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THE SOUND SIGNATURE OF A LEGENDFor decades, professionals have relied on the DT 770 PRO for its distinctive sound signature. The over-ear, closed-back DT 770 PRO X continues this legacy, delivering powerful bass, detailed highs, and exceptional impulse response. Its closed design makes it a reliable companion for recording and monitoring tasks. Experience flexible and high-performance studio quality that inspires.STELLAR.45 – MAXIMUM SOUND FIDELITY ON ANY DEVICEWhether in the studio, on the go or at a laptop – the STELLAR.45 driver (5–40,000 Hz) delivers impressive sound accuracy in every setting. A neodymium magnet and copper-plated precision coil ensure low-distortion sound, even at high volumes. With its 48-ohm impedance, it provides studio-quality audio even on devices with low output power.YOU ASKED – WE DELIVERED: DETACHABLE CABLEMore freedom, more possibilities: The DT 770 PRO X features a detachable cable with a locking mini-XLR connector for maximum stability. With a 3.5 mm jack and a 6.3 mm adapter, it connects to almost any device. Your studio, your rules.THE MOST COMFORTABLE 770 EVERStudio icon meets ultimate wearing comfort: The iconic velour ear pads of the DT 770 PRO X remain comfortable even during long sessions. The sturdy spring steel headband ensures a perfect fit, while the replaceable headband adapts perfectly to your head shape – now with a new fontanelle recess for even better comfort.Features:Circumaural studio headphones for recording and monitoring For a range of devices thanks to a flexible STELLAR.45 driver Includes detachable cable with mini XLR connector Extremely comfortable, even after hours of use Made in Germany
Universal 2-way shelf speaker The big sister of the X 130 is equipped with a 165 mm bass-midrange driver. With an extended bass range that delves down to 30 Hz and an upper cut-off frequency of 36,500 Hz, it ensures full music enjoyment regardless of whether it´s used as a monitor speaker directly on a workstation, or as a speaker in a hi-fi configuration on a shelf or sideboard. An efficiency level of 92 dB and a maximum load capacity of 220 watts ensure a high dynamic range. The dimensions, however, remain pleasantly compact: Measuring 186 mm wide and 310 mm high, it is hardly any bigger than an A4 sheet. A weight of 3.3 kg, however, gives you an idea of just how much technology is incorporated in the Symbol X 160. CHASSIS High-performance woofer-midrange with polypropylene membrane and long-throw rubber surround PET dome tweeter with powerful neodymium magnet system HIGHLIGHTS Integrated wall mounting device, horizontally and vertically adjustable Perfect sound and very high power handling Indoor/Outdoor bookshelf speakers Splash-proof by IPX5 standard, corrosion-resistant materials Speakers for professional and semiprofessional PA systems Home-recording monitor speakers CROSSOVER Elaborated phase and amplitude optimized crossover with high-quality components Dynamic overload protection High-quality connecting terminal with solid, gold-plated and capsulated screw connectors CABINET Bass reflex design Integrated wall mounting device allows horizontal and vertical adjustment IPX 5 certified, splash-proof Solid low-resonance plastic housing CABINET SURFACE black white
With its sleek design and solid wood tripod, Vision Wood reinvents the TV stand by combining aesthetics with functionality. Inspired by artists’ easels, it brings a warm and contemporary touch to any interior. Its minimalist structure enhances the screen without weighing it down visually, while its VESA compatibility (up to 400 x 400) and adjustable height ensure perfect adaptability. Elegant, stable, and discreet, Vision Wood transforms your television into a true decorative piece.
The Sinox SHD-3662 is a high-quality optical fiber (S/PDIF) cable (hospitality-grade quality fiber) with metal connectors. A Mini-Toslink adapter is included in the package.
You wouldn’t compromise your bass sound with the band, so why should practising at home be any different? Whilst the Crush Bass 25 may be the smallest model in the Crush Bass amp range, it still retains the warm and rounded tonal character that make Orange Amps the choice of some of the world’s most iconic bass players.This 25 Watt combo features an all-analogue signal path, a ported cabinet for improved low end response plus a highly responsive active EQ section. Like the rest of the Crush Bass range, the amp’s variable parametric mid band allows for unlimited control over a broad range of frequencies in addition to the bass and treble.Dial in a massive range of classic bass tones or create your own. With an integrated tuner, an aux. input for backing tracks and a headphone output with our CabSim circuitry, the Crush Bass 25 is the perfect miniature rig for all players on which to hone their tone. Specifications:Active 3 Band EQParametric Mid ControlChromatic TunerCabsim-loaded Headphone Output & Aux In
Raise your voice. Go for XS wireless 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS wireless 1 Vocal Set is an easy to use all-in-one wireless system for singers and presenters, excellent for live sound featuring Sennheiser’s renowned evolution microphone capsules, e825 (dynamic, cardioid) or e835 (superior dynamic, cardioid) to get started. The set includes an intuitive stationary receiver for quick setup and hassle-free handling, as well as a vocal microphone and microphone clamp.
This is the new Nord Lead A1 analog modeling synthesizer – a stunning sounding synthesizer with a simplified yet hugely powerful front panel interface.Producing stand-out sounds for live or for the studio, the Lead A1 is ideal for all musical genres. Thanks to its carefully thought-out user interface, the Lead A1 encourages experimentation, allows for far speedier programming than would otherwise be possible, and ultimately delivers sensational sonic results.Producing stand-out sounds for live or for the studio, the Lead A1 is ideal for all musical genres. Thanks to its carefully thought-out user interface, the Lead A1 encourages experimentation, allows for far speedier programming than would otherwise be possible, and ultimately delivers sensational sonic results.Fundamental to the design of the Lead A1 is a brand new simple yet sophisticated front panel interface. The design is in fact the result of requests from professional players – even the most experienced programmers - who need to create the perfect sound as quickly as possible for today's live or studio time demands. The Lead A1 allows easy patch creation and experimentation thanks to a new and unique oscillator section, pre-programmed modulation matrix, and simplified ADR envelopes. Dive in and create incredible patches far quicker than would normally be possible with a synthesizer of such power.Specifications:26 voices, 4 part multitimbral.3 part effects section (FX, delay and reverb) for each part49-key velocity sensitive keyboard (keyboard version only) with octave shift buttons, +/-2 octaves.Keyboard Split with 2 slots for the upper and lower sections.Modulation Wheel (keyboard version only).Pitch Stick with no dead zone at zero crossing (keyboard version only).Programmable Pitch bend range, up to +/- 4 octavesSeparate up/down bend range: -12 or -24 semitones, + 2 semitones1 pedal input for sustain.1 pedal input for expression pedal.FX section with Flanger, Phaser, Ring Modulation, Chorus, Ensemble and Drive.Delay section with tap tempo, four stages of feedback, stereo ping-pong, dry/wet mix. The Delay speed can be synchronized to the Master Clock.Reverb section with five algorithms (Room, Stage 1, Stage 2, Hall 1, Hall 2).
The open back HD 599 delivers impressively natural spatial performance. Topping Sennheiser’s 500 series, the full sized premium headphone offers near-audiophile levels of sound quality and exceptional wearing comfort thanks to the large ear cups and soft replaceable ear pads.As successor to our popular HD 500 series, the Sennheiser HD 5 model range offers high quality and value in any aspect. Powered by Sennheiser’s proprietary transducer technology including the “Ergonomic acoustic refinement” (E.A.R.) design, which channels the audio signal directly into your ears. Featuring a contemporary design that is both attractive and ergonomic. A real treat for all, who listen to their music with a sense of discovery.With the HD 599 you step into the world of audiophile sound. There you will experience outstanding natural spatial performance, brought to you by high-end proprietary Sennheiser transducers. You may have listened to headphones that are quite good. The HD 599 will show you what lies beyond that. Be warned: there is no turning back.The HD 599 features an open-back over-ear design. Thanks to the large ear cups with soft replaceable ear pads there is no pressure on your ears, only sound. So nothing will stop you from listening to track after track, discovering what the HD 599 will show you that you haven’t even heard yet.Quality you can hear, see and feel – that’s what the HD 599 is about. Its design is premium. From the brown stitches on the headband to the matte metallic detailing on the ear cups and headband. Combined with its timeless ivory color scheme, these subtle touches contribute to the HD 599’s immediate impression of substance and quality. Specifications:Color: ivory Impedance: 50 Ω Frequency response: 12- 38,500 Hz Sound pressure level (SPL): 106dBSPL (1kHz/1Vrms) THD, total harmonic distortion:
The KH 310 three-way active tri-amplified monitor features a Mathematically Modeled Dispersion™ Waveguide (MMD™), flexible acoustical controls, various input options and an extensive range of mounting hardware. This allows the loudspeaker to be used in diverse acoustical conditions, with any source equipment and in a wide variety of physical locations. The KH 310 represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible. The KH 310 is designed for use as a near-field monitor, as a front loudspeaker in mid-sized multi-channel systems, or as a rear loudspeaker in a larger multi-channel system. It can be used in project, music, broadcast centers, OB vans, and post production studios for tracking, mixing, and mastering. Specifications: Type Studio monitor Woofer 8 1/4' Midrange 3' Tweeter 1'' Amplifiers Power 300 W Input/Output Plugs XLR Frequency Response 34 Hz - 21 kHz, ± 3 dB ΕqualizerYes, 3 Band Dimensions (W x H x D) 383mm x 253mm x 292 mm Weight 13.0 kg
Now in its third incarnation, the MG Series embodies the pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. The MG12XU is the 12-channel version of the series, with six mono XLR and 1/4" hybrid inputs along with three stereo line inputs.The MG12XU boasts an intuitive interface with capacities suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability that has made it a leader in its class.Features:Outstanding microphone preampsSwitchable Phantom Power & PAD Switch1-knob CompressorsEQ and High-pass FiltersAUX / Effect Sends / GroupLED level meteringBuilt-in SPX Digital EffectsMetal ChassisUSBSpecifications:On-board processors : SPX algorithm: 24 programsPhantom power: +48 VDigital I/O: USB Audio Class 2.0 compliant, Max 192 kHz, 24-bitInput Channels: 6 Mono[MIC/LINE], stereo[LINE]: 3Output Channels: STEREO OUT: 2MONITOR OUT: 1PHONES: 1AUX SEND: 1Bus: Stereo: 1, AUX[FX]: 1Input Channel FunctionPAD: 26 dB (Mono)HPF: 80 Hz, 12 dB/oct (Mono)COMP: 1-knob compressor Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB, Attack time: approx. 25 msec, Release time: approx. 300 msecEQ HIGH: Gain: +15 dB/-15 dB, Frequency: 10 kHz shelvingEQ MID: Gain: +15 dB/-15 dB, Frequency: 2.5kHz peakingEQ LOW: Gain: +15 dB/-15 dB, Frequency: 100 Hz shelvingPEAK LED: LED turns on when post EQ signal reaches 3 dB below clippingLevel Meter: 2 x 7 -segment LED meter [PEAK, +10, +6, 0, -6, -10, -20 dB
Κεφαλή ΜΜ(κινητού μαγνήτη)Προδιαγραφές:Output voltage at 1000 Hz, 5cm/sec.5,5 mVChannel balance at 1 kHz 1,5 dBChannel separation at 1 kHz25 dBChannel separation at 15 kHz15 dBFrequency range at - 3dB20-25.000 HzFrequency response20-20.000 Hz + 2 / - 1 dBTracking ability at 315Hz at recommended tracking force80 µmCompliance, dynamic, lateral20 µm/mNStylus typeNude EllipticalStylus tip radiusr/R 8/18 µmTracking force range1,6-2,0g (16-20 mN)Tracking force, recommended1,8 g (18 mN)Tracking angle20°Internal impedance, DC resistance1,3 kOhmInternal inductance700 mHRecommended load resistance47 kOhmRecommended load capacitance150-300 pFCartridge colour, body/stylusBlack/BlueCartridge weight7,2 g
Excellent groove handlingThe Concorde DJ is considered the jack-of-all-trades, boasting accurate sound reproduction and excellent groove handling. • The DJ is great for any style of music. • It has a spherical stylus and an extremely balanced cantilever that provides outstanding rigidity. • Not only does the cartridge have a most sufficient tracking ability, it also provides the DJs with the most needed stringency and very low record wear. All in all: improved tracking, alongside of accurate sound reproduction and an excellent groove handling. Output voltage at 1000Hz, 5cm/sec. - 6 mV Channel balance at 1kHz - 1 dB Channel separation at 1kHz - 22 dB Channel separation at 15 kHz - 15 dB Frequency range at -3dB - 20-20.000 Hz Tracking ability at 315 Hz at recommmended tracking force - 100 μm Compliance, dynamic lateral - 14 μm/m N Stylus type - Spherical R 18 μm Tracking force range - 3 - 5 g Tracking force recommended - 4 g Cartridge weight - 18,5 g Replacement stylus unit - DJ
Let Every Detail of Your Performance Shine.The Austrian Audio CC8 is a small-diaphragm condenser microphone that adapts a classic sound for modern artists and producers. Our OCC7 capsule brings the legendary CK1 capsule into the future.The CC8 sounds natural and open without becoming harsh or spiky, even at extreme volumes. The mids and highs are silky smooth, never exaggerated. This makes the CC8 the ideal microphone for the detailed recording of various acoustic instruments, such as stringed instruments, woodwinds and brass, and orchestral percussion, in addition, instruments like acoustic guitar, piano, snares, hi-hat, and entire drum sets.The heart of the CC8At the heart of the Austrian Audio CC8 microphone beats the newly-developed OCC7 small-diaphragm condenser capsule. Inspired by the legendary CK1, the OCC7 delivers all the benefits of that classic design updated to meet the demands of today. Shaped by the past; built for the future.The OCC7 capsule and transformerless output gives the CC8 a remarkably linear frequency response, handling extremely high sound pressure levels (SPL) of up to 156 dB, without distorting.Before leaving the factory, each microphone is measured to a tolerance of max. +/- 0.5 dB sensitivity at 1 kHz. This means that any CC8 can be match-paired with any other, regardless of production dates.Made in Vienna. Again.
Reloop Buddy 2-channel DJ controller for iOS, iPadOS, Android, Mac and PC devices. Thanks to its powerful features and brand new Neural Mix controls, Buddy saves space without compromising any functionality.Features 8 RGB pads for each deck, sync function to match tempo and key, quick-skip fast search within a track, high resolution sliding pitch potentiometers, 2 frequency bands, Bi-polar sound filters (LPF/HPF) , control for comfortable browsing and loading tracks, shift buttons for layer mode, FX paddles, sound filters, 8 performance modes, neural Mix controls for separating vocals and music in real time. Compatible with Algoriddim DJAY.Master Out: RCAHeadphone output: 3.5 mm jackUSB cable, RCA cable and instruction manual includedDimensions: 325 x 48 x 220 mmWeight: 1,042 kg
The mobile bluetooth speaker from HEADSOUND is made for your outdoor fun. The extreme robust housing and the simple remote support the great and funky sound. Calls can be taken with one-touch. The HEADSOUND ball is bluetooth music streaming for outdoor-lovers. Powerful sound make the HEADSOUND ball your ideal companion for picnics, cycling or other outdoor activities. With its rubberized surface, it is resistant to dirt, splash water or other environmental influences. It sits safely on almost any surface and can also be fixed on your belt or backpack with its carabiner. The built-in microphone and control buttons on the device enable wireless music joy and handsfree telephony. (Controls: volume, forward/backward, on/off, take/reject call, play/pause). When not in use, it shuts down automaticly after 10 minutes. With its handy size - like a tennis ball our bluetooth-speaker fits in the pocket of your pants - it is compatible with all Bluetooth-supporting devices. Other devices can be connected via a 3.5 mm jack.
Aντιανέμιο γούνας για τα H1, H2n, H4n, H5, H6, Q2HD, iQ5 της ΖΟΟΜ
Close to the attack, tough, easy to handle: the e 604 has long since been a classic on the rims of tom-toms and snares the world over. Thanks to the practical clip-on holder, the microphone can be mounted in seconds and positioned however you choose. Lightly emphasized in the upper mids and highs, the e 604 provides a forceful sound, open and clear in the lows. The snare receives a warm to dynamic presence; woodwind instruments also receive a marked spaciousness. This is no wonder, since the sound design is based on the legendary MD 421 microphone. Features:Compact dynamic microphoneTransmits extreme sound pressure levels (over 160dB) without distortionImpact-resistant fiberglass reinforced housingVery low structure-borne noiseExtremely simple handling and flexible positioningHum compensating coilIntegrated stand mount Specifications:Type: DynamicPick Up Pattern: cardioidFrequency response: 40 - 18000 HzSensitivity: 1,8 mV/PaΙmpedance: 350 OhmDimensions: &Weight: 60 gr
Electric Guitar Case by JM Forest
The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. FEATURESAcoustical operating principle : Pressure gradient transducerDirectional pattern : CardioidFrequency range : 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohm : 23 mV/PaRated impedance : 50 ohmsRated load impedance : 1000 ohmsEquivalent SPL CCIR 468-3 : 17.5 dBEquivalent SPL DIN/IEC 651 : 7 dB-AS/N ratio CCIR 468-3 : 76.5 dBS/N ratio DIN/IEC 651 : 87 dBMaximum SPL for THD 0.5% : 138 dBMaximum output voltage : 13 dBuDyn. range of the mic. amplifier DIN/IEC 651 : 131 dBSupply voltage : 48 V ± 4 VCurrent consumption : 3 mAMatching connector : XLR 3FWeight approx : 500 gDiameter : 60 mmLength : 132 mm
The Kurzweil Artis7 76-Key Stage Piano is designed for both recording studio and live performance applications. The keyboard features a Fatar TP-8 semi-weighted keyboard to enable expressive playing with realistic dynamics. The keyboard can be divided into four zones with split/layer, extensive MIDI, individual zone volume, and mute controls. The unit includes 32 realistic stage piano sounds from the German 9' Grand Piano as well as classic Hammond, Vox, and Farfisa organ models from the KB3 ToneReal Organs. It also comes with 256 factory programs and 256 multis, including some of the best sounds from the company's PC3K and Kore 64 collections, such as new pianos, vintage electric pianos, clavinets, synthesizers, string sections, orchestras, guitars, percussion, and more. To further enhance your sound, the unit includes a powerful FX engine with award winning reverbs, delays, choruses, flangers, phasers, distortions, rotary amplifiers, compressors, and more. For physical controls, the keyboard features a 3-band master EQ for bass, treble, and a sweepable midrange, as well as nine sliders, six switches, two front-panel mounted wheels, dedicated -/+ transpose buttons, category and program/multi selection buttons, ten favorite sound preset buttons, two switch pedal inputs, and one continuous control pedal input. The unit comes with a sustain/switch pedal. Specifications:KB3 ToneReal Organs256 Factory Programs256 Factory MultisPowerful FX EngineFront-Panel 3-Band Master EQ22 Programmable Physical ControllersEasy-Access Transpose ButtonsTen Recallable FavoritesAdvanced Desktop Editor
The CGN99 H/L, part of the DAC Series, is a condenser gooseneck microphone with a hypercardioid polar pattern. A good choice for all situations when unwanted noise arrives from the sides or where people talk into the microphone from greater distances. The rugged gooseneck is available in two different lengths (C/S: 30cm (12in); C/L: 50cm (20in) and ideal for fixed and mobile installations. CGN99 H/S and CGN99 H/L come with an integrated XLR phantom power adapter with 250Hzbassrolloff. The phantom power adapter connects to any standard mixer input with 9V to 52V power supply. Specifications:Audio frequency bandwidth: 50 to 19000 HzEquivalent noise level: 21 dB-ASensitivity: 12 mV/PaSignal to Noise: 73 dB-AElectrical impedance: 600 OhmsRecommended load impedance: 2000 Ohms
The 1073 Legend Lives in Warm Audio's Splendid WA73-EQThe legendary 1073 wrote the book on characterful mic preamplification and EQ. These venerable circuits helped define the punchy sound of '70s rock — and countless recordings and live concerts ever since. Today, this coveted tone can be yours for a song, with the Warm Audio WA73-EQ mic/line/instrument preamp. In both design and performance, the WA73-EQ pays homage to the revered British console lineage that started it all. Throughout the audio industry, the 1073 is considered the holy grail of preamps and EQs, with a rich, sweet, and bold tonality that's ideal for making audacious statements with your music. After years of R&D, painstaking reverse-engineering, and countless hours of listening, Warm Audio captured the sonic essence of this classic perfectly in their boutique WA73-EQ. With 80dB of gain and a fully discrete transformer-balanced signal path, the sound is a revelation: harmonically rich bottom end, focused midrange, and slightly resonant highs.Handcrafted with top-quality parts Boasting weapons-grade build quality with discrete, handwired Class A circuits and top-drawer parts such as UK-made Carnhill transformers and Blore Edwards mil-spec, dual-concentric switch pots, the WA73-EQ has 80dB of gain on tap so you can capture subdued sources with your favorite ribbon mic. Your ribbons and condensers will sound heavenly; you'll even be gobsmacked when you hear how authoritative your dynamic mics sound. Cranking the input stage and backing off the output gain enhances your tracks with tasty vintage-style coloration. Topping off the feature set is an instrument jack, polarity reverse, 48V phantom power, and switchable impedance for tonal variation and to optimally match a variety of microphones.Optimize every source — and microphone There is no source that doesn't sound amazing through the Warm Audio WA73-EQ. With judicious mic selection and placement, drums are larger-than-life; DI bass and keyboards sound massive and synths become trance-inducing; electric guitars soar; vocals rule. Pianos and acoustic guitars are resplendent. Orchestral instruments — strings, woodwinds, brass, and percussion — achieve ineffable lushness and dimension. You can even use the WA73-EQ as a tone-shaping tool to run stems or complete mixes through. Hear what the WA73-EQ can do for your own recordings. It's transformative.Definitive British EQ The EQ section of the WA73-EQ adheres to the classic 1073 circuit topology. The vintage 1073 is the holy grail of EQ, and the WA73-EQ nails its sonics and behavior (complete with its fabled harmonic distortion). It's a three-band affair, with HF shelving at 10, 12, and 16kHz; midband peaking with selectable center frequencies at 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, and 7.2kHz; and LF shelving, selectable at 35Hz, 60Hz, 110Hz, and 220Hz. A highpass filter, selectable at 50Hz, 80Hz, 160Hz, and 300Hz, lets you trim your signals of unwanted low end. If you've never worked with a 1073-style EQ before, all we can say is: you're in for a serious treat. It's worth noting that the original 1073 offered only a fixed 10kHz shelf, and the additional high-frequency flexibility afforded by the WA73-EQ is most welcome.UK Custom Carnhill transformers 1073-loving engineers at Sweetwater perk up when the conversation turns to the component history of these classic circuits, and signal transformers are a frequent topic of discussion. Vintage 1073s used different transformer variants throughout their production run; but the most coveted were the very first ones made by Marinair Radar, due to their fluid and forgiving nature that saturates sweetly when pushed. They have been known to bring engineers to tears when they hear how gorgeous their mixes sound through them! Warm Audio turned to Carnhill Transformers of Cambridgeshire, UK, to design meticulous replicas of these most desirable early 1073 transformers. The results are stunning, and — to our ears — tantalizingly close to early vintage 1073s.Warm left no stone unturned A vital yet not-often-discussed component of these classic British circuits is the different types of capacitors and output transistors used. To maintain the integrity of the original circuits, Warm decided to use high-quality tantalum and polystyrene capacitors in the signal path and an output transistor choice that delivers smoother results at higher gain settings than what is commonly found in today's 1073-style preamps. All considered, Warm Audio's monumental effort to design a no-compromise product has paid off handsomely. You'll appreciate this every time you plug into the WA73-EQ and hit record.Warm Audio WA73-EQ Mic/Line/Instrument Preamp and EQ Features: Handwired and hand-assembled, single-channel 1073-style preamp/EQFully discrete, Class A, transformer-balanced circuitryUK-made Carnhill Transformers80dB of gain handles any type of microphone, including low-output ribbonsResistor-stepped rotary gain switch for easy recallTone button changes input transformer impedance for mic optimization and tonal shapingPolarity switch48V phantom power4-position inductor-based highpass filter, selectable for Off, 50, 80, 160, or 300HzInductor-based 3-band equalizationLow-band boost/cut at 35, 60, 110, or 220HzMid-band boost/cut at 360, 700, 1600, 3200, 4800, or 7200HzHigh-band boost/cut at 10, 12, or 16kHzAdditional high-band frequency EQ points added (compared to vintage 1073)XLR mic inputLine-level TRS inputTS Send/Receive insert jacksXLR and TRS line-level outputsDI instrument inputOutput level controlLED level indication meterRugged 19" rackmount chassisGround lift switchInternal IEC 115V/230V power inlet
Cut the cord, keep the vinyl. The AT-LP60XBT gives you all the great features of the redesigned AT-LP60X fully automatic belt-drive stereo turntable with the added convenience of Bluetooth® wireless connectivity. So you can set up your turntable in one room and listen to it in another without having to run a bunch of cables. The turntable pairs with speakers, headphones or other wireless devices. With its CSR BT chipset, the turntable is even able to connect to devices that support the aptX codec, which offers much-improved sound quality over the standard SBC codec. Of course, the AT-LP60XBT can also be operated just like a regular turntable with a traditional wired connection. Either way – wired or wireless – you get outstanding audio with the ease of automatic operation controlled by front-panel start, stop and tonearm lift buttons. Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the AT-LP60XBT’s Dual Magnet™ cartridge with replaceable stylus. The cartridge is integrated into the headshell for assured performance and ease of setup. The AT-LP60XBT plays both 33-1/3 and 45 RPM records and comes with a 45 RPM adapter, a detachable dual RCA output cable (for wired connection) and a removable hinged dust cover. The turntable is available in black (AT-LP60XBT-BK), white/black (AT-LP60XBT-WH), and red/black (AT-LP60XBT-RD). * The Bluetooth® word mark and logos are owned by Bluetooth SIG, Inc. and any use of such marks by Audio-Technica Corporation is under license. Other trademarks and trade names are those of their respective owners. Features : High-fidelity audio with Bluetooth wireless technology Connects wirelessly to speakers and other devices equipped with Bluetooth wireless technology or to wired audio systems and powered speakers via included dual RCA output cable Compatible with aptX codec Fully automatic operation with two speeds: 33-1/3 and 45 RPM Anti-resonance, die-cast aluminum platter Redesigned tonearm base and headshell for improved tracking and reduced resonance Integral Dual Moving Magnet™ phono cartridge with replaceable diamond stylus (ATN3600L) AC adapter handles AC/DC conversion outside of the chassis, reducing noise in the signal chain Built-in switchable phono pre-amplifier for phono- or line-level output Includes: detachable RCA output cable (3.5 mm male to dual RCA male), 45 RPM adapter, and removable hinged dust cover Available in black (AT-LP60XBT-BK), white/black (AT-LP60XBT-WH), and red/black (AT-LP60XBT-RD) Specifications : Type Belt drive turntable, fully automatic Motor DC servo-controlled Speeds 33-1/3 RPM, 45 RPM Turntable Platter Aluminum Wow and Flutter Less than 0.25% (WTD) @ 3 kHz Signal-to-Noise Ratio >50 dB (DIN-B) Output Level Pre-amp “PHONO”: 2.5 mV nominal at 1 kHz, 5 cm/sec Pre-amp “LINE” 150 mV nominal at 1 kHz, 5 cm/sec Phono Pre-Amp Gain 36 dB nominal, RIAA equalized Power Supply Requirements 100 to 240V, 50/60 Hz,0.6 A Max. Power Consumption 1.5 W Dimensions 359.5 mm (14.15") W x 97.5 mm (3.84") H x 373.3 mm (14.70") D Weight 2.6 kg (5.73 lbs.) Accessories Included Dust cover, felt mat, platter (with drive belt), 45 RPM adapter, RCA audio cable (approx. 1.2 m (3.9')), AC adapter (approx. 1.5 m (4.9')) AC adapter: 12 V, 2 A Replacement Stylus: ATN3600L Communication System: Bluetooth Version 5.0 Maximum Communication Range: Line of sight - approx. 10 m (33') Compatible Bluetooth Profile: A2DP Support Codec: SBC, Qualcomm aptX
The WA-47jr is an FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years. The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and broadcast applications. The WA-47jr sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources.The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage design. Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability that allows the most important sonic piece of the classic mic to be heard and influence the tone and signature of the WA-47jr. The WA47jr's low-noise and discrete signal path, when paired with this excellent true '47 style capsule, allows it to obtain a very similar tone to the classic ‘47 microphone, but at a much lower price tag. The WA-47jr utilizes the same k47 style capsule found in our flagship WA-47 tube condenser microphone. Quality components make a better mic.The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage part. Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability. The WA47jr's low-noise and discrete signal path then paired with an excellent true '47 style capsule allows this mic to obtain a very similar tone to the classic ‘47 microphone at a much lower price tag. Specifications:FET transformerless '47 style condenser microphone.Custom true '47 capsule reproduction (k47 style) - Model# WA-47-B-80v. Capsule makeup: Gold sputtered, dual large diaphragm, single backplate, 6 microns NOS mylar (PET film).Fully discrete signal path, Toshiba FET’s, Wima film capacitors, Panasonic electrolytic capacitors.Polar Patterns: Cardioid, figure-of-eight, and omnidirectional.High-pass filter: 70HzPad: -10dbSelf-noise: 9dBADynamic range: 138dBAMaximum SPL: 147/157dB (@1kHz 1kOhms 0.5% THD, 0/-10dB)Frequency Range: 20 Hz~20 kHzSensitivity: 10mV/Pa or -40dBOutput Impedance: 100 ohms
Mackie CR5BT 3rd Generation a Bluetooth speaker pair featuring 5-inch woofers, 100W RMS power, Class-D amplification, a maximum SPL of 105dB, and a frequency response of 50Hz–20kHz (-10dB). The third generation of the CR series includes a Tone Control knob that allows the speakers to function both as professional studio monitors for recording and as regular speakers for everyday listening.The third generation CR series features a new design with Kevlar drivers. On the front panel, there is a volume control knob, a headphone output, and a Bluetooth pairing button. On the back, in addition to the input and output connections, there is a switch that allows you to choose between desk mode and bookshelf mode, adapting the speakers’ sound profile to the acoustics of the space they’re in.The new CR series is ideal for both office and home use, making it the perfect solution for entertainment, content creation, music production, gaming, or streaming.
Compact Powerhouse: FENRIS Active 4 Hi-Fi SpeakersThe Argon Audio FENRIS Active 4 delivers remarkable, room-filling sound from a compact footprint. Marrying sophisticated active DSP power with flexible connectivity, these Danish-designed speakers make a statement in both performance and aesthetics—perfect for desktop setups, living rooms, or media centers.Four-Channel Active Power and DSP Precision Each driver—woofer and soft-dome tweeter—receives dedicated amplification via a four-channel Class-D amp with an active crossover. The integrated DSP ensures seamless blending and a musical, dynamic sound unmatched at this price.Universal Connectivity, Effortless Switching Equipped for every source imaginable, FENRIS includes HDMI ARC (ideal for TVs), Bluetooth 5.0, optical digital, analog RCA, and a phono MM input for turntables. The speakers also auto-switch and wake when detecting a signal—no remote or button pressing required.Clean, Refined Scandinavian Aesthetics Available in finishes like ash, walnut, black, and white, FENRIS features magnetic front grilles and stylish aluminum trim rings—no unsightly screws, just clean lines. Compact yet striking, they enhance any decor.Key FeaturesFour-channel Class-D amplifier with active crossover and DSPInputs: HDMI ARC, Optical (24-bit/48 kHz), RCA analog line-in, MM Phono, Bluetooth 5.0Output: Pre-out for subwoofer integrationAuto-power, auto input switching (except phono)Magnetic front grille; cabinetry in Ash, Black, White, or Walnut (PVC)Compact dimensions (~14 × 24 × 22 cm) and portable weight (5.5 kg per pair)Elegant, minimalist Scandinavian design
Kali Audio LP-6 V2 is a 6.5 inch Studio monitor. It is designed to provide transparent sound to creators working in a variety of genres and formats at a price that makes it feasible. An advanced waveguide, a large voice coil and precision tuning make the sound extremely transparent, while the large low-frequency magnet and low-noise port provide strong, clear bass response. To make it easy to integrate into your settings, the speaker is self-powered and has a variety of inputs. DSP has Boundary EQ settings that optimize the response of the speaker to what is in the listening area.In the 2nd version it is an improved amplifier platform that offers lower noise, higher sensitivity and smooth high frequency response. Boundary EQ settings have been updated based on user feedback, and the low-frequency driver cone has less mass for a more consistent response.
Reference class Bluetooth® loudspeaker system. The Prime One is the new reference from Magnat as far as top sound via Bluetooth® streaming is concerned. It features high-quality materials, a superb finish and real hi-fi sound from 2 x 2-way systems. The top panel made of 10 mm thick aluminium not only gives the Prime One an elegant look, it also has a very good feel, just like the aluminium controls. Concealed inside the Bluetooth® Primus is technology of the highest level. The two 2-way systems with Klippel-optimised bass-midrange drivers and genuine textile domes are state of the art. The large 130 mm bass radiator produces a clean low bass sound without any flow noise whatsoever. The integrated electronics offer streaming via Bluetooth® 4.0 and the best possible sound thanks to Qualcomm® aptX™. Four separate Class D amplifier channels including active DSP filtering ensure the best sound quality. In addition, the Prime One features an analogue 3.5 mm input for other source devices and a USB charging output Thanks to the solid construction and concentrated technical competence, the Prime One produces a highly detailed, delicate and absolutely hi-fi reference-level soundscape. AMPLIFIER & CONNECTIONS Additional analogue 3.5 mm stereo input for connecting portable audio sources User-friendly control panel with large metal buttons on the top of the housing LED display on the front panel for status and selected source USB charging socket (2.0 A) for charging portable devices Low standby power consumption (
NorStone Arran cables have been designed to connect your subwoofer with any hi-fi or home cinema amplifier. The copper used is 99.999% pure (5N), large gauge, braided for optimal low-frequency transmission. Features:Triple insulationAluminum sheetBraided sleeve Specifications:Conductor: OFC +Tin platedConnector: RCA gold metal blackConductor section: 2 x 0.1 in² / 2 x 2 mm²Length: 2 m
Replacement stylus Nagaoka MP-110 JN-P110, Tonar article 6821 Cantilever: aluminum alloyStylus: 0.4 x 0.7 Mil bonded elliptical diamond stylus tip
Audio-Technica's PRO92cW wireless omnidirectional condenser headworn microphone offers a natural, smooth frequency response optimized for vocal articulation. The mic features a small condenser capsule; a lightweight, contoured earpiece; and a flexible boom that is easily repositioned for a comfortable fit. Terminated to fit Audio-Technica wireless systems, the PRO92cW is available in black or beige.Specifications:Comfortable headset is ideal for lecturers and other applications requiring clear, articulate vocal projectionFlexible, contoured earpiece hooks over either ear for a comfortable fitNatural smooth frequency response optimized for vocal articulationRugged construction designed to stand up to the challenges of day-to-day useIncludes storage pouch and clothing clipAvailable in black and beige models
Introducing Premium Cables By Warm Audio At Warm, we always put customers front and center in our decision-making. You are the reason that we put so much time and effort into ensuring that the products we bring to market sound amazing, are as affordable as possible and inspire endless creativity - we’re serious about this stuff!We’re also serious about recording as an art, and we’re always looking for ways to help our customers achieve their sonic goals. With that mission in mind we partnered with Switzerland-based Gotham AG - Europe’s top producer of premium cable - to provide the cable stock for our entire new line of interconnects, and the results have exceeded our expectations! Highest Quality Possible With Warm Cables we knew that we wanted to offer the highest quality possible at a price low enough for everyone to afford, with construction robust enough that we could offer a lifetime warranty. Well known as the original supplier to some of the industry’s elite manufacturers (their 3-conductor wire was known simply as “the Neumann Cable” for decades), Gotham’s cable construction techniques and technology now represent the current state-of-the-art. We couldn’t be happier to partner with them on these new cables, and we can’t wait for you to use them! What Does “StarQuad” Mean? A traditional balanced cable uses three cores of wire to carry the audio signals: one shielded core for the hot/positive leg, one shielded core for the cold/negative leg (which is wired in reverse polarity to the positive leg), and a plain outer wrap that functions as the ground. A balanced audio system effectively rejects most induced noise encountered along the cable’s length by removing signals that are common to both the hot and cold legs.StarQuad construction takes that concept even further, by using four cores instead of two: two cores each for the hot/positive and cold/negative legs and a single ground. This helps to further shield the audio from RFI (radio frequency interference) even more than a traditional 3-conductor cable. What Is Double-Reussen Shielding? Most cable construction techniques use an outer wrap of wire to act as the ground. Some manufacturers braid this wire, while others simply wrap the wires in a highly uniform way to shield the interior wires from interference. Double-Reussen shielding goes much further than more traditional techniques in two ways: First, the cable is wrapped with not one but TWO separate shields, and second, the outer shield is wrapped in a contrary direction to the inner shield. This creates a stronger and more complete shield from RFI for the internal cores, and can result in an astounding reduction of interference. Double-Reussen shielding is a tad more expensive to manufacture, but for those who will accept nothing but the best it represents the pinnacle of current balanced cable technology.
A Must-Have OD Tone Of The 2000s & Beyond The Warm Audio ODD Box V1 (“ODD” for short) is a hard-clipping, op-amp-based overdrive inspired by an iconic pedalboard staple known for having a “cranked amp” tone. Perfect for boosting, adding breakup, or adding high gain to cleans, the ODD has all the tonal versatility of its inspiration. Delivering all of the sounds of a cranked, saturated tube amp, the ODD features classic-inspired controls, including a UK/US Switch, to flip the personality of ODD from a “British” to an “American” tube amp. True to its inspiration, the ODD delivers the sound of massive, live electric guitar that attracted players like Billy Gibbons, Mark Hoppus, Eric Johnson, J Mascis, Paul Gilbert, and many more to that open tube amp sound.Cranked Tone On Any StageThe ODD brings the coveted “amp-in-a-box” tone to any stage or studio. With a high degree of touch sensitivity combined with powerful drive and tone controls - the ODD sounds like a full stack regardless of volume. The added versatility of the UK/US switch ensures that any guitar or amp will deliver a true cranked-amp tone in any setup.To accurately deliver this artist-favorite tone, the ODD is built with through-hole construction using premium components, including a TLO82CP Op-Amp, 2N7000 transistors, & hand-selected capacitors & resistors.Pedal Settings & ControlsThe ODD has three critical OD controls on the front with a special addition. Drive controls the amount of clipping, or “overdrive” tone. The tone control increases treble as you turn it clockwise. The Volume control acts like a master output, increasing volume as you turn it clockwise. The UK/US switch quickly changes the personality of the ODD. The UK setting distorts earlier, bumps the upper mids, and increases volume - giving this setting more of a cranked, "chimey" amplifier tone. The US setting has a little more clean headroom, allowing the ODD to act more like a boost at first, and better aligns with traditional tweed-based "edge of breakup" amplifier tones.
Introducing Premium Cables By Warm Audio At Warm, we always put customers front and center in our decision-making. You are the reason that we put so much time and effort into ensuring that the products we bring to market sound amazing, are as affordable as possible and inspire endless creativity - we’re serious about this stuff!We’re also serious about recording as an art, and we’re always looking for ways to help our customers achieve their sonic goals. With that mission in mind we partnered with Switzerland-based Gotham AG - Europe’s top producer of premium cable - to provide the cable stock for our entire new line of interconnects, and the results have exceeded our expectations! Highest Quality Possible With Warm Cables we knew that we wanted to offer the highest quality possible at a price low enough for everyone to afford, with construction robust enough that we could offer a lifetime warranty. Well known as the original supplier to some of the industry’s elite manufacturers (their 3-conductor wire was known simply as “the Neumann Cable” for decades), Gotham’s cable construction techniques and technology now represent the current state-of-the-art. We couldn’t be happier to partner with them on these new cables, and we can’t wait for you to use them! What Does “StarQuad” Mean? A traditional balanced cable uses three cores of wire to carry the audio signals: one shielded core for the hot/positive leg, one shielded core for the cold/negative leg (which is wired in reverse polarity to the positive leg), and a plain outer wrap that functions as the ground. A balanced audio system effectively rejects most induced noise encountered along the cable’s length by removing signals that are common to both the hot and cold legs.StarQuad construction takes that concept even further, by using four cores instead of two: two cores each for the hot/positive and cold/negative legs and a single ground. This helps to further shield the audio from RFI (radio frequency interference) even more than a traditional 3-conductor cable. What Is Double-Reussen Shielding? Most cable construction techniques use an outer wrap of wire to act as the ground. Some manufacturers braid this wire, while others simply wrap the wires in a highly uniform way to shield the interior wires from interference. Double-Reussen shielding goes much further than more traditional techniques in two ways: First, the cable is wrapped with not one but TWO separate shields, and second, the outer shield is wrapped in a contrary direction to the inner shield. This creates a stronger and more complete shield from RFI for the internal cores, and can result in an astounding reduction of interference. Double-Reussen shielding is a tad more expensive to manufacture, but for those who will accept nothing but the best it represents the pinnacle of current balanced cable technology.
Pro Series - Studio & Live TRS Cable 5' (1.5 meters)
Pro Series - Studio & Live TRS Cable 3' (0.9 meters)
Pro Series - Studio & Live XLR Male to TRS Male 6' (1.8 meters)
Pro Series - Studio & Live XLR Cable 20' (6.1 meters)
Pro Series - Studio & Live XLR Cable 10' (3.0 meters)
Pro Series - Studio & Live XLR Cable 6' (1.8 meters)
With its compact and portable design, the System 10 Digital Wireless Camera System is ideal for video production, reporting and all intermediate mobile applications, the receiver offers several mounting options to suit a wide variety of cameras and recording devices. The channel selection, instant timing and configuration to camera models make it extremely easy to use, while its digital wireless operating at 24-bit / 48 kHz brings ultimate sound quality and reliable performance in the band 2.4 Ghz, away from interference of DTV or 4G.The ATW-1701/P system includes an ATW-R1700 receiver, ATW-T1001 bodypack transmitter and an ATR35cW lapel microphone. There is also a complete handheld microphone system (ATW-1702) or the pocket transmitter without microphone (ATW-1701).Specifications:24-bit / 48 kHz Digital wireless system, combining excellent sound quality and reliabilityFrequency range 2.4 GHz, operating outside of DTV or 4G bandsAutomatic Frequency Selection. Plug & Play. Ease of use and reliabilityOffers 3 levels of diversity (frequency, time and space) to ensure communication without interferenceUltra compact and lightweight receiver (105 g) with multiple mounting optionsExtremely easy to use, with channel selection, timing and instant setupOutput jacks balanced and unbalanced with selectable level control for use with most cameras and recording devices (3.5mm stereo mini jack output)Internal rechargeable battery with a life of 12 hoursIndependent headphone jack and volume control for local audio cueingAudio output attenuator on the receiver (0dB / 10dB / 20dB) for adjusting the sensitivityOmni lavalier microphone
Allen & Heath CQ-12T, compact digital console with 7" inch screen, light weight and plenty of connections and functions, designed to be used everywhere and where high quality sound processing is required. Ideal for producers, bands and stages who want flexibility in sound.With a processing engine at 96kHz, the CQ-12T offers wireless connection options (Bluetooth, WiFi) as well as USB and SD ports for recording and playing music files. Focused on providing speed and ease of use, it brings new features such as:Quick Channels: The ability to edit instruments and applications specifically. Editing channel selection is done at the touch of a button which offers even more settings.Gain Assistant: Setting and maintaining the gain is done automatically giving the console user the opportunity to deal with other parameters.Feedback Assistant: Function to remove the feedback effect by continuously monitoring the outputs throughout the duration of a performance.FX Assist Engines: The reverb and delay FX processing engine has a dynamic response to the signal and offers an even application of the effects on the mix.AMM: On each microphone output the AMM function ensures clarity and background noise reduction without the need for further adjustments.Remote Apps: The CQ-12T can be controlled remotely through the CQ-MixPad app available for Windows, Mac, Android and iOS.
Show ADH150.2, professional Class D 2-channel amplifier with 2 x 150W power at 100V (RMS) and frequency response 20Hz - 20kHz (0 ±1dB). The amplifier can operate at 70V or 100V RMS, has Phoenix connectors for connecting the inputs and output. The Class D topology ensures the low temperature of the amplifier during operation. The ADH150.2 is suitable for professional applications and installations such as commercial spaces, offices, conference rooms, etc.
With its compact and portable design, the System 10 Digital Wireless Camera System is ideal for video production, reporting and all intermediate mobile applications, the receiver offers several mounting options to suit a wide variety of cameras and recording devices.The channel selection, instant timing and configuration to camera models make it extremely easy to use, while its digital wireless operating at 24-bit / 48 kHz brings ultimate sound quality and reliable performance in the band 2.4 Ghz, away from interference of DTV or 4G. The ATW-1702 system includes an ATW-R1700 receiver and an ATW-T1002 handheld dynamic cardioid microphone and transmitter. There is also a complete system (ATW-1701/P) with lavalier microphone or (ATW-1701) with just the bodypack transmitter and no microphone.Specifications:24-bit / 48 kHz Digital wireless system, combining excellent sound quality and reliabilityFrequency range 2.4 GHz, operating outside of DTV or 4G bandsAutomatic Frequency Selection. Plug & Play. Ease of use and reliabilityOffers 3 levels of diversity (frequency, time and space) to ensure communication without interferenceUltra compact and lightweight receiver (105 g) with multiple mounting optionsExtremely easy to use, with channel selection, timing and instant setupOutput jacks balanced and unbalanced with selectable level control for use with most cameras and recording devices (3.5mm stereo mini jack output)Internal rechargeable battery with a life of 12 hoursIndependent headphone jack and volume control for local audio cueingAudio output attenuator on the receiver (0dB / 10dB / 20dB) for adjusting the sensitivity
