MENU
Αναζήτηση
Filters
Drum Mount Kit for SM98
Allows attachment and positioning of Beta 98 and Beta 98A to the side of a drum.
Pin mount for Shure WL50 microphone.
Dual microphone mount for Shure 545 Series, SM57 and Beta 57A.
Shock Stopper isolation mount/swivel adapter, reduces transmission of mechanical noise and vibration by more than 20 decibels. Compatible with Shure models 849, SM81, SM94, VP64, KSM137, KSM141, or any 3/4 inch (1.875 cm) microphone.
Quick-release microphone mounting accessory for versatile and secure placement and removal.
Isolation Mount for Shure VP88 MicThe Shure Model A88SM Microphone Isolation Mount is designed especially for use where exceptional freedom from mechanically transmitted noise is a necessity. Through its use of Shure's highly effective Shock-Stopper half-mount isolators and secure cable locking design, the A88SM eliminates most noise associated with stands, booms, and cable movement. Designed expressly for Shure's VP88 MS Stereo Condenser Microphone, the A88SM can also be used with any microphone with a handle diameter of approximately 27 mm (1-1/16").The A88SM offers several features that make it a versatile accessory for studio and location miking. As supplied, the mount contains a locking "foot"-type slide-in mount for instant attachment to most ENG cameras with a mounting "shoe." A simple twist knob - which also provides positive-locking vertical angle adjustment - permits removal of the foot and attachment of a swivel with both 5/8"-27 and 3/8"-16 tapped threads for attachment to most microphone stands and booms.
Shock mount for SM89 shotgun microphone, or any microphone with a 3/4-inch diameter handle. Reduces mechanical noise transmission by more than 20 decibels.
Reduces unwanted breath and wind noise. For use with Shure Microflex Gooseneck Microphones. Available in black.
Foam windscreen for SM85, SM86, SM87A, Beta
The Shure A58WS Windscreen is designed with acoustically transparent foam to reduce unwanted breath and wind noise without affecting the sound quality. It is particularly effective in reducing pops and ticks caused by talking or singing closely into the microphone as well as reducing wind noise when using the microphones in outdoor applications. For use with all larger Shure "ball-type" microphones including the SM58, Beta58A, SM48, and the 565SD microphones.
Shure A400SM Shock Mount for Gooseneck Microphones
The FP1 Bodypack Transmitter features a lightweight and durable design for use with TA4F-connection microphones including lavaliers and headsets.Ideal for use with FP Wireless and SLX Wireless.FP Wireless Systems feature patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireless technology. Features :Automatic transmitter setup that instantly syncs the transmitter to the receiver frequencyLED indicator for control lockout, IR RF sync, and low batteryAudio input gain for adjustment of audio level4-Pin microphone input jack for use with lavaliers or headset microphones with TA4F connectors108 mm x 64 mm x 19 mm (H x W x D)81 g (3 oz.), without batteriesMolded polycarbonate case2 AA batteries, 1.5 VUp to 12 hours (alkaline)
Shure EP2T Wireless TransMixerWireless TransMixer for PSM 200 Wireless Personal Monitor System, Euro VersionThe EP2T TransMixer is a breakthrough design for in-ear monitoring. It allows the user to connect two line-level or mic–level inputs directly into the transmitter. The two signals can then be mixed independently. You can connect microphones or instruments directly to the inputs, use line outputs from a mixing console, or connect it to Shure’s Aux-Pander[TM].Shure EP2T Wireless TransMixer Features:•2 mic/line XLR/1/4-inch combo inputs•XLR SPLIT OUT connectors•Input level controls•Tri-color LED input level indicators Shure EP2T Wireless TransMixer Specifications:Modulation Limiter : Internal peak limiter (>10:1 hard knee compression)Antenna : 1/4 Wavelength, semi-rigid, PCB MountCurrent : 170 mA maximumAudio Input - Connector Type : XLR/1/4-inch comboAudio Input - Configuration : electronically balancedAudio Input - Actual Impedance : 1 kohmsAudio Input - Nominal Input Level : –25 dBu @ 1/2 volume (12 o’clock)Audio Input - Maximum Input Level : –5 dBu @ 1/2 volume (12 o’clock)Audio Input - Pin Assignments : XLR: 2=hot; 3=cold, 1=ground 1/4: Tip = hot, Ring = cold, Sleeve=groundAudio Input - Phantom Power Protection : Yes, Up to 52 VdcAudio Output - Connector Type : XLRAudio Output - Configuration : electronically balancedAudio Output - Pin Assignments : 2 = hot ; 3 = cold, 1 = groundAudio Output - Phantom Power Protection : Yes, Up to 52 VdcOperating Voltage : 12-18 VDCDimensions : 8.6 x 5.6 x 1.7 inch 220 x 140 x 40 mmNet Weight : 13 oz 370 g
Camera shoe mount for FP5 Portable Receiver.
Belt clip and protective skin for UR3 Plug-on Wireless Microphone Transmitter.
Grey silicon pads in Small,Medium,LargeFor models SE 215-315-425-535 / SE110-115-210-310-420-530 SCL-3-4-5 & Ε1-Ε3-Ε4-Ε5-E500
Triple Flange Sleeves These reusable, silicone sleeves form a tighter seal than flex sleeves while holding the earphones firmly in place. The sleeve tube or flange can be trimmed for customization and greater comfort. Includes 3 pairs of Triple Flange Sleeves. For SE model earphones (except SE102MPA), as well as E3c, E4c, E5c, E500, i3c, and i4c models.
Posse Audio Personal On Stage Sound Environment Monitor System Product DescriptionThe Posse Audio Personal On Stage Sound Environment Monitor System is the ultimate, easy to use personal monitor controller for live and studio use! The POSSE system allows you to customize your ear monitors in the comfort of your home or studio. Then, you can bring POSSE to any venue you play and always have the greatest confidence in how you sound, because you are taking your mix with you! Posse Audio Personal On Stage Sound Environment Features- Comes with a line of sight built in tuner- No more feedback from floor monitors- No more being at the mercy of the soundman- No more blown out vocal chords because you can now hear yourself- Control singing pitch while listening to a stereo mix with both headphones on- Transparent to house systems- Two built in stereo condenser mics to blend in ambient sound- 5 individual controls, mic, instrument, ambient, aux and a master volume- Mini stereo output for recording to a digital recorder- A/C powered or works for 12 hours on one 9 volt battery- Mini stereo input for MP3 player to send break music through the system- Works with wired ears (included) or your own wireless in-ear system- Built-in ambient mics create a complete personal sound environment you can control yourself on-stage- Designed by musicians for musicians Setup OptionsThe Posse personal monitor mixer is inserted between the performer's vocal mic and/or instrument, and the house PA system. Because Posse taps the audio signal path invisibly, it has no effect on the signal that passes to the house mix. The performer can adjust their mix without affecting what the audience and the other band members hear.Any performer from a violinist in an orchestra to a drummer in a rock band, or a trumpet player in a big band to a solo singer/songwriter, will be stunned by the improved monitoring ability of the Posse personal monitor mixer. Dimensions and Weight in PackagingShipping Weight: 5 lbsShipping Dimensions: 4 x 10 x 12 in
VoiceTone X1 brings a modern “down and dirty” quality to live vocals with tinny megaphones and sharp vocal distortion effects under singers’ control. Creates modern-sounding megaphone and intense distortion effectsFiltered telephone sounds also onboardHigh quality signal path and tough enclosureCan be chained to additional VoiceTone SinglesMic-Control offers remote on/off via TC-Helicon MP-75 microphone Control Transducer TypeDriveFilterFootswitch on/offMic Control on/off Analog Inputs Connectors, balanced: Mic.: XLRMic Input Level @ 0 dBFS: -42dBu to +1dBuEIN @ Max Mic Gain Rg = 150 Ohm: -126 dBuMic input SNR: >104 dB Analog OutputsOutput Impedance, Bal./Unbal.: 200/100 OhmOutput Full Scale: +1 dBuDynamic Range: >104 dB, 20 Hz to 20 kHzFrequency Response: +0/-0.3 dB, 20 Hz to 20 kHz SizeHeight: 5.4 inches (140 mm)Width: 3.5 inches (90 mm)Depth: 2.3 inches (60 mm)WeightWeight: 0.92 lb. (0.42 kg)Construction Two part dies cast metalRubberized base
Like a personal audio engineer, VoiceTone T1 reacts to your voice and applies studio dynamics and EQ to bring out your best tone.Studio vocal tone without the hassleHigh quality multi-band EQSmoothing compressor & de-esserCan be chained to additional VoiceTone SinglesMic-Control offers remote on/off via TC-Helicon MP-75 Microphone VoiceTone T1 adapts studio-quality compression, de-ess and EQ to your individual voice to bring out your most exciting vocal tone. The multiband EQ compares your vocal frequencies to an ideal target and brightens and removes mud accordingly while the compressor works to keep your voice sounding smooth whether you’re right on the mic or farther away. Specifications: Analog InputsConnectors, balanced: Mic.: XLRMic Input Level @ 0 dBFS: -42dBu to +1dBuEIN @ Max Mic Gain Rg = 150 Ohm: -126 dBuMic input SNR: >104 dBGuitar Input impedance: 1 MOhmGuitar Input Level @ 0 dBFS: -7 dBU to 17 dBuGuitar Input SNR: >115dBAnalog OutputsOutput Impedance, Bal./Unbal.: 200/100 OhmOutput Full Scale: +1 dBuDynamic Range: >104 dB, 20 Hz to 20 kHzFrequency Response: +0/-0.3 dB, 20 Hz to 20 kHzControlUSB for firmware and controlMic Control using TC-Helicon SizeHeight: 5.4 inches (140 mm)Width: 3.5 inches (90 mm)Depth: 2.3 inches (60 mm)WeightWeight: 0.92 lb. (0.42 kg)ConstructionTwo part dies cast metalRubberized base
The audiophile HD 650 is the ultimate in open, dynamic headphone design. Developed from the award-winning HD 600, the HD 650s feature improved materials for even better sound reproduction. They captivate the listener with their expressiveness and emotion while maintaining absolute preci -sion and lifelike reproduction. Enjoy sound in all its perfection.
BESPECO expression for keyboard with polarity switch.
Specially designed to hold your MIDI Controller interface, 15.6" laptop, audio or DJ mixer, all in one heavy duty, smooth rolling trolley. With a multitude of pockets for USB and audio cables, headphones and power supplies. The UDG Creator WheeledMIDI Controller Case is the ONLY choice for DJ's who carry state of the art equipment. Color: BlackWeight: 5,10 kg / 11.22 lbsOuter Dimensions: cm: 45 x 38.5 x 26.5inch: 17.7 x 15.2 x 10.4Inner Dimensions: cm: 42 x 34 x 15inch: 16.5 x 13.4 x 5.9Material: Water resistant Ballistic Nylon 1680DProtection: Padded MIDI Controller compartment. X-ray flat padded laptop compartment. Extra's Pockets for audio interface and DJ Headphone. Compartment for cables and smaller gears. Retractable handle with 4 stage internal trolley system. Smooth rolling in-line wheels. Fits: Fits up to 15.6" laptop. Fits Smaller MIDI Controllers e.g. Vestax, Hercules, AKAI, Novation, Reloop, Numark. See description for details and check "By Device".
All of the RS 200 Speaker Stand Range are manufacture by the craftsman at Custom Design. The hand made and finished design includes Mercury or Black and providegood rigidity when combined with the zinc plated M6 fixing bolts. Hand polished steel plates and support columns reflect the attention to detail and standards of quality that Custom Design provide to all of their customers.The RS 200 Speaker Stand Range have 50mm diameter columns and available with 3mm steel or 6mm Clear Glass glass base plate, manufactured and toughened to British Safety Standards ( BS 6206 ). The RS 200 range have a single column format with standard finishes Mercury or Black and Chrome, Gold or Brushed Chrome optional extraPlease reference the Acoustic Steel page to see how resonance is absorbed by combining Acoustic Steel top plates and Inert Filler on a pair of RS 300 speaker stands.Specifications:Top support 150mm x 150mmRS 200 - 510mm (20") and 610mm (24") in Mercury or Black finishRS 200 - 990mm (39")6mm Clear Glass Bases ( BS 6206 )
All of the RS 200 Speaker Stand Range are manufacture by the craftsman at Custom Design. The hand made and finished design includes Mercury or Black and providegood rigidity when combined with the zinc plated M6 fixing bolts. Hand polished steel plates and support columns reflect the attention to detail and standards of quality that Custom Design provide to all of their customers.The RS 200 Speaker Stand Range have 50mm diameter columns and available with 3mm steel or 6mm Clear Glass glass base plate, manufactured and toughened to British Safety Standards ( BS 6206 ). The RS 200 range have a single column format with standard finishes Mercury or Black and Chrome, Gold or Brushed Chrome optional extraPlease reference the Acoustic Steel page to see how resonance is absorbed by combining Acoustic Steel top plates and Inert Filler on a pair of RS 300 speaker stands.Specifications:Top support 150mm x 150mmRS 200 - 510mm (20") and 610mm (24") in Mercury or Black finishRS 200 - 990mm (39")6mm Clear Glass Bases ( BS 6206 )
The original hi-fi mini monitor, and respected by all. Radius 90 continues to evolve, delivering a greater size-defying performance than ever before. New Radius 90 incorporates a 4” (100mm) C-CAM bass driver and 1” (25mm) C-CAM tweeter for a tuneful, controlled and powerful sound in pairs or combined as front and rear speakers in an AV system along with the 200 or 225, and the 380/ 390 subs. Use the optional MASM speaker mount or any standard wall bracket for wall mounting via the 90’s single point fixing. Optional floor stands expand the installation possibilities still further. Features: New 4” C-CAM bass driver - Radius features all new bass drivers with concave cone profiles, introduced by our top-of-the-range Platinum speakers and applied subsequently to Gold GX. Extensive research and FEA modelling have allowed us to perfect the relationship between the new radiating diaphragm and its motor design, introducing larger motor sizes and voice coils for increased excursion, higher power capability and reduced distortion. New C-CAM gold dome tweeter - optimised to deliver the finest and widest performance within the compact Radius cabinets. It benefits from a more efficient rear-venting design, releasing air trapped and compressed at the back of the tweeter dome, and guiding it around the drive assembly to a rear-loading chamber. HiVe II port design - Straight from Platinum’s design blueprint, the HiVe reflex port makes its Radius debut. It’s shaped to have the same effect on airflow as a gun-barrel on a bullet. Rifled grooves inside the port help to accelerate the flow and reduce turbulence, so air moves in and out of the port more efficiently, for a faster more dynamic bass response. Single through-bolt driver fixing provides mechanical de-coupling and enhanced mid-band clarity and resolution. The through-bolts also act as rigid cross bracing to give a very solid non-resonant cabinet. Single point ¼”x20TPI wall fixing. Use the optional Monitor Audio speaker mount or any standard wall bracket Optional floor-stand with internal (pre-wired) cable management system. Χαρακτηριστικά: Frequency Response: 80Hz - 35KHz Sensitivity: 83dB Nominal Impedance: 8 ohms Power Handling Single (RMS): 75 watts System Power Handling (RMS): 100 watts Recommended Amplifier Requirements: 30-100 watts Maximum SPL (dBA): 102 Bass Alignment: Bass reflex - rear ported Driver complement: 1 x 4” (100mm) C-CAM cone bass/mid driver, 1 x 1” (25mm) C-CAM gold dome tweeter Cabinet Dimensions (H x W x D): 198 x 125 x 140mm (713/16 x 415/16 x 51/2 Inches) Cabinet Dimensions (H x W x D) (Inc Grille & Terminals): 198 x 125 x 164mm (713/16 x 415/16 x 67/16 Inches) Cabinet Dimensions (H x W x D) (Inc Grille & Bracket): 198 x 125 x 203mm (713/16 x 415/16 x 8 Inches) Bracket: Optional - Monitor Audio Speaker Mount (MASM) Weight: 2.1kg (4lb 10oz)
2-Way Dual-Woofer Acoustic Suspension Center Channel Speaker System. The EF (Elliptical Form) Series feature Waveguide horns, PMD (Polymer-injected Mica Diaphragm) woofers and highest quality internal Monster Cable wiring for total enjoyment of digital movie sound and music sources, plus elegant Yamaha traditional piano finish cabinets.Waveguide horn allows the sound field to be shaped and controlled for optimal spatial expression in home theater environmentsPMD (Polymer-injected Mica Diaphragm) cone woofer combines high-performance materials and design for extreme accuracyHighest quality internal Monster Cable wiring TECHNICAL SPECIFICATIONSType2-Way Acoustic Suspension Center Speaker SystemWoofersDual 13cm PMD coneTweeter2.5cm aluminium dome with Waveguide hornFrequency Response55 Hz-35 kHzNominal Input Power100 WMaximum Input Power250 WSensitivity89 dB/2.83 V/1 mCrossover Frequencies3 kHzImpedance6 ohmsDimensions (W x H x D)514 x 190 x 213 mmWeight7.3 kg
Three-Way/Four-Driver Bass Reflex Speaker SystemYamaha's NS-555 speaker system has been designed specifically for home theater applications. The floor standing speaker is a bass-reflex design that can be used for main channels and incorporates a pair of 6 1/4' Polymer-Injected Mica Diaphragm (PMD) cone woofers, a 5' midrange cone driver and a 1” aluminum dome tweeter. For improved imaging, the midrange and tweeter utilize Yamaha’s exclusive waveguide horns.Waveguide HornUnlike most homes, movie theaters use sound absorbing materials on walls and ceilings. The result is that the sound reaching your ears is the sound wave produced by the speakers rather than reflected off the walls. Yamaha has created wave guides that greatly reduce reflected sound and increase the proportion of directly generated sound waves reaching your ears. The result is a clear and precise sense of sound direction and placement.Internally Wired with Monster Cable™Yamaha has chosen to ensure optimum sound quality by internally wiring some of the components with Monster Cable™. This ensures a clean, clear signal from the crossover network to the speaker driver.Speaker Stands IncludedYamaha's matching speaker stands provides the solid footing necessary for full floor contact, enhanced stability, and minimal vibration resonance. The stands also provide an attractive counterpoint to the cabinet.Magnetic ShieldingThe speaker is magnetically shielded, so it can be placed on a TV or video monitor without degrading the picture via stray magnetic fields.Bi-Wiring CapabilityTo further maintain signal purity, Yamaha provides bi-wiring capability for the NS-555 speakers. There are separate +/- terminals for the woofer(s) and other driver(s). The separation reduces modulation distortion and better sound quality.Performance Enhanced by a Handsome CabinetThe EF series speakers are enclosed in an Elliptical Form cabinet with a high gloss black piano finish, which provides solid construction with minimal sound diffraction.New Grill DesignNew grill design and grill cloth provide an attractive and acoustically transparent protective cover for the drivers.Τhe Price is valid per Piece and not per Pair.
Simple design and bargain price on this drum stool .
The new turntable trolley is designed to fit most 12`` turntables and can also hold a numark CDX or HDX table top cd player. It features a strong frame with a lightweight aluminium handle and large inline wheels for smooth and easy handling. this trolley will not only transport and protect your equipment but will give you peace of mind that your precious deck is safe....comes in blackmain body of the bag. The spacious main compartment can hold an extra laptop or being used for magazines/paperwork whilst in transit. The front compartment features a detachable interface pouch and accessories organiser pocket. There are also 5 additional exterior pockets that provide storage for personal items, one of these has an earbud access point with a hinged storage pocket so that you can listen to your MP3 player whilst on the go. Specs:Color: Black, Orange inside.Weight: 2,10 kg / 4.62 lbs.Outer Dimensions: cm: 33.5 x 48 x 27 inch: 13.2 x 18.9 x 10.6.Inner Dimensions: cm: 30 x 42 x 13 inch: 11.8 x 16.5 x 5.1.Material: Water Resistant Nylon 450D.Protection: Various padding used. Extra's: Front compartment with organization panel and detachable pouch for audio interface. 5 exterior pockets for personal essentials, including one with earbud pass-through for Mp3 players. S-curved shoulder straps for ultimate comfort. Fits: up to 17" laptop, LP's, various MIDI Controller, Audio interface or MP3/MP4 player, books and magazines. See description for details and check "By Device".
Unwanted audio ambience may be generated if working in ‘untreated’ acoustic environments when recording and this naturally affects the quality of any signal captured via microphone. Six years ago sE Electronics were the first company to develop a solution to this commonplace problem and launched the highly successful Reflexion Filter RF-Pro. We are proud to announce that recently sE Electronics were awarded a US patent for the design standard and this applies to ALL sE Electronics Reflexion Filter products - including the brand new RF-X.
Ribbon mics have had a fairly high profile in the SE Electronics portfolio over the past few years, not least the Neve RN1R and then SE's two Voodoo models. Ribbons are prized for their ability to deliver a smooth high end, and thanks to modern design innovations, the slightly dull sound of some vintage ribbon models isn't a characteristic shared by their modern counterparts, although their warmth, smoothness and musicality remains. This musical tonality is particularly useful for taming the shrill excesses of guitar cabinets, drum overheads, wind and strings, especially solo bowed strings. There are also broadcast and voice-over applications for this type of mic.The SE X1R ribbon microphone is a passive ribbon design that comes in at a significantly lower price point than the passive Voodoo model. Its ribbon element sits in a neodymium-magnet motor assembly, and the mic incorporates some spin-offs from the Voodoo HF extension technology — although its high end doesn't extend quite as far as those particular models. SE call it a hybrid of old and new ribbon technology, which is probably a fair description.Outwardly, the mic looks very much like its capacitor counterpart, the side-address SE X1 cardioid model, and, like all SE microphones, there's a lot of 'by hand' work involved in its manufacture. The housing is all metal and very rugged, featuring an attractive, non-slip, textured black finish.Like all conventional ribbon mics, the SE X1R has a figure-of-eight polar pattern, which inherently dictates a significant proximity bass boost that may need some EQ compensation when the mic is used very close up. The two-micron-thick aluminium ribbon can handle SPLs up to 135dB, so this is no fragile flower, while the frequency response is within ±1dB from 20Hz to 16kHz. As you'd expect from a passive ribbon, the output is fairly low, with a sensitivity in this case of -55.3dB (±1dB, 1V/Pa), so you either need a decent mic preamp that can offer high gain and low noise or, alternatively, an active in-line gain booster, such as the Cloud Lifter from Cloud Microphones, to get the best performance.Note that passive ribbon mics don't need phantom power, but will tolerate it, providing the mic is plugged in using a conventional balanced cable before the phantom power is applied. Hot plugging or unplugging can stress the ribbon, however. Unpacking the mic reveals that although the outer packaging is a simple cardboard box, the interior contains a high-density foam block with cut-outs for the mic and the included stand clip. This foam block could be left in the box or used as an insert in your mic drawer for storage.Once in front of a sound source, this mic reveals its true colours, and right away I found that what it delivered was actually rather more useful than what I've got out of many other ribbon mics I've tried. The frequency range is not too dissimilar from what you'd expect from a moving-coil dynamic mic, so there's a reasonable amount of high end, but because of the 'uncomplicated' nature of the ribbon diaphragm, there's none of that nasal coloration that so many moving-coil mics impart to the sound.Electric guitar sounded great right away — I got pretty much what I was hearing in the room from the amp even before thinking about adding EQ. The top end had presence and projection but with no trace of added fizz, and lows came across as solid and full of authority, so I award it full marks in this role. On speech, the mic again performed somewhat like a well-mannered moving-coil model, but more open and natural-sounding. It certainly offers a useful alternative to either moving-coil or capacitor models in this application. Even on acoustic guitar, the general tonality came across pretty much as I heard the instrument from my playing position.A big advantage of ribbon mics is that, because of the smooth nature of their sound, you can use quite a lot of HF EQ boost to add more air, as worthwhile output is still produced as as high as 20kHz. While the level may drop away above 15kHz or so, there's still enough there to boost if needed.As I suspected, the output level of the mic was a touch on the low side, so I used my Cloud Lifter plugged into my usual audio interface, as the mic amps in my interface tend to pick up some computer noise when turned up near full. I could get away with plugging directly into the interface for recording a guitar amp, but ideally not for spoken word or acoustic guitar. With the Cloud Lifter in circuit, there was plenty of level and no noise problem, even when adding top-boost EQ.
Symbolized in eye-catching gorgeous Maple figures on body top and headstock, Pacifica212VFM is the exclusively developed variation model of Pacifica112V which has been highly evaluated along with Pacifica112J. This model offers the same fine features as Pacifica112V, such as Alnico Pickups and Coil Tap Function, while its beautiful flamed Maple gives unprecedented presence with its distinct look . This model also has Maple figures on its headstock with matching head finish. 3 see-thru colors are available to stand up the Maple figures with classy tone.
Symbolized in eye-catching gorgeous Maple figures on body top and headstock, Pacifica212VFM is the exclusively developed variation model of Pacifica112V which has been highly evaluated along with Pacifica112J. This model offers the same fine features as Pacifica112V, such as Alnico Pickups and Coil Tap Function, while its beautiful flamed Maple gives unprecedented presence with its distinct look . This model also has Maple figures on its headstock with matching head finish. 3 see-thru colors are available to stand up the Maple figures with classy tone.Specifications : BodyAlderTopMapleBack-FingerboardRosewoodFrets22NeckMapleNeck TypeBolt onBridge PickupAlnico V HumbuckerNeck PickupAlnico V Single CoilMiddle PickupAlnico V Single CoilTremolo Type - BridgeVintage TremoloScale25 1/2''HardwareChromeGig Bag - Hard Case-TunersDie castColorTrans Black
Different edition of a renowned model by Yamaha with two Alnico V Humbucker for great sound projection, power and huge guitar riffs at your disposal.PAC120H combines player-focused, stage ready spec with no-compromise construction and set-up to create the best value player’s guitar on the market today. BodyAlderTop-Back-FingerboardRosewoodFrets22NeckMapleNeck Type-Bridge PickupAlnico V HumbuckerNeck PickupAlnico V HumbuckerMiddle Pickup-Tremolo Type - BridgeVintage Tremolo with Block SaddleScale25 1/2''HardwareChrome PlatedGig Bag - Hard Case-TunersDie-CastColorVintage White
Different edition of a renowned model by Yamaha with two Alnico V Humbucker for great sound projection, power and huge guitar riffs at your disposal. PAC120H combines player-focused, stage ready spec with no-compromise construction and set-up to create the best value player’s guitar on the market today. BodyAlderTop-Back-FingerboardRosewoodFrets22NeckMapleNeck Type-Bridge PickupAlnico V HumbuckerNeck PickupAlnico V HumbuckerMiddle Pickup-Tremolo Type - BridgeVintage Tremolo with Block SaddleScale25 1/2''HardwareChrome PlatedGig Bag - Hard Case-TunersDie-CastColorYellow Natural Satin
Different edition of a renowned model by Yamaha with two Alnico V Humbucker for great sound projection, power and huge guitar riffs at your disposal. PAC120H combines player-focused, stage ready spec with no-compromise construction and set-up to create the best value player’s guitar on the market today. BodyAlderTop-Back-FingerboardRosewoodFrets22NeckMapleNeck Type-Bridge PickupAlnico V HumbuckerNeck PickupAlnico V HumbuckerMiddle Pickup-Tremolo Type - BridgeVintage Tremolo with Block SaddleScale25 1/2''HardwareChrome PlatedGig Bag - Hard Case-TunersDie-CastColorVintage White
Reduce reflections and minimize vibrationColor and finish matched to Era 300 for streamlined aestheticDiscreet low-profile design allows access to all ports and controlsBall-and-socket joint swivels 15 degrees up or down, left or right to angle the speaker2.5 in (63 mm) wall clearance accommodates Sonos Line-In Adapter or Combo Adapter
Featuring the industry standard BETA®58A vocal microphone, the new GLXD24+/B58 Dual Band Vocal System delivers superior, transparent digital audio. The perfect combination of the automatic frequency management with new Dual Band Technology provides reliable and consistent performance, while Shure proprietary Lithium-Ion rechargeable batteries provide up to 12 hours of use. Go wireless without complication.
