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The C12 VR is the reference multipattern tube studio condenser microphone with nine polar patterns selectable by a remote control. Among sound engineers, the AKG C12 is considered the holy grail of microphones. This legendary microphone, first built in the 1950s, is one of the most famous tube microphones in history, and its successor is today’s C12 VR.The C12 VR is an enhanced version of the original C12, from the capsule sound to the original 6072A vacuum tube carefully handcrafted in Vienna, Austria.
Dimavery DT-120 Drum Throne Saddle Features:Sturdy, high-quality drum seat featuring an ergonomically designed seatPadded seat covered with black imitation leatherColor: red/blackGenerous seatThree double-brace legsChrome hardware
AKG WMS 40 Mini2 Mix.Unique HDAP (High Definition Audio Performance) technology ensures the best possible, most realistic sound at any time. The SR 40 Mini2 receiver provides three status LEDs each for channels 1 and 2, indicating ON/OFF status, received signal strength (RF OK), and audio clipping (AF CLIP). The WMS 40 Mini Vocal / Instrumental Set Dual ensures brilliant sound and ease of use at an unbeatable price/performance ratio.The illuminated ON/OFF button switches both channels on and off simultaneously. The PT 40 Mini bodypack is probably the smallest and lightest transmitter in its class. A reliable mini XLR input allows you to connect every compatible AKG miniature microphone. The rugged HT 40 Mini handheld transmitter features an ON/OFF/MUTE switch and a sturdy wire-mesh cap protecting the cardioid dynamic microphone element. Battery life is the same legendary 30 hours off a single AA battery as for the standard WMS 40 models, reducing the need to replace batteries and thus saving real money in the long run.The volume control sets the level at the output jack. Each receiver comes with a universal 12-V switched mode power supply with EU, UK, and US adapters.The system includes an SR 40 MINI2 receiver, one PT 40 MINI bodypack transmitter, an MKG L instrument cable, one HT 40 MINI handheld transmitter, a universal power supply with US/UK/EU adapters, and 2 AA size dry batteries.
Wireless Handheld System UHF, with integrated antennas on the receiver. Includes 2 transmitters, microphones handheld HT 40 mini and dual receiver SR 40 mini2. Battery life up to 30 hours and a battery 1.5V AA. Indicative of the receiver with triple Led includes indications for ON / FFF, link, RF OK and AF clip. The SR40 mini2 a controlled setting output with 1 / 4 jack. The power supply included in the package works on 110-240V. Suitable for singing and speeches.
Inspired by the legendary UDG Producer Bag, the UDG Ultimate Producer Bag Large has been created to cater for those electronic musicians who crave more space for their performance equipment. The UDG Producer Bag Large offers increased space for performers using laptops up to 18.4" and larger MIDI Controllers. Constructed from high quality fabrics, the backpack style UDG Producer Bag Large features padded walls with an adjustable divider to create an internal partition to suit your own requirements. Available in black, the bag offers both comfortable transportation and padded protection for your valuable items. Specs:Color: Black, Orange insideWeight: 3,25 kg / 7.15 lbsOuter Dimensions cm: 46 x 56 x 25 inch: 18.1 x 22 x 9.8Inner Dimensions cm: 32 x 46.5 x 15 inch: 12.6 x 18.3 x 5.9Material: Water Resistant Nylon 420DProtection: Padded MIDI Controller compartment. Bottom guards fabrics protect from scuffing and abration. Extra's 6 pockets for Accessories and smaller gears. Top carry handles. Ergonomic detachable shoulder strap. Integrated combination lock. Fits: Denon DN-MC6000, Vestax VCI-400, AKAI APC 40. Item Code: U9022BL/OR (Black, Orange Inside).
Custom Design's philosophy is to achieve business by product design and service success. Responsible social and environmentally friendly practices are an integral philosophy where ever we may retail our products in the world.Innovation is an integral part of Custom Design. Innovation is part of our company's culture and one of the main reasons for our success over the last 26 years.The central columns can be easily mass loaded with our Inert Filler and the 4 satilite columns combine to provide a totally rigid speaker stand. The performance improvements are substantial, especially to the dynamic range, more open and free compared to conventional central, mass loaded designs. Stereo imaging and precision timing bring excitement to your listening experience all with an accurate and controlled punch to the bass performance. The FS 106 Speaker Stands are a serious alternative to the standard speaker stand design.The satilite support columns are available in Black as standard with Chrome, Brushed Chrome or Gold finish optional extra's.The 4mm Inert, Acoustic top plates, supplied as standard, are manufactured from our world renowned acoustic steel available in 190 x 240mm. They are designed to provide complete ridigity with the minimal effect on your speakers natural sounding characteristics. The FS 106 Speaker Stands are only for our customers who demand an exciting and dynamic performance from their speakers.Specifications:Inert Acostic Top Supports - 190 x 240 x 4mm and 1 box of Inert Filler supplied as standard.Base plate dimensions - 240 x 300 x 4mmBase isolation spikes supplied standard M8Available heights 510mm (20") and 610mm (24") ( Custom Height available on request)Standard finish: Black - Satilite supports: Black or Chrome, Brushed Chrome or Gold optional extra.
Two back-to-back one-inch large diaphragms featuring True Condenser Technology. An ECC 83 dual-triode tube circuitry emphasizes even-order harmonics for rich, smooth and three-dimensional sound.The elegant remote control unit allows selection of 9 different pickup patterns from omnidirectional to cardioid to figure 8. The switchable bass cut filter (80 Hz, 12 dB/oct) reduces unwanted rumble or footfall noise - A 20 dB allenuation pad enables for high SPL applications up to 155 dB. Brush-finished, anodized Aluminium front plate and all-metal housing for maximum shielding. A ground lift switch prevents unwanted hum if necessary. Designed and engineered in Vienna, Austria.
Harmonize & SynchronizeMulti-Voice Intelligent Pitch Shifting from the company that invented it! Ten Pitch and Harmonizer algorithms that cover all the bases. All the way from the original H910 to Quadravox 4-voice harmonizer to Octave and PitchFlex effects. Also included is Harpeggiator which creates arpeggios with selectable rhythm patterns and fuzz effects. Synthonizer for unique synth FX for any instrument. And, of course, MicroPitch and Crystals — go-to sounds for inspiration.Features Up to 4 voices of diatonic pitch shifting and up to 1.5 seconds of stereo delay.
Half rack receiver incl. RMU4000 rack mounting WITHOUT AC Adapter.
Holds approximately 60 records, with a shoulder strap and two hold-all straps that make it easy to carry. The design is sturdy and will take practically everything that you can throw at it and still leaves your precious vinyl intact, comes in an excellent price.Specifications:Color:BlackWeight:2,20 kg / 4.84 lbsOuter Dimensions:cm: 37 x 37.5 x 22.5 | inch: 14.5 x 14.7 x 8.8Inner Dimensions:cm: 32 x 30.5 x 16.9 | inch: 12.5 x 12 x 6.6Material:Water Resistant Nylon 420DProtection:Inside padded with special foam for extra strenght and record protectionExtra's:Front and side pockets for accessories Detachable shoulder strap with padding Two hold all handles with nylon gripFits:60 LP's or 1 MIDI Controller and accessories
Holds approximately 90 records, with a shoulder strap and two hold-all straps that make it easy to carry. The design is sturdy and will take practically everything that you can throw at it and still leaves your precious vinyl intact, comes in an excellent price.Specifications:Color:BlackWeight:2,80 kg / 6.16 lbsOuter Dimensions:cm: 37 x 37.5 x 32.5 | inch: 14.5 x 14.7 x 12.5Inner Dimensions:cm: 32 x 30.5 x 27.5 | inch: 12.5 x 12 x 10.8Material:Water Resistant Nylon 420DProtection:Inside padded with special foam for extra strenght and record protectionExtra's:Front and side pockets for accessories Detachable shoulder strap with padding Two hold all handles with nylon gripFits:90 LP's or 1 MIDI Controller and accessories
Holds approximately 90 records, with a shoulder strap and two hold-all straps that make it easy to carry. The design is sturdy and will take practically everything that you can throw at it and still leaves your precious vinyl intact, comes in an excellent price.Specifications:Color:BlackWeight:2,80 kg / 6.16 lbsOuter Dimensions:cm: 37 x 37.5 x 32 | inch: 14.5 x 14.7 x 12.5Inner Dimensions:cm: 32 x 30.5 x 26.5 | inch: 12.5 x 12 x 10.4Material:Water Resistant Nylon 420DProtection:Inside padded with special foam for extra strenght and record protectionExtra's:Front and side pockets for accessories Detachable shoulder strap with padding Two hold all handles with nylon gripFits:90 LP's or 1 MIDI Controller and accessories
Stream Box DS net is Pro-Ject Audio‘s fully equipped audio streaming client & internet radio, that is able to play music stored in network servers (computers, NAS drives, etc) connected to your home network. Stream Box DS net includes powerful audiophile features. Ready for use with streaming service Spotify and LOSSLESS audio music platform TIDAL. Other streaming services like Deezer, Grooveshark etc, can be implemented using 3rd party applications. Superb audio playback including 24bit HD music is self-evident, like outstanding technical data for distortion and noi-se levels. Navigation can be done via IR remote (which is included) and/or free Android / iOS App. Features:24 bit/192kHz Hires Audio streaming client Spotify Connect support (firmware 4.0.61.83 or higher) LOSSLESS-Streaming with TIDAL Top-grade Highend Cirrus Logic CS4344 DAC WAV, AIFF, FLAC, WMA9 lossless, ALAC & AAC FLAC decoding for all 9 compression levels including Level 0 (data rate up to approximately 9 mbit/s) Gapless playback of all audio formats Fixed analogue & digital coax outputs (RCA) Search functionality fast forward and back Alphanumeric search 3,5“ colour display shows cover art and metadata Multiple display languages Wifi 802.11 b/g allowing real 24/192 with Wifi Solid metal casework prevents from interference Special proprietary NetAPI implemented for fast access Free Control APP (iOS & Android) Specifications:Internetradio: vTuner includedGapless: all audio formats (using IR control)Input: Network & USB 2.0Output: RCA (analogue, fixed volume level) Coax S/PDIF (digital)Network: Wi-Fi IEEE 802.11 b/g & Ethernet RJ45Faceplate: black or silverDimensions: 72 x 206 x 194 mm (HxWxD) without antennaWeight: 2,60 kg
Stream Box DSA is Pro-Ject Audio‘s fully equipped integrated amplifier; streaming client & internet radio, that is able to play music stored in network servers (computers, NAS drives, etc) connected to your home network. Additional to streaming and pre-/power amplification functionality Stream Box DSA also acts as D/A converter for other digital sources (USB, coax, Toslink). 2 additional analogue sources also can be connected to form a complete system. The built-in high quality power amplifier stage easily drives high-quality speakers! Stream Box DSA is ready for use with streaming service Spotify and LOSSLESS audio music platform TIDAL. Other streaming services like Deezer, Grooveshark etc can be implemented using 3rd party applications. Superb audio playback including 24bit HD music is self-evident, like outstanding technical data for distortion and noise levels. Navigation can be done via IR remote (which is included) and/or free Android / iOS App. Features:24 bit/192kHz Hires Audio streaming client Spotify Connect support (firmware 4.0.61.83 or higher) LOSSLESS-Streaming with TIDAL Volume control using IR remote, front buttons, App Top-grade Highend PCM 1796 DAC WAV, AIFF, FLAC, WMA9 lossless, ALAC & AAC playback FLAC decoding for all 9 compression levels including Level 0 (data rate up to approximately 9 mbit/s) Gapless playback of all audio formats Built-in audiophile amplifier 2x 60 watts (4 ohms) Fixed & variable analogue audio outputs (RCA) 2x analogue inputs (RCA) 2x USB & 2x digital inputs (coax & optical Toslink) Search functionality fast forward and back Alphanumeric search 3,5“ colour display shows cover art and metadata Multiple display languages Wifi 802.11 b/g/n allowing real 24/192 with Wifi Solid metal casework prevents from interference Specifications:Audio: MP3, FLAC (up to 24bit/192kHz including 24/176), WMA9-lossless, AIFF, AAC, ALAC, LPCM (upto 24bit/192kHz), Ogg Vorbis 1.0, ASXInternetradio: vTuner includedGapless: all audio formats (using IR remote or Box Control App)Inputs: Network 1x digital coax, 1x digital optic, 2x analogue 2x USB 2.0 (24/192, type A), supportsOutput: RCA (analogue, fixed volume level) Coax S/PDIF (digital)Network: Wi-Fi IEEE 802.11 b/g/n & Ethernet (10/100 BaseT)Faceplate: black Dimensions: 72 x 206 x 230 mm (HxWxD) without antennaWeight: 2,90 kg
Stream Box RS is Pro-Ject Audio‘s reference-class audio streamer, that goes far beyond the AWARD WINNING audiophile grade highend audio streaming client Stream Box DSnet, Ready for use with streaming service Spotify and LOSSLESS audio music platform TIDAL. Other streaming services like Deezer, Grooveshark etc, can be implemented using 3rd party applications.Additional to the streaming functionality. Stream Box RS also acts as D/A converter for other digital sources, that use USB, coax and optical connection and as highend pre-amplifier with 1 additional analogue sound source! The audio circuitry is using E88CC tubes for ultimate fidelity and components, that guarantee extremely low noise and distortion levels. Volume control is done by a motor-driven ultra highend ALPS potentiometer via IR remote and/or the new and advanced Android or iOS Apps. Features:24 bit/192kHz Hires Audio streaming client Spotify Connect support (firmware 4.0.61.83 or higher) LOSSLESS-Streaming with TIDAL XLR & RCA output Volume control via analogue alps potentiometer Fully balanced double mono triode tube output stage Top of the notch Highend PCM 1792A DAC WAV, AIFF, FLAC, WMA9 lossless, ALAC & AAC FLAC decoding for all 9 compression levels including Level 0 (data rate up to approximately 9 mbit/s) 1x digital coax & 1x digital poptic inputs Gapless playback of all audio formats Fixed analogue & digital coax outputs (RCA) Search functionality fast forward back & alphanumeric 3,5“ colour display shows cover art and metadata Multiple display languages Wifi 802.11 b/g allowing real 24/192 over Wifi Superlative rigid luxury alu cabinet Specifications:Audio: MP3, FLAC (up to 24bit/192kHz including 24/176), WMA9-lossless, AIFF, AAC, ALAC, LPCM (WAV, up to 24bit/192kHz), Ogg Vorbis 1.0Internetradio: vTuner includedGapless: all audio formats (using IR control)Inputs: Network, 1x digital coax, 1x digitaloptic, 2x USB 2.0 (24/96, Type A), supports, Flash- & Harddisc drives (FAT16&FAT32)Output: XLR, RCA (analogue) Coax S/PDIF (digital)Network: Wi-Fi IEEE 802.11 b/g/n & Ethernet (10/100 BaseT)Faceplate: black or silverDimensions: 72 x 206 x 200 (240) mm (HxWxD) without antennaWeight: 3.25 kg
Fiio X1 2nd Gen Leatherette Case. Good experience of both hand-feelinf and heart-touching.Durable and protective leatherette outer surface provides smooth hand feeling, soft felt and environmentally friendly inner surface ensure effective protection to the device. Lightweight design for perfect snug fit; precise ports and buttons openings ensure good secure as well as operation experience. Classic match of black and red presents aesthetic ornament.Hot stamping with FiiO exclusive symbol makes it more special.
The SPA Series amplifiers from QSC are two half rack 1U, convection cooled power amplifiers delivering two or four channels of 60 watts per channel into 4Ω and 8Ω. These amps can also be bridged to supply 200 watts into 4Ω and 8Ω, and up to 250 watts into 70V or 100V loads making them extremely flexible for Low-Z or High-Z applications.Utilizing an advanced Class-D amplifier design and Universal Power Supply the SPA Series are amazingly efficient allowing them to be convection cooled and are ENERGY STAR® qualified with quiet auto-ramp standby functionality. The SPA2-60 and SPA4-60 are housed in an unobtrusive black painted 1/2 RU chassis with unique mounting hardware enabling rack, table and wall mounting capabilities.Features:Up to 60 watts per channel into 4 and 8 ohms — The outputs of the SPA2-60 and SPA4-60 are designed to provide 60 watts per channel into Low-Z loadsENERGY STAR® qualified amplifier — The SPA2-60 and SPA4-60 are EnergyStar qualified amplifiers; efficient class-D amplifiers that conserve energy and require no active cooling, so they reduce operational costs.Bridgeable outputs for higher power — Bridging the outputs of the SPA2-60 and SPA4-60 provide up to 200 watts into low impedance and up to 250 watts into 70V or 100V providing outstanding flexibility.Auto-Ramp provides quiet start-up and power-down — The EnergyStar Auto-Ramp circuitry ensures quiet and fast power up from Standby and seamless power-down following 28 minutes of inactivity, dramatically reducing power consumption.Rack-mountable 1U, half rack width enclosure — The SPA2-60 and SPA4-60 can be mounted in 1/2 RU reducing rack space requirements. In addition, their clever joining brackets enable easy under-table and wall-mounting.Specifications:8Ω dynamic, both channels driven: 60 watts4Ω dynamic, both channels driven: 60 watts Bridged Mode, watts per channel 8Ω & 4Ω dynamic: 200 watts70V & 100V: 250 wattsSignal to Noise: (A weighted, 20 Hz–20 kHz): >100 dBInput Sensitivity: 1.23 Vrms (+4 dBu)Maximum Voltage Gain: 25.0 dBFrequency Response (20 Hz - 20 kHz): +0.1 dB, -0.1 dBMaximum Input Level: +12.3V (+24 dBu)Front Panel Indicators: Power, per channel Signal, per channel Protect/LimitHighpass Filter: Switchable 80 Hz when Bridged in 70V & 100VControls 4Ω/8Ω/70V Bridge Highpass On/100V Bridged Highpass On per channel pairDimensions (HWD): 43 x 220 x 241 mm (1RU)Weight: 1,1 kg
Connects with iOS devices (optional camera connection kit is needed and not included), Android Tablets/Smartphones, Microsoft Surface Pro, Mac and PC. Elegant aluminium housing. 25 keys with velocity and polyphonic aftertouch. Two Pitch bend buttons. Modulation buttons. Two octave switch buttons (+/-). Sustain button. Class A/B compliant – is immediately recognized without driver installation immediately.Features:An ultra-slim and full-featured MIDI controller keyboard you can take anywherePrecision cut aluminum frame provides natural key separation for 25 full-sized keysKey design depresses evenly for added playabilityAdvanced sensing technology provides 128 levels of velocity sensitivity and full polyphonic aftertouchHigh-resolution pitch bend modulation buttons utilize continuous MIDI control dataOctave up and down buttons give you access to an extended note rangeFully USB bus powered and firmware updatable via USBSmall enough to fit in virtually any backpack, laptop case, or midsize iPad caseClass-compliant USB provides full plug-and-play compatibility with most operating systems, including iOS (via the Apple Camera Connection Kit)Specifications:Number of Keys: 25Type of Keys: ChicletAftertouch: YesOther Controllers: Pitchbend, Modulation, SustainMIDI I/O: USBUSB: 1 x MicroPower Supply: Bus PoweredHeight: 0.36 cmWidth: 38 cmDepth: 13.5 cmWeight: 0.6 kg
CME Xkey 37, controller keyboard, 37 standard size slim-keys, USB MIDI compliant with iPad (requires optional camera connection kit – not included), Android tablet/phone, Microsoft Surface Pro, Mac and PCs. Ultra slim design and light design, Professional velocity sensitivity and polyphonic aftertouch, USB MIDI compliant,PitchBend buttons with high resolution of pressure sensitivity, Modulation button with continuous MIDI control data, thomann Octave +/- and Sustain buttons, Xport connector breakout cable: MIDI OUT (DIN-5 through Xcable, Sustain Pedal input 6.35mm jack through Xcable, Expression Pedal input 6.35mm jack through Xcable, USB powered, incl. USB cable and Xport breakout cable.Features:Precision cut aluminum frame provides natural key separation for 37 full-sized keysKey design depresses evenly for added playabilityAdvanced sensing technology provides 128 levels of velocity sensitivity and full polyphonic aftertouchHigh-resolution pitch bend modulation buttons utilize continuous MIDI control dataOctave up and down buttons give you access to an extended note rangeFully USB bus powered and firmware updatable via USBSmall enough to fit in virtually any backpack, laptop case, or midsize iPad caseClass-compliant USB provides full plug-and-play compatibility with most operating systems, including iOS (via the Apple Camera Connection Kit)Specifications:Number of Keys: 37Type of Keys: Full-sizeAftertouch: YesOther Controllers: Pitchbend, Modulation ButtonsPedal Inputs: 1 x Sustain, 1 x ExpressionMIDI I/O: OutUSB: 1 x MicroHeight: 1,6 cmWidth: 55,3 cmDepth: 13.5 cmWeight: 0.88 kg
CME Xkey Air 25, bluetooth midi keyboard, 25 full-sized keys with minimum key travel, wireless operation with mac, iphone, and ipad via midi over bluetooth, compatible with hundreds of free and pro apps, class compliant – without installing proprietary drivers, high quality brushed aluminium case, keys trigger across their entire length, velocity-sensitive with true polyphonic aftertouch, two pressure-sensitive pitch bend buttons (+/-), pressure-sensitive modulation button, sustain button, two octave shift buttons (+/-), range: -3 to +3.Free-of-charge xkey plus app available for extensive custom configuration, each single key could be assigned with a different midi message, internal lithium battery for >10 hours of continuous wireless operation, three indicator leds: activity, connection state, and battery charge, micro usb connector for wired operation, battery recharge, and firmware upgrades, wireless requirements: bluetooth 4.0 (le) or higher, system requirements mac: os x yosemite or higher, iphone/ipad: ios 8.x or higher.Features:25 full-sized, velocity-sensitive keys with polyphonic aftertouchCreate music with any of the hundreds of available MIDI-compatible iOS appsAdds a mere 7ms of latency for an incredibly responsive feelBluetooth connectivity lets you perform wirelessly from anywhereQuick-touch buttons yield command over octave change, pitch bend, modulation, and sustainWorks continuously for more than 10 hours on a single chargeHighly configurable using free Xkey Plus appUltra-portable - fits easily in your bag or caseDurable aluminum constructionSpecifications:Number of Keys: 25Type of Keys: SynthAftertouch: YesOther Controllers: Octave Change, Pitch Bend, Modulation, SustainMIDI I/O: USBUSB: Micro USBBluetooth: YesPower Supply: Rechargeable lithium batteryHeight: 0.16Width: 38.8Depth: 13.5Weight: 0.61kg
CME Xkey Air 37, bluetooth midi keyboard, 37 full-sized keys with minimum key travel, wireless operation with mac, iphone, and ipad via midi over bluetooth, compatible with hundreds of free and pro apps, class compliant – without installing proprietary drivers, high quality brushed aluminium case, optional cme xclip plus regular guitar strap turns the xkey air 37 into a “keytar”, keys trigger across their entire length, velocity-sensitive with true polyphonic aftertouch.Two pressure-sensitive pitch bend buttons (+/-), pressure-sensitive modulation button, sustain button, two octave shift buttons (+/-), range: -3 to +3, free-of-charge xkey plus app available for extensive custom configuration, each single key could be assigned with a different midi message, internal lithium battery for >10 hours of continuous wireless bluetooth operation, three indicator leds: activity, connection state, and battery charge, micro usb connector for wired operation, battery recharge, and firmware upgrades, wireless requirements: bluetooth 4.0 or higher, system requirements mac: os x yosemite or higher, iphone/ipad: ios 8.x or higher, micro usb cable includedFeatures:37 full-sized, velocity-sensitive keys with polyphonic aftertouchCreate music with any of the hundreds of available MIDI-compatible iOS appsAdds a mere 7ms of latency for an incredibly responsive feelBluetooth connectivity lets you perform wirelessly from anywhereQuick-touch buttons yield command over octave change, pitch bend, modulation, and sustainWorks continuously for more than 10 hours on a single chargeHighly configurable using free Xkey Plus appUltra-portable - fits easily in your bag or caseDurable aluminum constructionSpecifications:Number of Keys: 37Type of Keys: SynthAftertouch: YesOther Controllers: Octave Change, Pitch Bend, Modulation, SustainMIDI I/O: USBUSB: Micro USBBluetooth: YesPower Supply: Rechargeable lithium batteryHeight: 1.6 cmWidth: 55.3 cmDepth: 13.4 cmWeight: 0.89 kg
The CCM 41 is strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid. The pickup is “drier” and less susceptible to acoustic feedback than any other SCHOEPS microphone type (a loudspeaker should not be located directly along the rear axis of the microphone, however). Its directivity is highly independent of frequency, so that even sounds arriving off axis and reverberant sound are registered without coloration. Consequently, even distant placement of the capsule produces a very natural sound pickup.This is a real advantage over interference-tube “shotgun” microphones, whose directivity is very frequency-dependent – exceeding that of a supercardioid only at higher frequencies. Interference-tube microphones are notoriously sensitive to their position in a room, where the shifting patterns of reflections cause corresponding shifts in sound color.Features:Supercardioid with highly consistent directionality throughout its frequency rangeFor music and speechHigh directivity, comparable to that of a short “shotgun“ microphone up through midrange frequenciesOften preferred for use in film sound recording and as a spot microphone in orchestrasSpecifications:Current consumption with 12 V: 8 mACurrent consumption with 48 V: 4 mAImpedance: 90 ΩMinimum recommended load impedance: 600 ΩLow-cut frequency: 20 HzLength (L version): without connector: 46 – 58 mmLength (U version): 46 – 58 mmDiameter: 20 mmWeight (U-version): 33 gWeight (L-version): 43 gSurface finish: matte gray
Like the CCM 41, the CCM 41V is useful in all situations with music or speech, either as “spot“ microphones or as overall directional microphones. How ever, this type of microphone is addressed from the side. It excels particularly in the constancy of its polar response throughout the audio spectrum. As a result, sound within 90º on either side of the main axis is picked up with virtually no alteration of frequency response or tone color. This is strongly evident with sound sources that are in motion, but is also of great benefit in obtaining stable, precise stereo imaging for normal music recordingsFeatures:Supercardioid with especially consistent directionality throughout its frequency range“Vertical” (side-addressed) supercardioid capsuleFor a very wide range of recording applicationsHigh directivity, comparable to that of a short “shotgun“ microphone up through midrange frequenciesOften preferred for use in music and speech recording, as a spot microphone and also as a main microphone, especially when using the OCT recording methodSpecifications:Current consumption with 12 V: 8 mACurrent consumption with 48 V: 4 mAImpedance: 90 ΩMinimum recommended load impedance: 600 ΩLow-cut frequency: 20 HzLength (L version): without connector: 46 – 58 mmLength (U version): 46 – 58 mmDiameter: 20 mmWeight (U-version): 33 gWeight (L-version): 43 gSurface finish: matte gray
This type of microphone has a low-frequency rolloff to compensate for the low-frequency boost which occurs when close-miking.Features:Cardioid patternFor pickup of speech or music at close range (under 20 cm)Moderate attenuation of low frequenciesSpecifications:Current consumption with 12 V: 8 mACurrent consumption with 48 V: 4 mAImpedance: 90 ΩMinimum recommended load impedance: 600 ΩLow-cut frequency: 20 HzLength (L version): without connector: 46 – 58 mmLength (U version): 46 – 58 mmDiameter: 20 mmWeight (U-version): 33 gWeight (L-version): 43 gSurface finish: matte gray
The MK 4V was created in answer to requests for a cardioid with its main axis along the side. In addition to its usefulness in the concert hall, this microphone type is of particular value in speech recording, since its slight emphasis around 10 kHz helps to improve intelligibility.The directional response is especially well maintained even at higher frequencies, due to the acoustically transparent housing. There is less high-frequency emphasis of off-axis sound than occurs with most small, axial-response cardioids. The MK 4V still sounds somewhat brigher than the MK 4, however, because of its overall frequency response.Features:“Vertical” (side-addressed) cardioid capsuleFor a very wide range of recording applicationsSlight high-frequency emphasisOften preferred for singing or speaking voices and most instrumentsSpecifications:Current consumption with 12 V: 8 mACurrent consumption with 48 V: 4 mAImpedance: 90 ΩMinimum recommended load impedance: 600 ΩLow-cut frequency: 20 HzLength (L version): without connector: 46 – 58 mmLength (U version): 46 – 58 mmDiameter: 20 mmWeight (U-version): 33 gWeight (L-version): 43 gSurface finish: matte gray
This cardioid microphone, with its main axis along its side is designed for the very closest speech pickup, i.e. directly in front of the speaker’s mouth. Its low-frequency rolloff is compensated by proximity effect. Thus it has (up to the point of its high-frequency emphasis) a flat frequency response for the speaker’s voice, while showing a rolloff at low frequencies for all sound that originates from a greater distance. As a result, background sounds are picked up less strongly than the person speaking.Features:Cardioid pattern, side-adressedFor pickup of speech or music at close range (under 20 cm)Moderate low frequency attenuationSpecifications:Current consumption with 12 V: 8 mACurrent consumption with 48 V: 4 mAImpedance: 90 ΩLow-cut frequency: 20 HzLength (L version): without connector: 46 – 58 mmLength (U version): 46 – 58 mmDiameter: 20 mmWeight (U-version): 33 gWeight (L-version): 43 gSurface finish: matte gray
This cardioid microphone, with its main axis along its side, improves speech intelligibility in very loud environments. It is designed for the very closest speech pickup, i.e. directly in front of the speaker’s mouth. Its low-frequency rolloff is compensated by proximity effect.Thus it has (up to the point of its high-frequency emphasis) a flat frequency response for the speaker’s voice, while showing a rolloff at low frequencies for all sound that originates from a greater distance. As a result, background sounds are picked up less strongly than the person speaking.Features:Cardioid for lateral pickupFor pickup of speech or music at close range (under 10 cm)Considerable attenuation of low frequenciesSpecifications:Current consumption with 12 V: 8 mACurrent consumption with 48 V: 4 mAImpedance: 90 ΩMinimum recommended load impedance: 600 ΩLow-cut frequency: 20 HzLength (L version): without connector: 46 – 58 mmLength (U version): 46 – 58 mmDiameter: 20 mmWeight (U-version): 33 gWeight (L-version): 43 gSurface finish: matte gray
This type of microphone has a low-frequency rolloff to compensate for the low-frequency boost which occurs when close-miking.Features:Cardioid for lateral pickupFor pickup of speech or music at close range (under 10 cm)Considerable attenuation of low frequenciesSpecifications:Current consumption with 12 V: 8 mACurrent consumption with 48 V: 4 mAImpedance: 90 ΩMinimum recommended load impedance: 600 ΩLow-cut frequency: 20 HzLength (L version): without connector: 46 – 58 mmLength (U version): 46 – 58 mmDiameter: 20 mmWeight (U-version): 33 gWeight (L-version): 43 gSurface finish: matte gray
The CCM 5 offers two selectable directional patterns, but uses only one membrane – a no-compromise approach. The fact that full response is maintained to the highest audible frequencies is unusual for a switchable-pattern microphone.In its omnidirectional setting the CCM 5 is a true pressure transducer with smooth, extended low-frequency response, low sensitivity to most wind and breath noise, handling noise or mechanical vibration, and no proximity effect.Unlike conventional, dual-diaphragm multi-pattern microphones, its cardioid setting retains its full directionality even at very low frequencies. The benefits of this design in purity and clarity of sound are immediately audible. The CCM 5 has a slight high-frequency emphasis as compared with the corresponding single-pattern omni (CCM 2) and cardioid (CCM 4). Features:Omni and cardioid patterns, mechanically switchableSlight emphasis of the high frequenciesBroad range of applicationsPreferred uses similar to those of the MK 2 or MK 2S and the MK 4: In the cardioid setting: for use with singing or speaking voices or most instruments, as a spot microphone, and for stereo recording with coincident, ORTF or M/S microphone arrangementSpecifications:Current consumption with 12 V: 8 mACurrent consumption with 48 V: 4 mAImpedance: 90 ΩMinimum recommended load impedance: 600 ΩLow-cut frequency: 20 HzLength (L version): without connector: 46 – 58 mmLength (U version): 46 – 58 mmDiameter: 20 mmWeight (U-version): 33 gWeight (L-version): 43 gSurface finish: matte gray
This capsule type is a true dipole (bidirectional) transducer, operating with a single diaphragm. Its main axis is at a right angle to the capsule, and is marked at 0° and 180° with a red and a black dot respectively. Features:Pure pressure-gradient transducerFigure-8 pattern with near-ideal consistency across the frequency rangeSide-addressed (pickup perpendicular to the microphone body)Optimal for use in M/S and Blumlein stereo recordingSpecifications:Current consumption with 12 V: 8 mACurrent consumption with 48 V: 4 mAImpedance: 90 ΩMinimum recommended load impedance: 600 ΩLow-cut frequency: 20 HzLength (L version): without connector: 46 – 58 mmLength (U version): 46 – 58 mmDiameter: 20 mmWeight (U-version): 33 gWeight (L-version): 43 gSurface finish: matte gray
The CCM 22 has been developed for use as a spot microphone. It unites the strengths of the CCM 4 and CCM 21 microphones. Its directionality is only slightly less than that of the CCM 4 cardioid, while its sonic character is reminiscent of the CCM 21 wide cardioid. Its directivity is essentially constant throughout the frequency range. Its inherent low-frequency response is somewhat more pronounced than that of the cardioid, while proximity effect is somewhat less. Features:New kind of directional pattern: “Open Cardioid”Optimal combination of classic cardioid directionality (MK 4) with the sonic character of the wide cardioid (MK 21)Directional pattern largely constant throughout the frequency rangeOften preferred for spot miking and as a soloist’s microphoneSpecifications:Current consumption with 12 V: 8 mACurrent consumption with 48 V: 4 mAImpedance: 90 ΩMinimum recommended load impedance: 600 ΩLow-cut frequency: 20 HzLength (L version): without connector: 46 – 58 mmLength (U version): 46 – 58 mmDiameter: 20 mmWeight (U-version): 33 gWeight (L-version): 43 gSurface finish: matte gray
This type of microphone has a directional pattern between omni and cardioid. The basic idea in designing the CCM 21was to combine the advantages of the cardioid with those of the omni. This results in a pickup pattern which blends the two sets of characteristics in a useful manner. It has fuller and more extended low frequency response than a cardioid, with less proximity effect, while attenuating side- and rear-incident sound less than a cardioid.The polar diagram shows the directivity of the MK 21 to be only slightly dependent on frequency. This contrasts with omnidirectional capsules, whose directivity increases with rising frequency, and with cardioids (at least smaller ones), which tend to accentuate high frequencies that arrive at oblique angles. The MK 21’s orientation is less critical than with a cardioid, since direct sound arriving on axis and reverberant or other sounds off axis are both reproduced accurately. This lack of coloration in the off-axis pickup produces a “warm” and natural sonic impression. Features:Wide cardioid with especially consistent directionality throughout its frequency rangePleasant sound image, often described as “warm”Often preferred for use as a spot microphone, or as the main pair for overall stereo pickupSpecifications:Current consumption with 12 V: 8 mACurrent consumption with 48 V: 4 mAImpedance: 90 ΩMinimum recommended load impedance: 600 ΩLow-cut frequency: 20 HzLength (L version): without connector: 46 – 58 mmLength (U version): 46 – 58 mmDiameter: 20 mmWeight (U-version): 33 gWeight (L-version): 43 gSurface finish: matte gray
This microphone consists of a T-shaped body with two built-in microphone amplifiers, and a matched pair of MK 4 cardioid capsules of the Colette modular system which are mounted 170 mm apart with an included angle of 110° (ORTF system). The stereophonic recording angle is 95°.Features:For recordings with ORTF techniquePlacement relatively uncriticalGood stereo imagingFor a very wide range of recording applicationsFor 12 / 48 V phantom poweringSpecifications:Directional pattern: cardioid (2× MK 4)Recording angle: 95 °Frequency range: 40 Hz - 20 kHzSensitivity: 13 mV/PaEquivalent noise level (A-weighted): 15 dB-AEquivalent noise level (CCIR): 24 dBSignal-to-noise ratio (A-weighted): 79 dB-AMaximum SPL: 132 dB-SPLMaximum output voltage: 1 VOutput impedance: 35 ΩMinimum recommended load impedance: 600 ΩPowering: 12 V ± 1 V or 48 V ± 4 V phantomCurrent consumption: 4 mA per channel, independent of the supply voltageWeight: 230 gOutput: XLR-5M
This cardioid microphone, with its main axis along its side, improves speech intelligibility in very loud environments. It is designed for the very closest speech pickup, i.e. directly in front of the speaker’s mouth. Its low-frequency rolloff is compensated by proximity effect.Thus it has (up to the point of its high-frequency emphasis) a flat frequency response for the speaker’s voice, while showing a rolloff at low frequencies for all sound that originates from a greater distance. As a result, background sounds are picked up less strongly than the person speaking.Features:Cardioid for lateral pickupFor pickup of speech or music at close range (under 10 cm)Considerable attenuation of low frequenciesSpecifications:Frequency range: close pickupSensitivity: 10 mV/PaEquivalent noise level (A-weighted): 14 dB-AEquivalent noise level (CCIR): 25 dBSignal-to-noise ratio (A-weighted): 80 dB-AMaximum sound pressure level at 0.5% THD: 134 dB-SPLLength: 34 mmDiameter: 20 mmWeight: 18 gSurface finish: matte gray (g) or nickel (ni)
The CMXY 4V is a compact and versatile X/Y stereo microphone which is both elegant and very unobtrusive. Its mild high-frequency boost increases the intelligibility of speech and compensates for high-frequency losses typical of moderate recording distances. It thus lends itself ideally to music recordings, TV and broadcast use, e.g. on a table for discussions, for presenters, boom operations or as a stereo spot microphone on a stand.The side-by-side arrangement of capsules is somewhat unusual. But there can never be perfect three-dimensional coincidence between any two microphones, and the distance between center points of the capsules in a CMXY is only 21 mm. While this distance is in the horizontal plane, it is considerably less than the vertical distance between capsules in most other stereo microphones of professional quality. Thus the precision of stereo imaging and mono compatibility are fully in keeping with established professional requirementsThe overall width of the two microphones combined is similar to (often less than) the diameter of a conventional stereo microphone’s capsule assembly. This is possible by using the smallest non-electret condenser microphones with balanced outputs, the CCM Compact Condenser Microphones.Features:2 × cardioid with lateral pickupCompact, elegant and lightweightUniversally applicableThe angle between the microphones is adjustableWith XLR-5M or miniature output connectorSpecifications:Directional pattern: 2 × cardioid with lateral pickup (CCM 4V)Frequency response: 40 Hz - 20 kHzSensitivity: 13 mV/PaMaximum sound pressure level at 0.5% THD: 132 dB-SPLEquivalent noise level (A-weighted): 14 dB-AEquivalent noise level (CCIR): 24 dBPowering: phantom powering: 12 V ± 1 V (8 mA) or 48 V ± 4 V (4 mA), automatically switchedOutput impedance: 90 ΩMaximum output voltage: ca. 1 VLength: I-version: 110 mm, U-version: 119 mmWidth: max. 43 mmDepth: max. 22 mm
The capsules of condenser microphones (the only type which SCHOEPS manufactures) can’t be connected directly to microphone cables or inputs; a microphone amplifier is required in between. Thus a complete microphone of the Colette series comprises any of the twenty available types of capsules combined with an amplifier. The CMC 6 Ug is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.Features:Flat frequency responseExtremely low noise and distortionBalanced, very low-impedance outputCan be used with very long cablesWell-protected against RFIFor use with 12- or 48-Volt phantom poweringSpecifications:Powering voltage: 12 / 48 VCurrent consumption with 12 V: 8 mACurrent consumption with 48 V: 4 mAImpedance (at 12 V): 25 ΩImpedance (at 48 V): 35 ΩLow-cut frequency: 20 HzMaximum output voltage: 1 VMinimum recommended load impedance: 600 ΩLength: 116 mmDiameter: 20 mmWeight: 60 gSurface finish: matte gray (g) or nickel (ni)
Capture audio during interviews, press conferences and meetings with this compact PCM recorder. Simply attach the DR-10X to a dynamic or battery-powered condenser microphone with XLR output.TASCAM’s compact DR-10X attaches to a handheld microphone for the ultimate compact news gathering recording system. A captive XLR connector attaches firmly to your microphone, capturing interviews at 48kHz/24-bit Broadcast WAV resolution. Offload recordings through the microUSB connection or by removing the microSD card.The DR-10X has both manual and automatic gain settings, with a low cut filter and limiter to prevent overloads. The Dual Recording mode captures a copy of the audio at a lower level, so if there is distortion you have a backup safety. Recording can begin instantly by holding the record side switch while turning the unit on.Features:XLR plug-on connectionCompatible with dynamic mics as well as bettery-powered condenser mics48kHz/24-bit linear PCM mono recordingWAV files (compatible with BWF format)Media: microSD/SDHC cards (supports 32GB capacities)Sliding record switch and hold function to prevent misoperation during recordingDual recording functionautomatic file closing function to prevent the loss of already recorded dataXLR connector also can use as external input for external inputHigh/Mid/Low recording level settingsLow-cut filterLimiterAutomatic level functionWith a built-in clock function, supports BWF files that can have time information added, which is convenient for editing and searchingTime track incrementing function can create new files at regular intervals (every 15 minutes) during recordingPlayback function allows recorded data to be checked immediatelyHeadphone outputSpecifications:Recording media: microSD card(64MB to 2GB), microSDHC card(4GB to 32GB)Media discharging: Push-Push type (Guard cover mounted)Sampling frequency: 48kHzQuantization bit rate: 24bitNumber of channels: 1-channel (Mono)Connector: XLR-3-31Input Impedance: 10k ohm or moreMIC input gain: LOW / MID / HIGHConnector: 3.5mm(1/8") stereo mini jack (DUAL MONO)Connector: Micro-B type 4pinMaximum Output: USB2.0 HIGH SPEED mass storage classPower: 1 AAA batteries (Alkaline or NiMH), Alkaline batteries (EVOLTA): About 10 hoursBattery (RTC): Lithium × 1(built in with soldering)Dimensions: 52(W) × 94.4(H) × 28(D) mmWeight: 68.3g (including batteries) / 56.3g (without batteries)
The Tascam AK-DR10CH adapter connects to your DR-10C Series Recorder and allows you to plug your Shure microphones in through their own TA4 connectors. This is the perfect accessory to save you re-terminating your existing mics for your new equipment.Features:.Micro linear PCM recorder for lavalier microphonesCan be connected between a lavalier microphone and a wireless transmitter to provide a backup recordingMono BWF recording at 48 kHz sample rate and 24-bit resolutionRecords to microSD/microSDHC card (up to 32 GB)Dual recording function allows two files to be recorded simultaneously at different levels to provide a safety track in case of distortionHold function prevents accidentally switching off the recorderSwitchable limiter to prevent clippingSwitchable low-cut filter conveniently reduces low-frequency noiseAuto gain controlTime Track increment function writes new track after a preset amount of time (switchable on/off)Playback function for checking recordings via headphones
Connect your Sennheiser lavalier microphone while providing an analog output to connect to a wireless transmitter, the DR-10CS Micro Linear PCM Recorder from Tascam is capable of tracking in up to 24-bit, 48 kHz resolution to SD or microSD cards up to 32 GB.Either as a primary recording device or as a back up to protect against wireless drop outs, recording your material before wireless transmission. Additionally, it can record a safety track at a lower volume simultaneously to prevent against distortion. The DR-10CS can be powered by a single AAA battery (not included) for up to 10 hours.Features:.Micro Linear PCM Recorder for Wireless Beltpacks48 kHz/24-bit mono digital recordingUses standard microSD/microSDHC card media (up to 32 GB)Dual Recording feature captures a safety track in case of distortionHold function prevents accidentally switching off the recorder (All keys cannot operate during recording)Limiter and low-cut filter on inputAuto gain controlRecords BWF file timestamped with time of day clockTime Track increment function writes new track after a preset amount of time.(There is on/off setting, but the time is 15 minutes fixed when turn it on)OEL display for easy visibility in any light conditionMore than 8 hours recording on a single AAA batterySettings can be created with text file on PC and transferred to DR-10C via USB connectionInfrared data communication for transferring setting information among mulitple DR-10C
All the audiophile-like transparency of New Bronze’s low-distortion design regimen concentrated in the bass domain. This is New Bronze bass, deeply provisioned, authentically proportioned and dynamically fleet of foot, re-tooled from the ground up to punctuate the sound of every New Bronze system with stunningly natural bass transients, timed to perfection.The sophisticated W10 subwoofer is a New Bronze original, featuring an exclusive trinity of uprated amplifier topology, powerful DSP processing and new long-throw driver design. Advanced switch-mode power conversion techniques, custom DSP tuning and a massive power reservoir combine to generate enormous dynamic headroom from the Class D power-pack, allowing the driver to drop low and punch hard without distortion for a truly sensational deep bass experience.A down-firing 10” ABR (Auxiliary Bass Radiator) ensures that with the same compact footprint as its predecessor, the W10 delivers an incredible 6dB greater SPL at 40Hz. Choose how you enjoy the W10’s prodigious bass energy with pre-set EQ settings for music, movie or impact.Specifications:Low Frequency Limit: 30HzUpper Frequency Limit: 40-120Hz (Variable Low Pass filter)Low Pass Filter Alignment: 12dB/ Octave variable + 12dB/ Octave Fixed @ 150HzAmplifier Output220W R.M.S Amplifier ClassificationClass D with Switch mode PSUDrive Unit Complement1 x 10″ C-CAM® Long throw subwoofer driver + 1 x 10” flat panel ABRExternal Dimensions: (H x W x D)320 x 320 x 330 mm12 5/8 x 12 5/8 x 13 inches(364 x 320 x 364 mm14 5/16 x 12 5/8 x 14 5/16 inches inc grille amp & feet)Input Impedance: 20kΩStandby power consumption: 0.5W (ErP approved)Mains Input Voltage110-120Vac – 50-60Hz220-240Vac – 50-60HzElectronic auto-selectWeight: 12.9kg (28lb 6oz)COLORS: White ash, black oak, walnut, rosemah, natural oak
The compact TouchMonitor TM3 Smart comes with a capacitive 4.3“ touch screen and intuitive preset control at an affordable price. With its feature list, it is the ideal out-of-the box solution for editorial offices, edit suites, small control rooms, and all applications with the need of easy readable loudness-compliant level control.The UnitTM3 Smart consists of a display unit for vertical or horizontal use and a remote interface box. It handles analog or digital stereo signals and digital 6-channel signals. TM3 Smart‘s flexible user interface allows the selection of presets quickly and simply with just a finger swipe. The contained factory presets present a cross-section of the applications, audio connections and standards and allow you to start working right out of the box.The Devicer SoftwareWhen it comes to configuring local presets using the Devicer DC1 software application (Windows® and Mac OS X® compatible), the TM3 Smart‘s power and flexibility really shines. Existing presets easily can be personalized and adapted to individual needs. Furthermore, Devicer DC1 allows to create several configuration sets with different presets, which may be uploaded to TM3 Smart as required. Devicer DC1 is available for free in the Audio Monitors/TM3 Smart section of members area (Manuals & Software). The InstrumentsBesides PPM and True Peak instruments, the TM3 Smart features comprehensive loudness measuring features conforming to all relevant international standards (EBU R128, ITU-R BS.1770-3/1771-1, ATSC A/85, ARIB, OP-59, AGCOM, CALM Act). Loudness instruments include single-channel and summing bargraphs, loudness range, loudness chart (TP, M, S, or I value over time), and numerical displays. Moving Coil instruments display stereo signals with different scales and modes (PPM, VU, Loudness, BBC). And with the Timecode reader instrument a timecode from an external analog or digital source can be decoded and dipslayed.Features:4.3“ Touch screen for vertical or horizontal useFlexible display layout with scalable instrumentsSeparate interface box with audio I/O, USB, GPIOAudio: analog balanced and unbalanced, S/PDIF, AES3Stereo/6-channel operationMoving Coil instrumentsLoudness: EBU R128, ITU-R BS.1770-3/1771-1, ATSC A/85, ARIB, OP-59, AGCOM, CALM Act, customer specificSingle channel and summing loudness bargraphsLoudness Test Time Control
4-Channel Metering Solution for Broadcast EnvironmentsPPM, True Peak, Loudness (ITU BS.1770-3/1771-1, ATSC A/85, EBU R128, ARIB, OP-59, AGCOM, CALM Act), LRA, dual audio vectorscope, moving-coil instruments, RTA, correlation, and chart: The TMR7 Smart 4-channel solution featuring 7“ touchscreen and the unique TouchMonitor operating concept integrates all metering options required in radio broadcasting to an out-of-the-box solution made to measure. Two AES3 digital inputs allow for parallel monitoring of the on-air signal and a PFL source. The hardware and software of the TMR7 Smart are perfectly adjusted to radio-broadcast requirements. The technological basis of the new unit is the TM7 TouchMonitor with its flexible modular configuration. Available as desktop, fitted, or OEM unit, the TM7 covers all applications in professional audio metering. Easy IntegrationThanks to its versatile interfaces, the TMR7 Smart makes integration into any studio environment a breeze. The four audio inputs provided by the two AES3 XLR ports are flexibly configurable for mono, stereo, or multichannel sources, providing separate instruments for each source. Plus, the GPIO interface for overall control, and the Ethernet port offer even more functionality.Simple but FlexibleThe intuitive operating concept of the TouchMonitor range offers maximum flexibility. Freely scalable instruments can be moved to any position on the graphical surface, allowing you to personalize the entire screen area. Views, scaling, and metering standards are separately definable for each signal source. In addition, the convenient on-screen help function supports you during the setup whenever needed.Features:Easy and fast touch screen control with comfortable onscreen helpHighly flexible screen layout options with scalable instrumentPowerful DSP platform for parallel display of multiple instruments2 AES3 audio inputs and 2 outputs via XLR (4 channels)Ethernet/LAN, USB, and GPIO ports7" touch screen 16 : 9 TFTTable-top unit and mains adapter
The CCM 2XS (formerly CCM 3) is designed for placement in a diffuse sound field, i.e. at distances in reverberant environments where the greater portion of arriving sound has already been reflected from various room surfaces. In such placement the integrated frequency response of this capsule is essentially flat; the on-axis high-frequency response elevation shown in the graph below is not heard as such. It is remarkable how well-focused a recording can be made with omnidirectional microphones at such distances, when the microphones have been designed and placed appropriately.Fetures:Omnidirectional patternDiffuse-field capsuleFor miking distances at which the predominant sound is no longer directUseful for relatively distant placement in reverberant environments – as a room microphone, for “spaced microphone” stereo pickup and in “Decca Tree” arrangementsSpecifications:Current consumption with 12 V: 8 mACurrent consumption with 48 V: 4 mAImpedance: 90 ΩMinimum recommended load impedance: 600 ΩLow-cut frequency: 20 HzLength (L version): without connector: 46 – 58 mmLength (U version): 46 – 58 mmDiameter: 20 mmWeight (U-version): 33 gWeight (L-version): 43 gSurface finish: matte gray
The SCHOEPS SuperCMIT 2 U defines a new category of shotgun microphone, with directivity that goes beyond anything previously known. It offers the recording engineer entirely new possibilities.Where would I use the SuperCMIT 2 U? The SuperCMIT 2 U can be a problem-solver wherever diffuse sources of noise (such as street noise, wind noise, room sound, or audience and passers-by) might interfere with a recording. Unwanted noise is greatly reduced in level – even at low frequencies – without altering the tone color of front-arriving direct sound. Even a shotgun with a long tube can’t do that. This makes the SuperCMIT 2 U ideal for complex film sound applications and for sports events. The SuperCMIT 2 U also increases the “reach” of indoor recordings.How does the SuperCMIT 2 U achieve this directivity? Digital signal processing in the SuperCMIT 2 U recognizes sound energy arriving from various directions, and determines whether that sound has a discrete, persistent direction of arrival or not.It uses this information to suppress diffuse sound and to focus on discrete sound. This allows the “reach” of the shotgun microphone to be increased significantly, without causing the usual sound-coloring artifacts. The SuperCMIT 2 U is the first microphone in the world to combine such high directivity with high sound quality.Features:New type of digital shotgun microphone with increased directivity, based on SCHOEPS' extremely successful analog model CMIT 5Diffuse sound is suppressed to an extraordinary degreeCompletely new operating principle with two transducersPatented digital signal processing algorithms from ILLUSONIC (patent pending)Two-channel output, with SuperCMIT signal in channel 1 and (direct, single-transducer) CMIT signal in channel 2SCHOEPS sound quality: transparent soundSpecifications:Sensitivity: -31 dBFS at 1 PaEquivalent noise level (A-weighted): channel 1: 14 dB-Achannel 2: 16 dB-AEquivalent noise level (CCIR): channel 1: 27 dBchannel 2: 28 dBMaximum SPL: 125 dB-SPLFilter(s): switchable:80 Hz with 18 dB/oct.5 dB lift at 10 kHz (shelving)Powering: 10 V digital phantom powering (AES42)Current consumption: 170 mAOutput: AES42, Mode 1, sample rate: 48 kHz, resolution: 24 bitchannel 1: SuperCMITchannel 2: regular CMIT (shotgun signal only)Latency period: at 1 kHz:channel 1: 3.4 mschannel 2: 1.6 msLength: 280 mm (11'')Diameter: 21 mm (0.83'')Weight: 112 grams (only 4 ounces!)
