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The two-way enclosure loaded with a 12“ speaker is so frequently used for sound reinforcement applications that it has become a de facto standard. Specifications:Cabine Type: Wooden Construction Type: Αctive speaker, 2-way Monitor: Yes Αmplifier: LF-300W, HF-100W, Class-D LF/MF, Woofer: 12''HF, Horn: 1in (compression driver) DSP Processor: Υes, preset for, Flat and Processed and dual active limiter Max SPL: 127 dB Dispersion: 90x40 (Rotatable) Frequency Response: 75Hz-19KHz Pole mount: Yes Rigging: 12 x M10 Connector: XLR in/out Reception power: IEC, VDE Dimensions: 360x610x360mm Weight: 16.5 Kg Color: Βlack
Designed especially for use as a fullrange cabinet, the Flexsys F15 delivers the sonic goods. There’s no need for an added subwoofer as its 15“ woofer packs a very powerful low-end punch.Specifications:Cabine Type: Wooden Construction Type: Active Speaker 2-way Monitor: Yes Αmplifier: LF-300W, HF-100W, Class-D LF/MF, Woofer: 15'' HF, Horn: 1in (compression driver) DSP Processor: Yes, preset for, Flat and Processed and dual active limiter Max SPL: 128 dB Dispersion: 90x40 (Rotatable) Frequency Response: 60Hz-19KHz Pole mount: Υes Rigging: 12 x M10 Connector: XLR in/out Reception power: IEC, VDE Dimensions: 430x680x430mm Weight: 20 Kg Color: Βlack
The F212 is an active two-way system with considerable reach. A very efficient and powerful mid-/high-range unit, it was designed to be combined with active subwoofers to construct high-performance PA systems.Specifications:Cabine Type: Wooden Construction Type: Active, 2-way Monitor: - Αmplifier:LF-500W, HF-250W, Class-D LF/MF, Woofer: 2x12'' HF, Horn: 1in (compression driver) DSP Processor: Yes, preset for, Flat and Processed and dual active limiter Max SPL: 132 dB Dispersion: 60x40 (Rotatable) Frequency Response: 65Hz-19KHz Pole mount: Yes Rigging: 12 x M10 Connector: XLR in/out Reception power: IEC, VDE Dimensions: 360x930x500mmWeight: 31.5 Kg Color: Black
The F315 is an active three-way system designed to render the full frequency range. Powerful and assertive, it delivers the sonic goods without requiring an added subwoofer.Specifications:Cabine Type: Wooden Construction Type: Αctive Speaker 3-way Monitor: - Αmplifier:LF-500W, HF-500W, Class-D LF/MF, Woofer: 1x15in, 1x6,5in hornloaded HF, Horn: 1in (compression driver) DSP Processor: Υes, preset for, Flat and Processed and dual active limiter Max SPL: 131 dB Dispersion: 90x40 (Rotatable) Frequency Response: 60Hz-19KHz Pole mount: Υes Rigging: 12 x M10 Connector: XLR in/out Reception power: IEC, VDE Dimensions: 440x880x500mm Weight: 31 Kg Color: Black
The CXT-112 houses a 12' woofer and a Piezo dynamic horn in a trapezoidal cabinet design with specifically designed internal bracing and is capable of handling 200W RMS/800W Peak power handling.Specifications:Type: Passive, 2-way Power: 200W RMS / 800W PeakΙmpedance: 8 Ohm Frequency Response: 60Hz - 20kHz Sensitivity: 96 (1W/1m) Woofer: 12'' Τweeter: Piezo dynamic corn Dimensions (W x H x D): 39,7 x 55,5 x 38,4 (cm)Weight: -
Μicrophone cable mono jack PROEL metal housing connectors , 1XLR3M->1 Jack 3.5 , 6,3.
The SUB 18D is the first-choice bass bin for users seeking powerful punch and ultra low-end response. Fine-tuned to augment and amplify the high-power 18” woofer’s audio performance, this custom engineered band-pass enclosure outperforms conventional bass-reflex designs, achieving higher peak levels.Specifications:Cabine Type Wooden Construction Type Αctive Subwoofer Monitor - Αmplification LF-1000W (Digital Class-D) LF/MF, Woofer 18' neodymium (woofer) HF, Horn - DSP Processor Yes Max SPL 134 Db Dispersion omnidirectional Frequency Response 35 - 120 Hz Pole mount M20 Rigging - Connector XLR Reception power Powercon In/out Dimensions 530Χ700Χ600mm Weight 42 kg Color Charcoal
The MKE 2-4 Gold-C is a high-quality, sub-miniature clip-on lavalier microphone which is suitable for both speech and instrument miking applications in all areas of live work. It fulfils the most stringent demands on sound quality and is extremely rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold against sweat and moisture, making it an ideal choice for theatrical productions. Colour: matt black. * Features * New Umbrella Diaphragm™ protects the mic against sweat * Very high sound pressure handling capability * Versatile attachment due to an extensive range of accessories
The MKE 2 Gold sub-miniature omni directional lavalier is ideal for television broadcast and theatrical productions. Its accurate frequency response produces natural, uncolored sound. A unique Umbrella Diaphragm™ delivers moisture-resistant performance with the identical high audio quality of the industry standard MKE 2 lavalier. Its size makes it not only unobtrusive and easy to conceal, but also affords a textbook perfect omni directional polar pattern. An extremely thin (0.000014”) low mass diaphragm exhibits extraordinary transient response. The microphone also comes with two additional sound inlet caps to tailor the high frequency as needed. Color: matte black. Dual-diaphragm design virtually eliminates “sweat-outs” Stranded, stainless-steel reinforced cable provides maximum strength and low contact noise Acoustical equalization via supplied end caps Successor to the “Broadway-proven” MKE 2 Red Dot 1-year warranty
Clip-on microphone with cardioid pattern. Can be used together with evolution wireless bodypack transmitters or with MZA 900P phantom power adaptor for wired applications.Frequency response : 40...20.000 HzMaximum sound pressure level (passiv) : 118 dB (k=1%)Pick-up pattern : cardioidDimensions : d=12mm, l=26mmPolar Diagramm : Frequency Response :
The new RODE NTG-1 is a lightweight condenser shotgun microphone, specifically designed for professional applications within the film, video, television, voice-over and ENG industries. The NTG-1 provides an electronically balanced output stage and operates on 48 V to the P48 standard. The NTG-1 offers wide bandwidth and a controlled polar response coupled with low noise SMT electronics. The NTG-1 is extremely lightweight making it ideal for mounting directly to video cameras (with optional accessories) or a Boom pole.The NTG-1 comes complete with mount and windshield. The supplied windscreen effectively suppresses wind noise when recording outdoors in moderate conditions. Optional accessories are available for more demanding applications.
Shure R185B, capsule for Shure MX 412, Shure WH30 TQG, cardioid, black
Microflex Multi-Element Boundary MicrophoneThe Microflex® Multi-Element Boundary microphone delivers a unique and versatile tool for conference room installations.Clean and simple in appearance, Multi-Element Boundary mics come in two or three element configurations, combining the coverage of multiple microphones into one small, compact package. Features: End of table (300°), center of table (360°), or cross table (bidirectional) coverage patternsIndividual audio output for each elementBi-color status indicatorProgrammable mute switchLogic input/output for remote LED and mute controlCommShield® Technology
Shure MX412/S - condenser microphone with very slim goose neck (30.5cm long), supercardioid polar pattern, modular capsule systen. Includes wind protector, assembly flange, shockmount, assembly mounting plate.
ConferenceONE Delegate Console Features:Fold-out, telescoping Microflex micrphoneLight ring indicating if the station is activeIntegrated speaker and power amp to follow the conference proceedingsLarge button to activate the microphoneHeadphone jack with separate volume control on the backside2 meter bus cable included (C1-B2)Noise adaptive threshold activates a microphone for speech but not room noiseMaxBus activates the single best microphone for each talkerLast microphone lock-on eliminates audio dropouts by keeping microphone open until new one activatedSeamless mixing will not clip syllables
Avantone CV-12 is a Multi-Pattern Large Capsule Tube Condenser Microphone. The Avantone “Cabernet (C-series)” mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The CV-12 is truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the fine vintage tube mics of the 1950’s & 1960’s…but at a fraction of their cost!Our rugged CV-12 microphone body and capsule assembly are precision machined of brass. Aesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and grill. The transformer coupled tube circuitry has its origins in famous European vintage designs. Any studio can proudly offer the CV-12 as a primary vocal mic…It exudes class visually as well as sonically. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.The versatile CV-12 mic is able to produce professional results with a warm, pleasing sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
Attenuator DZC 10 .Overview ca. 10 dB constant attenuationraises maximum sound pressure level by ca. 10 dBattenuates signal ahead of CMC microphone ampli fiers of the Colette modular systemUnder extreme conditions, even a SCHOEPS Colette series microphone can be overdriven by very high sound pressure levels. Here the limiting factor is not the capsule but the microphone amplifier. The overload point ranges from 128 – 135 dB-SPL, depending on the capsule and the amplifier type (e.g. 5 dB lower with the “+5 dB“ version).In these situations the signal level at the amplifier input may be attenuated by inserting a DZC between the capsule and the microphone amplifier or the Active Ac cessories.The use of two DZC 10 on one microphone will result in an attenuation of only ca. 15 dB due to the capacitive principle of operation. If the level must be attenuated by a full 20 dB, a DZC 20 should be used.
Moog Minitaur, monophonic Bass Synthesizer, One knob per function interface for tweaking and creating new sounds on the fly. It also makes live performance a blast.Two oscillators with Sawtooth (Original Taurus) and Square wave-shapes for each VCO. Recreate sounds of the original Taurus with sawtooth waves, or create new sounds with square waves or a combination of both, 2 Mixer VCAs for VCO levels control of Oscillators 1 and 2, Moog Ladder Filter with adjustable resonance delivers classic Taurus 1 and 3 bass and boom, Two Minimoog style ADSR Envelope Generators for modulating VCF and VCA. The Decay and Release segments are controlled by the Decay knob, while the Release segment is enabled or disabled via Release On/Off switch, Midi-syncable LFO with Controls for Rate, VCO LFO Amount, and VCF LFO Amount, DIN MIDI and MIDI over USB offer complete control of the Minitaur's sound engine, Analog Control inputs for Pitch, Filter, Volume and Gate. Use an EP2 or CV to connect and control MInitaur with everything from Modulars to Moogerfoogers, External audio input for processing external audio through the Mixer and Filter section of Minitaur, Headphone output with 1/8" connection, Compact rugged steel chassis
With the TLM 102, the Berlin microphone manufacturer Neumann is defining a new generation of studio microphones. This applies not only to the design of the microphone but also to the price.The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention.The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB which permits the recording of percussion, drums, amps and other very loud sound sources, for example. However the most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix.Specifications:Type: Condenser Pick Up Pattern: Cardioid Frequency response: 20 Hz-20 kHz Sensitivity: 11 mV/Pa Ιmpedance: 50 ohms Τotal harmonic distortion: 144 dB Dimensions: Diameter: 52 mm, Length:116 mm Weight: 210 gr
Apogee Jam Connection Cable.
The 76-Note Fully Weighted Performance PowerhouseKurzweil introduced the first Performance Controller keyboard, the PC88, back in 1994, receiving both critical and public acclaim. Now continuing this tradition of excellence, Kurzweil introduces our first 76-note fully weighted action Performance Controller, the PC1SE Special Edition. With breathtaking sounds, superior effects and impressive controller capabilities the PC1SE delivers the power of Kurzweil's popular PC1X in an elegant brushed aluminum 76 note enclosure.It's the Sound....The end result is the famous Kurzweil sound, which has made the entire PC series a resounding success. The many samples are impressive; they have been tuned, looped, noise-reduced, and processed with a level of expertise and precision found nowhere else in the industry. These include the Triple-Strike Piano, countless drum and percussion kits, Take 6 vocals, and built-in Orchestral ROM expansion. For those looking for even more sound choices, Kurzweil's Classic Keys sound ROM expansion also comes built-in, adding a world class set of stunningly realistic "vintage" sounds.It's the Effects...The final ingredient to the PC1SE's sound is its effects processor, using the same technology found in our award winning KSP8 processor and K26 Series keyboards. Stated simply, the effects section in the PC series sounds better than most stand-alone effects processors. Reverbs decay noiselessly into complete silence. The many chorus, phaser and flanger presets are full and rich. Transparent compressors, authentic rotary speaker emulations, and realistic distortion presets are ideal for "vintage" sounds. And of course there are the effects algorithms unique to Kurzweil, like shapers and Laserverb.It's the Control...The PC1SE offers comprehensive MIDI control, with multiple overlapping zones, inputs for dual switch and CC pedals, and a bank of assignable switches and knobs. Intelligent MIDI implementation, a full featured arpeggiator, and optional Super Ribbon controller make the PC1SE an ideal controller whether you're on stage, in the studio or on your desktop.
Synthesizer with 61 Fatar dynamic semi-heavyweighted keys with aftertouch & sensitivity. 64 Voice Polyphony, 800 sounds with base ROM, orchestral-classic keys & strings section PC-3 engine along with ΚΒ3 mode. 2048 user sounds, 10 insert effects, 16 channels sequencer, 5 potensiometers for real time functions, 8 backlit drum pads with sensitivity, balanced outputs & 24 bit-stereo S/PDIF at 48Κ. USB connection with PC. PC-3 programs compatible.
Phonic's GEQ3102F is the authentic soundman's choice of EQ - a dual channel 31-band equalizer, offering 6 or 12 dB of cut or boost on standard ISO center frequencies between 20 Hz and 20 KHz. The GEQ3102F is 2-rack space units high and accepts both 1/4' TRS phone jacks and XLR connectors, making it ideal for any studio or live venue setup. Sweepable high and low cut filters on each channel to remove unwanted frequenciesUltra low-noise audio operational amplifiers offer outstanding sound performanceRelay-controlled hard-bypass with an auto-bypass function during power failureDedicated subwoofer output with user-adjustable low-pass filterFeedback detection circuitry for indicating critical frequenciesBalanced inputs and outputs with 1/4” TRS and XLR connectors
Phonic΄s MAX 1500 Plus Power Amplifier provides 900 Watts of power at 8 ohms (bridge mono) or 450 Watts at 4 ohms (stereo) - ideal for clubs, churches, auditoriums and more. Input to the MAX 1500 Plus amp is achieved via XLR or phone jack, and output is achieved either through Speakon-type connectors or traditional binding posts. The MAX 1500 Plus features ground switches, and the option to choose between stereo, parallel and bridge operating modes, making this amplifier ideal for real world application.
The RS 100 39'' Speaker Stand Range is a single column design with 3mm steel or 6mm clear glass base plinths manufactured and toughened to British Safety Standards (BS 6206) Specifications:Top supports are 100mm x 100mm.RS 100 - 990mm (39") Height
Wireless chromatic tuner which consists of 2 units, transmitter and receiver. Large backlit LCD offers excellent visibility. Newly designed meter follows even slight changes in the sound, and provides a large note name display. Internal mic allows tuning using the main unit alone. The integrated cover/stand allows the tuner to be placed on a music stand, table, or on the floor. Includes strap for use with Saxophone, clarinet, etc.
All of the RS 203 Speaker Stand Range are manufacture by the craftsman at Custom Design. The hand made and finished design include Mercury or Black as standard. When combined with M8 fixing bolts top and bootom the RS 203 provide a very ridigity platform for stand mounted speakers.Hand polished 4mm steel plates top and bottom reflect the intentions of Custom Designs integrity towards speaker stand design and quality. The 50mm diameter support columns have the same attention to detail and quality that Custom Design wishes to provide all of our customers.The RS 203 Speaker Stand Range steel columns can be massloaded to maximise performance. Available with 3 point, M8 Isolation base spikes and 4mm steel base plate as standard. The RS 203 Range introduce a new format to the Custom Design Specialist Speaker Stand range, a Tri Isolation with a Tri column format. Standard finishes Mercury or Black.Please reference the Acoustic Steel page to see how resonance is absorbed by combining Acoustic Steel top plates and Inert Filler on a pair of RS 300 speaker stands. Specifications:Top support 165mm x 180mm x 4mm - Acoustic Top plate StandardRS 203 - 510mm (20"), 610mm (24") in Mercury or Black finish
Digital piano, 88 full weighted keys RΗ3 graded real hammer, Stereo PCM Hi Synthesis, sensitivity regulation in 9 levels, 60 notes polyphony, 40 sounds, 4 drum kit, 2 recording channels (100.000 notes), MIDI IN/ OUT, hydraulic top, metronome, adjustable effects, 2 headphone outputs, 4 speakers 2-way 2x35Watt, connected to PC by USB-2, dark rosewood colour.
Korg RD-KB Keyboard | Keyboard 49 Πλήκτρα για το Radias Synthesizer / VocoderKeyboard for Korg RADIAS• R. The dedicated 49-note, velocity-sensing keyboard with traditional Pitch and Mod wheels. The panel layout features a lavish complement of knobs and buttons, letting you enjoy the same intuitive feel of creating sounds as on an analog synthesizer. The unique design allows the knob-laden control module to pivot up or down, and even move to the side to accommodate a laptop computer, ElecTribe, KAOSS Pad or other audio unit. RADIAS• R is the sound module by itself, which can be used both as a rackmount or tabletop synthesizer.
The FC-300 sets a new standard of power, versatility for MIDI foot control. With features such as bi-directional MIDI data flow to the Roland VG-99 via newly adopted RRC2*, patch memory recall, twin expression and control pedals and more, this advanced control station is a perfect companion for Roland’s new VG-99 V-Guitar System or any other performance-based MIDI instrument or device.*RRC2: Newly developed connection protocol for Roland products that allows bidirectional MIDI data flow and electric power supply by one simple connection with using commercially available LAN (Ethernet) cable (CAT5).- Advanced MIDI foot controller with two assignable expression pedals, two control pedals, nine footswitches and expandability- New Patch Mode stores up to 100 MIDI setups- In addition to standard MIDI connection, newly developed RRC2* protocol adopted for bidirectional data flow between FC-300 and Roland RRC2 equipped products.- 3-way power supply (battery:6xAA, AC adapter, via RRC2) and rock-solid metal construction for stage use- Two Amp Control switches for controlling amp channels or effects- Perfect companion for the new VG-99
Vinyl zipper bag for Shure handheld transmitter.
The Shure A15TG Tone Generator is a battery-powered 700 Hz signal source used to troubleshoot audio systems by checking microphone lines for correct patching and detecting unusual noise that is present. The output level of the A15TG is approximately -42 dBV. This allows it to be used with either microphone level or line level inputs and the barrel design allows it to be connected to a microphone cable or directly to a mixer input. The A15TG can tolerate the presence of phantom power or a short circuit in the line that it is driving. Additional features of the A15TG include a recessed On-Off switch, a Male XLR output connector, and a removable end cap allowing for easy battery installation and removal. Battery life is 1,000 hours of continuous use.
Shure A15HP Passive High Pass Filter (100Hz/12dB) Plug Adaptor, XLR in/out.
The Shure A85F is a low- to high-impedance microphone-matching transformer that provides 24 dB of signal increase gain. It has balanced female XLR and unbalanced high impedance male 1/4'' phone plug connectors, and may be used in reverse. The A85F is typically used to connect a balanced low-impedance microphone output to an unbalanced high impedance input on a mixer or recorder. NOTE: Not for connection to the balanced line-level output of a mixer.
Foam windscreen for Shure's SM94, 849, BG4.1, KSM109/SL, and PG81 microphones.
The Shure A32WS Windscreen is designed with acoustically transparent foam to reduce unwanted breath and wind noise without affecting the sound quality. It is particularly effective in reducing pops and ticks caused by talking or singing closely into the microphone as well as reducing wind noise when using the microphones in outdoor applications. For use with Shure KSM27, KSM32 and KSM44 microphones.
Beta 57 Locking Gray Foam Windscreen
Shure 95B2207C PG58 Replacement Grille
Conference One metal Flight caseIt can hold 1 main unit-1 chairman console + 4 delegates consoles & cables.
The Shure A202BB Desk Stand is designed to permit using the Shure Model MX202 Overhead Microphone on a flat horizontal surface.
Shure A400SMXLR Wired Microphone Accessory The A400SMXLR is an accessory that allows permanent installation of a quick-release shock mount for use with a wide variety of gooseneck.
Securely attaches a Shure Beta98 to a brass instruments and saxophones
Drum Mount Kit for SM98
