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The analog purist. This is the preamplifier for the lover of pure analog technology. With motorized volume control, retro-look-VU-meter, tape monitor and the all superior VOLTAiR technology the Elector brings analog sources to new life. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Elector simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to six (6 !) analog stereo sources can be connected to the Elector. The Elector offers three pairs of balanced inputs with XLR connectors and three pairs of standard inputs with gold-plated RCA connectors. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Operating voltage for DAC768: + 7 V, +3.3 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 40 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 4.25 kg Shipping weight (incl. packaging): 5.4 kg

Our powerhouse mono-block. With the power of 1000 W this amplifier controls every loudspeaker effortlessly. Thanks to VOLTAiR technology it is fast, direct and highly efficient with an outstanding sound. Individual design The Performer m1000 can be equipped with a black, red or silver decorative panel that are included in the scope of delivery. This gives you a choice of three colour variants for your chosen basic colour. The decorative panels adhere with the help of a strong neodymium magnet. No tools are therefore required for changing them. Better safe than sorry The Performer m1000 has a protection circuit against DC voltage and a limiter against output overload. If direct current (DC) is detected, the output stage switches off automatically and the Protect LED lights up red. To protect the output against overdriving, an LDR limiter (light-dependent resistor) is used. Since it works optically, the audio quality is not affected. The Protect LED lights up yellow when the limiter responds. As one calls into the forest, so it echoes out. This saying inspired us to send the input signal out again in order to drive another power amplifier in bi-amping mode. Trim to fit With reference to the m1000, “fit” means adapted. And you can adapt the input sensitivity in 0.5 dB steps. From 0 dB to -5.5 dB. This is the much more audiophile solution for acoustically problematic rooms or loudspeaker set-ups than the panorama potentiometer of the preamplifier. In addition, the difference in loudness of loudspeakers can be elegantly compensated in bi-amping mode. Plus & Minus The loudspeaker binding posts can accommodate banana plugs as well as a stranded wire with a diameter of up to 4mm. For bi-wiring operation, both types of connection can be used together. No loudspeaker with less than 2 ohms impedance may be connected. AMP CTL The power amplifier can be switched on and off using the AMP CTL connection between the Performer m1000 and a preamplifier such as the Director Mk2 or the Crossover. To do this, connect the 3.5 mm jack sockets with a cable with 3.5 mm mono or stereo jack plugs. Third-party preamps can also switch the Performer m1000 on and off with a 12 V trigger. Keep cool Inside the Performer m1000, six fans usually do nothing at all, because 90% of the heat is passively dissipated via massive heat sinks. Should it nevertheless become really loud for a really long time, the processor-controlled fans remain virtually inaudible at only 19 dB (A). Specifications: Analog Input & Thru: XLR (balanced) Input gain (max): 32.5 dBu Input impedance (THRU not connected): 20 kΩ Common mode rejection (THRU not connected): -82 dBu Input sensitivity: 12.5 dBu Loudspeaker Output: Binding posts with ø4mm cable hole (screwable) and banana plug Output power (RMS, 2 Ω): 1000 W Harmonic distortion (1 kHz, 2 Ω): < 0.08 % Output power (RMS, 4 Ω): 750 W Harmonic distortion (1 kHz, 4 Ω): < 0.05 % Output power (RMS, 8 Ω): 420 W Harmonic distortion (1 kHz, 8 Ω): < 0.03 % Output power (peak to peak): 180 V Output voltage (RMS): 64.6 V Output impedance (20 Hz – 20 kHz): < 0.031 Ω Amplification gain: 26 dB Damping factor (1 kHz, 8 Ohm): > 280 Frequency range (-3dB): 10 Hz – 80 kHz Noise (A-weighted): -123 dB Internal Linear Power Supply with Shielded Toroidal Transformer Toroidal transformer: 1375 VA Operating voltage (Input stage): +/- 60 V Operating voltage (power stage): +/- 91 V Operating voltage for relays, LEDs, AMP CTL: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse 230 V: T 6.3 mA Fuse 115 V: T 12 A Power consumption: max. 1375 VA Idle power consumption: 50 W Stand-by power consumption: < 0.3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 205 x 375 mm Unit weight: 24.8 kg Shipping weight: 29.3 kg

The analog purist. This is the preamplifier for the lover of pure analog technology. With motorized volume control, retro-look-VU-meter, tape monitor and the all superior VOLTAiR technology the Elector brings analog sources to new life. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Elector simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to six (6 !) analog stereo sources can be connected to the Elector. The Elector offers three pairs of balanced inputs with XLR connectors and three pairs of standard inputs with gold-plated RCA connectors. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Operating voltage for DAC768: + 7 V, +3.3 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 40 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 4.25 kg Shipping weight (incl. packaging): 5.4 kg

The director sets the tone. The central unit of the HiFi system is the preamplifier. With remote source selection and volume control, retro-look-VU-meter, premium DA-converter and the all superior VOLTAiR technology, the Director Mk2 caters for musical blockbusters. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Director Mk2 simply learns. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to ten (10 !) stereo sources can be connected to the Director Mk2. Six of them are for analog and four for digital input signals. The source selection is shown in the dot matrix LED display: IN 1 through IN 6 for the analog inputs. AES, USB, COAX, OPTI for the digital inputs, where the detected sample rate is displayed after about two seconds. For example U768 = USB input with 768kHz sampling rate. The source selection can also be operated remotely if the rotary switch is set to the “Remote” position. The Director Mk2 offers two pairs of balanced inputs with XLR connectors and four standard inputs with gold-plated RCA connectors. On the digital side there are four additional inputs. PCM audio is received in S/P-DIF format via coaxial Cinch, optical Toslink and balanced XLR (AES). Both PCM audio and DSD audio can be converted via USB. The DAC768 The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analog converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. The DLP120 The analog output of the DAC chip must be filtered by a low pass filter. Director Mk2 has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required. And in contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Outputs: XLR (balanced), RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Digital Inputs, DAC768 AES/EBU (XLR), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

The director sets the tone. The central unit of the HiFi system is the preamplifier. With remote source selection and volume control, retro-look-VU-meter, premium DA-converter and the all superior VOLTAiR technology, the Director Mk2 caters for musical blockbusters. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Director Mk2 simply learns. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to ten (10 !) stereo sources can be connected to the Director Mk2. Six of them are for analog and four for digital input signals. The source selection is shown in the dot matrix LED display: IN 1 through IN 6 for the analog inputs. AES, USB, COAX, OPTI for the digital inputs, where the detected sample rate is displayed after about two seconds. For example U768 = USB input with 768kHz sampling rate. The source selection can also be operated remotely if the rotary switch is set to the “Remote” position. The Director Mk2 offers two pairs of balanced inputs with XLR connectors and four standard inputs with gold-plated RCA connectors. On the digital side there are four additional inputs. PCM audio is received in S/P-DIF format via coaxial Cinch, optical Toslink and balanced XLR (AES). Both PCM audio and DSD audio can be converted via USB. The DAC768 The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analog converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. The DLP120 The analog output of the DAC chip must be filtered by a low pass filter. Director Mk2 has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required. And in contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Outputs: XLR (balanced), RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Digital Inputs, DAC768 AES/EBU (XLR), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

UPGRADE TO SUPERB WIRELESS SOUND Enjoy exceptional sound with the Denon Home Series. Stream your favorite music effortlessly and make use of quick pre-selections with just a gentle touch. Experience impressive acoustic performance, based on 110 years of sound innovation. A MIGHTY PERFORMER Like every Denon the Denon Home 350 is built to deliver best-in-class audio quality. With advanced acoustic hardware, expertly tuned digital signal processing and premium drivers, the Denon Home 350 delivers the clearest highs and deepest lows. Experience excellence in every beat. YOUR HOME SOUND AT YOUR COMMAND The Denon Home Series works with the latest voice assistants. Use a smart speaker or your phone, and simply speak your commands with Amazon Alexa, Google Assistant and Apple Siri. Ask to play music, turn up the volume, skip to the next track and more. For Amazon Alexa simply download the HEOS Home Entertainment skill from the Amazon Alexa app and enjoy voice control from any Echo device (sold separately).* *The Denon Home 350 speaker has microphones built-in for new features to be added via firmware update in 2020. We will not enable this microphone without your explicit permission. PREMIUM PRE-SELECTION With the help of the six quick select buttons you can easily store your favorite Internet radio stations to enjoy them whenever you want, without the hassle of searching. THE SMARTEST SETUP The HEOS App is all you need to get started. Download it from the Apple Store or the Play Store and integrate the Denon Home 350 into your home network within minutes. Control everything effortlessy with your mobile device. FULL STEREO WITH A SMALL FOOTPRINT Pair two Denon Home 350 speakers using the HEOS app and enjoy true stereo. Denon Home 350 speakers work as left and right speakers to provide a Hi-Fi quality system, just without the system. Even listen to your Hi-Res collection with the accuracy and attention to detail your music deserves. A PART OF SOMETHING BIGGER Immerse yourself in wireless sound. Just connect a pair of Denon Home 350’s with a DHT-S716H sound bar and a DSW-1H subwoofer to create a full surround 5.1 home theatre setup. GET THE AMAZING HEOS EXPERIENCE With HEOS Built-in, every room in your home can have its own sound. Or, group additional Denon Home speakers, sound bars, network player or AV receivers to fill the house with the same song, using your home network. With HEOS Built-in, multi-room means multiple options. A GREAT COMPOSITION With its elegant design and its exquisite materials the Denon Home 350 is striking enough to catch the attention at first glance. And yet it is subtle enough to blend into your style perfectly, meeting highest aesthetic demands. Black or white? Choose your Denon Home 350. GET CLOSER TO GET STARTED Start your musical adventure with the slightest touch. The new proximity sensing high-end interface is activated as soon as your hand approaches. The capacitive buttons light up for you to touch, allowing for full, seamless control of the Denon Home 350. ROON TESTED Roon transforms the experience of browsing music. Access Roon for your Denon product to browse artist photos, credits, bios, reviews, lyrics, tour dates, and composers. Easily build a surfable, searchable digital magazine about your music collection. And Roon finds all the same links between your personal files and the millions of tracks available on TIDAL, so you can start with the music you know, then explore and discover new music from the world beyond your collection. Specifications: Construction: Stereo Speaker Built-in Class-D Power Amplifiers: 6 Drivers: 6 Tweeter: 2 x 19 mm Mid-Range: 2 x 50 mm Woofer: 2 x 165 mm High Resolution Audio support: Yes USB input (mass storage): Yes Analog input (3.5mm mini jack): Yes Stereo Pairing: Yes Usage as Surround SPK for Soundbar DHT-S716H: Yes Supports Subwoofer with HEOS built-in: Yes Bass and Treble Control: Yes HEOS built-in: Yes WiFi 2.4 GHz: IEEE 802.11b/g/n WiFi 5 GHz: IEEE 802.11a/n/ac Airplay 2: Yes Bluetooth: Yes USB port for direct connection of stored music: Yes Wired Network (RJ-45): Yes 3.5mm AUX Input: Yes Power Supply (built-in): AC 100 – 240 V, 50/60 Hz Dimensions (W x H x D): 380 x 225 x 180 mm Weight in kg: 6.3

UPGRADE TO SUPERB WIRELESS SOUND Enjoy exceptional sound with the Denon Home Series. Stream your favorite music effortlessly and make use of quick pre-selections with just a gentle touch. Experience impressive acoustic performance, based on 110 years of sound innovation. A MIGHTY PERFORMER Like every Denon the Denon Home 350 is built to deliver best-in-class audio quality. With advanced acoustic hardware, expertly tuned digital signal processing and premium drivers, the Denon Home 350 delivers the clearest highs and deepest lows. Experience excellence in every beat. YOUR HOME SOUND AT YOUR COMMAND The Denon Home Series works with the latest voice assistants. Use a smart speaker or your phone, and simply speak your commands with Amazon Alexa, Google Assistant and Apple Siri. Ask to play music, turn up the volume, skip to the next track and more. For Amazon Alexa simply download the HEOS Home Entertainment skill from the Amazon Alexa app and enjoy voice control from any Echo device (sold separately).* *The Denon Home 350 speaker has microphones built-in for new features to be added via firmware update in 2020. We will not enable this microphone without your explicit permission. PREMIUM PRE-SELECTION With the help of the six quick select buttons you can easily store your favorite Internet radio stations to enjoy them whenever you want, without the hassle of searching. THE SMARTEST SETUP The HEOS App is all you need to get started. Download it from the Apple Store or the Play Store and integrate the Denon Home 350 into your home network within minutes. Control everything effortlessy with your mobile device. FULL STEREO WITH A SMALL FOOTPRINT Pair two Denon Home 350 speakers using the HEOS app and enjoy true stereo. Denon Home 350 speakers work as left and right speakers to provide a Hi-Fi quality system, just without the system. Even listen to your Hi-Res collection with the accuracy and attention to detail your music deserves. A PART OF SOMETHING BIGGER Immerse yourself in wireless sound. Just connect a pair of Denon Home 350’s with a DHT-S716H sound bar and a DSW-1H subwoofer to create a full surround 5.1 home theatre setup. GET THE AMAZING HEOS EXPERIENCE With HEOS Built-in, every room in your home can have its own sound. Or, group additional Denon Home speakers, sound bars, network player or AV receivers to fill the house with the same song, using your home network. With HEOS Built-in, multi-room means multiple options. A GREAT COMPOSITION With its elegant design and its exquisite materials the Denon Home 350 is striking enough to catch the attention at first glance. And yet it is subtle enough to blend into your style perfectly, meeting highest aesthetic demands. Black or white? Choose your Denon Home 350. GET CLOSER TO GET STARTED Start your musical adventure with the slightest touch. The new proximity sensing high-end interface is activated as soon as your hand approaches. The capacitive buttons light up for you to touch, allowing for full, seamless control of the Denon Home 350. ROON TESTED Roon transforms the experience of browsing music. Access Roon for your Denon product to browse artist photos, credits, bios, reviews, lyrics, tour dates, and composers. Easily build a surfable, searchable digital magazine about your music collection. And Roon finds all the same links between your personal files and the millions of tracks available on TIDAL, so you can start with the music you know, then explore and discover new music from the world beyond your collection. Specifications: Construction: Stereo Speaker Built-in Class-D Power Amplifiers: 6 Drivers: 6 Tweeter: 2 x 19 mm Mid-Range: 2 x 50 mm Woofer: 2 x 165 mm High Resolution Audio support: Yes USB input (mass storage): Yes Analog input (3.5mm mini jack): Yes Stereo Pairing: Yes Usage as Surround SPK for Soundbar DHT-S716H: Yes Supports Subwoofer with HEOS built-in: Yes Bass and Treble Control: Yes HEOS built-in: Yes WiFi 2.4 GHz: IEEE 802.11b/g/n WiFi 5 GHz: IEEE 802.11a/n/ac Airplay 2: Yes Bluetooth: Yes USB port for direct connection of stored music: Yes Wired Network (RJ-45): Yes 3.5mm AUX Input: Yes Power Supply (built-in): AC 100 – 240 V, 50/60 Hz Dimensions (W x H x D): 380 x 225 x 180 mm Weight in kg: 6.3

UPGRADE TO SUPERB WIRELESS SOUND Enjoy exceptional sound with the Denon Home Series. Stream your favourite music effortlessly and make use of quick pre-selections with just a gentle touch. Experience impressive acoustic performance, based on 110 years of sound innovation. A MIGHTY PERFORMER. Like every Denon the Denon Home 250 is built to deliver amazing audio quality. With advanced acoustic hardware, expertly tuned digital signal processing and premium drivers, the Denon Home 250 delivers the clearest highs and deepest lows. Experience excellence in every beat. YOUR HOME SOUND AT YOUR COMMAND. The Denon Home Series works with the latest voice assistants. Use a smart speaker or your phone, simply speak commands with Amazon Alexa, Google Assistant and Apple Siri. Ask to play music, turn the volume up, skip to the next track and more. For Amazon Alexa simply download the HEOS Home Entertainment skill from the Amazon Alexa app and enjoy voice control from any Echo device (sold separately).* *The Denon Home 250 speaker has a microphone built-in with native voice assistant support to be added via firmware update in 2020. We will not enable this microphone without your explicit permission. CONVENIENT CONTROL WITHOUT A SMARTPHONE With the help of three quick select buttons on the speaker you can easily store your favourite Internet radio stations to enjoy them whenever you want, without picking up your smartphone. Double tap on the PAUSE/PLAY button to skip to the next song or tap three times to return to the previous track or the beginning of the current track. THE SMARTEST SETUP. The HEOS App is all you need to get started. Download it from the Apple Store or the Play Store and integrate the Denon Home 250 into your home network within minutes. Control everything easily with your mobile device. FULL STEREO WITH A SMALL FOOTPRINT. Pair two Denon Home 250 speakers using the HEOS app and enjoy true stereo. Denon Home 250 speakers work as left and right speakers to provide a Hi-Fi quality system, just without the system. Even listen to your Hi-Res collection with the accuracy and attention to detail your music deserves. A PART OF SOMETHING BIGGER. Immerse yourself in wireless sound. Just connect a pair of Denon Home 250’s with a DHT-S716H sound bar and a DSW-1H subwoofer to create a full surround 5.1 home theatre setup. CUSTOMIZE DEEP BASS WITH PLACEMENT EQ Next to the standard treble and bass controls, use the new Placement EQ to adjust the deep bass response based on the location of your speaker. Prevent boomy bass due to a corner placement, or simply lift up the deep notes to meet your individual taste. GET THE AMAZING HEOS EXPERIENCE. With HEOS Built-in, every room in your home can have its own sound. Or, group additional Denon Home speakers, sound bars, network player or AV receivers to fill the house with the same song, using your home network. With HEOS Built-in, multi-room means multiple options. A GREAT COMPOSITION. With its elegant design and its exquisite materials the Denon Home 250 is striking enough to catch the attention at first glance. And yet it is subtle enough to blend into your style perfectly, meeting the highest aesthetic demands. A water- and stain-resistant wraparound cloth adds greater flexibility of placement, so you can enjoy great Denon sound in the kitchen or bathroom. Black or white? Choose your Denon Home 250. GET CLOSER TO GET STARTED. Start your musical adventure with the slightest touch. The new proximity sensing high-end interface is activated as soon as your hand approaches. The capacitive buttons light up for you to touch, allowing for full, seamless control of the Denon Home 250. STREAMING WITHOUT LIMITS. All the great music services are fully integrated: Spotify Free and Premium, Amazon Music HD, TIDAL, TuneIn, Deezer and more via Wi-Fi, AirPlay 2 or Bluetooth connection. Set the mood that's just right with your personal music collection – even in high-resolution including 192kHz/24-bit FLAC, WAV, ALAC and DSD 2.8/5.6MHz files.

The director sets the tone. The central unit of the HiFi system is the preamplifier. With remote source selection and volume control, retro-look-VU-meter, premium DA-converter and the all superior VOLTAiR technology, the Director Mk2 caters for musical blockbusters. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Director Mk2 simply learns. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to ten (10 !) stereo sources can be connected to the Director Mk2. Six of them are for analog and four for digital input signals. The source selection is shown in the dot matrix LED display: IN 1 through IN 6 for the analog inputs. AES, USB, COAX, OPTI for the digital inputs, where the detected sample rate is displayed after about two seconds. For example U768 = USB input with 768kHz sampling rate. The source selection can also be operated remotely if the rotary switch is set to the “Remote” position. The Director Mk2 offers two pairs of balanced inputs with XLR connectors and four standard inputs with gold-plated RCA connectors. On the digital side there are four additional inputs. PCM audio is received in S/P-DIF format via coaxial Cinch, optical Toslink and balanced XLR (AES). Both PCM audio and DSD audio can be converted via USB. The DAC768 The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analog converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. The DLP120 The analog output of the DAC chip must be filtered by a low pass filter. Director Mk2 has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required. And in contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Outputs: XLR (balanced), RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Digital Inputs, DAC768 AES/EBU (XLR), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Mastering Equalizer This is a unique equalizer – for several reasons. It has two times five fully parametric filter bands, each of which can be switched between constant Q and proportional Q! And there’s sheer unlimited headroom and a very special kind of EQ sound – thanks to 120V technology. Stepped Potentiometers Recall of all settings is easy thanks to the potentiometers with 41 steps. Cut/Boost & 1/4 Gain Each filter band can be boosted or cut up to 20 dB. If only minimal changes are required, the 1/4 Gain switch can be used to reduce the boost or cut range from +/-20 dB to +/-5 dB. Frequencies We have designed the frequency distribution to overlap widely between the bands, so that problematic frequencies can also be addressed with two bands. Bandwidth Q The bandwidth Q determines the steepness of bell characteristic. A small Q is a wide bandwidth and a high Q a narrow bandwidth. The labeling of the scale is divided into two parts. The values with white background refer to the proportional Q mode and the values without background refer to the constant Q mode. On/Off The orange button is used to switch the individual filter band on and off.  Constant & Proportional Q The blue button is used to toggle the Q mode. In constant Q mode, the amplitude is constant regardless of the selected bandwidth. This is ideal for eliminating interfering frequencies. In proportional Q mode, the amplitude is proportional to the bandwidth. It decreases with increasing bandwidth and vice versa. At the smallest bandwidth setting, the maximum amplitude value is +/- 20 dB, while the maximum amplitude decreases to +/- 2.8 dB at the largest bandwidth setting. This control behavior simplifies sensitive, creative processing and is musically very useful, since high amplitudes become increasingly unusable with increasing bandwidth. Auto Bypass For an objective evaluation of the edited music program, it makes sense not to switch between the original signal and the edited signal yourself, but to leave this to an automatic system. It is also an advantage that, for an optimal evaluation of the processing, one does not have to move from the stereo center and can concentrate fully on the program. With the help of the Interval control the switching time window can be determined. Turning it clockwise extends the time interval. Link The PQ is designed as a completely separate dual-mono, two-channel equalizer and can individually process two mono music programs simultaneously. It is of course also possible to edit a stereo program (left/right). If the Link function is activated, the functions LF, LMF, MF, MHF, HF On/Off and Con. Q/Prop.Q on both sides are switched together by the buttons on one side. This makes it possible to activate or deactivate a filter band or the Q characteristic on both sides of the equalizer with a single button operation. In Link mode, the right side controls the left side as factory preset. However, this can be adapted to individual working habits. If the channel switch of a channel is pressed until it flashes, this channel controls the other side from that moment on. Channel On/Off The orange button switches the entire channel on and off. Specifications: Analog inputs & output: XLR (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -82 dBu Frequency range (-3 dB): 10 Hz – 100 kHz THD & N (+30 dBu, 1 kHz): 0.0005 % Noise (A-weighted): -94.3 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 3.15 mA Fuse for 115 V: T 6.3 A Power consumption: max. 100 VA Dimensions & Weight W x H x D (width x height x depth): 482 x 177 x 300 mm Unit weight: 15.2 kg Shipping weight (incl. packaging): 18.7 kg

Passive Mastering Equalizer In the PASSEQ we have revived the concept of the passive equalizer that was used in the 50’s and 60’s. The charming sound of this vintage technology combined with the modern 120V technology results in a very special equalizer. Only one filter​ All control functions are part of only one passive filter. There are three frequency ranges: Low Freq / Mid Freq / High Freq Each with a cut control on the left and a boost control on the right. In the middle is the output control. Design A passive filter has no amplification stages. It can therefore only be lowered. If one frequency is to be boosted, all the others must be lowered. Behind the filter there is a stage that makes up for the lowered overall level. Since low noise is particularly important here, since up to 20 dB can be made up for, the 120V technology comes into its own. The entire passive filter (variable resistor, capacitor and coil) provides a very nice sound characteristic. Besides the choice of components, the charging behaviour of the capacitors and the saturation behaviour of the coils play a major role in this. The resulting relative inertia compared to potentially very fast active filters is the reason for a pleasant, musically advantageous sound characteristic. We would choose smoothness and transparency as well as strikingly silky highs and pithy basses as a description that suits our perception. During fine-tuning, through component selection, in countless listening sessions, the emphasis was on achieving the most musical sounding curves possible, which, for example, need fear no comparison with a Pultec EQ from the 1950/60s. Only without all the disadvantages of a 60 year old original, such as the very high background noise, but above all the very limited frequency selection. Another highlight of the PASSEQ is the HF+ band, which has been extended by the frequencies 25 kHz and 35 kHz and sounds so incredibly good that you don’t want to switch it off. Specifications: Analog inputs & output; XLR (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -60 dBu Frequency range (-3 dB): 10 Hz – 200 kHz Crosstalk (1 kHz): -108 dBu THD + N (+30 dBu, 1 kHz): 0.0012 % Noise (A-bewertet): -95.2 dBu Dynamic range: 134.5 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 15 VA Dimensions & Weight W x H x T (W x H x D (width x height x depth) x Höhe x Tiefe): 482 x 132 x 300 mm Unit weight: 10.2 kg Shipping weight (incl. packaging): 14 kg

UPGRADE TO SUPERB WIRELESS SOUND Enjoy exceptional sound with the Denon Home Series. Stream your favourite music effortlessly and make use of quick pre-selections with just a gentle touch. Experience impressive acoustic performance, based on 110 years of sound innovation. A MIGHTY PERFORMER. Like every Denon the Denon Home 250 is built to deliver amazing audio quality. With advanced acoustic hardware, expertly tuned digital signal processing and premium drivers, the Denon Home 250 delivers the clearest highs and deepest lows. Experience excellence in every beat. YOUR HOME SOUND AT YOUR COMMAND. The Denon Home Series works with the latest voice assistants. Use a smart speaker or your phone, simply speak commands with Amazon Alexa, Google Assistant and Apple Siri. Ask to play music, turn the volume up, skip to the next track and more. For Amazon Alexa simply download the HEOS Home Entertainment skill from the Amazon Alexa app and enjoy voice control from any Echo device (sold separately).* *The Denon Home 250 speaker has a microphone built-in with native voice assistant support to be added via firmware update in 2020. We will not enable this microphone without your explicit permission. CONVENIENT CONTROL WITHOUT A SMARTPHONE With the help of three quick select buttons on the speaker you can easily store your favourite Internet radio stations to enjoy them whenever you want, without picking up your smartphone. Double tap on the PAUSE/PLAY button to skip to the next song or tap three times to return to the previous track or the beginning of the current track. THE SMARTEST SETUP. The HEOS App is all you need to get started. Download it from the Apple Store or the Play Store and integrate the Denon Home 250 into your home network within minutes. Control everything easily with your mobile device. FULL STEREO WITH A SMALL FOOTPRINT. Pair two Denon Home 250 speakers using the HEOS app and enjoy true stereo. Denon Home 250 speakers work as left and right speakers to provide a Hi-Fi quality system, just without the system. Even listen to your Hi-Res collection with the accuracy and attention to detail your music deserves. A PART OF SOMETHING BIGGER. Immerse yourself in wireless sound. Just connect a pair of Denon Home 250’s with a DHT-S716H sound bar and a DSW-1H subwoofer to create a full surround 5.1 home theatre setup. CUSTOMIZE DEEP BASS WITH PLACEMENT EQ Next to the standard treble and bass controls, use the new Placement EQ to adjust the deep bass response based on the location of your speaker. Prevent boomy bass due to a corner placement, or simply lift up the deep notes to meet your individual taste. GET THE AMAZING HEOS EXPERIENCE. With HEOS Built-in, every room in your home can have its own sound. Or, group additional Denon Home speakers, sound bars, network player or AV receivers to fill the house with the same song, using your home network. With HEOS Built-in, multi-room means multiple options. A GREAT COMPOSITION. With its elegant design and its exquisite materials the Denon Home 250 is striking enough to catch the attention at first glance. And yet it is subtle enough to blend into your style perfectly, meeting the highest aesthetic demands. A water- and stain-resistant wraparound cloth adds greater flexibility of placement, so you can enjoy great Denon sound in the kitchen or bathroom. Black or white? Choose your Denon Home 250. GET CLOSER TO GET STARTED. Start your musical adventure with the slightest touch. The new proximity sensing high-end interface is activated as soon as your hand approaches. The capacitive buttons light up for you to touch, allowing for full, seamless control of the Denon Home 250. STREAMING WITHOUT LIMITS. All the great music services are fully integrated: Spotify Free and Premium, Amazon Music HD, TIDAL, TuneIn, Deezer and more via Wi-Fi, AirPlay 2 or Bluetooth connection. Set the mood that's just right with your personal music collection – even in high-resolution including 192kHz/24-bit FLAC, WAV, ALAC and DSD 2.8/5.6MHz files.

Mastering D/A Converter Mercury is the first mastering DA-converter in 120V technology. It offers seven digital stereo input sources, all of which can be synchronized with each other or with a word clock. The additional variable output qualifies Mercury as a monitor controller. Seven Digital Sources Mercury provides connections for a total of seven digital stereo input sources.  For each digital source there is a dedicated and illuminated tactile switch for quick selection and quick comparison. The detected sample rate is shown in the display. One USB input and two coaxial, two optical and two AES/EBU inputs are available. AES input 2 also supports Dual-Wire (DW) mode. Sync The display shows the synchronization status and the detected sampling rate. Any source except USB can be synchronized to another source or to an external Word Clock. If the sync “Source” is selected in the display, each source uses its own sync code embedded in the signal. O dBfs Holding the Sync button for more than two seconds Mercury will change to the 0dBfs display. Mercury offers all reference levels in dBu corresponding to a 0 dBfs (full scale) digital signal: +14, +15, +16, +17, +18, +20, +22 and +24 dBu  Fix & Var The FIX OUT is an analog balanced stereo output which can be calibrated to all common reference levels (see 0 dBfs). Mercury offers a variable analog balanced stereo output. This output provides the same signal as the FIX OUT, but the level is continuously adjustable. Thus Mercury can also be used as a state-of-the-art monitor controller. Variable Output This analog potentiometer is used to control the level of the VAR OUT output. We use the ALPS RK27 “Big Blue” potentiometer with a nice “spoon in honey” feel and excellent channel tracking. So not only the auditory but also the haptic experience of volume control is at the highest level. Specifications: Analog inputs & output; XLR (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Digital Inputs, DAC768 AES/EBU (XLR), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Coaxial SPDIF (Cinch), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optisch SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

16-Channel Mastering Monitor Controller The MC16 is designed to monitor surround and immersive audio projects (Dolby Atmos®, Auro 3D®, etc…) in the analog domain, offering the same unrivalled quality as 120V stereo monitoring. 16 Speakers Sixteen buttons are used to activate the corresponding loudspeakers. The 16 inputs of Input 1 and Input 2 are routed directly to the outputs to ensures that an output routing of a DAW session always matches the routing in the MC16. The buttons allow you to insert a label with the exact name of the loudspeaker. 2 x 16 MC16 offers two 16-channel inputs to quickly compare a current project with a reference production. Monitor Level This analog potentiometer is used to adjust the monitor level. We developed a 16-level potentiometer, with which we could realize the volume control in the analog domain, because we did not want to accept a digital control, which is afflicted with resolution deficits and limited dynamic range. Presets You can save speaker setups to three memory locations. So you can quickly call up a 5.1 or an 11.1 or a 9.1.6 configuration. In solo mode, three more memory locations are available with the same keys. For example, you can create solo groups for all front speakers and all ceiling speakers and all rear speakers. Specifications: Analog inputs & output: XLR & DB25 (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -100 dBu THD + N (+24 dBu): > 112 dB Noise (A-weighted): -102.4 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 1 A Fuse for 115 V: T 2 A Power consumption: max. 70 VA Dimensions & Weight W x H x D (width x height x depth): 482 x 88 x 300 mm Unit weight: 8.4 kg Shipping weight (incl. packaging): 12 kg

Mastering Compressor As a mastering compressor, IRON is inspired by the legendary vintage tube compressors à la Fairchild, Collins or Gates and has been developed in a way to give modern productions more energy and power with the advantages of the 120V technology. Input & Output Input and output levels are switchable in a control range of +/- 12dB. An increase of the input level leads to more intensive compression. When mastering full scale material, the reduction can be useful. The output is used to adjust the level ratios of input and output. Attack & Release The time parameters Attack and Release are switchable in six steps from Slow to Fast. The times vary depending on the rectifier circuit selected. Side Chain EQs With the side chain EQs, compression can be focused on frequency ranges. In addition to an inserted EQ, there are four internal EQ presets with a partly complex frequency response. Rectifier The tube stage is controlled by a rectifier circuit. There are six diode control characteristics generated by germanium, silicon and LED diodes or combinations thereof. Variable-Bias Limiter/Compressor The IRON Mastering Compressor is a variable-bias (variable µ) limiter/compressor from the basic concept. IRON works on the principle of the bias controlled remote cutoff tube. Parallel to this, a medium-variable-bias triode (sharp-cutoff tube) with a steeper characteristic is connected. The tube bias voltage (BIAS) can be adjusted in three steps. The tubes are integrated into special Lundahl manufactured balanced high-level double core mu-metal-iron transformers. AirBass & Tape Roll-Off The compressor is followed by a passive filter network with two equalizer presets: AirBass and Tape Roll-off. The AirBass filter boosts low and high frequencies by about 1.5 dB and the Tape Roll-Off filter emulates the typical frequency response of a tape machine. Link All functions can be set via switches and the threshold via a rasterized potentiometer which makes recall easy. The settings of Threshold, Bias, Attack, Release, Rectifier and Side-Chain-EQs are transferred from the right side (channel 2) to the left side in Link Mode, in which the compressor operates with summed control signals. Auto-Bypass Channels 1 and 2 are activated with the large illuminated IDEC switches. In Auto Bypass mode, the channels are automatically switched on and off, which leads to a more objective assessment. The Interval control is used to adjust the time window continuously between two and 20 seconds. Specifications: Analog inputs & output; XLR (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Frequency range (-3 dB): 10 Hz – 40 kHz Common mode rejection (0dBu, 1kHz): > 80 dB Crosstalk (1 kHz): -108 dBu THD (+10 dBu): 0.002 % Noise (A-weighted): -98 dBu Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 1 A Fuse for 115 V: T 2 A Power consumption: max. 40 VA Dimensions & Weight W x H x D (width x height x depth): 482 x 132 x 300 mm Unit weight: 11 kg Shipping weight (incl. packaging): 14 kg

Mastering D/A Converter Mercury is the first mastering DA-converter in 120V technology. It offers seven digital stereo input sources, all of which can be synchronized with each other or with a word clock. The additional variable output qualifies Mercury as a monitor controller. Seven Digital Sources Mercury provides connections for a total of seven digital stereo input sources.  For each digital source there is a dedicated and illuminated tactile switch for quick selection and quick comparison. The detected sample rate is shown in the display. One USB input and two coaxial, two optical and two AES/EBU inputs are available. AES input 2 also supports Dual-Wire (DW) mode. Sync The display shows the synchronization status and the detected sampling rate. Any source except USB can be synchronized to another source or to an external Word Clock. If the sync “Source” is selected in the display, each source uses its own sync code embedded in the signal. O dBfs Holding the Sync button for more than two seconds Mercury will change to the 0dBfs display. Mercury offers all reference levels in dBu corresponding to a 0 dBfs (full scale) digital signal: +14, +15, +16, +17, +18, +20, +22 and +24 dBu  Fix & Var The FIX OUT is an analog balanced stereo output which can be calibrated to all common reference levels (see 0 dBfs). Mercury offers a variable analog balanced stereo output. This output provides the same signal as the FIX OUT, but the level is continuously adjustable. Thus Mercury can also be used as a state-of-the-art monitor controller. Variable Output This analog potentiometer is used to control the level of the VAR OUT output. We use the ALPS RK27 “Big Blue” potentiometer with a nice “spoon in honey” feel and excellent channel tracking. So not only the auditory but also the haptic experience of volume control is at the highest level. Specifications: Analog inputs & output; XLR (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Digital Inputs, DAC768 AES/EBU (XLR), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Coaxial SPDIF (Cinch), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optisch SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

16-Channel Mastering Monitor Controller The MC16 is designed to monitor surround and immersive audio projects (Dolby Atmos®, Auro 3D®, etc…) in the analog domain, offering the same unrivalled quality as 120V stereo monitoring. 16 Speakers Sixteen buttons are used to activate the corresponding loudspeakers. The 16 inputs of Input 1 and Input 2 are routed directly to the outputs to ensures that an output routing of a DAW session always matches the routing in the MC16. The buttons allow you to insert a label with the exact name of the loudspeaker. 2 x 16 MC16 offers two 16-channel inputs to quickly compare a current project with a reference production. Monitor Level This analog potentiometer is used to adjust the monitor level. We developed a 16-level potentiometer, with which we could realize the volume control in the analog domain, because we did not want to accept a digital control, which is afflicted with resolution deficits and limited dynamic range. Presets You can save speaker setups to three memory locations. So you can quickly call up a 5.1 or an 11.1 or a 9.1.6 configuration. In solo mode, three more memory locations are available with the same keys. For example, you can create solo groups for all front speakers and all ceiling speakers and all rear speakers. Specifications: Analog inputs & output: XLR & DB25 (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -100 dBu THD + N (+24 dBu): > 112 dB Noise (A-weighted): -102.4 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 1 A Fuse for 115 V: T 2 A Power consumption: max. 70 VA Dimensions & Weight W x H x D (width x height x depth): 482 x 88 x 300 mm Unit weight: 8.4 kg Shipping weight (incl. packaging): 12 kg

Mastering Router with dual Parallel Mix Hermes revolutionizes mastering. Now it is possible to have an audio signal processed by up to eight 2-channel processors in any order that can be stored. At the push of a button you can compare up to four complex processing chains. Connect, route, store, compare Hermes accelerates mastering workflows in an unprecedented achievable way. The time-consuming replugging of the patchbay alone had made true comparison almost impossible. Now you can change, store and compare processing chains in seconds. All with real buttons, relays and without additional software. Simply push the processor buttons A to H in the order in which the audio signal should pass through the processors and store it.  All processors can be named for a better overview. The name always appears briefly in the display when an insert button is pressed. Free routing of two parallel mix stages Hermes has two parallel mix stages that can be freely assigned to each of the eight processors and stored with a processing chain. This means that even two compressors with different parallel mix settings can be compared quickly and easily. The routing is completely passive with gas-encapsulated and gold-plated high-end relays. All active stages, such as the input/output stages and the parallel mix stages work in 120V technology. Sends & Returns The stereo channels are strictly separated on two boards to achieve the highest possible channel separation. The inserts are connected with XLRs for the first four stereo processors and with DB25 for the second four stereo processors. Specifications: Analog inputs & output; XLR & DB25 (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Frequency range (-3 dB): 4 Hz to 300 kHz Common mode rejection: -75 dBu Crosstalk (1 kHz, 0dBu): -130 dBu Crosstalk (1 kHz, 0dBu, P-Mix on): -110 dBu Noise (A-weighted): -121 dBu Noise (A-weighted, P-Mix on): -104 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 1 A Fuse for 115 V: T 2 A Power consumption: max. 40 VA Dimensions & Weight W x H x D (width x height x depth): 482 x 88 x 300 mm Unit weight: 9 kg Shipping weight (incl. packaging): 12 kg

Mastering Router with dual Parallel Mix Hermes revolutionizes mastering. Now it is possible to have an audio signal processed by up to eight 2-channel processors in any order that can be stored. At the push of a button you can compare up to four complex processing chains. Connect, route, store, compare Hermes accelerates mastering workflows in an unprecedented achievable way. The time-consuming replugging of the patchbay alone had made true comparison almost impossible. Now you can change, store and compare processing chains in seconds. All with real buttons, relays and without additional software. Simply push the processor buttons A to H in the order in which the audio signal should pass through the processors and store it.  All processors can be named for a better overview. The name always appears briefly in the display when an insert button is pressed. Free routing of two parallel mix stages Hermes has two parallel mix stages that can be freely assigned to each of the eight processors and stored with a processing chain. This means that even two compressors with different parallel mix settings can be compared quickly and easily. The routing is completely passive with gas-encapsulated and gold-plated high-end relays. All active stages, such as the input/output stages and the parallel mix stages work in 120V technology. Sends & Returns The stereo channels are strictly separated on two boards to achieve the highest possible channel separation. The inserts are connected with XLRs for the first four stereo processors and with DB25 for the second four stereo processors. Specifications: Analog inputs & output; XLR & DB25 (balanced) Maximum input & output gain: 32.5 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Frequency range (-3 dB): 4 Hz to 300 kHz Common mode rejection: -75 dBu Crosstalk (1 kHz, 0dBu): -130 dBu Crosstalk (1 kHz, 0dBu, P-Mix on): -110 dBu Noise (A-weighted): -121 dBu Noise (A-weighted, P-Mix on): -104 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 1 A Fuse for 115 V: T 2 A Power consumption: max. 40 VA Dimensions & Weight W x H x D (width x height x depth): 482 x 88 x 300 mm Unit weight: 9 kg Shipping weight (incl. packaging): 12 kg

Mastering Console The DMC is the heart of the mastering studio. The converters, the players, the DAW, the recorders and the speakers are connected to them. The audio quality of the console is therefore crucial. And like all devices of the mastering series, the DMC also works on unparalleled 120V operating voltage. Inputs & Sources Audio signals that shall be processed are connected to the Inputs and audio signals for comparison or playback are connected to the Sources. Four stereo inputs pairs are available for each. Each input channel can be switched on/off, phase reversed and trimmed in 0.25 dB steps. A stereo input can be switched to mono. The large potentiometer for the recording gain allows sensitive gain rides. If it is not used, it should not be activated. This keeps the entire control stage outside the signal path. Monitoring & Inserts Three pairs of speakers can be operated for full-range, mid-field and near-field monitors. Speakers D is for a mono loudspeaker. Preferably a Phonitor headphone amplifier is connected to the Phonitor HP Out, whereby it can be programmed whether the loudspeaker is automatically switched off during headphone operation or not. The same applies to the subwoofer. It can be programmed with which monitor it is paired and activated together. The insert return can also be trimmed in 0.25 dB steps to compensate for the finest level differences after an insert chain. The Hermes Mastering Router is preferably connected to the inserts, with which up to eight stereo processors can be connected and freely routed and stored. In the monitoring section, each loudspeaker channel can be solo’ed and phase reversed. The large monitoring level potentiometer has an illuminated indicator so that the monitor level can be easily assessed even from a greater distance. A loudness compensation (+/- 10 dB) can be activated. Alternatively it can be linked to the Insert, Sources or Inputs switches allowing loudness compensation at any stage. DMC & MC 16 Yeah, it looks kind of wild. Makes sense, though. The DMC can be linked to the MC16 for surround and immersive audio applications. Dolby Atmos® or Auro 3D® projects can also be realized. The MC16 is the world’s first analog 16 channel monitoring controller. Mastering studios often use the L/R speakers and subwoofer for stereo and multi-channel monitoring. The combination of DMC with MC16 makes it unnecessary to replug these speakers. Pressing the Speaker A button for two seconds transfers the volume control of L/R and Sub to the MC16 and pressing it again brings it back to the DMC. In this way, stereo and surround projects in a studio can easily be performed one after the other. Specifications: Analog inputs & output; XLR (balanced) Maximum input & output gain: 32.5 dB Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -82 dBu Frequency range (-3 dB): 4 Hz to 300 kHz Noise (A-weighted, +24 dBu, Rec Out, Insert On): -101.6 dBu Noise (A-weighted, +24 dBu, Speaker Out): -103.9 dBu THD & N (+24 dBu, Rec Out, Insert On): > 112 dB THD & N (+24 dBu, Speaker Out): > 108 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 1 A Fuse for 115 V: T 2 A Power consumption: max. 40 VA Dimensions & Weight W x H x D (width x height x depth): 482 x 132 x 300 mm Unit weight: 10.6 kg Shipping weight (incl. packaging): 14 kg

Mastering Console The DMC is the heart of the mastering studio. The converters, the players, the DAW, the recorders and the speakers are connected to them. The audio quality of the console is therefore crucial. And like all devices of the mastering series, the DMC also works on unparalleled 120V operating voltage. Inputs & Sources Audio signals that shall be processed are connected to the Inputs and audio signals for comparison or playback are connected to the Sources. Four stereo inputs pairs are available for each. Each input channel can be switched on/off, phase reversed and trimmed in 0.25 dB steps. A stereo input can be switched to mono. The large potentiometer for the recording gain allows sensitive gain rides. If it is not used, it should not be activated. This keeps the entire control stage outside the signal path. Monitoring & Inserts Three pairs of speakers can be operated for full-range, mid-field and near-field monitors. Speakers D is for a mono loudspeaker. Preferably a Phonitor headphone amplifier is connected to the Phonitor HP Out, whereby it can be programmed whether the loudspeaker is automatically switched off during headphone operation or not. The same applies to the subwoofer. It can be programmed with which monitor it is paired and activated together. The insert return can also be trimmed in 0.25 dB steps to compensate for the finest level differences after an insert chain. The Hermes Mastering Router is preferably connected to the inserts, with which up to eight stereo processors can be connected and freely routed and stored. In the monitoring section, each loudspeaker channel can be solo’ed and phase reversed. The large monitoring level potentiometer has an illuminated indicator so that the monitor level can be easily assessed even from a greater distance. A loudness compensation (+/- 10 dB) can be activated. Alternatively it can be linked to the Insert, Sources or Inputs switches allowing loudness compensation at any stage. DMC & MC 16 Yeah, it looks kind of wild. Makes sense, though. The DMC can be linked to the MC16 for surround and immersive audio applications. Dolby Atmos® or Auro 3D® projects can also be realized. The MC16 is the world’s first analog 16 channel monitoring controller. Mastering studios often use the L/R speakers and subwoofer for stereo and multi-channel monitoring. The combination of DMC with MC16 makes it unnecessary to replug these speakers. Pressing the Speaker A button for two seconds transfers the volume control of L/R and Sub to the MC16 and pressing it again brings it back to the DMC. In this way, stereo and surround projects in a studio can easily be performed one after the other. Specifications: Analog inputs & output; XLR (balanced) Maximum input & output gain: 32.5 dB Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection: -82 dBu Frequency range (-3 dB): 4 Hz to 300 kHz Noise (A-weighted, +24 dBu, Rec Out, Insert On): -101.6 dBu Noise (A-weighted, +24 dBu, Speaker Out): -103.9 dBu THD & N (+24 dBu, Rec Out, Insert On): > 112 dB THD & N (+24 dBu, Speaker Out): > 108 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 1 A Fuse for 115 V: T 2 A Power consumption: max. 40 VA Dimensions & Weight W x H x D (width x height x depth): 482 x 132 x 300 mm Unit weight: 10.6 kg Shipping weight (incl. packaging): 14 kg

Surround Monitor Controller The SMC 7.1 expands analog surround monitoring to 8 channels and offers Solo, Solo-In-Place and Solo-To-Center as well as a headphone jack. Inputs & Speaker Management Two 7.1 and two stereo input sources can be connected to the SMC 7.1. This is important because in monitoring, two productions are always compared with each other. A subwoofer can be added to a stereo input by activating the LFE button. Each loudspeaker can be switched on and off individually, and the SMC 7.1 remembers the last speakers used for each source. The Solo-In-Place function now turns the loudspeaker on/off switches into solo buttons. This allows each loudspeaker to be heard alone at its position. Solo-To-Center places the selected loudspeaker on the center speaker, so that it can be listened to exactly from the front in case critical listening is required. An alternative output is available for connecting a pair of stereo loudspeakers.  The 45mm all-aluminium rotary knob moves an 8-level potentiometer.  Mute is especially important when the DAW is sending full-range audio garbage due to a problem. Mute can be used quickly to protect speakers and hearing. As an alternative to the speakers, headphones can be used for monitoring. The headphones can be switched on and have their own volume control. The SMC 7.1 can be installed in the Expansion Rack to be screwed into a 19-inch rack. The Expansion Rack is equipped with a switch that can passively route the stereo output signal of the SMC 7.1 to four stereo outputs. In this combination, the SMC 7.1 is expanded by three additional stereo outputs. This allows a 7.1 loudspeaker array and full-range, mid and nearfield stereo speakers to be controlled and monitored. Specifications: Analog inputs & outputs; XLR & DB25 (balanced) Maximum input: 22 dBu Input impedance: 20 kΩ Output impedance: 100 Ω Frequency range (-3 dB): 10 Hz – 150 kHz THD +N (10 Hz – 22 kHz, 0 dBu): 0.001 % Noise (A-weighted): -93 dBu Crosstalk (1 kHz): -92 dB Common mode rejection (1 kHz): 82 dB Dynamic range: 115 dB Standard Headphones Output, 6.35 mm (1/4") TRS Jack Wiring: Tip = Left, Ring = Right, Sleeve = GND Frequency range (-3dB): 10 Hz – 80 kHz Crosstalk (1 kHz): -70 dBu Total harmonic distortion (0 dBu, 1 kHz, 40 kΩ load): 0.001 % Noise (A-weighted): -93 dBu Dynamic range: 115 dB Internal Linear Power Supply with Toroidal Transformer Operating voltage for analog audio: +/- 18 V Operating voltage for relays and LEDs: +12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Sicherung für 230 V: T 500 mA Sicherung für 115 V: T 1 A Power consumption: max. 30 W Dimensions & Weight W x H x D (width x height x depth): 278 x 100 x 330 mm Unit weight: 4.1 kg Shipping weight (incl. packaging): 5 kg

A lot of preamps on the market do a good job of raising the volume of mics and instruments. Unfortunately, many pres are doing only that, raising volume.  The “Super clean” designs of today often leave the signal exiting the preamp sounding much the same as it did entering it.The WA12 MKII is a completely discrete, high voltage, dual-transformer microphone preamplifier designed for high gain (+71dB), high headroom, low noise, and an exciting sonic performance – great for all types of recording applications.  A high quality mic preamp is one of the most critical pieces needed to achieve the elusive ‘larger than life’ sound, and the WA12 MKII is more than capable of delivering. ​The WA12 MKII is based around a discrete op-amp, the X731, which is our own reproduction of the vintage classic Melcor 1731, considered by some to be the warmer predecessor to the modern 2520-style op-amp.  The X731 can achieve vibrant, clean and lifelike tones; but can also be driven into mild saturation at much higher gain levels.  The effects can be subtle, but very pleasing to the ear.  The WA12 MKII can also accept any discrete op-amp on the market which conforms to the +/-16v, 2520 pinout standard.   In this example, the WA12 MKII is being routed as an insert into a recording device. This is useful for using the WA12 as an “analog plug-in” or insert for mix-down. The recording device is feeding the WA12 with a balanced 1/4” cable via a line output. Then, the recording device is capturing the WA12 MKII via a LINE LEVEL input. Note: It is important to use a line level input on your recording device as opposed to a microphone or instrument level input.If you are looking for a preamp to improve and shape your signal you will most definitely love the WA12 MKII. The WA12 MKII is designed to transform plain instruments and vocals into exciting tone.  If your mixes lack depth, struggle to sound alive, or are just missing that professional touch you’ve always wanted, there is a good chance you will love the WA12 MKII. Specifications: Utilizes premium grade input and output USA CineMag transformers. 71db of Gain, fully discrete signal path. Utilizes a discrete 6-pin socketed 1731 style opamp.  Can be replaced with other 6-pin "2520 foot-print" opamps for varying tone/flavor. TONE button – Switches the input impedance from 600 ohms to 150 ohms.  Changes the tone of both the mic and HI-Z inputs. 2 Meg Ohm True HI-Z input on front panel. Sends instrument signal through entire circuit including both Cinemag Transformers and the discrete opamp. Great for guitars, bass, keyboards and other instruments that have a 1/4″ output jack. Mic level balanced input: XLR. Balanced outputs: XLR and 1/4″/TRS. 48 volt Phantom Power. Output attenuation control (after the CineMag output transformer) allows for driving the preamp and transformers into saturation. LED Meter gain indication. 20db pad. External power plug. ​​

Surround Monitor Controller The SMC 7.1 expands analog surround monitoring to 8 channels and offers Solo, Solo-In-Place and Solo-To-Center as well as a headphone jack. Inputs & Speaker Management Two 7.1 and two stereo input sources can be connected to the SMC 7.1. This is important because in monitoring, two productions are always compared with each other. A subwoofer can be added to a stereo input by activating the LFE button. Each loudspeaker can be switched on and off individually, and the SMC 7.1 remembers the last speakers used for each source. The Solo-In-Place function now turns the loudspeaker on/off switches into solo buttons. This allows each loudspeaker to be heard alone at its position. Solo-To-Center places the selected loudspeaker on the center speaker, so that it can be listened to exactly from the front in case critical listening is required. An alternative output is available for connecting a pair of stereo loudspeakers.  The 45mm all-aluminium rotary knob moves an 8-level potentiometer.  Mute is especially important when the DAW is sending full-range audio garbage due to a problem. Mute can be used quickly to protect speakers and hearing. As an alternative to the speakers, headphones can be used for monitoring. The headphones can be switched on and have their own volume control. The SMC 7.1 can be installed in the Expansion Rack to be screwed into a 19-inch rack. The Expansion Rack is equipped with a switch that can passively route the stereo output signal of the SMC 7.1 to four stereo outputs. In this combination, the SMC 7.1 is expanded by three additional stereo outputs. This allows a 7.1 loudspeaker array and full-range, mid and nearfield stereo speakers to be controlled and monitored. Specifications: Analog inputs & outputs; XLR & DB25 (balanced) Maximum input: 22 dBu Input impedance: 20 kΩ Output impedance: 100 Ω Frequency range (-3 dB): 10 Hz – 150 kHz THD +N (10 Hz – 22 kHz, 0 dBu): 0.001 % Noise (A-weighted): -93 dBu Crosstalk (1 kHz): -92 dB Common mode rejection (1 kHz): 82 dB Dynamic range: 115 dB Standard Headphones Output, 6.35 mm (1/4") TRS Jack Wiring: Tip = Left, Ring = Right, Sleeve = GND Frequency range (-3dB): 10 Hz – 80 kHz Crosstalk (1 kHz): -70 dBu Total harmonic distortion (0 dBu, 1 kHz, 40 kΩ load): 0.001 % Noise (A-weighted): -93 dBu Dynamic range: 115 dB Internal Linear Power Supply with Toroidal Transformer Operating voltage for analog audio: +/- 18 V Operating voltage for relays and LEDs: +12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Sicherung für 230 V: T 500 mA Sicherung für 115 V: T 1 A Power consumption: max. 30 W Dimensions & Weight W x H x D (width x height x depth): 278 x 100 x 330 mm Unit weight: 4.1 kg Shipping weight (incl. packaging): 5 kg

INTRODUCING AN UPDATED AND UPGRADED '87 STYLE FET CONDENSER MICROPHONE WA-87 R2: Updated And Upgraded In 2016, we at Warm Audio introduced one of the most talked-about 87-style FET condenser microphones in the industry with the release of the WA-87, and at just $599 USD it made the looks and authentic vintage sonics of this style of mic affordable to customers for the very first time. Simply put, the release of the WA-87 changed the industry’s perception of what could be achieved at an affordable price.  Based on classic 60s circuitry, the WA-87’s rich sound became a favorite of countless producers, engineers, and home recordists everywhere.  It was our first microphone and a verifiable hit, and in recent years we’ve followed it with many other successful and ground-breaking designs. Since the release of the WA-87 in 2016 we’ve learned a bunch more about microphone manufacturing, and we’ve proven that we can shatter the industry’s quality expectations at affordable prices. That experience drove us to see if we could improve the WA-87 in tangible ways without having to raise the price, and the result is the new WA-87 R2 (Revision 2). We’ve used everything we’ve learned about recreating vintage microphones in the last five years to bring it even closer to the sound, vibe and performance of the original 60s classic we all know and love. We’re ecstatic to bring you the result – in short, the new WA-87 R2 is bigger, bolder and just plain better! A Faithful Reproduction With Top-Shelf Components The WA-87 is based on a classic 60s circuit that is widely considered to be one of the greatest studio microphones ever designed. We spent countless hours trying to get even closer to the sound of the vintage version than we had with the WA-87, so the new WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. We also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics. The result is an incredibly accurate sonic replica of arguably the widest-used studio microphone in popular recording history! The Most Versatile Mic In Your Locker Just like the vintage microphone, the WA-87 R2 excels at recording virtually anything. Three polar patterns (cardioid, omni, and figure 8) make sure you’re covered for a wide variety of applications, and an 80Hz high pass filter reduces low-frequency rumble if needed. The switchable -10dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics. The WA-87 R2 works brilliantly on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings, and more. Not only that, it’s the same price as the original WA-87, so you can afford to have several in your mic locker! Stunning In Sound And Appearance The WA-87 R2 is now encased in a heavier, stronger and larger nickel-plated brass body, and the new rounded head basket shape adds additional space around the capsule for a more pleasing sonic signature. With authentic vintage warmth and a smooth detailed top end, we truly believe this mic performs on par with microphones costing five times as much or more. No matter what else you’ve got in your mic locker, the WA-87 R2 is sure to become one of your favorite go-to microphones! Technical Specifications: LARGE DIAPHRAGM STUDIO CONDENSER MICROPHONE, WITH A FAITHFUL REPRODUCTION OF THE ORIGINAL VINTAGE 87-STYLE CIRCUIT ALL DISCRETE PREMIUM COMPONENTS, INCLUDING A NOS FAIRCHILD TRANSISTOR AND WIMA/NICHICON CAPACITORS CUSTOM CINEMAG USA OUTPUT TRANSFORMER WA-87-B-50V CAPSULE—REPRODUCTION OF CLASSIC DUAL BACKPLATE (FOUR-WIRE TERMINATION) K87 CAPSULE NICKEL-PLATED BRASS BODY THREE POLAR PATTERNS: CARDIOID, FIGURE-OF-EIGHT, AND OMNIDIRECTIONAL  -10DB PAD AND 80HZ HIGH PASS FILTER FREQUENCY RESPONSE: 20HZ – 20KHZ SPL: .5% THD @ 125DB (WITHOUT PAD), 132DB DIAPHRAGM: 6-MICRON THICKNESS, GOLD-SPUTTERED MEMBRANE, NOS MYLAR (PET FILM) NOISE: -117DB INCLUDED ACCESSORIES: WOODEN STORAGE CASE, HARD MOUNT, AND SHOCK MOUNT (OPTIONAL FLIGHT CASE AVAILABLE) WEIGHT (FULLY BOXED): 6.5 LBS / 3 KG COLOR: AVAILABLE IN NICKEL OR BLACK FINISH

16+16 channel AD/DA converter and MADI interface Madison offers what hardly any other manufacturer in this price segment has to offer: 16 AD/DA converters. With SmartMADI and the Madicon this becomes an expandable multi-channel studio interface of the first order. MADI transmission distance up to 2 km MADI I/O latency: 1 sample Optical MADI socket, type SC 56 & 64 channel Hi/Lo modes accepts Varispeed up to +/-12,5% Sync to MADI, Wordclock or Internal Device ID for daisy chaining 16 AD and 16 DA converters 24 bit / up to 192 kHz Level lights per channel in easily readable blocks of four OdBfs: 15, 18, 22 or 24 dBu Fanless and therefore particularly suitable for noise-sensitive environments Optional redundant power supply unit Madison together with the Madicon support SmartMADI MADI becomes more user-friendly, simple and modern SPL’s Madicon and Madisons can now be connected in series (daisy chaining) like Audio-Over-IP devices, and are easier to configure and more reliable. An additional MADI router for more than two MADI devices is not required The sample rate is now transmitted via the MADI stream and Madisons follow automatically – very handy Specifications: Analoge Input & Outputs; DB25 (balanced) Maximum input & output gain: 24 dBu Input impedance: 20 kΩ Output impedance: 75 Ω Common mode rejection (1 kHz): 82 dB Crosstalk (1 kHz, 48 kHz SR): -110 dB Dynamic Range (A-weighted, 48 kHz SR): 115 dB Digital I/O; MADI-Port MADI optical, Type SC: 44.1/48/88.2/96/176.4/192 kHz Varispeed: ±12.5% in 56 CH mode, -12.5% in 64 CH mode Reference Levels: 15dBu, 18dBu, 22dBu, 24 dBu Wordclock input, BNC, terminated impedance: 75 Ω Wordclock Level (Input TTL/CMOS5/CMOS3): 3.3 V S/N (A-bewertet, 48kHz SR): -115 dBFS S/(N+D) (-1 dBfs, 48kHz SR): -102 dBFS Passband response (-0.02dB, 48kHz SR): 22 kHz Passband Ripple (Decimation-LPF, 48kHz SR): +/- 0.005 dB Stopband Attenuation (Decimation-LPF, 48kHz SR): 100 dB Crosstalk (1 kHz, 48kHz SR): -110 dBu Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 17 V Operating voltage for digital audio: +12 V, +5 V BTU (British Thermal Units, typical): 65 BTU/h BTU (British Thermal Units, max): 110 BTU/h Mains Power Supply Mains voltage: 90 – 264 V AC, 50/60 Hz Hz Power consumption: max. 35 W Dimensions & Weight W x H x D (width x height x depth): 482 x 44 x 260 mm Unit weight: 3.05 kg Shipping weight (incl. packaging): 5 kg

Dual-Channel Microphone Preamplifier in 120V-Technology With the Crescendo duo, we are expanding our 120V microphone preamp portfolio with a dual-channel version of the Crescendo. The Undistortable Crescendo duo convinces with the same outstanding sound and technical features as the flagship of the product range – the eight-channel Crescendo. It is almost impossible to overdrive this microphone preamplifier. It shines with absolute signal fidelity and clarity and lets microphones appear in a whole new light – because they have never been amplified like this before. 48 V  The phantom power required for the use of condenser microphones is activated with the 48V switch. VU -10 In the Crescendo duo, high gains can be used to optimally drive subsequent AD converters. Should the VU meter therefore deflect too far, you can reduce the displayed level by 10 dB. Ø Turn the polarity of a microphone signal 180° by activating the polarity reversal switch. HP A high-pass filter with 6 dB per octave reduces subsonic noise below 120 Hz. Mic Gain The gain is adjusted by a 12-step switch. The pre-amplification ranges from +18 dB to +70 dB. Output The switchable output control allows level adjustment to subsequent devices. The control range is +/- 10 dB. This results in a total gain of 80 dB.   Pad For loud input signals (including line signals) the input sensitivity can be reduced by 20 dB. Built-in Output Splitter Both microphone preamps have dual outputs. The often needed splitter is therefore already built in. Record the microphone signal on a recording system and at the same time record it on a backup system. Specifications Analog input & output XLR (balanced): Maximum input & output level: 32.5 dBu Input impedance: 10 kΩ Output impedance: 75 Ω Frequency range (-3dB): 20 Hz – 100 kHz THD + N (10 Hz – 22 kHz, 32 dB Gain): 0.002 % THD + N (10 Hz – 22 kHz, 63 dB Gain): 0.001 % Noise (A-weighted, 150 Ω, 32 dB Gain): - 94 dBu Noise (A-weighted, 150 Ω, 63 dB Gain): - 67.5 dBu E.I.N. (150 Ω): -130.5 dBu Common mode rejection (1 kHz): 88 dB Internal Linear Power Supply with Shielded Toroidal Transformer: Operating voltage for audio electronics: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply: Mains voltage (selectable, see fuse chamber):230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 1 A Fuse for 115 V: T 2 A Power consumption: max. 20 VA Dimensions & Weight: W x H x D (width x height x depth): 482 x 88 x 300 mm Unit weight: 6.1 kg Shipping weight (incl. packaging): 9 kg

INTRODUCING AN UPDATED AND UPGRADED '87 STYLE FET CONDENSER MICROPHONE WA-87 R2: Updated And Upgraded In 2016, we at Warm Audio introduced one of the most talked-about 87-style FET condenser microphones in the industry with the release of the WA-87, and at just $599 USD it made the looks and authentic vintage sonics of this style of mic affordable to customers for the very first time. Simply put, the release of the WA-87 changed the industry’s perception of what could be achieved at an affordable price.  Based on classic 60s circuitry, the WA-87’s rich sound became a favorite of countless producers, engineers, and home recordists everywhere.  It was our first microphone and a verifiable hit, and in recent years we’ve followed it with many other successful and ground-breaking designs. Since the release of the WA-87 in 2016 we’ve learned a bunch more about microphone manufacturing, and we’ve proven that we can shatter the industry’s quality expectations at affordable prices. That experience drove us to see if we could improve the WA-87 in tangible ways without having to raise the price, and the result is the new WA-87 R2 (Revision 2). We’ve used everything we’ve learned about recreating vintage microphones in the last five years to bring it even closer to the sound, vibe and performance of the original 60s classic we all know and love. We’re ecstatic to bring you the result – in short, the new WA-87 R2 is bigger, bolder and just plain better! A Faithful Reproduction With Top-Shelf Components The WA-87 is based on a classic 60s circuit that is widely considered to be one of the greatest studio microphones ever designed. We spent countless hours trying to get even closer to the sound of the vintage version than we had with the WA-87, so the new WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. We also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics. The result is an incredibly accurate sonic replica of arguably the widest-used studio microphone in popular recording history! The Most Versatile Mic In Your Locker Just like the vintage microphone, the WA-87 R2 excels at recording virtually anything. Three polar patterns (cardioid, omni, and figure 8) make sure you’re covered for a wide variety of applications, and an 80Hz high pass filter reduces low-frequency rumble if needed. The switchable -10dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics. The WA-87 R2 works brilliantly on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings, and more. Not only that, it’s the same price as the original WA-87, so you can afford to have several in your mic locker! Stunning In Sound And Appearance The WA-87 R2 is now encased in a heavier, stronger and larger nickel-plated brass body, and the new rounded head basket shape adds additional space around the capsule for a more pleasing sonic signature. With authentic vintage warmth and a smooth detailed top end, we truly believe this mic performs on par with microphones costing five times as much or more. No matter what else you’ve got in your mic locker, the WA-87 R2 is sure to become one of your favorite go-to microphones! Technical Specifications: LARGE DIAPHRAGM STUDIO CONDENSER MICROPHONE, WITH A FAITHFUL REPRODUCTION OF THE ORIGINAL VINTAGE 87-STYLE CIRCUIT ALL DISCRETE PREMIUM COMPONENTS, INCLUDING A NOS FAIRCHILD TRANSISTOR AND WIMA/NICHICON CAPACITORS CUSTOM CINEMAG USA OUTPUT TRANSFORMER WA-87-B-50V CAPSULE—REPRODUCTION OF CLASSIC DUAL BACKPLATE (FOUR-WIRE TERMINATION) K87 CAPSULE NICKEL-PLATED BRASS BODY THREE POLAR PATTERNS: CARDIOID, FIGURE-OF-EIGHT, AND OMNIDIRECTIONAL  -10DB PAD AND 80HZ HIGH PASS FILTER FREQUENCY RESPONSE: 20HZ – 20KHZ SPL: .5% THD @ 125DB (WITHOUT PAD), 132DB DIAPHRAGM: 6-MICRON THICKNESS, GOLD-SPUTTERED MEMBRANE, NOS MYLAR (PET FILM) NOISE: -117DB INCLUDED ACCESSORIES: WOODEN STORAGE CASE, HARD MOUNT, AND SHOCK MOUNT (OPTIONAL FLIGHT CASE AVAILABLE) WEIGHT (FULLY BOXED): 6.5 LBS / 3 KG COLOR: AVAILABLE IN NICKEL OR BLACK FINISH

Stereo Monitor Controller The 2Control is an excellent sounding compact monitor controller that perfectly controls your near-field and full-range monitors. It is equipped with our crossfeed control for headphone monitoring to create mixes on phones that translate on speakers. Inputs & Speakers The 2Control, which is analog throughout, allows the connection and selection of two stereo sources. These can be monitored via two stereo speaker sets and two headphones. A third mono output is used to connect a subwoofer or mono loudspeaker. The inputs are additive! The 2Control mixes the input signals together. The volume is controlled by a high quality potentiometer (ALPS RK27 “Big Blue”) with active control and a 45mm full aluminium rotary knob. The inputs are designed for balanced analog line-level signals. The input IN1 is calibrated to a nominal level of +4dBu. The sensitivity of input IN2 can also be adjusted to a nominal level of -10dBV – ideal for connecting consumer level CD/DVD players. Headphone outputs with Crossfeed The 2 Control is equipped with two active output stages for headphones, whose level can be individually adjusted. To be able to judge a mix via headphones, the super stereo effect, which affects the placement of voices and instruments in the stereo image and also reverb rooms and the generally exaggerated effects, must be corrected. This is done by the crossfeed control, thanks to which mixes created on headphones work just as well on speakers. Crossfeed is a part of our Phonitor Matrix. In its largest expansion stage it has three adjustment parameters: Crossfeed, Speaker Angle and Center Level. In the 2Control the Center Level is preset to -1 dB and the Speaker Angle to 30°. These are the most commonly used values. The crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. The intensity of the crossfeed is infinitely variable. SPECIFICATIONS :   Inputs & Outputs Electronically balanced instrumentation amplifiers Input sockets: XLR  Output sockets: XLR, Stereo TRS Nominal input level: IN 1: +4dBu, IN 2: +4dBu/-10dBV Input impedance: 22kOhm Output impedance: 75Ohm/Headphones: 22Ohm Max. input level: 21,3dBu Max. output level: 21,3dBu Volume control range: -80dB to +6,6dB Headphones: -65dB to +14,9dB    Measurements Frequency range: 10Hz to 100kHz (-3dB) CMRR: ›60dB (@1kHz, 0dBu input level, unity gain) THD&N: 0,002% (@1kHz, 0dBu input level, unity gain) Signal to noise ratio: -96dB/Headphones: -85dB (A-weighted) Crosstalk L/R: ›70dB (@1kHz) Dynamic range: 116dB Power consumption: ca. 25W    Power Supply Features: Toroidal transformer with voltage selector Fuses (slow blow): 230V/50Hz: 315mA, 120V/60Hz: 630mA    Dimensions and Weight Housing (BxHxT): 215x80x220mm Depth w. controls & sockets: 245mm Height with feet: 95mm Front height w. opened feet: 126mm Weight: 2,1kg   Note: 0dBu = 0,775V. Specifications are subject to change without notice.  

The Return of a legend The new Foxy Tone Box from Warm Audio is a hyper-accurate recreation of one of the most sought-after and beloved fuzz pedals of all time - used in the early seventies by legendary tone masters Billy Gibbons and Peter Frampton, and in the present day by folks like Adrian Belew, Nine Inch Nails and Beck. Covered in thick velvet just like the vintage pedal, the Warm Audio Foxy Tone Box faithfully recreates the vintage circuit and brings you the huge tone, octave-up sounds and look of the original…without having to pay crazy vintage prices! Serious Attention to Detail The specific components used in a pedal circuit are critical to the way that it sounds and reacts to your playing, so each Foxy Tone Box is assembled by hand using premium parts. We searched far and wide for a stash of the correct NOS (“New Old Stock”) Fairchild transistors used in the original—and then paired them with germanium diodes, high-watt carbon resistors, and film capacitors to bring the fury of the vintage pedal to the present day. It’s true bypass, and it sounds like nothing else on earth! fuzz it up Just like the original, the Foxy Tone Box features controls for Volume, Sustain, and Fuzz (from “Mellow” to “Brite”), along with a switch to engage the pronounced octave effect. From mellow and subdued crunch to all-out searing fuzz and everything in between, this pedal is a virtual library of dirt encased in orange velvet! To get started, keep the Octave switch off and roll the Fuzz to the “Mellow” side for warm, square-wave distortion. Then engage the Octave effect, crank the Fuzz to “Brite", and increase the Sustain for maxed-out, hyper-compressed tones that are barely hanging on for dear life! Electric guitar is the obvious application, but try it on synthesizers, drum machines, bass, acoustic/electric, and more. If you can plug a cable into it, the Foxy Tone Box can add character you just can’t get anywhere else. Technical Specifications Download Product Manual Faithful recreation of the original “foxy” fuzz circuit with 100% analog, fully discrete signal path Premium components used throughout, including the NOS 2N3565 Fairchild transistors found in the original circuit Uses carbon resistors, germanium 1N34A diodes, and premium film capacitors True bypass operation Gold-plated PCB pads VOLUME, SUSTAIN, and FUZZ knobs OCTAVE SUSTAIN switch for engaging the octave-up effect 1/4" Input (INST) and Output (AMP) jacks

Το ATOM SQ σχεδιάστηκε ως ένα MIDI controller για όλους τους μουσικούς παραγωγούς που χρειάζεται να είναι ευέλικτοι και να κινούνται συνεχώς για τις μουσικές παραγωγές τους. Ο μοναδικός βελτιωμένος σχεδιασμός του, είναι ότι καλύτερο για την επεξεργασία Drum patterns στο Studio One ή σε VST όργανα στο Ableton Live και σε πολλά άλλα  - ωστόσο η διαμορφωμένη RGB με 32-pad επιφάνειά του είναι οικεία σε όποιον έχει ξαναδουλέψει με Pad-controller. Οι προηγμένες λειτουργίες σας επιτρέπουν να αλλάξετε κλίμακα και διαθέτει μια ενσωματωμένη λωρίδα αφής arpeggiator, ρυθμιζόμενη από το χρήστη που καθιστά το ATOM SQ το πιο εύχρηστο controller που χρησιμοππιήσατε ποτέ. Στην πραγματικότητα, είναι ο καλύτερος controller της PreSonus για χρήση με το Studio One  DAW.Ελέγξτε το Daw σας, όλα είναι στο χέρι σας.Εισάγετε ένα Pattern, αλλάξτε διάρκεια , προσθέστε νέες λούπες και αλλάξτε κλίμακες — απευθείας από το ATOM SQ. Θέλετε να κάνετε αλλαγές εν κινήσει; Το ATOM SQ σάς επιτρέπει να ανοίξετε το Studio One Pattern Editor, να επιλέξετε και να επεξεργαστείτε ξεχωριστά τα πάντα, ακόμη να αντιγράψετε, να επικολλήσετε, να αντιγράψετε και να διαγράψετε ότι κάνετε, όλα χρησιμοποιώντας τα χειριστήρια αφής.Θα δουλέυετε γρηγορότερα από ποτέ, χρησιμοποιώντας τον ενσωματωμένο controller για το Studio One ειδικά σχεδιασμένο για το ATOM SQ. Είναι γρήγορο και εύκολο για όσους ξέρουν πώς να προγραμματίσουν ένα Drum machine. Ένα πλήρες κιτ εργαλείων παραγωγής.Στο ATOM SQ συμπεριλαμβάνεται το λογισμικό παραγωγής μουσικής Studio One Artist που σας επιτρέπει να συνθέσετε, να γράψετε και να παράγετε με όλα τα εργαλεία του. To νέο Atom SQ είναι εύκολο στη χρήση και στην σύνδεση με το Studio One θα σας επιτρέψει να παράγετε γρηγορότερα από ποτέ. Περιλαμβάνετε επίσης το Impact XT.Η νέα έκδοση 5 του Studio One Artist σας επιτρέπει τώρα να χρησιμοποιείτε τα αγαπημένα σας εφέ plug-in VST και εικονικά όργανα. Έχετε επίσης πλήρη υποστήριξη για το Studio One Remote για χρήση σε δεύτερη οθόνη ή ως απομακρυσμένο εργαλείο ελέγχου του Studio One στο tablet iPad® ή Android ™. Με το νέο ATOM SQ, έχετε στα χέρια σας το πιο ευέλικτο MIdi Controller της PreSonus για το Studio One.Ενσωμάτωση στο Ableton Live και πολλά ακόμα...Το ATOM SQ είναι επίσης ένα μοναδικό controller του Ableton Live, σχεδιασμένο για παραγωγή και Live.Μπορείτε να ξεκινήσετε κλιπ και σκηνές κατά τη διάρκεια μιας παράστασης, να επιλέξετε συσκευές και να επεξεργαστείτε παραμέτρους, να πλοηγηθείτε σε κομμάτια και σκηνές, να ελέγξετε την ένταση του κάθε κομματιού, και επίσης μπορείτε να κάνετε όλο τον προγραμματισμό των τυμπάνων στο Ableton από το ATOM SQ! Περιλαμβάνεται το Ableton Live Lite, ώστε να μπορείτε να δημιουργήσετε αμέσως. Έρχεται με όλες τις εκδόσεις, τα όργανα και τα εφέ του Live - ό, τι χρειάζεστε για να γράψετε τραγούδια, να δημιουργήσετε με το Atom σας, να μεταφέρετε μουσική από τις εφαρμογές σας και πολλά άλλα επιπλέον...Με το ΑΤΟΜ μπορείτε πανεύκολα να αναδιαμορφώσετε τις παραμέτρους των οργάνων σας έτσι, μπορείτε να χρωματίσετε τα LED RGB όπως θέλετε για να δώσετε χρώμα στα κανάλια σας. Η οθόνη LCD του ATOM SQ χρησιμοποιείται για την εμφάνιση πληροφοριών, επίσης περιγράφει τις λειτουργίες που χρειάζεστε, ακριβώς όταν τις χρειάζεστε για το project που δουλεύετε.Έλεγχος πλοήγησης και πολλές συντομεύσεις.Το ATOM SQ είναι κάτι περισσότερο από ένα pad-controller, σας επιτρέπει να πλοηγηθείτε σε πολλές εφαρμογές του Studio One χωρίς ποντίκι και πληκτρολόγιο. Διαθέτει χειριστήρια transport, pause , αναπαραγωγή, εγγραφή και μια ειδική εναλλαγή Tracks. Μπορείτε ακόμη και να κάνετε μεγέθυνση και σμίκρυνση της οθόνης εργασίας σας και να περιηγηθείτε ανάμεσα στα κομμάτια σας, όλα χωρίς να ακουμπήσετε το ποντίκι σας .Τεχνικά χαρακτηριστικά:Ένα πλήρες πακέτο παραγωγής μουσικής με Studio One® Artist και Ableton® Live Lite (περιλαμβάνονται) 32 ευαίσθητα στην ταχύτητα και στην πίεση, RGB LED pads σε μια μοναδική, κλιμακωτή διάταξη. Η οθόνη εμφανίζει όλες τις σημαντικές πληροφορίες παραμέτρων, συμπεριλαμβανομένων εκχωρήσεων CC,και πολλά άλλα. Οκτώ περιστροφικά knobs μπορούν εύκολα να ρυθμιστούν ώστε να ελέγχουν σχεδόν οποιαδήποτε παράμετρο μέσα στο λογισμικό Περιλαμβάνει 2  loop packs προσαρμοσμένα κιτ για το Impact XT Περιλαμβάνει βιβλιοθήκες περιεχομένου προσαρμοσμένες για ATOM SQ Η δυνατότητα "Περιορισμός σε κλίμακα"  δίνει τέλος για πάντα τις λάθος νότες USB με τροφοδοσία για εύκολη συνδεσιμότητα και μέγιστη φορητότητα Χαρακτηριστικά ενσωμάτωσης Studio One: Εντοπίζετε αυτόματα από το Studio One, δεν απαιτείται ρύθμιση Πλήρης ενσωμάτωση με το πρόγραμμα επεξεργασίας του Studio One για προγραμματισμό των beats Πλοηγηθείτε και επιλέξτε όργανα και εφέ από το πρόγραμμα περιήγησης Αλλαγή προεπιλογών σε VST όργανα και εφέ Δημιουργήστε ένα νέο κομμάτι Ενεργοποιήστε τον μετρονόμο και αλλάξτε το ρυθμό του τραγουδιού Περιηγηθείτε στο κομμάτι Μεγέθυνση και σμίκρυνση Επεξεργαστείτε άμεσα τα MIDI tracks και εφαρμόστε επίσης εντολές Quantization ή Humanization Έλεγχος μεταφοράς (stop, play, record) Το Studio One εναλλάσσει δυναμικά το ATOM μεταξύ λειτουργιών πληκτρολογίου και τυμπάνου ανάλογα με το επιλεγμένο όργανο Απαιτείται Studio One v5 ή μεταγενέστερη έκδοση για πλήρη υποστήριξη Λειτουργίες ενσωμάτωσης του Ableton Live: Άριστη ενσωμάτωση με το Ableton® Live Χρησιμοποιήστε τη λειτουργία Constrain to Scale του ATOM SQ και το Arpeggiator για Live Αλλαγή Tempo, πλοήγηση στο χρονοδιάγραμμα, άνοιγμα / κλείσιμο παραθύρων και εμφάνιση των παραθύρων που είναι ανοιχτά ή κλειστά Έλεγχος έντασης κομματιού, Panning, Aux Send Level και κατάσταση Solo / Mute / Arm Επιλέξτε μια συσκευή και επεξεργαστείτε τις παραμέτρους της Περιήγηση σε κλιπ και σκηνές Εκκίνηση ή διακοπή κλιπ και σκηνών Ελέγξτε το crossfader του Live με τη επιφάνεια αφής του ATOM SQ Έλεγχος μεταφοράς (διακοπή, αναπαραγωγή, εγγραφή) συν "Capture MIDI" Λειτουργία χρήστη για προσαρμοσμένες εργασίες Απαιτείται Ableton Live έκδοση 10.1.15 ή νεότερη για πλήρη υποστήριξη ενοποίησης Συνδέσεις: Θύρα USB-C ™ Περιλαμβάνεται λογισμικό: Λογισμικό παραγωγής Studio One Artist για Mac® και Windows® Ableton Live Lite (για εγγεγραμμένους χρήστες μετά τις 20 Οκτωβρίου 2019) 2 πακέτα loop Bonus με προσαρμοσμένα κιτ για το Impact XT του Studio One Συμβατό με τα περισσότερα λογισμικά παραγωγής και απόδοσης μουσικής για Mac και Windows Απαιτήσεις συστήματος υπολογιστή:Ακολουθούν οι ελάχιστες απαιτήσεις συστήματος υπολογιστή για ATOM με το Studio One 5 ή μεταγενέστερη έκδοση:macOS:macOS® 10.13 ή υψηλότερη (μόνο 64-bit)Intel® Core ™ i3 ή καλύτερηΕλάχιστη μνήμη RAM 4 GB / Συνιστώμενη 8 GB ή μεγαλύτερηWindows:Windows® 10 (μόνο 64-bit)Επεξεργαστής Intel® Core ™ i3 / AMD A10 ή καλύτεροςΕλάχιστη μνήμη RAM 4 GB / Συνιστώμενη 8 GB ή μεγαλύτερηΣυστήματα Mac και Windows:Θύρα USB 2.0Σύνδεση στο Διαδίκτυο (απαιτείται για εγκατάσταση και ενεργοποίηση λογισμικού)Οθόνη με ανάλυση 1366 x 768 (συνιστάται οθόνη υψηλής dpi)Χώρος σκληρού δίσκου 20 GB (για αποκλειστικό περιεχόμενο Studio One και ATOM SQ)Universal Control 3.3 ή μεταγενέστερη έκδοση (για ενημερώσεις υλικολογισμικού)Απαιτείται Studio One 5+

Made in France the new Twin6 is a 2.5-way monitor offering unrivaled transparency, definition level, dynamics, and soundstage precision. It's Focus Mode uses a two-way configuration, preserving the sweet spot when mixing, saving space on the console and simplifying cabling and monitor changes.

Classic API Compression for the Modern Studio The API 2500+ Stereo Bus Compressor joins the company’s regular lineup, bringing all that formidable dynamics-shaping power to your rack in a sleek, space-saving 1U chassis. The API 2500+ model added a sophisticated Mix/Blend circuit to API’s venerable design coming form the anniversary edition. API’s flagship compressor delivers the inimitable sound of iconic API compression along with unparalleled parametric control. The result is an incredible-sounding, versatile, world-class stereo bus compressor capable of handling any audio production task. Meticulously designed to deliver a broad range of compression options and features not found on most compressors, the API 2500+ delivers warmth, clarity, and punch, whether used for nuanced dynamics control, brick-wall limiting, or anything in between. Parallel compression done right The Mix/Blend circuit found on the API 2500+ does a lot more than the simple wet/dry blend pot found on many modern compressors, giving you the option of either crossfading or parallel mixing of the compressed and uncompressed signals. First of all, the circuit can be hardwire relay bypassed entirely to deliver a purer signal than a standard blend pot simply maxed out to fully “wet” — a feature golden-eared engineers will appreciate. Next, when engaged and set to X (Cross), the Mix control lets you crossfade between fully uncompressed and fully compressed, literally increasing one while decreasing the other. In || (Parallel) mode, the MIX control effectively dials in your desired amount of compressed signal to blend in with the uncompressed signal, which remains constant. In case you’re wondering; trust us — these two active modes do sound and behave differently and you’ll quickly find uses for each. Equip Your Studio with Iconic API Compression If you’re after versatile compression, the API wrote the book. While the 2500+ is set up for stereo compression, you can also use it dual-mono. However you use it, though, you’ll have a range of compression styles to dial in — all highly musical, all incredibly usable. The 2500+ sports API’s patented Thrust circuit, a proprietary loudness contour that packs a powerful punch, imbuing each octave with the same energy (instead of half the energy as the next lowest one, as is the normal state of affairs).The Old/New Tone Type switch lets you choose between classic feedback and modern feed-forward compression styles. Whether you’re using it for drum stems, guitars, bass, vocals, or as a stereo bus compressor to pump up your mixes, the 2500+ delivers the iconic API analog sound and "slam factor" that has been relied on by recording engineers and heard on countless hits for a half century. Simply put: every serious studio needs the API 2500+. Incredibly versatile, highly musical When you choose API, you know you’re getting legendary sonic character. And with the API 2500+, you’ve got a range of character to choose from. To start, the 2500+ is equipped with API’s patented Thrust circuit before its RMS detector, which delivers punchy, old-school low end. There are also two types of compression onboard the API 2500+ — Old and New. The Old style uses the feedback type of compression in which the detector is placed after the VCA (as found on the classic API 525), while the New style uses a feed-forward type for a faster response typical of many popular modern compressors.The API 2500+ is stereo-ready, but sports a variable link between the left and right channels, so you can independently put the channels to work on your mono sources. Whatever way you use it, you’ll appreciate having API’s auto-makeup gain button on the output stage. It lets you vary the API 2500+’s threshold or ratio, while automatically maintaining a consistent output level. Sidechain input for creative ducking Every dynamics processor has a sidechain circuit that examines the signal and determines how much the VCA will reduce gain — but not every unit provides access to its sidechain. In compressors without a separate sidechain input, your main input signal is, essentially, compressing itself. With compressors that have a separate sidechain input — like the API 2500+ — you can introduce a different signal that determines the compression action on the main signal.An overt illustration of sidechaining is the “pumping” effect that’s popular in EDM production. A control signal — let’s say, a bass drum — is plugged into the sidechain input, triggering the detector and causing the main signal — a synth bass, in this example — to "duck," under each bass drum hit. This clears the way for maximum kick drum impact. Another classic use is for auto-ducking music under a voiceover, as in a radio commercial spot. Sidechaining can be used creatively in many ways, limited only by your imagination! API — the legendary American pro audio company No American pro audio company is more iconic than API. Launched in 1968 by Saul Walker, Automated Processes Inc. began building quality consoles for broadcast applications. Soon, the company’s products found favor with recording studios, and a string of industry-leading innovations (including the 500 Series module, the first VCA, computerized console automation, and more) followed. API produced the 2520 amplifier, one of the most famous op-amps in the recording industry, and their consoles and products found homes in such iconic studio facilities as the Hit Factory, Record Plant, Ocean Way, Sunset Sound, and many others.In fact, there are over 700 vintage API consoles around the globe — many of which are still in use. And the company certainly isn’t resting on its laurels; today’s API products give you the same unbeatable combination of utility, innovation, and great sound. That’s why, at Sweetwater, the name API commands reverence. API 2500+ Stereo Bus Compressor Features: * New Mix/Blend circuit with crossfade or parallel compression* Selectable ratio, attack, and release times* Expanded variable threshold between -20dBu to +20dBu* Selectable NEW or OLD switch for feed-forward or feed-back operation* Over Threshold LED illuminates when input audio crosses the set threshold* Patented Thrust filter with 3 settings for frequency-dependent sidechain control * 3 selectable compressor curve Knee settings: Soft, Medium, or Hard* Choice of Old (feedback) or New (feed-forward) compression* Preset or variable release time control* Variable Left/Right channel linking

The Denon Home series fills your home with superb wireless sound. The powerful Denon Home 150 with its amazing sound stage takes your music into every corner, even in large rooms. Pair it with another Denon Home 150 for stereo or combine it with other HEOS Built-in products. PREMIUM PRE-SELECTION. With the help of the three quick select buttons you can easily store your favourite Internet radio stations to enjoy them whenever you want, without the hassle of searching. THE SMARTEST SETUP. The HEOS App is all you need to get started. Download it from the Apple Store or the Play Store and integrate the Denon Home 150 into your home network within minutes. Control everything easily with your mobile device. FULL STEREO WITH A SMALL FOOTPRINT. Pair two Denon Home 150 speakers using the HEOS app and enjoy true stereo. Denon Home 150 speakers work as left and right speakers to provide a Hi-Fi quality system, just without the system. Even listen to your Hi-Res collection with the accuracy and attention to detail your music deserves. A PART OF SOMETHING BIGGER. Immerse yourself in wireless sound. Just connect a pair of Denon Home 150’s with a DHT-S716H sound bar and a DSW-1H subwoofer to create a full surround 5.1 home theatre setup. Specifications: Construction:Mono speaker Built-in Class-D Power Amplifiers:2 Drivers:2 Tweeter:1 x 25 mm Woofer:1 x 89 mm Mid-Range: - High Resolution Audio support : Yes USB input (mass storage):Yes Analogue input (3.5mm mini jack):Yes Stereo Pairing:Yes Usage as Surround SPK for Soundbar DHT-S716H:Yes Supports Subwoofer with HEOS built-in:Yes Bass and Treble Control :Yes Proximity Sensor: 3 Quick Select Buttons: 3 Volume:Yes Play Pause:Yes HEOS built-in:Yes  WiFi 24 GHz: IEEE 802.11b/g/n WiFi 5 GHz: IEEE 802.11a/n/ac Airplay 2:Yes Bluetooth:Yes USB port for direct connection of stored music:Yes Wired Network RJ-45:Yes 35mm AUX Input:Yes Power Supply built-in: AC 100 – 240 V, 50/60 Hz Quick Start Mode Power Consumption: 2.2 W Deep Standby Power Consumption: 0.3 W Power consumption: 20 W Dimensions (WxHxD mm):120 x 187 x 120 Weight in kg: 1.7

Powerful and versatile bass synthesis with a sound source based around a vacuum tube oscillator. Even today, when digital technology allows electronic musical instruments to simulate any sound imaginable, the warm harmonics and distortion produced by analog vacuum tubes is still sought after. This distinctive sound has a quality beyond words that sets it apart, and cannot be captured by a response curve; it's the unmistakable sound of tubes. The volca nubass is the first analog synth to be equipped with a Nutube new-generation vacuum tube in its oscillator circuit. By incorporating a vacuum tube, nubass produces a warm, thick, and rich sound, unlike any digital or transistor-based synthesizer. The familiar transistor ladder filter along with overdrive, and huge-sounding distortion, gives it the unmistakable character of a classic bass machine. Coupled with an LFO with flexible routing and sync, nubass also provides numerous possibilities for a new generation of music. A truly unique bass machine for both classic and new sounds, with the power of modern synthesizer design. It's the volca nubass. Specifications: Keyboard: Multi touch Keyboard / step key Synthesizer Type: Analog synthesis Maximum Polyphony:  1 Structure : VTO (oscillator, sub-oscillator), VCF, VCA, EG, LFO,Overdrive Sequencer  Number of parts:1 Number of Steps:16 (pattern chain is available) Number of Recording Patterns: 16 (No.1 – 10 are factory preset) Connectors Audio Output: Headphones (3.5mm stereo mini jack) Sync: Sync In (3.5mm monaural mini jack, Maximum input level: 20V),Sync Out (3.5mm monaural mini jack, Maximum Output level: 5V) MIDI: MIDI In Power Battery Life: Approximately 8 hours (using alkaline batteries) Power supply: AA alkaline battery ×6, AA nickel-metal hydride battery ×6, or AC adapter “KA-350” (optional) Others Included Items: Six AA alkaline batteries for checking operation, Sync cable Accessories (sold separately)KA-350 AC adapter, SEQUENZ CB-4VOLCA hard shell case, SEQUENZ CC-VOLCA dedicated carrying case, SQ-CABLE-6 sync cable Dimensions (W x D x H)193 × 115 × 46 mm / 7.61" x 4.54" x 1.82" Weight370 g / 0.82 lbs. (Excluding batteries)

Direct DriveHiFi Turntable System With TURN5 Reloop HiFi is launching a quartz-controlled, direct-drive turntable that meets the highest sound requirements. Using our expertise we have developed a new HiFi turntable, which with its technical sophistication is the best in its class. Powerful DC motor &low-resonance die-cast platter The brushless, direct-drive DC motor ensures a powerful drive at a very consistent rotation and the TURN5 has been produced using die-cast precision manufacturing techniques. A dampening rubber base on the turntable system eliminates any unwanted resonance and the accompanying 5 mm rubber coating also protects against vibrations so that nothing stands in the way of the exceptional sound reproduction. High-quality control elements & connections The three motor speeds can be selected with convenient controls on the top to 33 1/3, 45 or 78 rpm. This means the TURN5 can also play back old shellac records with a corresponding mono-system (not included). Next to this is the large start/stop knob. The universal locking mechanism (SME) on the tonearm allows for a quick and easy headshell exchange. Also, with the supplied counterweight a whole range of cartridges can be used as this also supports heavier pick-ups. On the rear panel of the TURN5 is a gold-plated phono output pair (RCA) with a separate earth connection to prevent any potential interference. The terminal for all cable connections has been recessed to protect them as much as possible. For a simple exchange, the power cable and the RCA cable can be removed. Static balanced S-tone arm & Hi-tech Ortofoncartridge system The TURN5 uses a statically balanced S-shape tone arm. This is supplied, along with the hydraulic lift and an anti-skating setting, with a convenient tone arm height adjustment with locking VTA. This guarantees optimum performance of the cartridge and an accurate reproduction of the recording medium. The supplied Ortofon 2M Red cartridge is already pre-mounted on a headshell and stands out thanks to its elliptical cut with phenomenal sound quality. Elegant design in a particularly heavy-duty construction The housing is built on a heavy-duty metal construction with shock-absorbing feet in order to isolate unwanted vibrations as much as possible and reduce ambient noise. The combination of several materials provides additional stiffness to the housing. With its deep black piano finish, visually the TURN5 is elegant and timeless. The gold-plated turntable hovers harmoniously above the cover plate and focuses the view on the important thing – the record. DIRECT DRIVE HIFI TURNTABLE SYSTEM Powerful direct-drive DC motor for a stable rotation Heavy, low-resonance die-cast platter VTA-adjustable Tonearm with a Ortofon 2M red cartridge Features: Quartz-Controlled HiFi turntable with high torque Brushless Direct Drive DC Motor Precision machined Die-Cast Aluminium Turntable Platter for a perfectly balanced rotation Deadening Rubber covering rear platter surface & special 5mm rubber mat for optimized resonance control and damping Static-balanced S shaped tonearm with VTA adjustment Adjustable anti-skating dial for improved cartridge tracking Pre-installed Ortofon 2M Red cartridge Integrated motor control selector for conveniently selecting three different speeds (33, 45 and 78 RPM) Universal Headshell Connector provides added flexibility High Quality Phono outputs (with separate grounding connection) Gold-plated, corrosion resistant audio outputs (power and RCA cables detachable) Sunk-in terminal cavity for protected connection Especially heavy metal construction, rigid cabinet design and Shock-resistant feet for effective decoupling Supplied counterweight supports a wide variety of cartridges Elegant design with deep black Piano Finish and a fully gold anodised Platter Included Accessories: Turntable Platter, Dust Cover, 2x Dustcover hinges, Balance Counter Weight, PHONO RCA Cable with earth lead, AC power supply cord, Rubber Mat, Instruction Manual, Ortofon 2M Red cartridge & headshell

Dual Moving Magnet Stereo Cartridge A high-end model featuring a MicroLine™ stylus in an aluminium die-cast alloy body. In addition to outstanding high-frequency reproduction, this model enables clear sound image localisation. Aluminium tapered cantilever Para-toroidal coils improve generating efficiency Centre shield plate between the left and right channels reduces crosstalk Die-cast aluminium alloy housing reduces vibration and adds a natural electrical shield Audio-Technica’s internationally-patented Dual Magnet design replicates the structure of the cutter head. Instead of using a single, large magnet, the two magnets are arranged in the shape of a "V". The two magnets are positioned precisely to match the positions of the left and right channels in the stereo groove walls. Consequently, the VM design ensures outstanding channel separation, extended frequency response and superb tracking. Para-toroidal generating system Para-toroidal coils improve generating efficiency and offer superb linearity since leakage of magnetic flux in this continuous and unitised magnetic circuit is low. Permeability of the cores is also optimised through the use of laminated cores. Centre shield plate reduces crosstalk A permalloy centre shield plate enables the effective separation of left and right channels, suppressing electrical crosstalk to below 40dB. This is similar to the actual crosstalk value found in the grooves of the record itself. Type VM Type Mounting 1/2” centres Frequency Response 20 - 27,000Hz Channel Separation 28dB (1kHz) Output Channel Balance 1.0dB (1kHz) Output Voltage 4.0mV (1kHz, 5cm/sec.) Vertical Tracking Angle 23˚ Vertical Tracking Force Range 1.8 – 2.2g (2.0g standard) Stylus Shape MicroLine™ Stylus Size 0.12 x 2.2 mil Stylus Construction Nude Square Shank Cantilever Aluminium Tapered Pipe Coil Impedance 2,700Ω (1kHz) Static Compliance 40 x 10-6 cm/dyne Dynamic Compliance 10 x 10-6 cm/dyne (100Hz) Recommended Load Impedance 47,000Ω Recommended Load Capacitance 100 – 200pF Weight 8.0g Dimensions 17.3 (H) x 17.0 (W) x 28.2 (L) mm Replacement Stylus VMN40ML Accessories Included Cartridge installation screws 5mm ×2 and 10mm ×2, Washer ×2, Hexagon nut ×2, Non-magnetic screwdriver ×1, Brush ×1, Lead wire set ×1

The birth of a new portable audio & video recording kit is here, giving you all the tools you need, right out of the box. The kit includes a Manfrotto® PIXI tripod, phone clamp, and mount, as well as iOS and USB-C cables for next-level compatibility and connectivity. Just add your phone and you’ll be capturing professional quality content wherever you are. Product details: The MOTIV MV88+ Video Kit is a premium Digital Stereo Condenser Microphone. Your new mobile recording rig directly connects to any Apple device via a Lightning connector, or via USBC to select *additional devices. The MV88+ has all you need to capture great content right out of the box. The included phone mount is also compatible with your existing set‐up, allowing to connect to any tripod with a ¼”‐20 (or ¼ camera tripod) connector. The free ShurePlus MOTIV audio & video Apps enable recording control, and the ability to save and share your content in multiple formats. Apps include real‐time audio control, including five built‐in DSP preset modes (Speech, Singing, Flat, Acoustic Instrument, Loud), microphone gain, stereo width, and high‐quality 24‐bit /48 kHz recording. The MV88+ Video Kit is the perfect high‐fidelity solution for mobile capture of all variations: live performance, field recording, interviewing, audio for video and vocal and instrument recording. Features: Includes industry leading Manfrotto PIXI mini tripod, phone clamp & shoe-mount, USB-C & lightning cables Includes neoprene roll-up bag to keep all your accessories in one place Built-In Headphone Output for real-time monitoring Pristine audio for multiple set ups (included phone mount is also compatible with your existing set-up, allowing you to connect to any tripod with a connector) All metal construction Detailed stereo capture, five DSP preset modes Shure MOTIV Audio App for pro-level recording Shure MOTIV Video for onscreen control *Allows for phone charging while mic is in use (requires USB-A cable and Apple USB3 camera adapter) - iOS users only *If you are using a USB-3 adaptor, to benefit from the ability to charge your iphone while using the MV88+, we recommend you plug the microphone into your phone first, and adjust settings as required.

Wherever music is created, beyerdynamic, microphones and musicians go hand in hand. On the world’s largest and smallest stages and studios. The new USB Studio Microphone FOX captures music anywhere, anytime. For home studio and mobile recordings Singer-Songwriters, Vocalists, Musicians, Podcasters, Gamers and YouTubers perform arts free of technical distraction. With its classy style and outstanding design elements, FOX fits in every home studio or any place away from home. No melody will be lost because your studio is always with you. Record songs, podcast and much more with the according software. With 24 bit and 96 kHz you have a high resolution quality like in professional recording studios. Perfect digital signal processing produces a very natural sound. A large diaphragm capacitor capsule with cardioid characteristic enables accurate sound conversion and low inherent noise. Live your artistic freedom with the simple plug-and-play USB connection. The adapter included with the FOX guarantees uncomplicated and quick mounting on the stand. Technical Specifications: USAGE: Singing, Speech, Podcasting TRANSMISSION TYPE: Wired TRANSDUCER TYPE: Condenser POLAR PATTERN: Cardioid MICROPHONE FREQUENCY RESPONSE: 20 - 20.000 Hz MICROPHONE TYPE: usb studio microphone CONNECTION: USB CABLE LENGTH: 1 m 24 Bit 96 kHz studio grade quality as in professional recording studios Accurate signal conversion by a large diaphragm condensor capsule Headphone output with Zero Latency Monitoring Mute button for muting microphone Gain switch for miking loud instruments

The Telefunken ELA M 250/251 was made for Telefunken by AKG after Neumann discontinued its OEM production of the Telefunken U-47. The Golden Age Premier GA-251 is inspired by this truly classic mic model. The GA-251 shares the same design goal that was set for the GA-47: to offer the classic qualities and advantages that a vintage unit in perfect condition would provide and doing so at a very low price point. Having gone through a number of prototypes that was compared to great sounding vintage units in different recording settings, everyone involved agreed that the goal was reached. The coupling capacitor is made by Solen from France. It is a high balanced film capacitor made from MKP material with pure oxygen-free copper connections. It has a very delicate and balanced sound.The capsule capacitor uses NOS Siemensantique grade polystyrene capacitor to reduce loss.The tube cathode bypass capacitor uses an ELNA OFC Cerafine high end hifi capacitor from Japan with oxygen free copper connections exhibiting a very sweet and delicate character, not the least for vocals.The other capacitors are of the low loss polystyrene type.The resistor used for setting the capsule voltage is a high quality DALE 1% metal film resistor. The result is a very stable and consistent operating level leading to better consistency between different GA-251 units. The plate resistor uses a non-inductive resistor of the United States IRC audio with pure copper connections. The sound level is rich and full bodied. The GA-251 uses a 34 mm K251 style capsule. Being a dual-sided one, it provides both cardioid and omni polar patterns.In order to get a good consistency between units, for each production run of 50 pcs GA-251 units, approximately 200 capsules is evaluatedin order to find 50 capsules with specifications that lie within the tight tolerances. The sensitivity of the front and back side of the capsule do not differ more than 0,3 dB. The sensitivity between different capsules do not differ more than 0,5 dB.The tight manufacturing tolerance will lead to a very good consistency between different GA-251 units.The capsule is specially designed to complement the electronic circuit of the GA-251 to achieve a frequency response curve with a nice balance between the high, middle and low frequencies. The result is a very smooth sound with a warm bottom and airy top end just like ELA M251. The vintage style power supply PSU uses a high power R-style transformer with a low noise level and minimum stray field.A simple but effective circuit uses dual-stage filtering for the filament voltage. The High voltage is also precisely filtered and stabilized using an ON semiconductor zener diode. The polar pattern switch is placed on the power supply so that the recording engineer can change the polar pattern between Cardioid and Omni remotely. A ground lift switch will help to solve mains power related noise issues that can appear in some cases.

The PRE-573 PREMIER is a one-channel vintage style microphone, line and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The microphone and line input and the line output are transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available. The subjective sound quality delivered by vintage equipment is often prefered to the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean sounding digital audio equipment. The circuit used in the PRE-573 PREMIER is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone. Vintage Style electronics. No integrated circuits in the signal path.UK-made Carnhill in- and output transformer. The output is balanced and fully floating and can drive a 600 ohm load up to level of about 28 dBu. Maximum gain in MIC mode is 80 dB, enough to handle passive ribbon mics with quiet sound sources. The total gain range goes from -10 to +80 dB. The 20 to 70 dB range (in MIC mode) is handled by a turn switch and a toggle switch selects an additional 5 or 10 dB gain. Switchable impedance on the mic input, 1200 or 300 ohms, will change the tone of many mics. The input can be configured to accept line level signals by another switch, the level is then lowered by about 30 dB and the input impedance increased to about 10 kohm. A selectable two-position 6 dB / octave highpass filter with fres of about 45 or 180 Hz. A flexible front panel instrument input for electric guitar or bass that can be switched between a high impedance active or a mid-Z passive mode. These two DI-options makes it possible to get different tones from instruments. Mains connected sound modules or other signal sources should be connected to the MIC/LINE input of the 500-rack, unless they have a fully floating, transformer balanced output stage.The output level control makes it possible to make fine gain adjustments and also to overload the main gain stage(s) for more character and then lower the signal to a suitable level before the output stage.Insert jack for inserting Golden Age Project and Premier 500 Series eq and effect units. The insert is activated by removing a jumper at the back of the module. A soft start circuit that ramps up the supply voltage slowly (~10 sec.) to avoid a power-on current surge.Phase switch and switchable phantom power with a LED indicator. Selectable AIR equalizer adds a boost of about 6 dB centered at 30 kHz. A simple but effective signal and overload indicator is offered by a single LED that starts glowing red at about +4 dBu and then increases its intensity up to the maximum output level. Tantalum and polystyrene capacitors used in the traditional positions. The 6.8 kohm phantom power resistors are matched to within 0.1% to maintain good common-mode rejection in the circuit. Selectable 600 ohm output termination at the back of the module. Circuit board star grounding scheme. A solid build quality that will last many years of normal use.

Integrated Stereo Amplifier with HEOS Built-in Discover the PM7000N, the first Marantz Current Feedback integrated Hi-Fi amplifier with HEOS Built-in technology. The ideal choice for audio connoisseurs, the PM7000N includes high-grade audio components, Marantz own HDAMs, a toroidal transformer and a high-speed instantaneous current power supply. Stream your favourite music and enjoy high-resolution digital audio files up to 192kHz/24bit or DSD5.6. Switch to the high quality Phono MM input to listen to your beloved vinyls as never before. The digital inputs support PCM audio, and decode - beside MP3 - lossless digital files like ALAC, FLAC and WAV up to 24-bit/192-kHz for high-resolution listening. USB-A and HEOS Built-in additionally support DSD 2.8MHz and 5.6MHz playback. Stream your favourite music wirelessly via AirPlay2 and Bluetooth, and control the amplifier via the HEOS app or with leading voice agents Apple Siri, Google Assistant and Amazon Alexa where supported. Modern Integrated Amplifier The PM7000N is the first fully discrete, current feedback integrated Hi-Fi amplifier with HEOS Built-in technology for network music access from Marantz. It is the ideal choice for audio connoisseurs that require Marantz Musical sound with flexible operation and access to digital streaming music. The amplifier delivers a powerful 2x 60W into 8 ohm or 2 x 80W into 4 ohm (20Hz – 20kHz). The Most Musical Sound Engineered and extensively tuned by a team drawing on more than 65 years of Hi-Fi expertise, the PM7000N provides exceptional performance for your audio collection. Whether digital or analogue, enjoy the most musical sound from any source. Fully Discrete Current Feedback Power Amplifier with HDAM-S3 Current Feedback amplification, a renowned Marantz-proprietary circuit technology, is thoughtfully designed to match the requirements of high resolution music for wide-bandwidth and high-speed audio reproduction. The impedance at the Current Feedback point is minimized, generating a very low ground potential. Marantz Current Feedback amplifiers reduce the need for phase compensation by minimizing Negative Feedback (NFB). This simplifies the signal path and results in a high through-rate, excellent transient response and superb sonic transparency across the full bandwidth. Unlike conventional Voltage Feedback topology, Current Feedback renders the power amplifier nearly immune to difficult loudspeaker loads. Marantz HDAM-SA3 Technology Marantz developed its own discrete circuit boards called Hyper-Dynamic Amplifier Modules, or HDAMs, to replace the chip-based amps used elsewhere. Using discrete surface mount components with short mirror-image left and right signal paths, HDAMs outperform the regular integrated Op-amps dramatically in Slew Rate and noise level. The result is much more dynamic, accurate and detailed sound. Over the years, Marantz developed different HDAMs to fit the particular requirements of each player and amplifier. The PM7000N uses the high-grade SA3 version. High-Grade Sound Parts Marantz has a steadfast reputation for choosing the best-possible components for its Hi-Fi products, and the PM7000N is built with that same performance-first Hi-Fi approach. Marantz engineers selected and optimized the PM7000N through extensive listening in dedicated Marantz facilities in Europe and Japan using Hi-Fi tuned sound parts. Wide Range of Connectivity The PM7000N is equipped with 4 analogue inputs and one analogue output, plus a high quality Phone MM equalizer and features one coaxial and two optical digital inputs, along with a USB-A input for high resolution audio files. Hi-Res Audio Support With the ability to decode hi-res audio ALAC, FLAC and WAV lossless files up to 24-bit/192-kHz, as well as DSD 2.8MHz and 5.6MHz tracks (the audiophile format of SACD), enjoy music exactly as the artist intended. Listen to your music via the rear panel USB port or over network sources. Improved Integrated Phono Input For a long time, Marantz integrated amplifiers have featured high-quality phono stages. The PM7000N remains faithful to that legacy while also introducing a new design — one that integrates a FET (field-effect transistors) in the input stage. This provides high input impedance, eliminates the need for AC coupling capacitors and simplifies the signal path, lowering distortion and noise vastly improving the signal purity overall. Subwoofer Output Supports an optional external subwoofer with adjustable low pass crossover for low-frequency bass response within your listening environment. Enjoy accurate bass with no audible peaks or dips, no matter where you place your subwoofer. High Quality, Original Marantz SPKT-1+ Speaker Terminals The speaker terminals of the PM7000N are made of dense brass with a thick silver plating to provide best possible contact with speaker cables. Toroidal Transformer A Toroidal transformer offers several advantages that derive from its efficiency and power capability. The shape of it lends to low levels of electromagnetic radiation and mechanical vibration, producing improved sound quality over what you might experience with dated transformer models. Separate Power Supply for Stand-by In order to reduce power consumption in stand-by, the PM7000N features dual separate power supply circuits. While in standby the digital SMPS power supply is active so the network can wake up the PM7000N. When switching to operation mode, the SMPS power is switched off and the toroidal transformer is activated to supply the necessary high-current to reproduce the Marantz sonic signature. HEOS Built-in With HEOS Built-in technology, enjoy your favourite music in any room of your home for a wireless, whole-home audio experience. Play the same song in every room or select a different song for each connected room — the choice is yours. Enjoy music from Spotify Free or Premium, Amazon Music, Deezer, Tidal and more or your local music file libraries. With additional HEOS Built-in components, like HEOS-capable speakers, play all your music in one room or many. AirPlay 2 + Apple Siri Voice Control Stream audio from your favourite music services like Apple Music and Spotify or watch videos from services like YouTube and Netflix from any iPhone, iPad, Mac or Apple TV. Hear the audio perfectly synced to your speakers from AirPlay 2 sources.  For multi-room audio, wirelessly stream content to multiple AirPlay 2 compatible devices simultaneously with improved audio buffering to ensure smooth audio playback. AirPlay 2 provides control and grouping of compatible audio devices within the Apple Music or Home app. Use AirPlay 2 in-app or with your voice via Siri. Amazon Alexa Voice Control Use your voice to stream your favourite music services through Alexa with HEOS Built-in. Ask Alexa to play music from Amazon Music and more. Turn volume up or down, pause, mute and play the next song — all with your voice. To start streaming with Alexa voice commands, open the Alexa app and select “Skills.” Add HEOS Home Entertainment to enable. Then, go to Smart Home in the Alexa app menu and choose Devices and Discover or say “Alexa, discover my devices.” Google Assistant Voice Control Ask your Google Home, Google app or other devices with Google Assistant built-in to control content across your listening environment. Start music in the HEOS app, then ask your Google Assistant to control volume, play, pause, skip tracks and more. Key Features Power to suit your audio preference: 2ch fully discrete current feedback integrated Hi-Fi amplifier; 60W per channel (8-ohm, 20Hz – 20kHz)  Marantz proprietary HDAM-SA3 circuit: Wide dynamic range and famous Marantz soundstage  Shielded toroidal transformer: Delivering high level of clean power for pure amplification without distortion  Built-in Bluetooth and Wi-Fi with 2.4GHz/5GHz dual band support: Improved network stability even in Wi-Fi crowded homes  HEOS Built-in wireless music streaming: Play nearly unlimited music from your favourite streaming services like Spotify Free and Premium, Amazon Music, Deezer, TuneIn Internet Radio and more with the comfortable HEOS app  Wide range of connectivity: Four analogue inputs, one analogue output, one coaxial input, two optical digital inputs and one USB-A for high resolution audio files  High-performance, high-resolution audio playback: Supports high-resolution audio ALAC, FLAC and WAV lossless files up to 24-bit/192-kHz — plus, DSD 2.8MHz and 5.6MHz tracks for high-resolution listening supported by a high performance audio DAC AK4490  Play vinyl with exceptional clarity: Integrated phono input with newly design FET input stage to improve signal purity and improve sound  Fully shielded digital and network section with the option to deactivate: Minimises the risk of interference by digital section to achieve highest audio performance and a pure analogue experience Premium Marantz SPKT-1+ speaker terminals: Improved connection to speakers for high quality playback Speak your commands: Supports Amazon Alexa, Google Assistant and Apple Siri voice agents for seamless voice control  Works with your TV remote: Program the PM7000N to work with your TV remote and easily adjust volume up, volume down, mute and source selection

The PRE-73 DLX PREMIER is a one-channel vintage style microphone-, line- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The line and microphone input and the line output are transformer balanced, using three different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available. The subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern products, a situation that is even more obvious now when music is recorded with clean sounding digital audio equipment.The circuit used in the PRE-73 DLX PREMIER is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.

Connecting to your Android device with a cable should provide a decent connection. But what if it could be even better?  iFi’s audiophile grade OTG cables provide a super stable connection that supplies superior sound. On-the-go iFi understand the need for quality in every single component of your system. On-the-go (OTG) cables should be no exception. If fact, these actually need extra care and attention. Their very name suggests they will suffer more wear and tear than if they were sat at home! Simply the best OTG cables go between your phone and your DAC. We produce both the USB C and the micro version. They transfer the digital signal from your phone into your DAC. This connection must be stable. That’s why we use a USB 3.0 ‘A’ female connector. It is proven to be a much more mechanically reliable connection. We believe you guys deserve the best, even in the small stuff. Superior signal We also make our cables from top-notch materials. They are constructed from pure OFHC continuous cast copper – an excellent conductor – to deliver a superior, clean signal from your phone to your DAC. This, is turn, delivers the best sound to you to keep you and your music on-the-go, go, go! Perfect for use with Android phones. Our OTG cables extract a digital signal with ease. We offer both micro USB and USB C options. The USB C version is 3.0 standard. The USB 3.0 ‘A’ female connector provides a much more mechanically reliable connection, a factor that not many manufacturers take into account. This fits directly into a flat Type A USB port of the micro or nano iDSD Black Label and ensures a strong and steady audio connection. Our audiophile grade OTG cables are constructed from pure OFHC continuous cast copper, which conducts clean sound between your Android and DAC. And it’s not just the insides that get the iFi treatment. The cables are not only sonically superior but also super smart looking with a sexy ceramic finish to add that touch of class.

The B2 is a new generation of digital piano from KORG focused on accessibility and ease of use. Perfect as a first piano for a new player, we've paid special attention to the experience of playing a real piano. B2 is packed with carefully selected sounds, starting with legendary grand pianos from around the world. Software and a variety of connectors come standard for a truly modern piano experience. Features: Color Variations: Black (B2-BK), White (B2-WH) Keyboard: 88 key (A0–C8), NH (Natural Weighted Hammer Action) Keyboard Touch Control: Three types Pitch Transpose, Fine tuning Temperament: Equal temperament Sound Generation: Stereo PCM Maximum Polyphony: 120 voices (max) Sounds: 12 Effects: Reverb, Chorus Demo Songs: 12 Metronome: Tempo, Time signature and Volume controls Pedal: Damper*,* Half-pedaling supported with Optional Pedal unit PU-2 (Sold separately) Connections: PHONES (Headphone/ LINE OUT combined use), USB TYPE B), AUDIO IN, PEDAL Controls: Power, VOLUME, PIANO PLAY, SOUND, METRONOME Power Supply: DC 15 V, AC adapter (included) Power Consumption: 8W Amplification: 15 W x 2 Dimensions (W x D x H):1,312 x 336 x 117 mm / 51.65" x 13.23" x 4.61",(including projections, excluding music stand),1,312 x 336 x 750 mm / 51.65" x 13.23" x 29.53",(including STB1 optional stand and projections, excluding music stand) Weight: 11.4 kg / 25.13 lbs. Included Items: AC adapter, Music stand, Damper Pedal