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Straight microphone stand. Heavy cast-iron round base with anti-vibration rubber insert for noise filtration, plastic clutch-style height-adjustable system. Screw base 3/8” Wt: 4,0 kg, H: 870/1570 mm, Base-Ø: 250 mm. Included cable fixation clamp and 5/8" to 3/8" thread reduction.
Adapter for powering Miniature Microphones via standard P48 phantom power.The DAD6001 is designed for use with Miniature Microphones from DPA only. Belt clip included.The DAD6001 is active signal balanced which improves suppression of induced electromagnetic noise.Common Mode Rejection Ratio (CMRR) is better than 60 dB from 50 Hz to 15 kHz.The adapter is functional at 12 V phantom power but needs 48 V ± 4 V to reach full specifications – see diagram.
DPA 2006A, modular Reference-Standardmicrophone, Twin-Diaphragm-Capsule technology, Kugel, 20 - 20.000 Hz, dynamic range 114 dB, 48 V Phantom thomann Power, Sensitivity, nominal, ± 2 dB at 1 kHz: 40 mV/Pa; -28 dB re. 1 V/Pa, Equivalent noise level, A-weighted: Typ. 16 dB(A) re. 20 µPa (max. 18 dB(A)), black housing, new model of the DPA 4006
DPA 2006C, compact modular Reference-Standardmicrophone, Twin-Diaphragm-Capsule technology, Kugel, 20 - 20.000 Hz, dynamic range 114 dB, 48 V thomann Phantom Power, Sensitivity, nominal, ± 2 dB at 1 kHz: 40 mV/Pa; -28 dB re. 1 V/Pa, Equivalent noise level, A-weighted: Typ. 16 dB(A) re. 20 µPa (max. 18 dB(A)), black housing, new model of the DPA 4006, dimensions 19 x thomann 58 mm, weight 60g
DPA 2011A, modular Reference-Standardmicrophone, Twin-Diaphragm-Capsule technology, cardioid, 20 - 20.000 Hz, dynamic range 117 dB, 48 V Phantom thomann Power, Sensitivity, nominal, 10 mV/Pa; -40 dB re. 1 V/Pa, Equivalent noise level, A-weighted: Typ. Typ. 20 dB(A) re. 20 µPa (max. 23 dB(A)), black housing, new model of the DPA 4011, dimensions 19 x 198 mm, weight 164 g
DPA 4006 A, Reference Standard Microphone containing capsule MMC4006 and power adapter MMP-A, condenser capsule, omni-directional, frequencyrange 10 thomann - 20.000 Hz, 147 dB SPL max, 48 Volt Phantom, switchable Lowcut and High-Boost, dimensions 170 mm length, 16-19 mm diameter, weight 163 g, handmade in Denmark
DPA ST2006A, stereo microphone set containing 2x modular Reference-Standardmicrophone, Twin-Diaphragm-Capsule technology, Kugel, 20 - 20.000 Hz, dynamic range thomann 114 dB, 48 V Phantom Power, Sensitivity, nominal, ± 2 dB at 1 kHz: 40 mV/Pa; -28 dB re. 1 V/Pa, Equivalent noise level, A-weighted: Typ. 16 dB(A) re. 20 µPa (max. 18 dB(A)), black housing, new model of the DPA 4006, incl. case
DPA ST 2006C, stereo microphone set containing 2x compact modular Reference-Standardmicrophone, Twin-Diaphragm-Capsule technology, Kugel, 20 - 20.000 Hz, thomann dynamic range 114 dB, 48 V Phantom Power, Sensitivity, nominal, ± 2 dB at 1 kHz: 40 mV/Pa; -28 dB re. 1 V/Pa, Equivalent noise level, A-weighted: Typ. 16 dB(A) re. 20 µPa (max. 18 dB(A)), black housing, new model of the DPA thomann 4006, dimensions 19 x 58 mm, weight 60g
All-round workhorse – blends clarity, richness and dynamicsTwin-Diaphragm capsule and interference tube technologiesSuperb stage separation and level controlModular flexibility All-round workhorseThe new DPA 2011C microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities.2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within interference tube technology.While 4011 has gained worldwide admiration for its total linearity at all sound confrontations, the 2011 is purposely aimed differently; the off-axis response is still linear but in a smaller frequency bandwidth making stage separation and gain-to-feedback higher and mic level easier to control.
ST4006A Stereo Pair with 4006A Omniscarefully matched microphoneshigh sensitivity, low noise-floor and extremely linear frequencyPeliTM case transportation and protectionThe DPA ST4006A is a complete DPA 4006A Stereo Pair with two carefully factory-matched omni microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer.The specially selected DPA 4006A microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°.The natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 Hz to 20 kHz (±2 dB) of the microphone pair makes the ST4006A the perfect choice for all AB Stereo recordings. The design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory foam inlays.Included in this kitTwo carefully matched 4006A omni microphones, sturdy PeliTM case, holders, grids and windscreens.
Πυκνωτικό μικρόφωνο Omni Miniature Lavalier, Loud SPL, w/Microdot, προενισχυτή CORE+ και κάψα, διαμέτρου 5.4 mm. Διαθέτει συχνοτική απόκριση 20 Hz – 20 kHz, με ενίσχυση 3 dB soft boost στα 8 – 20 kHz (Soft Boost grid) και ενίσχυση 10 dB boost στα 12 kHz (High Boost grid), ευαισθησία 6 mV/Pa και Max SPL στα 144 dB SPL.Το CORE+ ανεβάζει το μικρόφωνο σας στο επόμενο επίπεδο, εξουδετερώνοντας την παραμόρφωση σε όλο το δυναμικό εύρος.Το MicroLock είναι ένας αξιόπιστος και ασφαλής μηχανισμός σύνδεσης μικροφώνου, σχεδιασμένος για να εξασφαλίζει σταθερή και ασφαλή σύνδεση χωρίς τον κίνδυνο αποσύνδεσης κατά τη χρήση. Προσφέρει ευελιξία στη σύνδεση και αποσύνδεση, ενώ παράλληλα διασφαλίζει την αδιάλειπτη λειτουργία του μικροφώνου, καθιστώντας το ιδανικό για επαγγελματικές εφαρμογές ή απαιτητικά περιβάλλοντα.
A.R.T. set cymbals.Includes: 14" ARTH14 Hi-hat,16" ARTC16 Crash and 20" ARTR20 Ride.Including FREE bag. A.R.T series cymbals are highly versatile.They offer pro-sound,pro-looks and pro-quality under a highly affordable price tag.Are suitable for the drummers of all levels who wants to add the power of Bronze(B8) into their set-up.These cymbals will make you feel the world known quality and musicality of Istanbul Agop Brand in your long-term musical journey.
One Brush is heavier for snare and the other lighter for Swish .
Tear drop tip for rich cymbal sounds. Light and fast for jazz‚ orchestral and pit work.
This Yamaha original design incorporates a sub-frame just below the rocker shaft to deliver greater stability and durability. Drummers will experience smoother, more stable movement particularly in double pedal setups since bearings for both the main and remote beaters are incorporated into the sub-frame. Beater Shaft LockerBeater Angle AdjustmentSpring Tension Adjustment with Self LockSimple Hoop Clamp MechanismSpring Roller with Built-in BearingsBase Frame Tie RodsLonger FootboardBelt Drive
Allen & Heath Xone K2, universal MIDI controller. Can run all types of midi Software, 52 physical controllers, 12 rotary controls 6 endless push encoders, 30 backlit buttons, 4 faders, all controllers by layer 3x assignable (layer will be in colour on the buttons shown). Internal 2x2 USB 2.0 sound card (2xCinch rear, 1x stereo mini-jack in front), X-link interface, inlusive Case dimensions 135x30x358 mm weight 1.0 kg. Compact universal MIDI controller that's perfect for software-based DJingFlexible MIDI layout lets you control any MIDI-based softwareIncluded layout presets give you control over many popular software systems, right out of the box12 x analog pots 6 and x encoders with push switches give you tons of control over continuous parameters4 x linear faders with firmware-based soft takeover functions30 x backlit soft buttons with red, amber, and green LEDs give you the feedback you need3 x programmable latching control layers give you a total of 171 MIDI controlsBuilt-in 4-channel audio interface gives you all of the outputs you need to DJAllen & Heath's X:LINK protocol lets you daisy chain MIDI and power with other X:LINK-equipped devices via Ethernet cableIncluded carrying case doubles as stand, elevating the control surface to the height of most DJ mixers and turntablesΔιαστάσεις (W x H xD): 135 x 30 x358mmΒάρος: 1Kg
Originally designed for use with wireless systems in theater, television and close-miked instrument applications, the highly unobtrusive 4060 capsule is visually smaller than a pencil eraser.Because of their small size, these tiny condensers exhibit an exceedingly accurate omnidirectional pattern and therefore do not need to be aimed directly at the sound source to achieve quality pickup.The 4060 is available in four colors: black, brown, beige and white.
Roland AC-33 Stereo Acoustic Amp - 2x 15W (2x 10W when battery powered, 8 hours), 40sec looper, digital effects thomann and anti-feedback function, line out, aux input, 2x 5" speakers. Guitar channel controls: volume, EQ (bass, mid & treble) and chorus switch. Mic/line channel controls: volume, EQ (bass & treble), chorus switch. Includes power supply. Dimensions: 32 x 22 x 24cm. Weight: 4.7kg
This is a "Plan Series" console option that is a result of customer requests. It apparently slipped our vision that a slimmed down version would be a useful studio tool. We should get out more!The "Uno" is also useful as a side car to a larger console or an all encompassing DAW workstation with plenty of room for gear, power amps, querty keyboard and single or dual LCD arms.Available with many of the standard "Plan Series" options, and as always, can be expanded as your studio needs grow.
Double class/acoustic/electric guitar/bass stand Proel FC-820
Stand for clas./ac./el. guitar/bass Proel FC-720
Acoustic guitar stand made of steel. Size when folded : 790 mm. Angle and length adjust to your needs.
" LP Salsa Model 12-1/2"" Tumbadora. LP Salsa Model Congas stand 28"" tall and are designed to accommodate congueros who prefer to play seated. The shell contour is similar to that of LP Classic Model Congas, but with a slightly wider bottom. This helps to keep the drum stable, even during the most aggressive play, and adds to the drum’s low and mid-range tones. 28"" tall select, kiln dried, environmentally friendly Siam Oak construction Hand selected, natural rawhide heads LP Comfort Curve II Rims 5?16"" diameter tuning lugs Reinforced LP Heart Side Plates Fiberglass layer added to the inside upper portion of the shell to provide additional strength Available in a variety of wood finishes LP ProCare Integrated Shell Protectors prevent the side plate hardware from marking or damaging adjacent drums Accessory pouch, tuning wrench, and LP Lug Lube included"
Depth(from wall to inside of holder): 3.6' - 9cmTotal depth: 6.3' - 16cmWidth: 3.5' - 9cmDiameter of mounting plate: 3.3' - 8.5cmWeight capacity (secured directly to wall stud): 25lb - 12.5kgWeight: 0.6lb - 0.3kg
Lower cradles designed to hold either acoustic or electric guitars.Depth: 11.4' - 29cmSet-up width: 14.2' - 36cmSet-up height: 16.3' - 41.5cmFold-up height: 17.7' - 45cmCradle depth opening: 5.1' -135cmSquare steel tube size: 30 x 15mmWeight: 2.6lb - 1.2kg
Η ιστορία του Blue Box είναι εδώ Παθητικό D.I. BOX με Ground Lift. Είσοδος: ¼’’ Phone Jack Unbalanced καιέξοδοι: XLR, Balanced, Microphone Level
Active D.I. BOX with Phantom Power and battery. Input: 2Χ ¼’’ Phone Jack Unbalanced (1 output for instrument ) Output: XLR, Balanced.
UUltra compact Active Direct box, with normal High Impedance input as well as a separate speaker level input for connection to the back of instrument amplifiers.Heavy duty all-steel chassis, –20 dB Pad and Audio Ground Lift switches, plus Phantom or DC power options
A flexible, compact Active Direct box, with normal High Impedance input as well as a separate speaker level input for connection to an aux speaker output on the back of instrument amplifiers. Heavy duty all-steel chassis finished in attractive matt textured polyurethane, with hardwearing epoxy screen printing and slip resistant rubber pad. Features include –20 dB Pad and Audio Ground Lift switches, plus Phantom or 12V DC power options. Security features include Kensington®-type computer lock slot and optional bracket kit for under-table mounting. Specifications: Max Input Level +12 dB Phantom powered, +8 dB using 12 VDC Power Supply. Input Impedance 1 Meg Ohm Max Output Level (nominal) +12 dB 10K Ohm load using Phantom power +11 dB 600 Ohm load using 12 VDC Power Supply Output Impedance 680 Ohms Balanced Output Signal to Noise -100 dB unweighted, -104 dB A weighted Dynamic Range 112 dB 10K Ohm load using 12 VDC Power Supply Distortion @100 Hz 0.0025%, @1KHz 0.0026%, @10KHz 0.0033% Frequency Response 20Hz to 20KHz, ± 0.2 dB Gain through Unit 6dB (Normal input, Pad switch out) Power Requirements 48V Phantom power on XLR pins 2 and 3; 12-15V DC from external supply Pad Switch -20 dB attenuation Speaker Input -40 dB attenuation, equivalent to 100:1 decrease in input level., -60 dB attenuation available when Pad switch also enabled Input Connectors Insulated jacks Output Connector 3 pin XLR. Wired Pin 1 Ground, Pin 2 + Hot, Pin 3 - Cold. Audio Ground (Pin 1) lift switch fitted Construction All-steel powdercoated chassis, fibreglass PCB
Six Channel Active Direct Box, Splitter and Mic/Line Mixer
A true USB Plug and Play digital to analog pro audio interface with full transformer balanced outputs to provide full Galvanic isolation to eliminate earth loops / ground hum and other extraneous interaction noise and distortion
Just like the USB DI, but with the very useful addition of an Output Volume Control for quick and easy level setting and changing
In response to many requests from users of our original USB DI who have been using it for specific applications, ARX is excited to present the new ARX USB DI-HP - everything that the original USB DI was, with the addition of a headphone output with its own level control. It is still a true Plug and Play digital to analog pro audio interface, removing the need to use any existing sound card outputs, but now its output level can be monitored quietly and accurately.Naturally it still features full transformer balanced output isolation to eliminate earth loops / ground hum and other extraneous interaction noise and distortion.The addition of the headphone output and control allows easy personal monitoring of the audio signal passing through the USB DI-HP without the need for Monitor Loudspeakers
ARX USB I/O is a true USB Plug and Play digital to analog/analog to digital pro audio interface. It features full transformer balanced Inputs and Outputs, providing the Galvanic isolation required to eliminate earth loops / ground hum and other extraneous interaction noise and distortion
Dual channel Unbalanced to Balanced Low Impedance transformer isolated converter
The NEW ISO Balancer VC still converts a stereo Unbalanced Low Impedance signal to a stereo Balanced Low Impedance signal suitable for use with professional equipment and long cable runs, but now you can reduce the output level as required for accurate level matching
Studio, Live Sound and Broadcast Patch BaysAV Systems/CD/VIDEO Anywhere unbalanced signals need converting to professional balanced signals
Studio, Live Sound and Broadcast Patch BaysAV Systems/CD/VIDEO Anywhere professional balanced signals need converting to un-balanced signals
Unique dual channel De-Balancing (Balanced in, Unbalanced out) transformer isolated converter
Handcrafted folk lute with superb sonic quality and features.The body is made of walnut with a top by spruce and venger fingerboard.This lute achieves a great performance in the middle and bass frequencies.It has 30 stripes.
Tzouras made of beech and spruce with a special neck design for enhanced durability and playability. KT-1 Tzouras has excellent tone and great sound projection. Main body is made of beech. Upper top is made of spruce, a wood that is often used for custom made classical guitars.
Tzouras made of beech and spruce with a special neck design for enhanced durability and playability. KT-2 Tzouras has excellent tone and great sound projection. Main body is made of beech. Upper top is made of spruce, a wood that is often used for custom made classical guitars.
