MENU
Αναζήτηση
Filters
QSC RMX 850A. Professional quality performance incorporates road-proven QSC designs.Features: The 4000 watt RMX 4050a operates on a standard 15 amp plug (120V) Both the RMX 4050a and RMX 5050a feature a dual mono, high-current power supply for increased reliability and performance The RMX 4050a provides improved thermal performance yielding higher continuous power in 2 ohm stereo or 4 ohm bridged applications. Compact size — up to 2500 watts in 2 rack spaces or 5000 watts in 3 rack spaces High-current toroidal transformers for greater 2 ohm power and low noise Independent user-defeatable clip limiters reduce distortion Selectable low-frequency filters (30 Hz or 50 Hz) protect speakers and increase headroom Balanced 1/4” (6.3 mm) TRS, XLR, and barrier strip inputs Touch-proof binding post and Neutrik Speakon® outputs Front mounted gain controls for easy access Signal and Clip LED indicators to monitor performance Independent DC and thermal overload protection on each channel automatically protects amplifier and speakers 3-year warranty plus optional 3-year extended service contract
QSC RMX 2450A. Professional quality performance incorporates road-proven QSC designs. The 4000 watt RMX 4050a operates on a standard 15 amp plug (120V) Both the RMX 4050a and RMX 5050a feature a dual mono, high-current power supply for increased reliability and performance The RMX 4050a provides improved thermal performance yielding higher continuous power in 2 ohm stereo or 4 ohm bridged applications. Compact size — up to 2500 watts in 2 rack spaces or 5000 watts in 3 rack spaces High-current toroidal transformers for greater 2 ohm power and low noise Independent user-defeatable clip limiters reduce distortion Selectable low-frequency filters (30 Hz or 50 Hz) protect speakers and increase headroom Balanced 1/4” (6.3 mm) TRS, XLR, and barrier strip inputs Touch-proof binding post and Neutrik Speakon outputs Front mounted gain controls for easy access Signal and Clip LED indicators to monitor performance Independent DC and thermal overload protection on each channel automatically protects amplifier and speakers 3-year warranty plus optional 3-year extended service contract
American Audio XEQ-15B two channel 15 band graphic equalizer.Specifications:Input type: Active balanced / Unbalanced Output Impedance:
The American Audio VLP-1500 power amp gives you power to spare at a stunningly low price. The VLP-500 is rated at 750W RMS per channel at 4 ohms, 500W RMS per channel at 8 ohms, and 1,500W RMS bridged mono at 8 ohms. Frequency range is 20Hz-20kHz. TRS and XLR inputs, binding post, and Speakon outputs.Specifications:Total Harmonic Distortion: Less Than 0.1% (20Hz - 20kHz 8 Ohms) Frequency Response: (+/-01db, rated output Power, 8 Ohms): 20Hz - 20K HzSlew Rate: 15V Per usecDamping Factor 8 Ohm: 300Impedance: 20K Ohms balanced / 10K Ohms unbalancedCooling System: 2 indivdual fansSpecial Features: High/Low Pass Filter / Input Sensitivity Selector / Ground Lift / LimiterDimensions (LxWxH): 14" x 19" x 3.5" / 360 x 482 x 88mm 2-rack mount spacesWeight: 42 lbs. / 19 Kgs.Special Features: High/Low Pass Filter; Input Sensitivity Selector; Ground Lift; LimiterOutput Power: 750W RMS Per Channel 4 Ohms, 1kHz, 0.1% THD 500W RMS Per Channel 8 Ohms, 1kHz, 0.1% THD (Bridge Mode, Mono) 1500W RMS 8 Ohms, 1K Hz, 1% THD
The American Audio VLP-600 power amp delivers powerful performance with unmatched economy. Pumping out 300W RMS per side at 4 ohms, 200W RMS per channel at 8 ohms, and 300W RMS bridged mono at 8 ohms, the rackmountable VLP-600 cranks out big wattage for the dollar. Frequency range is 20Hz-20kHz. TRS and XLR inputs, binding post and Speakon outputs.Specifications:Output Power: 300W RMS per channel 4 Ohms, 1kHz, 0.1% THD 200W RMS per channel 8 Ohms, 1kHz, 0.1% THD (Bridge Mode, Mono) 600W RMS 8 Ohms, 1K Hz, 1% THDTotal Harmonic Distortion: Less than 0.1% (20Hz - 20kHz 8 Ohms)Frequency response: (+/-01db, rated output Power, 8 Ohms): 20Hz - 20K HzSlew Rate: 15V per usecDamping Factor 8 Ohm: 300Impedance: 20 Ohms balanced / 10 Ohms unbalancedCooling system: 2 indivdual fansSpecial features: High/low pass filter / input sensitivity selector / Ground lift limiterHigh/low pass filterInput sensitivity selectorlimiterGround lift
The Shadow Hills Mastering Compressor has extraordinary functionality, and also provides mastering grade compression and limiting for tracking and mixing. Essentially it is two compressors in series, per channel, that can act in stereo, or dual mono. First comes our mastering grade electro optical compressor, followed by our discrete Class-A compressor/limiter. Both feed our switchable custom output transformers, Nickel, Iron, and Steel. There is enough gain in each section to overdrive the hottest tape, or clip your converters, if you're into that sort of thing.The input stage is transformer balanced, followed by our fully discrete optical compressor. This section utilizes the same T4B optical attenuator as the LA2A and LA3A, but is optimized for mastering. The second stage is our discrete Class-A VCA compressor. There are no electrolytic caps or IC chips in the audio path. There are six ratios: 1.2 to 1, 2 to 1, 3 to 1, 4 to 1, 6 to 1, and 10 to 1. There is six attack settings: .1, .5, 1, 5, 10, and 30 milliseconds. And there are six release times selectable: .1, .25, .5,8, 1.2, and Auto. There is an insertable filter in the side chain to limit pumping with bass heavy material. Lastly the signal goes through our new Shadow Hills custom transformer-switching network.The first position is Nickel, which is our custom version of a famous L. A. custom console. Next is Iron. In this mode the signal goes through our op-amp and into a Class-A output stage then to our custom Iron transformers, the last transformer position is Steel. These selections allow you to choose between different output transformers that are in effect: clean, colored, and dirty, respectively.The optical section has a hard-wired bypass that completely removes it from the signal path, and the Class-A VCA compressor is also hardwire bypassable, completely removing it from the chain. It is possible to independently bypass both compression sections and have your signal go through the input transformer and transformer selector only. There is also a hardwire bypass for the entire compressor, effectively a strait wire in and out of the box. So besides being a mastering grade, and highly functional buss compressor, it serves as an excellent tracking compressor.For instance, you might call up the chain of the optical compressor, then to the Class-A output and Iron transformer, for vocals, or select just the Class-A VCA compressor with a 10:1 plus the Steel transformer for crushing some room mics, and on and on.The metering can reflect, optical gain reduction, discrete gain reduction, or output level. The Magic eye tube follows the output meter to act as a peak meter.All 17 of the rotary switches are detented. The front panel is engraved. The knobs are bake-lite
Pro-Ject has decided to go after the cheap plastic turntable market with an high quality alternative that comes complete with an Ortofon cartridge. The new Elemental table is a real "plug'n'play" all the way. No adjustment of counterweight and antiskating is needed, because both are pre-adjusted. This new straight ultra low mass tonearm is optimised for Ortofon OM cartridge series. All the buyer needs to do is remove it from the box, remove bearing guard, locate the belt around the platter, remove stylus guard and plug it in. The only plastic here is the stylus guard. The hidden secret to the new table's sonic success, is a central gravity mass point, made from artificial stone and placed directly underneath the platter bearing. It is capable to fully absorb unwanted rumble and motor vibration. This turntable appears to be pure simplicity itself, while maintaining high quality audio standards. The hidden secret to the new table's sonic success, is a central gravity mass point, made from artificial stone and placed directly underneath the platter bearing. It is capable to fully absorb unwanted rumble and motor vibration. This turntable appears to be pure simplicity itself, while maintaining high quality audio standards. Belt drive system with low vibration DC motor Central gravity mass point made from artificial stone Main platter bearing made from stainless steel runs in bronze bushing with Teflon bottom Low resonance MDF platter with felt mat 8,6” ultra low mass tonearm with straight arm tube Pre-adjusted tracking force & antiskating Gold-plated RCA contacts & cartridge pins Colour options: red-black, white-black, silver-black Specifications:speed : 33, 45 (manual speed change)Speed variance: 33: 0,2% 45: 0,18%Wow & flutter: 33: 0,14% 45: 0,13%platter: 300mm MDFtonearm: 8,6” metal tubeeffective arm length: 218,5 mmoverhang: 22,0 mmeffective tonearmmass: 8,0grcounterweight for cartridge mass: 3 - 5,5g (included)tracking force range: 0 - 30mn (OM5 18mn pre-adjusted)output: RCA to phono inputincluded accessory: RCA cable, 15V DC power supplypower consumption: 4,0 wattsdimensions: 430 x 90 x 300mm (WxHxD)weight: 2,7 kg net
Pro-Ject has decided to go after the cheap plastic turntable market with an high quality alternative that comes complete with an Ortofon cartridge. The new Elemental table is a real "plug'n'play" all the way. No adjustment of counterweight and antiskating is needed, because both are pre-adjusted. This new straight ultra low mass tonearm is optimised for Ortofon OM cartridge series. All the buyer needs to do is remove it from the box, remove bearing guard, locate the belt around the platter, remove stylus guard and plug it in. The only plastic here is the stylus guard. The hidden secret to the new table's sonic success, is a central gravity mass point, made from artificial stone and placed directly underneath the platter bearing. It is capable to fully absorb unwanted rumble and motor vibration. This turntable appears to be pure simplicity itself, while maintaining high quality audio standards. The hidden secret to the new table's sonic success, is a central gravity mass point, made from artificial stone and placed directly underneath the platter bearing. It is capable to fully absorb unwanted rumble and motor vibration. This turntable appears to be pure simplicity itself, while maintaining high quality audio standards. Belt drive system with low vibration DC motor Central gravity mass point made from artificial stone Main platter bearing made from stainless steel runs in bronze bushing with Teflon bottom Low resonance MDF platter with felt mat 8,6” ultra low mass tonearm with straight arm tube Pre-adjusted tracking force & antiskating Gold-plated RCA contacts & cartridge pins Colour options: red-black, white-black, silver-black Specifications:speed : 33, 45 (manual speed change)Speed variance: 33: 0,2% 45: 0,18%Wow & flutter: 33: 0,14% 45: 0,13%platter: 300mm MDFtonearm: 8,6” metal tubeeffective arm length: 218,5 mmoverhang: 22,0 mmeffective tonearmmass: 8,0grcounterweight for cartridge mass: 3 - 5,5g (included)tracking force range: 0 - 30mn (OM5 18mn pre-adjusted)output: RCA to phono inputincluded accessory: RCA cable, 15V DC power supplypower consumption: 4,0 wattsdimensions: 430 x 90 x 300mm (WxHxD)weight: 2,7 kg net
New for 2012 is the Sontronics STC-20 PACK, an all-in-one microphone package that allows you to achieve the same quality recordings as you'd expect to hear in a professional studio, even for those musicians on the tightest of budgets!The Sontronics STC-20 PACK includes our best-selling STC-20 mic along with the following FREE accessories... spider-style shockmount (with 2 spare elastics) nylon-mesh popshield that attaches to shockmount 5-metre XLR cable zip-up, vinyl, leather-look microphone pouchThe STC-20 PACK also comes with a free download of Toontrack's EZdrummer Lite and, like all our microphones, the STC-20 mic is covered by our LIFETIME WARRANTY.The STC-20 is a large-diaphragm condenser mic with a cardioid condenser pattern and it features a large open grille that houses the same one-inch, gold-sputtered capsule as found in our hugely popular STC-20.Despite its incredible affordablity, the Sontronics STC-20 delivers brilliant results on male and female vocals, acoustic guitars, piano and other acoustic instruments. It also gives impressive results on spoken word, making it an ideal mic for podcast, broadcast and voiceover.
The Sontronics STC-3X PACK is a NEW all-in-one mic and accessories package and the ideal solution for achieving professional-quality recordings at home or in the studio. In omni mode, STC-3X is fantastic for room and overhead miking, and also for ensemble recording (vocals, choral, instrumental, orchestral). In figure-of-eight mode, it is perfect for stringed instruments and for stereo miking applications.Our NEW, British-designed STC-3X multi-pattern condenser microphone features the three most commonly used polar patterns – cardioid, omnidirectional and figure-of-eight – selectable using a switch on the rear of the mic. It boasts a dual one-inch, gold-sputtered diaphragm housed in a large, open grille and its filter and pad controls make it a versatile, flexible workhorse in any recording situation.The STC-3X gives stunning results on everything from male and female vocals to acoustic guitar, piano, percussion and other acoustic instruments. It also works extremely well on spoken word, making it a great option for voiceover, broadcast and podcast.The Sontronics STC-3X is available in black or silver and is supplied in one box with the following FREE accessories... a spider-style shockmount (with spare elastics) a professional-quality, nylon-mesh popshield a 5-metre female-to-male XLR cable a vinyl, leather-look, zip-up microphone pouchLike all of Sontronics mics, the STC-3X mic is protected by our FREE LIFETIME WARRANTY and also comes with a FREE download of Toontrack’s EZdrummer Lite.
New to Radius, the Radius 200 centre-channel speaker is designed for rack or shelf mounting in a dedicated home theatre system and room. The driver configuration mirrors that of the 225, and so the 200 has the pedigree and fire-power to capture the detailed dynamics and vocal textures of today’s high definition movie soundtracks. Placed front and centre in a serious AV system, the still compact Radius 200 will anchor the entire sound field with life-like fidelity. Features: New to the Radius Range - ultra compact dedicated centre speaker New Dual C-CAM bass drivers with C-CAM tweeter in MTM style configuration - Radius features all new bass drivers with concave cone profiles, introduced by our top-of-the-range Platinum speakers and applied subsequently to Gold GX. Extensive research and FEA modelling have allowed us to perfect the relationship between the new radiating diaphragm and its motor design, introducing larger motor sizes and voice coils for increased excursion, higher power capability and reduced distortion. New C-CAM gold dome tweeter - optimised to deliver the finest and widest performance within the compact Radius cabinets. It benefits from a more efficient rear-venting design, releasing air trapped and compressed at the back of the tweeter dome, and guiding it around the drive assembly to a rear-loading chamber. HiVe II port design - Straight from Platinum’s design blueprint, the HiVe reflex port makes its Radius debut. It’s shaped to have the same effect on airflow as a gun-barrel on a bullet. Rifled grooves inside the port help to accelerate the flow and reduce turbulence, so air moves in and out of the port more efficiently, for a faster more dynamic bass response. Single through-bolt driver fixing provides mechanical de-coupling and enhanced mid-band clarity and resolution. The through-bolts also act as rigid cross bracing to give a very solid non-resonant cabinet. New C-CAM gold dome tweeter - optimised to deliver the finest and widest performance within the compact Radius cabinets. It benefits from a more efficient rear-venting design, releasing air trapped and compressed at the back of the tweeter dome, and guiding it around the drive assembly to a rear-loading chamber. HiVe II port design - Straight from Platinum’s design blueprint, the HiVe reflex port makes its Radius debut. It’s shaped to have the same effect on airflow as a gun-barrel on a bullet. Rifled grooves inside the port help to accelerate the flow and reduce turbulence, so air moves in and out of the port more efficiently, for a faster more dynamic bass response. Single through-bolt driver fixing provides mechanical de-coupling and enhanced mid-band clarity and resolution. The through-bolts also act as rigid cross bracing to give a very solid non-resonant cabinet. Single point ¼”x20TPI wall fixing. Use the optional Monitor Audio speaker mount or any standard wall bracket Optional floor-stand with internal (pre-wired) cable management system. Χαρακτηριστικά: Frequency Response: 60Hz - 35KHz Sensitivity: 86dB Nominal Impedance: 6 ohms Power Handling Single (RMS): 100 watts System Power Handling (RMS): 150 watts Recommended Amplifier Requirements: 40-150 watts Maximum SPL (dBA): 106 Bass Alignment: Bass reflex - rear ported Driver complement: 2 x 4” (100mm) C-CAM cone bass/mid driver, 1 x 1” (25mm) C-CAM gold dome tweeter Cabinet Dimensions (H x W x D): 125 x 330 x 140mm (415/16 x 13 x 51/2 Inches) Cabinet Dimensions (H x W x D), (Inc Grille & Terminals): 125 x 330 x 164mm, (415/16 x 13 x 67/16 Inches) Weight: 3.6kg (7lb 14oz)
The original hi-fi mini monitor, and respected by all. Radius 90 continues to evolve, delivering a greater size-defying performance than ever before. New Radius 90 incorporates a 4” (100mm) C-CAM® bass driver and 1” (25mm) C-CAM tweeter for a tuneful, controlled and powerful sound in pairs or combined as front and rear speakers in an AV system along with the 200 or 225, and the 380/ 390 subs. Use the optional MASM speaker mount or any standard wall bracket for wall mounting via the 90’s single point fixing. Optional floor stands expand the installation possibilities still further.Features: New 4” C-CAM bass driver - Radius features all new bass drivers with concave cone profiles, introduced by our top-of-the-range Platinum speakers and applied subsequently to Gold GX. Extensive research and FEA modelling have allowed us to perfect the relationship between the new radiating diaphragm and its motor design, introducing larger motor sizes and voice coils for increased excursion, higher power capability and reduced distortion. New C-CAM gold dome tweeter - optimised to deliver the finest and widest performance within the compact Radius cabinets. It benefits from a more efficient rear-venting design, releasing air trapped and compressed at the back of the tweeter dome, and guiding it around the drive assembly to a rear-loading chamber. HiVe II port design - Straight from Platinum’s design blueprint, the HiVe reflex port makes its Radius debut. It’s shaped to have the same effect on airflow as a gun-barrel on a bullet. Rifled grooves inside the port help to accelerate the flow and reduce turbulence, so air moves in and out of the port more efficiently, for a faster more dynamic bass response. Single through-bolt driver fixing provides mechanical de-coupling and enhanced mid-band clarity and resolution. The through-bolts also act as rigid cross bracing to give a very solid non-resonant cabinet. Single point ¼”x20TPI wall fixing. Use the optional Monitor Audio speaker mount or any standard wall bracket Optional floor-stand with internal (pre-wired) cable management system.Specifications:Frequency Response: 80Hz - 35KHz Sensitivity: 83dB Nominal Impedance: 8 ohms Power Handling Single (RMS): 75 watts System Power Handling (RMS): 100 wattsRecommended Amplifier Requirements: 30-100 watts Maximum SPL (dBA): 102 Bass Alignment: Bass reflex - rear ported Driver complement: 1 x 4” (100mm) C-CAM cone bass/mid driver, 1 x 1” (25mm) C-CAM gold dome tweeter Cabinet Dimensions (H x W x D): 198 x 125 x 140mm (713/16 x 415/16 x 51/2 Inches) Cabinet Dimensions (H x W x D) (Inc Grille & Terminals): 198 x 125 x 164mm (713/16 x 415/16 x 67/16 Inches) Cabinet Dimensions (H x W x D) (Inc Grille & Bracket): 198 x 125 x 203mm (713/16 x 415/16 x 8 Inches) Bracket: Optional - Monitor Audio Speaker Mount (MASM) Weight: 2.1kg (4lb 10oz)
The Radius 270 houses a precision-crafted Radius driver system of twin 100mm (4”) C-CAM® mid/bass drivers and a 25mm (1”) C-CAM tweeter. Pair with the 225 or 200 for scintillating home theatre audio, or with the 380/390 sub in a discreet two-channel system. Features: New 4” C-CAM® bass driver - Radius features all new bass drivers with concave cone profiles, introduced by our top-of-the-range Platinum speakers and applied subsequently to Gold GX. Extensive research and FEA modelling have allowed us to perfect the relationship between the new radiating diaphragm and its motor design, introducing larger motor sizes and voice coils for increased excursion, higher power capability and reduced distortion. New C-CAM gold dome tweeter - optimised to deliver the finest and widest performance within the compact Radius cabinets. It benefits from a more efficient rear-venting design, releasing air trapped and compressed at the back of the tweeter dome, and guiding it around the drive assembly to a rear-loading chamber. HiVe®II port design - Straight from Platinum’s design blueprint, the HiVe reflex port makes its Radius debut. It’s shaped to have the same effect on airflow as a gun-barrel on a bullet. Rifled grooves inside the port help to accelerate the flow and reduce turbulence, so air moves in and out of the port more efficiently, for a faster more dynamic bass response. Single through-bolt driver fixing provides mechanical de-coupling and enhanced mid-band clarity and resolution. The through-bolts also act as rigid cross bracing to give a very solid non-resonant cabinet. Front and rear ported reflex design Specifications: Frequency Response: 50Hz – 35KHz Sensitivity: 87dB Nominal Impedance: 6 ohms Power Handling Single (RMS): 100 watts System Power Handling (RMS): 150 watts Recommended Amplifier Requirements: 40-150 watts Maximum SPL (dBA): 107 Bass Alignment Bass reflex Front and rear ported Driver complement 2 x 4” (100mm) C-CAM® cone bass/mid driver 1 x 1” (25mm) C-CAM gold dome tweeter Cabinet Dimensions (H x W x D): 1000 x 177 x 208mm (393/8 x 615/16 x 83/16 Inches) Inc Plinth Without Spikes Cabinet Dimensions (H x W x D): (Inc Grille & Terminals) 1025 x 177 x 208mm>(403/8 x 615/16 x 83/16 Inches) Inc Plinth, With Spikes Weight: 9.9kg (21lb 12oz) Finishes: White Gloss Frequency Response: 80Hz – 30kHz
The diminutive Radius 45 cube is the epitome of Radius innovation: a speaker so small has no right to sound as good as it does, yet miraculously the 45 reveals astonishing mid-range clarity and high frequency ambience from its 3” (75mm) MMP II mid-bass driver and rear-firing 3/4” (19mm) C-CAM® tweeter. It’s perfect for ultra-discreet sound all around the home, or partnered with the Radius 380 sub for explosive stereo from an ultra-compact system. The new Radius 45 is also good for surround sound duties in a smaller room. It incorporates a single point ¼” x UNC (20TPI) wall fixing for use with the optional optional MASM speaker mount or any standard wall bracket. Alternatively, fit the 45 to our Radius floor stands, which utilise innovative floor-level connections for a luxury wire-free look.Features: 3" MMP II Driver. All drivers are dedicated and model specific, with each model in the Radius series being designed and voiced individually. 3/4" gold C-CAM tweeter, rear-firing to enhance sound dispersion characteristics Single through-bolt driver fixing. Provides mechanical de-coupling properties resulting in enhanced mid-band clarity and resolution. Through-bolts also act as rigid cross bracing to give a very solid non-resonant cabinet. Single point ¼"x20TPI wall fixing. Use the optional Monitor Audio speaker mount or any standard wall bracket Optional floor-stand with internal (pre-wired) cable management systemSpecifications:Frequency Response: 120Hz - 20KHz Sensitivity: 87dB Nominal Impedance: 8 ohms Power Handling Single (RMS): 25 watts System Power Handling (RMS): 50 watts Recommended Amplifier Requirements: 15-50 watts Maximum SPL (dBA): 101 Bass Alignment: Sealed Cabinet Driver complement: 1 x 3" (75mm) MMP2® cone bass/mid-range Driver, 1 x 3/4" (20mm) C-CAM® gold dome tweeter Cabinet Dimensions (H x W x D): 100 x 100 x 100mm (315/16 x 315/16 x 315/16 Inches) Cabinet Dimensions (H x W x D) (Inc Grille & Terminals): 100 x 100 x 124mm (315/16 x 315/16 x 47/8 Inches) Cabinet Dimensions (H x W x D) (Inc Grille & Bracket): 100 x 100 x 162mm (315/16 x 315/16 x 63/8 Inches) Bracket: Optional - Monitor Audio Speaker Mount (MASM) Weight: 1kg (2lb 4oz)
The diminutive Radius 45 cube is the epitome of Radius innovation: a speaker so small has no right to sound as good as it does, yet miraculously the 45 reveals astonishing mid-range clarity and high frequency ambience from its 3” (75mm) MMP II mid-bass driver and rear-firing 3/4” (19mm) C-CAM® tweeter. It’s perfect for ultra-discreet sound all around the home, or partnered with the Radius 380 sub for explosive stereo from an ultra-compact system. The new Radius 45 is also good for surround sound duties in a smaller room. It incorporates a single point ¼” x UNC (20TPI) wall fixing for use with the optional optional MASM speaker mount or any standard wall bracket. Alternatively, fit the 45 to our Radius floor stands, which utilise innovative floor-level connections for a luxury wire-free look.Features: 3" MMP II Driver. All drivers are dedicated and model specific, with each model in the Radius series being designed and voiced individually. 3/4" gold C-CAM tweeter, rear-firing to enhance sound dispersion characteristics Single through-bolt driver fixing. Provides mechanical de-coupling properties resulting in enhanced mid-band clarity and resolution. Through-bolts also act as rigid cross bracing to give a very solid non-resonant cabinet. Single point ¼"x20TPI wall fixing. Use the optional Monitor Audio speaker mount or any standard wall bracket Optional floor-stand with internal (pre-wired) cable management systemSpecifications:Frequency Response: 120Hz - 20KHz Sensitivity: 87dB Nominal Impedance: 8 ohms Power Handling Single (RMS): 25 watts System Power Handling (RMS): 50 watts Recommended Amplifier Requirements: 15-50 watts Maximum SPL (dBA): 101 Bass Alignment: Sealed Cabinet Driver complement: 1 x 3" (75mm) MMP2® cone bass/mid-range Driver, 1 x 3/4" (20mm) C-CAM® gold dome tweeter Cabinet Dimensions (H x W x D): 100 x 100 x 100mm (315/16 x 315/16 x 315/16 Inches) Cabinet Dimensions (H x W x D) (Inc Grille & Terminals): 100 x 100 x 124mm (315/16 x 315/16 x 47/8 Inches) Cabinet Dimensions (H x W x D) (Inc Grille & Bracket): 100 x 100 x 162mm (315/16 x 315/16 x 63/8 Inches) Bracket: Optional - Monitor Audio Speaker Mount (MASM) Weight: 1kg (2lb 4oz)
The diminutive Radius 45 cube is the epitome of Radius innovation: a speaker so small has no right to sound as good as it does, yet miraculously the 45 reveals astonishing mid-range clarity and high frequency ambience from its 3” (75mm) MMP II mid-bass driver and rear-firing 3/4” (19mm) C-CAM® tweeter. It’s perfect for ultra-discreet sound all around the home, or partnered with the Radius 380 sub for explosive stereo from an ultra-compact system. The new Radius 45 is also good for surround sound duties in a smaller room. It incorporates a single point ¼” x UNC (20TPI) wall fixing for use with the optional optional MASM speaker mount or any standard wall bracket. Alternatively, fit the 45 to our Radius floor stands, which utilise innovative floor-level connections for a luxury wire-free look.Features: 3" MMP II Driver. All drivers are dedicated and model specific, with each model in the Radius series being designed and voiced individually. 3/4" gold C-CAM tweeter, rear-firing to enhance sound dispersion characteristics Single through-bolt driver fixing. Provides mechanical de-coupling properties resulting in enhanced mid-band clarity and resolution. Through-bolts also act as rigid cross bracing to give a very solid non-resonant cabinet. Single point ¼"x20TPI wall fixing. Use the optional Monitor Audio speaker mount or any standard wall bracket Optional floor-stand with internal (pre-wired) cable management systemΧαρακτηριστικά:Frequency Response: 120Hz - 20KHz Sensitivity: 87dB Nominal Impedance: 8 ohms Power Handling Single (RMS): 25 watts System Power Handling (RMS): 50 watts Recommended Amplifier Requirements: 15-50 watts Maximum SPL (dBA): 101 Bass Alignment: Sealed Cabinet Driver complement: 1 x 3" (75mm) MMP2® cone bass/mid-range Driver, 1 x 3/4" (20mm) C-CAM® gold dome tweeter Cabinet Dimensions (H x W x D): 100 x 100 x 100mm (315/16 x 315/16 x 315/16 Inches) Cabinet Dimensions (H x W x D) (Inc Grille & Terminals): 100 x 100 x 124mm (315/16 x 315/16 x 47/8 Inches) Cabinet Dimensions (H x W x D) (Inc Grille & Bracket): 100 x 100 x 162mm (315/16 x 315/16 x 63/8 Inches) Bracket: Optional - Monitor Audio Speaker Mount (MASM) Weight: 1kg (2lb 4oz)
Since the last Radius series we’ve applied our research and development to the challenge of subwoofer design. It’s relatively easy to produce large bass in a large box, but finding the optimum mix of parameters required to generate genuinely deep dynamic bass from a space efficient Radius cabinet requires a vastly more innovative approach. We’re confident that the ultra-compact Radius 380 will elevate your expectations of what’s possible in a small enclosure: the Radius 380 and its companion 390 rewrite the rules.Within the 380’s diminutive cube, twin side-firing 8” C-CAM drivers - one active and one passive ABR - work in tandem with a powerful 200W cool-running Class D amplifier (double the power of its predecessor) to deliver a seismic bass foundation for films and music, distinguished by an intoxicating blend of depth and speed. Tuned for an utterly dynamic result with Radius satellites in film and music systems, the 380 also offers Impact, Movie and Music pre-sets for easy EQ operation. The drivers have no grilles but are colour-coded to coordinate with cabinet finish. A 12V trigger syncs the 380 with other AV components when the system is activated. Features: 18mm MDF cabinet construction with internal bracing Cool-running 200W Class D amplifier with switch mode power supply (SMPSU) Twin side-firing 8” C-CAM drivers - one active and one passive ABR Low pass filter switch – for LFE or Stereo input selection Power switch with ON – Auto- Off/ trigger settings Stereo/ LFE RCA inputs 3 x Pre-set EQ settings – Music/Movie/ImpactSpecifications:System Format: Active sub-woofer system – Auxiliary (ABR) loading. 18mm MDF cabinetLow Frequency Limit: 30Hz (- 6dB)Upper Frequency Limit: Variable 40 – 120 Hz 24dB/OctaveAmplifier Power Output: 200 Watts 1% THD+NAmplifier Classification: Class D amplifier with Switch mode power supply (SMPSU)Bass EQ Switch: Music/ Movie/ Impact Phase Control 0 & 180 degrees Auto Sensing Line Level >3.5mVInput Level Requirements: Standby after approximately 15 minutes if no signal sensedDriver Compliment: 1 x 8” (200mm) C-CAM long throw driver 1 x 8” (200mm) Auxiliary bass radiatorInput Impedance: > 20K OhmsMains Input Voltage: AC 110 - 120 V ~ 50/60Hz; AC 220 - 240 V ~ 50/60Hz (Factory Region Preset)Dimensions including amp & feet (H x W x D): 308 x 290 x 305mm (121/8 x 117/16 x 12 Inches)Connections: Stereo RCA in, LFE in, 12v Trigger in (3.5mm mono mini-jack)12v Trigger Input: 5 - 12v via 3.5mm mono mini-jack socketPower Consumption: 200 Watts / 0.5 Watts in Standby (ErP approved)Weight (Unpacked): 10.16Kg (22lb 6oz)
Promising the astonishing low frequency resolution of the 380 with the added depth, impact and control of a larger bass engine, the Radius 390 demolishes assumptions of size versus performance. With every earth-shaking transient, you’ll be more convinced that the compact 390 is truly ‘ground-breaking’ in form and function. A system of twin colour-coded 10” C-CAM active/ABR drivers is powered by a 220W Class D amplifier to expand levels of output and extension, releasing a rich layer of penetrating bass, mesmerising in its consistency and scale. You’ll get agility as well, for rhythmic depth with music, and dynamic reinforcement in home theatre systems - all this from a beautiful little cube that liberates living space. In tune with Radius philosophy the 390 is perfect for lifestyle but sonically it’s in a class of its own. Enjoy rapid EQ optimisation from Impact, Music and Movie settings, and system automation via the 12V trigger.Features: 18mm MDF cabinet construction with internal bracing Cool-running 220W Class D amplifier with switch mode power supply (SMPSU) Twin side-firing 10” C-CAM drivers - one active and one passive ABR Low pass filter switch – for LFE or Stereo input selection Power switch with ON – Auto- Off/ trigger settings Stereo/ LFE RCA inputs 3 x Pre-set EQ settings – Music/Movie/ImpactSpecifications:System Format: Active sub-woofer system – Auxiliary (ABR) loading. 18mm MDF cabinet Low Frequency Limit: 30Hz (- 6dB) Upper Frequency Limit: Variable 40 – 120 Hz @ 24dB/Octave Amplifier Power Output: 220 Watts @ 1% THD+N Amplifier Classification: Class D amplifier with Switch mode power supply (SMPSU) Bass EQ Switch: Music/ Movie/ Impact Phase Control: 0 & 180 degrees Auto Sensing: Line Level >3.5mV Input Level Requirements: Standby after approximately 15 minutes if no signal sensed Driver Compliment: 1 x 10” (250mm) C-CAM long throw driver,1 x 10” (250mm) Auxiliary bass radiator Input Impedance: > 20K Ohms Mains Input Voltage: AC 110 - 120 V ~ 50/60Hz; AC 220 - 240 V ~ 50/60Hz (Factory Region Preset) Dimensions including amp & feet (H x W x D): 348 x 330 x 345mm, (1311/16 x 13 x 129/16 Inches) Connections: Stereo RCA in, LFE in, 12v Trigger in (3.5mm mono mini-jack) 12v Trigger Input: 5 - 12v via 3.5mm mono mini-jack socket Power Consumption: 220 Watts / 0.5 Watts in Standby (ErP approved) Weight (Unpacked): 13.76Kg (30lb 4oz)
The slender Radius 225 is even slimmer than its predecessor. At just 65mm in depth, the 225 is the perfect match with today’s ultra-thin displays. Use it as a centre channel or main speaker: its acoustic design of twin 4” (100mm) C-CAM mid/bass drivers astride a 1” (25mm) C-CAM tweeter delivers superb accuracy from horizontal and vertical positions. Extend bass further by adding the awesome 380 or 390 subs for breathtaking full-range AV or stereo sound. The new 225 may be thinner physically, but its performance will fill the air with exhilarating audio wall-to-wall. A dedicated wall bracket is included with the 225.Features: New 4” C-CAM bass driver - Radius features all new bass drivers with concave cone profiles, introduced by our top-of-the-range Platinum speakers and applied subsequently to Gold GX. Extensive research and FEA modelling have allowed us to perfect the relationship between the new radiating diaphragm and its motor design, introducing larger motor sizes and voice coils for increased excursion, higher power capability and reduced distortion. New C-CAM gold dome tweeter - optimised to deliver the finest and widest performance within the compact Radius cabinets. It benefits from a more efficient rear-venting design, releasing air trapped and compressed at the back of the tweeter dome, and guiding it around the drive assembly to a rear-loading chamber. HiVe II port design - Straight from Platinum’s design blueprint, the HiVe reflex port makes its Radius debut. It’s shaped to have the same effect on airflow as a gun-barrel on a bullet. Rifled grooves inside the port help to accelerate the flow and reduce turbulence, so air moves in and out of the port more efficiently, for a faster more dynamic bass response. Single through-bolt driver fixing provides mechanical de-coupling and enhanced mid-band clarity and resolution. The through-bolts also act as rigid cross bracing to give a very solid non-resonant cabinet. Comes complete with a dedicated wall bracket.Specifications:Frequency Response: 80Hz - 35KHz Sensitivity: 87dB Nominal Impedance: 6 ohms Power Handling Single (RMS): 100 watts System Power Handling (RMS): 150 watts Recommended Amplifier Requirements: 40-150 watts Maximum SPL (dBA): 107 Bass Alignment: Bass reflex - front ported Driver complement: 2 x 4” (100mm) C-CAM cone bass/mid driver 1 x 1” (25mm) C-CAM gold dome tweeter Cabinet Dimensions (H x W x D): 610 x 140 x 67mm (24 x 51/2 x 25/8 Inches) Cabinet Dimensions (H x W x D)(Inc Grille & Terminals): 610 x 140 x 77mm (24 x 51/2 x 31/16 Inches) Cabinet Dimensions (H x W x D) (Inc Grille & Bracket): 610 x 140 x 84mm (24 x 51/2 x 35/16 Inches) Bracket: Dedicated bracket includedWeight: 4.2kg (9lb 4oz)
The slender Radius 225 is even slimmer than its predecessor. At just 65mm in depth, the 225 is the perfect match with today’s ultra-thin displays. Use it as a centre channel or main speaker: its acoustic design of twin 4” (100mm) C-CAM mid/bass drivers astride a 1” (25mm) C-CAM tweeter delivers superb accuracy from horizontal and vertical positions. Extend bass further by adding the awesome 380 or 390 subs for breathtaking full-range AV or stereo sound. The new 225 may be thinner physically, but its performance will fill the air with exhilarating audio wall-to-wall. A dedicated wall bracket is included with the 225.Features: New 4” C-CAM bass driver - Radius features all new bass drivers with concave cone profiles, introduced by our top-of-the-range Platinum speakers and applied subsequently to Gold GX. Extensive research and FEA modelling have allowed us to perfect the relationship between the new radiating diaphragm and its motor design, introducing larger motor sizes and voice coils for increased excursion, higher power capability and reduced distortion. New C-CAM gold dome tweeter - optimised to deliver the finest and widest performance within the compact Radius cabinets. It benefits from a more efficient rear-venting design, releasing air trapped and compressed at the back of the tweeter dome, and guiding it around the drive assembly to a rear-loading chamber. HiVe II port design - Straight from Platinum’s design blueprint, the HiVe reflex port makes its Radius debut. It’s shaped to have the same effect on airflow as a gun-barrel on a bullet. Rifled grooves inside the port help to accelerate the flow and reduce turbulence, so air moves in and out of the port more efficiently, for a faster more dynamic bass response. Single through-bolt driver fixing provides mechanical de-coupling and enhanced mid-band clarity and resolution. The through-bolts also act as rigid cross bracing to give a very solid non-resonant cabinet. Comes complete with a dedicated wall bracket.Specifications:Frequency Response: 80Hz - 35KHz Sensitivity: 87dB Nominal Impedance: 6 ohms Power Handling Single (RMS): 100 watts System Power Handling (RMS): 150 watts Recommended Amplifier Requirements: 40-150 watts Maximum SPL (dBA): 107 Bass Alignment: Bass reflex - front ported Driver complement: 2 x 4” (100mm) C-CAM cone bass/mid driver 1 x 1” (25mm) C-CAM gold dome tweeter Cabinet Dimensions (H x W x D): 610 x 140 x 67mm (24 x 51/2 x 25/8 Inches) Cabinet Dimensions (H x W x D)(Inc Grille & Terminals): 610 x 140 x 77mm (24 x 51/2 x 31/16 Inches) Cabinet Dimensions (H x W x D) (Inc Grille & Bracket): 610 x 140 x 84mm (24 x 51/2 x 35/16 Inches) Bracket: Dedicated bracket includedWeight: 4.2kg (9lb 4oz)
The K712 PROs are reference, open, over-ear headphones for precise listening, mixing and mastering. The over-ear design guarantees maximum wearing comfort for fatigue-free mixing and mastering, while providing spacious and airy sound without any compromise. Their precise powerful sound results from improved low-end performance by 3dB. Being hand-crafted in Austria, the K712 PROs represent the high quality and legendary design AKG is known for. These headphones have a genuine soft leather headband for a lightweight and comfortable fit. Their carefully selected transducers provide consistency and accurate localization. The K712 PROs come with a professional mini XLR connector for quick replacement of the cable. Also included is an additional coiled cable and a premium carrying bag.
600 Watt Power AmplifierOutput power: 300W 4 ohms stereo, 200W 8 ohms stereoHigh-current toroidal transformers for greater power and low noiseBalanced 1/4' TRS and XLR inputs for maximum flexibilityGrounding / Floating switch to avoid grounding loopBinding post and Speakon-type outputsFront mounted gain controls for easy accessSignal and Peak LED indicators to monitor performanceShort circuit, thermal, subsonic, RF protection, output DC offsetPower on/off mutingSpecifications:Type: Power amplifier Power: 2x200W 8Ω, 2x300W 4ΩFrequency Response: 20Hz-20KHz Inputs: 2 x XLR, 2 x TRS Οutput: 2 x Speakon, 2 x binding post THD:
Designed for handheld interview and presentation applications, the Reporter features an omnidirectional dynamic capsule that is designed to allow the user freedom of use, without the technique related issues typical of directional end-address microphones. Additionally its frequency response has been specially tailored for voice reproduction, to maximise intelligibility and deliver crisp, clear results in almost any condition.The microphone features a durable die-cast aluminium alloy body coated in a discrete matte black anti-glare finish. An innovative multi-layer mesh basket protects the microphone from environmental noise without the need for a bulky and distracting foam wind shield. It is supplied with a removable microphone ‘flag’ that can accommodate high-visibility branding.The Reporter is covered by RØDE’s industry-leading support guarantee, with a twelve month warranty ‘out of the box’ that is easily increased to ten years free of charge, following online registration of the microphone.Specifications:Type: Dynamic Frequency response: 70Hz - 15kHz Sensitivity: -56.0dB re 1 Volt/Pascal (1.00mV 94 dB SPL) +/- 2 dB 1kHz Ιmpedance: 150ΩDimensions: 41.50mmW x 72.50mmH x 41.50mmD Weight: 256 gr
The rugged workhorse with a practical shape. The super-cardioid e 609 silver instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.Features:Rugged metal bodyAdvanced shock-mount designSuper-cardioid pick-up patternHum compensating coilMade in GermanySpecifications:Type: Condenser Pick Up Pattern: super-cardioid Frequency response: 40-15000 Hz Sensitivity: 1,5 mV/Pa Ιmpedance: 350 Ohm Dimensions: 55 x 34 x 134 mm Weight: 140 g
With the TLM 102, the Berlin microphone manufacturer Neumann is defining a new generation of studio microphones. This applies not only to the design of the microphone but also to the price. The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention.The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB which permits the recording of percussion, drums, amps and other very loud sound sources, for example. However the most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix.
Classic proportions combined with attractive styling and fresh ideas – the TLM 107 perfectly embodies the Neumann philosophy: Innovation based on tradition. Far from evoking vintage or retro nostalgia, the standard-setting TLM 107 represents an impressive, modern studio microphone. Its extensive performance spectrum and high-precision reproduction, very close to the original, make the TLM 107 universally applicable, opening up the widest freedom in mixing and post-production.
Classic proportions combined with attractive styling and fresh ideas – the TLM 107 perfectly embodies the Neumann philosophy: Innovation based on tradition. Far from evoking vintage or retro nostalgia, the standard-setting TLM 107 represents an impressive, modern studio microphone. Its extensive performance spectrum and high-precision reproduction, very close to the original, make the TLM 107 universally applicable, opening up the widest freedom in mixing and post-production.
The e 602-II hears bass guitars and tubas with the same attention to detail: warm, dynamic, and always with substance. It sounds as solid as it looks and, thanks to its lightweight aluminum body, is easy to position – in studios, clubs, rehearsal rooms, at smaller gigs or for home recording.Features:Dynamic microphone with expanded bass rangeFast transient responseDesigned for extreme sound pressure levelsRugged lightweight aluminum body simplifies positioning on long microphone boom armsExtremely lightweight coil constructionHum compensating coilIntegrated stand mountSpecifications:Type: Dynamic Pick Up Pattern: cardioid Frequency response: 20 - 16000 Hz Sensitivity: 0,25 mV/Pa; (50 Hz) 0,9 mV/PaΙmpedance: 350 Ohm Dimensions: Ø 60 x 153 mm Weight: 318 gr
The RØDE NTG3 super cardioid shotgun microphone is designed for professional use on film, television, ENG and wherever high resolution broadcast audio is required.As RØDE's premier directional microphone the NTG3 exhibits superlative audio quality with a rich warm quality and a full frequency response. Its RF bias technology makes it almost completely resistant to moisture, making it the only option when recording in demanding environments where condensation is an issue.Machined from solid brass and available in either anti-glare nickel plated finish or matte black (NTG3B), the NTG3 is incredibly robust while remaining incredibly lightweight. Its precise yet forgiving polar pattern ensures that whether used on-camera or on a boom pole, the NTG3 will capture audio clearly every time. An incredibly durable aluminum storage cylinder is supplied to provide the ultimate protection for the NTG3 while in storage and transport. Tightly sealed at both ends the cylinder is highly weatherproof, adding to the microphone's rugged performance credentials.Specifications:Type: Condenser Shotgun Pick Up Pattern: Super cardioid Frequency response: 40Hz - 20 kHz Sensitivity: -30.0dB re 1 Volt/Pascal (31.60mV 94 dB SPL) +/- 2 dB 1kHz Ιmpedance: 25ΩΤotal harmonic distortion: 1kHz, 1% THD into 1KΩ load Dimensions: 25,5 x 19 x 19 Weight: 163 gr Accessories: -
Basic orchestral music stand w/ metal music rest (+punched holes) - dimensions: 47.5 x 34.5cm / 18.7 x 13.6 in. - tubular stand w/ folding legs, steel construction - ABS leghousing - ABS connector clamps - height range : 70 to 110cm / 27.6 to 43.3 in.- weight: 2.9kg / 6.39 lbs - colour: black.
The Isolation Pack is an essential accessory package for anyone wishing to record vocals and consists of a shock mount and an integrated pop shield. The new quick-release shock mount is designed specifically for the Magneto, X1 Series and sE 2200a II series of microphones. Along with the shock mount comes an integrated, height adjustable pop shield with a quick release mechanism for instrument mic’ing.The Pop Shield is an essential part of any vocal recording set-up, the pop shield is made from metal as oppose to the usual fabric shield, creating a much more durable product which is built to last. The Isolation Pack is a cost effective and versatile product, crucial for any vocal recording situation.
The sE X1 USB combines the hugely popular sE X1 large-diaphragm condenser microphone with high-quality USB technology to provide a professional studio microphone for use anywhere! The sE X1 USB is fitted with a USB 2.0 connection and is fully USB 3.0 compatible. As with the rest of the sE X1 range, the sE X1 USB has been treated with a Matte Black finish, meaning the microphone can easily blend into the background on stage or during video recordings. The X1 USB is compatible with the sE Isolation Pack.The sE X1 USB offers the same great performance as the original sE X1, but with the added convenience of plugging straight into a USB port on a PC or Mac, negating the need for an audio interface or external power supply. The sE X1 USB features a cardioid polar pattern with a bass cut and a -10dB pad, and it ships with a mic clip as standard.Specifications:Type: CondenserDirectional pattern: Cardioid Frequency range: 20Hz – 20kHzSensitivity: -27dBV (mV/Pa)Rated impedance:-Equivalent noise level: 19.8 dB Dynamic Range: 135dBConnection: USB 2.0
The Multi-Station "Production" model is designed for mixing, mastering and editing. Standard features include a padded bolster, a rear LCD monitor shelf plus ample desk surface for a computer keyboard and mouse/trackball.Choose either the 2 or 3 rack bay model. Available options include: speaker platforms (swing arm platform shown), LCD arms, rack trays for Avid Artist Series components and a pull-out keyboard tray.
The Vox Night Train NT15C1 G2 tube combo amplifier is at home on any stage or in any studio. You've got classic Vox clean and overdrive tones, plus modern high-gain sounds for maximum versatility. Part of the second generation of Vox's Night Train NT15C1 G2 Series, the Night Train NT15C1 G2 now boasts built-in high-quality reverb. The 12" Celestion G12H Anniversary speaker gives you classic '60s and '70s tone with aggressive lows and chiming highs. For powerful tone shaping, you've got the popular "Thick" switch that gives you more flexibility than standard tone controls. Call Sweetwater to add the Vox Night Train NT15C1 G2 to your guitar rig today!While the Vox Night Train NT15C1 G2 brings a new look to the Vox line, you can expect nothing but true Vox tone. Thanks to its EL84 power amplifier tube pair and 12AX7 preamplifier tube pair, the Vox Night Train NT15C1 G2 features the same winning tube complement as Vox's classic AC15. Bring the Night Train NT15C1 G2 everywhere from chime-like clean tones to warm overdrives - you'll love its signature, harmonically rich tube tone.The Night Train NT15C1 G2's panel gives you Vox's usual complement of controls, including Volume, Gain, Treble, Middle, and Bass controls. Plus, the preamplifier section also features a "Thick" mode switch for extra tonal variety. The Thick switch bypasses the tone circuit on the Bright channel to boost the gain and call up a chunkier, heavier sound.Features:All-tube 15-watt amplifier head sports classic Vox tone along with modern high-gain soundsThree 12AX7 preamp tubes and two EL84 power tubes gives you the same tone-packed design as the legendary AC1512" Celestion G12H Anniversary speaker gives you aggressive lows and chiming highsThick switch gives the gain a boost for hotter overdriven soundsTwo channels: Bright for classic Vox tone, Girth for modern toneCool black metallic mirror finish looks great on stageSpecifiations:Output Power: 15 Watts RMS into 8Ω or 16ΩTube Complement: Preamp: 12AX7 (x3) Power amp: EL84 (x2)Speaker: 12” Celestion G12M Greenback (x1); 16ΩInputs/Outputs: Guitar input, FX Loop (Send/Return), Foot switchControls: Master Volume, BRIGHT/GIRTH channel switch, Reverb, Dark switch, GIRTH channel – “Gain, Volume”, BRIGHT channel - “Gain”, THICK switch, TONE – “Bass, Middle, Treble” (In common for the both “GIRTH & BRIGHT” channel)Dimensions (W x D x H): 495 x 260 x 410 mm / 19.49 x 10.24 x 16.14 inchesWeight: 17.5 kg / 38.58 lbs
The Phanthera V impresses with the same qualities as its cardioid only counterpart, bringing along a lively and intense sound quality and highlighting the sonic aspects of the source material in a subtle manner. In addition to the cardioid directivity, it also allows to record in omni or bidirectional mode with a simple switch and thus adapting it to different recording situations. Using the omnidirectional characteristics, ambience as well as soloists or even big orchestras are captured true-to-life because the sonic environment is also authentically reproduced. For simultaneous stereo recording with a second microphone in XY or MS configuration bidirectional characteristics are available. An additional switchable attenuator reduces the output level of the microphone by 10 dB, providing further valuable dynamic range where necessary. This makes the Phanthera V a versatile professional tool for almost every recording situation.Specifications:Equivalent Noise: < 11 dB A (IEC651)Signal to Noise: > 83 dB (1 Pa/1 kHz-Cardioid)Sensitivity: 33 mV / Pa-CardioidPattern: Omni, Cardioid, Figure EightFrequency Range: 20 Hz - 22 kHzMaximum SPL: 142 dB SPL 0,3 % THDPower Supply: 48 V phantom power
The Phantom V (variable) as a phantom powered large diaphragm FET microphone was the next logical development step in keeping with our product philosophy. It was developed based on the circuit design of the VM1 and also utilizes its capsule as well. Small differences can mean a lot in a recording environment, whether it is the freedom to choose the most suitable directional characteristic (omnidirectional, cardioid or bi-directional), or to expand the dynamic range by 10 dB in case it becomes louder than expected.Stepping aside and leaving the limelight to others, allowing the necessary room for the sound event to fully unfold and become a sound experience. The Phantom V is a microphone in the best Brauner tradition. If you are looking for a unique microphone with its own unique character, look no further than the Phantom V. As the first of Brauner's phantom powered microphones, the Phantom V offers maximum application flexibility and is therefore useful in a variety of situations.Specifications:Equivalent Noise: < 11 dB A (IEC651)Signal to Noise: > 83 dB (1 Pa/1 kHz-Cardioid)Sensitivity: 28 mV / Pa-CardioidPattern: Omni, Cardioid, Figure EightFrequency Range: 20 Hz - 22 kHzMaximum SPL: 142 dB SPL 0,3 % THDPower Supply: 48 V phantom power
The "pure cardioid" series was started in late 2008 when we released the Valvet X pure cardioid which also completed the charming sounding microphones with a counterpart to the natural sounding Valvet. Just in time for the Musikmesse fair 2009 we are now going to release "pure cardioid" models of VM1 and VMX microphones.Continuing the "pure cardioid" series we distill the essence of our successful tube microphones VM1 and VMX into two new models with a cardioid pattern only. Keeping the well-known high-class look & feel, these two new microphones show their exceptional qualities in solo recordings and achieve an even better self noise due to their fixed pattern. Their attractive price appeals to home studio enthusiasts all the way to the most demanding audio purists who do not require the variable patterns offered in the classic VM1 or VMX, and simultaneously make no compromises in sound quality.All "pure cardioid" microphones are shipped in a sturdy aluminium case with power supply, VOVOX TubeLink cable and an elastic suspension. Specifications:Equivalent Noise: < 9 dB A (IEC651)Signal to Noise: > 85 dB (1 Pa/1 kHz-Cardioid)Sensitivity: 28 mV / Pa-CardioidPattern: CardioidFrequency Range: 20 Hz - 22 kHzMax. SPL: 142 dB SPL 0,3 % THDPower Supplay: 115 V or 230 V
The "pure cardioid" series was started in late 2008 when we released the Valvet X pure cardioid which also completed the charming sounding microphones with a counterpart to the natural sounding Valvet. Just in time for the Musikmesse fair 2009 we are now going to release "pure cardioid" models of VM1 and VMX microphones.Continuing the "pure cardioid" series we distill the essence of our successful tube microphones VM1 and VMX into two new models with a cardioid pattern only. Keeping the well-known high-class look & feel, these two new microphones show their exceptional qualities in solo recordings and achieve an even better self noise due to their fixed pattern. Their attractive price appeals to home studio enthusiasts all the way to the most demanding audio purists who do not require the variable patterns offered in the classic VM1 or VMX, and simultaneously make no compromises in sound quality.Specifications:Equivalent Noise: < 9 dB A (IEC651)Signal to Noise: > 85 dB (1 Pa/1 kHz-Cardioid)Sensitivity: 28 mV / Pa-CardioidPattern: CardioidFrequency Range: 20 Hz - 22 kHzMax. SPL: 142 dB SPL 0,3 % THDPower Supplay: 115 V or 230 V
More realism or rather more character in the reproduction? Normally a question such as this implies a choice between two completely different microphones. This question is no problem for the VMA, it unites these two basic sound characters in one. Through simple switching, you can select between the very natural transparent sound of the VM1 or the markedly full character sound of the VMX, thus you actually have two different Brauner microphones in one single body enabling in essence the sound of a VM1 or a VMX.In the development of the VMA, valuable feedback and input on the tonal qualities of the microphone from some of the world?s most highly regarded sound engineers was incorporated. The VMA thereby represents the essence of more than 10 years experience with our flagship model, the VM1. Paired with the possibility of switching to the VMX mode, the VMA is an outstanding achievement in tube microphone design. The adjustments of the directional characteristics, as in the VM1, are infinite and therefore enable superior flexibility. The VMA marks a milestone in modern microphone technology.Specifications:Equivalent Noise: < 11 dB A (IEC651)Signal to Noise: > 83 dB (1 Pa/1 kHz-Cardioid)Sensitivity: 28 mV / Pa-CardioidPattern: all, infinitely variableFrequency Range: 20 Hz - 20 kHzMaximum SPL: 142 dB SPL 0,3 % THDPower Supply: 115 V or 230 V
Have you ever experienced a real great tube microphones breathtaking intimacy? Have you ever noticed its charming detail and inspiring presence? If so, you will know that these attributes come at a price. Introducing the Valvet X, Brauner releases a dedicated cardioid only microphone which really unites these precious attributes within a microphone unparalleled in its class and pricepoint.The Valvet X offers all of the german craftsmenship and technical perfection that made Brauner Microphones world famous. Only finest materials make it into a Brauner. Our engineers sculptured the sonic character of the Valvet X in great detail, performing hours of extensive listening tests to yield a result that will definitely floor you. Its prestine and silky black finish also makes it a real eyecatcher. If you're looking for the real thing - here you go.Specifications:Equivalent Noise: < 9 dB A (IEC651)Signal to Noise: > 85 dB (1 Pa/1 kHz-Cardioid)Sensitivity: 28 mV / Pa-CardioidPattern: CardioidFrequency Range: 20 Hz - 22 kHzMaximum SPL: 142 dB SPL 0,3 % THDPower Supply: 115 V or 230 V
The Phanthera is the impressive proof that a phantom powered non-tube microphone can sound amazingly close to a real tube microphone. With the Phanthera, Brauner expanded its product portfolio to include a reference quality microphone which could stand beside the sound characteristics of the coveted tube models VMA and VMX. The results speak for themselves.Experience vocal recordings with an intensity and liveliness never heard before. The particular sound of a sonic event is highlighted in a subtle manner. Totally unobtrusively, almost imperceptibly, it creates finely elaborate and highly nuanced sonic details. Narration recordings also have clear gains in proximity and plasticity. So you instantly have a result with convincing quality without time-consuming postproduction. Instrumental recordings with the Phanthera stand out due to the enormous detail resolution and first-class transient response.Specifications:Equivalent Noise: < 11 dB A (IEC651)Signal to Noise: > 83 dB (1 Pa/1 kHz-Cardioid)Sensitivity: 33 mV / Pa-CardioidPattern: CardioidFrequency Range: 20 Hz - 22 kHzMaximum SPL: 142 dB SPL 0,3 % THDPower Supply: 48 V phantom power
The DualRole is a perfect companion for MacBook users who need additional USB 3.0 ports for instant connection to peripherals and to connect to a secure wired network using Gigabit Ethernet simultaneously. DualRole lets you connect and expand various USB peripherals with up to 3-additional USB 3 SuperSpeed ports. Ideal for travel and road warriors.Features:Expand and connect more peripherals with 3 additional USB 3.0 SuperSpeed ports. Turn 1 port into 3 when you need it most during your travels.DualRole is the perfect tool for the new laptop/tablet hybrids like the Lenovo ThinkPad XI Carbon or Windows Surface Pro. Simply plug DualRole into the USB port to instantly add a Gigabit Ethernet port and three more USB 3.0 ports.
Tascam RC-10, Wireless/wired remote control for Tascam DR-40 and other Tascam portable audio recorders, 6 buttons for transport control and setting marks while recording, 4 function buttons to control product-specific features (see Owner’s manual of the related product), 3 m cable included (2,5mm jack), Dimensions (L x W x D): 86 mm x 33 mm x 7 mm (wired, excluding projections), 110 mm x 37 mm x 14 mm (wireless, excluding projections), Weight: 15 g (without battery) .
New for 2014 is our Sontronics ARIA valve/tube cardioid condenser microphone that has been developed and designed by Sontronics founder and designer Trevor Coley specifically for getting the best from your vocals. The Sontronics ARIA will give you stunning, beautiful results on every recording, thanks to its silky-smooth characteristics, its accurate response and our trademark Sontronics high-frequency roll-off.Housed inside the chromed grille is a large, 1.07-inch, edge-terminated capsule that captures all the detail and subtleties of any male or female vocal (sung or spoken) while the hand-selected European 12AX7/ECC83 tube lends a character that you'd expect to find in a classic vintage valve mic. For that extra level of control, the accompanying SPS-2 power supply unit boasts pad (0, -10dB) and filter (linear, 75Hz) switches as well as a tube-ready LED, letting you know when the mic is warmed up and at its best to record. Inside the unit is a pro-quality, medical-grade electricity filter to ensure that the power supply is pure and interference-free.During the 12 months of ARIA's development, it has been beta-tested by top artists and musicians including producer/writer Paul Epworth (Adele, Florence & The Machine, Paul McCartney), singer/songwriter PJ Harvey, and also several engineers at Abbey Road Studios, all of whom now admit they can't live without their ARIAs! These and other users have all told us that ARIA's sound and quality is easily matched to mics (both modern and vintage) that cost ten times more.The result is a go-to microphone that's a must-have if you're serious about achieving the best results from vocals but that will also give beautiful results on piano, acoustic guitar, cello and other instruments as well as voiceover and broadcast. Sontronics ARIA really will take your breath away! The ARIA microphone is supplied in its own velvet-lined wooden box, which comes in an aluminium flightcase together with its elastic spider-style shockmount, a ring mount and the SPS-2 power supply, connecting cable and power lead. Like all our mics, Sontronics ARIA is covered by our no-nonsense.
Do you have a turntable, but no phono input on your receiver, integrated amp, or shelf system? Or, does your system's built-in phono stage sound flat and lifeless? No problem — just hook up the Pro-Ject Phono Box DC preamplifer in-line between your record player and any of your receiver's line-level inputs, and you're ready to enjoy your LP collection all over again. Pro-Ject's clean, simple design uses premium quality parts to deliver the warm, relaxed sound that vinyl is famous for. Its compact all-metal body rejects interference to ensure clean sound, and the gold-plated inputs and outputs resist corrosion for the best possible signal transfer. This preamp is compatible with both moving magnet and moving coil cartridges, so you can count on proper matching with virtually any turntable and cartridge combination.Specifications:compatible with moving magnet and moving coil phono cartridgesexternal power supply for reduced noise and interferencegold-plated input and output jacks for solid, corrosion-free connectionsdual-mono circuitry for optimal channel separationsmall size allows placement near turntableinput impedance: 47 kohms/120pF (MM); 100ohms/120pF (MC)gain: 40dB (MM); 60dB (MC)signal-to-noise ratio: 86dB (MM); 68dB (MC)THD: 0.01% (MM); 0.05% (MC)RIAA response accuracy: 0.5dB (20-20,000 Hz)4-1/8"W x 1-1/2"H x 5-3/8"D
