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The Finger" uses a single medium diaphragm transducer to provide detailed sound with smooth transparent highs, optimal presence and natural low-end response with a unidirectional polar pattern. "The Finger" has a unique body design with an integrated tapered reflector which reduces resonances, removes reflections and optimizes the microphone's cardioid polar pattern. Integrated damping of the transducer reduces stand rumble, outside infrasonic interference and mechanical shocks.The Black Finger, w/ Optional FRR Reflection Ring & PSM Shockmount The optional and unique FRR Reflection Ring (shown here) is a reflector disc which can be positioned at the head or anywhere along the body of the microphone to alter the polar pattern, frequency response and sensitivity. Positioning the FRR at the end point of "The Finger's" reflector alters low-frequency response and adds proximity effect. The FRR can also be used to separate the front and rear sides of the capsule and to reduce reflections and reverberation from reaching the capsule. Positioning the FRR on the capsule head's top produces a polar pattern closer to a half-sphere pattern with less coloration at different angles, less proximity effect and adds sensitivity to all except high frequencies. It is even possible to use 2 FRRs, positioning one on the top of the head and one elsewhere on the body for effect. "I bought Violet's 'Black Finger' and it is now a permanent fixture, set up in my studio to mic an upright Bass." Randy Kohrs Artist/Producer/Engineer "The Finger" is available in 2 styles. "The Black Finger" has polished nickel-plated hardware and a matte black body. "The Gold Finger" has polished gold-plated hardware and a matte black body.Matched stereo pairs can be special ordered. Applications: "The Finger" microphone suits a wide range of studio and stage situations. It is ideal for capturing vocals, speech, choir, and musical instruments as well as orchestral and most other sound sources. It is an excellent choice for broadcast radio and television, film production, sound reinforcement and other professional applications.In the home studio where there are generally fewer microphones available, it offers superb performance giving it outstanding value. Use of a studio pop filter and/or polyurethane open-cell foam windscreen is necessary for close voice applications, to protect the capsule from plosive sounds and breath, pop or wind noise. Matched stereo or surround sets can be special ordered to provide balanced recordings.
The 160 watt AH200 features a multitude of audio connections. XLR, jack and phono all feature with Hi and Lo impedance options.The AH200 also comes with 16 different custom digital effects, with independent send controls on each channel.Add to this a 'designed for the road' solid construction and kickback cabinet with top and side handles, and you have the ideal solution for gigging or rehearsal.Features Power RMS : 165 WattsChannel 1 Lo-Z XLR & Hi-Z 1/4' Jack Channel 2 Lo-Z XLR & Hi-Z 1/4' JackChannel 3 Hi-Z & Line level 1/4' Jack Channel 4 & 5 2x Line level 1/4' Jacks Channels : 5 Equalisation Bass & Treble controls per channel, and Global Bass, Mid, TrebleReverb 16 Program Custom DSP with Independent send level on each Channel Line Out : Yes Record Out : Yes Speaker connections : YesFX Loop(s) : YesDrivers : 1x15' Celestion Driver & HF Horn Cabinet Design Carpet covered, dual position kickback construction with kick-proof metal grille, metal corners, flip side handles and strap handle.Kick Proof Metal GrillYes Weight : 27.5 Kg Dimensions : Width 502 x Height 551 x Depth 461
The IBERIA is a guitar manufactured entirely from mahogany if we exclude the top from solid German spruce. It lends in the guitar certain particular characteristics and attributes unique as the timber that used.Duration in the passage of time, deep and full sound but simultaneously “warm” these are the attributes that it acquires the guitar with the use of mahogany.Of course nothing from all these would not have importance if Alhambra did not have the essential know-how to processe suitably the timbers and elects their distinguished attributes. Fingerboard is manufactured from Indian rosewood and it has resistance, is particularly “fast” and comfortable, while it does not present no imperfection in the touch, ideal for fast passages and “difficult” repertory. Specification Top:Solid german spruce Back and sides:Mahogany Neck:Mahogany Fingerboard:Indian rosewood Gold plated tuners
The 4P belongs in the “bigger” models of Alhambra with characteristics that guarantee the better acoustics of body and his bigger resistance in the passage of time.The body top,side and back of guitar are “worn out” and have suffered special treatment, the bindings under the top have different designing in combination with the smaller models while in fingerboard has been used ebony-tree that constitutes a material that we meet in handcrafted models. Also the lids (and this is rule for the bigger models), are enough thinner aiming at the appropriate transport of sound and the better resonance.Use of ebony-tree guarantee the resistance of the fingerboard because the ebony-tree is timber with big density and resistance in the humidity. Specifications Top:Solid german spruce or Red cedar Side and back:Mahogany Neck:Mahogany Fingerboard:Ebony Gold-plated tuners
Alhambra 3C is a guitar with exceptional characteristics and unique sound.The experience of Alhambra in combination with her know-how guarantees for the quality of the guitars that produces.Alhambra 3C goes a step more front from the initial models even if ostensibly it has the same characteristics.The important differences are the different binding on the top and the different dimensions also in the top.That means that with regard to the binding the guitar has much bigger resistance and obviously better sound while with regard to dimensions of the top, the thinner top amounts with more possible sound with bigger duration and more harmonics.Specifications: Top:Solid german spruce or Red cedar Side and back:Mahogany Neck:Mahogany Fingerboard:Indian rosewood Nickel-plated tuners
Exceptional guitar with characteristics that exists only in handcrafted guitars.5P belong in the medium-big category of guitars of Alhambra and confirms that with the quality as with the design innovations that have applied.Body top,side and back are “worn out” and specifically processed while attention should be given in the planning of the back which is “shared ' in two isomeric “leaves”. This means that has been used an Indian rosewood leaf that after it is cut, “is opened” in two.This technique achieves much better sound, better transport and diffusion, but also bigger duration .Use of ebony-tree in fingerboard guarantees resistance after the ebony-tree is timber with big density and resistance in the humidity but also exceptional possibilities of easy treatment. Specifications Top:Solid german spruce or Red cedar Back and side:Indian rosewood Neck:Spanish cedar Fingerboard:Ebony Gold-plated tuners
Alhambra 1C is the most famous classical guitar and combines excellent construction quality, high aesthetics design, comfort together with powerful and crystal-clear sound. High quality materials selected with care along with the Company’s experience since 1965 concerning the construction quality of handmade guitars, give us the ideal musical instrument for every guitar player.Τhe Alhambra 1C HT Hybrid Terra guitar is 10% lighter in weight than the famous 1C model and has a perfect finish.The main feature of this model is its finish, a combination of gloss and open pore that has never been seen in any other Alhambra guitar model. Like all the Alhambra guitars, the 1C HT Hybrid Terra is handcrafted and made with select woods. Solid cedar has been used for the top and mahogany for the sides and back.The finishing is carefully done in order to offer an elegant and different instrument. An environmentally friendly varnishing system has been developed, achieving an improvement in the carbon footprint of 66% and a reduction of 90% in CO2 emissions.
The Distressor is an automatic gain (or volume) control device (AGC in engineering terms) designed for pro audio (music) applications. Basically, it electronically controls the volume of just about any source in a very pleasing, and "musical" manner - adding fullness, intelligibility, and especially in the Distressor's case - excitement.This type of device is often called a "limiter" or "compressor" by audio industry people. Its most probable uses will be in recording studios, live sound situations, movie sound production, and radio broadcast production.
Professional music sheet stand with perforated orientable music holder designed to support the heaviest loads. Minimum height : 65cm - Maximum Height : 1050 cm
MARSHALL MS-2C Micro-Amp,1 Watt, classic, silver, for use with optional 9V battery or optional power supply 9V DC, 100mA, clean & overdrive mode, headphone connector
Specifications Weight : 3.45kg Maximum load : 40 kg Minimum height :56 cmMaximum height : 97 cm
SPL 152 Single brace double tier keyboard stand Available in anthracite grey.
With its comprehensive design, Trilian brings many different types of Bass together into one extraordinary-sounding virtual instrument. Trilian is designed from the ground up to be the most versatile bass virtual instrument available today with a new level of expressive, real-time performance for acoustic and electric basses – plus cutting-edge synth bass tones with powerful editing and extraordinary sound quality. Trilian is the successor to Spectrasonics’ award-winning Trilogy bass instrument, offering deeper control of musical expression and much greater flexibility of sound shaping. Trilian’s 34GB library is 10-times the size of Trilogy and features all new acoustic, electric and synth basses. Powered by next generation STEAM Engine technology, Trilian is the first instrument to feature core library integration with Spectrasonics flagship Omnisphere® synth – allowing Trilian’s sounds to be used within the Omnisphere environment for further sound design and keyboard/bass splits. “At Spectrasonics, we’ve always loved Bass sounds.” notes Eric Persing, Founder and Creative Director. “When we started 15 years ago, our very first product was the best-selling Bass Legends sample library. Then in 2002, we introduced Trilogy – the world’s first Bass Virtual Instrument. Now we are very pleased to release Trilian, which represents a whole new generation of our Bass development. Trilian is built on the STEAM Engine that powers Omnisphere, which has allowed us to create the most expressive and flexible Bass module we’ve ever made.” PERFORMANCE The new acoustic and electric basses in Trilian are sampled at an extremely high level of detail. The combination of the software’s intuitive, automatic selection of legato and release articulations as the user plays - and the extensive ‘Round-Robin’ variations introduced for natural sounding bass lines with repeated notes - create a more dynamic and subtle playing experience. Newly developed multisampled dynamic slides let notes realistically slide from one to another. Each of the new basses feature multi-channel mixing between phase-locked microphone/amplifier and direct outputs of each bass. BASS INSTRUMENTS Over sixty different 4, 5, 6 and 8 string Electric basses are presented in fingered, picked, fretless, slapped, tapped, and muted technique variations – providing a huge variety of sounds for any musical genre. Highlights of the new Electric Basses include a Music Man™ 5-string Studio Bass, Chapman Stick®, Lakland™ Rock P-Bass, Clean Fender® Jazz Bass, a Hardcore Rock Bass, a Retro 1960’s Epiphone® Viola Bass and much more. Trilian’s stunning new Acoustic Bass is the most detailed instrument Spectrasonics has ever released, with 4 audio channels and over 21,000 samples to create this single instrument! All this combined with Trilian’s high-resolution streaming of the sounds puts a depth of realism into performances that is truly inspiring. SOUND CREATION For Synth sounds, Trilian features newly-developed 4-Pole “Juicy” and “Power” Filter algorithms with oscillating resonance that are ideal for electronic bass. Hundreds of synth soundsources were created using over 30 of the most exotic and coveted hardware synthesizers – from the original Moog® Taurus Pedals to the latest boutique analog modular synthesizers. A multitude of extremely powerful editing controls are available for sound design – including the “FlexMod” modulation system, Dual Filters with more than 19 filter types, 6 multistage looping envelopes, 6 full-featured LFOs, dual morphing modulation, modulatable FX racks and much more. Trilian’s FX racks include all of the renowned FX processors from Omnisphere and Stylus RMX – including a wide variety of amp and speaker models, distortions, dynamics processors, equalizers, chorus, phasers, flangers, delays, reverbs, unique specialty FX and more. LEGACY As Spectrasonics' next-generation bass instrument, Trilian includes enhanced, remastered versions of Trilogy’s core library – taking it to a new level of sound and expression. As a special bonus, Spectrasonics’ original “Bass Legends” multisamples have also been remastered and included in the Trilian library, featuring Marcus Miller, John Patitucci, and Abraham Laboriel (bass sounds which some hardware synth users may remember from popular Roland Xpansion boards and the classic MBD-1 rack bass module). INTEGRATION Trilian is the first virtual instrument to feature core library integration with Spectrasonics award-winning, flagship Omnisphere synthesizer. Trilian’s complete sound library can be opened within Omnisphere for further synthesis and expanded performance possibilities. Trilian’s Arpeggiator features the “Groove Lock” technology Spectrasonics pioneered in Omnisphere and Stylus RMX’s Time Designer – which means that with a simple drag and drop action, the feel of bass patterns created with Trilian’s Arpeggiator can be perfectly synchronized between all three of Spectrasonics instruments. INTERFACE The new Custom Controls interface on the Main page of each patch brings out the most useful and interesting sound modification controls for that specific patch, and a single control can even modify numerous parameters to create unique FX. The Custom Controls are all MIDI Learnable, Automatable and users can create their own configurations of Custom Controls. COMPATIBILITY Trilian is cross-platform compatible with Apple Macintosh OS X 10.4.9 and higher as a native Universal Binary for Intel-Macs and Macintosh G5, and also with Microsoft Windows 7/Vista and XP SP2 and later. 32-bit Audio Units, VST, and RTAS plug-in formats are supported for compatibility with all major host software.
Fink Analog Audio CS2-FA offers two Complete Channel strips - ready for Dual Mono or Stereo linked use. You can track two different mics through it, or record a stereo pair with it. Loop through it during mix down for that great real analog 'plug-in' (times two.) Link it in stereo as a Bus Processor for vocals, instruments, or percussion groups; or use it as an analog stereo Mastering Processor. PREAMPA three tube preamp in the vintage Putnam console style, with continuous Gain and Level controls.EQUALIZER A passive parametric three-band EQ in the classic Pultec style, with all the familiar frequencies and curves.LIMITER A unique two tube implementation of the UREI 1176, preserving the FET attenuator character and controls of the originalSpecificationsBandwidth10Hz to 50kHz, +/- 1dBMaximum Output+23dBuGain80dBEquivalent Input Noise-122dBPreamp SectionInputsMic, Line, DIInput Pad0, -10, -20, -30dB, LineGain Control+/- 10 dB continuousLevel Control0 to 11Passive EQ SectionLow boost0 to +10dBLow Cut0 to -10dBLow Freq0, 40Hz, 80Hz, 160Hz, 250HzMid Boost0 to +10dBMid Q1 to 10Mid Freq2k, 3k, 5k, 7k, 10k, 15kHzHigh Cut0 to -10dBHigh Freq5k, 10k, 15kHzLimiter SectionMakup Gain-inf to +20dBInput Control0 to 11Output Control0 to 11Ratio1, SOFT, 4, 8, 12, 20, ALLAttack0.2 to 20 msec.Release100msec. to 2.2sec.Chassis2U x 15.25” deepPower20 Watts at 120/240 Vac
The Shure A57F Microphone Clip is a break resistant microphone clip that securely mounts Shure models KSM137, KSM141, SM63, SM63L, SM63LB, SM81, VP64A, VP64AL, MX412, MX418, MX412S, MX418S, MX412SE, and MX418SE to standard microphone stands. The A57F is the replacement for the discontinued A57D.
The Shure A55M Shock Mount Microphone Clip reduces transmission of mechanical noise and vibration by more than 20 decibels. Securely attaches Shure models SM57, SM58, SM86, Beta57A, Beta58A, Beta87A, Beta87C, and KSM109 to standard microphone stands.
The K812 superior reference headphones offer the most pure and natural sound possible. Designed for music professionals the K812 empower to experience the smallest sonic details with the most accurate balance for mixing,mastering as well as music production.The K812 transducer is the largest AKG has ever built. The 53 mm transducer was developed to push the boundaries, to get as close as possible to sonic perfection. During the development process, AKG developed the transducer from scratch in order to ensure the highest in-class headroom and dynamic range.The K812 transducer is the largest AKG has ever built. The 53 mm transducer was developed to push the boundaries, to get as close as possible to sonic perfection. During the development process, AKG developed the transducer from scratch in order to ensure the highest in-class headroom and dynamic range.The copper-covered aluminum voice coil extends sound beyond the limits of human auditory system, hitting a full spectrum of frequencies. With the ultra-lightweight two-layer voice coil a superior impulse response and an extended frequency range up to 54 kHz is guaranteed. Specifications:Headphone type: open-backMax. Input Power: 300 mWAudio frequency bandwidth: 5 to 54000 HzSensitivity headphones: 110 dB SPL/VRated Impedance: 36 OhmsDetachable cable: yesCable Length: 3 mEarpads replaceable: yesFoldable: no
Incorporating a new hidden trolley system, smooth rolling in-line wheels, electroplated zippers and integrated combination lock, the world's best selling 12" trolley bag has been reinforced and strengthened to provide you with even greater protection and durability. The Trolley Deluxe will hold approximately 60 Vinyl records and the SlingBag approximately 50 Vinyl records. However it also fits your MIDI Controller, Audio equipment, Headphone and cables.Specifications:Color: Black/Grey StripeWeight: 8,50 kg / 18.7 lbsOuter Dimensions: Trolley cm: 40 x 45.5 x 31inch: 15.7 x 17.9 x 12.2SlingBag cm: 39 x 38 x 21inch: 15.4 x 15 x 8.3Inner Dimensions: Trolley cm: 31.5 x 32 x 20inch: 12.4 x 12.6 x 7.9SlingBag cm: 32 x 32 x 16inch: 12.6 x 12.6 x 6.3Material: Water Resistant Nylon 420DProtection: Various padding and FoamExtra's Includes SlingBag Trolley Deluxe + SlingBag. Larger side and front pockets provides convenient storage for Accessories and smaller gears. Electroplated zippers and integrated combination lock. Comes with 4 CD Wallet 24. Built in trolley system.Fits: 60 + 50 LP's or 2x Wallets 128 + 2x Wallets 280 and/or 2 MIDI Controllers + misc. Accessories. Trolley fits up to 13" laptop. See description for details and check "By Device".
BackBeat Live Studio Drum Grooves. Awesome Live Acoustic Drum Grooves . Authentic Feel and Hi-Fi Sound. Multiple world-class Drummers, Studios and Engineers Newly developed Multi patches take full advantage of new S.A.G.E.™ (Spectrasonics Advanced Groove Engine) technology with multitrack grooves which show the full potential of BackBeat with Stylus RMX. Essential Styles for Rock and Pop production Transitional Song Construction Elements and Fills Ultra-Wide Sonic Variety Unprecedented Control with SAGE-based Groove Control™ Special Bonus Section includes grooves from Bizarre Guitar, Vocal Planet, Distorted Reality and more!Live drumming at its purest with astounding flexibility. Four world-class drummers contributed their vast talents in some of the most famous recording studios in the world. The result is a state-of-the-art,"super Hi-Fi" sound that adds a whole new dimension to what Stylus RMX can do. The featured players include: Gregg Bissonette (Santana, Joe Satriani, Don Henley) Bob Wilson (Liquid Grooves, George Benson, The Crusaders) John Ferraro (Larry Carlton, David Benoit, Albert Lee, Aaron Neville) Eric Boseman (Liquid Grooves, James Newton-Howard) Dont miss this this best-selling Xpander if you're looking for inspiring "straight-ahead" drum grooves that aren't overplayed!
Burning Grooves. Live Hardcore Drum Grooves Maximum Impact Live Drum Grooves Aggressive Sound, Feel & Style Featuring Abe Laboriel Jr! Newly developed Multi patches take full advantage of new S.A.G.E.™ (Spectrasonics Advanced Groove Engine) technology with multitrack grooves which show the full potential of Burning Grooves with Stylus RMX. High Energy Styles that work across a wide musical spectrum No Kick and No Snare versions Large quantity of diverse grooves Rare Tom-Tom and Sidestick grooves! Different time signature grooves (3/4, 5/4, 6/8, 7/8, 12/8) Brand-New "Acoustic Groove Elements" category! Unprecedented Control with SAGE based Groove Control Special Bonus Section includes grooves from Bizarre Guitar, Vocal Planet, Distorted Reality and more!Blazing live drum grooves with extreme remixes by producer Eric Persing. A diverse selection of unrelenting alternative, power funk, progressive soul, rock & roll and grungehead loops in a wide variety of tempos and different time signatures puts this collection in a class by itself. Featuring legendary drummer Abe Laboriel Jr. (Paul McCartney, Sting, Seal, Chris Isaak, Steve Vai, k.d.lang, Jeff Beck, Joe Sample, Scritti Politti) If you're looking for attitude, search no further. Where there's smoke, there's fire! Review Quotes: "A slammin' combination of loops....Sizzling cymbals and punchy drums are the name of the game...not just natural sounds...I would definitely use these grooves not only because the playing is good, but because I like the modern sound design....top honors for providing one new mix after another...killer beats throughout...Rock-solid playing...Excellent." - KEYBOARD magazine 5 star review "Discs like Burning Grooves have raised the standard of drumming CDs so highly that in order to make their mark these days drumming CDs have to offer more than just expert solo drum performances...The quality of both the playing and recording is first class...the rhythms are straight 'on-the-money', and very usable...they sound extremely natural with an impressive degree of dynamic responsiveness." - SOUND ON SOUND review"The collection will appeal to just about anyone who is looking to add a live drum loop to a track, the extra processing that the collection has undergone adds an extra element of interest, but without drifting too far from the core theme. Thoroughly recommended." - Sounduser.com website review
Liquid Grooves. Unique Acoustic Remix Grooves One-of-a-kind Acoustic Drum & Percussion Grooves Highly Creative Sound, Feel & Style Ethnic grooves with unique processing Newly developed Multi patches take full advantage of new S.A.G.E.™ (Spectrasonics Advanced Groove Engine) technology with multitrack grooves which show the full potential of Liquid Grooves with Stylus RMX. Korg Wavedrum grooves and Remixes Useful Styles that work across the whole musical spectrum Multitrack style elements ideal for remixing Unprecedented Control with SAGE-based Groove Control Special Bonus Section includes grooves from Bizarre Guitar, Vocal Planet, Distorted Reality and more!Quite possibly the most versatile Xpander ever! The critically-acclaimed Liquid Grooves with SAGE technology provides an endless amount of possibilities that will be inspiring for years to come. Fluid rhythms forged by a synthesis propelling live drum grooves, unusual, organic live percussion loops and unique ethnic sources. Works extremely well with Chaos Designer! The new Multis have to be heard to be believed!The featured players include: Bob Wilson (Backbeat, George Benson, The Crusaders) Eric Boseman (Backbeat, James Newton-Howard) An inspiring, one-of-a-kind collection from producer Eric Persing. Review Quotes: "Sampling's finest hour....A masterpiece of layering, effecting and processing...a hugely atmospheric feel...the rhythms are musically useful, and virtually all of them spark compositional ideas...all the elements of every full mix and remix are available individually to give the user maximum flexibility...Eric Persing at his creative best.." -5 stars SOUND ON SOUND review "...Truly inspiring...expertly performed and recorded, and the sound quality is uniformly excellent...The basic grooves are very interesting...The heavily effected versions are striking in their attitude and atmosphere. ...producer Eric Persing has outdone himself with creative processing...Although all of the loops start out as acoustic performances, by the time he has finished with the remix variations they're perfect for trip-hop, lo-fi, or acid jazz tracks...good use of the Korg Wavedrum; perfect for the other-worldly vibe of this disc...Musical, grooving, clever ... aw, these loops just plain sound great...played right in the pocket..the recording quality and performances are first-class...If these loops don't inspire you, hang it up." -KEYBOARD magazine (rated Outstanding)"The Groove Control feature really highlights the power of modern samplers and sequencers, all together giving the user a very powerful and flexible tool." -Sounduser.com website review For more SAGE Xpanders check out Retro Funk, Burning Grooves, Backbeat and Metamorphosis!
Metamorphosis. 21st Century Grooves Huge variety of remix elements to explore Useful across a wide musical spectrum Unprecedented Control with SAGE-based Groove Control Newly developed Multi patches take full advantage of new S.A.G.E.™ (Spectrasonics Advanced Groove Engine) technology with multitrack grooves which show the full potential of Metamorphosis Grooves with Stylus RMX. Special Bonus Section includes grooves from Bizarre Guitar, Vocal Planet, Distorted Reality and more!Extraordinary 21st Century Grooves from acclaimed producer Eric Persing. The award-winning Metamorphosis features a vast array of highly creative remix grooves that defy description. Great for any projects that require cutting edge sound, yet timeless grooves. Mixes very well with the Stylus RMX core library and has a large selection of suites to build your own remixes. Like his famous Distorted Reality series, Metamorphosis is a testament to Persing's inimitable style!Review Quotes:"Persing has done it again... hundreds of remix grooves ranging from airy, pulsing blobs to woofer-wrenching club destroyers. If you're looking for cutting-edge remixology, check out Metamorphosis!" -Harmony Central NAMM "Hot Pick" award"Amazing, description-defying sounds on this bases-loaded, outta-the-park home run collection...scandalously creative sound design...everything from sizzling electronic and ethnic-sounding percussion loops to gut-busting kicks that thump out of the speakers with all the angst of an Outkast cut. The sound quality is top-notch throughout...The loops are not only impressive from a production standpoint, they're incredibly musical and inspirational, which is why we've given Metamorphosis a Key Buy." -Keyboard magazine Key Buy and NAMM "Top 20" product award "We are already TOTALLY digging Metamorphosis!" -Mark Isham (film composer, recording artist) "There's far more here than just a collection of gritty, scratchy old funk rhythms with a slight swing. There's distortion, filtering, extreme effects and synthesized sound — the list of gear used in the creation of the samples extends to two pages of hardware and software. This is not a night out with an HR16 and a Quadraverb! The degree and type of processing varies enormously throughout the library, but at no point are the loops rendered unusable through over-zealous mangling. The loops really groove nicely, while the processing gives them character and depth that would be very hard to find from any other source." -Sound on Sound magazine Five Star review "The important thing about Metamorphosis is that the loops work, they sound fantastic and if used properly, they don't overwhelm. Metamorphosis is another superb effort by the Spectrasonics team that should most certainly be in any electronic composers' creative sound palette." -Sonic Control FIVE STAR review "Absolutely brilliant...I was looking for some loop-based material to make a song backing track more dramatic and interesting. Within 10 minutes of working with 'Metamorphosis', I'd found three or four loops that exactly fitted the bill. After an hour, I'd found so much useable material that my mind was beginning to boggle! I really like the way Eric Persing uses distortion and phasing, but somehow manages to maintain the loop's sonic integrity. The end result is exactly to my taste, powerful without being overpowering, funky without being clichιd. I don't know exactly how he does it, but I do know it would take me weeks to get anywhere near the same effect! My congratulations for making the world of sampling inspirational again." -English keyboard legend Dave Stewart "Awesome...so many great ideas..thanks!" -Robbie Buchanan (producer, keyboardist) "Persing has set the standard for how groove libraries should be done....Inspiring." -Bruce Richardson, Pro-Rec web site For more SAGE Xpanders check out Retro Funk, Burning Grooves, Liquid Grooves and Backbeat!
Retro Funk. Live Vintage Drum Grooves Awesome Live Acoustic Drum & Percussion Grooves Authentic Vintage Sound, Feel & Style Multiple world-class Drummers, Studios and Engineers Newly developed Multi patches take full advantage of new S.A.G.E.™ (Spectrasonics Advanced Groove Engine) technology with multitrack grooves which show the full potential of Retro Funk with Stylus RMX. Essential Styles that work across the whole musical spectrum Transitional Song Construction Elements and Fills Ultra-Wide Sonic Variety Unprecedented Control with SAGE based Groove Control Special Bonus Section includes grooves from Bizarre Guitar, Vocal Planet, Distorted Reality and more!Killer variety and groove factor from the same team of talent behind BackBeat. Presented in the same song construction format as BackBeat, but with a dryer and more classic sound. Very versatile in many styles (not only Funk and Soul) and works incredible well with the Stylus RMX Chaos Designer! Intros, Fills, Fill Bars, Breakdowns and separate Claps, Cymbals & live percussion loops too!The featured players include: Gregg Bissonette (Santana, Joe Satriani, Don Henley) Bob Wilson (Liquid Grooves, George Benson, The Crusaders) John Ferraro (Larry Carlton, David Benoit, Albert Lee, Aaron Neville) Eric Boseman (Liquid Grooves, James Newton-Howard) If you're a fan of classic live drumming like BackBeat... Retrofunk is the essential companion!Review Quotes: " This is a release that deals in sheer quality. Top LA session drummers focusing on laid-back and super-cool funk drumming...more than enough authentically '70s drumming sounds and styles to keep retro-heads happy. Provides all the flavor and spirit of retro soul/funk while at the same time fusing it with a 'must-sample' sound quality and an infectiously musical groove. There is a fantastically wide range of drum sounds used in the grooves...amazingly tight and powerful funk-rock kit sounds that would give even hard rockers a run for their money...Ultimately, Retrofunk's flair, precision, musicianship and sheer usefulness certainly rate it as one of the best drumming discs. -Sound on Sound 5 Star review For more SAGE Xpanders check out Backbeat, Burning Grooves, Liquid Grooves and Metamorphosis!
Highly affordable AKG large-diaphragm microphone technologyCardioid polar pattern for multiplicity of vocal and instrument applications The earlier model C 3000 has had a large fan club in the project studio and home recording worlds for years. For the new C 3000 B, AKG designed a special 1-inch large-diaphragm transducer that closely approximates the vibration performance of top-class studio microphones, but can be made at much lower cost.Due to its surface area and special capsule tuning, the C 3000 B large-diaphragm transducer produces an exceptionally pleasing, smooth sound. Unlike in the C 3000, the switchable 10-dB preattenuation pad immediately follows the transducer in the signal path, thus increasing the C 3000 B's SPL capability by a true 10 dB. Loud sound sources are therefore no problem.An acoustically optimized cardioid polar pattern makes the C 3000 B an excellent choice for both recording and live sound applications where high gain before feedback is paramount.
High sensitivity and extremely low self noiseFive switchable polar patterns for placement and application flexibilityTwo-color LEDs provide quick visual indication of selected polar pattern and output overloadElastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibrationH 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen.A classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments.With the introduction of the NeXt Generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of the legendary C 414 unaltered.Additional features:High sound pressure level capability and wide dynamic rangeCompletely immune to electrostatic and electromagnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stageThree switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indicationAll switchable components operate in low impedance circuits for ultra-high reliability even in extremely humid conditionsAlso available in stereo pair C 414 B-XL II/ST.
The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).See C 451 B for technical specifications and more details.
Miniature cardioid condenser clamp-on microphone with shock mounted capsule . Ideal for miking drums and percussions . Including wireless direct adapter for easy use with AKG pocket transmitters Detachable microphone cable . Integrated gooseneck .Continuously adjustable vise type clamp The ultimate miniature condenser microphone for drums and percussions. Its cardioid polar pattern rejects overspill from nearby instruments. A continuously adjustable vise-type clamp makes it easy to fix the microphone securely on the top hoop of most drums or percussion instruments. An external shock mount provides high mechanical-noise rejection. A special snap-on stabilizer knee will keep the gooseneck bent at a defined angle. The C 518 M features an integrated, switchable bass cut for adjusting the microphoneΆs frequency response to your instrumentΆs sound. The unique adapter plate A 400 allows easy attachment of the AKG pocket transmitters. Versions:C 518 M for external phantom powering C 518 ML for use with the B 29 L battery power supply, AKG WMS Series bodypack transmitters, or the MPA V L adapter for external phantom powering.
High sensitivity and extremely low self noiseFive switchable polar patterns for placement and application flexibilityTwo-color LEDs provide quick visual indication of selected polar pattern and output overloadElastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibrationH 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen. A reference-quality microphone especially used for accurate, beautifully-detailed pickup of any acoustic instrument.With the introduction of the NeXt Generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of the legendary C 414 unaltered.Additional features:High sound pressure level capability and wide dynamic rangeCompletely immune to electrostatic and electromagnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stageThree switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indicationAll switchable components operate in low impedance circuits for ultra-high reliability even in extremely humid conditionsAlso available in stereo pair C 414 B-XLS/ST.
AKG’s Legendary 1” Edge-Terminated Large Diaphragm Sound΄Outstanding Dynamic Range (up to 156 dB SPL, Ultra-Low Noise)Roadworthy DesignIntegrated Suspension to reduce mechanical NoiseSwitchable 20 dB Attenuation Pad and Low Cut SwitchRugged double mesh Grill for high RF immunity but unaffected AcousticsAll-metal Die-cast body with shock- and scratch-resistant FinishSpider-type Shock Mount includedMetal Carrying Case includedDesigned, Engineered and Built in Vienna, AustriaAKG's industry-leading C 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting, and on-stage miking as well.The new C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKG’s patented Back-Plate Technology which results in an outstanding performance close to the famous C 414 B-XLS.
Shure Beta 58 A, 3 meter cable XLR - XLR and a microphone stand !!! The Shure Beta 58A is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide. The Beta 58A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille. FEATURESUniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound Neodymium magnet for high signal–to–noise output Hardened steel mesh grille that resists wear and abuse Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration Minimally effected by varying load impedance Legendary Shure quality and reliability
Miniature cardioid condenser clamp-on microphone with shock mounted capsule . Ideal for miking drums and percussions . Including wireless direct adapter for easy use with AKG pocket transmitters.Detachable microphone cable .Integrated gooseneck .Continuously adjustable vise type clamp The ultimate miniature condenser microphone for drums and percussions. Its cardioid polar pattern rejects overspill from nearby instruments. A continuously adjustable vise-type clamp makes it easy to fix the microphone securely on the top hoop of most drums or percussion instruments. An external shock mount provides high mechanical-noise rejection. A special snap-on stabilizer knee will keep the gooseneck bent at a defined angle. The C 518 M features an integrated, switchable bass cut for adjusting the microphoneΆs frequency response to your instrumentΆs sound. The unique adapter plate A 400 allows easy attachment of the AKG pocket transmitters. Versions:C 518 M for external phantom powering C 518 ML for use with the B 29 L battery power supply, AKG WMS Series bodypack transmitters, or the MPA V L adapter for external phantom powering.
Neumann EA 87 shockmount for U87 - weight: 500g. Colour: Nickel.
Access Virus TI2 Polar dual DSP system with over 80 stereo voices, VirusControl (VST and AU) plug-in for Windows XP and Mac OS X for the integration into a software sequencer, 129x parallel effects, 6x balanced outputs with +4dB level and switchable soft limiting algorithm. Studio grade 192khz D/A converters with SPDIF digital I/O. 2x 24bit inputs. Surround sound capabilities, programmable arpeggiator for all patches. Extended memory: 512 RAM patches and 2048 ROM patches (re-writable), compatible with USB 2.0 (USB and high-speed USB devices), quality synth-action keyboard with 37x keys, velocity response and aftertouch. 2x pedal inputs.
Avid Artist Control (Euphonix), DAW controller, high-resolution 800 x 480 pixel LED-backlit touch-screen, 4 touch-sensitive 100mm motorized faders, 8 touch-sensitive rotary encoders, Data wheel and transport controls, 12 physical Soft Keys, monitor/control room level and talkback mic controls, Footswitch jack, Ethernet Connection, supports Eucon, HUI and Mackie Control compatible DAW software. Compatible with WIN 7 and Mac OS X. Dimensions: 500 x 235 x 30mm. Weight: 2.5kg
Avid Artist Mix (Euphonix), DAW controller, 8 motorised Touch-sensitive 100mm Faders, 8 Touch-sensitive Rotary Encoders and Knob Select/On Keys, Record/Automation Keys, Select/Assign Keys, Solo/Mute/Transport Keys, Track Navigation, 8 OLED Displays, Ethernet Port, Footswitch Jack, compatible with WIN 7 and Mac OSX. Supports Eucon, HUI and Mackie Control compatible DAW software. Dimensions: 420 x 238 x 30mm. Weight: 2.2kg.
Roland DP10 half-damping sustain pedal for portable digital Pianos, stage Pianos and Synthesizers, with non-slip rubber plate, 190 cm cable, stereo-jack
BEYERDYNAMIC DT-770 PRO, studio headphone, dynamic, closed, impedance 250 Ohm, pressure level 96dB/SPL, frequency response 5-30.000 Hz, diffusfeldentzerrt, weight 270g incl. cable, 3,5mm stereo jack with adapter 6.3mm, cable lenght 3m, coiled cable
The twin channel LX35R packs a serious punch for a compact package and the rugged metal grille, metal corners and tattoo graphics give it the looks and strength to be taken to the extreme. Features include spring reverb, global EQ, CD input, headphone socket and a 1x10' custom speaker external speaker socket to connect up a larger cabinet such as the LX412A to move from rehearsal to stage use. Also check out the LX35 and LX35D non-reverb and digital effects equipped versions. Specifications Power RMS 30 Watts Inputs 1x Jack Channels 2 (Clean and Distortion) Equalisation Global Bass, Mid and Treble Reverb Yes Line Out No Footswitch FS2 (Not Included) Speaker connections 1x Jack (4 Ohms External) FX Loop(s) No Drivers 1x10' Custom Driver Cabinet Design Black metal corners, gloss metal grille and rubber feet Master Effects Level Controls No Effects No Headphone Socket Yes CD Input Yes (Phono) Kick Proof Metal Grill Yes Weight 12.25 Kg Dimensions (mm) 405 x 380 x 230
The twin channel LX65R features a 3 band EQ per channel, CD input, headphone socket and a 1x12' Celestion speaker. With a 65 watt output stage it will handle live applications, plus connect up another cabinet such as the LX412A for even more power. Also check out the LX65D for the same features plus on board digital effects. Specifications Power RMS 65 Watts Inputs 1x Jack Channels 2 (Clean and Distortion) Equalisation Bass, Mid and Treble per Channel Reverb Yes Line Out Yes Footswitch FS2 (Not Included) Speaker connections 1x Jack (8 Ohms) FX Loop(s) Yes Drivers 1x12' Celestion Driver Cabinet Design Black metal corners, gloss metal grille and rubber feet Master Effects Level Controls No Effects No Headphone Socket Yes CD Input Yes (Phono) Kick Proof Metal Grill Yes Weight 19.5 Kg Dimensions (mm) 486 x 430 x 250
The LG12 offers a great range of guitar tones in a very compact package - ideal for rocking out in the bedroom. Featuring 10 watts output with clean and crunch sounds, this amplifier also has a CD input for playing along to your favourite tunes. Specifications Power RMS10 WattsInputs1x JackChannels1EqualisationGlobal Bass, Mid and TrebleReverbNoFootswitchNoSpeaker connectionsNoFX Loop(s)NoDrivers1x6' Custom DriverCabinet DesignTop mounted construction, black plastic corners, leather handle and rubber feetScoop SwitchNoHeadphone SocketYesCD InputYes (Stereo jack)Weight7 KgDimensions (mm)295 x 328 x 178
The LG20R features 15 watts output power into a 8' custom designed speaker wrapped up in a solidly constructed cabinet, with a leather handle, rubber feet and black plastic corners. Ideal for both the bedroom, and in the rehearsal studio. Great for recording too! Specifications Power RMS15 WattsInputs1x JackChannels2 (Clean and Crunch)EqualisationGlobal Bass, Mid and TrebleReverbYesFootswitchNoSpeaker connectionsNoFX Loop(s)NoDrivers1x8' Custom DriverCabinet DesignTop mounted construction, black plastic corners, leather handle and rubber feetScoop SwitchNoHeadphone SocketYesCD InputYes (Stereo jack)Weight10 KgDimensions (mm)350 x 400 x 211
O LX-120TWIN αποτελεί τον μεγαλύτερο ενισχυτή της σειράς LX .Αποδίδει 120W ισχύ τα οποία μπορούν να οδηγηθούν στα 4ohm με εξαιρετική ευκολία εάν συνδεθεί με μια καμπίνα 4x12 και να έχουμε ένα ογκώδη,γεμάτο και δυνατό ήχο.Ο ενισχυτής περιλαμβάνει ξεχωριστό EQ για το κάθε κανάλι ξεχωριστά για απόλυτο έλεγχο,line out έξοδο για απευθείας ηχογράφηση,έξοδο για συνδεση με άλλο ηχείο,CD/MP3 input και 15 προγράμματα εφφέ τα οποία μπορεί να χειριστεί κάποιος με ποδοδιακόπτη. Τα DSP εφφέ του ενισχυτή είναι:2x Reverb,4x Delay,2x Chorus,Flanger,Rotary speaker simulator,Octave,Chorus+Reverb,Chorus+Delay,Flanger+Delay,Octave+Delay. Χαρακτηριστικά Ισχύς 120 Watts Είσοδοι 1x Jack Κανάλια 2 (Clean and Distortion) Equalisation Bass, Mid and Treble per Channel Reverb DSP Line Out Yes Ποδοδιακόπτης FS2 (Not Included) Συνδέσεις ηχείου 1x Jack (8 Ohms) FX Loop(s) Yes Ηχείο 2x12' Celestion Σχεδιασμός καμπίνας Black metal corners, gloss metal grille and rubber feet Ρυθμιστικό ποσοστού εφφέ Yes Effects DSP Eίσοδος ακουστικών No CD Input Yes (Phono) Προστατευτικό ενισχυτή Yes Βάρος 22.7 Kg Διαστάσεις 670 x 475 x 275
function Popup_Img(Img_Name) {window.open("Show_Popup.asp?Img=" + Img_Name, "_blank", "height=10, width=10, channelmode=0, dependent=0, directories=0, fullscreen=0, location=0, menubar=0, resizable=1, scrollbars=1, status=0, toolbar=0 ");} ΟThe LX20 is more than just a practice amp with its rugged metal grille, metal corners and tattoo graphics giving it the looks and strength to be taken to the extreme. Features include twin channels,global 3 band EQ, a 1x8' Custom speaker, CD input (ideal for playing along to your favourite tunes) and headphone socket. Also check out the LX20D and LX20R non-reverb versions. Ισχύς 15 Watts Είσοδοι 1x Jack Κανάλια 2 (Clean and Distortion) Equalisation Global Bass, Mid and Treble Reverb No Έξοδος No Ποδοδιακόπτης No Συνδέσεις ηχείου No FX Loop(s) No Ηχείο 1x8' Custom Driver Σχεδιασμός καμπίνας Black metal corners, gloss metal grille and rubber feet Ρυθμιστικό εφφέ No Εφφέ No Είσοδος ακουστικών Yes CD Input Yes (Jack) Προστατευτικό ηχείου Yes Βάρος 10 Kg Διαστάσεις 360 x 354 x 215
The Tube-Tech CL1B features a gain-reduction element, positioned immediately after the input transformer. It is controlled by the sidechain amplifier, which also contain the two time control circuits – one for fixed and one for variable Attack/Release. The two time-controllers can either be used separately or combined. This circuit contains semiconductor OP-amps for the entire control. The gain-reduction element is followed by a tube-based push-pull amplifier with variable gain up to 30 dB. A dedicated Bus selector with three positions (Off, Bus 1, Bus 2) is used whenever you want to link several compressors together. Input and output transformers have a static-screen between the primary and secondary wirings. Both Input and Output are balanced as well as fully floating.The CL 1B has proven its value by adding that sought-after vintage warmth and realism to the most demanding studio tracks.The Tube-Tech CL 1B main features include: Unique low distortion gain-reduction element All tube-based push-pull amplifier Multiple interconnection of several compressors via two busses VU-meter for monitoring input, compression and output Continuously variable attack and release time Gain Range (off to +30 dB) Variable Threshold (off to -40 dBu) Frequency response @ -3 dB: 5 Hz to 25 kHz Low noise: < -75 dBu @30 dB gain Clickless bypass switch
