaker: 35 lb each (16 kg)Shipping: 44.5 lb each (20.2 kg)Dimensions H x W x D: Cabinet: 14 x 9.5 x 13.0 in (356 x 241 x 330 mm)Overall: 14 x 10.25 x 13.6 in (356 x 260 x 345 mm)
