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Our entry model into the world of VOLTAiR headphone amplifiers. The Phonitor se has the same audio signal amplification as its bigger brothers Phonitor x and Phonitor xe and therefore offers the same sound experience. The DAC768xs is optionally available. Volume & Source Selection The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. In addition to an analog source, three other digital sources can be connected to the Phonitor se with the optional DAC. Headphone Output with Power The Phonitor se offers a 6.35 mm jack for connecting headphones with jack plug. Up to 2 x 5 watts of output power is available at this socket. This allows even very power-hungry headphones such as magnetostats or electrostats to be driven effortlessly. The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, that allows you to listen to music through headphones with the sound experience of listening through speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation and effects are a thing of the past. Enjoy your music without fatigue and exactly as it should be heard. The Phonitor Matrix in its largest expansion stage has three setting parameters: Crossfeed, Speaker Angle and Center Level.In Phonitor se the Center Level is preset to -1 dB and the speaker placement Angle to 30°. These are the most common values. The Crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the Crossfeed. Connections The Phonitor se is equipped with gold-plated RCA sockets for the analog input. The optional DAC768xs adds three more digital sources: USB Coax and Optical. The Optional DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  Specifications: Analog input: RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Dual moving coil stereo cartridge with Microlinear stylus AT-OC9XML Dual moving coil stereo cartridge with Microlinear stylus - Features nude Microlinear stylus and boron cantilever , Neodymium magnet and permendur yoke for increased magnetic energy and Features threaded inserts in the cartridge body The next Generation of the legendary OC9 cartridge series Since its introduction more than 30 years ago, Audio-Technica’s pioneering moving coil OC9 cartridge series has been prized by demanding vinyl listeners and professional critics alike for its musical transparency, expression of sound and precise construction. Microlinear complex diamond profile enabling higher frequency response, detail like never before experienced and limiting inner groove distortion. Microlinear diamond profile provides low record and stylus wear. Features nude Microlinear stylus and boron cantilever which provides lower distortion and high transient response A neodymium magnet and permendur yoke provides dramatically increased magnetic energy Threaded inserts in the cartridge body enable the cartridge to be mounted on to the headshell or integral tonearm with just two screws – no nuts required  Aluminium body minimizes unwanted vibration for reduced resonance and a superior audio reproduction Pure Copper by Ohno Continuous Casting process (PCOCC) is used for the coils to achieve pure signal transfer  Microlinear Stylus Microlinear diamond profile offers high frequency response with less wear and distortion than elliptical or conventional linear contact styli. Easy mounting Threaded holes in the cartridge body enable the cartridge to be mounted on to the headshell, or integral tonearm, with just two screws M2.6 – no nuts or bolts required. Aluminium Body Aluminum body minimizes unwanted vibration for reduced resonance and superior audio reproduction

Dual moving coil stereo cartridge with Elliptical nude stylus AT-OC9XEN Dual moving coil stereo cartridge with Elliptical nude stylus - Features low mass nude elliptical stylus and aluminium cantilever, A neodymium magnet and pure iron yoke provide increased magnetic energy and Features threaded inserts in the cartr. The next Generation of the legendary OC9 cartridge series Since its introduction more than 30 years ago, Audio-Technica’s pioneering moving coil OC9 cartridge series has been prized by demanding vinyl listeners and professional critics alike for its musical transparency, expression of sound and precise construction. Featuring a square shank for accurate stylus alignment and nude diamond for increased fine detail retrieval. Features low mass nude elliptical stylus and aluminium cantilever A neodymium magnet and pure iron yoke provide increased magnetic energy Threaded inserts in the cartridge body enable the cartridge to be mounted on to the headshell or integral tonearm with just two screws – no nuts required  Aluminium body minimizes unwanted vibration for reduced resonance and a superior audio reproduction Pure Copper by Ohno Continuous Casting process (PCOCC) is used for the coils to achieve the purest signal possible Elliptical Nude Stylus Elliptical diamond stylus follows the groove modulation with greater precision compared to a conical stylus, offering improved frequency and phase responses whilst reducing distortion. Easy mounting Threaded holes in the cartridge body enable the cartridge to be mounted on to the headshell, or integral tonearm, with just two screws M2.6 – no nuts or bolts required. Aluminium Body Aluminum body minimizes unwanted vibration for reduced resonance and superior audio reproduction.

Dual moving coil stereo cartridge with Shibata stylus AT-OC9XSH Dual moving coil stereo cartridge with Shibata stylus - Features a Nude Shibata stylus and boron cantilever , Neodymium magnet and permendur yoke for increased magnetic energy and Features threaded inserts in the cartridge body The next Generation of the legendary OC9 cartridge series Since its introduction more than 30 years ago, Audio-Technica’s pioneering moving coil OC9 cartridge series has been prized by demanding vinyl listeners and professional critics alike for its musical transparency, expression of sound and precise construction. Shibata profile diamond originally design for Quadraphonic replay offers a depth of sound, combined with high frequency response that has to be heard to be believed. Features nude Shibata stylus and boron cantilever with rich low frequency reproduction and high transient response A neodymium magnet and permendur yoke provides dramatically increased magnetic energy Threaded inserts in the cartridge body enable the cartridge to be mounted on to the headshell or integral tonearm with just two screws – no nuts required  Aluminium body minimizes unwanted vibration for reduced resonance and a superior audio reproduction Pure Copper by Ohno Continuous Casting process (PCOCC) is used for the coils to achieve pure signal transfer  Shibata Stylus Provides a beautiful mid-high range Shibata-signature sound and strong mid-range volume. Easy mounting Threaded holes in the cartridge body enable the cartridge to be mounted on to the headshell, or integral tonearm, with just two screws M2.6 – no nuts or bolts required. Aluminium Body Aluminum body minimizes unwanted vibration for reduced resonance and superior audio reproduction

Dual moving coil stereo cartridge with Special Line Contact stylus AT-OC9XSL Dual moving coil stereo cartridge with Special Line Contact stylus - Features a Nude Special Line Contact stylus and boron cantilever , Neodymium magnet and permendur yoke for increased magnetic energy and Features threaded inserts in the cartri. The next Generation of the legendary OC9 cartridge series Since its introduction more than 30 years ago, Audio-Technica’s pioneering moving coil OC9 cartridge series has been prized by demanding vinyl listeners and professional critics alike for its musical transparency, expression of sound and precise construction. Special Line Contact as featured in our flagship ART1000, this diamond profile offers the ultimate in accurate sonic reproduction with a sense of space and realism to all instruments that few other configuration can achieve. Features Nude Special Line Contact stylus and boron cantilever with accurate tracking ability and high transient response A neodymium magnet and permendur yoke provides dramatically increased magnetic energy Threaded inserts in the cartridge body enable the cartridge to be mounted on to the headshell or integral tonearm with just two screws – no nuts required  Aluminium body minimizes unwanted vibration for reduced resonance and a superior audio reproduction Pure Copper by Ohno Continuous Casting process (PCOCC) is used for the coils to achieve pure signal transfer  Special Line Contact Stylus Special Line Contact diamond profile offers the ultimate in accurate sonic reproduction Easy mounting Threaded holes in the cartridge body enable the cartridge to be mounted on to the headshell, or integral tonearm, with just two screws M2.6 – no nuts or bolts required. Aluminium Body Aluminum body minimizes unwanted vibration for reduced resonance and superior audio reproduction

With unparalleled sound and a beautifully expressive playing experience, the G1 sets a new standard for the digital piano. The breathtakingly detailed sound and dynamic feel of the G1 provides the pianist with every possible shade of musical expression. Based on decades of ground breaking piano sound technology from KORG, makers of the award-winning KRONOS, and a precisely engineered keyboard that responds perfectly from gentle pianissimo to powerful fortissimo, KORG have created a unique digital piano. The technology of the G1 is so advanced you can even see it; the beautifully crafted slim-line cabinet of the G1 is a result of KORG’s unique history of musical instrument design and audio technology. Finally, there is no compromise between superb sound and impeccable design. Creating an immersive sound experience from a digital piano as compact and stylish as the G1 is a truly remarkable achievement. When you see it, touch it, and hear it, the KORG G1 will change your perception of digital pianos forever. Now available in white woodgrain with a restful feel. The G1 is Korg's flagship digital piano in its concert series, now available in a new color "White Ash" that features a welcoming woodgrain finish. The tasteful texture blends naturally with other furniture, lighting up the whole room to match its beautiful sound. Enjoy a high-end finish to match a high-end playing experience.

Engineer-Voiced Vocal and Instrument Microphone at a Working Performer's Budget The TASCAM TM-82 microphone is a dynamic microphone for vocal/ instrument performance and recording. With its high-quality capture and replication, the Tascam M-82 microphone is an engineer's choice for capturing live performances from the bedroom studio to live events. Dynamic Microphone to Capture Professional Vocal and Instrument Performances The TASCAM TM-82 Dynamic Microphone is the perfect all-around mic for natural, accurate vocal and instrument audio. The TM-82 has been specifically engineered to capture the character and nuances of performances without bringing the room into the mix. The TM-82 captures exactly what you want, for a mix-ready track or performance. Features: Cardioid Directivity. Built Tough. TM-82 is stage ready for the rigors of daily use using metal materials and components. Package Includes Mic Holder. The TASCAM TM-82 dynamic microphone includes a mic holder compatible with all standard microphone stands.

Tuned and Ready for Professional Podcasting and Live Streaming The TASCAM TM-70 microphone is a dynamic microphone specifically engineered for broadcasting, podcasting and audio streaming. Whether it be podcasting or live event streaming, the TASCAM TM-70 is ideally voiced to handle the nuances of the human voice. A unique hybrid of super-cardioid and dynamic elements is resistant to ambient noise. Everything you need for the perfect performance, including mic holder, desktop stand, and mic cable is included. Dynamic Microphone for Professional Podcast Production and Live Streaming The TASCAM TM-70 Dynamic Microphone is the perfect all-around mic for flawless vocal audio. The TM-70 has been specifically engineered to capture the character and nuances of vocal performances while minimizing ambient noise. Features: The TM-70 gives you more of your voice, and less of the room. Super Cardioid Directivity adapts to the environment so the voice is more clear and prominent for an easier mix. The TASCAM TM-70 Dynamic Microphone delivers mix-ready, no-fuss audio so you can focus on capturing the performance rather than tweaking EQ settings. Package Includes a Shock Mount, Table-Top Mic Stand, and Mic Cable. Included are essential microphone accessories - a shock mount to reduce low frequency rumble, 6-foot mic cable and table-top mic stand - allowing you to set up at your desktop and record right away.

Πλήρως αυτόματο πικάπ με σύστημα λειτουργίας ψηφιοποίησης μέσω ενσωματωμένης θύρας USB. Διαθέτει προενισχυτή για να συνδεθεί εύκολα σε όλους τους ενισχυτές και ραδιοενισχυτές Home Cinema. Με αυτό, μπορείτε να απολαύσετε τους παλιούς και νέους δίσκους σας και να ψηφιοποιήσετε αν το θέλετε μέσω της ενσωματωμένης θύρας USB (στο πίσω μέρος της συσκευής) τα βινύλια σας. Πλατό χυτού αλουμινίου, κεφαλή AT 3600L κινητού μαγνήτη, 2 ταχύτητες: 33 rpm και 45 rpm. DC servo-controlled motor, Αυτόματη επιστροφή του βραχίονα pick-up.

The PHANTOM H-80 is the loudspeaker you choose, when large, dynamic and well-defined sound really matters. The sound performance is clear, detailed and yet controlled and powerful. As for the soundstage, it will extend into every corner of even larger rooms and home cinemas.  The PHANTOM H series: The DALI PHANTOM H-80 is an in-wall speaker build around traditional loudspeaker technologies. At its centre is the easy to recognize the DALI woofer cone made from a mix of paper pulp and wood fibre. This gives the cone a light, well behaved, but random structure that helps reproduce even the smallest details in the music. The powerful low-loss magnet system deliver precision and timing to the low frequencies and the ultra lightweight soft dome tweeter adds great resolution to the high frequencies. Together they blend into a very coherent, highly detailed, clear and natural soundstage. The PHANTOM H-80 is a true full range speaker and needs no supplement subwoofer - it is all about true hi-fi sound, versatility, and flexibility. 

With the PHANTOM H-60, you will get a loudspeaker with the perfect balance between size and performance. It will provide a full and complete audio experience in mid-sized rooms and home cinemas. The PHANTOM H series: The DALI PHANTOM H-60 is an in-wall speaker build around traditional loudspeaker technologies. At its centre is the easy to recognize the DALI woofer cone made from a mix of paper pulp and wood fibre. This gives the cone a light, well behaved, but random structure that helps reproduce even the smallest details in the music. The powerful low-loss magnet system deliver precision and timing to the low frequencies and the ultra lightweight soft dome tweeter adds great resolution to the high frequencies. Together they blend into a very coherent, highly detailed, clear and natural soundstage. The PHANTOM H-60 is a true full range loudspeaker and needs no supplement subwoofer - it is all about true hi-fi sound, versatility, and flexibility. 

With the PHANTOM E-80, it’s all about big sound. Drawing on every part of its 8” woofer, it will fill even very large rooms with sound, while keeping the bass under control. This makes it perfect as the main loudspeakers in a living room setup for either a stereo setup or a home cinema surround system. The PHANTOM E series The DALI PHANTOM E-80 is designed for optimum in-ceiling use, but will also work if mounted in-wall. It is all about true hi-fi sound, versatility, and flexibility. The compact sized construction and the easy-to-use compass positioning system makes placing the speaker for the optimum sound experience very straight forward. Two discreet switches offer audio adjustment options to ensure that the listener gets the most from the speakers, even in rooms that traditionally are difficult. The tilted woofer and the slightly of centre soft dome tweeter, blends gracefully and produces a richly detailed and crisp soundstage. The polypropylene cone is more resilient towards humidity than the traditional DALI cone material – wood fibre, making the PHANTOM E-80 flexible in regards to placements in covered outdoor areas and bathrooms. Optionally, the PHANTOM E-80 can be fitted with a square front grill.

MicroStation BT is the ultimate solution for anyone who wants to add Bluetooth connectivity to their favorite pair of studio or media reference monitors. Compact, convenient, and stylish, MicroStation BT also makes it easy to add a subwoofer to create a 2.1 listening environment while putting the overall system level control right under your fingertips.

With the new DAC768xs module, the Phonitor x really shows its phenomenal qualities as a headphone amplifier and preamp, even with digital sources connected.” The headphone amplifier with preamplifier Enjoy music over headphones and over speakers equally excellently with the superior VOLTAiR technology – that’s why we developed Phonitor x. For all headphones The Phonitor x offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the enormous output power of 18 watts, all headphones are driven effortlessly. To the power amplifiers or to the active loudspeakers you can use the balanced XLR- for long, and the RCA sockets for short cable runs. Practical are the AMP CTL sockets to which power amplifiers with 12V trigger inputs can be connected to switch them on and off together with Phonitor x. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Phonitor x simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Source of joy Up to six (6 !) stereo sources can be connected to Phonitor x: XLR, RCA, USB, Coax, Optical and AES/EBU Phonitor x accepts a large variety of audio connections. Balanced via XLR or unbalanced via RCA connectors. With the optional DAC768xs, three additional digital sources can be added. The DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. Finding the middle is not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones. That’s why Phonitor x has the uniquely finely resolved laterality control. With it, the center can be found perfectly. With the mode switch you can choose between stereo or mono playback. To the right, the laterality control is switched on. The Revolution in the headphone amplifier is the Phonitor Matrix, thanks to which you can listen to music through headphones as if you were listening through speakers. The tiring super stereo effect is a thing of the past. Enjoy your music exactly the way it should be heard.  Specifications: Analog inputs & outputs: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 kΩ Common mode rejection (XLR): 82 dB Frequency range (-3dB): 4 Hz – 300 kHz THD + N (10 Hz – 22 kHz, 0 dBu): 0.00085 % Noise (A-weighted): -103.8 dBu Crosstalk (1 kHz): -106 dB Dynamic range: 136.3 dB Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

The DALI PHANTOM E-50 in-ceiling speaker delivers an incredible clear and well-defined audio experience, and impresses with the level of bass it can produce, despite its size. The E-50 is equipped with a 5.25" woofer and designed for optimum in-ceiling use, but can also be mounted in-wall. EASY INSTALLATION The dogleg mounting system makes the install process an easy one-step action simply by tightning the dedicated screws to swing out the dogleg brackets. INVISIBLE DESIGN The very thin magnetic front grilles integrates almost seamlessly into any home environment. FLEXIBILITY IN FUNCTION The PHANTOM E-series are easy to place anywhere in any room, and will even work perfectly off-axis in challenging situations and environments due to two audio settings used for adjusting the performance of the speaker. WIDE DISPERSION All speakers by DALI are designed around the principle of wide dispersion. This entails an off-axis optimisation of the audio reproduction. The technology is perfect for use in install speakers, since they are always mounted flush against either a wall or ceiling. This compact in-ceiling loudspeaker delivers an incredible clear and well-defined audio experience, and impresses with the level of bass it can produce, despite its size. The size makes it perfect for a stereo setup in a small room, or as rear speakers in a larger home cinema. The PHANTOM E series The DALI PHANTOM E-50 is designed for optimum in-ceiling use, but will also work if mounted in-wall. It is all about true hi-fi sound, versatility, and flexibility. The compact sized construction and the easy-to-use compass positioning system makes placing the speaker for the optimum sound experience very straight forward. Two discreet switches offer audio adjustment options to ensure that the listener gets the most from the speakers, even in rooms that traditionally are difficult. The tilted woofer and the slightly of centre soft dome tweeter, blends gracefully and produces a richly detailed and crisp soundstage. The polypropylene cone is more resilient towards humidity than the traditional DALI cone material – wood fibre, making the PHANTOM E-50 flexible in regards to placements in covered outdoor areas and bathrooms. Optionally, the PHANTOM E-50 can be fitted with a square front grill.

Balanced system. Complete. Custom connectors. Silver. Copper. Fantastic 4. The iFi 4.4mm to 4.4mm cable employs heavy OFHC continuous cast copper and silver matrix conductors with a total thickness of 14AWG for the best signal transfer. Whether you are connecting our ZEN series or other balanced components, our audiophile-grade cable will enhance your listening. It has been created to give you maximum quality balanced signal transfer and minimum interference. Shields to max. The cable construction is a custom helix design, minimised both in capacitance and inductance, minZ™. It also has intrinsic shielding provided by minZ™ helix construction. They protect the cable from RFI and EMI noise and provide the cleanest transfer medium possible. To further insulate the cable, we adopted the RoHS compliant, excellent dielectric property and super-soft (60P) HD polymer with 1500V AC spark resistance. 4N Oxygen- free copper ultimate conductivity and corrosion resistance. 5N Platinum pure silver minimal skin effect and impeccable audio signal transmission. RoHS compliant super-soft polymer for protection. Making it a multiple channels shielded cable. Braided for low-resistance path to ground. iFi’s own smooth surface connector and copper edge cut in a sharp angle to protect the 4.4 socket and extend lifetime. 1mm raised lip for precise connection.

The breathtakingly detailed sound and dynamic feel of the G1 provides the pianist with every possible shade of musical expression. Based on decades of ground breaking piano sound technology from KORG, makers of the award-winning KRONOS, and a precisely engineered keyboard that responds perfectly from gentle pianissimo to powerful fortissimo, KORG have created a unique digital piano. The technology of the G1 is so advanced you can even see it; the beautifully crafted slim-line cabinet of the G1 is a result of KORG’s unique history of musical instrument design and audio technology. Finally, there is no compromise between superb sound and impeccable design. Creating an immersive sound experience from a digital piano as compact and stylish as the G1 is a truly remarkable achievement. When you see it, touch it, and hear it, the KORG G1 will change your perception of digital pianos forever.

Designed for musicians and performers who demand outstanding audio quality, the PreSonus PX-1 cardioid condenser microphone is an ideal solution for recording vocals, guitar, podcasts, and much more. A true large-diaphragm condenser microphone, the PX-1 features a 25mm, gold-sputtered capsule designed to provide exceptional clarity throughout its frequency response range. Rugged construction and top-quality performance specifications make the PX-1 large diaphragm microphone an excellent addition for any home recording or streaming studio.

The original ’67 became one of the most sought-after and widely-used studio microphones of its time, recording a massive collection of some of the most memorable songs of the last 50 years - we’re talking about classic tracks from artists as varied as The Beatles, Led Zeppelin, The Temptations and Nirvana! The original mics are still sought after, but they can command upwards of $8000 for a pristine unit, putting them far out of reach for most recordists. Thankfully, Warm Audio has now changed that scenario with the release of the new WA-67! Based around an EF86 pentode tube and having the same smooth and creamy tone of the original, the WA-67 excels at recording just about anything that you put it in front of, and it may immediately become your go-to choice for vocals, guitars, drum toms and overheads, pianos, brass and strings.

Pro-level projects demand a flexible monitoring chain, and the SPL Marc One delivers the goods. This excellent-sounding monitor and recording controller features switchable outputs for two pairs of speakers, plus a subwoofer output — everything you need to ensure that your mixes translate. It accommodates two analog stereo input sources, plus one digital source via USB, all of which are directly routed to a line-level output when selected. The Marc One includes three monitoring modes, enabling you to meticulously audition your mixes and masters, plus a top-grade headphone amplifier with SPL’s acclaimed Phonitor Matrix. The SPL Marc One belongs at the center of your studio. Your projects will thank you for it.

If you want to produce pro-level projects, you need a flexible monitoring chain with a high-quality monitor controller like the SPL Control One. This excellent-sounding piece of studio gear includes switchable outputs for two pairs of speakers, plus a subwoofer output — everything you need to ensure that your mixes translate. It accommodates two analog stereo input sources, which are directly routed to a line-level output when selected. The Control One includes three monitoring modes, enabling you to meticulously audition your mixes and masters, plus a top-grade headphone amplifier with SPL’s acclaimed Phonitor Matrix. The SPL Control One belongs at the center of your studio — your projects will thank you for it!

Ενισχυτής COMBO κιθάρας με 30 watt, τάξη A, βασισμένος πάνω στις original προδιαγραφές του θρυλικού VOX AC30.

The new HP4 from PreSonus answers the need for a headphone distribution amplifier with professional specifications in a small package at an affordable price. The HP4 features four discrete headphone outputs on the front panel each with its own volume potentiometer and 150mW of amplification per channel. The HP4 also features adjustment over control room monitors with a separate volume control, monitor mute switch and mono switch giving you an extremely powerful monitoring solution at an amazingly low price.HP4 Features:Four High Power Headphone OutputsUltra loud (150mW per channel)Ultra quiet operationMusical Wide Dynamic RangeControl Room Monitor Outputs with Level ControlMono or Stereo OperationMonitor Mute SwitchDaisy Chain an Infinite Number of UnitsCompact package

Enhance your home theater system with the incredible, overhead sound effects of the Klipsch R-41SA Dolby Atmos® speaker. By leveraging Klipsch proprietary horn-loaded controlled directivity technology, the R-41SA bounces sound off the ceiling to create an astonishing, immersive listening experience. The R-41SA can also be utilized as an on-wall elevation or surround speaker via its easy-to-use keyhole mounting system - delivering the perfect angle for enhanced sound effects. Features: Dolby Atmos® Overhead Sound Effects Keyhole Mounting for On-Wall Elevation/Surround Sound Use 1" Linear Travel Suspension Aluminum Tweeters 4" Spun-Copper IMG Woofers Strong, Flexible Removable Grille Black Textured Wood Grain Vinyl Dimensions: 7" x 5.75" x 13" DOLBY ATMOS To put it simply, Dolby Atmos® is the greatest advancement in home and cinema audio since surround sound. The addition of elevation speakers reflects sound from the ceiling to put sound anywhere in your room - making you feel like you’re truly in the middle of the action. ELEVATE AND SURROUND In addition to delivering overhead sound effects as a Dolby Atmos speaker topper, The R-41SA is designed to be wall-mounted as a front, rear or side elevation speaker - or as a versatile side or rear surround sound speaker. The keyhole mounting system makes it easy to add these incredible sound effects to your home theater system for a true cinema-grade listening experience. TRACTRIX® HORN TECHNOLOGY Klipsch exclusive 90x90º Tractrix® horn technology ensures that the R-41SA high frequency energy is aimed at the ceiling and bounces down to the listener with laser precision - all while reducing artificial reverb or filtering. Using this proprietary focused technology gives you the best clarity, dynamics, and detail from your movies and music. LINEAR TRAVEL SUSPENSION TWEETER WITH KAPTON® SUSPENSION Klipsch exclusive Linear Travel Suspension (LTS) aluminum tweeter minimizes distortion for enhanced, detailed performances. Using Kapton®, an extremely light and rigid material, in the tweeter suspension provides high efficiency and improve resolution and detail. LTS tweeters are a hallmark of Klipsch speakers, making them some of the best speakers in the world. SPUN COPPER IMG WOOFERS Injection Molded Graphite (IMG) woofer cones are exceptionally light while being extremely rigid – providing remarkable low frequency response, with minimal cone breakup and distortion. When paired with the Tractrix Horn-Loaded LTS Tweeter, it provides speaker efficiency highest in its class. SLEEK DESIGN Exposed fasteners, low profile magnetic grilles and a scratch-resistant, textured wood grain vinyl give the R-41SA Dolby Atmos speakers a polished, modern appearance. HIGH QUALITY CABINET DESIGN Reinforced MDF construction reduces cabinet vibration for less audible coloration and improved sonic accuracy - giving you the ultimate listening experience that's built to last.

Expressive EQ with Vintage Smoothness! The magic behind the BAX EQ is decades in the making. Inspired by the classic Baxandall shelving curves — renowned by mastering engineers in the 60s and 70s for smooth, musical sloping and a unique sonic signature — the Dangerous Music team went to work creating the modern BAX EQ.This unique stereo equalizer features stepped controls for repeatability and identical stereo operation. When what you want is an expressive equalizer — backed up with audiophile accuracy — you've found it. Treat your mixes to the Dangerous Music BAX EQ.Dangerous Music BAX EQ Stereo Mastering and Mix Bus Shelving Equalizer Features:Inspired by the Classic P. J. Baxandall Shelving CurvesStepped controls throughout for repeatability and identical stereo operationBroad Q Shelving7-position High Pass and Low Pass Filters — 2-pole Butterworth configuration (12 dB/oct)8-position High and Low Frequency Select+/- 5dB Cut and Boost controls in 1/2dB steps

To survive and remain competitive, today’s modern studio must be a flexible and agile facility that can immediately adapt to different workflows.  Tracking, mixing and mastering services may all be performed in-house, sharing the same outboard gear.The Dangerous Liaison makes this possible by allowing unprecedented access to your outboard equipment.  Plug in your gear and start creating different patches.  Instantly audition changes and store these custom arrangements as presets to use again, instantly, anytime. True hard-wire bypass relays remove gear entirely from the signal path, including outboard that does not have a built-in bypass.  Mastering grade components switch instantly and silently, allowing for true A/B comparisons without coloration or latency.  Pre- and post-processing monitor outputs make it easy to instantly audition and evaluate options.Unlock the potential of all your outboard on every session, every time, in precise, repeatable combinations.6 Stereo Insert Loops, Assignable to 2 Stereo Busses Flexible and Potent Parallel Processing LoopRoute, Switch, Matrix, Flip & Audition InstantlyRecall any Tracking, Mixing or Mastering ConfigurationSeamlessly Integrates with Dangerous MasterFrequency Response (Passive Section)  +0, -0.1dB from 10Hz to 100kHzFrequency Response (Active Section) +0, -0.1dB 10Hz-100kHzMaximum level > +28dBuNoise floor < -94.5dBu 22Hz-22kHz bandwidthTHD+N < 0.002%IMD < 0.003%Crosstalk rejection (Passive Section) > 124dBCrosstalk rejection (Active Section) > 113dBInput Impedance: 20K OhmsOutput Impedance: 20 Ohms

Transient Designer Module The Transient Designer TDx brings level-independent dynamics processing to the world of the 500 Series. On/Bypass With On/Bypass you switch the module on or off (bypass). Signal LED The Sig LED (Sig) indicates whether an audio signal is present at the input and exceeds a level of -20 dB. This LED indicator is used as an aid to quickly identify whether a signal is arriving at the TDx in a complex studio cabling system. Attack Attack can be used to boost or cut the transient phase of a signal by up to 15 dB. Positive attack increases the amplitude of the transient response. Negative attack attenuates the amplitude of the transient response. Sustain With Sustain you can lengthen or shorten the decay phase of a signal by up to 24 dB. Positive Sustain extends the decay. Negative Sustain shortens the decay. Mix The mix control allows for continuous crossfade aka parallel mix between processed (WET) and unprocessed (DRY) signals. Output With the output control the output gain can be attenuated in order to optimally drive subsequent devices. The Differential Envelope Technology Our Differential Envelope Technology (DET) allows dynamic signal characteristics to be processed by forming the difference between envelopes and thereby making them level-independent. The envelope trackers align the working processes with the natural signal characteristics. This ensures optimum results for every moment.  Specifications:  Input & Output: balanced Maximum input & output gain: 21 dBu Input impedance: 20 kΩ Output impedance: 150 Ω Common mode rejection: > 82 dB Frequency range (-3 dB): 10 Hz – 100 kHz THD & N (0 dBu, 10 Hz – 22 kHz): 0.03 % Noise (A-weighted): -92.3 dB Dynamic range: 113 dB Dimensions & Weight Unit weight: 0.65 kg Shipping weight (incl. packaging): 0.9 kg

Dual Headphone Monitoring Amplifier Headphone monitoring amplifier for two headphones with Phonitor Matrix as double rack module for the 500 series. Phase Inverse Ø With the phase inversion switch you can invert the phase of the left or right channel (180°). Stereo/Mono/Mute The audio signal can be switched between stereo and mono. In the Mute position, the headphone outputs are muted. Phonitor Matrix Use the Matrix switch to activate or deactivate the Phonitor Matrix (Crossfeed, Speaker Angle, Center Level). Crossfeed The crossfeed value determines the interaural level difference and is comparable to the influences of different room sizes and their reflection and absorption characteristics. Speaker Angle The Speaker Angle determines the interaural time difference, which corresponds to the placement angle of the loudspeakers. Center Level With Center Level you set the level compensation of the center signals when monitoring on headphones. The Revolution in the headphone amplifier is the Phonitor Matrix, with adjustable crossfeed, speaker angle and center level thanks to which you can create mixes on headphones that sound the same on speakers. Specifications: Input & Output; balanced Maximum input & output gain: 21 dBu Input impedance: 10 kΩ Output impedance: 150 Ω Common mode rejection: > 82 dB Frequency range (-3 dB): 10 Hz – 100 kHz THD & N (0 dBu, 10 Hz – 22 kHz): 0.03 % Noise (A-weighted): -92.3 dBu Dynamic range: 113 dB Headphone Outputs, 1/4" (6,35 mm) TRS Jacks Wiring: Tip = Left, Ring = Right, Sleeve = GND Max output power (600 Ω): +18 dBu Max output power (300 Ω): +15 dBu Max output power (32 Ω): +5 dBu Dimensions & Weight Unit weight: 0.8 kg Shipping weight (incl. packaging): 0.95 kg

Dual-Band De-Esser Module Our well known De-Esser as a dual-band version built into a single module for the 500 Series. On/Bypass With On/Bypass you switch the module on or off (bypass). Signal LED The Sig LED (Sig) indicates whether an audio signal is present at the input and exceeds a level of -20 dB. This LED indicator serves as an aid to quickly recognize whether a signal is arriving at the DeS in a complex studio cabling system. Hi-S The Hi-S control adjusts the intensity of the S sound reduction in the upper frequency band. The center frequency for sibilance detection is 11.2 kHz with a bandwidth of 3 kHz. Lo-S The Lo-S control adjusts the intensity of the S sound reduction in the lower frequency band. Male/Female Voicing The Voice switch is used to adjust the low-band de-esser to the voice characteristics. The switch changes the center frequency for the sibilance identification: Female: 7.6 kHz, Male: 6.4 kHz. The processing bandwidth in the low band is 1.44 kHz. De-Esser Tech Talk De-Essing by Phase Cancellation SPL has developed a circuit technology that combines efficient de-essing with maximum ease of use. De-essing already during recording spares a lot of time in comparison to the subsequent search for the S-sounds in post production. The DeS automatically adjusts itself to the relevant frequencies and hones in on them so that only the range of the S-sound is processed and neighbouring frequencies remain untouched. This range is phase-inverted and mixed back into the original signal, which acoustically deletes the S-sound. The DeS therefore works unobstrusively and sound-neutral. Auto-Threshold The DeS features our Auto-Threshold which automatically adjusts the threshold if the input level fluctuates due to varying distance to the microphone which leads to fluctuating input levels. With Auto-Threshold engaged, the de-essing intensity remains constant at the value you set – a great help not only for untrained speakers/singers in the studio and live. With conventional de-essers using compressor technology, the processing intensity decreases as the distance to the microphone increases to which compressors or limiters then react by letting the S sounds reappear. The disadvantage of weaker de-essing – bad enough in itself – therefore also leads to undesired effects in the subsequent processing. Auto-Threshold prevents these disadvantages from occurring in the first place. Specifications: Input & Output: balanced Maximum input & output gain: 21 dBu Input impedance: 20 kΩ Output impedance: 150 Ω Common mode rejection: -82 dB Frequency range (-3 dB): 10 Hz – 100 kHz THD & N (0 dBu, 10 Hz – 22 kHz): 0,03 % Noise (A-weighted): -92.3 dB Dynamic range: 113 dB Dimensions & Weight Unit weight: 0.65 kg Shipping weight (incl. packaging): 0.9 kg

With innovative Phonitor Matrix, 32-bit DA-converter and outstanding sound quality. For us the sound is always in the foreground. When it sounds good, we like to listen. To get such a sound, you need experience and technical finesse. We have incorporated both into the Series One. The Preamplifier Stage Two Burr-Brown OPA 2134 SoundPlus™ operational amplifiers provide the pre-amplification. These are specially designed for audiophile circuits and are characterized by extremely low noise and minimal distortion of only 0.00008%.Thanks to a true FET stage, the OPA 2134 achieves a slew rate of 20V/µs, making it a high-speed operational amplifier. This has an immediate positive effect on the liveliness of the playback. In addition, low capacitance film capacitors are installed in the signal path as bypass capacitors of the coupling capacitors, which ensures a more precise transmission of the high-frequency signal components.The excellent Panasonic ‘Electric Double Layer’ gold electrolytic capacitors are used as coupling capacitors. They offer the highest storage capacity of all capacitor technologies.

For us the sound is always in the foreground. When it sounds good, we like to listen. To get such a sound, you need experience and technical finesse. We have incorporated both into the Series One. The Design Of The Amplification Stages Two Burr-Brown OPA 2134 SoundPlus™ operational amplifiers provide the pre-amplification. These are specially designed for audiophile circuits and are characterized by extremely low noise and minimal distortion of only 0.00008%. Thanks to a true FET stage, the OPA 2134 achieves a slew rate of 20V/µs, making it a high-speed operational amplifier. This has an immediate positive effect on the liveliness of the playback. In addition, low capacitance film capacitors are installed in the signal path as bypass capacitors of the coupling capacitors, which ensures a more precise transmission of the high-frequency signal components. The excellent Panasonic ‘Electric Double Layer’ gold electrolytic capacitors are used as coupling capacitors. They offer the highest storage capacity of all capacitor technologies.

RIAA Phono Preamplifier This phono preamplifier for Moving Magnet (MM) and Moving Coil (MC) pickup systems is based on the legendary Douglas-Self-Design. MM & MC There are two pickup systems for record players: Moving Magnet (MM) and Moving Coil (MC). Moving Magnet Moving magnet pickups generate a small voltage by moving a magnet between copper coils. MM pickups have a very high inductance and impedance. The Phonos offers a choice of three capacitors to correct the linearity of the frequency and phase response. The capacitances are 150pF, 220pF and 330pF. In the off-position the capacitance is determined by the capacitance of the cable. Moving Coil The MC pickup is also a small electromagnetic generator, but with the magnets firmly anchored and the coils moving between them, i.e. exactly the opposite of the MM pickup. The output voltage, however, is very low at only a few hundred microvolts and is therefore more sensitive to noise and induced hum. This makes preamplifier design a challenge, because the very low output voltage must be pre-amplified extremely noise-free. Phonos offers one of the most powerful phono preamplifiers for MC systems with up to 71.5 dB preamplification. Thanks to the 120V technology, the preamplifiers are extremely low-noise, linear and phase-locked. MC pickups have a very low inductance and impedance. This means that the effects of cable capacitance (from turntable to preamplifier) are negligible. The impedance, however, is relevant and can be set in six positions: 100, 220, 470, 2.2 k, 4.7 k, and 10 kOhm. If there is any doubt as to which impedance matches that of the pickup, the impedances can also simply be switched through until the linear frequency response is acoustically determined. Amplification The pre-amplification can be switched in three values. The normal gain value is +46 dB for MM and +67 dB for MC cartridges. In the -10 dB position, the phono produces enough output level for normal hi-fi equipment operating at a reference level of -10 dBV. In the +4 dB position, the output level is about as loud as that of modern DA converters at a reference level of 0dBfs = +15 dBu. Subsonic Filter The rumbling of the turntable’s drive mechanism is also amplified by the high amplification of the bass range due to RIAA equalization in playback. The Phonos offers a switchable subsonic filter to remove this rumble.  Connections Gold-plated RCA sockets are available for connecting the turntable and for outputting to a preamplifier such as the Director Mk2 or the Elector.  A ground connection for the turntable is designed as banana plug socket. The ground lead can be either clamped or plugged in. RIAA Equalization RIAA equalization is a specification for the recording and playback of records proposed by the Recording Industry Association of America (RIAA). The RIAA equalization curves introduced a global de facto industry standard for vinyl records in 1954. RIAA equalization uses pre-emphasis to reduce low frequencies and boost high frequencies when the record is cut (blue RIAA curve). The bass is reduced by up to 20 dB to provide more space and longer record play time. The high frequencies are boosted by up to 25 dB to increase the signal-to-noise ratio between the noise and the hot of the record media to the audio signal. During playback, exactly the opposite happens in the phono. The de-emphasis filter (red RIAA curve) compensates for the pre-emphasis and the result is a linear frequency response. Douglas Self Design The RIAA equalization of the phono was developed according to the recommendations of Douglas Self. Idea: Many small capacities instead of a few large capacities. Advantages: The capacitors charge and discharge faster, which results in better resolution and faster impulse response. Only audiophile Styroflex capacitors are used in the entire RIAA equalizer. About the person: Douglas Self is a British electronics engineer with a strong penchant for audio. He holds honorary degrees from Cambridge University and teaches psychoacoustics at the University of Sussex. Specifications: Analog Input & Output: RCA Input impedance (MM): 47 kΩ Input impedance (MC): switchable Output impedance: 75 Ω Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -80 dBu Moving Magnet (MM) Preamplifier Amplification (Norm): 46 dB Amplification (-10 dB): 36 dB Amplification (+4 dB): 50 dB Capacitance (switchable): Off, 150 pF, 220 pF and 330 pF Noise (A-weighted; 46 dB amplification): -85.3 dBu Dynamic range: 131.3 dB Moving Coil (MC) Preamplifier Amplification (Norm): 67 dB Amplification (-10 dB): 56 dB Amplification (+4 dB): 71.5 dB Impedance (switchable): 100 Ω, 220 Ω, 470 Ω, 2.2 kΩ, 4.7 kΩ, 10 kΩ Noise (A-weighted, 67 dB amplification): -61.7 dBu Dynamic range: 128.7 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 30 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 3.2 kg Shipping weight (incl. packaging): 4.3 kg

RIAA Phono Preamplifier This phono preamplifier for Moving Magnet (MM) and Moving Coil (MC) pickup systems is based on the legendary Douglas-Self-Design. MM & MC There are two pickup systems for record players: Moving Magnet (MM) and Moving Coil (MC). Moving Magnet Moving magnet pickups generate a small voltage by moving a magnet between copper coils. MM pickups have a very high inductance and impedance. The Phonos offers a choice of three capacitors to correct the linearity of the frequency and phase response. The capacitances are 150pF, 220pF and 330pF. In the off-position the capacitance is determined by the capacitance of the cable. Moving Coil The MC pickup is also a small electromagnetic generator, but with the magnets firmly anchored and the coils moving between them, i.e. exactly the opposite of the MM pickup. The output voltage, however, is very low at only a few hundred microvolts and is therefore more sensitive to noise and induced hum. This makes preamplifier design a challenge, because the very low output voltage must be pre-amplified extremely noise-free. Phonos offers one of the most powerful phono preamplifiers for MC systems with up to 71.5 dB preamplification. Thanks to the 120V technology, the preamplifiers are extremely low-noise, linear and phase-locked. MC pickups have a very low inductance and impedance. This means that the effects of cable capacitance (from turntable to preamplifier) are negligible. The impedance, however, is relevant and can be set in six positions: 100, 220, 470, 2.2 k, 4.7 k, and 10 kOhm. If there is any doubt as to which impedance matches that of the pickup, the impedances can also simply be switched through until the linear frequency response is acoustically determined. Amplification The pre-amplification can be switched in three values. The normal gain value is +46 dB for MM and +67 dB for MC cartridges. In the -10 dB position, the phono produces enough output level for normal hi-fi equipment operating at a reference level of -10 dBV. In the +4 dB position, the output level is about as loud as that of modern DA converters at a reference level of 0dBfs = +15 dBu. Subsonic Filter The rumbling of the turntable’s drive mechanism is also amplified by the high amplification of the bass range due to RIAA equalization in playback. The Phonos offers a switchable subsonic filter to remove this rumble.  Connections Gold-plated RCA sockets are available for connecting the turntable and for outputting to a preamplifier such as the Director Mk2 or the Elector.  A ground connection for the turntable is designed as banana plug socket. The ground lead can be either clamped or plugged in. RIAA Equalization RIAA equalization is a specification for the recording and playback of records proposed by the Recording Industry Association of America (RIAA). The RIAA equalization curves introduced a global de facto industry standard for vinyl records in 1954. RIAA equalization uses pre-emphasis to reduce low frequencies and boost high frequencies when the record is cut (blue RIAA curve). The bass is reduced by up to 20 dB to provide more space and longer record play time. The high frequencies are boosted by up to 25 dB to increase the signal-to-noise ratio between the noise and the hot of the record media to the audio signal. During playback, exactly the opposite happens in the phono. The de-emphasis filter (red RIAA curve) compensates for the pre-emphasis and the result is a linear frequency response. Douglas Self Design The RIAA equalization of the phono was developed according to the recommendations of Douglas Self. Idea: Many small capacities instead of a few large capacities. Advantages: The capacitors charge and discharge faster, which results in better resolution and faster impulse response. Only audiophile Styroflex capacitors are used in the entire RIAA equalizer. About the person: Douglas Self is a British electronics engineer with a strong penchant for audio. He holds honorary degrees from Cambridge University and teaches psychoacoustics at the University of Sussex. Specifications: Analog Input & Output: RCA Input impedance (MM): 47 kΩ Input impedance (MC): switchable Output impedance: 75 Ω Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -80 dBu Moving Magnet (MM) Preamplifier Amplification (Norm): 46 dB Amplification (-10 dB): 36 dB Amplification (+4 dB): 50 dB Capacitance (switchable): Off, 150 pF, 220 pF and 330 pF Noise (A-weighted; 46 dB amplification): -85.3 dBu Dynamic range: 131.3 dB Moving Coil (MC) Preamplifier Amplification (Norm): 67 dB Amplification (-10 dB): 56 dB Amplification (+4 dB): 71.5 dB Impedance (switchable): 100 Ω, 220 Ω, 470 Ω, 2.2 kΩ, 4.7 kΩ, 10 kΩ Noise (A-weighted, 67 dB amplification): -61.7 dBu Dynamic range: 128.7 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 30 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 3.2 kg Shipping weight (incl. packaging): 4.3 kg

Our nonplusultra headphone amplifier.The Phonitor xe is the nonplusultra standalone headphone amplifier without any compromises. Phonitor Matrix, remote volume control, retro-look VU meter, the optional premium DA converter and the all-superior VOLTAiR technology make the Phonitor xe one of the best headphone amplifiers of our time.Great Sound – for all headphonesThe Phonitor xe offers connections for a standard headphone with a stereo jack plug and for balanced-driven headphones using a 4 pin XLR plug.Thanks to the enormous output power, all headphones are driven effortlessly.Thus, it plays out the advantages of the SPL VOLTAiR technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.Twice as niceThe Phonitor xe provides headphone outputs on the front and on the rear. On the front, you switch between F (front) and R (rear). This way, your favorite headphones remain firmly connected on the rear – without visible cabling on the front.Milled from solidThe massive 45mm volume control knob milled from aluminum is a haptic highlight. Its mass together with the motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further.The red marker LED ensures good visibility of the volume parameter even in darkened environments.Remote controlThe volume control can be remotely controlled with any infrared remote control.The Phonitor xe learns to communicate with it with the simple push of a button.Learning made easyUsing Phonitor x as an example, this video explains how you can use any infrared remote control to remotely control the volume.Source of joyUp to six (6 !) stereo sources can be connected to the Phonitor xe:XLR, RCA and via the optional DAC768 also USB, COAX, OPTICAL and AES.Phonitor xe accepts almost all audio connections. Balanced via XLR or unbalanced via RCA connectors.With the optional DAC768, four additional digital sources are added. From USB to professional AES format, no wishes remain unfulfilled.The DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer or CD player is connected. No further settings on the Phonitor xe are necessary.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Good ol' timesTwo mechanical VU meters visualize the input levels for the left and right audio channel.With the VU switch you can optimize the display for different signal levels.Finding the middleis not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones.That’s why Phonitor xe has the uniquely finely resolved laterality control. With it, the center can be found perfectly.With the MODE switch you can choose between stereo or mono playback. This switch also activates the laterality control.The Revolution: Phonitor MatrixThe Phonitor Matrix is the revolution in the headphone amplifier.Thanks to the Phonitor Matrix, music can be experienced on headphones as if it was played on speakers. The tiring super stereo effect is a thing of the past.Enjoy your music without listening fatigue and exactly the way it should be heard.Music is normally produced and mixed for playback on stereo speakers.Listening on headphones is different from listening on loudspeakers. The biggest difference is the lack of crossing signals of the sound signal from the left speaker to the right ear and from the right speaker to the left ear. These crossing signals are missing in conventional headphone listening, because there are no signals crossing from one side of the headphones to the other. This results in an unnaturally wide stereo image and the various sound sources of the audio signal are not localized as the sound engineer intended them to. This effect is often referred to as “super stereo effect”. During conventional listening on headphones, our brain can balance the false representation of the playback to a certain extent – but this is very exhausting.The SPL Phonitor Matrix can correct this false stereo image with an analog circuitry. The Phonitor Matrix therefore not only ensures a correct representation of the stereo image, but also a relaxed listening experience.The two main parameters of the Phonitor Matrix are Crossfeed and Angle:Crossfeed determines the crossing signals of the channels, the so-called interaural level difference.Angle determines the opening angle of the stereo image, the so-called interaural time difference.Center of AttentionTo make the listening experience even more perfect, the level of the center of the stereo image needs to be attenuated when the Phonitor Matrix is active. This ensures that not only the position of all sound sources is correct but also their volume.In the Professional Fidelity Phonitor devices this value is set to a fixed attenuation of -1 dB, which is the best choice for getting an authentic representation of the sound stage.Sounds good!With all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. All important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltage.The 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.

Our nonplusultra headphone amplifier.The Phonitor xe is the nonplusultra standalone headphone amplifier without any compromises. Phonitor Matrix, remote volume control, retro-look VU meter, the optional premium DA converter and the all-superior VOLTAiR technology make the Phonitor xe one of the best headphone amplifiers of our time.Great Sound – for all headphonesThe Phonitor xe offers connections for a standard headphone with a stereo jack plug and for balanced-driven headphones using a 4 pin XLR plug.Thanks to the enormous output power, all headphones are driven effortlessly.Thus, it plays out the advantages of the SPL VOLTAiR technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.Twice as niceThe Phonitor xe provides headphone outputs on the front and on the rear. On the front, you switch between F (front) and R (rear). This way, your favorite headphones remain firmly connected on the rear – without visible cabling on the front.Milled from solidThe massive 45mm volume control knob milled from aluminum is a haptic highlight. Its mass together with the motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further.The red marker LED ensures good visibility of the volume parameter even in darkened environments.Remote controlThe volume control can be remotely controlled with any infrared remote control.The Phonitor xe learns to communicate with it with the simple push of a button.Learning made easyUsing Phonitor x as an example, this video explains how you can use any infrared remote control to remotely control the volume.Source of joyUp to six (6 !) stereo sources can be connected to the Phonitor xe:XLR, RCA and via the optional DAC768 also USB, COAX, OPTICAL and AES.Phonitor xe accepts almost all audio connections. Balanced via XLR or unbalanced via RCA connectors.With the optional DAC768, four additional digital sources are added. From USB to professional AES format, no wishes remain unfulfilled.The DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer or CD player is connected. No further settings on the Phonitor xe are necessary.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Good ol' timesTwo mechanical VU meters visualize the input levels for the left and right audio channel.With the VU switch you can optimize the display for different signal levels.Finding the middleis not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones.That’s why Phonitor xe has the uniquely finely resolved laterality control. With it, the center can be found perfectly.With the MODE switch you can choose between stereo or mono playback. This switch also activates the laterality control.The Revolution: Phonitor MatrixThe Phonitor Matrix is the revolution in the headphone amplifier.Thanks to the Phonitor Matrix, music can be experienced on headphones as if it was played on speakers. The tiring super stereo effect is a thing of the past.Enjoy your music without listening fatigue and exactly the way it should be heard.Music is normally produced and mixed for playback on stereo speakers.Listening on headphones is different from listening on loudspeakers. The biggest difference is the lack of crossing signals of the sound signal from the left speaker to the right ear and from the right speaker to the left ear. These crossing signals are missing in conventional headphone listening, because there are no signals crossing from one side of the headphones to the other. This results in an unnaturally wide stereo image and the various sound sources of the audio signal are not localized as the sound engineer intended them to. This effect is often referred to as “super stereo effect”. During conventional listening on headphones, our brain can balance the false representation of the playback to a certain extent – but this is very exhausting.The SPL Phonitor Matrix can correct this false stereo image with an analog circuitry. The Phonitor Matrix therefore not only ensures a correct representation of the stereo image, but also a relaxed listening experience.The two main parameters of the Phonitor Matrix are Crossfeed and Angle:Crossfeed determines the crossing signals of the channels, the so-called interaural level difference.Angle determines the opening angle of the stereo image, the so-called interaural time difference.Center of AttentionTo make the listening experience even more perfect, the level of the center of the stereo image needs to be attenuated when the Phonitor Matrix is active. This ensures that not only the position of all sound sources is correct but also their volume.In the Professional Fidelity Phonitor devices this value is set to a fixed attenuation of -1 dB, which is the best choice for getting an authentic representation of the sound stage.Sounds good!With all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. All important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltage.The 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.

The headphone amplifier with preamplifier Enjoy music over headphones and over speakers equally excellently with the superior VOLTAiR technology – that’s why we developed Phonitor x. For all headphones The Phonitor x offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the enormous output power of 18 watts, all headphones are driven effortlessly. To the power amplifiers or to the active loudspeakers you can use the balanced XLR- for long, and the RCA sockets for short cable runs. Practical are the AMP CTL sockets to which power amplifiers with 12V trigger inputs can be connected to switch them on and off together with Phonitor x. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Phonitor x simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Source of joy Up to six (6 !) stereo sources can be connected to Phonitor x: XLR, RCA, USB, Coax, Optical and AES/EBU Phonitor x accepts a large variety of audio connections. Balanced via XLR or unbalanced via RCA connectors. With the optional DAC768xs, three additional digital sources can be added. The DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. Finding the middle is not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones. That’s why Phonitor x has the uniquely finely resolved laterality control. With it, the center can be found perfectly. With the mode switch you can choose between stereo or mono playback. To the right, the laterality control is switched on. The Revolution in the headphone amplifier is the Phonitor Matrix, thanks to which you can listen to music through headphones as if you were listening through speakers. The tiring super stereo effect is a thing of the past. Enjoy your music exactly the way it should be heard.  Specifications: Analog inputs & outputs: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 kΩ Common mode rejection (XLR): 82 dB Frequency range (-3dB): 4 Hz – 300 kHz THD + N (10 Hz – 22 kHz, 0 dBu): 0.00085 % Noise (A-weighted): -103.8 dBu Crosstalk (1 kHz): -106 dB Dynamic range: 136.3 dB Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

The headphone amplifier with preamplifier Enjoy music over headphones and over speakers equally excellently with the superior VOLTAiR technology – that’s why we developed Phonitor x. For all headphones The Phonitor x offers connections for standard headphones with jack plug and for balanced headphones a 4-pin XLR connector. Thanks to the enormous output power of 18 watts, all headphones are driven effortlessly. To the power amplifiers or to the active loudspeakers you can use the balanced XLR- for long, and the RCA sockets for short cable runs. Practical are the AMP CTL sockets to which power amplifiers with 12V trigger inputs can be connected to switch them on and off together with Phonitor x. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Phonitor x simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Source of joy Up to six (6 !) stereo sources can be connected to Phonitor x: XLR, RCA, USB, Coax, Optical and AES/EBU Phonitor x accepts a large variety of audio connections. Balanced via XLR or unbalanced via RCA connectors. With the optional DAC768xs, three additional digital sources can be added. The DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. Finding the middle is not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones. That’s why Phonitor x has the uniquely finely resolved laterality control. With it, the center can be found perfectly. With the mode switch you can choose between stereo or mono playback. To the right, the laterality control is switched on. The Revolution in the headphone amplifier is the Phonitor Matrix, thanks to which you can listen to music through headphones as if you were listening through speakers. The tiring super stereo effect is a thing of the past. Enjoy your music exactly the way it should be heard.  Specifications: Analog inputs & outputs: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 20 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 kΩ Common mode rejection (XLR): 82 dB Frequency range (-3dB): 4 Hz – 300 kHz THD + N (10 Hz – 22 kHz, 0 dBu): 0.00085 % Noise (A-weighted): -103.8 dBu Crosstalk (1 kHz): -106 dB Dynamic range: 136.3 dB Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Our nonplusultra headphone amplifier.The Phonitor xe is the nonplusultra standalone headphone amplifier without any compromises. Phonitor Matrix, remote volume control, retro-look VU meter, the optional premium DA converter and the all-superior VOLTAiR technology make the Phonitor xe one of the best headphone amplifiers of our time.Great Sound – for all headphonesThe Phonitor xe offers connections for a standard headphone with a stereo jack plug and for balanced-driven headphones using a 4 pin XLR plug.Thanks to the enormous output power, all headphones are driven effortlessly.Thus, it plays out the advantages of the SPL VOLTAiR technology and rewards the listener with an honest, detailed and at the same time vivid sound experience.Twice as niceThe Phonitor xe provides headphone outputs on the front and on the rear. On the front, you switch between F (front) and R (rear). This way, your favorite headphones remain firmly connected on the rear – without visible cabling on the front.Milled from solidThe massive 45mm volume control knob milled from aluminum is a haptic highlight. Its mass together with the motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further.The red marker LED ensures good visibility of the volume parameter even in darkened environments.Remote controlThe volume control can be remotely controlled with any infrared remote control.The Phonitor xe learns to communicate with it with the simple push of a button.Learning made easyUsing Phonitor x as an example, this video explains how you can use any infrared remote control to remotely control the volume.Source of joyUp to six (6 !) stereo sources can be connected to the Phonitor xe:XLR, RCA and via the optional DAC768 also USB, COAX, OPTICAL and AES.Phonitor xe accepts almost all audio connections. Balanced via XLR or unbalanced via RCA connectors.With the optional DAC768, four additional digital sources are added. From USB to professional AES format, no wishes remain unfulfilled.The DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer or CD player is connected. No further settings on the Phonitor xe are necessary.The DAC768The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.The DLP120 (Dual Low-Pass)The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.Good ol' timesTwo mechanical VU meters visualize the input levels for the left and right audio channel.With the VU switch you can optimize the display for different signal levels.Finding the middleis not always easy. By our very nature, hearing can be leaning more to the left or more to the right. This is especially obvious when listening with headphones.That’s why Phonitor xe has the uniquely finely resolved laterality control. With it, the center can be found perfectly.With the MODE switch you can choose between stereo or mono playback. This switch also activates the laterality control.The Revolution: Phonitor MatrixThe Phonitor Matrix is the revolution in the headphone amplifier.Thanks to the Phonitor Matrix, music can be experienced on headphones as if it was played on speakers. The tiring super stereo effect is a thing of the past.Enjoy your music without listening fatigue and exactly the way it should be heard.Music is normally produced and mixed for playback on stereo speakers.Listening on headphones is different from listening on loudspeakers. The biggest difference is the lack of crossing signals of the sound signal from the left speaker to the right ear and from the right speaker to the left ear. These crossing signals are missing in conventional headphone listening, because there are no signals crossing from one side of the headphones to the other. This results in an unnaturally wide stereo image and the various sound sources of the audio signal are not localized as the sound engineer intended them to. This effect is often referred to as “super stereo effect”. During conventional listening on headphones, our brain can balance the false representation of the playback to a certain extent – but this is very exhausting.The SPL Phonitor Matrix can correct this false stereo image with an analog circuitry. The Phonitor Matrix therefore not only ensures a correct representation of the stereo image, but also a relaxed listening experience.The two main parameters of the Phonitor Matrix are Crossfeed and Angle:Crossfeed determines the crossing signals of the channels, the so-called interaural level difference.Angle determines the opening angle of the stereo image, the so-called interaural time difference.Center of AttentionTo make the listening experience even more perfect, the level of the center of the stereo image needs to be attenuated when the Phonitor Matrix is active. This ensures that not only the position of all sound sources is correct but also their volume.In the Professional Fidelity Phonitor devices this value is set to a fixed attenuation of -1 dB, which is the best choice for getting an authentic representation of the sound stage.Sounds good!With all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. All important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.The VOLTAiR TechnologyThe 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.The highest possible audio quality requires the highest possible audio operating voltage.The 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.

Our entry model into the world of VOLTAiR headphone amplifiers. The Phonitor se has the same audio signal amplification as its bigger brothers Phonitor x and Phonitor xe and therefore offers the same sound experience. The DAC768xs is optionally available. Volume & Source Selection The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. In addition to an analog source, three other digital sources can be connected to the Phonitor se with the optional DAC. Headphone Output with Power The Phonitor se offers a 6.35 mm jack for connecting headphones with jack plug. Up to 2 x 5 watts of output power is available at this socket. This allows even very power-hungry headphones such as magnetostats or electrostats to be driven effortlessly. The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, that allows you to listen to music through headphones with the sound experience of listening through speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation and effects are a thing of the past. Enjoy your music without fatigue and exactly as it should be heard. The Phonitor Matrix in its largest expansion stage has three setting parameters: Crossfeed, Speaker Angle and Center Level.In Phonitor se the Center Level is preset to -1 dB and the speaker placement Angle to 30°. These are the most common values. The Crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the Crossfeed. Connections The Phonitor se is equipped with gold-plated RCA sockets for the analog input. The optional DAC768xs adds three more digital sources: USB Coax and Optical. The Optional DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  Specifications: Analog input: RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Our entry model into the world of VOLTAiR headphone amplifiers. The Phonitor se has the same audio signal amplification as its bigger brothers Phonitor x and Phonitor xe and therefore offers the same sound experience. The DAC768xs is optionally available. Volume & Source Selection The volume is adjusted with a milled all-aluminium rotary knob. The Alps RK27 “Big Blue” potentiometer provides a pleasant “spoon in honey” turning feeling. In addition to an analog source, three other digital sources can be connected to the Phonitor se with the optional DAC. Headphone Output with Power The Phonitor se offers a 6.35 mm jack for connecting headphones with jack plug. Up to 2 x 5 watts of output power is available at this socket. This allows even very power-hungry headphones such as magnetostats or electrostats to be driven effortlessly. The Revolution in the headphone amplifier is the Phonitor Matrix, with switchable crossfeed, that allows you to listen to music through headphones with the sound experience of listening through speakers. The tiring super stereo effect and the exaggerated reproduction of reverberation and effects are a thing of the past. Enjoy your music without fatigue and exactly as it should be heard. The Phonitor Matrix in its largest expansion stage has three setting parameters: Crossfeed, Speaker Angle and Center Level.In Phonitor se the Center Level is preset to -1 dB and the speaker placement Angle to 30°. These are the most common values. The Crossfeed function determines the crosstalk of the channels, the so-called interaural level difference. There are two switch positions C1 and C2 for the intensity of the Crossfeed. Connections The Phonitor se is equipped with gold-plated RCA sockets for the analog input. The optional DAC768xs adds three more digital sources: USB Coax and Optical. The Optional DAC768xs The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the optional digital-to-analogue converter, which thanks to its new architecture reproduces the finest sound details. It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768kHz, which corresponds to 16 times the CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256.  Specifications: Analog input: RCA Maximum input gain: 32.5 dBu Input impedance: 20 kΩ Digital Inputs: DAC768xs (optional) Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre

Performer s800 is a stereo power amplifier that delivers 2 x 285 W to 4 ohms loudspeakers. In bridge mode it delivers 450 W into 4 or 8 ohms.The technical basis of all Professional Fidelity units is the proprietary 120 V Rail Technology, which is also called VOLTAiR technology. The name makes reference to the unequalled high voltage of 120 V (+/-60 V DC) and the huge dynamic range of over 140 dB that goes with it.Features: Bi polar transistor power amplifier with VOLTAiR 120V technology2 x 285 W into 4 ohms; 2 x 185 W into 8 ohms (stereo operation) 450 W into 8 ohms (mono operation – Bridge Mode)Toroidal transformer with 855 VA40800 µF capacitance for faithful reproduction of impulse peaksGold-plated loudspeaker binding posts with protection coversNeutrik XLR connectors for balanced in- and outputsDirect slave through of the input (e.g. for bi-wiring)Input trim switch for attenuation up to -5.5 dB in 0.5 dB stepsAMP CTL connector for remote power on/off switching Overheat protection with Temp LEDDC (direct current) voltage protection with Protect LEDFront and Lid made from aluminum, housing made from sheet metalMade in GermanySpecifications:Frequency response: 1Hz-125kHz, +/- 0.5dBInputs: 1Outputs: 1Filter:  Hi Pass (50 Hz)Signal to Noise Ratio: ›130dBMaximum Level Input: +17dBuMaximum Level Output: +34dBuTotal Harmonic Distortion: 0.0005%Phantom Power: NAIInput Type: 1 x XLR & TRSOutput Type: 1 x XLR & TRS​

Performer s800 is a stereo power amplifier that delivers 2 x 285 W to 4 ohms loudspeakers. In bridge mode it delivers 450 W into 4 or 8 ohms.The technical basis of all Professional Fidelity units is the proprietary 120 V Rail Technology, which is also called VOLTAiR technology. The name makes reference to the unequalled high voltage of 120 V (+/-60 V DC) and the huge dynamic range of over 140 dB that goes with it.Features: Bi polar transistor power amplifier with VOLTAiR 120V technology2 x 285 W into 4 ohms; 2 x 185 W into 8 ohms (stereo operation) 450 W into 8 ohms (mono operation – Bridge Mode)Toroidal transformer with 855 VA40800 µF capacitance for faithful reproduction of impulse peaksGold-plated loudspeaker binding posts with protection coversNeutrik XLR connectors for balanced in- and outputsDirect slave through of the input (e.g. for bi-wiring)Input trim switch for attenuation up to -5.5 dB in 0.5 dB stepsAMP CTL connector for remote power on/off switching Overheat protection with Temp LEDDC (direct current) voltage protection with Protect LEDFront and Lid made from aluminum, housing made from sheet metalMade in GermanySpecifications:Frequency response: 1Hz-125kHz, +/- 0.5dBInputs: 1Outputs: 1Filter:  Hi Pass (50 Hz)Signal to Noise Ratio: ›130dBMaximum Level Input: +17dBuMaximum Level Output: +34dBuTotal Harmonic Distortion: 0.0005%Phantom Power: NAIInput Type: 1 x XLR & TRSOutput Type: 1 x XLR & TRS​

Our powerhouse mono-block. With the power of 1000 W this amplifier controls every loudspeaker effortlessly. Thanks to VOLTAiR technology it is fast, direct and highly efficient with an outstanding sound. Individual design The Performer m1000 can be equipped with a black, red or silver decorative panel that are included in the scope of delivery. This gives you a choice of three colour variants for your chosen basic colour. The decorative panels adhere with the help of a strong neodymium magnet. No tools are therefore required for changing them. Better safe than sorry The Performer m1000 has a protection circuit against DC voltage and a limiter against output overload. If direct current (DC) is detected, the output stage switches off automatically and the Protect LED lights up red. To protect the output against overdriving, an LDR limiter (light-dependent resistor) is used. Since it works optically, the audio quality is not affected. The Protect LED lights up yellow when the limiter responds. As one calls into the forest, so it echoes out. This saying inspired us to send the input signal out again in order to drive another power amplifier in bi-amping mode. Trim to fit With reference to the m1000, “fit” means adapted. And you can adapt the input sensitivity in 0.5 dB steps. From 0 dB to -5.5 dB. This is the much more audiophile solution for acoustically problematic rooms or loudspeaker set-ups than the panorama potentiometer of the preamplifier. In addition, the difference in loudness of loudspeakers can be elegantly compensated in bi-amping mode. Plus & Minus The loudspeaker binding posts can accommodate banana plugs as well as a stranded wire with a diameter of up to 4mm. For bi-wiring operation, both types of connection can be used together. No loudspeaker with less than 2 ohms impedance may be connected. AMP CTL The power amplifier can be switched on and off using the AMP CTL connection between the Performer m1000 and a preamplifier such as the Director Mk2 or the Crossover. To do this, connect the 3.5 mm jack sockets with a cable with 3.5 mm mono or stereo jack plugs. Third-party preamps can also switch the Performer m1000 on and off with a 12 V trigger. Keep cool Inside the Performer m1000, six fans usually do nothing at all, because 90% of the heat is passively dissipated via massive heat sinks. Should it nevertheless become really loud for a really long time, the processor-controlled fans remain virtually inaudible at only 19 dB (A). Specifications: Analog Input & Thru: XLR (balanced) Input gain (max): 32.5 dBu Input impedance (THRU not connected): 20 kΩ Common mode rejection (THRU not connected): -82 dBu Input sensitivity: 12.5 dBu Loudspeaker Output: Binding posts with ø4mm cable hole (screwable) and banana plug Output power (RMS, 2 Ω): 1000 W Harmonic distortion (1 kHz, 2 Ω): < 0.08 % Output power (RMS, 4 Ω): 750 W Harmonic distortion (1 kHz, 4 Ω): < 0.05 % Output power (RMS, 8 Ω): 420 W Harmonic distortion (1 kHz, 8 Ω): < 0.03 % Output power (peak to peak): 180 V Output voltage (RMS): 64.6 V Output impedance (20 Hz – 20 kHz): < 0.031 Ω Amplification gain: 26 dB Damping factor (1 kHz, 8 Ohm): > 280 Frequency range (-3dB): 10 Hz – 80 kHz Noise (A-weighted): -123 dB Internal Linear Power Supply with Shielded Toroidal Transformer Toroidal transformer: 1375 VA Operating voltage (Input stage): +/- 60 V Operating voltage (power stage): +/- 91 V Operating voltage for relays, LEDs, AMP CTL: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse 230 V: T 6.3 mA Fuse 115 V: T 12 A Power consumption: max. 1375 VA Idle power consumption: 50 W Stand-by power consumption: < 0.3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 205 x 375 mm Unit weight: 24.8 kg Shipping weight: 29.3 kg

Our powerhouse mono-block. With the power of 1000 W this amplifier controls every loudspeaker effortlessly. Thanks to VOLTAiR technology it is fast, direct and highly efficient with an outstanding sound. Individual design The Performer m1000 can be equipped with a black, red or silver decorative panel that are included in the scope of delivery. This gives you a choice of three colour variants for your chosen basic colour. The decorative panels adhere with the help of a strong neodymium magnet. No tools are therefore required for changing them. Better safe than sorry The Performer m1000 has a protection circuit against DC voltage and a limiter against output overload. If direct current (DC) is detected, the output stage switches off automatically and the Protect LED lights up red. To protect the output against overdriving, an LDR limiter (light-dependent resistor) is used. Since it works optically, the audio quality is not affected. The Protect LED lights up yellow when the limiter responds. As one calls into the forest, so it echoes out. This saying inspired us to send the input signal out again in order to drive another power amplifier in bi-amping mode. Trim to fit With reference to the m1000, “fit” means adapted. And you can adapt the input sensitivity in 0.5 dB steps. From 0 dB to -5.5 dB. This is the much more audiophile solution for acoustically problematic rooms or loudspeaker set-ups than the panorama potentiometer of the preamplifier. In addition, the difference in loudness of loudspeakers can be elegantly compensated in bi-amping mode. Plus & Minus The loudspeaker binding posts can accommodate banana plugs as well as a stranded wire with a diameter of up to 4mm. For bi-wiring operation, both types of connection can be used together. No loudspeaker with less than 2 ohms impedance may be connected. AMP CTL The power amplifier can be switched on and off using the AMP CTL connection between the Performer m1000 and a preamplifier such as the Director Mk2 or the Crossover. To do this, connect the 3.5 mm jack sockets with a cable with 3.5 mm mono or stereo jack plugs. Third-party preamps can also switch the Performer m1000 on and off with a 12 V trigger. Keep cool Inside the Performer m1000, six fans usually do nothing at all, because 90% of the heat is passively dissipated via massive heat sinks. Should it nevertheless become really loud for a really long time, the processor-controlled fans remain virtually inaudible at only 19 dB (A). Specifications: Analog Input & Thru: XLR (balanced) Input gain (max): 32.5 dBu Input impedance (THRU not connected): 20 kΩ Common mode rejection (THRU not connected): -82 dBu Input sensitivity: 12.5 dBu Loudspeaker Output: Binding posts with ø4mm cable hole (screwable) and banana plug Output power (RMS, 2 Ω): 1000 W Harmonic distortion (1 kHz, 2 Ω): < 0.08 % Output power (RMS, 4 Ω): 750 W Harmonic distortion (1 kHz, 4 Ω): < 0.05 % Output power (RMS, 8 Ω): 420 W Harmonic distortion (1 kHz, 8 Ω): < 0.03 % Output power (peak to peak): 180 V Output voltage (RMS): 64.6 V Output impedance (20 Hz – 20 kHz): < 0.031 Ω Amplification gain: 26 dB Damping factor (1 kHz, 8 Ohm): > 280 Frequency range (-3dB): 10 Hz – 80 kHz Noise (A-weighted): -123 dB Internal Linear Power Supply with Shielded Toroidal Transformer Toroidal transformer: 1375 VA Operating voltage (Input stage): +/- 60 V Operating voltage (power stage): +/- 91 V Operating voltage for relays, LEDs, AMP CTL: + 12 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse 230 V: T 6.3 mA Fuse 115 V: T 12 A Power consumption: max. 1375 VA Idle power consumption: 50 W Stand-by power consumption: < 0.3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 205 x 375 mm Unit weight: 24.8 kg Shipping weight: 29.3 kg

The analog purist. This is the preamplifier for the lover of pure analog technology. With motorized volume control, retro-look-VU-meter, tape monitor and the all superior VOLTAiR technology the Elector brings analog sources to new life. Milled from solid is the big 45mm Volume control. Its mass together with the  motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further. The red marker LED makes the setting visible even in darkened environments. Volume RC The volume can be remote controlled with any infrared remote control, that the Elector simply learns. To do this, press the IR programming button and then the buttons for louder and quieter. Learning made easy This video explains how you can use any infrared remote control to remotely control the volume and the source selection. Source of joy Up to six (6 !) analog stereo sources can be connected to the Elector. The Elector offers three pairs of balanced inputs with XLR connectors and three pairs of standard inputs with gold-plated RCA connectors. Good ol' times Two mechanical VU meters visualize the input levels for the left and right audio channel. With the VU switch you can optimize the display for different signal levels. Tape Monitor A tape monitor circuitry is quite retro. Who still owns a cassette recorder or a tape machine? Who still has an equalizer? To put it another way: Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore? Well, those who want can again. Today’s audio levels are much higher than in the past and many recorders will be overloaded by them. In that case simply press the switch and the level to the recorder is lowered by 10 dB. To compensate, the level from the recorder is increased by 10 dB. Et voilà. Preamp & Direct Out On the output side, power amplifiers or active loudspeakers can be connected to the preamp output sockets using XLRs. The Direct Out via RCA picks up the output signal before the volume control and thus offers the possibility to connect a headphone amplifier. AMP CTL Practical are the AMP CTL sockets to which power amplifiers with 12 V trigger inputs can be connected in order to remotely switch them on and off together with the Director Mk2. Specifications: Analog Inputs & Output: XLR (balanced) and RCA Maximum input & output gain: 32.5 dBu Input impedance (RCA): 47 kΩ Input impedance (XLR): 20 kΩ Output impedance: 75 Ω Common mode rejection (XLR): -82 dBu Frequency range (-3 dB): 4 Hz – 300 kHz Crosstalk (1 kHz): -108 dBu THD (0 dBu, 1 kHz): 0.000992 % Noise (A-weighted): -102.5 dBu Dynamic range: 135 dB Internal Linear Power Supply with Shielded Toroidal Transformer Operating voltage for analog audio: +/- 60 V Operating voltage for relays and LEDs: + 12 V Operating voltage for DAC768: + 7 V, +3.3 V Mains Power Supply Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz Fuse for 230 V: T 500 mA Fuse for 115 V: T 1 A Power consumption: max. 40 VA Stand-by power consumption: < 0,3 W Dimensions & Weight W x H x D (width x height incl. feet x depth): 278 x 100 x 330 mm Unit weight: 4.25 kg Shipping weight (incl. packaging): 5.4 kg