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Our passionate drum designers experiment hundreds of metals and different combinations of metals and configurations to build a wide range of sounds that drummers are looking after.
Ludwig LB416, 14"x5" Black Beauty Snare Drum, black powdered Brass Shell, with Supra-Phonic (P85) Snare Strainer, Imperial Lugs, the Legende lives,
Our passionate drum designers experiment with hundreds of metals and different combinations of metals and configurations to build a wide range of sounds that drummers are looking after.
Snare 6'' x 14''. Our passionate drum designers experiment with hundreds of metals and different combinations of metals and configurations to build a wide range of sounds that drummers are looking after.
Snare 6.5'' x 14''. Our passionate drum designers experiment with hundreds of metals and different combinations of metals and configurations to build a wide range of sounds that drummers are looking after.
Ludwig’s Black Beauty Snare Drums have long been the optimal choice for the touring and recording drummer in need of volume, tonal clarity, and optimal snare response. As the originator of its Black Nickel-Over-Brass shell composition, Ludwig is proud to announce the introduction of new Black Magic Snare Drums.A classic formula for a more aggressive musical age, Black Magic snare drums share the same shell type with the Black Beauty, but with upgrades like matching Die-Cast hoops for increased volume, and Tube-Style lugs for maximum shell resonance.
SE Electronics Project Studio Baby RF- same basic design as the pro version but manufactured from different materials. Portable device for recording live sources with reduced room ambience. The main function is to help obtain a ‘dry’ vocal or instrument recording. This is especially useful in studios without proper acoustic treatment, but can also be used to help record takes in control rooms, where the performer also has to operate the recorder, or in rehearsal studios to reduce ambient noise. Dimensions: 390 x 200 x 320mm
Just like our Artisan series drum sets, our Artisan snares are using many selected woods to perform the best sound choices. In addition to woods, our passionate drum designers also experiment hundreds of metals and different combinations of metals and configurations to build a wide range of sounds that drummers are looking after. Furthermore, we also created “Hybrid” snares that have metal insertion to balance low-end and high-end frequencies.
Just like our Artisan series drum sets, our Artisan snares are using many selected woods to perform the best sound choices. In addition to woods, our passionate drum designers also experiment hundreds of metals and different combinations of metals and configurations to build a wide range of sounds that drummers are looking after.Furthermore, we also created “Hybrid” snares that have metal insertion to balance low-end and high-end frequencies.
Bass Station II is an analogue mono-synth based on the classic original Bass Station but re-worked for the 21st century. It has two filters, two oscillators plus a third sub-oscillator, patch save and a fully analogue effects section. Add a step sequencer, arpeggiator, full sized keys and a powerful modulation section and you have the makings of a synth that is built for bass, but capable of so much more.
Ludwig LM402 Snare Drum - 14" x 6.5" Supra Phonic snare drum, chrome plated seamless smooth aluminium with Imperial lugs, Supra-Phonic snare strainer, great for kit or concert percussion.
CD player CD-300 which is a perfect match for the SA-300 SE amplifier TECHNICAL SPECIFICATIONS:Channel Separation: >90dBCharacteristics: THD 105dBType: CD PlayerWeight: 4.3 kg
The QTC Series (Quiet Time Coherent) is designed for recording quieter sources such as vocals, strings and distant miked orchestras or choirs. These low-noise omnis are also an excellent choice for drum overheads, close-miked wind and percussion instruments. Earthworks’ reputation for realism is based on these distinctive omnis. Time Coherent Response means these models do not smear the time domain as most microphones do.With a frequency response to 40kHz and excellent impulse response, it will reproduce sounds with incredible detail that are true and life-like, making it an ideal and affordable choice for recording applicationsPerfect for recording the accuracy and full detail of instruments in the studio yet robust and subtle enough to record bird sounds in the jungleIntended for detailed sourcesOmnidirectional polar patternFlat frequency response, fast impulse response and exceptional polar characteristicsAccurate and uncoloredHandles sound levels up to 142dB with no proximity effect or handling noiseRequires 48V Phantom Power
Next step up in our product line-up for pure enjoyment in music. The system 270 consists of a stereo amplifier SA-270, an AM/FM stereo tuner ST-270 and a CD-player CD-270. The performance of this system outbeats the 250 system due to upgraded units and the design has also been upgraded.A system remote control for all functions is supplied with every unit, which can work as perfect with any other branded equipment,but in a system, all of them are matched for giving the best performance for the money. A beautifull system - which is our view gives you exellent value for money. TECHNICAL SPECIFICATIONS:Dimensions: 430 x 287 x 80 mm (WxDxH)Disc Capacity: 40 Preset StationsOutput Voltage at 1 kHz at 5.7 cm/s eff.: 2,5VppRemote Control: YesSensitivity: -96dBm typeType: FM TunerWeight: 3.9 kg
The CD-250 is the undoubt highlight of this trio. Balanced, fluid and with a sonor ground tones, the CD-250 is reproducing the sound in a natural and clear manner and is therefore an ideal partner to the amplifier of the same brand or any other system. The features are all there, nothing is missed. The finish quality and materials used are far above the average in this price level. TECHNICAL SPECIFICATIONS:Channel Separation: >60dBCharacteristics: THD 99dBWeight: 4.0 kg
Το πιο δημοφιλές μικρόφωνο στην ιστορία των ηχογραφήσεων bundle μαζί με την αράχνη του. To U87 είναι ενα πυκνωτικό μικρόφωνο μεγάλου διαφράγματος για ηχογραφήσεις φωνής και οργάνων. ΧΑΡΑΚΤΗΡΙΣΤΙΚΑ:Acoustical operating principle Pressure gradient transducerDirectional pattern Omnidirectional, cardioid, figure-8 plusFrequency range 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa*Rated impedance 200 ohmsRated load impedance 1000 ohmsEquivalent SPL CCIR 468-3 26/23/25 dB*Equivalent SPL DIN/IEC 651 15/12/14 dB-A*S/N ratio CCIR 468-3 68/71/69 dB*S/N ratio DIN/IEC 651 79/82/80 dB*Maximum SPL for THD 0.5% 117 dB (cardioid)Maximum SPL for THD 0.5% with preattenuation 127 dBMaximum output voltage 390 mVDynamic range of the microphone amplifier cardioid DIN/IEC 651 105 dBSupply voltage 48 V ± 4 VCurrent consumption 0.8 mAMatching connectors XLR 3FWeight 500 gDiameter 56 mmLength 200 mm
G-DRIVE mini 750GB @7200
The original hi-fi mini monitor, and respected by all. Radius 90 continues to evolve, delivering a greater size-defying performance than ever before. New Radius 90 incorporates a 4” (100mm) C-CAM® bass driver and 1” (25mm) C-CAM tweeter for a tuneful, controlled and powerful sound in pairs or combined as front and rear speakers in an AV system along with the 200 or 225, and the 380/ 390 subs. Use the optional MASM speaker mount or any standard wall bracket for wall mounting via the 90’s single point fixing. Optional floor stands expand the installation possibilities still further. Features: New 4” C-CAM bass driver - Radius features all new bass drivers with concave cone profiles, introduced by our top-of-the-range Platinum speakers and applied subsequently to Gold GX. Extensive research and FEA modelling have allowed us to perfect the relationship between the new radiating diaphragm and its motor design, introducing larger motor sizes and voice coils for increased excursion, higher power capability and reduced distortion. New C-CAM gold dome tweeter - optimised to deliver the finest and widest performance within the compact Radius cabinets. It benefits from a more efficient rear-venting design, releasing air trapped and compressed at the back of the tweeter dome, and guiding it around the drive assembly to a rear-loading chamber. HiVe II port design - Straight from Platinum’s design blueprint, the HiVe reflex port makes its Radius debut. It’s shaped to have the same effect on airflow as a gun-barrel on a bullet. Rifled grooves inside the port help to accelerate the flow and reduce turbulence, so air moves in and out of the port more efficiently, for a faster more dynamic bass response. Single through-bolt driver fixing provides mechanical de-coupling and enhanced mid-band clarity and resolution. The through-bolts also act as rigid cross bracing to give a very solid non-resonant cabinet. Single point ¼”x20TPI wall fixing. Use the optional Monitor Audio speaker mount or any standard wall bracket Optional floor-stand with internal (pre-wired) cable management system. Χαρακτηριστικά: Frequency Response: 80Hz - 35KHz Sensitivity: 83dB Nominal Impedance: 8 ohms Power Handling Single (RMS): 75 watts System Power Handling (RMS): 100 watts Recommended Amplifier Requirements: 30-100 watts Maximum SPL (dBA): 102 Bass Alignment: Bass reflex - rear ported Driver complement: 1 x 4” (100mm) C-CAM cone bass/mid driver, 1 x 1” (25mm) C-CAM gold dome tweeter Cabinet Dimensions (H x W x D): 198 x 125 x 140mm (713/16 x 415/16 x 51/2 Inches) Cabinet Dimensions (H x W x D) (Inc Grille & Terminals): 198 x 125 x 164mm (713/16 x 415/16 x 67/16 Inches) Cabinet Dimensions (H x W x D) (Inc Grille & Bracket): 198 x 125 x 203mm (713/16 x 415/16 x 8 Inches) Bracket: Optional - Monitor Audio Speaker Mount (MASM) Weight: 2.1kg (4lb 10oz)
The ADA-8XR is a multi-channel AD/DA converter that can be configured in numerous ways using plug-in modules to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD/DA converter. It can be a multi-channel FireWire interface, or an AES/EBU / AES3 / SPDIF Digital to Analogue or Analogue to Digital converter. It can act as a high resolution Pro Tools Interface for recording or post-production. Similarly it can work with a wide range of other popular Digital Audio Workstations (DAWs) including Logic, Cubase, Nuendo and others. In fact, there's not a lot it can't do when it comes to digital audio conversion. The ADA-8XR is the top professionals' converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the ADA-8XR is ideal for producers, engineers and songwriters wanting to produce top-quality results when recording, tracking & overdubbing, mixing to stereo or surround, mastering and monitoring. The ADA-8XR is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film sound tracks. Prism Sound ADA-8XR front panel The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, unbeatable performance and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The ADA-8XR provides A/D and D/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats. Unlike most other converter systems, the ADA-8XR is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the ADA-8XR. In addition, the ADA-8XR can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The ADA-8XR delivers your recordings with perfect transparency, whatever the setup. The ADA-8XR is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the ADA-8XR is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements. For more detail see the ADA-8XR Configurations section.
Easy running microphone desk arm with 3/8" or 5/8" thread for studios and multi-media workstations; black powder-coated. Easy to handle. The microphone arm keeps the position which you select. The included screw-on clamp (adjust-able up to 2.17") or the additional available table flange offer a multi-purpose use. Max. load capacity 1.76 lbs. 197" microphone cable (3-pole XLR connection) is included.
The first Neumann microphone with a dynamic capsule. Functionally optimized design specifically for the broadcast field, featuring integrated pop protection, suppression of structure-borne noise and a hypercardioid directional characteristic. Emotion conveyed with technical perfection. This is the ideal which the Neumann microphones in the Broadcast Line have been designed to fulfill. The fine-tuning to the requirements of professional broadcast studios and the individual, functionally optimized design* ensure that these are microphones of character.The BCM 705 is Neumann’s first dynamic microphone. The housing and headgrille are identical to those of the BCM 104; only the green logo indicates that this is something new from Neumann. The principle of reduction to the essentials can be seen in the dynamic capsule with a hypercardioid directional characteristic, specifically designed for speech reproduction at close range. Multi-level isolation from structure-borne noise ensures operation free of interference, even in a lively studio environment.
A starting point in our product line-up for pure enjoyment in music. The system 250 consists of a stereo amplifier SA-250, an AM/FM stereo tuner ST-250 and a CD-player CD-250. Perhpas low in price, but big in performance.A system remote control for all functions is supplied with every unit, which can work as perfect with any other branded equipment, but in a system,all of them are matched for giving the best performance for the money. No nonsense system - good value for money. TECHNICAL SPECIFICATIONS:Dimensions: 430 x 287 x 80 mm (WxDxH)Disc Capacity: 40 Preset StationsOutput Voltage at 1 kHz at 5.7 cm/s eff.: 2,5VppRemote Control: YesSensitivity: -96dBm typeType: FM TunerWeight: 3.9 kg
The system 270 consists of a stereo amplifier SA-270, an AM/FM stereo tuner, ST-270 and a CD-player CD-270. The performance of this system outbeats the 250 system due to upgraded units and the design has also been upgraded. A system remote control for all functions is supplied with every unit, which can work as perfect with any other branded equipment, but in a system, all of them are matched for giving the best performance for the money. TECHNICAL SPECIFICATIONS:Channel Separation: >60dBCharacteristics: THD 99dBType: CD PlayerWeight: 4.0 kg
Large smooth rolling in-line wheelswalls to ensure your controller is well protected. The innovative easy-secure main compartment allows for quick access yet holds the controller securely whilst in transit. The side entry laptop compartment is able to deal with models up to 18" and the internal deLuxe organiser with spacer mesh pocket ensures that those miscellaneous smaller items are kept safely in place. The bag is designed to be flexible in transit and has a 4-method carrying system. Specs:Color: BlackWeight: 3,80 kg / 8.36 lbsOuter Dimensions: cm: 38 x 73 x 17inch: 15 x 28.7 x 6.7Inner Dimensions: cm: 35 x 71 x 12inch: 13.8 x 28 x 4.7Material: Water Resistant Nylon 420DProtection: Padded MIDI Controller compartment. Bottom guards fabrics protect from scuffing and abration.Extra's: Side entry laptop compartment. Deluxe organizer with spacer mesh accessory pockets for today's latest technology. 4-method carrying system.Fits: Reloop Terminal Mix 4, NI S4, Denon DN-MC 6000, American Audio VMS4, Pioneer (DDJ SX, DDJ Ergo, DDJ S1/T1). Up to 18" laptop.
The SQN-4S_mini is an upgraded revision of the SQN-2S which created new size and weight benchmarks for the miniature ENG mixer. This elegant design puts the essence of the well known SQN-4S Series IVe 4:2 mixer into a case identical in size to the earlier SQN-3M mono mixer. The new version has new control knobs for the two secondary channels which both improve handling and mark them visually as channel faders. It also features the addition of bass cuts on Channels 3 and 4. 4m View Click on picture for closeup The SQN-4S_mini has been developed by further reducing the size of the essential elements of the SQN-4S Series IVe which now appear in the SQN-5S. This tiny mixer is capable of carrying out virtually any of the tasks commonly required of a portable mixer in location recording and outside broadcast. Two of the input channels, CH1 & CH2, are conventional microphone channels with the full range of powering bass cut and attenuation. This pair can also be MS matrixed. The second pair, CH3 & CH4, have a reduced gain and no powering. They are intended for use with Radio Mics or other self-powered mics. All channels can be routed Left, Right or Centre (both). The mixer includes balanced transformerless input and output amplifiers, virtually unbreakable analogue level meters, pre-fade listening (on CH4), slating microphone, a minimal length audio path with the option of MS matrixing of CH1 & CH2. The limiter is identical to the design already proven in the SQN-4S as is the low distortion tone oscillator. MS decoding of the monitoring is also provided.
The new SQN-5S is the successor to the classic SQN-4S.It offers the same convenience of operation in exactly the same size case as the previous model but now with five channels and comes in at a reduced weight.It is designed to give the professional sound recordist more flexibility on location.The SQN-5S is powered using either 8 AA internal batteries or it can be powered externally from a 6V to 24V DC supply.This product is available with a choice of meters: VU Meters (SQN-5SV) SMPTE meters (SQN-5SA) Nordic Norm meters (SQN-5SN) BBC PPM meters (SQN-5SB)
Avalon V5 Silver, 1 channel pre-amp, high-voltage design, Pure Class A, multi-purpose instrument, line and microphone pre-re-amplifier, low noise, high-gain, Pure Class A, microphone preamplifier with dual impedance ideal for ribbon-dynamic and high level condenser microphones, 10 meg.Ohms instrument DI input with zero impedance loading. Ideal for sensistive acoustic pickups together with a +36dB maximum input capability, transformer isolated REAMPING output offers multiple input-output configuarations with ALL inputs available, including polarity reverse, PASSIVE TONE selector allows ten contours (six from the U5 tone bank) including two passive high pass filters and two vocal-instrument enhanced passive AIR-LIFT low frequency curves. Additional features include a passive low pass hiss & buzz filter, a wide range, professional analog VU meter with expanded scale -30dB to +18dB with twin peak LED’s for fast signal capture, Color: Silver.
The UDG Ultimate Backpack has been designed for general day to day work use with the digital DJ in mind.The UDG Backpack is constructed from high quality fabric and contains a padded laptop sleeve that will fit up to a 17" MacBook Pro. The bag main compartment can also hold a small MIDI controller or magazines/paperwork if required.A unique pouch pocket can be found just inside the bag opening that allows for quick access to your headphones. A cleverly designed organiser section and spacer mesh pocket provide storage for small miscellaneous accessories so that your possessions are held safely in place. SpecificationsWater Resistant Nylon 450DPadded laptop compartment fits MacBook Pro 17" and more space for MIDI ControllerHinged headphone pocket insideDeluxe organizer with spacer mesh accessory pockets for today's latest technology.Quick access front pocket & dual side pocket for accessories and smaller gearsPadded haul carry handlesDetachable shoulder backpack with sling for fixing on trolleyBottom guards fabrics for added protection from scuffing and abration Outer Dimensionscm: 40 x 51 x 22inch: 15.7 x 20 x 8.7 Inner Dimensionscm: 33 x 40 x 14inch: 13 x 15.7 x 5 Weight1.5 kg | 3.3 lbs Fits: Native Instruments Traktor Z2, Pioneer DDJ Wego, Reloop Jockey II, Akai APC 20, Vestax Typhoon, Numark Omni Control, 17" Laptop.Item Code: U9102BL/OR (Black, Orange Inside).
The M6PRE fully balanced preamp is genuinely fully balanced; from beginning to end. Many preamps claim to be balanced but in fact are single ended preamps with balanced inputs and balanced outputs. Unlike them, the M6PRE is the real deal. Its pure Class A circuitry produces very low distortion, minimal phase shift, low noise and excellent linearity. The low impedance output stages (both single ended and full balanced) will drive any power amp through any conceivable length of cable.The M6PRE fully balanced preamp has a wide range of inputs; two balanced inputs, phono MM/MC, four line inputs (one with HT bypass) and digital USB2. The M6PRE fully balanced preamp is the epitome of Musical Fidelity design; superlative technical performance, great flexibility, excellent build quality, beautiful visuals and excellent value for money.A perfect match for the Musical Fidelity M6PRX power amplifier. TECHNICAL SPECIFICATIONS:Pre-Amplifier:THD(+ noise) - single ended:
The MKH 416 is a shot gun interference tube microphone. Its excellent directivity and compact design, high consonant articulation and feedback rejection make the MKH 416 a superb all-round microphone for film, radio and television, especially for outside broadcast applications.Pick-up pattern : super-cardioid/lobarSensitivity in free field, no load : (1kHz) 25 mV/Pa +- 1 dBNominal impedance : 25 Ohm Min.terminating impedance : 800 OhmVoltage Phantom : 48 +- 12 VCurrent consumption : 2 mA Dimensions : d 19 x 250 mmWeight : 165 g
Monophonic Analog Synthesizer. The classic MS-20, recreated in mini size! An analog synthesizer featuring the original circuitry from 1978. Korg’s MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg’s MS-20 plug-in synth, or the iMS-20 iPad app. Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that’s been shrunk to 86% of the original size, yet retains the distinctive look of the original. The MS-20 mini will amaze you with its absolutely authentic analog synth sound. Highlights:Overseen by the engineers of the original MS-20, a complete replication of the original analog circuitry2VCO / 2VCA / 2VCF / 2EG / 1LFO structureSelf-oscillating high-pass/low-pass filters with distinctive distortionExternal signal processor (ESP)Extremely flexible patching systemMiniature MS-20 that's 86% of the original sizeMIDI IN and USB connectorReplicates every detail of the original, down to the package binding and the included manual
SE Electronics X1 Vocal Pack. Large diaphragm condenser microphone Bundle. Set includes: sE X1 microphoneShock44 shockmountPop Screen MetalSE mic cable 3m Specifications mic: 1" diaphragm membrane20Hz-20KHz-32dBv/Pa sensitivity (25.1mV/Pa)
Underscoring its continued effort to provide the professional audio industry with the most reliable and robust equipment, HARMAN's AKG releases its updated C1000 S multipurpose condenser microphone during Winter NAMM 2013. The high-performance small-diaphragm microphone is ideally suited for recording and live sound applications for drum overheads, pianos and acoustic instruments.
The world-wide acclaimed speaker stand has been upgraded. All clamps are now high quality zinc die-cast. The new leg construction and large fixed foot end caps enhance safety and stability even further. This professional stand is TÜV (German Technical Supervisory Agency) approved for a maximum central load capacity of 110.132". Other features such as the pull-out guard for the extension tube, the integral anti-shock component and comfortable height adjustment with spring-loaded bolt and locking screw have of course been retained.
A high quality steel speaker stand with zinc die-cast clamps for professional use. Infinitely variable height adjustment with a hand crank and push button system which prevents an uncontrolled reverse motion. There is an additional locking screw for extra safety. Extension tube diameter 35 mm, suitable for speakers and lighting crossbars with an integrated M10 thread connector.
Lightweight aluminum stand for loads up to 26 lbs. Ideal for small speakers and monitors. Extension tube diameter 0.98". Gradually height-adjustable. Non-scratching locking screw. Foldable and light weight for easy transport. Optional carrying case 21422, adapter 19680 and flange adapter 19665 available.
The standard speaker stand constructed from steel tubing has been significantly improved. The new legs with a tubing diameter of 35 mm and the large, fixed foot end caps guarantee stability and safety. Lasered bore holes and durable, robust plastic saddle washers improve the coefficient of friction between the legs and braces and prevent scratching of the finish. A compact clamp with a patented push-button system affords user-friendly stand height adjustment. The locking screw provides additional stability and vibration-free speaker mount. Additional features include a pull-out guard for the extension tube, the mounting aid and an integral anti-shock component.
The industry standard for a mic stand and boom arm combination. Package consists of the 201A/2 microphone stand and the 211 boom arm. Folding base for ease of transport. Long legs for added stability. The 210/2 - a classic for 30 years. More than 2 million sold.
The CD-250 is the undoubt highlight of this trio. Balanced, fluid and with a sonor ground tones, the CD-250 is reproducing the sound in a natural and clear manner and is therefore an ideal partner to the amplifier of the same brand or any other system. The features are all there, nothing is missed. The finish quality and materials used are far above the average in this price level. TECHNICAL SPECIFICATIONS:Channel Separation: >60dBCharacteristics: THD 99dBWeight: 4.0 kg
The LMB-3 affords complete control over a bass guitar's dynamic range using a limiter effect and an enhancer circuit designed specifically for electric bass. Full control of bass guitar's dynamic range via threshold level and ratio knobs Enhancer provides increased bass clarity and presence AC adaptor or 9V battery operation BOSS 5-year warranty
Sontronics DM-1B, large-diaphragm condenser microphone, designed specifically to capture and reproduce the various characteristics of a kick drum: thomann the beater click, the heavy thump, the boomy decay and so on, switchable -15dB pad, response: 20 - 20000 Hz, polar pattern: Cardioid (end-fire), impedance:
