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Add sound… and preserve the quietThe world's most directional audio loudspeaker technology, now twice as powerful.Sound from other speakers is 90% noise.Any sound that misses your intended audience is noise. Only the Audio Spotlight system can keep sound focused specifically to your listeners, providing sound where you want it, and quiet everywhere else.The revolutionary Audio Spotlight technology creates a tight, narrow beam of sound that can be controlled with the same precision as light. Aim the flat, thin speaker to your desired listening area and provide all of the sound with none of the noise.MAXIMUM SOUND ISOLATIONThe Audio Spotlight uses a beam of ultrasound as a "virtual acoustic source", enabling unprecedented control of sound distribution. The graph below shows the real sound field of the Audio Spotlight versus the theoretical maximum directivity of any loudspeaker, panel, dome, or "shower" of the same size.As shown by this comparison, no loudspeaker in the world can approach the level of control provided by Audio Spotlight technology.AS 16This compact system (AS 16 speaker dimensions are 40cm Χ 40cm Χ 1.9cm, its weight is at 2.5 kgr) is best suited for providing sound to individuals in quiet areas, such as offices, high-end retail, galleries, waiting rooms, or the home. Typical levels are 80 dB SPL at 1kHz for AS 16, and 85 dB SPL for AS 24 models.The larger AS 24 can output about twice the power and has twice the low frequency range compared to the AS 16.Each AS 16 speaker comes with its own Sound Beam processor - amplifier.Sound Beam processor - amplifier specifications: Input: RCA line-level audio Power draw: 25W max (AS 16) 65W max (AS 24) Output: BNC coax cable (7m included) Controls: Volume, tone, on/off Voltage: 100-240V 50/60Hz Dimensions: 15cm x 18cm x 4cm Weight: 1 kgrTwo speakers, one amplifier configuration is also available.Several mounting options available (mounted to ceiling, suspended ceiling, wall, truss, bars, or fitted directly into panelled ceilings).Standard finishes are black (AS 16 B) and white (AS 16 W).Custom Printing OptionsHolosonics is now offering custom-printed fabric for all Audio Spotlight models.In addition to our standard black and white models, any color, pattern, or photograph can now appear in high detail on the front surface of our Audio Spotlight speaker panels.Audio Spotlight panels can be designed to blend in with any background (stone, wood, brick), or feature a prominent logo.Our new custom fabric option allows for an unprecedented level of creativity, while making integration options even more seamless.
Add sound… and preserve the quietThe world's most directional audio loudspeaker technology, now twice as powerful.Sound from other speakers is 90% noise.Any sound that misses your intended audience is noise. Only the Audio Spotlight system can keep sound focused specifically to your listeners, providing sound where you want it, and quiet everywhere else.The revolutionary Audio Spotlight technology creates a tight, narrow beam of sound that can be controlled with the same precision as light. Aim the flat, thin speaker to your desired listening area and provide all of the sound with none of the noise.MAXIMUM SOUND ISOLATIONThe Audio Spotlight uses a beam of ultrasound as a "virtual acoustic source", enabling unprecedented control of sound distribution.The graph below shows the real sound field of the Audio Spotlight versus the theoretical maximum directivity of any loudspeaker, panel, dome, or "shower" of the same size.As shown by this comparison, no loudspeaker in the world can approach the level of control provided by Audio Spotlight technology.AS 24The larger surface of this version (AS 24 speaker dimensions are 60.3cm Χ 60.3cm Χ 1.5cm, its weight is at 6 kgr) provides an extended listening area, as well as more available power.This makes it better suited for noisier environments, or areas requiring more coverage, such as museums, trade shows, supermarkets, and many retail environments. Typical levels are 85 dB SPL at 1kHz for AS 24, and 80 dB SPL for AS 16 models.The larger AS 24 can output about twice the power and has twice the low frequency range compared to the AS 16.Each AS 24 speaker comes with its own Sound Beam processor - amplifier.Sound Beam processor - amplifier specifications: Input: RCA line-level audio Power draw: 65W max (AS 24) 25W max (AS 16) Output: BNC coax cable (7m included) Controls: Volume, tone, on/off Voltage: 100-240V 50/60Hz Dimensions: 15cm x 18cm x 4cm Weight: 1 kgrTwo speakers, one amplifier configuration is also available.Several mounting options available (mounted to ceiling, suspended ceiling, wall, truss, bars, or fitted directly into panelled ceilings).Standard finishes are black (AS 24 B) and white (AS 24 W).Custom Printing OptionsHolosonics is now offering custom-printed fabric for all Audio Spotlight models.In addition to our standard black and white models, any color, pattern, or photograph can now appear in high detail on the front surface of our Audio Spotlight speaker panels.Audio Spotlight panels can be designed to blend in with any background (stone, wood, brick), or feature a prominent logo.Our new custom fabric option allows for an unprecedented level of creativity, while making integration options even more seamless.
Προσθέστε ήχο... και διατηρείστε την ησυχία.Η πιο κατευθυντική τεχνολογία ηχείων στον κόσμο, τώρα δύο φορές πιο ισχυρή.Ο ήχος από κάθε άλλο ηχείο είναι κατά 90% θόρυβος.Κάθε ήχος που ξεφεύγει από τα ακριβή όρια του ακροατηρίου για το οποίο προορίζεται είναι θόρυβος.Το σύστημα Audio Spotlight είναι το μόνο που είναι σε θέση να εστιάζει τον ήχο απευθείας στους ακροατές, παρέχοντας ήχο εκεί ακριβώς που τον θέλετε και ησυχία οπουδήποτε αλλού.Η επαναστατική τεχνολογία Audio Spotlight δημιουργεί μια στενή ηχητική δέσμη που μπορεί να ελεγχθεί με την ίδια ακρίβεια όπως το φως.Στοχεύσατε το επίπεδο, λεπτό ηχείο στην επιθυμητή περιοχή ακρόασης και προσφέρετε όλο τον ήχο χωρίς καθόλου από το θόρυβο.ΜΕΓΙΣΤΗ ΗΧΗΤΙΚΗ ΑΠΟΜΟΝΩΣΗΤο σύστημα Audio Spotlight χρησιμοποιεί μια δέσμη των υπερήχων ως εικονική ακουστική πηγή, επιτρέποντας πρωτοφανή έλεγχο επί της κατανομής του ήχου στο χώρο.Η παρακάτω εικόνα δείχνει το πραγματικό ηχητικό πεδίο του Audio Spotlight σε σχέση με τη θεωρητική μέγιστη κατευθυντικότητα κάθε συμβατικού είδους ηχείου του ίδιου μεγέθους, είτε αυτό είναι πάνελ, θόλος, ή συστοιχία ηχείων.Όπως προκύπτει από τη σύγκριση αυτή, κανένα μεγάφωνο στον κόσμο δε μπορεί να προσεγγίσει το επίπεδο ελέγχου που προσφέρει η τεχνολογία Audio Spotlight.AS 24Η μεγαλύτερη επιφάνεια της έκδοσης AS 24 (διαστάσεις ηχείου 60.3εκ Χ 60.3εκ Χ 1.5εκ, βάρος 6 kgr) παρέχει μια πιο εκτεταμένη περιοχή ακρόασης, καθώς και περισσότερη διαθέσιμη ισχύ.Αυτό την καθιστά κατάλληλότερη για πιο θορυβώδη περιβάλλοντα, ή χώρους που απαιτούν μεγαλύτερη κάλυψη, όπως μουσεία, εμπορικές εκθέσεις, σούπερ μάρκετ, και πολλά περιβάλλοντα λιανικής πώλησης.Τα τυπικά επίπεδα ηχητικής πίεσης είναι 85 dB SPL στο 1kHz για το μοντέλο AS 24, και 80 dB SPL για το AS 16.Το μεγαλύτερο μοντέλο AS 24 αποδίδει περίπου τη διπλάσια ισχύ και έχει περίπου τη διπλάσια έκταση στις χαμηλές συχνότητες σε σύγκριση με το AS 16.Κάθε ηχείο AS 24 συνοδεύεται από το δικό του επεξεργαστή - ενισχυτή Sound Beam.Χαρακτηριστικά του επεξεργαστή - ενισχυτή Sound Beam: Είσοδος: Στερεοφωνική είσοδος επιπέδου line σε RCA Κατανάλωση: 65W max (AS 24) 25W max (AS 16) Έξοδος: Ομοαξονικό καλώδιο BNC (7m, περιλαμβάνεται στη συσκευασία) Ρυθμιστικά: Volume, tone (high/low), on/off Τάση λειτουργίας: 100-240V 50/60Hz Διαστάσεις: 15cm x 18cm x 4cm Βάρος: 1 kgrΗ διαμόρφωση δύο ηχεία ένας ενισχυτής είναι επίσης διαθέσιμη.Αρκετές επιλογές τοποθέτησης είναι διαθέσιμες (τοποθέτηση σε οροφή, ψευδοροφή, τοίχο, μεταλλική μπάρα, ή και απευθείας τοποθέτηση σε ψευδοροφή).Τα standard προσφερόμενα φινιρίσματα είναι μαύρο (AS 24 Β) και λευκό (AS 24 W). Προσαρμοσμένες επιλογές εκτύπωσηςΗ Holosonics προσφέρει τη δυνατότητα να παραγγείλετε κάθε μοντέλο Audio Spotlight με το ύφασμα σε χρώμα και σχέδιο της επιλογής σας.Εκτός από τα standard φινιρίσματα σε μαύρο και άσπρο χρώμα, είμαστε σε θέση να προσφέρουμε τα πάνελ Audio Spotlight με την μπροστινή τους επιφάνεια να αποτελεί μια υψηλής λεπτομέρειας αποτύπωση οποιουδήποτε χρώματος, σχεδίου, ή φωτογραφίας.Τα πάνελ Audio Spotlight μπορούν να σχεδιαστούν έτσι ώστε να είναι σε θέση να συνδυαστούν με οποιοδήποτε υλικό (πέτρα, ξύλο, τούβλο), ή να εμφανίζουν ένα εμφανές λογότυπο της επιλογής σας (π.χ. με το όνομα της εταιρείας σας).Η δυνατότητα επιλογής προσαρμοσμένου υφάσματος προσφέρει ένα πρωτόγνωρο επίπεδο της δημιουργικότητας, κάνοντας παράλληλα την ενσωμάτωση ενός συστήματος Audio Spotlight στο χώρο σας όσο πιο ομαλή γίνεται.
Προσθέστε ήχο... και διατηρείστε την ησυχία.Η πιο κατευθυντική τεχνολογία ηχείων στον κόσμο, τώρα δύο φορές πιο ισχυρή.Ο ήχος από κάθε άλλο ηχείο είναι κατά 90% θόρυβος.Κάθε ήχος που ξεφεύγει από τα ακριβή όρια του ακροατηρίου για το οποίο προορίζεται είναι θόρυβος.Το σύστημα Audio Spotlight είναι το μόνο που είναι σε θέση να εστιάζει τον ήχο απευθείας στους ακροατές, παρέχοντας ήχο εκεί ακριβώς που τον θέλετε και ησυχία οπουδήποτε αλλού.Η επαναστατική τεχνολογία Audio Spotlight δημιουργεί μια στενή ηχητική δέσμη που μπορεί να ελεγχθεί με την ίδια ακρίβεια όπως το φως.Στοχεύσατε το επίπεδο, λεπτό ηχείο στην επιθυμητή περιοχή ακρόασης και προσφέρετε όλο τον ήχο χωρίς καθόλου από το θόρυβο.ΜΕΓΙΣΤΗ ΗΧΗΤΙΚΗ ΑΠΟΜΟΝΩΣΗΤο σύστημα Audio Spotlight χρησιμοποιεί μια δέσμη των υπερήχων ως εικονική ακουστική πηγή, επιτρέποντας πρωτοφανή έλεγχο επί της κατανομής του ήχου στο χώρο.Η παρακάτω εικόνα δείχνει το πραγματικό ηχητικό πεδίο του Audio Spotlight σε σχέση με τη θεωρητική μέγιστη κατευθυντικότητα κάθε συμβατικού είδους ηχείου του ίδιου μεγέθους, είτε αυτό είναι πάνελ, θόλος, ή συστοιχία ηχείων.Όπως προκύπτει από τη σύγκριση αυτή, κανένα μεγάφωνο στον κόσμο δε μπορεί να προσεγγίσει το επίπεδο ελέγχου που προσφέρει η τεχνολογία Audio Spotlight.AS 24Η μεγαλύτερη επιφάνεια της έκδοσης AS 24 (διαστάσεις ηχείου 60.3εκ Χ 60.3εκ Χ 1.5εκ, βάρος 6 kgr) παρέχει μια πιο εκτεταμένη περιοχή ακρόασης, καθώς και περισσότερη διαθέσιμη ισχύ.Αυτό την καθιστά κατάλληλότερη για πιο θορυβώδη περιβάλλοντα, ή χώρους που απαιτούν μεγαλύτερη κάλυψη, όπως μουσεία, εμπορικές εκθέσεις, σούπερ μάρκετ, και πολλά περιβάλλοντα λιανικής πώλησης.Τα τυπικά επίπεδα ηχητικής πίεσης είναι 85 dB SPL στο 1kHz για το μοντέλο AS 24, και 80 dB SPL για το AS 16.Το μεγαλύτερο μοντέλο AS 24 αποδίδει περίπου τη διπλάσια ισχύ και έχει περίπου τη διπλάσια έκταση στις χαμηλές συχνότητες σε σύγκριση με το AS 16.Κάθε ηχείο AS 24 συνοδεύεται από το δικό του επεξεργαστή - ενισχυτή Sound Beam.Χαρακτηριστικά του επεξεργαστή - ενισχυτή Sound Beam: Είσοδος: Στερεοφωνική είσοδος επιπέδου line σε RCA Κατανάλωση: 65W max (AS 24) 25W max (AS 16) Έξοδος: Ομοαξονικό καλώδιο BNC (7m, περιλαμβάνεται στη συσκευασία) Ρυθμιστικά: Volume, tone (high/low), on/off Τάση λειτουργίας: 100-240V 50/60Hz Διαστάσεις: 15cm x 18cm x 4cm Βάρος: 1 kgrΗ διαμόρφωση δύο ηχεία ένας ενισχυτής είναι επίσης διαθέσιμη.Αρκετές επιλογές τοποθέτησης είναι διαθέσιμες (τοποθέτηση σε οροφή, ψευδοροφή, τοίχο, μεταλλική μπάρα, ή και απευθείας τοποθέτηση σε ψευδοροφή).Τα standard προσφερόμενα φινιρίσματα είναι μαύρο (AS 24 Β) και λευκό (AS 24 W). Προσαρμοσμένες επιλογές εκτύπωσηςΗ Holosonics προσφέρει τη δυνατότητα να παραγγείλετε κάθε μοντέλο Audio Spotlight με το ύφασμα σε χρώμα και σχέδιο της επιλογής σας.Εκτός από τα standard φινιρίσματα σε μαύρο και άσπρο χρώμα, είμαστε σε θέση να προσφέρουμε τα πάνελ Audio Spotlight με την μπροστινή τους επιφάνεια να αποτελεί μια υψηλής λεπτομέρειας αποτύπωση οποιουδήποτε χρώματος, σχεδίου, ή φωτογραφίας.Τα πάνελ Audio Spotlight μπορούν να σχεδιαστούν έτσι ώστε να είναι σε θέση να συνδυαστούν με οποιοδήποτε υλικό (πέτρα, ξύλο, τούβλο), ή να εμφανίζουν ένα εμφανές λογότυπο της επιλογής σας (π.χ. με το όνομα της εταιρείας σας).Η δυνατότητα επιλογής προσαρμοσμένου υφάσματος προσφέρει ένα πρωτόγνωρο επίπεδο της δημιουργικότητας, κάνοντας παράλληλα την ενσωμάτωση ενός συστήματος Audio Spotlight στο χώρο σας όσο πιο ομαλή γίνεται.
The UDG Ultimate Midi Controller Sling Bag Large is a basic yet highly functional bag for those DJ's who need to carry their large MIDI controller to and from their gigs.Although designed primarily with the Native Instruments S4 controller in mind, the bag will also fit products such as the Denon MC-6000 and American Audio VMS4. Item Code: U9013 (Black, Orange Inside) SpecificationsWater Resistant Nylon 450DFits NI S4/DENON DN-MC6000/AMERICAN AUDIO VMS4Padded compartment fits up 20" laptopFront compartment for accessoriesErgonomic removable shoulder strapTop carry handleSlides over any trolley Outer Dimensionscm: 55 x 39 x 18inch: 21.6 x 15.3 x 7.1 Inner Dimensionscm: 50 x 34 x 7inch: 19.7 x 13.4 x 2.7 Weight2 kg | 4.4 lbs Fits: Native Instruments Traktor S4, Denon DN-MC6000, American Audio VMS4, Vestax VCI-400, Numark IDJ Live, Novation Nocturn 25, Akai MPK 25, Numark Mixtrack Pro, Roland TR-808, 20" Laptop.
The latest microphone to join the Sontronics family is yet another striking model, this time a dynamic microphone designed for use on guitar amps and cabinets. The HALO has a dynamic capsule suspended on four spring mounts within a circular frame that protects the microphone from vibrations and rumble on stage or in the studio.HALO is based on the Sontronics STC-80, a handheld dynamic microphone that gives stunning results on vocals, but has also been increasingly used to great effect on guitar amps for live and studio work. The HALO takes the same capsule, enhances it slightly to capture the exact frequencies of your guitar amp, and the result is all the bite, crunch and presence you could wish for without need to lay a finger on the EQ.
Korg's monotron DELAY is a fun-size analog ribbon synthesizer with a live, ready-to-be tweaked front panel offering five knobs and a single switch. Its Space Delay gives you echo effects that harken the early days of synth, and its simple operation and ease invites hours of enjoyment and musical exploration - all in the palm of your hand. DJs and established musicians can also use the monotron DELAY to add some dazzling sound effects or pump some analog muscle into their performance. The possibilities are virtually endless. Classic Analog Synth / Space Delay CombinationA good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The monotron DELAY is an analog synthesizer optimized for sound effects.
Bring studio-quality sound to your final masters. Experience an unprecedented level of detail and spaciousness from instruments and vocals! Listen for yourself how soundBlade provides exceptional sound along with the most comprehensize set of tools for mastering and delivery of 44.1K and newer high-resolution formats. With soundBlade you can burn CDRs and equally important create the industry’s most compliant DDP image files, a surefire method for error–free manufacture of great sounding tracks.All the features of soundBlade LE plus...Source-to-destination editing modelRecord 2/4 tracks up to 192 kHZSupports most AU / VST plugins4-band Sonic EQ le PluginSuperb SoundListen to your music with increased clarity and spaceUse's Sonic Studio Engine (SSE) for best sound possibleImprove the sound of your final masterEdit & ProcessFast intuitive editingInfinitely adjustable 64 bit real-time FadesAcclaimed Sonic EQ - 3-band minimal phaseiZotope 64 bit Sample Rate ConversionAdvanced Sonic TPDF and iZotope mBit+ ditherExport & DeliverUse Mark Info Window for specification and creation of DDPs and CDRsExport tracks or entire albums as AIFF or BWF (with metadata)10x CD-R Burn and DDP Delivery and Export
Bring studio-quality sound to your final masters. Experience an unprecedented level of detail and spaciousness from instruments and vocals! Listen for yourself how soundBlade provides exceptional sound along with the most comprehensize set of tools for mastering and delivery of 44.1K and newer high-resolution formats. With soundBlade you can burn CDRs and equally important create the industry’s most compliant DDP image files, a surefire method for error–free manufacture of great sounding tracks.All of the power of soundBlade SE plus...8/16-track recording editing and deliveryFull 4-band Sonic EQ with 14 topologiesSupports most AU/VST PluginsQuickTime interlockTrio DynPEQ PluginSuperb SoundListen to your music with increased clarity and spaceUse's Sonic Studio Engine (SSE) for best sound possibleImprove the sound of your final masterEdit & ProcessFast intuitive editingInfinitely adjustable 64 bit real-time FadesAcclaimed Sonic EQ - 3-band minimal phaseiZotope 64 bit Sample Rate ConversionAdvanced Sonic TPDF and iZotope mBit+ ditherExport & DeliverUse Mark Info Window for specification and creation of DDPs and CDRsExport tracks or entire albums as AIFF or BWF (with metadata)10x CD-R Burn and DDP Delivery and Export
NoNOISE is an award winning complete restoration suiteu sed by professionals worldwide for the best recording and restoration possible.NoNOISE II SR is the ultimate restoration available: Manual Declick :: Surgical Restoration Type A & C - Pitched, General, Left & Right Type D - DeClicker Type E - DeCrackler (adjustable & fixed) • Broadband DeNoise :: Mono / Stereo / Multi-channel Audio Unit Plugin (available Q1 2012)
Matched pair of two 4011C cardioid condenser microphones. Hard carry case and boom holders included.
The UDG trolleys To Go is specially designed to cater to the growing demand of the Airlines. With a solid body structure trolley bag + in-line wheels makes it the ideal bag for those long airport walkways. The Trolley To Go is the perfect long distance travelling partner. Color: Black/Grey StripeWeight: 5,16 kg / 11.352 lbsOuter Dimensions: cm: 36 x 44 x 26inch: 14.2 x 17.3 x 10.2Inner Dimensions: cm: 30 x 32 x 15inch: 11.8 x 12.6 x 5.9Material: Water Resistant Nylon 420DProtection: Foam padded main compartment Extra's Retractable handle with new 3-stage internal trolley system. Large front pocket for Accessories and smaller gears. Large front pocket for Accessories and smaller gears. Integrated combination lock and detachable ergonomic shoulder strap.Fits: 50 LPs or 2x CD Wallet 128 or MIDI Controller + Accessories. Fits up to 13" laptop. See description for details and check "By Device".
The ADK Odin has been designed as a high-SPL, reliable and robust microphone with enough flexibility tone-wise to cover any application. The dynamic range was set to allow for relatively heavy sound pressure levels, and attenuation pads enable these microphones to be used with sources up to 150 dB SPL. Keeping digital recording in mind, the noise floor is also appreciably low. These new microphones are solid, reliable "High-SPL" studio microphones that can also be used "Live".Any moderate to high SPL source, whenever a fast, detailed recording desired: All “pop” and “Rock” vocals – with a pop filter (to protect the capsule from strong blasts of air)Brass – with a pop filter (to protect the capsule from strong blasts of air), Drum kit: Toms, Floor tom, overhead and spot mic’ing, including kick drum, Any amplified instruments – Guitar cabs, bass cabs, Any percussion instrument, Stereo/ambient recording, All stringed instrument, Solo/spot recording, Woodwinds.Specifications :Unique Three-Way High-Frequency Switch: Mellow, Neutral or Brilliant Tone.New Transformerless circuit with symmetrical, TRULY BALANCED output stage.Extra capsule QC and special assembly procedures.Two way Pad to Tailor Dynamic Response.Two way HP Filter to Tailor Bass Response.High headroom, even unpadded. A Total Swiss Army Mic.Clean audio path, low distortion for accurate sonic imaging. Polar pattern: CardioidSensitivity: 13mv/PaImpedance: 150OS/N Ratio: 79dB (A-weighted IEC 268-4)Equivalent Noise Level: 15dB (A-Weighted IEC 268-4)Max SPL @ 0.5%THD: 132dB/ 140dB/ 150dB (2-way PAD)Low Cut Filter (HPF): FLAT/ 100Hz / 150HzHigh Cut Filter (LPF): FLAT/ 12KHz / 15KHzPower Requirements: Phantom Power 48V±4V
The ISA828 eight-channel microphone preamplifier provides eight original ISA transformer-based preamps in a single robust 2U chassis, offering the Focusrite signature sound at its lowest cost per channel to date. Eight ISA series transformer-based preampsNew eight-channel 192kHz A-D converter Convenient 25 pin D-type connectors Switchable impedanceDirect instrument inputsInserting available on every channel High pass filter, phase reverse and phantom power Six LED input meter
RG Tremolo models stand up to the most abusive whammy bar users around. Now featuring the Edge Zero II tremolo with the zero point system, tuning stability is maximized. Lightning fast fretboard wark is no problem with the Wizard neck, flat fingerboard, and jumbo frets.
The AS is a semi-acoustic guitar built to tackle just about any genre of music you throw at it. The pickups are mounted into a sustain block for increased sustain and feedback elimination. The Quik Change III bridge makes it easy to change strings without a lot of time involved.
The AS is a semi-acoustic guitar built to tackle just about any genre of music you throw at it. The pickups are mounted into a sustain block for increased sustain and feedback elimination. The Quik Change III bridge makes it easy to change strings without a lot of time involved.
The AF is the most traditional of the Artcore series. The traditional full-hollow construction means there are no sound blocks in the body. Producing rich and complex tones, the AF is the guitar for the purist in all of us.
The Radial JPC is an analogue stereo interface designed to help solve the buzz and hum problems commonly associated with connecting a computer to an audio system. This is accomplished by combining active buffers and transformer isolation to create an effective 'hybrid' circuit.Intended for professional field use, the JPC comes fully loaded with choice of ¼", RCA and 3.5mm input connectors that make it easy to interface with all types of unbalanced audio sources such as computers, iPods, and CD players. It is equipped with isolation transformers to eliminate hum and buzz caused by ground loops and to further reduce system noise; while AC blocking capacitors in the active circuit prevent pollution from the audio system from bleeding back into the computer. Outputs are XLR balanced mic level for easy interface to snake systems and PAs. Powering the JPC is accomplished via 48V phantom from a mixing console. This enables the JPC to be used in concert environments without requiring an external power supply.The JPC is a great sounding stereo direct box that is plug-and-play easy to use with practically any consumer electronic device. The noise eliminating advantages makes the JPC a must-have problem solver for any technician's audio kit. The Radial JPC... an effective tool designed to make interfacing gear easy.Features:Easy to use stereo interface for laptop computersActive signal path with transformer isolationEliminates hum and buzz common to PCsFull connector options set for easy interface
Παθητικό DI για εξομάλυνση σήματος
The QL-642 is part of Quik-Lok's "Pro Series" keyboard stand line. These stands are the choice of professional musicians the world over because of their adjustability, strength and reliability. Features include "The Original" locking disc system and super heavy duty 30 mm x 30 mm steel tube bracing for extra sturdiness and structural integrity. The "Pro Series" stands are capable of holding the heaviest keyboards safely and securely. The QL-642 offers a tilt adjustable second tier.Features "The Original" locking disc systemSuper heavy duty 30 mm x 30 mm steel tube bracingTremendous weight capacityTilt adjustable second tierFront to back leg depth 26" - 66cmFront to back tier depth 17.9" - 42.5cmFront to back 2nd tier depth 12" - 30.5cmTop to bottom height positions 38" (96.4cm), 34.5" (89.8cm), 32" (81.2cm), 27.8" (70.6cm), 23" (58.5cm)Side to side width 15.5", (39.4cm), 20.9" (53.2cm), 25.9" (65.8cm), 30.4" (77.1cm), 34.1" (86.5cm)Second tier angles 90, 81, 72 63, 54Folded height 40.4" - 102.7cmWeight capacity 260 lb - 117 kg2nd tier weight capacity 75 lb - 33.7 kgWeight 18.2 lb - 8.2 kgBrace tube size 30mm x 30mm (x2)Tier tube size 30mm
Omnitronic LH-060 Dual PRO Passive DI box
DI box παθητικό.
Specs:Semi - OpenInnovative bass refelx systemRugged headband cosntructionSingle-sided coiled cableSoft headband padGold plated stereo mini jack (3.5mm) and 1/4" adapterTransducer type: DynamicFrequency response: 5 - 35,000 HzNominal impedance: 250 ohmNominal SPL : 96 dBT.H.D: < 0.2%Power handling capacity: 100 mWSound coupling to ear: CircumauralWeight (without cable) 295 g
The Radial X-Amp is an active Reamper™ that allows the engineer to play a pre-recorded track back through guitar amplifiers and pedals. This opens the door to explore new musical sounds and spur on the creative process so that your recording stands out.Using the X-Amp is easy: start by recording a dry track using a high quality direct box like the Radial J48. Send the new track from your recorder via the X-Amp to your guitar amps, effect pedals or combinations thereof. Once the basic track has been recorded, replacing or adding tracks can be done well after the session player has gone home. This eliminates tiresome repetition and assures a fresh vibrant performance on the final recording. Furthermore, by driving two amps at the same time, new sounds and textures can be created while allowing you to make artistic decisions as the recording progresses.Following the critically acclaimed Radial JD7 Injector, the X-Amp employs a unique class-A circuit design that has been optimized for use with guitars. Features include balanced line level input with LED peak indicator and level control, class-A circuit topology for optimal reach and frequency response, a transformer isolated output to eliminate hum and buzz caused by ground loops, a 180º polarity reverse switch to bring both amps into phase, and a dual ground lift switch for noise-free operation.As with all Radial products, the X-Amp is built like a tank to provide years of trouble-free performance. An internal I-beam skeleton provides maximum protection against external stress which could cause solder points to fail. This is supplemented with an innovative bookend design that creates a protective zone around the switches, potentiometer and connectors. A full bottom no-slip pad performs double duty by keeping the X-Amp from sliding around when placed on a vibrating amplifier while also providing electrical and mechanical isolation. Reamping works equally well on bass, keyboards, drums and voice. Once you start Reamping, you will never record any other way. The Radial X-Amp… the active Reamp® for professional recording engineers.Features:Active Reamp® with two outputs100% discrete class-A signal pathTransformer isolated to eliminate noiseVariable 'set & forget' level control
The Radial J48 has been designed from the ground up to deliver the most natural tone. As a direct box manufacturer, we do not believe it is our task to alter the sound of your prized '1962 Fender Jazz Bass', but retain and transfer the true character of the instrument to the mixing console without adding distortion or introducing artifact. This design philosophy has gained a tremendous following from many of the world's most demanding musicians.Using only 48V phantom power, the Radial J48 is an active direct box that produces an exceptionally linear response that extends from 20Hz up to well above 40kHz. Low distortion of all types is achieved via a unique digital switching power supply that raises the internal operating rail voltage for added headroom and improved signal handling. The results are truly amazing. The J48 delivers an ideal even-order harmonic cascade and a sonic performance that outperforms DIs costing several hundreds more.And like all Radial products, the J48 is both feature-rich for studio and made tough to handle the road. This includes a -15dB input pad to tame extra loud signals, 180º polarity reverse for feedback control on stage and a ground lift to help reduce hum & buzz caused by ground loops. Special features include a merge function that elegantly mixes left-right signals to mono without phase cancellation. To minimize resonant feedback with acoustic instruments, the J48 is also equipped with an 80Hz high-pass filter (low-cut). When engaged, this also increases headroom by eliminating unneeded bass frequencies.Radial's innovative book-end design protects switches and connectors from abuse while the internal I-beam construction eliminates stress on the PC board. This serves to reduce solder joints from going 'cold' and delivers trouble-free performance for years. A full-bottom no-slip pad provides mechanical and electrical isolation while providing plenty of 'stay-put' for rockin' stages!The Radial J48 is used by artists as diverse as acoustic guitarist Tommy Emmanuel; super-star engineer Joe Chiccarelli; and one of the most successful bands of all time Fleetwood Mac. The Radial J48… the world's finest 48V phantom powered active direct box.Features:Ultra low distortion of all typesExceptional headroom & dynamic rangeRetains instrument's natural soundPowered by 48V phantom
Boom microphone stand with telescopic boom and folding tripod base.
Boom microphone stand with telescopic boom and folding tripod base.
Βάση μικροφώνου δαπέδου με οριζόντιο βραχίονα και βάση 3 ποδιών. Χρώμα μαύρο
Altiverb 7 Regular is the Post and music production industry standard stereo convolution reverb. It comes with the renowned full library of impulse responses. Below you can click through pictures that reveal most of Altiverb's features at a glance. Read on to find out about the features that are not visible in the interface.Altiverb 7 RegularWindows: VST, RTAS and Audio Suite.Mac OS X: MAS, Audio Unit, RTAS and Audio Suite, Universal Binaries for both Power PC and Mac-IntelPower PC VSTThe Full Altiverb Impulse Response libraryFull parameter automationan impulse response browser that replaces the impulse response popup menu.mono to mono, mono to stereo, and stereo to stereo channel configurations.supported sample rates up to and including 96 kHz.40 automation preset memories for total-recall via parameter automation.iLok or Challenge-Response authorization.Sample your own spaces or gear (Mac only)
A bad GSM connection on a busy sidewalk, a bullhorn with feedback and a helicopter overhead, or a 1952 rockabilly guitar amp in a recording studio live room: The Speakerphone audio plug-in gives you authentic speakers of any size together with their natural environments.All the walkie-talkies, distant transistor radios, upstairs TV sets, bullhorns, cell phones and guitar cabinets you will ever need. Speakerphone (Mac , Windows, iLok or challenge response) will add dial tones, operator, static, and you can select from a wealth of ambiences on either the caller or receiver's end.400 speaker impulse responses, 23 microphones, 106 'Covers' (from blankets to car trunks), 53 Altiverb rooms and outdoor spaces, 5 gigabyte of ambiences and sound FX, and 12 DSP modules from Leslie to GSM compression, conveniently presented to you in well over 500 presets.Take the tours by clicking the movies on the right.
LEXICON PCM96S-A, professional surroundprocessor with digital and analog i/o, new and legendary reverb and effectalgorithm, up to 24bit/96khz, firewire audio streaming for six channels, "hardware plug-in" for Mac VST and audio unit software, 2200 presets and 768 user-programs, three AES/EBU and six analog in/out with 25pin Sub-D, OLED Display, compact flash card slot, HiQnet compatible, Midi IN/OUT/THRU, dual ethernet/firewire, wordclock in, .1U, 19" FEATURES DAW automation FireWire streaming Unrivalled collection of new and legendary Lexicon reverbs and effects Connectivity options include six channels XLR analog, six channels XLR AES/EBU digital I/O MIDI, Wordclock, Ethernet and Firewire.
With the finest ingredients from SPL, the new flagship of SPL's channel strips establishes the basis for world-class recordings – and each of its particular processing stages can be inserted into studio environments or DAWs like analog plug-ins!The brand-new Frontliner has all tools on board to record vocals and instruments in perfect quality: it merges a preamp, a de-esser, an EQ and a compressor. Thanks to it's individual analog I/Os, all these powerful, hi-end analog processors can be inserted into any studio by the Frontliner pilot, i. e. to use them also during mixing and mastering. Thus it appears that the Frontliner is not reduced to a frontend device – especially DAW based studios get the chance to integrate high-grade analog processing at any stage of the audio production process.
The AKG Perception 420 Multi-Pattern Condenser Microphone. Large-diaphragm, multi-Pattern, high SPL condenser microphone with shock mount and case.The AKG Perception 420 is a multi-pattern large-diaphragm condenser microphone for more demanding professional studio recording applications. Offering high sensitivity and 155 dB maximum SPL, the Perception 420 delivers a warm transparent sound quality ideally suited for ensemble recording, grand piano, woodwind and brass instruments as well as drums and percussion instruments. In addition, three selectable polar patterns – cardioid, omnidirectional or figure-eight – allow a wide range of stereo miking techniques and ambient recording. A switchable bass cut filter and preattenuation pad enable the Perception 420 to be used close to sound sources in sound fields as high as 155 dB. The microphone's chassis is made of precision-tooled zinc/aluminium alloy and boasts a dent resistant stainless-steel wire-mesh front grille. It is supplied with a spider-type shock mount in an aluminium carrying case.The main features of the AKG Perception 420 include:Back-to-back large-diaphragm multi-pattern transducerAn excellent choice for a variety of professional recording applications: A/B, X/Y, and M/S stereo recording, Ambience recording, Grand piano, woodwind and brass instruments, Percussions, Drums, Classical music recording, Studio applicationsTrue condenser technologyHigh sensitivity and 155 dB maximum SPL capabilitySwitchable 20 dB preattenuation padSwitchable bass cut filterLegendary, pristine AKG sound qualityType: Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphonePolar pattern: Cardioid, Omnidirectional, Figure-eightFrequency range: 20 to 20,000 HzSensitivity: 28 mV/Pa (-31 dBV)Max. SPL: 135 dB/155 dB (0/-20 dB) for 0.5% THDEquivalent noise level: 16 dB-A (IEC 60268-4)Signal/noise ratio (A-weighted): 78 dBPreattenuation pad: 0 dB, -20 dBBass filter: 12 dB/octave at 300 HzImpedance: =1000 ohmsCurrent consumption:
The Neumann TLM 102 Nickel is impressive in terms of sound. The interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources Instruments that are not especially loud also benefit from the very fast transient response of the Neumann TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording. the Neumann TLM 102 Nickel is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority. The Neumann TLM 102 Nickel Main Features Include: Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer) Compact, characteristic but smaller-scale Neumann design Very high maximum sound pressure level Slight presence boost above 6 kHz Transformerless circuitry Acoustical operating principle: Pressure gradient transducer Directional pattern: Cardioid Frequency range: 20 Hz - 20 kHz Sensitivity at 1 kHz into 1 kohm: 11 mV/Pa Rated impedance: 50 ohms Rated load impedance: 1 kohms Maximum output voltage: 13 dBu Supply voltage: 48 V Matching connector: XLR3F Weight: approx. 260 g Diameter: 52 mm Length: 116 mm
The Neumann TLM 102 Nickel is impressive in terms of sound. The interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources Instruments that are not especially loud also benefit from the very fast transient response of the Neumann TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording. the Neumann TLM 102 Nickel is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority. The Neumann TLM 102 Nickel Main Features Include: Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer) Compact, characteristic but smaller-scale Neumann design Very high maximum sound pressure level Slight presence boost above 6 kHz Transformerless circuitry Acoustical operating principle: Pressure gradient transducer Directional pattern: Cardioid Frequency range: 20 Hz - 20 kHz Sensitivity at 1 kHz into 1 kohm: 11 mV/Pa Rated impedance: 50 ohms Rated load impedance: 1 kohms Maximum output voltage: 13 dBu Supply voltage: 48 V Matching connector: XLR3F Weight: approx. 260 g Diameter: 52 mm Length: 116 mm
"The Pearl" Series of professional electrostatic microphones are designed for studio vocal recording and now hand-held stage applications, where sound quality and musical character is of the utmost importance.The Pearl Standard uses a medium single-diaphragm transducer, which provides a modern, detailed vocal sound with airy highs, extended vocal presence and optimized low-end response.The Grand Pearl uses a large dual-diaphragm transducer, which provides the warm, classical vocal sound usually associated with vintage vocal studio microphones.The Pearl Vocal is specifically designed to be the ultimate condenser hand-held stage microphone. The newly developed medium-sized single diaphragm capsule provides high acoustic transparency and can handle sound pressure levels up to 144db without overload. These innovative microphones introduce a new physical design with a rear-ported spherical head and a special narrow tapered form reflector to reduce internal resonances and reflections and optimize the unidirectional cardiod polar pattern. A soft center band around the circumference of the head minimizes shock and handling noise. Rugged microphone construction and internal shockmounts effectively reduce stand rumble, outside infrasonic interference and mechanical shocks. The internal phantom powered preamplifier’s Class 'A' fully discrete transformerless circuit provides high output, flat audio response and ultra low distortion and noise.The output connectors are gold plated for best possible signal transfer. "The Pearl" is ready for noise-free handheld or stand use. A flexible stand holder is supplied with microphone. FRR is an optional unique reflection ring accessory which is used as a tool to slightly alter directional characteristics and frequency response by positioning at different points along the microphone body. Applications: The Pearl Standard and The Grand Pearl microphones are designed primarily for vocalists, but are also capable of capturing piano, guitars, drums, percussion, strings, wind and many other instruments.The larger diaphragm of The Grand Pearl is specially tuned to provide a deep warm vocal tone ideal for jazz or pop music. These are unidirectional cardioid microphones and should be mounted so that the rear openings behind the capsule are not obstructed. In vocal applications, best results are obtained when the microphone is 1" to 6" away.Microphone overload is not a problem, however, we recommend the use an optional pop filter in the studio for further protection from plosive sounds and breath, pop or wind noise.The Pearl Vocal has been tuned specifically for a modern, detailed vocal sound with extended vocal presence and optimized low-end response. The newly developed advanced suspension system effectively reduces handling noise to an absolute minimum and the unidirectional cardioid polar pattern has been optimized for maximum side and rear rejection while providing maximum gain before feedback.This is the ideal microphone for live jazz, pop and rock vocalists but also will provide superior sound for brass, woodwinds, percussionists, drummers and in capturing guitar amplifiers.
"The Black Knight" uses a large dual-diaphragm, side-terminated, condenser capsule. It possesses a natural musical sound with transparent highs, smooth midrange with a subtle vocal presence bump at 3kHz, flat low-frequency response and a unidirectional cardioid polar pattern. The acoustically open transducer head minimizes internal resonances and reflections so that even the most minute sound details are authentically captured. An integrated swivel-mount allows for fast and handy positioning of the transducer head. The internal phantom powered preamplifier's Class 'A' fully discrete transformerless circuit provides very high output, flat audio-response and ultra-low distortion and noise. Gold-plated contacts on the output connector provide a noise-free connection. "[The Black Knight] sounded great on anything I put it in front of. The swiveling head is the most convenient feature I've ever seen on a mic." Connor Smith The Studio Files "The Black Knight" microphone is also available in matched stereo or surround sets as a special order. Applications: "The Black Knight" microphone has a very detailed and uncolored sound. It is perfect for overheads, acoustic guitar and many other instruments as well as vocal applications. The swivel mount head allows for easy minor re-positioning, without adjusting the stand. It is an excellent solution for broadcast studios, film and video production, sound reinforcement and other professional applications. It has a very open, single layer head grill so use of a pop-filter or foam windscreen is recommended when working the microphone closely.
"The Wedge" condenser microphone from Violet Design is meticulously designed for the highest quality of studio recording. Re-engineered from Violet's original "Dolly" model, The Wedge produces deep, dimensional sound, and boasts a wider range of applications than its predecessor. Its multi-layered, wedge-shaped head effectively reduces plosive sounds and other noises such as wind or breath. The Wedge's capsule is made of high-quality, 6-micron Mylar film, and it's innovative freestanding design results in a more open and detailed sound. The critical first stage circuit is located close to the capsule to further improve sound quality. The large dual-diaphragm is precisely tensioned, adjusted on back plates, and sputtered with Violet's exclusive gold alloy mixture. This process allows The Wedge to give a faster impulse transient response without sound coloration or low-frequency reduction, and also makes it capable of handling high sound pressure levels. The internal solid-state preamplifier of The Wedge is a Class-A fully discrete transformer-less circuit, built using high quality, hand selected components. The circuit is designed to achieve the highest audio standards and provides flat frequency response, high dynamics, low self-noise, and very low audio distortion of all types. The Wedge should be used with high quality, regulated 48V phantom power. Gold-plated pins on the XLR output provide a clean and noise-free connection. The Wedge has a dark red body with black trim and comes in a fine hardwood box. Applications: The Wedge has a warmer tone with very high output and low noise. It is designed for a wide range of studio recording situations. The fast transient response, crystal clear highs and loud SPL handling make it excellent for recording drums, especially for snare drum, overhead and hi-hat. The recommended placement is 2" to 4" from the drum rim, but you will want to experiment with different positions and angles. It is also excellent for piano, electric and acoustic guitars, bowed strings and brass instruments. For the clarinet and soprano saxophone use the microphone 4" to 12" above the horn and lowest pads. For other saxophones place the microphone 2" to 6" in front of the lip of the bell. For the flute place the microphone above the middle of the instrument. Place within 20" from the bell of trumpets, trombones, French horns, tubas and other brass instruments. When used as a vocal microphone, position The Wedge 1/2" to 4" away to get the best results. There is no need to worry about overload but using a pop-filter in the studio or a foam windscreen in live applications can help reduce plosive sounds and breath, pop or wind noises.
"The Amethyst" Series of studio microphones utilize capsules with 6-micron gold sputtered Mylar diaphragms tensioned and adjusted on precisely made brass backplates. They possess very fast impulse transient response without sound coloration or low frequency reduction, as well as the ability to handle louder sound pressure levels. "The Amethyst Standard" has a dark amethyst red body and uses a single large-diaphragm center-terminated capsule to provide a modern, detailed sound with airy highs, medium vocal presence and accentuated low-end response. The internal phantom powered preamplifier is a fully discrete Class 'A' transformerless circuit which provides high output, flat audio response and ulta-low distortion and noise. "It's clear to me that Violet Design has a winner on its hands with the Amethyst Vintage." Randy Poole Pro Sound News "The Amethyst Vintage" has a grey/blue body and uses a dual large-diaphragm, center terminated dual back plate capsule which provides a classical, wide-spectrum, vintage microphone sound. Both models have a unidirectional cardioid polar pattern with minimal proximity effect and are linear over the wide frontal incidence angle. An acoustically transparent head construction reduces internal resonances and reflections. The internal capsule shockmount along with the massive body construction, reduces stand rumble, outside infrasonic interference and mechanical shocks. Both microphones can be mounted directly on a standard microphone stand or in the optional ASM elastic shockmount. Gold plated contacts on the output XLR connector provide a noise-free connection. Applications: The handy compact size and versatile mounting, combined with high SPL capability make these microphones ideal for close instrumental situations. "The Amethyst Standard" is particularly recommended for percussion and stringed instruments. For vocal applications "The Amethyst Standard" is more oriented for a male voice and "The Amethyst Vintage" for a female voice. Use them up close, within 2" to 4" to get best results. The internal amplifier and capsule are hard to overload and are well suited for close miking of vocals.
